#freejazz — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #freejazz, aggregated by home.social.
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Bullshitdozer, Bullshit Nonsense, The Naima
Jazz Gallery Center for the Arts, Thursday, September 10 at 08:00 PM CDT
$10
https://mkeshows.com/event/bullshitdozer-bullshit-nonsense-the-naima
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#saturday #newepisode of What's This Called? #radioshow on #FreeformPortland 6-8 PM Pacific Time.
90.3 FM & 98.3 FM #portland or #streaming #AroundTheWorld : http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #heavypsych #PostPunk #AvantGarage #spacerock #freejazz #antifolk #electroacoustic #dub #musiqueconcrete #noiserock #psychfolk #postrock #strangemusic #undergroundmusic #ambientmusic #electronicmusic #FreeMusic #freeformradio
#archives (#listen anytime): https://whatsthiscalled.net/2026/08/14/15-august-2026/
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Mardi Spaghetti: 3 duos - Daisuke Terauchi & Tamaho MIikayo (Japon/Japan) - K2: Kayla Milmine & Jonathan Kay (Toronto) - Kimmie Sabio & Jason Rosenman (États-Unis/USA)
Casa Del Popolo, Tuesday, July 21 at 07:30 PM EDT
Mardi Spaghetti présente/presents:
3 Duos:
- Daisuke Terauchi & Tamaho MIikayo (Japon/Japan)
- K2: Kayla Milmine & Jonathan Kay (Toronto)
- Kimmie Sabio & Jason Rosenman (États-Unis/USA)21 Juillet 2026 / July 21st 2026
Casa del Popolo
Portes 19h30/Doors 7:30PM:
Show 20h/8PM
15-20$ Notaflof - (soyez gentils avec les groupes en tournée / be nice to the touring acts)--
Daisuke Terauchi: (Voix, flûtes à bec et quelques autres
petits instruments / Voice, recorders, and some other
small instruments)
Tamaho Miyake: (Piano & petits instruments / Piano & small instruments )https://dterauchi.com/
http://www.hi-ho.ne.jp/tamaho/Tamaho Miyake et Daisuke Terauchi sont des compositeur.ice.s et improvisateur.ice.s japonais.e.s. Lors de leurs concerts, Daisuke utilise principalement sa voix, des flûtes à bec et de petits instruments, tandis que Tamaho joue du piano et d’autres instruments. Iels se sont produits et ont collaboré
à l’échelle internationale dans le cadre de concerts, de festivals et de projets d’ensemble. Terauchi est titulaire d’un doctorat pour ses recherches sur « Cobra » de John Zorn
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Tamaho Miyake and Daisuke Terauchi are Japanese composers and improvisers. In performance, Daisuke primarily uses voice,
recorders, and small instruments, while Tamaho performs on piano and other instruments. They have performed and collaborated
internationally in concerts, festivals, and ensemble projects.
Terauchi holds a Ph.D. for his research on John Zorn's Cobra.+
K2:
Kayla Milmine (Saxophones soprano et sopranino, ainsi qu’une collection variée de curiosités musicales / Soprano & sopranino sax and a varied trove of sound-making curiosities)
Jonathan Kay (Saxophone soprano et ténor, esraj, shakuhachi, cor tibétain et tout un arsenal d'objets sonores / Soprano & tenor sax, esraj, shakuhachi, Tibetan horn, and an arsenal of sonic artifacts)https://k2improv.bandcamp.com/
K2 est un duo d'improvisation composé de Kayla Milmine (saxophone soprano) et Jonathan Kay (saxophones soprano et ténor, esraj, shakuhachi, cor tibétain). Leur collaboration explore les pouvoirs bruts et transformateurs de la musique, créant des rituels sonores qui sont autant d'espaces nourris par l'indétermination, où les frontières ne sont pas seulement franchies, mais effacées grâce à une improvisation transculturelle et à une approche sonore résolument nomade.
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K2 is an improvising duo by Kayla Milmine (soprano sax) and Jonathan Kay (soprano & tenor sax, esraj, shakuhachi, Tibetan horn). Their union delves into the raw, transformative powers of music, conjuring sound-rituals as sites fueled by indeterminacy, where boundaries are not just crossed but obliterated through transcultural improvisation and an unapologetically nomadic approach to sound.+
Kimmie Sabio (Trompette/Trumpet)
Jason Rosenman (Sousaphone)Kimmie Sabio is a performer, educator and arts administrator. While her training is primarily in classical Trumpet she has developed a passion for free improvisation after working closely with Joe Morris at New England Conservatory. She has started her own concert series, Fort Point Free Music Collective. She is also a member of Balkan brass band emperor Nortons Stationary Marching Band and video game music band, Magnificent Danger. She’s an active freelancer in the Boston community. Recent engagements include 25th anniversary of Non-Event celebration as well as a featured soloist at the Cape Cod Chorale.
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Jason is a low brass player and audio engineer living in Somerville, Massachusetts. They learned tuba with bands in the HONK community brass festival. Jason now plays mostly Balkan and Eastern European-inspired music with Conical Cacophony, The Velvet Dirtmunchers, and Emperor Norton’s Stationary Marching Band.
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Kimmie Sabio est musicienne, enseignante et travailleuse culturelle. Bien qu’elle ait suivi une formation principalement axée sur la trompette classique, elle s’est découvert une passion pour l’improvisation libre après avoir travaillé en étroite collaboration avec Joe Morris au New England Conservatory. Elle dirige la série de concerts Fort Point Free Music Collective. Elle est également membre de la fanfare balkanique Emperor Nortons Stationary Marching Band et du groupe de musique de jeux vidéo Magnificent Danger. Elle mène une carrière active en tant qu’artiste indépendante au sein de la communauté de Boston. Parmi ses engagements récents, on peut citer la célébration du 25e anniversaire de Non-Event ainsi qu’une prestation en tant que soliste invitée au sein du Cape Cod Chorale.
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Jason pratique les cuivres graves et travaille comme ingénieur·e du son. Iel vit à Somerville, au Massachusetts. Iel a appris à jouer du tuba au sein de groupes participant au festival communautaire de fanfares HONK. Aujourd’hui, Jason joue principalement de la musique d’inspiration balkanique et d’Europe de l’Est avec les ensembles Conical Cacophony, The Velvet Dirtmunchers et Emperor Norton’s Stationary Marching Band. -
Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
Free Improvisers Meeting in Memmingen geht im Juni ’26 in die dritte Runde
https://jazzpages.de/free-improvisers-meeting-in-memmingen-geht-in-die-dritte-runde-2026-2605212/ -
Camille Ly/Yohann Francoz + V.Vecker + Trio Infini (Touin/Foisy/Venne-Deshaies)
Error 403, Wednesday, May 6 at 07:30 PM EDT
La Loba & Small Scale Music présentent
Camille Ly / Yohann Francoz
V.Vecker (Missouri/Vancouver)
Trio Infini ♾️
(Thouin/Foisy/Venne-Deshaies)
Mercredi 6 mai 2026
Error 403 (DM pour l'adresse)
Montréal
Portes 19h30
Show 20h00
Entrée : Sliding scale 10-20$ / NOTAFLOF
Cash or Card
BYOB
Visuels : Elyze Venne-Deshaies
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3 trios @ La Sott: Triggerfish / Shalabi+Gambletron+Foisy / Zombik+Richard+Craven
La Sotterenea, Monday, April 20 at 07:30 PM EDT
Small Scale Music, La Loba & Negative Capabilities:
3 trios:
Kim Zombik: Voix/Voice
Julie Richard: Tuba
Eric Craven: Batterie / Drums
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Triggerfish -
Thalia Stacey: Voice/Voix
Gabriel Drolet: Double Bass/Contrebasse
Eliana Zimmerman: Cello/Violoncelle
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Sam Shalabi: Oud &/or/ou Guitar(e) ?
Gambletron: Drums/Batterie &/or/ou Musical Saw/Scie Musicale &/or/ou Electronics/Électroniques ?
Raphaël Foisy: Doubles Bass/Contrebasse &/or/ou Guitar(e) ?Doors/Portes: 19h30
Show: 20h
15-20$ NOTAFLOF -
Manfred Schoof wird 90 – Fotografien von Hans Kumpf und Manfred Rinderspacher
https://jazzpages.de/manfred-schoof-wird-90-fotografien-von-hans-kumpf-und-manfred-rinderspacher-2604051/ -
Remember kids: friends don't let friends "Zorn". Not even once.
A concise and funny article propping up early Zorn experiments as some kind of evil or fucked up taboo. Good stuff! 🤣
"Here is a list of things Naked City sounds like: a jazz “Revolution 9,” a broken tape of a French murder mystery, a rollercoaster on the brink of falling apart, the varsity jazz band in a mental institution, The Wizard of Gore, a man in a red velvet suit whispering something seductive and then screaming in your ear, nothing else."
Wholesome tunes for the entire family to gather around the stereophonic sound system in the living room and listen together to on a cold winter Sunday evening.
"The Sicilian Clan"(linked in the article) is still one of my favorite "smooth" jazz-noir bits after 30+ years.
https://www.treblezine.com/john-zorn-naked-city-gleeful-noise-jazz-experiment/
#JohnZorn #AvantJazz #FreeJazz #music #Jazz -
Under – What Happened In Roundwood Review By Samguineous MaximusThere’s something tantalizing about the brand of metal-adjacent noise rock that’s experienced a renaissance in recent years. It’s ugly, it’s loud, and it doesn’t give a damn if you’re comfortable. You’ve got breakout stars Chat Pile dragging nü-metal’s bloated corpse through the mud, Couch Slut dishing out dissonant, riff-heavy nightmare fuel, and Intercourse sounding like a feral animal tearing flesh for fun. This isn’t “revival” music; it’s bands weaponizing noise, smashing metal’s brute force into punk’s emotional hemorrhaging, and then deliberately breaking whatever’s left just to see it scream. Enter the UK’s Under, stepping into this mess with zero interest in playing nice. They fuse sludge metal’s suffocating weight, noise rock’s hostility, and art rock’s weird, confrontational instincts into something genuinely unhinged. Their third record, What Happened In Roundwood, doesn’t aim to be palatable. It aims to crush, mesmerize, and leave a dent. The question isn’t what they’re doing—it’s whether Under hit hard enough to leave permanent damage.
In the first half of What Happened In Roundwood, Under establishes their own distinct style that sits nicely in conversation with their American contemporaries. The foundations of these songs are built on angular sludge riffs over looping odd time signatures and off-kilter rhythmic patterns, like if a more avant-garde Melvins crashed into a version of Swans that was capable of editing. Bassist and vocalist Matt Franklin anchors the music with simple but weighty low-end riffs, locking tightly with drummer Andy Preece’s commanding, hypnotic grooves. Guitarist Simon Mayo fills in the gaps with jagged riffs and layers of dissonant, skronk-heavy leads. Franklin lends a sneering, British rasp to the endeavor, guiding the songs with an impassioned vocal performance that successfully conveys the aural depravity on display. This formula is deepened with the addition of menacing choral vocals and harmonies (“Ma,” “The Alchemist”), swirling guitar cacophonies (“Tantrum), and even Primitive Man-tinged, slow noise bursts (“Isaac”). It’s an effective and thoroughly unsettling display with just enough variety in its execution to keep things exciting until the B-side obliterates any sense of normalcy.
What Happened In Roundwood by Under
In the second half of What Happens In Roundwood, Under undergo a dramatic sonic shift, and the results are thrilling. The final stretch of the album leans heavily into exploratory, avant-garde jazz-influenced territory, with the tracks flowing seamlessly into one another like a three-part suite. These songs stand out as the album’s clear highlights. The sequence begins with “Rings,” which unfolds in a state of subdued horror, slowly building tension through sparse instrumentation before reaching a blissful climax. This transitions smoothly into “Roots and Limbs,” a jazzy, post-hardcore-like track that increases the tempo and intensity, providing a sense of release after several slower songs. All of this builds toward the closer, “Felling.” The final track plays out like a fever dream, reprising key moments from earlier in the album and reshaping them into a chaotic haze of noise. When the music finally collapses into rich choral vocals, it feels like the calm at the center of a storm. A perfect ending to a bold and striking second half.
This places What Happens in Roundwood in a peculiar position. The second half of the record explores markedly different sonic territory than the first, and is stronger for it. Under’s more standard sound, showcased on the first five tracks, is engaging, but compared to the highs of the final three, it falls a little short. Repeated listens leave me wanting just a bit more grit or memorability in the more straightforward sludge riffcraft before it gives way to the more exploratory material. I appreciate the band’s efforts to vary their noise-rock/sludge approach through vocal layers/embellishments or a Southern tinge (“Escape Roundwood”), but I find myself largely whelmed by the opening salvo. This isn’t a major mark against the record; the album is solid throughout. Still, it keeps the work from standing quite as tall alongside some of my favorites in the style.
With What Happens In Roundwood, Under have delivered a solid sludgy noise rock record with plenty of autre appeal. I wish the impressive oddity were distributed a bit more evenly throughout the album’s runtime, but it’s still an enjoyable listen that carves out its own unique niche within the broader style. The next time the UK group revisits their brand of sinister sludge, I’ll be excited to listen.
Rating: Good!
#2026 #30 #APFRecords #ArtRock #ChatPile #CouchSlut #ExperimentalMetal #FreeJazz #Intercourse #Jan26 #Melvins #NoiseRock #PrimitiveMan #Review #Reviews #SludgeMetal #Swans #UKMetal #Under #WhatHappenedInRoundwood
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: APF Records
Websites: understockport.bandcamp.com | facebook.com/understockport
Releases Worldwide: January 23rd, 2026 -
Vorlass von Günter „Baby“ Sommer geht an die Staats- und Universitätsbibliothek Dresden
https://jazzpages.de/vorlass-von-guenter-baby-sommer-geht-an-die-staats-und-universitatsbibliothek-dresden-2512191/ -
Heute in der Zukunft (also später 😄): #NNMM 🖤 🖤 🖤
Hab gehört, es gibt noch viele Tickets.
https://neptunianmaximalism.bandcamp.com/album/le-sacre-du-soleil-invaincu
#NeptunianMaximalism #radio27 #music #AvantGardeMetal #DroneMetal #Doom #Freejazz #concert #Berlin -
https://youtu.be/PilUCu6QdKg?si=vE9mNw2qfNkzOt1s
La meva #CançóDelDia per al dissabte 4 d'octubre és aquesta del #DonCherry #OklahomaCity #FreeJazz #JazzFusion #Veu #Trompeta 🎺!
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Behind the scenes mit Stephan Kirsch, John King und Erwin Ditzner in der Friedenskirche Ludwigshafen.
#erwinditzner #johnking #stephankirsch #jazz #ludwigshafen #friedenskirche #rheinneckar #musik #konzert #heidelberg #mannheim #freejazz #schindelbeck #jazzpages #fixcelrecords
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Heute in #Schorndorf , morgen in #Weikersheim: #Freejazz Legende Peter Brötzmann spielt #solo
#Broetzmann #PeterBroetzmann #Brötzmann #PeterBrötzmann #jazz #jazzlive #jazzlife #music #Konzert #concert #Manufaktur #W71 #SWR2 #Mitschnitt #Radio #Jazzradio
