#freejazz — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #freejazz, aggregated by home.social.
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This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
A music break for sanity's sake.
#musicbreak #music #jazz #latinjazz #avantgarde #freejazz #argentina
https://youtu.be/2sVxyPLwynA -
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time!
90.3 FM & 98.3 FM on #TerrestrialRadio or #streaming #aroundtheworld from: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #spacerock #freejazz #AvantGarage #strangemusic #noiserock #outsidermusic #musiqueconcrete #ElectroAcoustic #nowave #postrock #ambientmusic #plunderphonics #heavypsych #idmmusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/08/28/29-august-2026/
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#saturday #newepisode of What's This Called? #radioshow on #FreeformPortland 6-8 PM Pacific Time.
90.3 FM & 98.3 FM #portland or #streaming #AroundTheWorld : http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #heavypsych #PostPunk #AvantGarage #spacerock #freejazz #antifolk #electroacoustic #dub #musiqueconcrete #noiserock #psychfolk #postrock #strangemusic #undergroundmusic #ambientmusic #electronicmusic #FreeMusic #freeformradio
#archives (#listen anytime): https://whatsthiscalled.net/2026/08/14/15-august-2026/
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#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time!
90.3 FM & 98.3 FM #aroundpdx #streaming #aroundtheworld from: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #heavypsych #protometal #postpunk #drone #noise #noiserock #freejazz #electroacoustic #musiqueconcrète #plunderphonics #AvantGarage #experimentalmusic #spacerock #postrock #dub #nowave #electronicmusic #freemusic #freeformradio
#archives (#listen anytime!): https://whatsthiscalled.net/2026/07/31/1-august-2026/
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Free download codes:
Kollectif - Pangolinorecords
"Something electric post-whatever daily debugger"
#ambient #experimental #postrock #freejazz #soundtracks #music
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#saturday 6-8 PM PDT What's This Called? #newradioshow #FreeformPortland!
90.3 FM & 98.3 FM #TerrestrialRadio #portland
#streaming #AroundTheWorld http://listen.freeformportland.org:8000/stream#ExpunkimentalMusic #drone #noise #PostPunk #psychedelic #AvantGarage #strangemusic #undergroundmusic #psychfolk #heavypsych #spacerock #noiserock #postrock #protometal #protopunk #resistancemusic #freejazz #ElectronicMusic #musiqueconcrete #electroacoustic #plunderphonics
#archives (#listenanytime) https://whatsthiscalled.net/2026/07/17/18-july-2026/
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🌻Dorky & Best🌻 + Scallions + ben grossman
Studio D, Thursday, July 16 at 07:30 PM EDT
f u zz f est || Small Scale Music présentent / presents:
:: Scallions (Guelph/Sussex) ::
Holger Schoorl (guitar.e)
Mark Zurawinski (drums/batterie)
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:: Dorky & Best (Guelph/MTL) ::
Germaine Liu (voice/voix, ukulele)
Fahmid Nibesh (voice/voix, strings/cordes)
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:: ben grossman (MTL) :: hurdy gurdy/vielle à rouejeudi 26 juillet / Thursday July 16
Studio D
5445 Av. de Gaspé, Unit(é) 616
Portes / Doors 19h30 | Show 20h00
15-20$ NOTAFLOF
les collations et les boissons sont les bienvenues / snacks and drinks are welcome (BYOB)Visuel de l’affiche / Poster art :: Fahmid Nibesh (photo: storm clouds over/nuages d'orage à Ottawa, July 1 juillet, 2026)
Bios:
“Scallions” is a groove-driven, improvised math-rock project of Mark Zurawinski and Holger Schoorl.
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« Scallions » est un projet de math-rock improvisé et rythmé, mené par Mark Zurawinski et Holger Schoorl.https://scallionsband.bandcamp.com/album/scallions
Dorky(Germaine Liu) is a sing-song learning project inspired and encouraged by many good pals. Dorkyis working on it, little by little, for fun. Dorky & Best will be playing songs together for fun too. For this one, Best(= good pals) will feature Fahmid Nibesh.
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Dorky (Germaine Liu) est un projet d'apprentissage en chanson, inspiré par de nombreux·ses bon·ne·s ami·es et leurs encouragements. Dorky y travaille petit à petit, pour le plaisir. Dorky & Best joueront également quelques chansons ensemble, toujours pour le plaisir. Pour cette édition, Best (=des bon·ne·s ami·es) accueillera Fahmid Nibesh.https://dorkyandbest.bandcamp.com/album/dorky-demos
Ben Grossman is a busy musician: improviser, studio musician, composer, noisemaker, audio artist and curator. He toils in several fields, having worked on many recordings, soundtracks for film and television, sound design for theatre, installations, work designed for radio transmission, and live performances spanning early medieval music to experimental electronica.
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Ben Grossman est un musicien prolifique : improvisateur, musicien de studio, compositeur, bruiteur, artiste sonore et commissaire. Il travaille dans de nombreux domaines : enregistrements, bandes sonores pour le cinéma et la télévision, conception sonore pour le théâtre, installations, œuvres radiophoniques et musique de concert. Son répertoire s’étend de la musique médiévale aux musiques électroniques expérimentales.https://montreal.askapunk.net/event/dorky-and-best-scallions-ben-grossman
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#saturday #4thofJuly #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time.
90.3 FM & 98.3 FM: #TerrestrialRadio in #portland & #streaming #aroundtheworld: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #Drone #noise #PostPunk #postmetal #psychedelic #AvantGarage #strangemusic #undergroundmusic #noiserock #freejazz #freemusic #hiphop #soulmusic #plunderphonics #outsidermusic #garagerock #FreedomRock #freeform
#ARCHIVED (#listen anytime): https://whatsthiscalled.net/2026/07/04/4-july-2026/
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Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
Heute in der Walkmühle in Wiesbaden: Sommerfest. Natürlich auch bei art.ist Wiesbaden
Hier das Konzert von Andreas Nordheim (co) – Uli Phillipp (b) – Silvia Sauer (voc)@walkmuehle @artistwiesbaden #jazz #jazzfotografie #schindelbeckfotografie #jazzphotography #silviasauer #uliphillipp #andreasnordheim #artistwiesbaden #walkmuehle #jazz #konzert #concert #improvisedmusic #improvisation #music #musik #freejazz
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Heute in der Walkmühle in Wiesbaden: Sommerfest. Natürlich auch bei art.ist Wiesbaden
Hier das Konzert von Andreas Nordheim (co) – Uli Phillipp (b) – Silvia Sauer (voc)@walkmuehle @artistwiesbaden #jazz #jazzfotografie #schindelbeckfotografie #jazzphotography #silviasauer #uliphillipp #andreasnordheim #artistwiesbaden #walkmuehle #jazz #konzert #concert #improvisedmusic #improvisation #music #musik #freejazz
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Heute in der Walkmühle in Wiesbaden: Sommerfest. Natürlich auch bei art.ist Wiesbaden
Hier das Konzert von Andreas Nordheim (co) – Uli Phillipp (b) – Silvia Sauer (voc)@walkmuehle @artistwiesbaden #jazz #jazzfotografie #schindelbeckfotografie #jazzphotography #silviasauer #uliphillipp #andreasnordheim #artistwiesbaden #walkmuehle #jazz #konzert #concert #improvisedmusic #improvisation #music #musik #freejazz
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Heute in der Walkmühle in Wiesbaden: Sommerfest. Natürlich auch bei art.ist Wiesbaden
Hier das Konzert von Andreas Nordheim (co) – Uli Phillipp (b) – Silvia Sauer (voc)@walkmuehle @artistwiesbaden #jazz #jazzfotografie #schindelbeckfotografie #jazzphotography #silviasauer #uliphillipp #andreasnordheim #artistwiesbaden #walkmuehle #jazz #konzert #concert #improvisedmusic #improvisation #music #musik #freejazz
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#saturday #newepisode What's This Called? #radioshow on Freeform Portland! 6-8 PM Pacific Time.
90.3 FM & 98.3 FM #TerrestrialRadio in #portland #streaming #aroundtheworld http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #dronemusic #noise #postpunk #garage #psychedelic #AvantGarage #outsidermusic #spacerock #freejazz #strangemusic #undergroundmusic #ambientmusic #noiserock #electroacoustic #SoundArt #plunderphonics #avantfolk #heavypsych
#archives (#listen anytime!): https://whatsthiscalled.net/2026/06/19/20-june-2026/
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New Jazz Underground HOODIES
The "New Jazz Underground" album "Hoodies" features the trio of Sebastian Rios on bass, TJ Reddick on drums, and Abdias Armenteros on saxophone, blending traditional jazz with contemporary influences. The album's thirteen tracks explore themes of identity, brotherhood, and cultural solidarity, highlighted by energetic improvisation and structured rhythms. -
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time
#ExpunkimentalMusic #dronemusic #noise #postpunk #psychedelic #AvantGarage #avantfolk #electroacoustic #musiqueconcrete #outsidermusic #undergroundmusic #spacerock #noiserock #experimentalmusic #freejazz #plunderphonics #electronicmusic #freeformradio
90.3 FM & 98.3 FM on #TerrestrialRadio or #streaming from http://listen.freeformportland.org:8000/stream
#archives (#24hour #listening): https://whatsthiscalled.net/2026/06/05/6-june-2026/
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#special What's This Called? floating #radioshow for #FreeformPortland ! To air whenever needed, but you can #listen anytime from:
https://whatsthiscalled.net/2026/05/31/early-summer-evergreen/
#ExpunkimentalMusic #dronemusic #Noise #postpunk #psychedelic #AvantGarage #strangemusic #undergroundmusic #freejazz #plunderphonics #spacerock #noiserock #avantfolk #outsidermusic #postrock #dubmusic #freemusic #freeformradio
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Moor Mother w/ Aquiles Navarro & Olof Melander + James McClure & Joao Guerra
OCCII, Thursday, June 4 at 08:30 PM GMT+2
SPACEIS THE PLACE:: “Moor Mother live at OCCII” Moor Mother w/ Aquiles Navarro & Olof Melander + James McClure / Joao Guerra Duo
Surprise gig! Moor Mother plays live at OCCII (Amsterdam), backed up by her musical soulmates Aquiles Navarro and Olof Melander! Expect the unexpected: new work, improv, and a selection from Moor Mother’s rich oeuvre.
Opening: James McClure & João Guerra
Vocalist and poet Camae Ayewa aka Moor Mother describes her music as “low fi/dark rap/blk girl blues/witch rap/coffee shop riot gurl songs/black ghost songs”. Her vast discography meanders adventurously between jazz, hip hop, and noise, with records under her own name, under the moniker 700 Bliss (with DJ Haram), or in collaborations with Irreversible Entanglements, the avant-metal band SUMAC, and many more.
“Moor Mother might be the most radical Afrofuturist artist to emerge for years” – The Wire
https://moormother.bandcamp.com/
Recently, Moor Mother has moved toward a more melodic and song-oriented approach, while still blending spoken word, experimental jazz, electronics, and radical poetry. Her album Jazz Codes (2023) draws from her poetry project and pays tribute to jazz visionaries such as Woody Shaw and Mary Lou Williams, combining layered vocals, atmospheric production, and free-form improvisation in collaboration with Swedish producer Olof Melander. On her latest full length album The Great Bailout (2024), she expands this cinematic and haunting sound into a powerful meditation on colonial history, displacement, and collective memory, moving between tenderness, noise, jazz abstraction, and poetic storytelling.
Internationally renowned trumpeter Aquiles Navarro — also her bandmate in Irreversible Entanglements and multi-faceted artist in his own right— contributed to Jazz Codes as well as Circuit City and Analog Fluids Of Sonic Black Holes, and later collaborated with Melander on the album Tangles (2024).
Moor Mother – "DEATH BY LONGITUDE"This event is present by Space is the Place
Since its founding in 2017, SITP has organized improvised music concerts that encourage creativity across genres and disciplines. Over the years, it has expanded through collaborations with venues and festivals in the Netherlands and abroad, including BIMHUIS, Paradiso, and WORM. -
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland! 6-8 PM Pacific Time.
90.3 FM & 98.3 FM on #TerrestrialRadio in #portland or #streaming from: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #postpunk #experimentalmusic #dronemusic #noise #psychedelic #AvantGarage #strangemusic #undergroundmusic #plunderphonics #electroacoustic #musiqueconcrete #spacerock #noiserock #freejazz #avantfolk #outsidermusic #darkwave
Archive ( #listen anytime!): https://whatsthiscalled.net/2026/05/22/23-may-2026/
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Free Improvisers Meeting in Memmingen geht im Juni ’26 in die dritte Runde
https://jazzpages.de/free-improvisers-meeting-in-memmingen-geht-in-die-dritte-runde-2026-2605212/ -
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time!
90.3 FM & 98.3 FM on #TerrestrialRadio #aroundpdx or #streaming #aroundtheworld from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #AvantGarage #strangemusic #outsidermusic #musiqueconcrete #electroacoustic #spacerock #plunderphonics #experimentalmusic #undergroundmusic #noiserock #freejazz #avantfolk
Archive (#listen anytime): https://whatsthiscalled.net/2026/05/08/9-may-2026/
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#saturday #newepisode: What's This Called? on Freeform Portland 6-8 PM Pacific.
90.3 FM & 98.3 FM on #TerrestrialRadio or #streaming from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psych #noiserock #experimentalmusic #freejazz #SpaceRock #AvantGarage #StrangeMusic #musiqueconcrete #electroacoustic #plunderphonics #postrock #undergroundmusic #outsidermusic #illbient #electronicmusic #difficultmusic #freeform
#ARCHIVED (#listen #Anytime): https://whatsthiscalled.net/2026/04/24/25-april-2026/
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#saturday #newepisode of What's This Called? #radioshow on #FreeformPortland 6-8 PM PDT
90.3 & 98.3 FM on #TerrestrialRadio or #streaming: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #ambientmusic #postpunk #psychedelic #experimentalmusic #spacerock #musiqueconcrete #electroacoustic #StrangeMusic #postrock #outsidermusic #freejazz #noiserock #electronicmusic #undergroundmusic #plunderphonics #AvantGarage #freemusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/04/10/11-april-2026/
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Camille Ly/Yohann Francoz + V.Vecker + Trio Infini (Touin/Foisy/Venne-Deshaies)
Error 403, Wednesday, May 6 at 07:30 PM EDT
La Loba & Small Scale Music présentent
Camille Ly / Yohann Francoz
V.Vecker (Missouri/Vancouver)
Trio Infini ♾️
(Thouin/Foisy/Venne-Deshaies)
Mercredi 6 mai 2026
Error 403 (DM pour l'adresse)
Montréal
Portes 19h30
Show 20h00
Entrée : Sliding scale 10-20$ / NOTAFLOF
Cash or Card
BYOB
Visuels : Elyze Venne-Deshaies
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3 trios @ La Sott: Triggerfish / Shalabi+Gambletron+Foisy / Zombik+Richard+Craven
La Sotterenea, Monday, April 20 at 07:30 PM EDT
Small Scale Music, La Loba & Negative Capabilities:
3 trios:
Kim Zombik: Voix/Voice
Julie Richard: Tuba
Eric Craven: Batterie / Drums
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Triggerfish -
Thalia Stacey: Voice/Voix
Gabriel Drolet: Double Bass/Contrebasse
Eliana Zimmerman: Cello/Violoncelle
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Sam Shalabi: Oud &/or/ou Guitar(e) ?
Gambletron: Drums/Batterie &/or/ou Musical Saw/Scie Musicale &/or/ou Electronics/Électroniques ?
Raphaël Foisy: Doubles Bass/Contrebasse &/or/ou Guitar(e) ?Doors/Portes: 19h30
Show: 20h
15-20$ NOTAFLOF -
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM PDT!
90.3 FM & 98.3 FM on #TerrestrialRadio #aroundpdx and #streaming #aroundtheworld from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #experimentalmusic #drone #noise #postpunk #psychedelic #noiserock #postrock #AvantGarage #StrangeMusic #musiqueconcrete #electroacoustic #avantfolk #spacerock #freejazz #plunderphonics #outsidermusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/03/27/28-march-2026/
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Petyaev-Petyaev – Incomparable Greatness
#Jazz #avantgardejazz #avantgarde #avantgardejazz #experimental #experimentaljazz #freeimpro #freeimprov #freeimprovisation #freejazz #freejazz #improv #improvisedjazz #improvisedmusic #imrpovisation #jazzandimprovisedmusic #Moscow
CC BY (#CreativeCommons Attribution) #ccmusic
https://petyaev-petyaev.bandcamp.com/album/incomparable-greatness -
#saturday 6-8 PM Pacific Time #newepisode of What's This Called? #radioshow on Freeform Portland!
90.3 FM & 98.3 FM #aroundpdx and #streaming #aroundtheworld from: http://listen.freeformportland.org:8000/stream
On theme for #JukeboxFridayNight #timesaretough
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #AvantGarage #StrangeMusic #noiserock #freejazz #electroacoustic #ambient #plunderphonics #outsidermusic #spacerock #psychfolk #freemusic #freeform
#ARCHIVED (#listen anytime!): https://whatsthiscalled.net/2026/03/13/14-march-2026/
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#saturday #newepisode of What's This Called? #RadioShow for #FreeformPortland! 6-8 PM Pacific Time
90.3 FM & 98.3 FM on #TerrestrialRadio #aroundpdx or #Streaming #aroundtheworld from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #PostPunk #psychedelic #AvantGarage #plunderphonics #noiserock #freejazz #spacerock #electroacoustic #musiqueconcrete #StrangeMusic #postrock #spacerock #experimentalmusic #outsidermusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/02/27/28-february-2026/
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#tonight #newepisode of What's This Called? for Freeform Portland 6-8 PM Pacific Time! don't blow your cool.
90.3 FM & 98.3 FM on #terrestrialradio or #streaming #aroundtheworld from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #AvantGarage #StrangeMusic #outsidermusic #noiserock #ambient #postrock #freejazz #musiqueconcrete #electroacoustic #postrock #plunderphonics #spacerock #freemusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/01/30/31-january-2026/
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Under – What Happened In Roundwood Review By Samguineous MaximusThere’s something tantalizing about the brand of metal-adjacent noise rock that’s experienced a renaissance in recent years. It’s ugly, it’s loud, and it doesn’t give a damn if you’re comfortable. You’ve got breakout stars Chat Pile dragging nü-metal’s bloated corpse through the mud, Couch Slut dishing out dissonant, riff-heavy nightmare fuel, and Intercourse sounding like a feral animal tearing flesh for fun. This isn’t “revival” music; it’s bands weaponizing noise, smashing metal’s brute force into punk’s emotional hemorrhaging, and then deliberately breaking whatever’s left just to see it scream. Enter the UK’s Under, stepping into this mess with zero interest in playing nice. They fuse sludge metal’s suffocating weight, noise rock’s hostility, and art rock’s weird, confrontational instincts into something genuinely unhinged. Their third record, What Happened In Roundwood, doesn’t aim to be palatable. It aims to crush, mesmerize, and leave a dent. The question isn’t what they’re doing—it’s whether Under hit hard enough to leave permanent damage.
In the first half of What Happened In Roundwood, Under establishes their own distinct style that sits nicely in conversation with their American contemporaries. The foundations of these songs are built on angular sludge riffs over looping odd time signatures and off-kilter rhythmic patterns, like if a more avant-garde Melvins crashed into a version of Swans that was capable of editing. Bassist and vocalist Matt Franklin anchors the music with simple but weighty low-end riffs, locking tightly with drummer Andy Preece’s commanding, hypnotic grooves. Guitarist Simon Mayo fills in the gaps with jagged riffs and layers of dissonant, skronk-heavy leads. Franklin lends a sneering, British rasp to the endeavor, guiding the songs with an impassioned vocal performance that successfully conveys the aural depravity on display. This formula is deepened with the addition of menacing choral vocals and harmonies (“Ma,” “The Alchemist”), swirling guitar cacophonies (“Tantrum), and even Primitive Man-tinged, slow noise bursts (“Isaac”). It’s an effective and thoroughly unsettling display with just enough variety in its execution to keep things exciting until the B-side obliterates any sense of normalcy.
What Happened In Roundwood by Under
In the second half of What Happens In Roundwood, Under undergo a dramatic sonic shift, and the results are thrilling. The final stretch of the album leans heavily into exploratory, avant-garde jazz-influenced territory, with the tracks flowing seamlessly into one another like a three-part suite. These songs stand out as the album’s clear highlights. The sequence begins with “Rings,” which unfolds in a state of subdued horror, slowly building tension through sparse instrumentation before reaching a blissful climax. This transitions smoothly into “Roots and Limbs,” a jazzy, post-hardcore-like track that increases the tempo and intensity, providing a sense of release after several slower songs. All of this builds toward the closer, “Felling.” The final track plays out like a fever dream, reprising key moments from earlier in the album and reshaping them into a chaotic haze of noise. When the music finally collapses into rich choral vocals, it feels like the calm at the center of a storm. A perfect ending to a bold and striking second half.
This places What Happens in Roundwood in a peculiar position. The second half of the record explores markedly different sonic territory than the first, and is stronger for it. Under’s more standard sound, showcased on the first five tracks, is engaging, but compared to the highs of the final three, it falls a little short. Repeated listens leave me wanting just a bit more grit or memorability in the more straightforward sludge riffcraft before it gives way to the more exploratory material. I appreciate the band’s efforts to vary their noise-rock/sludge approach through vocal layers/embellishments or a Southern tinge (“Escape Roundwood”), but I find myself largely whelmed by the opening salvo. This isn’t a major mark against the record; the album is solid throughout. Still, it keeps the work from standing quite as tall alongside some of my favorites in the style.
With What Happens In Roundwood, Under have delivered a solid sludgy noise rock record with plenty of autre appeal. I wish the impressive oddity were distributed a bit more evenly throughout the album’s runtime, but it’s still an enjoyable listen that carves out its own unique niche within the broader style. The next time the UK group revisits their brand of sinister sludge, I’ll be excited to listen.
Rating: Good!
#2026 #30 #APFRecords #ArtRock #ChatPile #CouchSlut #ExperimentalMetal #FreeJazz #Intercourse #Jan26 #Melvins #NoiseRock #PrimitiveMan #Review #Reviews #SludgeMetal #Swans #UKMetal #Under #WhatHappenedInRoundwood
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: APF Records
Websites: understockport.bandcamp.com | facebook.com/understockport
Releases Worldwide: January 23rd, 2026 -
#saturday #newepisode: What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time
90.3 FM & 98.3 FM on #TerrestrialRadio & #streaming #aroundtheworld from http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #ambient #AvantGarage #StrangeMusic #spacerock #plunderphonics #undergroundmusic #postrock #avantfolk #musiqueconcrete #electroacoustic #freejazz #noiserock #electronicmusic #freemusic #freeform
#ARCHIVED (#listen anytime) https://whatsthiscalled.net/2026/01/16/17-january-2026/
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#saturday #newepisode of What's This Called? #radio for #FreeformPortland #firstshow of #newyear2026! 6-8 PM Pacific Time 90.3 FM & 98.3 FM
#streaming #aroundtheworld: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #AvantGarage #StrangeMusic #musiqueconcrete #electroacoustic #undergroundmusic #noiserock #freejazz #postrock #outsidermusic #plunderphonics #ambient #spacerock #heavypsych #freemusic #freeform
#ARCHIVED: https://whatsthiscalled.net/2026/01/02/3-january-2026/
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Fred Frith & Benjamin Vergara – Fanfarrisimo
#Experimental #freeimprov #freejazz #improvisationalnoiseart #jazzandimprovisedmusic #newmusic #Rimouski
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tourdebras.bandcamp.com/album/fanfarrisimo -
Saturday #Solstice new episode of @whatsthiscalled #radioshow for @freeformpdx! 6-8 PM Pacific Time.
90.3 FM & 98.3 FM Around Portland and Streaming around the world from: http://listen.freeformportland.org:8000/stream
#expunkimentalmusic #drone #noise #postpunk #psychedelic #avantgarage #StrangeMusic #spacerock #outsidermusic #UndergroundMusic #postrock #electroacoustic #musiqueconcrete #plunderphonics #fieldrecordings #noiserock #freejazz #electronicmusic
Archive (listen anytime): https://whatsthiscalled.net/2025/12/19/20-december-2025/
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I promised an album and here it is. Enjoy.
https://noisegrindprincesschelsea.bandcamp.com/album/jazz-funk-shit#noisecore #noisegrind #vcvrack #grindcore #noiserock #freejazz #improv #modularsynth #noisemusic #noise
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New #review today: "#Spinifex is an #AvantJazz group based in Amsterdam, though its members come from various countries. Led by artistic director and chief composer #TobiasKlein on alto sax, the membership has changed somewhat over the years. Undrilling the Hole features seven energetic tracks of unpredictable music that ranges between tightly coordinated arrangements and free-blowing chaos." #ExposeOnline #FreeJazz #PunkJazz http://expose.org/index.php/articles/display/spinifex-undrilling-the-hole-maxximus-2.html
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Mardi Spaghetti: Camila Nebbia trio + Eduardo Cossio + Yakamovich/Nesbitt
Casa Del Popolo, Tuesday, October 7 at 07:30 PM EDT
Festival FLUX
Mardi Spaghetti, Small Scale Music, Québec musiques parallèles, Arts aux Marges, Innovations en concert et le Réseau canadien pour les musiques nouvelles présentent:La jeune musicienne d’origine argentine est une saxophoniste incontournable de notre temps. Entre Berlin et New York, elle fréquente les plus grands improvisateurs et se démarque par une virtuosité vertigineuse, une énergie brute et une invention mélodique intarissable. Un concert rencontre avec deux improvisateurs exceptionnels : le bassiste Pablo Jiménez et le multi-instrumentiste Antoine Létourneau-Berger. Deux performances improvisées en solo et en duo précéderont la performance du trio
Camila Nebbia (Buenos Aires/Berlin/New York): saxophone ténor
Pablo Jiménez: contrebasse
Antoine Létourneau-Berger (Rimouski): percussions, claviers, électroniques
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Eduardo Cossio (Perth/Boorloo): cithares préparées et électronique
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Jen Yakamovich (Vancouver): batterie
Roxanne Nesbitt: instruments en céramique7 Octobre
Casa del Popolo
19h30: Portes / Doors
20h00: Concert / Show
10$ en avance / in advance
15$-20$ suggéré à la porte / at the door (NOTAFLOF)La présence de Camila Nebbia est possible grâce au soutien du Geothe Institute.
Bios:
Camila Nebbia, originaire de Buenos Aires et installée à Berlin, est saxophoniste, compositrice, improvisatrice, artiste visuelle et commissaire d'exposition. Décrite par le magazine Jazz PT comme « une saxophoniste essentielle de notre époque ». L'artiste pluridisciplinaire fonde sa pratique sur la création et la destruction de la mémoire archivistique, explorant les concepts d'identité, de migration et de mémoire à travers son travail. Son dernier album solo - « una ofrenda a la ausencia » (une offrande à l'absence) sur Relative Pitch Records - a été décrit par le NYC Jazz Record comme un « album intrinsèquement humain et personnel, qui surprend les auditeurs par son approche passionnée du jazz ».https://www.camilanebbia.com/
https://www.instagram.com/lamujerparecidaami
https://camilanebbia.bandcamp.comPablo Jiménez est contrebassiste et compositeur né à Bogota et établi à Montréal. Utilisant l'improvisation comme moteur créatif profond, son travail cherche à établir un langage musical rigoureux basé sur le mouvement. Il collabore souvent avec des ensembles et des musiciens de la scène des musiques actuelles et contemporaines au Québec et au Canada, dont l'Ensemble SuperMusique, Malcolm Goldstein, Lori Freedman et Scott Thomson. Il s'est produit et a participé à des festivals tels que le Festival International de Musique Actuelle de Victoriaville, Suoni per il Popolo, et les Darmstädter Ferienkurse, où il a étudié avec Anthony Braxton et interprété sa musique.
https://tourdebras.bandcamp.com/album/objeto
Antoine Létourneau-Berger est un compositeur multi-instrumentiste originaire du Bas-Saint-Laurent. Percussionniste classique de formation, il poursuit ses études en composition de musique de film et développe un intérêt marqué pour la production sonore. Il porte selon l'occasion les chapeaux de réalisateur d'album, compositeur, concepteur et mixeur sonore autant que celui de musicien professionnel et improvisateur. Antoine est un touche à tout qui est aussi à l'aise avec les musiques expérimentales d'avant-garde que la chanson folk, le rock, le jazz ou encore les musiques électroniques. Il fait notamment partie des formations Talfast, Equse, Bascaille, Manta et GGRIL, en plus d'avoir produit 6 albums solo sous le nom de L'Oeil et le Monocle. De retour à Rimouski depuis 2014, il compose régulièrement pour le théâtre, le cinéma, la télévision, le cirque et la radio.
https://loeiletlemonocle.bandcamp.com/
-Eduardo Cossio (né en 1982) est un musicien et artiste visuel péruvien-australien basé à Boorloo (Perth, Australie occidentale). Sa musique s'inspire de la composition électroacoustique et expérimentale, et il se produit généralement avec des cithares, des harmonicas et des instruments électroniques. Eduardo s'est produit dans toute l'Australie, en Europe et à Taïwan. Il a collaboré étroitement avec Annette Krebs, Axel Dörner, Sabine Vogel, Alice Hui Shen Chang et Jim Denley. Il est également un organisateur prolifique, animateur de radio et écrivain. Son travail en art visuel a fait l'objet de trois expositions individuelles.
https://www.eduardocossio.com/
https://www.instagram.com/eduardo__cossio/
https://tonelist.bandcamp.com/album/citadels
-Jen Yakamovich est une batteuse et improvisatrice basée à Vancouver qui travaille dans plusieurs disciplines en tant qu'interprète, compositrice, chercheuse et éducatrice. Elle considère sa relation avec la batterie, un système de sons et de parties interdépendantes, comme une exploration des relations entre son propre système interne et des réseaux socio-écologiques plus larges. Son approche de l'improvisation et de la composition spontanée trouve ses racines dans le Creative Music Workshop de Halifax, en Nouvelle-Écosse, où Yakamovich a grandi. De 2024 à 2025, Yakamovich a étudié avec la percussionniste, compositrice et preneuse de son Susie Ibarra (New York/Berlin).
Au cours de l'année écoulée, Yakamovich a travaillé avec le programme DAAD Artists-in-Berlin / bauhaus Campus Stadt Nature, Now Society's 8east, Vancouver Coastal Jazz, Active Passive Performance Society, The Only Animal et grunt gallery. Elle a récemment contribué à des projets avec le percussionniste Adrian Avendaño (Vancouver), les artistes Roxanne Nesbitt et Ben Brown (Montréal), le guitariste Sam Wilson (Halifax), l'artiste psychédélique persan Niloo (Victoria), le groupe d'art rock Heaven For Real (Montréal), le producteur Miguel Maravilla (Vancouver), les improvisateurs Mustafa Rafiq (Edmonton) et Jairus Sharif (Calgary) pour Active Passive, et le groupe folk balkanique Fetele Din Balkani (Vancouver). Elle se produit régulièrement avec l'artiste pop expérimental Wallgrin (Vancouver) et a récemment formé le duo d'improvisation Notice Flower avec la pianiste Bahar Khazei. Elle mène également un projet folk expérimental en solo intitulé Troll Dolly.
Yakamovich souffre d'une dégénérescence visuelle progressive appelée rétinite pigmentaire. Elle est titulaire d'une maîtrise en études environnementales de l'université Dalhousie.
https://jenyakamovich.format.com/
https://trolldolly.bandcamp.com/album/heavens-mini-mart-3
-Roxanne Nesbitt est designer, compositrice et artiste sonore. Après des études en contrebasse classique et en architecture, Roxanne travaille entre les domaines de la musique et du design. Ses recherches explorent la conception d'instruments, le point de rencontre entre la composition et l'improvisation, la céramique sculpturale et les installations sonores participatives. Roxanne collabore avec des concepteur.ice.s d'instruments, des musicien.ne.s, des compositeur.ice.s et des chorégraphes pour créer ses œuvres.
Sa musique a été jouée à travers l'Europe et l'Amérique du Nord, notamment lors de performances au Gaudeamus Muziekweek à Utrecht, au November Music à Den Bosch, au Bauchhund à Berlin, au Western Front à Vancouver et au Center for New Music à San Francisco. Son processus de création célèbre l’intimité, la curiosité et l’exploration.
https://www.instagram.com/roxannenesbitt/
https://roxannenesbitt.com/
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(ENG)Camila Nebbia from Buenos Aires, based in Berlin, is a saxophone player, composer, improviser, visual artist and curator. Described by Jazz PT magazine as “an essential saxophonist of our time”. The multidisciplinary artist layers her practice through the creation and destruction of archival memory, exploring the concepts of identity, migration, and memory. Her work includes improvised and composed music, film creation, and audiovisual performances, forming a constellation of interconnected practices. Her most recent solo album –'una ofrenda a la ausencia' (an offering to absence) with Relative Pitch Records– was described by the NYC Jazz Record as an 'innately human and personal album, surprising listeners with a passionate approach to jazz'.
https://www.camilanebbia.com/
https://www.instagram.com/lamujerparecidaami
https://camilanebbia.bandcamp.comPablo Jiménez is a double bassist and composer born in Bogota and based in Montreal. Using improvisation as a profound creative force, his work seeks to establish a rigorous musical language based on movement. He often collaborates with ensembles and musicians from the contemporary music scene in Quebec and Canada, including Ensemble SuperMusique, Malcolm Goldstein, Lori Freedman, and Scott Thomson. He has performed and participated in festivals such as the Festival International de Musique Actuelle de Victoriaville, Suoni per il Popolo, and the Darmstädter Ferienkurse, where he studied with Anthony Braxton and performed his music.
https://tourdebras.bandcamp.com/album/objetoAntoine Létourneau-Berger is a multi-instrumentalist composer from the Bas-Saint-Laurent region. Trained as a classical percussionist, he continued his studies in film music composition and developed a keen interest in sound production. Depending on the occasion, he wears the hats of album producer, composer, sound designer, and mixer, as well as professional musician and improviser. Antoine is a jack of all trades who is equally comfortable with avant-garde experimental music, folk, rock, jazz, and electronic music. He is a member of the bands Talfast, Equse, Bascaille, Manta, and GGRIL, and has produced six solo albums under the name L'Oeil et le Monocle. Back in Rimouski since 2014, he regularly composes for theater, film, television, circus, and radio.
https://loeiletlemonocle.bandcamp.com/
-Eduardo Cossio (b.1982) is a Peruvian-Australian musician and visual artist based in
Boorloo (Perth, Western Australia). His music draws from electro-acoustic and
experimental composition, usually performing with zithers, harmonica and electronics.
Eduardo has performed widely across Australia, Europe, and Taiwan. He has collaborated
closely with Annette Krebs, Axel Dörner, Sabine Vogel, Alice Hui Shen Chang, and Jim
Denley. He is also prolific organiser, radio broadcaster, and writer. His visual art has been
the subject of three solo exhibitions.
https://www.eduardocossio.com/
https://www.instagram.com/eduardo__cossio/
https://tonelist.bandcamp.com/album/citadels
-Jen Yakamovich is a Vancouver-based drummer and improviser who works across disciplines as a performer, composer, researcher, and educator. She sees her relationship with the drum set—a system of interrelating sounds and parts— as an inquiry into relationships with both her own internal system and wider socioecological webs. Her approach to improvisation and spontaneous composition is rooted in the Creative Music Workshop in Halifax, NS, where Yakamovich grew up. From 2024-2025 Yakamovich studied with drummer, composer & field recordist Susie Ibarra (New York/Berlin).
Over the past year Yakamovich has worked with the DAAD Artists-in-Berlin / bauhaus Campus Stadt Nature program, Now Society’s 8east, Vancouver Coastal Jazz, Active Passive Performance Society, The Only Animal, and grunt gallery. She has recently contributed to projects with percussionist Adrian Avendaño (Vancouver), artists Roxanne Nesbitt & Ben Brown (Montréal), guitarist Sam Wilson (Halifax), Persian psych artist Niloo (Victoria), art rock group Heaven For Real (Montréal), producer Miguel Maravilla (Vancouver), improvisers Mustafa Rafiq (Edmonton) & Jairus Sharif (Calgary) for Active Passive, and Balkan folk group Fetele Din Balkani (Vancouver). She regularly performs with experimental pop artist Wallgrin (Vancouver), and recently formed the improvisation duo Notice Flower with pianist Bahar Khazei. She has a solo experimental folk project called Troll Dolly.
Yakamovich has a progressive vision impairment called retinitis pigmentosa. She holds a Master’s degree in Environmental Studies from Dalhousie University.
https://jenyakamovich.format.com/
https://trolldolly.bandcamp.com/album/heavens-mini-mart-3
-Roxanne Nesbitt is a designer, composer, and sound artist. Following formal studies in classical double bass and architecture, Roxanne works between the fields of music and design. Her research explores radical instrument design, the meeting place of composition and improvisation, sculptural ceramics and participatory sound installation. Roxanne collaborates with instrument designers, musicians, composers, and choreographers to create work.
Her music has been played across Europe and North America including performances at Gaudeamus Muziekweek in Utrecht, November Music in Den Bosch, Bauchhund in Berlin, Western Front in Vancouver, and the Center for New Music in San Francisco. She celebrates process making work that is intimate, inquisitive, and exploratory.
https://www.instagram.com/roxannenesbitt/
https://roxannenesbitt.com/ -
[blog] Una pianta chiusa per venti anni in uno scantinato vive e cresce solo se le sue radici sono ben fitte nel duro suolo #punkhardcore di Washington D.C.
Sull'ultimo singolo dei #BlackEyes, la #dischord e l'eclettismo di Daniel Martin-McCormick.
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C'est Dimanche Matin ! no.78
Dimanche 14 septembre 2025 à 11h
@epicentre #Jarnages @en_creuseSéance d'écoute autour de "Machine Gun" du Peter Brötzmann Octet (1968)
Gratuit
#PeterBrötzmann #1968 #improvisedmusic #vinylrecord #musiqueimprovisee #freejazz #disquevinyle
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Dutchyyy – Mother (Nocturnalis) EP
#HipHopRap #Meditationmusic #freejazz #gamesoundtrack #instrumentalhiphop #lofihiphop #Tampa
CC BY-NC (#CreativeCommons Attribution Non Commercial) #ccmusic
https://dutchmassive.bandcamp.com/album/mother-nocturnalis-ep
