#whitesnake — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #whitesnake, aggregated by home.social.
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CW: female butt/vulva
whitesnake
I just wanted to draw some glistening white scales.............. and buttSee more on Patreon and SubscribeStar -> https://linktr.ee/scaliespe <- Join my Discord server!
#spe #scalie #anthro #furry #furryart #nudity #nsfw #whitescales #snake #female #vulva #white #reptile #anus #butt #bigbutt #thickthighs #tail #raisedtail #whitesnake -
CW: female butt/vulva
whitesnake
I just wanted to draw some glistening white scales.............. and buttSee more on Patreon and SubscribeStar -> https://linktr.ee/scaliespe <- Join my Discord server!
#spe #scalie #anthro #furry #furryart #nudity #nsfw #whitescales #snake #female #vulva #white #reptile #anus #butt #bigbutt #thickthighs #tail #raisedtail #whitesnake -
CW: female butt/vulva
whitesnake
I just wanted to draw some glistening white scales.............. and buttSee more on Patreon and SubscribeStar -> https://linktr.ee/scaliespe <- Join my Discord server!
#spe #scalie #anthro #furry #furryart #nudity #nsfw #whitescales #snake #female #vulva #white #reptile #anus #butt #bigbutt #thickthighs #tail #raisedtail #whitesnake -
CW: female butt/vulva
whitesnake
I just wanted to draw some glistening white scales.............. and buttSee more on Patreon and SubscribeStar -> https://linktr.ee/scaliespe <- Join my Discord server!
#spe #scalie #anthro #furry #furryart #nudity #nsfw #whitescales #snake #female #vulva #white #reptile #anus #butt #bigbutt #thickthighs #tail #raisedtail #whitesnake -
CW: female butt/vulva
whitesnake
I just wanted to draw some glistening white scales.............. and buttSee more on Patreon and SubscribeStar -> https://linktr.ee/scaliespe <- Join my Discord server!
#spe #scalie #anthro #furry #furryart #nudity #nsfw #whitescales #snake #female #vulva #white #reptile #anus #butt #bigbutt #thickthighs #tail #raisedtail #whitesnake -
45 years ago today
6 April 1981 Whitesnake released the album "Come And Get It"
Band line up, Coverdale, Marsden, Moody, Murray, Paice & Lord , 👌
#AlbumOfTheDay #whitesnake @davidcoverdale #80s
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"Here I Go Again" is a song by the British rock band #Whitesnake. It was originally released on their 1982 album #SaintsAndSinners through #Liberty in October 1982. The song was written by #DavidCoverdale and #BernieMarsden, and produced by #MartinBirch. The song was re-recorded for their 1987 self-titled album, and was released as the album's lead single. A radio-mix version of the song, featuring a different performance by the band.
https://www.youtube.com/watch?v=kXC_hoD1wxc -
Here I Go Again 🎸
#Whitesnake
https://www.youtube.com/watch?v=kXC_hoD1wxc -
Is This Love 🤟🏻
#Whitesnake
https://www.youtube.com/watch?v=ER1NXiS0bh0 -
Happy #FunkyFriday! This album has a funky track called "Medicine Man" which I really like!
Artist: Whitesnake
Album: Love Hunter (1979)
Release: 1984 reissue
Region: Germany
Label: Fame – 1C 038-1575651 -
Here I Go Again 🚶
#Whitesnake
https://www.youtube.com/watch?v=WyF8RHM1OCg -
Here I Go Again 🐍
#Whitesnake
https://www.youtube.com/watch?v=WyF8RHM1OCg -
Movies of the day (4/8) 🎬 Love Strange Love(1982) 🎬 A Haunted House(2013) 🎬 Antitrust(2001) 🎬 White Snake(2019) © TMDB #LoveStrangeLove #AHauntedHouse #Antitrust #WhiteSnake #Action #Animation #Comedy #Crime #Drama #Fantasy #History #Horror #Romance #Movie #MovieOfTheDay #OnThisDay
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#WhiteSnake (2019)
A love story between a snake spirit and a snake hunter.
#TVThemeTunes #TVIntros #TVMastodon 📺 🎬 -
My brother got me this Whitesnake box set. With this one I now have all Whitesnake super deluxe sets!
Artist: Whitesnake
Album: Forevermore (2011)
Release: Deluxe Box Set (2025)
Region: Worldwide
Label: Rhino Records – 603497812585 -
Is This Love ❤️🔥
#Whitesnake
https://www.youtube.com/watch?v=nYShIhE8PTs -
https://www.europesays.com/no/87225/ David Coverdale fra Whitesnake pensjonerer seg #DeepPurple #Entertainment #kjendis #NO #Norge #Norway #Pensjon #Underholdning #whitesnake
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In the still of the night, I hear the wolf howl, honey. Sniffing around your door!
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It's remarkable how varied my taste in music is, sometimes I'm in the mood for #Classical music, sometimes I like #Deathcore, then a #Gabber moment hits me and I go diving into #OldSchool #Hardcore and #Techno, then other times I might get #Soft and put on #PowerBallads by bands like #Metallica, #WhiteSnake and #Firehouse
I even have a #MichaelBuble and #JoshGroban playlist in my apps..
I think I can honestly say I'm open for all music and I love most of it!
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Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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Kings of Mercia – Battle Scars Review
By Dolphin Whisperer
Having already this decade released a Tuesday the Sky album, new project North Sea Echoes, and, now, the second Kings of Mercia album Battle Scars, it’s clear Fates Warning founding guitarist Jim Matheos does not wander this Earth without a load of sonic ideas. While many of his offshoots have skewed ambient or atmospheric in some regard, Kings of Mercia follows a different path. Featuring the classically AOR vocal styles of the highly-credited, little-celebrated Steve Overland (FM, Shadowman),1 Kings of Mercia aims neither for the head nor the heart, leaning instead into the hip-swaying, gentle head nodding of warm-toned Dad metal. So you ask then how they got those scars? Probably in a fight with a hammer and a shelf that concluded with all parties splayed about the floor.
As an homage to a simpler time in metal history, a lot of what Kings of Mercia puts out feels obligatory. Now, this doesn’t mean that Matheos can’t write a song—far from it. Cuts like “Eye for an Eye,” “Legend,” and “Cold” have more than enough slick riffage and sneaky modulations that they carry their weight from start to finish with little effort and high intrigue. But both confined in traditional chorus-focused rock structures and firmly in the box of 80s-minded impact, Battle Scars needs to succeed on the few elements that it handles with delicate personal twists. And in that limited scope, its chance to break away the shopping mall hits list from the likes of a bouncing Toto jam or a sultry Whitesnake burner leaves Battle Scars out the gate with a handicap.
But Matheos and co. seem to concern themselves very little with how relevant or earth-shaking Kings of Mercia will be, continuing to focus on coating Battle Scars with well-toned, snazzy refrains that frame Overland’s time-tested pipes with an unbreakable groove. As a master of warping crunchy amp character against layered, syncopated riffs, Matheos builds an amplified immediacy that opens up with each of Overland’s title-laden chorus calls (“Guns and Ammunition,” “Eye for an Eye,” “Cold”). And when slowing things down to a bluesy bounce, rhythm stalwarts Joey Vera (Fates Warning, Armored Saint) and Simon Phillips (Toto) play up simpler guitar craft with a hammering march and growling pulse (“Between Two Worlds,” “Hell ‘n’ Back”). Matheos continues too to explore looped guitar patterns and chunky industrial tones with the alt-edged “Aftermath,” lending a higher diversity to the back half. Rare is the moment on Battle Scars that displeases the ears.
For an album that strikes as immediate, Battle Scars’ biggest fault remains its lowest moment segregating a serviceable open from a promising close. Much like the criticism that ol’ Huck laid out of their debut, Kings of Mercia’s adherence to the aged inclusion of a full sap ballad returns as an offense. The titular apex of the first half pushes—shakers and crying clean guitars hitting at full sweetness—an unwelcome aura of sadness into the pleasant romp that otherwise develops throughout Battle Scars. But this downcast element, at least, gives Kings of Mercia an edge that doesn’t usually persist in the 80s worship of the modern day. With lyrical content that ranges from dissatisfaction with certain sociopolitical happenings in the world (“Guns and Ammunition”), coming to terms with aging (“Between Two Worlds”), and acknowledging the duality of life choices (“Angels & Demons”), albeit in light-hearted phrasing,2 Kings of Mercia tells stories much differently than the big hair and arena anthemics of the past.
With this grounded energy, Battle Scars escapes a potential fault in remaining too saccharine. At brightest, Kings of Mercia evades the gruel of a closing second ballad, letting “Angels & Demons” turn down the lights with a resonating acoustic guitar melody and cello duet that simmers into a riff-handed statement of triumph. The harder-hitting, more diverse B-side at large highlights the plodding similarities of Overland’s vocal patterns and the overwrought nature of King of Mercia’s softest elements. So while it’s true that Matheos can build accessible distorted rockers with a progressive flair, it’ll take more than a little high-gain ear candy with a hint of melancholy for Kings of Mercia to sail away with a fuller vote of confidence.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Metal Blade Records | Bandcamp
Websites: kingsofmercia.com | kingsofmercia.bandcamp.com
Releases Worldwide: October 4th, 2024#25 #2024 #AOR #BattleScars #FatesWarning #FM #HardRock #HeavyMetal #InternationalMetal #KingsOfMercia #MetalBladeRecords #Oct24 #ProgressiveRock #Review #Reviews #Toto #Whitesnake
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#BraveWords
Today In Metal History 🤘 September 22nd, 2024🤘
PILEDRIVER, RIOT, DAVID COVERDALE, JOAN JETT, BULLETBOYS, ALICE COOPER, EXTREME, KISSMay include AI-generated content.
#Piledriver #Riot #DavidCoverdale #JoanJett #AliceCooper #Extreme #KISS #Whitesnake #Yes #SonataArctica #AmonAmarth #ChildrenOfBodom #DespisedIcon #EchoesOfEternity #FiveFingerDeathPunch #Skindred #Archspire #ChelseaWolfe #Counterparts #CradleOfFilth
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#BLABBERMOUTH
DEEP PURPLE's DON AIREY To Release New Solo Album In Early 2025https://blabbermouth.net/news/deep-purples-don-airey-to-release-new-solo-album-in-early-2025
#DeepPurple #DonAirey #SoloAlbum #PushToTheEdge #DEEP #PURPLE #OZZYOSBOURNE #RAINBOW #WHITESNAKE #JUDASPRIEST #GaryMoore #BrianMay #JETHROTULL #BLACKSABBATH
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#BLABBERMOUTH
DEEP PURPLE's DON AIREY To Release New Solo Album In Early 2025https://blabbermouth.net/news/deep-purples-don-airey-to-release-new-solo-album-in-early-2025
#DeepPurple #DonAirey #SoloAlbum #PushToTheEdge #DEEP #PURPLE #OZZYOSBOURNE #RAINBOW #WHITESNAKE #JUDASPRIEST #GaryMoore #BrianMay #JETHROTULL #BLACKSABBATH
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#BLABBERMOUTH
DEEP PURPLE's DON AIREY To Release New Solo Album In Early 2025https://blabbermouth.net/news/deep-purples-don-airey-to-release-new-solo-album-in-early-2025
#DeepPurple #DonAirey #SoloAlbum #PushToTheEdge #DEEP #PURPLE #OZZYOSBOURNE #RAINBOW #WHITESNAKE #JUDASPRIEST #GaryMoore #BrianMay #JETHROTULL #BLACKSABBATH
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#BLABBERMOUTH
DEEP PURPLE's DON AIREY To Release New Solo Album In Early 2025https://blabbermouth.net/news/deep-purples-don-airey-to-release-new-solo-album-in-early-2025
#DeepPurple #DonAirey #SoloAlbum #PushToTheEdge #DEEP #PURPLE #OZZYOSBOURNE #RAINBOW #WHITESNAKE #JUDASPRIEST #GaryMoore #BrianMay #JETHROTULL #BLACKSABBATH
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#BLABBERMOUTH
DEEP PURPLE's DON AIREY To Release New Solo Album In Early 2025https://blabbermouth.net/news/deep-purples-don-airey-to-release-new-solo-album-in-early-2025
#DeepPurple #DonAirey #SoloAlbum #PushToTheEdge #DEEP #PURPLE #OZZYOSBOURNE #RAINBOW #WHITESNAKE #JUDASPRIEST #GaryMoore #BrianMay #JETHROTULL #BLACKSABBATH
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Today In Metal History 🤘 August 15th, 2024🤘
AC/DC, TOMMY ALDRIDGE, LED ZEPPELIN, SCORPIONS#Woodstock #TommyAldridge #LedZeppelin #Scorpions #JimiHendrix #TheWho #ACDC #Whitesnake #OzzysOsbourne #PatTravers #BlackOakArkansas #Gotthard #Savatage #Amoral #Accept #Deadlock #Infrared #Knife #Testament #JohnEntwistle #Evilyn #BlindGuardian #Hammerfall #VanHalen #BadBrains #NewHorizon #ChrisSlade
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Today In Metal History 🤘 July 9th, 2024🤘 AC/DC, MOTÖRHEAD, ANTHRAX, DEEP PURPLEhttps://bravewords.com/news/today-in-metal-history-july-9th-2024-ac-dc-motorhead-anthrax-deep-purple
#acdc #motörhead #anthrax #deeppurple #bonscott #mitchmitchell #wurzel #frankbello #whitesnake #battlecross #sirenai #butcherbabies #kingkobra #eighteenvisions
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Vocalist GABBI GUNN Teams Up With RUDY SARZO, ALEX SKOLNICK, KEN MARY And GARY SCHUTT For Cover Of WHITESNAKE Classic "Still Of The Night" (Video)#GabbiGunn #RudySarzo #AlexSkolnick #KenMary #GarySchutt #Whitesnake #StillOfTheNight #Cover #MusicCollaboration #Vocalist #Bassist #Guitarist #Drummer #Singer #ClassicRock #Video #Rock
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WHITESNAKE's DAVID COVERDALE Dons Santa Claus Outfit For 2023 'Merry Christmas' Video Message#DavidCoverdale
#Whitesnake
#MerryChristmas
#SantaClaus
#2023HolidayGreetings
#AlbumAnnouncement
#HolidayCheer
#ChristmasMessage
#SantaSuit -
Okay, who else saw three Rachel Johnsons, one Beverley Craven and a Billie Jo Spears?
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ADRIAN VANDENBERG: 'I Had Nothing To Do With' VIVIAN CAMPBELL Getting Fired From WHITESNAKE#AdrianVandenberg #VivianCampbell #WhiteSnake #EstrangedBandmate #Guitarist #Musicians #HeavyRock #MusicIndustry #DavidCoverdale
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#MetalInjection
Founding WHITESNAKE Guitarist BERNIE MARSDEN Dead at 72
Marsden co-wrote "Here I Go Again."#BernieMarsden #Whitesnake #RIP #FoundingGuitarist #MusicIcon #72YearsOld
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Play it loud today 🤘
"Bernie Marsden, who was one of Whitesnake's original guitarists, has died. He was 72."
https://www.yahoo.com/lifestyle/whitesnake-guitarist-bernie-marsden-dead-194213167.html
#Whitesnake #vinyl #SpinningNow #BernieMarsden #GuitarPlayer #guitar #rock
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ADRIAN VANDENBERG Says STEVE VAI 'Kind Of Apologized' For His Behavior In WHITESNAKE
Following on from Steve Vai's admission that he was "a bit of a prima donna" during his stint in WHITESNAKE#AdrianVandenberg #SteveVai #Whitesnake #Riffology #RebelHeart #Relationships #MuicHistory #Rock #Apology #Guitar
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#ListeningTo #Whitesnake – Ain’t Gonna Cry No More (on "Ready an' Willing") https://y.com.sb/watch?v=M1Xc-tHyLSc #Ungh! #MirageWTG19276 #USofA #1980 #Rawk
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Today In Metal History ?? May 10th, 2023 ?? METAL CHURCH, TOOL, TWISTED SISTER, POSSESSED, WHITESNAKE
HEAVY HISTORY LED ZEPPELINs now defunct label, Swan Song Inc. - with a logo designed by Hipgnosis and illustrated by Joe Petagno - launched 49 years ago today (May 10th, 1974). Their first release? BAD COMPANYS debut Bad Company on...#MetalChurch
#Tool
#TwistedSister
#Possessed
#WhiteSnake
#May10th
#TodayinMetalHistory
#MetalMusic -
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#BLABBERMOUTH
Watch: STEEL PANTHER Joined By ANTHRAX's FRANK BELLO And HOLY MOTHER's MIKE TIRELLI For Cover Of WHITESNAKE's 'Slide It In'
California glam metal jokesters STEEL PANTHER were joined by Frank Bello (ANTHRAX) and Mike Tirelli (RIOT, MESSIAH'S KISS, HOLY MOTHER) for a cover of WHITESNAKE's "Slide It In" during their March 16...#SteelPanther
#FrankBello
#MikeTirelli
#Whitesnake
#SlideItIn
#RockCollaboration
#HolyMother
#80sRockCover -
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#BraveWords
ROB ZOMBIE, DAVE NAVARRO, Members OF WHITESNAKE, SEPULTURA, ARCH ENEMY Featured In MOBY's Punk Rock Vegan Movie; Free Stream Available
The Moby-written and directed documentary, Punk Rock Vegan Movie, is available for free streaming all platforms via punkrockveganmovie.com. A YouTube stream can be found below. The film, which is...#Moby #PunkRock #RobZombie #DaveNavarro #Whitesnake #Sepultura #ArchEnemy #VeganMovie #FreeStream
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It's finished. My Jojo redraw of a gorgeous Mike Ploog Werewolf by night cover. #jjba #JJBAFanArt #comics #artonmastodon #JoJosBizarreAdenture #anasui #jolynekujo #pucci #madeinheaven #whitesnake #cmoon #marvelcomics #redraw #jolysui #StoneOceanAnime #anime #manga #mikeploog