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  1. Chelsea Wolfe – The Dark Review By Saunders

    Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career arc. From minimalist drone, folk, and experimental leanings of her early work to her blockbuster doom and metal-tinged explosions on top-shelf albums like Abyss and Hiss Spun. Wolfe has traversed interesting pathways across a career which has elevated the gifted songstress from cult status to a deservedly higher profile. Wolfe continues challenging her songwriting by examining the darkest corners within the goth, folk, and metal-verses. Aided by a host of collaborators, including Ben Chisolm, Jennifer Declveo, prolific drummer Matt Chamberlain, Queens of the Stone Age’s Troy Van Leeuwen, and Robin Finck (Nine Inch Nails), Wolfe revisits the goth-folk stylings and ominous, melancholic atmospheres forming the cornerstone of her career. Ninth LP The Dark signals the latest Wolfe offering, an addictive gem worth exploring for listeners new and old.

    Firstly, The Dark largely strips away the doomy and industrial layers that coat her heavier material, including 2024’s solid if uneven, She Reaches Out to She Reaches Out to She, returning to the more subdued, folk and acoustic-driven work featured on albums such as 2019’s Birth of Violence. Borrowing pieces from Wolfe’s versatile career, including the synth-driven electronic thrums of 2013’s breakthrough album, Pain is Beauty, The Dark showcases an artist with ambitions to continue pushing her boundaries. Though listeners who prefer her more challenging, heavier experimental works (Abyss and Hiss Spun), may be disappointed in the album’s mellower, sedate flow.

    While not one of Wolfe’s heaviest or most experimental albums, The Dark excels through a tighter, more straightforward songwriting approach, without falling into formulaic traps or repetition. Lush and stormy opener “Cold” and stripped acoustic gems ‘The Dark” and “Death is not the End” stir the emotions and straddle Wolfe’s masterful balance between frosted beauty and brooding melancholy, featuring strong hooks to boot and tearjerking melodies. A succinct and breezy listen, The Dark delivers infectious hooks and impactful melodies and is possibly Wolfe’s most accessible work to date. However, Wolfe’s songwriting is anything but one-dimensional, highlighted by the album’s shifting shades and more energetic, upbeat moments. Electro pulses and darkly sparkling hooks glitter on brooding rock-centric tracks (“Seethe,” “Swallower”), while the seductive earworms on “Halo” get easily lodged in the noggin’, enriched by Wolfe’s strikingly emotive vocals. “Turn the Key” ups the ante, cleverly demonstrating Wolfe’s tension-building and soft-loud dynamics through a brooding, industrial rock and synth-pop lens.

    Vocally, Wolfe sounds as confident and comfortable as ever in her skin, her haunting, longing and ghostly tones a slice of liquid gold at the forefront of the album. Driving delicate yet powerful vocal melodies carrying lushly produced and arranged songs, like all her works, you can really feel the pain, sorrow, hint of hope, and scarred emotion bleeding from Wolfe’s voice, the raw emotional depth leaving a lasting impact, such as the solemn beauty and orchestral flair of closer “Dancer in the Sky.” Although less sonically dense and heavy than past efforts, the compositions are meticulously detailed and layered with numerous elements, from stripped-back acoustic forays and traditional rock instrumentation to the prominent use of synths and piano, creating a deceptively rich foundation for the listener to unpack. Occasional dips in album flow, lack of heavier, challenging fare, and a polished though disappointingly compressed master are the main drawbacks to an otherwise consistently solid and catchy front-to-back listen.

    Wolfe rarely misses, and The Dark is no exception. Bolstered by tighter, more cohesive songwriting compared to her predecessor, The Dark maintains Wolfe’s stellar track record without resting on her laurels, though mileage will vary depending on listeners’ preference towards Wolfe’s songwriting styles and those enamored with Wolfe’s more sonically and musically daring career twists. A neatly crafted, addictive platter of goth, synth, and folk-tinged alternative rock, The Dark’s addictive, accessible streak demands repeat listens and often teeters on the edge of greatness. And I get the feeling this album will be a grower over time.

    Rating: 3.5/5.0
    DR: 5 | Format Reviewed: 320 kbps MP3
    Label: Lorna Vista Recordings
    Websites: Bandcamp | Facebook
    Releases Worldwide: August 21st, 2026

    #2026 #35 #AlternativeRock #AmericanMetal #ChelseaWolfe #Doom #Folk #LornaVistaRecordings #NineInchNails #QueensOfTheStoneAge #Review #Reviews #TheDark
  2. Chelsea Wolfe – The Dark Review By Saunders

    Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career arc. From minimalist drone, folk, and experimental leanings of her early work to her blockbuster doom and metal-tinged explosions on top-shelf albums like Abyss and Hiss Spun. Wolfe has traversed interesting pathways across a career which has elevated the gifted songstress from cult status to a deservedly higher profile. Wolfe continues challenging her songwriting by examining the darkest corners within the goth, folk, and metal-verses. Aided by a host of collaborators, including Ben Chisolm, Jennifer Declveo, prolific drummer Matt Chamberlain, Queens of the Stone Age’s Troy Van Leeuwen, and Robin Finck (Nine Inch Nails), Wolfe revisits the goth-folk stylings and ominous, melancholic atmospheres forming the cornerstone of her career. Ninth LP The Dark signals the latest Wolfe offering, an addictive gem worth exploring for listeners new and old.

    Firstly, The Dark largely strips away the doomy and industrial layers that coat her heavier material, including 2024’s solid if uneven, She Reaches Out to She Reaches Out to She, returning to the more subdued, folk and acoustic-driven work featured on albums such as 2019’s Birth of Violence. Borrowing pieces from Wolfe’s versatile career, including the synth-driven electronic thrums of 2013’s breakthrough album, Pain is Beauty, The Dark showcases an artist with ambitions to continue pushing her boundaries. Though listeners who prefer her more challenging, heavier experimental works (Abyss and Hiss Spun), may be disappointed in the album’s mellower, sedate flow.

    While not one of Wolfe’s heaviest or most experimental albums, The Dark excels through a tighter, more straightforward songwriting approach, without falling into formulaic traps or repetition. Lush and stormy opener “Cold” and stripped acoustic gems ‘The Dark” and “Death is not the End” stir the emotions and straddle Wolfe’s masterful balance between frosted beauty and brooding melancholy, featuring strong hooks to boot and tearjerking melodies. A succinct and breezy listen, The Dark delivers infectious hooks and impactful melodies and is possibly Wolfe’s most accessible work to date. However, Wolfe’s songwriting is anything but one-dimensional, highlighted by the album’s shifting shades and more energetic, upbeat moments. Electro pulses and darkly sparkling hooks glitter on brooding rock-centric tracks (“Seethe,” “Swallower”), while the seductive earworms on “Halo” get easily lodged in the noggin’, enriched by Wolfe’s strikingly emotive vocals. “Turn the Key” ups the ante, cleverly demonstrating Wolfe’s tension-building and soft-loud dynamics through a brooding, industrial rock and synth-pop lens.

    Vocally, Wolfe sounds as confident and comfortable as ever in her skin, her haunting, longing and ghostly tones a slice of liquid gold at the forefront of the album. Driving delicate yet powerful vocal melodies carrying lushly produced and arranged songs, like all her works, you can really feel the pain, sorrow, hint of hope, and scarred emotion bleeding from Wolfe’s voice, the raw emotional depth leaving a lasting impact, such as the solemn beauty and orchestral flair of closer “Dancer in the Sky.” Although less sonically dense and heavy than past efforts, the compositions are meticulously detailed and layered with numerous elements, from stripped-back acoustic forays and traditional rock instrumentation to the prominent use of synths and piano, creating a deceptively rich foundation for the listener to unpack. Occasional dips in album flow, lack of heavier, challenging fare, and a polished though disappointingly compressed master are the main drawbacks to an otherwise consistently solid and catchy front-to-back listen.

    Wolfe rarely misses, and The Dark is no exception. Bolstered by tighter, more cohesive songwriting compared to her predecessor, The Dark maintains Wolfe’s stellar track record without resting on her laurels, though mileage will vary depending on listeners’ preference towards Wolfe’s songwriting styles and those enamored with Wolfe’s more sonically and musically daring career twists. A neatly crafted, addictive platter of goth, synth, and folk-tinged alternative rock, The Dark’s addictive, accessible streak demands repeat listens and often teeters on the edge of greatness. And I get the feeling this album will be a grower over time.

    Rating: 3.5/5.0
    DR: 5 | Format Reviewed: 320 kbps MP3
    Label: Lorna Vista Recordings
    Websites: Bandcamp | Facebook
    Releases Worldwide: August 21st, 2026

    #2026 #35 #AlternativeRock #AmericanMetal #ChelseaWolfe #Doom #Folk #LornaVistaRecordings #NineInchNails #QueensOfTheStoneAge #Review #Reviews #TheDark
  3. Chelsea Wolfe – The Dark Review By Saunders

    Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career arc. From minimalist drone, folk, and experimental leanings of her early work to her blockbuster doom and metal-tinged explosions on top-shelf albums like Abyss and Hiss Spun. Wolfe has traversed interesting pathways across a career which has elevated the gifted songstress from cult status to a deservedly higher profile. Wolfe continues challenging her songwriting by examining the darkest corners within the goth, folk, and metal-verses. Aided by a host of collaborators, including Ben Chisolm, Jennifer Declveo, prolific drummer Matt Chamberlain, Queens of the Stone Age’s Troy Van Leeuwen, and Robin Finck (Nine Inch Nails), Wolfe revisits the goth-folk stylings and ominous, melancholic atmospheres forming the cornerstone of her career. Ninth LP The Dark signals the latest Wolfe offering, an addictive gem worth exploring for listeners new and old.

    Firstly, The Dark largely strips away the doomy and industrial layers that coat her heavier material, including 2024’s solid if uneven, She Reaches Out to She Reaches Out to She, returning to the more subdued, folk and acoustic-driven work featured on albums such as 2019’s Birth of Violence. Borrowing pieces from Wolfe’s versatile career, including the synth-driven electronic thrums of 2013’s breakthrough album, Pain is Beauty, The Dark showcases an artist with ambitions to continue pushing her boundaries. Though listeners who prefer her more challenging, heavier experimental works (Abyss and Hiss Spun), may be disappointed in the album’s mellower, sedate flow.

    While not one of Wolfe’s heaviest or most experimental albums, The Dark excels through a tighter, more straightforward songwriting approach, without falling into formulaic traps or repetition. Lush and stormy opener “Cold” and stripped acoustic gems ‘The Dark” and “Death is not the End” stir the emotions and straddle Wolfe’s masterful balance between frosted beauty and brooding melancholy, featuring strong hooks to boot and tearjerking melodies. A succinct and breezy listen, The Dark delivers infectious hooks and impactful melodies and is possibly Wolfe’s most accessible work to date. However, Wolfe’s songwriting is anything but one-dimensional, highlighted by the album’s shifting shades and more energetic, upbeat moments. Electro pulses and darkly sparkling hooks glitter on brooding rock-centric tracks (“Seethe,” “Swallower”), while the seductive earworms on “Halo” get easily lodged in the noggin’, enriched by Wolfe’s strikingly emotive vocals. “Turn the Key” ups the ante, cleverly demonstrating Wolfe’s tension-building and soft-loud dynamics through a brooding, industrial rock and synth-pop lens.

    Vocally, Wolfe sounds as confident and comfortable as ever in her skin, her haunting, longing and ghostly tones a slice of liquid gold at the forefront of the album. Driving delicate yet powerful vocal melodies carrying lushly produced and arranged songs, like all her works, you can really feel the pain, sorrow, hint of hope, and scarred emotion bleeding from Wolfe’s voice, the raw emotional depth leaving a lasting impact, such as the solemn beauty and orchestral flair of closer “Dancer in the Sky.” Although less sonically dense and heavy than past efforts, the compositions are meticulously detailed and layered with numerous elements, from stripped-back acoustic forays and traditional rock instrumentation to the prominent use of synths and piano, creating a deceptively rich foundation for the listener to unpack. Occasional dips in album flow, lack of heavier, challenging fare, and a polished though disappointingly compressed master are the main drawbacks to an otherwise consistently solid and catchy front-to-back listen.

    Wolfe rarely misses, and The Dark is no exception. Bolstered by tighter, more cohesive songwriting compared to her predecessor, The Dark maintains Wolfe’s stellar track record without resting on her laurels, though mileage will vary depending on listeners’ preference towards Wolfe’s songwriting styles and those enamored with Wolfe’s more sonically and musically daring career twists. A neatly crafted, addictive platter of goth, synth, and folk-tinged alternative rock, The Dark’s addictive, accessible streak demands repeat listens and often teeters on the edge of greatness. And I get the feeling this album will be a grower over time.

    Rating: 3.5/5.0
    DR: 5 | Format Reviewed: 320 kbps MP3
    Label: Lorna Vista Recordings
    Websites: Bandcamp | Facebook
    Releases Worldwide: August 21st, 2026

    #2026 #35 #AlternativeRock #AmericanMetal #ChelseaWolfe #Doom #Folk #LornaVistaRecordings #NineInchNails #QueensOfTheStoneAge #Review #Reviews #TheDark
  4. Chelsea Wolfe – The Dark Review By Saunders

    Long sharing an affiliation with the broader metal community, Chelsea Wolfe has carved out an eclectic, compelling career arc. From minimalist drone, folk, and experimental leanings of her early work to her blockbuster doom and metal-tinged explosions on top-shelf albums like Abyss and Hiss Spun. Wolfe has traversed interesting pathways across a career which has elevated the gifted songstress from cult status to a deservedly higher profile. Wolfe continues challenging her songwriting by examining the darkest corners within the goth, folk, and metal-verses. Aided by a host of collaborators, including Ben Chisolm, Jennifer Declveo, prolific drummer Matt Chamberlain, Queens of the Stone Age’s Troy Van Leeuwen, and Robin Finck (Nine Inch Nails), Wolfe revisits the goth-folk stylings and ominous, melancholic atmospheres forming the cornerstone of her career. Ninth LP The Dark signals the latest Wolfe offering, an addictive gem worth exploring for listeners new and old.

    Firstly, The Dark largely strips away the doomy and industrial layers that coat her heavier material, including 2024’s solid if uneven, She Reaches Out to She Reaches Out to She, returning to the more subdued, folk and acoustic-driven work featured on albums such as 2019’s Birth of Violence. Borrowing pieces from Wolfe’s versatile career, including the synth-driven electronic thrums of 2013’s breakthrough album, Pain is Beauty, The Dark showcases an artist with ambitions to continue pushing her boundaries. Though listeners who prefer her more challenging, heavier experimental works (Abyss and Hiss Spun), may be disappointed in the album’s mellower, sedate flow.

    While not one of Wolfe’s heaviest or most experimental albums, The Dark excels through a tighter, more straightforward songwriting approach, without falling into formulaic traps or repetition. Lush and stormy opener “Cold” and stripped acoustic gems ‘The Dark” and “Death is not the End” stir the emotions and straddle Wolfe’s masterful balance between frosted beauty and brooding melancholy, featuring strong hooks to boot and tearjerking melodies. A succinct and breezy listen, The Dark delivers infectious hooks and impactful melodies and is possibly Wolfe’s most accessible work to date. However, Wolfe’s songwriting is anything but one-dimensional, highlighted by the album’s shifting shades and more energetic, upbeat moments. Electro pulses and darkly sparkling hooks glitter on brooding rock-centric tracks (“Seethe,” “Swallower”), while the seductive earworms on “Halo” get easily lodged in the noggin’, enriched by Wolfe’s strikingly emotive vocals. “Turn the Key” ups the ante, cleverly demonstrating Wolfe’s tension-building and soft-loud dynamics through a brooding, industrial rock and synth-pop lens.

    Vocally, Wolfe sounds as confident and comfortable as ever in her skin, her haunting, longing and ghostly tones a slice of liquid gold at the forefront of the album. Driving delicate yet powerful vocal melodies carrying lushly produced and arranged songs, like all her works, you can really feel the pain, sorrow, hint of hope, and scarred emotion bleeding from Wolfe’s voice, the raw emotional depth leaving a lasting impact, such as the solemn beauty and orchestral flair of closer “Dancer in the Sky.” Although less sonically dense and heavy than past efforts, the compositions are meticulously detailed and layered with numerous elements, from stripped-back acoustic forays and traditional rock instrumentation to the prominent use of synths and piano, creating a deceptively rich foundation for the listener to unpack. Occasional dips in album flow, lack of heavier, challenging fare, and a polished though disappointingly compressed master are the main drawbacks to an otherwise consistently solid and catchy front-to-back listen.

    Wolfe rarely misses, and The Dark is no exception. Bolstered by tighter, more cohesive songwriting compared to her predecessor, The Dark maintains Wolfe’s stellar track record without resting on her laurels, though mileage will vary depending on listeners’ preference towards Wolfe’s songwriting styles and those enamored with Wolfe’s more sonically and musically daring career twists. A neatly crafted, addictive platter of goth, synth, and folk-tinged alternative rock, The Dark’s addictive, accessible streak demands repeat listens and often teeters on the edge of greatness. And I get the feeling this album will be a grower over time.

    Rating: 3.5/5.0
    DR: 5 | Format Reviewed: 320 kbps MP3
    Label: Lorna Vista Recordings
    Websites: Bandcamp | Facebook
    Releases Worldwide: August 21st, 2026

    #2026 #35 #AlternativeRock #AmericanMetal #ChelseaWolfe #Doom #Folk #LornaVistaRecordings #NineInchNails #QueensOfTheStoneAge #Review #Reviews #TheDark
  5. Pour 'The Dark', son nouvel album, Chelsea Wolfe (dark folk / US) s’est extirpée des ombres pour laisser entrer quelques traits de lumière particulièrement bienvenus. Chronique et écoute intégrale : mowno.com/disques/chelsea-wolf
    #chelseawolfe #darkfolk #thedark #review #nowplaying

  6. Pour 'The Dark', son nouvel album, Chelsea Wolfe (dark folk / US) s’est extirpée des ombres pour laisser entrer quelques traits de lumière particulièrement bienvenus. Chronique et écoute intégrale : mowno.com/disques/chelsea-wolf
    #chelseawolfe #darkfolk #thedark #review #nowplaying

  7. Pour 'The Dark', son nouvel album, Chelsea Wolfe (dark folk / US) s’est extirpée des ombres pour laisser entrer quelques traits de lumière particulièrement bienvenus. Chronique et écoute intégrale : mowno.com/disques/chelsea-wolf
    #chelseawolfe #darkfolk #thedark #review #nowplaying

  8. #MusicMonday! Chelsea Wolfe - "Seethe"

    youtube.com/watch?v=J2U1MnwfgPc

    One of those rare songs that manages to be super gloomy, yet catchy as fuck at the same time. 😄 Great stuff!

    All my Monday picks in one convenient playlist:
    open.spotify.com/playlist/0QM8

    #Music #ChelseaWolfe #SingerSongwriter

  9. #MusicMonday! Chelsea Wolfe - "Seethe"

    youtube.com/watch?v=J2U1MnwfgPc

    One of those rare songs that manages to be super gloomy, yet catchy as fuck at the same time. 😄 Great stuff!

    All my Monday picks in one convenient playlist:
    open.spotify.com/playlist/0QM8

    #Music #ChelseaWolfe #SingerSongwriter

  10. #MusicMonday! Chelsea Wolfe - "Seethe"

    youtube.com/watch?v=J2U1MnwfgPc

    One of those rare songs that manages to be super gloomy, yet catchy as fuck at the same time. 😄 Great stuff!

    All my Monday picks in one convenient playlist:
    open.spotify.com/playlist/0QM8

    #Music #ChelseaWolfe #SingerSongwriter

  11. #MusicMonday! Chelsea Wolfe - "Seethe"

    youtube.com/watch?v=J2U1MnwfgPc

    One of those rare songs that manages to be super gloomy, yet catchy as fuck at the same time. 😄 Great stuff!

    All my Monday picks in one convenient playlist:
    open.spotify.com/playlist/0QM8

    #Music #ChelseaWolfe #SingerSongwriter

  12. Monografia 👤

    👤 Chelsea Wolfe 📈 54 👥 388.6K

    🔗 La sirena dell’abisso

    Musa incontrastata del nuovo gothic mondiale, la cantautrice di Sacramento ha saputo fin qui interpretare tutte le sfumature (di [...]

    a cura di Claudio Fabretti e Gianfranco Marmoro

    #Ondarock #MusicianSky #MusicSky #Music

    Chelsea Wolfe

  13. Sulla cresta dell'Onda 🥇

    👤 Chelsea Wolfe 📈 54 👥 388.6K
    🔗 The Dark 7️⃣
    📅 21-8-2026
    🏠 2026 (Loma vista)
    #️⃣ Gothicfolk Songwriter

    Il passato gothic-folk dell'artista californiana si rinnova attraverso una formula più [...]

    a cura di Paolo Chemnitz

    #Ondarock #MusicianSky #MusicSky #Music

    The Dark - Album by Chelsea Wo...

  14. gram.social/p/FemmeVinyl/99722

    New from Chelsea Wolfe, The Dark.

    Available in black and various colours including this vinyl on her webstore.

    A creative brooding work.

    #chelseawolfe

  15. Chelsea Wolfe - The Dark. Authentizität ist eines der großen Streitthemen der Popmusik. Welche Künstler*innen drücken sich aut......
    #ChelseaWolfe#Alben #DarkRock #FolkPop #Gothic
    musikblog.de/2026/08/chelsea-w

  16. CHELSEA WOLFE - NARZEKANKO

    [...]Głównym wrażeniem, które zostało mi w głowie, jest „radiowość” The Dark. Składają się na to dwa czynniki: lekka, indie-rockowa albo wręcz czasem pop-rockowa produkcja, w niczym nie przypominająca żadnego z poprzednich płyt Wolfe, i wokal artystki, która ewidentnie miała ochotę pobawić się swoim głosem, barwami, a nawet skalą (całkiem wysokie nuty tu wchodzą jak na nią). Żadna z tych rzeczy nie jest wadą sama w sobie, ale… Czy to w ogóle jest jeszcze Chelsea Wolfe? Przypadkowa słuchaczka naprawdę mogłaby mieć wątpliwości. Rozpoczynający album kawałek „Cold” równie dobrze mógłby się znaleźć na płycie jakiejś altpopowej damskiej grupy typu, nie wiem, The Last Dinner Party albo Paris Paloma (na ile znam te brzmienia, przyznam, że to nie moja działka), kolejny „Seethe” budzi we mnie irracjonalną złość, bo brzmi jak piosenka ukradziona od Florence Welch, „Halo” rozpoczyna się iście Lana del Rey-owym wersem („Get up, let’s go for a ride” – no przepraszam, ale skisłam trochę)… Gdzieś jeszcze po drodze przyszły mi do głowy porównania z Phoebe Bridgers i Aurorą – choć to ostatnie to prawdę mówiąc tylko niuans kilku wokaliz.

    Ten szereg porównań wskazuje na zupełnie odmienny kierunek niż wcześniejsze nazwiska, które bym łączyła z Wolfe (Darkher, Frayle, A. A. Williams, nawet King Woman). Ale równocześnie zarysowuje on inny problem. Co bym nie myślała o takich płytach jak Pain Is Beauty czy Abyss, to jedno jest pewne – nigdy w życiu nie miałam poczucia, że Wolfe od kogoś zrzyna. Wręcz przeciwnie, tak jak napisałam wcześniej, to inni zrzynali od niej! A tutaj nagle po raz pierwszy mam poczucie, że to Chelsea inspiruje się innymi osobami.[...]

    Całość: 19czwartych.art.blog/2026/08/2

    @musiczka #chelseawolfe #thedark #muzyka

  17. CHELSEA WOLFE - NARZEKANKO

    [...]Głównym wrażeniem, które zostało mi w głowie, jest „radiowość” The Dark. Składają się na to dwa czynniki: lekka, indie-rockowa albo wręcz czasem pop-rockowa produkcja, w niczym nie przypominająca żadnego z poprzednich płyt Wolfe, i wokal artystki, która ewidentnie miała ochotę pobawić się swoim głosem, barwami, a nawet skalą (całkiem wysokie nuty tu wchodzą jak na nią). Żadna z tych rzeczy nie jest wadą sama w sobie, ale… Czy to w ogóle jest jeszcze Chelsea Wolfe? Przypadkowa słuchaczka naprawdę mogłaby mieć wątpliwości. Rozpoczynający album kawałek „Cold” równie dobrze mógłby się znaleźć na płycie jakiejś altpopowej damskiej grupy typu, nie wiem, The Last Dinner Party albo Paris Paloma (na ile znam te brzmienia, przyznam, że to nie moja działka), kolejny „Seethe” budzi we mnie irracjonalną złość, bo brzmi jak piosenka ukradziona od Florence Welch, „Halo” rozpoczyna się iście Lana del Rey-owym wersem („Get up, let’s go for a ride” – no przepraszam, ale skisłam trochę)… Gdzieś jeszcze po drodze przyszły mi do głowy porównania z Phoebe Bridgers i Aurorą – choć to ostatnie to prawdę mówiąc tylko niuans kilku wokaliz.

    Ten szereg porównań wskazuje na zupełnie odmienny kierunek niż wcześniejsze nazwiska, które bym łączyła z Wolfe (Darkher, Frayle, A. A. Williams, nawet King Woman). Ale równocześnie zarysowuje on inny problem. Co bym nie myślała o takich płytach jak Pain Is Beauty czy Abyss, to jedno jest pewne – nigdy w życiu nie miałam poczucia, że Wolfe od kogoś zrzyna. Wręcz przeciwnie, tak jak napisałam wcześniej, to inni zrzynali od niej! A tutaj nagle po raz pierwszy mam poczucie, że to Chelsea inspiruje się innymi osobami.[...]

    Całość: 19czwartych.art.blog/2026/08/2

    @musiczka #chelseawolfe #thedark #muzyka

  18. CHELSEA WOLFE - NARZEKANKO

    [...]Głównym wrażeniem, które zostało mi w głowie, jest „radiowość” The Dark. Składają się na to dwa czynniki: lekka, indie-rockowa albo wręcz czasem pop-rockowa produkcja, w niczym nie przypominająca żadnego z poprzednich płyt Wolfe, i wokal artystki, która ewidentnie miała ochotę pobawić się swoim głosem, barwami, a nawet skalą (całkiem wysokie nuty tu wchodzą jak na nią). Żadna z tych rzeczy nie jest wadą sama w sobie, ale… Czy to w ogóle jest jeszcze Chelsea Wolfe? Przypadkowa słuchaczka naprawdę mogłaby mieć wątpliwości. Rozpoczynający album kawałek „Cold” równie dobrze mógłby się znaleźć na płycie jakiejś altpopowej damskiej grupy typu, nie wiem, The Last Dinner Party albo Paris Paloma (na ile znam te brzmienia, przyznam, że to nie moja działka), kolejny „Seethe” budzi we mnie irracjonalną złość, bo brzmi jak piosenka ukradziona od Florence Welch, „Halo” rozpoczyna się iście Lana del Rey-owym wersem („Get up, let’s go for a ride” – no przepraszam, ale skisłam trochę)… Gdzieś jeszcze po drodze przyszły mi do głowy porównania z Phoebe Bridgers i Aurorą – choć to ostatnie to prawdę mówiąc tylko niuans kilku wokaliz.

    Ten szereg porównań wskazuje na zupełnie odmienny kierunek niż wcześniejsze nazwiska, które bym łączyła z Wolfe (Darkher, Frayle, A. A. Williams, nawet King Woman). Ale równocześnie zarysowuje on inny problem. Co bym nie myślała o takich płytach jak Pain Is Beauty czy Abyss, to jedno jest pewne – nigdy w życiu nie miałam poczucia, że Wolfe od kogoś zrzyna. Wręcz przeciwnie, tak jak napisałam wcześniej, to inni zrzynali od niej! A tutaj nagle po raz pierwszy mam poczucie, że to Chelsea inspiruje się innymi osobami.[...]

    Całość: 19czwartych.art.blog/2026/08/2

    @musiczka #chelseawolfe #thedark #muzyka

  19. CHELSEA WOLFE - NARZEKANKO

    [...]Głównym wrażeniem, które zostało mi w głowie, jest „radiowość” The Dark. Składają się na to dwa czynniki: lekka, indie-rockowa albo wręcz czasem pop-rockowa produkcja, w niczym nie przypominająca żadnego z poprzednich płyt Wolfe, i wokal artystki, która ewidentnie miała ochotę pobawić się swoim głosem, barwami, a nawet skalą (całkiem wysokie nuty tu wchodzą jak na nią). Żadna z tych rzeczy nie jest wadą sama w sobie, ale… Czy to w ogóle jest jeszcze Chelsea Wolfe? Przypadkowa słuchaczka naprawdę mogłaby mieć wątpliwości. Rozpoczynający album kawałek „Cold” równie dobrze mógłby się znaleźć na płycie jakiejś altpopowej damskiej grupy typu, nie wiem, The Last Dinner Party albo Paris Paloma (na ile znam te brzmienia, przyznam, że to nie moja działka), kolejny „Seethe” budzi we mnie irracjonalną złość, bo brzmi jak piosenka ukradziona od Florence Welch, „Halo” rozpoczyna się iście Lana del Rey-owym wersem („Get up, let’s go for a ride” – no przepraszam, ale skisłam trochę)… Gdzieś jeszcze po drodze przyszły mi do głowy porównania z Phoebe Bridgers i Aurorą – choć to ostatnie to prawdę mówiąc tylko niuans kilku wokaliz.

    Ten szereg porównań wskazuje na zupełnie odmienny kierunek niż wcześniejsze nazwiska, które bym łączyła z Wolfe (Darkher, Frayle, A. A. Williams, nawet King Woman). Ale równocześnie zarysowuje on inny problem. Co bym nie myślała o takich płytach jak Pain Is Beauty czy Abyss, to jedno jest pewne – nigdy w życiu nie miałam poczucia, że Wolfe od kogoś zrzyna. Wręcz przeciwnie, tak jak napisałam wcześniej, to inni zrzynali od niej! A tutaj nagle po raz pierwszy mam poczucie, że to Chelsea inspiruje się innymi osobami.[...]

    Całość: 19czwartych.art.blog/2026/08/2

    @musiczka #chelseawolfe #thedark #muzyka

  20. Well, well, well. Isn't that interesting.
    I decided to check out #ChelseaWolfe. Watched a few music videos on YouTube, and checked tour dates.

    And then I got an email from #bandsintown. I'm following Chelsea Wolfe, now, apparently. The links on her website are poisoned with bandsintown - clicking a ticket link for a show goes through it, then forwards to #Eventim. And you get subscribed to her on bandsintown, without you ever having asked for that.

    chelseawolfe.com/shows/

  21. Well, well, well. Isn't that interesting.
    I decided to check out #ChelseaWolfe. Watched a few music videos on YouTube, and checked tour dates.

    And then I got an email from #bandsintown. I'm following Chelsea Wolfe, now, apparently. The links on her website are poisoned with bandsintown - clicking a ticket link for a show goes through it, then forwards to #Eventim. And you get subscribed to her on bandsintown, without you ever having asked for that.

    chelseawolfe.com/shows/

  22. Well, well, well. Isn't that interesting.
    I decided to check out #ChelseaWolfe. Watched a few music videos on YouTube, and checked tour dates.

    And then I got an email from #bandsintown. I'm following Chelsea Wolfe, now, apparently. The links on her website are poisoned with bandsintown - clicking a ticket link for a show goes through it, then forwards to #Eventim. And you get subscribed to her on bandsintown, without you ever having asked for that.

    chelseawolfe.com/shows/

  23. The new Chelsea Wolfe album is good. I’m going to find it hard to pick one song for this week’s new music playlist.

    The Dark - Chelsea Wolfe

    👍🏻

    Apple Music: music.apple.com/gb/album/the-d

    Spotify: open.spotify.com/album/4gpQHIT

    #Music #ChelseaWolfe

  24. The new Chelsea Wolfe album is good. I’m going to find it hard to pick one song for this week’s new music playlist.

    The Dark - Chelsea Wolfe

    👍🏻

    Apple Music: music.apple.com/gb/album/the-d

    Spotify: open.spotify.com/album/4gpQHIT

    #Music #ChelseaWolfe

  25. The new Chelsea Wolfe album is good. I’m going to find it hard to pick one song for this week’s new music playlist.

    The Dark - Chelsea Wolfe

    👍🏻

    Apple Music: music.apple.com/gb/album/the-d

    Spotify: open.spotify.com/album/4gpQHIT

    #Music #ChelseaWolfe

  26. The new Chelsea Wolfe album is good. I’m going to find it hard to pick one song for this week’s new music playlist.

    The Dark - Chelsea Wolfe

    👍🏻

    Apple Music: music.apple.com/gb/album/the-d

    Spotify: open.spotify.com/album/4gpQHIT

    #Music #ChelseaWolfe

  27. Nach dem elektronisch geprägten „She Reaches Out To She Reaches Out To She“ schlägt Chelsea Wolfe auf „The Dark“ wieder deutlich organischere Töne an. Gitarren, Bass und Schlagzeug stehen stärker im Mittelpunkt, dazu kommen Piano, Streicher und immer wieder elektronische Elemente. Das Album wirkt dadurch weniger kalt als sein Vorgänger, ohne die düstere Atmosphäre aufzugeben, […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-the-

  28. Nach dem elektronisch geprägten „She Reaches Out To She Reaches Out To She“ schlägt Chelsea Wolfe auf „The Dark“ wieder deutlich organischere Töne an. Gitarren, Bass und Schlagzeug stehen stärker im Mittelpunkt, dazu kommen Piano, Streicher und immer wieder elektronische Elemente. Das Album wirkt dadurch weniger kalt als sein Vorgänger, ohne die düstere Atmosphäre aufzugeben, […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-the-

  29. Nach dem elektronisch geprägten „She Reaches Out To She Reaches Out To She“ schlägt Chelsea Wolfe auf „The Dark“ wieder deutlich organischere Töne an. Gitarren, Bass und Schlagzeug stehen stärker im Mittelpunkt, dazu kommen Piano, Streicher und immer wieder elektronische Elemente. Das Album wirkt dadurch weniger kalt als sein Vorgänger, ohne die düstere Atmosphäre aufzugeben, […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-the-

  30. Nach dem elektronisch geprägten „She Reaches Out To She Reaches Out To She“ schlägt Chelsea Wolfe auf „The Dark“ wieder deutlich organischere Töne an. Gitarren, Bass und Schlagzeug stehen stärker im Mittelpunkt, dazu kommen Piano, Streicher und immer wieder elektronische Elemente. Das Album wirkt dadurch weniger kalt als sein Vorgänger, ohne die düstere Atmosphäre aufzugeben, […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-the-

  31. Chelsea Wolfe shares "Seethe", the latest from her ninth album The Dark, out Friday on Loma Vista. Troy Van Leeuwen (QOTSA) plays lead guitar. Raw, aggressive, no waiting for the loud part.
    #BestNewMusic2026 #W34 #LomaVistaRecordings #ChelseaWolfe

    go.stereobar.net/cbggpuz

  32. Chelsea Wolfe hat überraschend ihre neue Single „Seethe“ veröffentlicht. Der Song gibt einen Vorgeschmack auf ihr mittlerweile neuntes Studioalbum „The Dark“, das diesen Freitag, den 21. August, erscheint. Für die prägnante Lead-Gitarre konnte sie Troy Van Leeuwen von Queens of the Stone Age gewinnen, der neben weiteren hochkarätigen Gästen wie Robin Finck (Nine Inch Nails) […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-seet

  33. Chelsea Wolfe hat überraschend ihre neue Single „Seethe“ veröffentlicht. Der Song gibt einen Vorgeschmack auf ihr mittlerweile neuntes Studioalbum „The Dark“, das diesen Freitag, den 21. August, erscheint. Für die prägnante Lead-Gitarre konnte sie Troy Van Leeuwen von Queens of the Stone Age gewinnen, der neben weiteren hochkarätigen Gästen wie Robin Finck (Nine Inch Nails) […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-seet

  34. Chelsea Wolfe hat überraschend ihre neue Single „Seethe“ veröffentlicht. Der Song gibt einen Vorgeschmack auf ihr mittlerweile neuntes Studioalbum „The Dark“, das diesen Freitag, den 21. August, erscheint. Für die prägnante Lead-Gitarre konnte sie Troy Van Leeuwen von Queens of the Stone Age gewinnen, der neben weiteren hochkarätigen Gästen wie Robin Finck (Nine Inch Nails) […]
    #ChelseaWolfe
    #indiemusic
    nicorola.de/chelsea-wolfe-seet

  35. Wilderness of spacious affection

    Hola, Radio Amigo! What a Wednesday show I've got for you! Australia represents yet again. A trio of Philly artists snuck their way in. And a boatload of U.K. acts round things out. Looking for an emotional arc? I've got that for you. Prefer a sonic arc? You got it. Tune in at 10 AM ET to 88.1 FM and HD1 in Chattanooga and throughout the Tennessee Valley, on line everywhere at wutc.org and on the go in the WUTC App (Apple | Google). Find out more about the show at wutc.org/chorddrift and […]

    chorddrift.com/2026/07/22/wild

  36. Chelsea Wolfe sortira son nouvel album 'The Dark' le 18 septembre chez Loma Vista Recordings. 'Cold', troisième extrait, est à découvrir via son clip : youtu.be/QrqTW01HTas?si=YRE0bJ
    📸 Magdalena Wosinska
    #chelseawolfe #newmusic #musicnews #newsingle #nowplaying #nowlistening #nowspinning #musicvideo #nowwatching

  37. Chelsea Wolfe sortira son nouvel album 'The Dark' le 18 septembre chez Loma Vista Recordings. 'Cold', troisième extrait, est à découvrir via son clip : youtu.be/QrqTW01HTas?si=YRE0bJ
    📸 Magdalena Wosinska
    #chelseawolfe #newmusic #musicnews #newsingle #nowplaying #nowlistening #nowspinning #musicvideo #nowwatching