#thinlizzy — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #thinlizzy, aggregated by home.social.
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"Old Town" is a song by #ThinLizzy frontman #PhilipLynott, released as a single from his 1982 solo album, The Philip Lynott Album. The lyrics describe the end of a romance. In the music video, Lynott can be seen on the #HapennyBridge in Dublin, as well as several other locations around the city centre including the Long Hall pub on #SouthGreatGeorgesStreet, #GraftonStreet and #RingsendPier. The song features keyboardist #DarrenWharton, a member of Thin Lizzy, on piano.
https://www.youtube.com/watch?v=tPxe4WMNus0 -
"Old Town" is a song by #ThinLizzy frontman #PhilipLynott, released as a single from his 1982 solo album, The Philip Lynott Album. The lyrics describe the end of a romance. In the music video, Lynott can be seen on the #HapennyBridge in Dublin, as well as several other locations around the city centre including the Long Hall pub on #SouthGreatGeorgesStreet, #GraftonStreet and #RingsendPier. The song features keyboardist #DarrenWharton, a member of Thin Lizzy, on piano.
https://www.youtube.com/watch?v=tPxe4WMNus0 -
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Recorded #OnThisDay 53 years ago:
Thin Lizzy - Peel Session 1973
The complete session recorded by Thin Lizzy on 31 July 1973 for John Peel on the Top Gear show on BBC Radio 1 and broadcast on 7 August 1973.
Tracklist:
1. Gonna Creep Up On You (0:07)
2. Little Girl In Bloom (3:27)
3. Vagabond of the Western World (8:04) -
Recorded #OnThisDay 53 years ago:
Thin Lizzy - Peel Session 1973
The complete session recorded by Thin Lizzy on 31 July 1973 for John Peel on the Top Gear show on BBC Radio 1 and broadcast on 7 August 1973.
Tracklist:
1. Gonna Creep Up On You (0:07)
2. Little Girl In Bloom (3:27)
3. Vagabond of the Western World (8:04) -
Eine der Bands, die ich niemals habe sehen können und es sehr schade finde, dass das nie passieren wird. Einfach so viel Seele nd Gefühl im anständigen Rock verpackt.
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Eine der Bands, die ich niemals habe sehen können und es sehr schade finde, dass das nie passieren wird. Einfach so viel Seele nd Gefühl im anständigen Rock verpackt.
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"Don't believe a word
Words can tell lies
And lies are no company
When there's tears in your eyes"
#rocknroll #thinlizzy -
"Don't believe a word
Words can tell lies
And lies are no company
When there's tears in your eyes"
#rocknroll #thinlizzy -
"The Boys Are Back in Town" is a song by Irish #hardRock band #ThinLizzy. The song was released in 1976 as the first single from their album #Jailbreak. It is considered by #RollingStone to be the band's best song, placing it at No. 272 on the 2021 edition of the "500 Greatest Songs of All Time" list.
https://www.youtube.com/watch?v=quyB8PMTD3o -
"The Boys Are Back in Town" is a song by Irish #hardRock band #ThinLizzy. The song was released in 1976 as the first single from their album #Jailbreak. It is considered by #RollingStone to be the band's best song, placing it at No. 272 on the 2021 edition of the "500 Greatest Songs of All Time" list.
https://www.youtube.com/watch?v=quyB8PMTD3o -
I've decided to pass on the new box set for this album, as I'm quite happy with both this CD and the vinyl version in my collection.
While not as popular as Thin Lizzy's later hard-rocking albums, this is a great folk/blues rock record.Artist: Thin Lizzy
Album: Thin Lizzy (1971)
Release: 2010 CD remaster
Region: Europe
Label: Decca – 984 447-7 -
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New #review today: "While I'm listening to the newest album from #Datura4, I can easily imagine it's 1972. High on the Low Brow would fit comfortably in a set that included #ZZTop, #Cactus, #ThinLizzy, #DeepPurple, and #LedZeppelin of that time." #ExposeOnline #PsychedelicRock #GarageRock http://expose.org/index.php/articles/display/datura-4-high-on-the-low-brow-2.html
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New #review today: "While I'm listening to the newest album from #Datura4, I can easily imagine it's 1972. High on the Low Brow would fit comfortably in a set that included #ZZTop, #Cactus, #ThinLizzy, #DeepPurple, and #LedZeppelin of that time." #ExposeOnline #PsychedelicRock #GarageRock http://expose.org/index.php/articles/display/datura-4-high-on-the-low-brow-2.html
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The Boys are Back in Town 🤘
#ThinLizzy
https://www.youtube.com/watch?v=hQo1HIcSVtg -
The Boys are Back in Town 🤘
#ThinLizzy
https://www.youtube.com/watch?v=hQo1HIcSVtg -
Just realised it’s like 4 hours to the USA game. Better play some stuff that might keep me awake. #ThinLizzy #JohnnyTheFox
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Just realised it’s like 4 hours to the USA game. Better play some stuff that might keep me awake. #ThinLizzy #JohnnyTheFox
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Lynx – Trinity of Suns Review By Grin ReaperCards on the table—this review is late. Really late. We got the promo, but it went unclaimed, and it wasn’t until I picked up Lynx’s Trinity of Suns for personal enjoyment that I listened. Before I finished my first spin, I knew I had to Filter it. And that’s exactly what I did. I sat down to write my 200ish words about Lynx’s sophomore album, and the words spilled out. Too many, actually. I described how every subsequent journey through Trinity of Suns deepens my appreciation for Lynx’s retro rock, and soon I realized I had more to say than a limited word count would allow. Over the last month, Lynx has enraptured me with their sultry siren song, entrenching Trinity of Suns as a mainstay for commutes and chores. Rather than saving it as a Thing You Might Have Missed, though, I dared to write the counter-breaking missive I hoped my betters would permit. I begged. I cajoled. I cashed in the scant favors and political capital I’ve accrued since joining the staff to get this thing published. Was it worth it? If you’re reading these words, you’re damn right it was.
Between releasing 2021’s Watcher of Skies and follow-up Trinity of Suns, Lynx underwent a transformation I can only describe as transcendent. Huck N Roll offered some pointed criticism for their debut, a slab of 70s hard rock worship in the vein of Thin Lizzy and Blue Öyster Cult. Specifically, Huck noted that the songwriting was as unrefined as guitarist Marvin Keifer’s vocal performance, and the wanton surfeit of cymbals debilitated the listening experience. Five years later, Lynx obliterates whatever expectations listeners set based on Watcher of Skies. Most notably, Trinity of Suns introduces Amy Zine as full-time lead vocalist1—a decision that catapults Lynx’s potential into the Skies. Just as importantly, though, Lynx displays more restraint and maturity in their arrangements to wonderful effect.
Though the core of Lynx’s identity remains the same, the band deftly incorporates inspirations to elevate their sound. Rather than relegating the best moments to snappy intros, Trinity of Suns steeps its compositions in throwback, classic rock drama. “Stranger Sign in the Sky” boasts a Rushified break that harkens to “By-Tor and the Snow Dog,” while “Oppressive Season” starts with an intro that could pass for a lost Jimmy Buffet cut before tumbling into a Thin Lizzy tizzy. “Seven Days of Darkness,” meanwhile, melds the majesty of Pink Floyd psychedelia with the soulful intimacy of Tanith’s starkest emotional moments, eliciting a warm, heartfelt fuzz that pairs perfectly with the desert-ready palette Lynx paints with. The resulting thirty-nine minutes simmer with subtle heat, proving how the songwriting has evolved over the last half-decade.
\In addition to more fluid song structures, Lynx unchains stunning performances across Trinity of Suns. Amy Zine’s smoky vocals cut to my core, whether she’s belting out head-bopping choruses (“Island Universe”) or caressing with a tender croon (“Seven Days of Darkness”), and I simply cannot get enough. Still, as fabulous as her contributions are,2 they don’t carry Trinity of Suns alone. Everyone else in Lynx pitches in with guitars, though they’re primarily supplied by Tim Künz and Janni Athanasiadis. In addition to his gorgeous acoustic twangs on “Seven Days of Darkness,” Franz Fesel ably commands drums from the pocket while Phil Helm rumbles with luxurious yet understated bass. Honestly, Lynx’s low-end locks into such powerful grooves that Trinity of Suns would be undermined and underserved with a lesser performance, and if you need any convincing, go listen to the back-to-back tandem of “Oppressive Season” and “Trinity of Suns.”
Lynx is a band that understands the assignment, and Trinity of Suns should be enough to convince anyone that this kitty has claws. My only unfulfilled desire from Trinity of Suns is a three-minute banger nestled after “Voyager” or “Oppressive Season” where the entire band goes hog-fucking-wild. “Oppressive Season” comes closest, though holds back enough to avert the pandemonium I crave. With the talent Lynx brandishes, I’d love to hear them cut completely loose. Otherwise, Trinity of Suns accomplishes everything I want from a band of Lynx’s ilk, and each time “Island Universe” concludes, I’m left even more smitten. Whatever these cats do next, I’ll be there.
Rating: Great!
#2026 #40 #Apr26 #BlueOysterCult #DyingVictimsProductions #GermanMetal #HardRock #HeavyMetal #JimmyBuffet #Lynx #PinkFloyd #Review #Reviews #Rush #Tanith #ThinLizzy #TrinityOfSuns
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: April 24th, 2026 -
Lynx – Trinity of Suns Review By Grin ReaperCards on the table—this review is late. Really late. We got the promo, but it went unclaimed, and it wasn’t until I picked up Lynx’s Trinity of Suns for personal enjoyment that I listened. Before I finished my first spin, I knew I had to Filter it. And that’s exactly what I did. I sat down to write my 200ish words about Lynx’s sophomore album, and the words spilled out. Too many, actually. I described how every subsequent journey through Trinity of Suns deepens my appreciation for Lynx’s retro rock, and soon I realized I had more to say than a limited word count would allow. Over the last month, Lynx has enraptured me with their sultry siren song, entrenching Trinity of Suns as a mainstay for commutes and chores. Rather than saving it as a Thing You Might Have Missed, though, I dared to write the counter-breaking missive I hoped my betters would permit. I begged. I cajoled. I cashed in the scant favors and political capital I’ve accrued since joining the staff to get this thing published. Was it worth it? If you’re reading these words, you’re damn right it was.
Between releasing 2021’s Watcher of Skies and follow-up Trinity of Suns, Lynx underwent a transformation I can only describe as transcendent. Huck N Roll offered some pointed criticism for their debut, a slab of 70s hard rock worship in the vein of Thin Lizzy and Blue Öyster Cult. Specifically, Huck noted that the songwriting was as unrefined as guitarist Marvin Keifer’s vocal performance, and the wanton surfeit of cymbals debilitated the listening experience. Five years later, Lynx obliterates whatever expectations listeners set based on Watcher of Skies. Most notably, Trinity of Suns introduces Amy Zine as full-time lead vocalist1—a decision that catapults Lynx’s potential into the Skies. Just as importantly, though, Lynx displays more restraint and maturity in their arrangements to wonderful effect.
Though the core of Lynx’s identity remains the same, the band deftly incorporates inspirations to elevate their sound. Rather than relegating the best moments to snappy intros, Trinity of Suns steeps its compositions in throwback, classic rock drama. “Stranger Sign in the Sky” boasts a Rushified break that harkens to “By-Tor and the Snow Dog,” while “Oppressive Season” starts with an intro that could pass for a lost Jimmy Buffet cut before tumbling into a Thin Lizzy tizzy. “Seven Days of Darkness,” meanwhile, melds the majesty of Pink Floyd psychedelia with the soulful intimacy of Tanith’s starkest emotional moments, eliciting a warm, heartfelt fuzz that pairs perfectly with the desert-ready palette Lynx paints with. The resulting thirty-nine minutes simmer with subtle heat, proving how the songwriting has evolved over the last half-decade.
\In addition to more fluid song structures, Lynx unchains stunning performances across Trinity of Suns. Amy Zine’s smoky vocals cut to my core, whether she’s belting out head-bopping choruses (“Island Universe”) or caressing with a tender croon (“Seven Days of Darkness”), and I simply cannot get enough. Still, as fabulous as her contributions are,2 they don’t carry Trinity of Suns alone. Everyone else in Lynx pitches in with guitars, though they’re primarily supplied by Tim Künz and Janni Athanasiadis. In addition to his gorgeous acoustic twangs on “Seven Days of Darkness,” Franz Fesel ably commands drums from the pocket while Phil Helm rumbles with luxurious yet understated bass. Honestly, Lynx’s low-end locks into such powerful grooves that Trinity of Suns would be undermined and underserved with a lesser performance, and if you need any convincing, go listen to the back-to-back tandem of “Oppressive Season” and “Trinity of Suns.”
Lynx is a band that understands the assignment, and Trinity of Suns should be enough to convince anyone that this kitty has claws. My only unfulfilled desire from Trinity of Suns is a three-minute banger nestled after “Voyager” or “Oppressive Season” where the entire band goes hog-fucking-wild. “Oppressive Season” comes closest, though holds back enough to avert the pandemonium I crave. With the talent Lynx brandishes, I’d love to hear them cut completely loose. Otherwise, Trinity of Suns accomplishes everything I want from a band of Lynx’s ilk, and each time “Island Universe” concludes, I’m left even more smitten. Whatever these cats do next, I’ll be there.
Rating: Great!
#2026 #40 #Apr26 #BlueOysterCult #DyingVictimsProductions #GermanMetal #HardRock #HeavyMetal #JimmyBuffet #Lynx #PinkFloyd #Review #Reviews #Rush #Tanith #ThinLizzy #TrinityOfSuns
DR: 9 | Format Reviewed: 320 kbps mp3
Label: Dying Victims Productions
Websites: Bandcamp | Facebook
Releases Worldwide: April 24th, 2026
