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#satokofujii — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #satokofujii, aggregated by home.social.

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  1. New #review today: "With Burning Wick, #SatokoFujii’s Quartet roars once again, following the excellent Dog Days of Summer with another set of unpredictable #jazz. As with the previous release, Fujii (piano) is joined by #NatsukiTamura (trumpet), #TatsuyaYoshida (drums), and #HayakawaTakeharu (bass), and as I’ve written before, this combination of musicians is particularly explosive and appealing." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  2. New #review today: "With Burning Wick, #SatokoFujii’s Quartet roars once again, following the excellent Dog Days of Summer with another set of unpredictable #jazz. As with the previous release, Fujii (piano) is joined by #NatsukiTamura (trumpet), #TatsuyaYoshida (drums), and #HayakawaTakeharu (bass), and as I’ve written before, this combination of musicians is particularly explosive and appealing." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  3. New today: "With Burning Wick, ’s Quartet roars once again, following the excellent Dog Days of Summer with another set of unpredictable . As with the previous release, Fujii (piano) is joined by (trumpet), (drums), and (bass), and as I’ve written before, this combination of musicians is particularly explosive and appealing." expose.org/index.php/articles/

  4. New #review today: "With Burning Wick, #SatokoFujii’s Quartet roars once again, following the excellent Dog Days of Summer with another set of unpredictable #jazz. As with the previous release, Fujii (piano) is joined by #NatsukiTamura (trumpet), #TatsuyaYoshida (drums), and #HayakawaTakeharu (bass), and as I’ve written before, this combination of musicians is particularly explosive and appealing." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  5. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm. This peaceful, contemplative album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/11/04

    Want to skip straight to the music? Here's the Bandcamp: satokofujii.bandcamp.com/album

    Happy listening!

    #SatokoFujii #RamonLopez #FreeJazz #ContemporaryClassical #experimental #improvisation #jazz #piano #Japan #Spain #music #1001OtherAlbums

  6. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm. This peaceful, contemplative album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/11/04

    Want to skip straight to the music? Here's the Bandcamp: satokofujii.bandcamp.com/album

    Happy listening!

    #SatokoFujii #RamonLopez #FreeJazz #ContemporaryClassical #experimental #improvisation #jazz #piano #Japan #Spain #music #1001OtherAlbums

  7. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm. This peaceful, contemplative album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez.

    Want to read more? See the full spotlight on the Fediverse at linernotes.club/@1001otheralbu or on the blog: 1001otheralbums.com/2025/11/04

    Want to skip straight to the music? Here's the Bandcamp: satokofujii.bandcamp.com/album

    Happy listening!

    #SatokoFujii #RamonLopez #FreeJazz #ContemporaryClassical #experimental #improvisation #jazz #piano #Japan #Spain #music #1001OtherAlbums

  8. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm.

    And, to try something a bit different in terms of the format of these spotlight posts, this Fall season I’m going to try a thing I’m tentatively calling (but will spare y’all by keeping it out of the blog post titles) ‘Four Facts Fall’, where I’ll attempt to keep the spotlight down to – you guessed it – four facts, one of which may or may not be directly about the album being spotlit.[1] Of course, knowing me, I’ll likely get all pumped up about an album/artist and want to include way more than four facts, so the spotlights will likely be more like four sentences that may or may not be way too long. (Perhaps it should be ‘Fourteen Facts…’? Or ‘Forty Facts…’? …’Four Hundred Facts’?!!) But I like facts, you like facts, more facts are good. Also, time doesn’t exist so this format likely will go beyond Winter Solstice. But I digress.

    This album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez. The brilliant, peaceful, contemplative music they coax out of their instruments together sounds like they’ve played together for ages, and yet they had only played together once before recording this. Nearly the entire album was improvised, making its title absolutely apt – “confluence” comes from the late Latin confluentia, itself from the classical Latin verb confluere, where the prefix con– means “together” and fluere “to flow”. The word is typically used when describing where two rivers meet, which is a very lovely metaphor for this collaboration between Fujii and Lopez.

    1. For those of you who had seen the toot, I originally wanted these set up like an Airplane Facts With Max sort of thing where I’d nonsensically but seamlessly jump from facts about the album being spotlit to an incredibly unrelated random fact about music sourced from Fedizens or elsewhere. But, having now written and prescheduled a few of these spotlights, I haven’t even come close to pulling such a thing off, and have edited such attempts out. Also, that toot didn’t get any bites from people wanting to share their infodumping skills, so I deleted the toot (what toot?) and I’ll just see what happens. ↩︎

    #contemporaryClassical #experimental #freeJazz #improvisation #Japan #jazz #ListenToThis #music #musicDiscovery #piano #RamonLopez #SatokoFujii #spain

  9. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm.

    And, to try something a bit different in terms of the format of these spotlight posts, this Fall season I’m going to try a thing I’m tentatively calling (but will spare y’all by keeping it out of the blog post titles) ‘Four Facts Fall’, where I’ll attempt to keep the spotlight down to – you guessed it – four facts, one of which may or may not be directly about the album being spotlit.[1] Of course, knowing me, I’ll likely get all pumped up about an album/artist and want to include way more than four facts, so the spotlights will likely be more like four sentences that may or may not be way too long. (Perhaps it should be ‘Fourteen Facts…’? Or ‘Forty Facts…’? …’Four Hundred Facts’?!!) But I like facts, you like facts, more facts are good. Also, time doesn’t exist so this format likely will go beyond Winter Solstice. But I digress.

    This album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez. The brilliant, peaceful, contemplative music they coax out of their instruments together sounds like they’ve played together for ages, and yet they had only played together once before recording this. Nearly the entire album was improvised, making its title absolutely apt – “confluence” comes from the late Latin confluentia, itself from the classical Latin verb confluere, where the prefix con– means “together” and fluere “to flow”. The word is typically used when describing where two rivers meet, which is a very lovely metaphor for this collaboration between Fujii and Lopez.

    1. For those of you who had seen the toot, I originally wanted these set up like an Airplane Facts With Max sort of thing where I’d nonsensically but seamlessly jump from facts about the album being spotlit to an incredibly unrelated random fact about music sourced from Fedizens or elsewhere. But, having now written and prescheduled a few of these spotlights, I haven’t even come close to pulling such a thing off, and have edited such attempts out. Also, that toot didn’t get any bites from people wanting to share their infodumping skills, so I deleted the toot (what toot?) and I’ll just see what happens. ↩︎

    #contemporaryClassical #experimental #freeJazz #improvisation #Japan #jazz #ListenToThis #music #musicDiscovery #piano #RamonLopez #SatokoFujii #spain

  10. Satoko Fujii, Ramon Lopez – Confluence (2019, Japan/Spain)

    Welcome back, friends, hope you had a chance to listen to some excellent music while I took a bit of a break. To ease us back into our journey through the epic Fedi-sourced catalogue of must-hear albums, our next spotlight is on number 233 on The List, submitted by platenworm.

    And, to try something a bit different in terms of the format of these spotlight posts, this Fall season I’m going to try a thing I’m tentatively calling (but will spare y’all by keeping it out of the blog post titles) ‘Four Facts Fall’, where I’ll attempt to keep the spotlight down to – you guessed it – four facts, one of which may or may not be directly about the album being spotlit.[1] Of course, knowing me, I’ll likely get all pumped up about an album/artist and want to include way more than four facts, so the spotlights will likely be more like four sentences that may or may not be way too long. (Perhaps it should be ‘Fourteen Facts…’? Or ‘Forty Facts…’? …’Four Hundred Facts’?!!) But I like facts, you like facts, more facts are good. Also, time doesn’t exist so this format likely will go beyond Winter Solstice. But I digress.

    This album features the duo of the wildly prolific virtuoso piano improviser and composer Satoko Fujii and renowned jazz drummer and artist Ramon Lopez. The brilliant, peaceful, contemplative music they coax out of their instruments together sounds like they’ve played together for ages, and yet they had only played together once before recording this. Nearly the entire album was improvised, making its title absolutely apt – “confluence” comes from the late Latin confluentia, itself from the classical Latin verb confluere, where the prefix con– means “together” and fluere “to flow”. The word is typically used when describing where two rivers meet, which is a very lovely metaphor for this collaboration between Fujii and Lopez.

    1. For those of you who had seen the toot, I originally wanted these set up like an Airplane Facts With Max sort of thing where I’d nonsensically but seamlessly jump from facts about the album being spotlit to an incredibly unrelated random fact about music sourced from Fedizens or elsewhere. But, having now written and prescheduled a few of these spotlights, I haven’t even come close to pulling such a thing off, and have edited such attempts out. Also, that toot didn’t get any bites from people wanting to share their infodumping skills, so I deleted the toot (what toot?) and I’ll just see what happens. ↩︎

    #contemporaryClassical #experimental #freeJazz #improvisation #Japan #jazz #ListenToThis #music #musicDiscovery #piano #RamonLopez #SatokoFujii #spain

  11. New #review today: "Of the many ensembles led by pianist #SatokoFujii, the quartet that recorded Dog Days of Summer might be my favorite. There are a number of factors that lead to my fondness of the album. In no particular order, they include: 1. #TatsuyaYoshida on drums, a constantly energetic and engaging rhythmic powerhouse whose distinctive playing brings a refreshing solidity to Fujii’s music..." #ExposeOnline #Jazz #AvantJazz expose.org/index.php/articles/

  12. New #review today: "Of the many ensembles led by pianist #SatokoFujii, the quartet that recorded Dog Days of Summer might be my favorite. There are a number of factors that lead to my fondness of the album. In no particular order, they include: 1. #TatsuyaYoshida on drums, a constantly energetic and engaging rhythmic powerhouse whose distinctive playing brings a refreshing solidity to Fujii’s music..." #ExposeOnline #Jazz #AvantJazz expose.org/index.php/articles/

  13. New today: "Of the many ensembles led by pianist , the quartet that recorded Dog Days of Summer might be my favorite. There are a number of factors that lead to my fondness of the album. In no particular order, they include: 1. on drums, a constantly energetic and engaging rhythmic powerhouse whose distinctive playing brings a refreshing solidity to Fujii’s music..." expose.org/index.php/articles/

  14. New #review today: "Of the many ensembles led by pianist #SatokoFujii, the quartet that recorded Dog Days of Summer might be my favorite. There are a number of factors that lead to my fondness of the album. In no particular order, they include: 1. #TatsuyaYoshida on drums, a constantly energetic and engaging rhythmic powerhouse whose distinctive playing brings a refreshing solidity to Fujii’s music..." #ExposeOnline #Jazz #AvantJazz expose.org/index.php/articles/

  15. New #review today: "Now, with his own credentials firmly established, #JoeFonda pays homage to #WadadaLeoSmith and others on Eyes on the Horizon, a set of seven compositions recorded with a quartet that features Fonda and Smith along with #SatokoFujii on piano and #TizianoTononi on drums." #ExposeOnline #jazz expose.org/index.php/articles/

  16. New #review today: "Now, with his own credentials firmly established, #JoeFonda pays homage to #WadadaLeoSmith and others on Eyes on the Horizon, a set of seven compositions recorded with a quartet that features Fonda and Smith along with #SatokoFujii on piano and #TizianoTononi on drums." #ExposeOnline #jazz expose.org/index.php/articles/

  17. New today: "Now, with his own credentials firmly established, pays homage to and others on Eyes on the Horizon, a set of seven compositions recorded with a quartet that features Fonda and Smith along with on piano and on drums." expose.org/index.php/articles/

  18. New #review today: "Now, with his own credentials firmly established, #JoeFonda pays homage to #WadadaLeoSmith and others on Eyes on the Horizon, a set of seven compositions recorded with a quartet that features Fonda and Smith along with #SatokoFujii on piano and #TizianoTononi on drums." #ExposeOnline #jazz expose.org/index.php/articles/

  19. New #review: "#SatokoFujii has been celebrating a lot of milestones in the past few years. Readers may recall her commemoration of 2018 as the year of her 60th birthday, which she marked by releasing 12 albums in 12 months; she marked the release of her 100th album as a leader with Hyaku - One Hundred Dreams in 2022; and the occasion of her 65th birthday is now the impetus for her to try something new to her: writing for a string ensemble." #ExposeOnline #Jazz expose.org/index.php/articles/

  20. New #review: "#SatokoFujii has been celebrating a lot of milestones in the past few years. Readers may recall her commemoration of 2018 as the year of her 60th birthday, which she marked by releasing 12 albums in 12 months; she marked the release of her 100th album as a leader with Hyaku - One Hundred Dreams in 2022; and the occasion of her 65th birthday is now the impetus for her to try something new to her: writing for a string ensemble." #ExposeOnline #Jazz expose.org/index.php/articles/

  21. New : "#SatokoFujii has been celebrating a lot of milestones in the past few years. Readers may recall her commemoration of 2018 as the year of her 60th birthday, which she marked by releasing 12 albums in 12 months; she marked the release of her 100th album as a leader with Hyaku - One Hundred Dreams in 2022; and the occasion of her 65th birthday is now the impetus for her to try something new to her: writing for a string ensemble." expose.org/index.php/articles/

  22. New #review: "#SatokoFujii has been celebrating a lot of milestones in the past few years. Readers may recall her commemoration of 2018 as the year of her 60th birthday, which she marked by releasing 12 albums in 12 months; she marked the release of her 100th album as a leader with Hyaku - One Hundred Dreams in 2022; and the occasion of her 65th birthday is now the impetus for her to try something new to her: writing for a string ensemble." #ExposeOnline #Jazz expose.org/index.php/articles/

  23. New #review today: "#SatokoFujii’s 2021 album with her Tokyo Trio, Moon on the Lake, stands as one of my very favorite out of her many albums, and Jet Black proves that this is indeed a special combination of players. While nominally a standard #PianoTrio with bass and drums, in Fujii’s artistic vision, the tried-and-true configuration becomes a vehicle for highly unconventional #jazz." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  24. New #review today: "#SatokoFujii’s 2021 album with her Tokyo Trio, Moon on the Lake, stands as one of my very favorite out of her many albums, and Jet Black proves that this is indeed a special combination of players. While nominally a standard #PianoTrio with bass and drums, in Fujii’s artistic vision, the tried-and-true configuration becomes a vehicle for highly unconventional #jazz." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  25. New today: "#SatokoFujii’s 2021 album with her Tokyo Trio, Moon on the Lake, stands as one of my very favorite out of her many albums, and Jet Black proves that this is indeed a special combination of players. While nominally a standard with bass and drums, in Fujii’s artistic vision, the tried-and-true configuration becomes a vehicle for highly unconventional ." expose.org/index.php/articles/

  26. New #review today: "#SatokoFujii’s 2021 album with her Tokyo Trio, Moon on the Lake, stands as one of my very favorite out of her many albums, and Jet Black proves that this is indeed a special combination of players. While nominally a standard #PianoTrio with bass and drums, in Fujii’s artistic vision, the tried-and-true configuration becomes a vehicle for highly unconventional #jazz." #ExposeOnline #AvantJazz expose.org/index.php/articles/

  27. New #review today: "#SatokoFujii’s recorded work has spanned a wide range of moods, from quiet and introspective acoustic piano to chaotic large ensembles, and Perpetual Motion finds her in collaboration with experimental guitarist #YoshihideOtomo, whom some readers might remember from the wild avant-prog band #GroundZero. The pair present four continuous tracks of free improvisation that contrasts harmonic calmness with intense noise..." #ExposeOnline #AvantGarde expose.org/index.php/articles/

  28. New #review today: "#SatokoFujii’s recorded work has spanned a wide range of moods, from quiet and introspective acoustic piano to chaotic large ensembles, and Perpetual Motion finds her in collaboration with experimental guitarist #YoshihideOtomo, whom some readers might remember from the wild avant-prog band #GroundZero. The pair present four continuous tracks of free improvisation that contrasts harmonic calmness with intense noise..." #ExposeOnline #AvantGarde expose.org/index.php/articles/

  29. New today: "#SatokoFujii’s recorded work has spanned a wide range of moods, from quiet and introspective acoustic piano to chaotic large ensembles, and Perpetual Motion finds her in collaboration with experimental guitarist , whom some readers might remember from the wild avant-prog band . The pair present four continuous tracks of free improvisation that contrasts harmonic calmness with intense noise..." expose.org/index.php/articles/

  30. New #review today: "#SatokoFujii’s recorded work has spanned a wide range of moods, from quiet and introspective acoustic piano to chaotic large ensembles, and Perpetual Motion finds her in collaboration with experimental guitarist #YoshihideOtomo, whom some readers might remember from the wild avant-prog band #GroundZero. The pair present four continuous tracks of free improvisation that contrasts harmonic calmness with intense noise..." #ExposeOnline #AvantGarde expose.org/index.php/articles/

  31. New #review today: "Here at Exposé, we’ve reviewed more than 50 albums featuring pianist #SatokoFujii, but that represents only about half of her releases. In fact, the album at hand, Hyaku - One Hundred Dreams, is so titled because it is her 100th release as a leader." #ExposeOnline #jazz expose.org/index.php/articles/

  32. New today: "Here at Exposé, we’ve reviewed more than 50 albums featuring pianist , but that represents only about half of her releases. In fact, the album at hand, Hyaku - One Hundred Dreams, is so titled because it is her 100th release as a leader." expose.org/index.php/articles/

  33. New #review today: "Here at Exposé, we’ve reviewed more than 50 albums featuring pianist #SatokoFujii, but that represents only about half of her releases. In fact, the album at hand, Hyaku - One Hundred Dreams, is so titled because it is her 100th release as a leader." #ExposeOnline #jazz expose.org/index.php/articles/

  34. New #review today: "Crustal Movement sees #Kaze once again teamed up with #IkueMori for a wild set of highly #ImprovisedMusic. The participants seem to have regarded Sand Storm (2020) a success, and so used the techniques of remote collaboration developed during global lockdown to come up with a new set of music." #ExposeOnline #jazz #SatokoFujii expose.org/index.php/articles/

  35. New today: "Crustal Movement sees once again teamed up with for a wild set of highly . The participants seem to have regarded Sand Storm (2020) a success, and so used the techniques of remote collaboration developed during global lockdown to come up with a new set of music." expose.org/index.php/articles/

  36. New #review today: "Crustal Movement sees #Kaze once again teamed up with #IkueMori for a wild set of highly #ImprovisedMusic. The participants seem to have regarded Sand Storm (2020) a success, and so used the techniques of remote collaboration developed during global lockdown to come up with a new set of music." #ExposeOnline #jazz #SatokoFujii expose.org/index.php/articles/