#morphine — Public Fediverse posts

My new paper is out and its free access (for now)!

https://authors.elsevier.com/c/1mvT~6T916K9P

Adult neurons resist influence more than neurons of younger animals, but once the system is altered, recovery in adults takes longer or never happens at all!

This could be why adults resist strong emotions, drugs, and even learning when compared to children!

For this study we used #morphine and #opioid exposure to examine how the age of the animal when exposed changed drug effects.

#neuroscience #science #research

My new paper is out and its free access (for now)!

https://authors.elsevier.com/c/1mvT~6T916K9P

Adult neurons resist influence more than neurons of younger animals, but once the system is altered, recovery in adults takes longer or never happens at all!

This could be why adults resist strong emotions, drugs, and even learning when compared to children!

For this study we used #morphine and #opioid exposure to examine how the age of the animal when exposed changed drug effects.

#neuroscience #science #research

My new paper is out and its free access (for now)!

https://authors.elsevier.com/c/1mvT~6T916K9P

Adult neurons resist influence more than neurons of younger animals, but once the system is altered, recovery in adults takes longer or never happens at all!

This could be why adults resist strong emotions, drugs, and even learning when compared to children!

For this study we used #morphine and #opioid exposure to examine how the age of the animal when exposed changed drug effects.

#neuroscience #science #research

My new paper is out and its free access (for now)!

https://authors.elsevier.com/c/1mvT~6T916K9P

Adult neurons resist influence more than neurons of younger animals, but once the system is altered, recovery in adults takes longer or never happens at all!

This could be why adults resist strong emotions, drugs, and even learning when compared to children!

For this study we used #morphine and #opioid exposure to examine how the age of the animal when exposed changed drug effects.

#neuroscience #science #research

My new paper is out and its free access (for now)!

https://authors.elsevier.com/c/1mvT~6T916K9P

Adult neurons resist influence more than neurons of younger animals, but once the system is altered, recovery in adults takes longer or never happens at all!

This could be why adults resist strong emotions, drugs, and even learning when compared to children!

For this study we used #morphine and #opioid exposure to examine how the age of the animal when exposed changed drug effects.

#neuroscience #science #research

Il y a 21 ans : Performances sur ordonnance https://www.cyclisme-dopage.com/dossierdefond/2005-04-08-liberation.htm #cyclisme #dopage #AMA #CPLD #corticoïdes #morphine #bêtabloquants #AUT

A quotation from Arthur Conan Doyle

   “Which is it to-day,” I asked, “morphine or cocaine?”
   He raised his eyes languidly from the old black-letter volume which he had opened. “It is cocaine,” he said, “a seven-per-cent solution. Would you care to try it?”

Arthur Conan Doyle (1859-1930) British writer and physician
Story (1890-02), “The Sign of the Four,” ch. 1, Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)

More about this quote: wist.info/doyle-arthur-conan/8…

#quote #quotes #quotation #qotd #arthurconandoyle #holmes #watson #sherlockholmes #addiction #cocaine #drugusage #drugs #morphine

A quotation from Arthur Conan Doyle

   “Which is it to-day,” I asked, “morphine or cocaine?”
   He raised his eyes languidly from the old black-letter volume which he had opened. “It is cocaine,” he said, “a seven-per-cent solution. Would you care to try it?”

Arthur Conan Doyle (1859-1930) British writer and physician
Story (1890-02), “The Sign of the Four,” ch. 1, Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)

More about this quote: wist.info/doyle-arthur-conan/8…

#quote #quotes #quotation #qotd #arthurconandoyle #holmes #watson #sherlockholmes #addiction #cocaine #drugusage #drugs #morphine

A quotation from Arthur Conan Doyle

   “Which is it to-day,” I asked, “morphine or cocaine?”
   He raised his eyes languidly from the old black-letter volume which he had opened. “It is cocaine,” he said, “a seven-per-cent solution. Would you care to try it?”

Arthur Conan Doyle (1859-1930) British writer and physician
Story (1890-02), “The Sign of the Four,” ch. 1, Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)

More about this quote: wist.info/doyle-arthur-conan/8…

#quote #quotes #quotation #qotd #arthurconandoyle #holmes #watson #sherlockholmes #addiction #cocaine #drugusage #drugs #morphine

A quotation from Arthur Conan Doyle

   “Which is it to-day,” I asked, “morphine or cocaine?”
   He raised his eyes languidly from the old black-letter volume which he had opened. “It is cocaine,” he said, “a seven-per-cent solution. Would you care to try it?”

Arthur Conan Doyle (1859-1930) British writer and physician
Story (1890-02), “The Sign of the Four,” ch. 1, Lippincott’s Monthly Magazine, Vol. 45 (US) / 1 (UK)

More about this quote: wist.info/doyle-arthur-conan/8…

#quote #quotes #quotation #qotd #arthurconandoyle #holmes #watson #sherlockholmes #addiction #cocaine #drugusage #drugs #morphine

Il y a 20 ans : Le cycliste Vandenbroucke obtient l'annulation de sa condamnation https://www.cyclisme-dopage.com/actualite/2006-02-15-yahoo-afp.htm #cyclisme #dopage #EPO #FrankVandenbroucke #amphétamines #hormones #morphine #stéroïdes #toxicomane

Il y a 20 ans : Le cycliste Vandenbroucke obtient l'annulation de sa condamnation https://www.cyclisme-dopage.com/actualite/2006-02-15-yahoo-afp.htm #cyclisme #dopage #EPO #FrankVandenbroucke #amphétamines #hormones #morphine #stéroïdes #toxicomane

Il y a 20 ans : Le cycliste Vandenbroucke obtient l'annulation de sa condamnation https://www.cyclisme-dopage.com/actualite/2006-02-15-yahoo-afp.htm #cyclisme #dopage #EPO #FrankVandenbroucke #amphétamines #hormones #morphine #stéroïdes #toxicomane

As this new year has gotten off to a right proper, lunacy-fueled start, I scoured the sump pit in search of something to pen my first review of 2026 on. As I poked through the pickens, slim as they were, I spied one of my favorite tags: ‘Steel says review,’ sitting unclaimed. Self-described as ‘free form death-jazz,’ Umeå, Sweden’s Backengrillen play music that is a paean to chaos and destruction. The basic idea is to take a death/doom metal, or noiserock riff and play it until it loses meaning and then break it apart like a ravenous cat would a tiny forest mouse. Okay, I thought, I’ll bite. Formed primarily from the ashes of the now twice-dead Swedish post-hardcore legends Refused, vocalist Dennis Lyxzén, bassist Magnus Flagge, and drummer David Sandström have partnered with composer and saxophonist Mats Gustafsson to release Backengrillen, their eponymous debut album on Svart Records. Backengrillen cull inspiration from The Cramps and Little Richard to Entombed, Misfits, and Can. With such an eclectic cadre of performers to draw muse from, I was thoroughly intrigued to dive into Backengrillen and discover what I had gotten myself into.

Experimentally chaotic yet at times catchy and compelling, Backengrillen reaps seeds first sown on Refused’s initial 1998 swan song, The Shape of Punk to Come. Where TSoPtC only dabbled outside traditional punk and hardcore tropes, though, Backengrillen embeds those fringe elements of ambiance, electronics, and jazzy instrumentation as the spine of its soundscape, with Gustafsson carrying most of the weird load. His role as frenetic flautist, huffing, puffing, and grunting violently over his flute’s embouchure like some deranged Ian Anderson (“Dör för långsamt”), and psychotic saxophonist, skronking, squawking, and swooning (“Backengrillen”), counterbalances Backengrillen’s more alt-punk style, homogenizing the whole into something akin to Morphine on meth.

Backengrillen by Backengrillen

Written during Backengrillen’s first rehearsal, performed live the next day, then recorded the day after that, Backengrillen is a gutsy shot in the dark. As off-the-cuff as it is, there are moments on Backengrillen that came off way more methodical than the nature of their origin would suggest. Launching from a simple, keyed melody, “A Hate Inferior” builds slowly as layers of drums, bass, and smarmy sax eventually coalesce into a scorched-earth sludge bomb that hits around the three-minute mark, and is topped off by Lyxzén’s nuclear scream, whose vocals sound like a mix of Zach de la Rocha and Jello Biafra. From that point on, the track had me rocking a slow and steady stank-faced head bob. Then there’s, at least for me, the humorously titled “Repeater II,” which is the shortest and most traditionally structured of the bunch—clocking in at a brisk six minutes forty-three seconds. A rompy, punk-fueled ditty that sounds like a mix of The Cramps, Dead Kennedys, and Nirvana, with a bit of sax thrown in for good measure, and Lyxzén, at his most Biafra-like, shouting the infectious chorus, ‘Hey, repeat it, repeat it again,’ over and over.

Whipped up quicker than a batch of Mom’s Rice Krispies treats, Backengrillen suffers most from impoverished improvisation. Despite the churlish charm present on the tracks mentioned above, the rest of this five-song, fifty-three-minute monster isn’t nearly as engaging or easy to listen to. “Dör för långsamt,” for example, is just over thirteen minutes of Gustaffson’s squawky, dying-animal sax playing entwined with a bevy of Lyxzén’s screeches, screams, grunts, and queasy, drunken-sounding chorus lines layered over a plodding, tribal bass and drum beat. “Backengrillen” fares no better, eleven minutes of sluggish drum and bass holding up Gustaffson’s breathy, trilly flute and barely tuned saxophone alongside another Lyxzén performance made up of pitchy, swaying chants and lots of grunting screams. And on every play through, by the time “Socialism or Barbarism” rolled around, I was checked out and ready to move on. This made slogging through the tracks’ first three minutes of electronic noise that much harder to digest, let alone the remaining 7.5 minutes.

Had this been recorded as one continuous, fully improvised live set in some Västerbotten County dive-bar, complete with sparse crowd reactions, by four musicians who’d never played one note together, it might have hit different.1 As it stands, my greatest takeaway from this experience was discovering Refused, which I actually had a lot of fun listening to during my prep. And for those wondering, why no puns, here you go. Ultimately, there isn’t enough meat grillen here to get me to come Backen.

Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: Bandcamp
Releases Worldwide: January 23, 2026

As this new year has gotten off to a right proper, lunacy-fueled start, I scoured the sump pit in search of something to pen my first review of 2026 on. As I poked through the pickens, slim as they were, I spied one of my favorite tags: ‘Steel says review,’ sitting unclaimed. Self-described as ‘free form death-jazz,’ Umeå, Sweden’s Backengrillen play music that is a paean to chaos and destruction. The basic idea is to take a death/doom metal, or noiserock riff and play it until it loses meaning and then break it apart like a ravenous cat would a tiny forest mouse. Okay, I thought, I’ll bite. Formed primarily from the ashes of the now twice-dead Swedish post-hardcore legends Refused, vocalist Dennis Lyxzén, bassist Magnus Flagge, and drummer David Sandström have partnered with composer and saxophonist Mats Gustafsson to release Backengrillen, their eponymous debut album on Svart Records. Backengrillen cull inspiration from The Cramps and Little Richard to Entombed, Misfits, and Can. With such an eclectic cadre of performers to draw muse from, I was thoroughly intrigued to dive into Backengrillen and discover what I had gotten myself into.

Experimentally chaotic yet at times catchy and compelling, Backengrillen reaps seeds first sown on Refused’s initial 1998 swan song, The Shape of Punk to Come. Where TSoPtC only dabbled outside traditional punk and hardcore tropes, though, Backengrillen embeds those fringe elements of ambiance, electronics, and jazzy instrumentation as the spine of its soundscape, with Gustafsson carrying most of the weird load. His role as frenetic flautist, huffing, puffing, and grunting violently over his flute’s embouchure like some deranged Ian Anderson (“Dör för långsamt”), and psychotic saxophonist, skronking, squawking, and swooning (“Backengrillen”), counterbalances Backengrillen’s more alt-punk style, homogenizing the whole into something akin to Morphine on meth.

Backengrillen by Backengrillen

Written during Backengrillen’s first rehearsal, performed live the next day, then recorded the day after that, Backengrillen is a gutsy shot in the dark. As off-the-cuff as it is, there are moments on Backengrillen that came off way more methodical than the nature of their origin would suggest. Launching from a simple, keyed melody, “A Hate Inferior” builds slowly as layers of drums, bass, and smarmy sax eventually coalesce into a scorched-earth sludge bomb that hits around the three-minute mark, and is topped off by Lyxzén’s nuclear scream, whose vocals sound like a mix of Zach de la Rocha and Jello Biafra. From that point on, the track had me rocking a slow and steady stank-faced head bob. Then there’s, at least for me, the humorously titled “Repeater II,” which is the shortest and most traditionally structured of the bunch—clocking in at a brisk six minutes forty-three seconds. A rompy, punk-fueled ditty that sounds like a mix of The Cramps, Dead Kennedys, and Nirvana, with a bit of sax thrown in for good measure, and Lyxzén, at his most Biafra-like, shouting the infectious chorus, ‘Hey, repeat it, repeat it again,’ over and over.

Whipped up quicker than a batch of Mom’s Rice Krispies treats, Backengrillen suffers most from impoverished improvisation. Despite the churlish charm present on the tracks mentioned above, the rest of this five-song, fifty-three-minute monster isn’t nearly as engaging or easy to listen to. “Dör för långsamt,” for example, is just over thirteen minutes of Gustaffson’s squawky, dying-animal sax playing entwined with a bevy of Lyxzén’s screeches, screams, grunts, and queasy, drunken-sounding chorus lines layered over a plodding, tribal bass and drum beat. “Backengrillen” fares no better, eleven minutes of sluggish drum and bass holding up Gustaffson’s breathy, trilly flute and barely tuned saxophone alongside another Lyxzén performance made up of pitchy, swaying chants and lots of grunting screams. And on every play through, by the time “Socialism or Barbarism” rolled around, I was checked out and ready to move on. This made slogging through the tracks’ first three minutes of electronic noise that much harder to digest, let alone the remaining 7.5 minutes.

Had this been recorded as one continuous, fully improvised live set in some Västerbotten County dive-bar, complete with sparse crowd reactions, by four musicians who’d never played one note together, it might have hit different.1 As it stands, my greatest takeaway from this experience was discovering Refused, which I actually had a lot of fun listening to during my prep. And for those wondering, why no puns, here you go. Ultimately, there isn’t enough meat grillen here to get me to come Backen.

Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: Bandcamp
Releases Worldwide: January 23, 2026

As this new year has gotten off to a right proper, lunacy-fueled start, I scoured the sump pit in search of something to pen my first review of 2026 on. As I poked through the pickens, slim as they were, I spied one of my favorite tags: ‘Steel says review,’ sitting unclaimed. Self-described as ‘free form death-jazz,’ Umeå, Sweden’s Backengrillen play music that is a paean to chaos and destruction. The basic idea is to take a death/doom metal, or noiserock riff and play it until it loses meaning and then break it apart like a ravenous cat would a tiny forest mouse. Okay, I thought, I’ll bite. Formed primarily from the ashes of the now twice-dead Swedish post-hardcore legends Refused, vocalist Dennis Lyxzén, bassist Magnus Flagge, and drummer David Sandström have partnered with composer and saxophonist Mats Gustafsson to release Backengrillen, their eponymous debut album on Svart Records. Backengrillen cull inspiration from The Cramps and Little Richard to Entombed, Misfits, and Can. With such an eclectic cadre of performers to draw muse from, I was thoroughly intrigued to dive into Backengrillen and discover what I had gotten myself into.

Experimentally chaotic yet at times catchy and compelling, Backengrillen reaps seeds first sown on Refused’s initial 1998 swan song, The Shape of Punk to Come. Where TSoPtC only dabbled outside traditional punk and hardcore tropes, though, Backengrillen embeds those fringe elements of ambiance, electronics, and jazzy instrumentation as the spine of its soundscape, with Gustafsson carrying most of the weird load. His role as frenetic flautist, huffing, puffing, and grunting violently over his flute’s embouchure like some deranged Ian Anderson (“Dör för långsamt”), and psychotic saxophonist, skronking, squawking, and swooning (“Backengrillen”), counterbalances Backengrillen’s more alt-punk style, homogenizing the whole into something akin to Morphine on meth.

Backengrillen by Backengrillen

Written during Backengrillen’s first rehearsal, performed live the next day, then recorded the day after that, Backengrillen is a gutsy shot in the dark. As off-the-cuff as it is, there are moments on Backengrillen that came off way more methodical than the nature of their origin would suggest. Launching from a simple, keyed melody, “A Hate Inferior” builds slowly as layers of drums, bass, and smarmy sax eventually coalesce into a scorched-earth sludge bomb that hits around the three-minute mark, and is topped off by Lyxzén’s nuclear scream, whose vocals sound like a mix of Zach de la Rocha and Jello Biafra. From that point on, the track had me rocking a slow and steady stank-faced head bob. Then there’s, at least for me, the humorously titled “Repeater II,” which is the shortest and most traditionally structured of the bunch—clocking in at a brisk six minutes forty-three seconds. A rompy, punk-fueled ditty that sounds like a mix of The Cramps, Dead Kennedys, and Nirvana, with a bit of sax thrown in for good measure, and Lyxzén, at his most Biafra-like, shouting the infectious chorus, ‘Hey, repeat it, repeat it again,’ over and over.

Whipped up quicker than a batch of Mom’s Rice Krispies treats, Backengrillen suffers most from impoverished improvisation. Despite the churlish charm present on the tracks mentioned above, the rest of this five-song, fifty-three-minute monster isn’t nearly as engaging or easy to listen to. “Dör för långsamt,” for example, is just over thirteen minutes of Gustaffson’s squawky, dying-animal sax playing entwined with a bevy of Lyxzén’s screeches, screams, grunts, and queasy, drunken-sounding chorus lines layered over a plodding, tribal bass and drum beat. “Backengrillen” fares no better, eleven minutes of sluggish drum and bass holding up Gustaffson’s breathy, trilly flute and barely tuned saxophone alongside another Lyxzén performance made up of pitchy, swaying chants and lots of grunting screams. And on every play through, by the time “Socialism or Barbarism” rolled around, I was checked out and ready to move on. This made slogging through the tracks’ first three minutes of electronic noise that much harder to digest, let alone the remaining 7.5 minutes.

Had this been recorded as one continuous, fully improvised live set in some Västerbotten County dive-bar, complete with sparse crowd reactions, by four musicians who’d never played one note together, it might have hit different.1 As it stands, my greatest takeaway from this experience was discovering Refused, which I actually had a lot of fun listening to during my prep. And for those wondering, why no puns, here you go. Ultimately, there isn’t enough meat grillen here to get me to come Backen.

Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: Bandcamp
Releases Worldwide: January 23, 2026

As this new year has gotten off to a right proper, lunacy-fueled start, I scoured the sump pit in search of something to pen my first review of 2026 on. As I poked through the pickens, slim as they were, I spied one of my favorite tags: ‘Steel says review,’ sitting unclaimed. Self-described as ‘free form death-jazz,’ Umeå, Sweden’s Backengrillen play music that is a paean to chaos and destruction. The basic idea is to take a death/doom metal, or noiserock riff and play it until it loses meaning and then break it apart like a ravenous cat would a tiny forest mouse. Okay, I thought, I’ll bite. Formed primarily from the ashes of the now twice-dead Swedish post-hardcore legends Refused, vocalist Dennis Lyxzén, bassist Magnus Flagge, and drummer David Sandström have partnered with composer and saxophonist Mats Gustafsson to release Backengrillen, their eponymous debut album on Svart Records. Backengrillen cull inspiration from The Cramps and Little Richard to Entombed, Misfits, and Can. With such an eclectic cadre of performers to draw muse from, I was thoroughly intrigued to dive into Backengrillen and discover what I had gotten myself into.

Experimentally chaotic yet at times catchy and compelling, Backengrillen reaps seeds first sown on Refused’s initial 1998 swan song, The Shape of Punk to Come. Where TSoPtC only dabbled outside traditional punk and hardcore tropes, though, Backengrillen embeds those fringe elements of ambiance, electronics, and jazzy instrumentation as the spine of its soundscape, with Gustafsson carrying most of the weird load. His role as frenetic flautist, huffing, puffing, and grunting violently over his flute’s embouchure like some deranged Ian Anderson (“Dör för långsamt”), and psychotic saxophonist, skronking, squawking, and swooning (“Backengrillen”), counterbalances Backengrillen’s more alt-punk style, homogenizing the whole into something akin to Morphine on meth.

Backengrillen by Backengrillen

Written during Backengrillen’s first rehearsal, performed live the next day, then recorded the day after that, Backengrillen is a gutsy shot in the dark. As off-the-cuff as it is, there are moments on Backengrillen that came off way more methodical than the nature of their origin would suggest. Launching from a simple, keyed melody, “A Hate Inferior” builds slowly as layers of drums, bass, and smarmy sax eventually coalesce into a scorched-earth sludge bomb that hits around the three-minute mark, and is topped off by Lyxzén’s nuclear scream, whose vocals sound like a mix of Zach de la Rocha and Jello Biafra. From that point on, the track had me rocking a slow and steady stank-faced head bob. Then there’s, at least for me, the humorously titled “Repeater II,” which is the shortest and most traditionally structured of the bunch—clocking in at a brisk six minutes forty-three seconds. A rompy, punk-fueled ditty that sounds like a mix of The Cramps, Dead Kennedys, and Nirvana, with a bit of sax thrown in for good measure, and Lyxzén, at his most Biafra-like, shouting the infectious chorus, ‘Hey, repeat it, repeat it again,’ over and over.

Whipped up quicker than a batch of Mom’s Rice Krispies treats, Backengrillen suffers most from impoverished improvisation. Despite the churlish charm present on the tracks mentioned above, the rest of this five-song, fifty-three-minute monster isn’t nearly as engaging or easy to listen to. “Dör för långsamt,” for example, is just over thirteen minutes of Gustaffson’s squawky, dying-animal sax playing entwined with a bevy of Lyxzén’s screeches, screams, grunts, and queasy, drunken-sounding chorus lines layered over a plodding, tribal bass and drum beat. “Backengrillen” fares no better, eleven minutes of sluggish drum and bass holding up Gustaffson’s breathy, trilly flute and barely tuned saxophone alongside another Lyxzén performance made up of pitchy, swaying chants and lots of grunting screams. And on every play through, by the time “Socialism or Barbarism” rolled around, I was checked out and ready to move on. This made slogging through the tracks’ first three minutes of electronic noise that much harder to digest, let alone the remaining 7.5 minutes.

Had this been recorded as one continuous, fully improvised live set in some Västerbotten County dive-bar, complete with sparse crowd reactions, by four musicians who’d never played one note together, it might have hit different.1 As it stands, my greatest takeaway from this experience was discovering Refused, which I actually had a lot of fun listening to during my prep. And for those wondering, why no puns, here you go. Ultimately, there isn’t enough meat grillen here to get me to come Backen.

Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Svart Records
Websites: Bandcamp
Releases Worldwide: January 23, 2026

MORPHINE - The night
https://youtu.be/_Blq8WQvHOM?si=N4QMtcQ_x0yioAa5

#slowrock #morphine #marksandman

MORPHINE - The night
https://youtu.be/_Blq8WQvHOM?si=N4QMtcQ_x0yioAa5

#slowrock #morphine #marksandman

MORPHINE - The night
https://youtu.be/_Blq8WQvHOM?si=N4QMtcQ_x0yioAa5

#slowrock #morphine #marksandman

‘Significant’ theft of toxic poppies could cause death, Tasmanian authorities warn

Tasmania’s Health Department is warning of the danger of consuming “life-threatening” poppy capsules, as police respond to the…
#NewsBeep #News #Australia #AU #codeine #morphine #opium #oxy #oxycontin #Poppies #poppy #thebaine
https://www.newsbeep.com/au/413052/

Il y a 22 ans : Poursuites à l'encontre du cycliste Vandenbroucke https://www.cyclisme-dopage.com/actualite/2004-01-13-yahoo-afp.htm #cyclisme #dopage #EPO #morphine #clenbuterol #FrankVandenbroucke

Il y a 22 ans : Poursuites à l'encontre du cycliste Vandenbroucke https://www.cyclisme-dopage.com/actualite/2004-01-13-yahoo-afp.htm #cyclisme #dopage #EPO #morphine #clenbuterol #FrankVandenbroucke

Il y a 22 ans : Poursuites à l'encontre du cycliste Vandenbroucke https://www.cyclisme-dopage.com/actualite/2004-01-13-yahoo-afp.htm #cyclisme #dopage #EPO #morphine #clenbuterol #FrankVandenbroucke

🇺🇦 #NowPlaying on #KEXP's #MiddayShow

Morphine:
🎵 Cure for Pain

#Morphine

https://vaporsofmorphine.bandcamp.com/track/audio-only-download-of-voms-live-performance-of-cure-for-pain-lizard-lounge-feb-22nd-2018

https://open.spotify.com/track/3hO9gaVixKDoYDrlTBrEWf

#BostonWeekend 4x Fri FUCK CANCER - Benefit show supporting #DFCI - featuring Vapors of #Morphine and buncha other bands, in #SomervilleMA $25+ https://www.crystalballroomboston.com/events/lets-rock-cancer/
#BostonMusic #VaporsOfMorphine

#BostonWeekend 4x Fri FUCK CANCER - Benefit show supporting #DFCI - featuring Vapors of #Morphine and buncha other bands, in #SomervilleMA $25+ https://www.crystalballroomboston.com/events/lets-rock-cancer/
#BostonMusic #VaporsOfMorphine

#BostonWeekend 4x Fri FUCK CANCER - Benefit show supporting #DFCI - featuring Vapors of #Morphine and buncha other bands, in #SomervilleMA $25+ https://www.crystalballroomboston.com/events/lets-rock-cancer/
#BostonMusic #VaporsOfMorphine

#BostonWeekend 4x Fri FUCK CANCER - Benefit show supporting #DFCI - featuring Vapors of #Morphine and buncha other bands, in #SomervilleMA $25+ https://www.crystalballroomboston.com/events/lets-rock-cancer/
#BostonMusic #VaporsOfMorphine

#BostonWeekend 4x Fri FUCK CANCER - Benefit show supporting #DFCI - featuring Vapors of #Morphine and buncha other bands, in #SomervilleMA $25+ https://www.crystalballroomboston.com/events/lets-rock-cancer/
#BostonMusic #VaporsOfMorphine

Il y a 21 ans : La justice belge clémente avec Frank Vandenbroucke https://www.cyclisme-dopage.com/actualite/2004-12-06-tv5-org-afp.htm #cyclisme #dopage #Frank #Vandenbroucke #EPO #amphétamines #morphine #stéroïdes #hormones

🇺🇦 #NowPlaying on #KEXP's #AfternoonShow

Morphine:
🎵 Honey White

#Morphine

https://certaindamage.bandcamp.com/track/honey-white

https://open.spotify.com/track/6duiokdiw9dEJe7PEgK30h

🇺🇦 #NowPlaying on #KEXP's #AfternoonShow

Morphine:
🎵 Cure for Pain

#Morphine

https://vaporsofmorphine.bandcamp.com/track/audio-only-download-of-voms-live-performance-of-cure-for-pain-lizard-lounge-feb-22nd-2018

https://open.spotify.com/track/3hO9gaVixKDoYDrlTBrEWf

I'm a bit disappointed with the first episode of Turn of the Tide Season 2 #netflix (Rabo de Peixe).

Highlight was a strong reference to #Morphine (the band) and that's good enough for me.

Morphine - Good - 1992
#Music #AlbumSuggestions #NowPlaying #NowListening
#Morphine #Good

♫ Otra canción que me gusta en Spotify ►«Sheila» de «Morphine» en su album «Cure for Pain»
https://open.spotify.com/track/07ZCtnZ0YgVGltalbis7Th #music #spotify #Morphine

This week is SmutMag Radio's soft open, while we learn the platform, work out kinks, and fill out time slots. But with a lineup like this, we have you set all day.

Then for something naughtier, stay all night, as we continue debuting new spoken word erotica all week.

That's right. We do it all.
#annielennox @benjamineclementine #ccr #morphine #noisettes #radio #erotica

This week is SmutMag Radio's soft open, while we learn the platform, work out kinks, and fill out time slots. But with a lineup like this, we have you set all day.

Then for something naughtier, stay all night, as we continue debuting new spoken word erotica all week.

That's right. We do it all.
#annielennox @benjamineclementine #ccr #morphine #noisettes #radio #erotica

🇺🇦 #NowPlaying on #KEXP's #MiddayShow

Morphine:
🎵 Thursday

#Morphine

https://jackiestahlandthewhiterussians.bandcamp.com/track/thursday-morphine

https://open.spotify.com/track/5x5mOPCNYpaBvTdPpYtDLP

Primitive War soundtrack https://soundtrack.zouluvo.com/primitive-war/

#Primitive #War #BandeOriginale #Musique #Film #Action #Horreur #Suspense #Jungle #Tyrannosaure #Dinosaure #Attaque #Vallée #Ombres #Embuscade #Prédateur #Meute #Morphine #Soldats #Réquiem #Combat #Chute #Collision #Chasse #Démon #Puissance #Terreur #Énergie #Sombre #Intense #atmosphere

Primitive War soundtrack https://soundtrack.zouluvo.com/primitive-war/

#Primitive #War #BandeOriginale #Musique #Film #Action #Horreur #Suspense #Jungle #Tyrannosaure #Dinosaure #Attaque #Vallée #Ombres #Embuscade #Prédateur #Meute #Morphine #Soldats #Réquiem #Combat #Chute #Collision #Chasse #Démon #Puissance #Terreur #Énergie #Sombre #Intense #atmosphere

Primitive War soundtrack https://soundtrack.zouluvo.com/primitive-war/

#Primitive #War #BandeOriginale #Musique #Film #Action #Horreur #Suspense #Jungle #Tyrannosaure #Dinosaure #Attaque #Vallée #Ombres #Embuscade #Prédateur #Meute #Morphine #Soldats #Réquiem #Combat #Chute #Collision #Chasse #Démon #Puissance #Terreur #Énergie #Sombre #Intense #atmosphere

Primitive War soundtrack https://soundtrack.zouluvo.com/primitive-war/

#Primitive #War #BandeOriginale #Musique #Film #Action #Horreur #Suspense #Jungle #Tyrannosaure #Dinosaure #Attaque #Vallée #Ombres #Embuscade #Prédateur #Meute #Morphine #Soldats #Réquiem #Combat #Chute #Collision #Chasse #Démon #Puissance #Terreur #Énergie #Sombre #Intense #atmosphere

🇺🇦 #NowPlaying on #KEXP's #VarietyMix

Morphine:
🎵 Cure for Pain

#Morphine

https://vaporsofmorphine.bandcamp.com/track/audio-only-download-of-voms-live-performance-of-cure-for-pain-lizard-lounge-feb-22nd-2018

Fri #BostonWeekend 23/x #MORPHINE - Mark Sandman didn't make it but #VaporsOfMorphine lives on. Baritone #Saxophone, Electric Bass, Drumkit, vocals. They're at Regattabar, $42ish
https://www.youtube.com/watch?v=3KOIeDRqbJ4
(1997's Like Swimming is a formative record for me, check it out if you haven't heard it recently)
https://www.ticketweb.com/event/vapors-of-morphine-regattabar-tickets/13839014?pl=regatta #BostonMusic #Rock

https://www.europesays.com/uk/319022/ Lethal dose of morphine given to Sheila Thurlow a ‘failure’ of everybody involved, inquest hears #Brisbane #CoronersCourt #Death #Health #Hospital #inquest. #Medication #Morphine #qld #queensland #SheilaThurlow #UK #UnitedKingdom

Lethal dose of morphine given to Sheila Thurlow a ‘failure’ of everybody involved, inquest hears

An anaesthetist who was present when an elderly woman was given an “outrageously high” dose of morphine at…
#NewsBeep #News #Medication #AU #Australia #Brisbane #CoronersCourt #death #Health #Hospital #inquest #morphine #Qld #Queensland #sheilathurlow
https://www.newsbeep.com/au/44533/

I don't mind Spotify getting bad press for allowing AI garbage to be posted to a dead artist's profile, but this is not a new problem and it's not a problem that is unique to Spotify. Music publishers publish songs to the wrong artist profile all the time on all of the streaming services.

Morphine's artist profile on Tidal currently displays nine singles released this year, none of which have anything to do with the band Morphine.

#spotify #tidal #morphine

I think I need some Morphine.

#Morphine #Music

I wish #Morphine (the band) had recorded an instrumental album for late night listening.

(Ew, now I just had the terrible thought that since I wrote this, some bullshit AI will create it and it’ll be the worst.)