#freejazz — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #freejazz, aggregated by home.social.
-
This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
This morning's #workout #music is from Roscoe Mitchell & Moor Mother performing in 2019. It was The Art Ensemble of Chicago's "We Are On The Edge" that introduced me to Moor Mother, so I was excited to see this concert come across my feed. A must-see collaboration.
https://www.youtube.com/live/03nA7WqStg8
#Poetry #jazz #FreeJazz #SpokenWord #KettleBells #DumbBells #WellnessWe Are On The Edge on #bandcamp
https://artensembleofchicago.bandcamp.com/album/we-are-on-the-edge-a-50th-anniversary-celebration -
Saba Alizadeh & Farzané (NL/IRN) + Vehicle/Passenger (US/CW/DE)
OCCII, Friday, October 23 at 08:30 PM GMT+2
Saba Alizadeh
Architect of Power Ambient
Saba Alizadeh occupies a singular space in contemporary music ,a sonic language so distinct it seems to exist outside comparison.
Coming from a distinguished musical lineage and shaped by more than two decades as a composer, producer, and performer, he has developed an artistic voice that merges deep cultural memory with fearless sonic experimentation.
Across four critically acclaimed albums, he has continuously expanded the boundaries between contemporary composition, electronic music, and Persian sonic heritage.
Having lived through defining social and political ruptures – from witnessing the fall of the Berlin Wall as a child to experiencing the Green Movement and the Woman, Life, Freedom uprising in Iran – his work carries the emotional residue of history not as commentary, but as lived memory transformed into sound.
Emerging from Tehran’s underground electronic scene, Alizadeh forged a deeply personal language where Persian classical music, experimental electronics, archival recordings, and cinematic tension dissolve into what critics have called “Power Ambient.”
At the center of his performances stands the Kamancheh: the ancient Persian bowed instrument whose raw, human cry he reshapes through live processing and sonic experimentation into something both ancestral and radically contemporary.
His live sets unfold like fragments of forgotten cinema – dense, haunting, and physical. Continuously reimagining how history, memory, and resistance can breathe through modern sound.
”A bridge between the ancient and the contemporary” — The Wire
”A fresh, compelling soundscape” — Pitchfork
”Hope as an act of resistance” — Frankfurter Rundschau
”Music that feels like a cinematic unfolding of history” — Chain D.L.K.
”The stringed Kamancheh is a living soul and primal voice” — Veil of Sound
"Temple of hope" Live Concert<a href="https://sabaalizadeh.bandcamp.com/album/temple-of-hope">Temple Of Hope by Saba Alizadeh</a>
Farzané
(Farzaneh Nouri), an Iranian sound artist, creative coder, and researcher based in the Netherlands, works at the intersection of experimental music and computer science. Her ongoing practice-based research focuses on embodied knowledge in improvisational settings with machines. Embracing AI’s fundamental otherness while establishing relational connections, her practice aims at creating conditions of genuine encounter and collaborative destabilization between the artist and the machine. This speculative approach moves beyond technological determinism and cultural essentialism, exploring how human and machine intelligences might co-evolve through creative tension and collaborative aesthetic discovery.
Farzané at Audiomanzia<a href="https://farzane.bandcamp.com/track/chiasma">CHIASMA by Farzané</a>
VEHICLE/PASSENGER
Ethereal yet full of raw power. A tour-de-force of artistic expression combined with an urgent message on the state of our world.
In VEHICLE/PASSENGER we gather around thoughtful, radical poetry, as it weaves through energetically improvised pieces and delicate soundscapes. Exploring a queer perspective on body, society and improvisation. The trio reveals a unified, futuristic sound, repositioning the past, present and future of experimental music, free jazz, hip-hop, live electronics and poetry.
“An energy and urgency without simple slogans.” – WDR, Odilo Clausnitzer
“Vehicle/Passenger has created one of the most honest and unique recordings of 2024.” – All About Jazz, Maurice Hoge
The Ballad of a Never-ending Elevator Accident – VEHICLE/PASSENGER – Live in AmsterdamM Alberto (NL/AN) – poetry , saxophones and electronics
Lesley Mok (US) – drums and percussion
Florian Herzog (DE) – double bass and electronicsM. ALBERTO (they/them), is a Euro-Carribean improviser, award-winning poet and composer. Born in Curacao and currently based in the Netherlands. M.’s work is explicitly political, and always critical of colonial structures. They are one of the driving forces behind theatre collectives Boys won’t be Boys, as well as a steady collaborator in other critical productions. They have performed internationally on diverse stages and theatres from The Royal Concertgebouw and the Dutch National Opera to pop-festivalslike Sziget, Rock Werchter and Pinkpop.
FLORIAN HERZOG, bassist and composer, is a pioneer of the German and international jazz and avant-garde scenes whose bass playing has been described by the press as “emancipated, spirited and sensitive.”
He has worked with established greats like Theo Bleckmann, Jim Black and Nils Wogram, but also with the new generation and musicians like Anna Webber, Elias Stemeseder and Nick Dunston.
LESLEY MOK (they/them) is a percussionist and interdisciplinary artist based in Brooklyn, NY, who works in sound, installation, film, and theater. Interested in the ways social conditions shape our beings, Lesley’s work focuses on overacting humanness to explore ideas about alienness and privilege. Their work draws from queer and feminist art practices, Chinese philosophy, Caribbean folkloric musical traditions, futurist perspectives, and ancestral knowledge. Their critically acclaimed debut album ‘The Living Collection’ was awarded with a prestigious Deutscher Jazz Preis in 2024.
https://offbeat.amsterdam/event/saba-alizadeh-and-farzane-nlirn-vehiclepassenger-uscwde
-
Saba Alizadeh & Farzané (NL/IRN) + Vehicle/Passenger (US/CW/DE)
OCCII, Friday, October 23 at 08:30 PM GMT+2
Saba Alizadeh
Architect of Power Ambient
Saba Alizadeh occupies a singular space in contemporary music ,a sonic language so distinct it seems to exist outside comparison.
Coming from a distinguished musical lineage and shaped by more than two decades as a composer, producer, and performer, he has developed an artistic voice that merges deep cultural memory with fearless sonic experimentation.
Across four critically acclaimed albums, he has continuously expanded the boundaries between contemporary composition, electronic music, and Persian sonic heritage.
Having lived through defining social and political ruptures – from witnessing the fall of the Berlin Wall as a child to experiencing the Green Movement and the Woman, Life, Freedom uprising in Iran – his work carries the emotional residue of history not as commentary, but as lived memory transformed into sound.
Emerging from Tehran’s underground electronic scene, Alizadeh forged a deeply personal language where Persian classical music, experimental electronics, archival recordings, and cinematic tension dissolve into what critics have called “Power Ambient.”
At the center of his performances stands the Kamancheh: the ancient Persian bowed instrument whose raw, human cry he reshapes through live processing and sonic experimentation into something both ancestral and radically contemporary.
His live sets unfold like fragments of forgotten cinema – dense, haunting, and physical. Continuously reimagining how history, memory, and resistance can breathe through modern sound.
”A bridge between the ancient and the contemporary” — The Wire
”A fresh, compelling soundscape” — Pitchfork
”Hope as an act of resistance” — Frankfurter Rundschau
”Music that feels like a cinematic unfolding of history” — Chain D.L.K.
”The stringed Kamancheh is a living soul and primal voice” — Veil of Sound
"Temple of hope" Live Concert<a href="https://sabaalizadeh.bandcamp.com/album/temple-of-hope">Temple Of Hope by Saba Alizadeh</a>
Farzané
(Farzaneh Nouri), an Iranian sound artist, creative coder, and researcher based in the Netherlands, works at the intersection of experimental music and computer science. Her ongoing practice-based research focuses on embodied knowledge in improvisational settings with machines. Embracing AI’s fundamental otherness while establishing relational connections, her practice aims at creating conditions of genuine encounter and collaborative destabilization between the artist and the machine. This speculative approach moves beyond technological determinism and cultural essentialism, exploring how human and machine intelligences might co-evolve through creative tension and collaborative aesthetic discovery.
Farzané at Audiomanzia<a href="https://farzane.bandcamp.com/track/chiasma">CHIASMA by Farzané</a>
VEHICLE/PASSENGER
Ethereal yet full of raw power. A tour-de-force of artistic expression combined with an urgent message on the state of our world.
In VEHICLE/PASSENGER we gather around thoughtful, radical poetry, as it weaves through energetically improvised pieces and delicate soundscapes. Exploring a queer perspective on body, society and improvisation. The trio reveals a unified, futuristic sound, repositioning the past, present and future of experimental music, free jazz, hip-hop, live electronics and poetry.
“An energy and urgency without simple slogans.” – WDR, Odilo Clausnitzer
“Vehicle/Passenger has created one of the most honest and unique recordings of 2024.” – All About Jazz, Maurice Hoge
The Ballad of a Never-ending Elevator Accident – VEHICLE/PASSENGER – Live in AmsterdamM Alberto (NL/AN) – poetry , saxophones and electronics
Lesley Mok (US) – drums and percussion
Florian Herzog (DE) – double bass and electronicsM. ALBERTO (they/them), is a Euro-Carribean improviser, award-winning poet and composer. Born in Curacao and currently based in the Netherlands. M.’s work is explicitly political, and always critical of colonial structures. They are one of the driving forces behind theatre collectives Boys won’t be Boys, as well as a steady collaborator in other critical productions. They have performed internationally on diverse stages and theatres from The Royal Concertgebouw and the Dutch National Opera to pop-festivalslike Sziget, Rock Werchter and Pinkpop.
FLORIAN HERZOG, bassist and composer, is a pioneer of the German and international jazz and avant-garde scenes whose bass playing has been described by the press as “emancipated, spirited and sensitive.”
He has worked with established greats like Theo Bleckmann, Jim Black and Nils Wogram, but also with the new generation and musicians like Anna Webber, Elias Stemeseder and Nick Dunston.
LESLEY MOK (they/them) is a percussionist and interdisciplinary artist based in Brooklyn, NY, who works in sound, installation, film, and theater. Interested in the ways social conditions shape our beings, Lesley’s work focuses on overacting humanness to explore ideas about alienness and privilege. Their work draws from queer and feminist art practices, Chinese philosophy, Caribbean folkloric musical traditions, futurist perspectives, and ancestral knowledge. Their critically acclaimed debut album ‘The Living Collection’ was awarded with a prestigious Deutscher Jazz Preis in 2024.
https://offbeat.amsterdam/event/saba-alizadeh-and-farzane-nlirn-vehiclepassenger-uscwde
-
..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned #jazz #freejazz #improv #musicreview
RE: https://bsky.app/profile/did:plc:evocfgfx3nkoccovotpzk6zc/post/3murpvsex33t2 -
..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned #jazz #freejazz #improv #musicreview
RE: https://bsky.app/profile/did:plc:evocfgfx3nkoccovotpzk6zc/post/3murpvsex33t2 -
..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned #jazz #freejazz #improv #musicreview
RE: https://bsky.app/profile/did:plc:evocfgfx3nkoccovotpzk6zc/post/3murpvsex33t2 -
..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned #jazz #freejazz #improv #musicreview
RE: https://bsky.app/profile/did:plc:evocfgfx3nkoccovotpzk6zc/post/3murpvsex33t2 -
..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned #jazz #freejazz #improv #musicreview
RE: https://bsky.app/profile/did:plc:evocfgfx3nkoccovotpzk6zc/post/3murpvsex33t2 -
Richard Andersson with Rudi Mahall, Artur Tuznik and Kasper Tom – Monk And More / أحمد [Ahmed] – Play Monk https://freq.org.uk/reviews/monk-play-monk/ @Hakarl ..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned. #jazz #freejazz #improv #musicreview
-
Richard Andersson with Rudi Mahall, Artur Tuznik and Kasper Tom – Monk And More / أحمد [Ahmed] – Play Monk https://freq.org.uk/reviews/monk-play-monk/ @Hakarl ..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned. #jazz #freejazz #improv #musicreview
-
Richard Andersson with Rudi Mahall, Artur Tuznik and Kasper Tom – Monk And More / أحمد [Ahmed] – Play Monk https://freq.org.uk/reviews/monk-play-monk/ @Hakarl ..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned. #jazz #freejazz #improv #musicreview
-
Richard Andersson with Rudi Mahall, Artur Tuznik and Kasper Tom – Monk And More / أحمد [Ahmed] – Play Monk https://freq.org.uk/reviews/monk-play-monk/ @Hakarl ..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned. #jazz #freejazz #improv #musicreview
-
Richard Andersson with Rudi Mahall, Artur Tuznik and Kasper Tom – Monk And More / أحمد [Ahmed] – Play Monk https://freq.org.uk/reviews/monk-play-monk/ @Hakarl ..these records, finally, are perhaps two sides of the Monk coin -- one a stretching and contortion of what was already there, one pinning #theloniusmonk to the mast of improvised music and sailing off into the whorling void. Big up yourselves, everyone concerned. #jazz #freejazz #improv #musicreview
-
First listen: The Complete Machine Gun Sessions by The Peter Brötzmann Octet, released August 2007, originally released as Machine Gun, June 1968
-
First listen: The Complete Machine Gun Sessions by The Peter Brötzmann Octet, released August 2007, originally released as Machine Gun, June 1968
-
First listen: The Complete Machine Gun Sessions by The Peter Brötzmann Octet, released August 2007, originally released as Machine Gun, June 1968
-
First listen: The Complete Machine Gun Sessions by The Peter Brötzmann Octet, released August 2007, originally released as Machine Gun, June 1968
-
First listen: The Complete Machine Gun Sessions by The Peter Brötzmann Octet, released August 2007, originally released as Machine Gun, June 1968
-
A music break for sanity's sake.
#musicbreak #music #jazz #latinjazz #avantgarde #freejazz #argentina
https://youtu.be/2sVxyPLwynA -
Morgen Ihr, scheiss auf den Weltuntergang ich geh heut freejazz hören im coolsten club der Stadt ever.
-
September 2026 schedule
@
PetHaus, Pispalan Valtatie 47, FI-33250 Tampere, Finland.
#PetHaus #events #gigs #clubs #café #experimental #electronic #alternative #indie #techno #dub #noise #jazz #freejazz #PispalanValtatie #Pispala #Tampere #Finland
-
First Listen: FMP 0130 by Brötzmann / Van Hove / Bennink, released 1973
https://rateyourmusic.com/release/album/brotzmann-van-hove-bennink/brotzmann-van-hove-bennink/
-
#saturday #newepisode of What's This Called? #radioshow for #FreeformPortland 6-8 PM Pacific Time!
90.3 FM & 98.3 FM on #TerrestrialRadio or #streaming #aroundtheworld from: http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #postpunk #psychedelic #spacerock #freejazz #AvantGarage #strangemusic #noiserock #outsidermusic #musiqueconcrete #ElectroAcoustic #nowave #postrock #ambientmusic #plunderphonics #heavypsych #idmmusic #freeform
#archives (#listen anytime): https://whatsthiscalled.net/2026/08/28/29-august-2026/
-
RE: https://c.im/@icastico/117157592316184932
Max Roach - Force
So, disc one is missing- but I am liking this. May need to track down a copy to listen to on real equipment #vinyl @vinylrecords #jazz #FreeJazz #nowPlaying
-
Paul* Hermansen, Bela Pruscini, Benjamin Steinacher – Excessive Temperaments
#Alternative #EAI #Experimental #FreeJazz #abreaction #avantgarde #contemporary #creativemusic #devotional #electroacoustic #freeimprovisation #jazzmeditation #primitivism #spiritualjazz #Dortmund
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://leoniehermansen.bandcamp.com/album/excessive-temperaments -
DJ Hairy Larry Presents Joseph Jarman Playing Petite Fleur
https://sbblues.com/2026/08/16/dj-hairy-larry-presents-joseph-jarman-playing-petite-fleur/
Thanks Marty, today we’re going to hear a free jazz pioneer. born in Poplar Bluff, Arkansas, play a Sidney Bechet tune.
Joseph Jarman, born in Poplar Bluff, was a founding member of the Art Ensemble of Chicago. He played sax ... and you have probably seen photos of him on stage, in costume, with his face striped with white grease paint.
#jazz #freejazz #djHairyLarry #FromTheArchive #SomethingBlue #radio
-
#saturday #newepisode of What's This Called? #radioshow on #FreeformPortland 6-8 PM Pacific Time.
90.3 FM & 98.3 FM #portland or #streaming #AroundTheWorld : http://listen.freeformportland.org:8000/stream
#ExpunkimentalMusic #drone #noise #heavypsych #PostPunk #AvantGarage #spacerock #freejazz #antifolk #electroacoustic #dub #musiqueconcrete #noiserock #psychfolk #postrock #strangemusic #undergroundmusic #ambientmusic #electronicmusic #FreeMusic #freeformradio
#archives (#listen anytime): https://whatsthiscalled.net/2026/08/14/15-august-2026/
-
Recorded (around this time) and released 40 years ago, "New York Performances" may be the only Borbetomagus LP that hasn't been reissued on CD? I remember reading that it's probably because it isn't that good. But it's better than I remember, especially the A side. Did I hear some Albert Ayler? The B side is rather badly recorded (or rather, not bad in a good way). And it has some nice photos of the band!
#Borbetomagus #vinyl #noise #freejazz #nowplaying @ExperimentalMusic
-
#hotorcold #JukeboxFridayNight #freejazz #MatthewShipp #WiliamParker #gershwin #summertime
The Matthew Shipp & William Parker Duo, "Summertime"
-
Mardi Spaghetti: 3 duos - Daisuke Terauchi & Tamaho MIikayo (Japon/Japan) - K2: Kayla Milmine & Jonathan Kay (Toronto) - Kimmie Sabio & Jason Rosenman (États-Unis/USA)
Casa Del Popolo, Tuesday, July 21 at 07:30 PM EDT
Mardi Spaghetti présente/presents:
3 Duos:
- Daisuke Terauchi & Tamaho MIikayo (Japon/Japan)
- K2: Kayla Milmine & Jonathan Kay (Toronto)
- Kimmie Sabio & Jason Rosenman (États-Unis/USA)21 Juillet 2026 / July 21st 2026
Casa del Popolo
Portes 19h30/Doors 7:30PM:
Show 20h/8PM
15-20$ Notaflof - (soyez gentils avec les groupes en tournée / be nice to the touring acts)--
Daisuke Terauchi: (Voix, flûtes à bec et quelques autres
petits instruments / Voice, recorders, and some other
small instruments)
Tamaho Miyake: (Piano & petits instruments / Piano & small instruments )https://dterauchi.com/
http://www.hi-ho.ne.jp/tamaho/Tamaho Miyake et Daisuke Terauchi sont des compositeur.ice.s et improvisateur.ice.s japonais.e.s. Lors de leurs concerts, Daisuke utilise principalement sa voix, des flûtes à bec et de petits instruments, tandis que Tamaho joue du piano et d’autres instruments. Iels se sont produits et ont collaboré
à l’échelle internationale dans le cadre de concerts, de festivals et de projets d’ensemble. Terauchi est titulaire d’un doctorat pour ses recherches sur « Cobra » de John Zorn
/
Tamaho Miyake and Daisuke Terauchi are Japanese composers and improvisers. In performance, Daisuke primarily uses voice,
recorders, and small instruments, while Tamaho performs on piano and other instruments. They have performed and collaborated
internationally in concerts, festivals, and ensemble projects.
Terauchi holds a Ph.D. for his research on John Zorn's Cobra.+
K2:
Kayla Milmine (Saxophones soprano et sopranino, ainsi qu’une collection variée de curiosités musicales / Soprano & sopranino sax and a varied trove of sound-making curiosities)
Jonathan Kay (Saxophone soprano et ténor, esraj, shakuhachi, cor tibétain et tout un arsenal d'objets sonores / Soprano & tenor sax, esraj, shakuhachi, Tibetan horn, and an arsenal of sonic artifacts)https://k2improv.bandcamp.com/
K2 est un duo d'improvisation composé de Kayla Milmine (saxophone soprano) et Jonathan Kay (saxophones soprano et ténor, esraj, shakuhachi, cor tibétain). Leur collaboration explore les pouvoirs bruts et transformateurs de la musique, créant des rituels sonores qui sont autant d'espaces nourris par l'indétermination, où les frontières ne sont pas seulement franchies, mais effacées grâce à une improvisation transculturelle et à une approche sonore résolument nomade.
/
K2 is an improvising duo by Kayla Milmine (soprano sax) and Jonathan Kay (soprano & tenor sax, esraj, shakuhachi, Tibetan horn). Their union delves into the raw, transformative powers of music, conjuring sound-rituals as sites fueled by indeterminacy, where boundaries are not just crossed but obliterated through transcultural improvisation and an unapologetically nomadic approach to sound.+
Kimmie Sabio (Trompette/Trumpet)
Jason Rosenman (Sousaphone)Kimmie Sabio is a performer, educator and arts administrator. While her training is primarily in classical Trumpet she has developed a passion for free improvisation after working closely with Joe Morris at New England Conservatory. She has started her own concert series, Fort Point Free Music Collective. She is also a member of Balkan brass band emperor Nortons Stationary Marching Band and video game music band, Magnificent Danger. She’s an active freelancer in the Boston community. Recent engagements include 25th anniversary of Non-Event celebration as well as a featured soloist at the Cape Cod Chorale.
--
Jason is a low brass player and audio engineer living in Somerville, Massachusetts. They learned tuba with bands in the HONK community brass festival. Jason now plays mostly Balkan and Eastern European-inspired music with Conical Cacophony, The Velvet Dirtmunchers, and Emperor Norton’s Stationary Marching Band.
/
Kimmie Sabio est musicienne, enseignante et travailleuse culturelle. Bien qu’elle ait suivi une formation principalement axée sur la trompette classique, elle s’est découvert une passion pour l’improvisation libre après avoir travaillé en étroite collaboration avec Joe Morris au New England Conservatory. Elle dirige la série de concerts Fort Point Free Music Collective. Elle est également membre de la fanfare balkanique Emperor Nortons Stationary Marching Band et du groupe de musique de jeux vidéo Magnificent Danger. Elle mène une carrière active en tant qu’artiste indépendante au sein de la communauté de Boston. Parmi ses engagements récents, on peut citer la célébration du 25e anniversaire de Non-Event ainsi qu’une prestation en tant que soliste invitée au sein du Cape Cod Chorale.
--
Jason pratique les cuivres graves et travaille comme ingénieur·e du son. Iel vit à Somerville, au Massachusetts. Iel a appris à jouer du tuba au sein de groupes participant au festival communautaire de fanfares HONK. Aujourd’hui, Jason joue principalement de la musique d’inspiration balkanique et d’Europe de l’Est avec les ensembles Conical Cacophony, The Velvet Dirtmunchers et Emperor Norton’s Stationary Marching Band. -
Small Scale Music: 2 Trios - Lash/Shalabi/Campbell + Tamirisa/Nesbitt/Anne-f
Error 403, Sunday, July 12 at 07:30 PM EDT
Small Scale Music présente / presents:
Dominic Lash(UK): Contrebasse/Double Bass
Belinda Campbell: Piano & FX
Sam Shalabi: Guitar(e)+
Asha Tamirisa: Synth
Roxanne Nesbitt: Percussion, instruments artisanaux, piano/Percussions, artisanal instruments & piano
Anne-f: Électricité/Electricity12 Juillet 2026/July 12th 2026, @ Error 403
Musique à 20h/Music at 8 PM
15-20$ NOTAFLOF - MP pour l’adresse/DM 4 address -
Free Improvisers Meeting in Memmingen geht im Juni ’26 in die dritte Runde
https://jazzpages.de/free-improvisers-meeting-in-memmingen-geht-in-die-dritte-runde-2026-2605212/ -
Arrington de Dionyso & Ensemble – The Gods of War Will Be Consumed By A Greater Fire
#Experimental #ExtremeMusic #SunRaArkestra #Trancepunk #bassclarinet #freejazz #shamanic #shamanism #throatsinging #Olympia
CC BY-SA (#CreativeCommons Attribution Share Alike) #ccmusic
https://arrington.bandcamp.com/album/the-gods-of-war-will-be-consumed-by-a-greater-fire -
Camille Ly/Yohann Francoz + V.Vecker + Trio Infini (Touin/Foisy/Venne-Deshaies)
Error 403, Wednesday, May 6 at 07:30 PM EDT
La Loba & Small Scale Music présentent
Camille Ly / Yohann Francoz
V.Vecker (Missouri/Vancouver)
Trio Infini ♾️
(Thouin/Foisy/Venne-Deshaies)
Mercredi 6 mai 2026
Error 403 (DM pour l'adresse)
Montréal
Portes 19h30
Show 20h00
Entrée : Sliding scale 10-20$ / NOTAFLOF
Cash or Card
BYOB
Visuels : Elyze Venne-Deshaies
-
3 trios @ La Sott: Triggerfish / Shalabi+Gambletron+Foisy / Zombik+Richard+Craven
La Sotterenea, Monday, April 20 at 07:30 PM EDT
Small Scale Music, La Loba & Negative Capabilities:
3 trios:
Kim Zombik: Voix/Voice
Julie Richard: Tuba
Eric Craven: Batterie / Drums
+
Triggerfish -
Thalia Stacey: Voice/Voix
Gabriel Drolet: Double Bass/Contrebasse
Eliana Zimmerman: Cello/Violoncelle
+
Sam Shalabi: Oud &/or/ou Guitar(e) ?
Gambletron: Drums/Batterie &/or/ou Musical Saw/Scie Musicale &/or/ou Electronics/Électroniques ?
Raphaël Foisy: Doubles Bass/Contrebasse &/or/ou Guitar(e) ?Doors/Portes: 19h30
Show: 20h
15-20$ NOTAFLOF -
Manfred Schoof wird 90 – Fotografien von Hans Kumpf und Manfred Rinderspacher
https://jazzpages.de/manfred-schoof-wird-90-fotografien-von-hans-kumpf-und-manfred-rinderspacher-2604051/ -
Remember kids: friends don't let friends "Zorn". Not even once.
A concise and funny article propping up early Zorn experiments as some kind of evil or fucked up taboo. Good stuff! 🤣
"Here is a list of things Naked City sounds like: a jazz “Revolution 9,” a broken tape of a French murder mystery, a rollercoaster on the brink of falling apart, the varsity jazz band in a mental institution, The Wizard of Gore, a man in a red velvet suit whispering something seductive and then screaming in your ear, nothing else."
Wholesome tunes for the entire family to gather around the stereophonic sound system in the living room and listen together to on a cold winter Sunday evening.
"The Sicilian Clan"(linked in the article) is still one of my favorite "smooth" jazz-noir bits after 30+ years.
https://www.treblezine.com/john-zorn-naked-city-gleeful-noise-jazz-experiment/
#JohnZorn #AvantJazz #FreeJazz #music #Jazz -
Drť (SK) + Donikąd + Szwindel | free jazz, avant rock, alt/indie rock grunge punk | koncert w Postoju, 23.01.2026, 20:00, 30 PLN
https://event.nemo.earth/event/drt-sk-donikad-or-free-jazz-avant-rock-altindie-rock
Muzyczny start nowego roku w postoju, już 4 razem, zaczynamy od wielkiego słowackiego wpierdolu feministyczno math rockowo free jazowo popierdolonego, czyli DRT. Do tego lokalne "donikąd" oraz "szwindel", czyli kolejne nowe wrocławskie zespoły które rosną szybciej niż inflacja, wpadajcie zobaczyć bo zaraz nam wyjdą z undengroundu, a nie ma lepszej piwnicy niż nasz salon, tak nam się przynajmniej wydaje.
Drť (free jazz, avant rock | Słowacja)
Zespół Drť powstał w 2019 roku z inicjatywy Miroslava Tótha. Od tego czasu wydał cztery albumy studyjne. Na żywo grupa wystąpi w nowym składzie, prezentując materiał z aktualnej płyty Drôtenky (Lowbottomy Records) – intensywny, skondensowany dźwięk czteroosobowego zespołu. Obok wokalu Zuzany Husárovej i barytonowego saksofonu Miroslava Tótha usłyszymy Jana Faixa na klawiszach oraz perkusistę Mariána Leskovskiego, znanego również z zespołu Shibuya Motors. Album Drôtenky wykorzystuje motyw błędnych ogników – świateł pojawiających się w ludowych przesądach, które nocą wabią ludzi na bagna – jako metaforę mierzenia się z kłamcami i manipulatorami:
„Kłamcy potrafią patrzeć prosto w oczy – tak długo, aż oszukany spuści wzrok, aż odwróci spojrzenie”.
https://drtband.bandcamp.com/album/ep-o-i-bez-bielok
Donikąd (alt rock, indie rock | Wrocław)
Donikąd to wrocławska grupa rockowa łącząca agresywne gitarowe riffy z chwytliwymi melodiami. Ich brzmienie czerpie zarówno z alternatywnego rocka lat 90., jak i ze współczesnego indie rocka. Teksty zespołu opowiadają o zmaganiach z trudnościami, które stawia życie, inni ludzie, a czasem my sami. W lipcu 2025 roku ukazała się ich debiutancka EP-ka „Rozmowy o Godzinie Trzeciej”.
https://linktr.ee/donikad.band
Szwindel (punk, grunge | Wrocław)
To nowa, wrocławska formacja, która zaskoczyła energicznym połączeniem grunguu i punku. Grają prawdziwe tsunami dźwięku oraz emocji, które na pewno porwie was w POGO! Warto dodać, że swoją demówkę nagrali mikrofalą, co na pewno ich wyróżnia, no to przyjdź na ten koncert i dołącz do takich pasjonatów.
https://www.instagram.com/szwindel.band/
Oddolne Centrum Społeczno-Kulturalne Postój,
Wrocław, ul. Metalowców 59b
https://postoj.org/adres-kontakt
Przestrzeń bezpieczna i wolna od alkoholu i środków odurzających.
Prosimy też o wsparcie nas finansowo, co bardzo pomoże nam działać dalej! https://postoj.org/fund/
Wydarzenie objęte patronatem Stowarzyszenia Nigdy Więcej w ramach akcji Muzyka Przeciw Rasizmowi: https://nigdywiecej.org
#freejazz, #avantrock, #altrock #indierock #grunge #punk #wroclaw #gig #koncert #muzyka #wydarzenie #trzezwakultura #trzezwaimpreza #trzezwezycie #trzezwosc
@Anxious_Musick_Magazine @pawarota @music @music
