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#post-rock — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #post-rock, aggregated by home.social.

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  1. Cøld Signal Fires + RAATS + Mad Angelz

    Bar l'Hémisphère Gauche, Saturday, August 29 at 08:00 PM EDT

    A night of indie, shoegaze, post-rock, and electronic music.

    Cøld Signal Fires (indie | shoegaze | electronic) @coldsignalfires
    RAATS (post-rock | electronic MTL) @raats.mtl
    Mad Angelz (experimental electronic) @madangelz777

    Samedi 29 Août 2026
    Portes 8PM | Show 9PM

    Tix $10 (or PWYC/NOTAFLOF)

    Bar L’Hémisphère Gauche
    221 Rue Beaubien E

    montreal.askapunk.net/event/co

  2. A snippet from last night's improv session. It's not how you're meant to use a slide, but it sounds great (spooky soundscape-ish) with the reverb mix set to 100%.

    #ambientdrone #dronemusic #postrock #frippertronics #musodon #soundscape #ambientmusic

  3. A snippet from last night's improv session. It's not how you're meant to use a slide, but it sounds great (spooky soundscape-ish) with the reverb mix set to 100%.

    #ambientdrone #dronemusic #postrock #frippertronics #musodon #soundscape #ambientmusic

  4. Sothiac + Spellbound Circle + Juno

    Sabato 25 luglio, dalle 21:00 alle 01:00, presso Rock & Roll Milano, Via Giuseppe Bruschetti 11, 20125 Milan, Italy

    Free Entry!

    ▼ 𝐔𝐏𝐒𝐓𝐀𝐈𝐑𝐒 𝐏𝐔𝐁 & 𝐑𝐄𝐒𝐓𝐀𝐔𝐑𝐀𝐍𝐓 ▼
    Food'n'Drink Dalle 19:00
    Prenota la tua Cena o il tuo tavolo
    Dm su Instagram
    Direct su Facebook
    WhatsApp al numero 351.8352477

    SOTHIAC:
    Nome ispirato dall’antico ciclo sothiaco, legato al sorgere eliaco di Sirius (Sothis), che nell’antico Egitto segnava rinnovamento e la rivoluzione. Come quell’allineamento celeste, la nostra musica esplora il suono come rituale e trasformazione, tra tensione e rinascita.

    Moon- voce e synth
    Shine - chitarra
    borda - batteria

    Tra le loro esperienze hanno aperto ai Faust al Café Oto di Londra e a Jozef Van Wissem.
    Hanno registrato un Album ad Amburgo con Amaury Cambuzat degli Ulan Bator e Faust e firmato per la 33 Jazz Records rilasciando due Album per il progetto trio con il sassofonista e produttore inglese Paul Jolly che ha aperto ai Black Sabbath negli anni 70.
    Il tour in Giappone nel 2016 (18 date in 22 giorni) e tra il 2017 e 18' in Europa e in Cina attraversandola da nord a sud in treno spingendosi in Manciuria suonando come prima band europea.

    La vocalist Pat Moonchy (Moon) ha fatto parte del progetto Moonchy & Tobias con il produttore americano Todd Tobias (Robert Pollard, Ipecac Records di Mike Patton).

    Il chitarrista Lucio Liguori è figlio d’arte.
    Nipote di noti musicisti (il batterista Pasquale Liguori, il pianista Gaetano Gaetano Liguori e Gegè Di Giacomo il batterista e poi direttore dell’orchestra di Renato Carosone).

    borda (Teo Ravelli) ex King Bong, ha registrato un Album con il chitarrista Chris Haskett dei Rollins Band.

    Sono attivi nella scena italiana dei live heavy/psych/stoner.
    Quest’anno hanno aperto ad Amaury Cambuzat al Bloom e alla band svedese Witchcraft al Magnolia.

    SPELLBOUNDE CIRCLE:
    Basso-batteria-chitarra, il cerchio a tre punte degli Spellbound Circle si crea dall’incontro di Michele, Ylenia ed Aurelio per dare vita ad uno sfogo cutaneo fatto di progressive rock misto grunge misto spruzzi psichedelici.
    Niente voce, la musica parla.

    JUNO:
    Juno è un progetto noise-gaze che nasce a milano nel 2025
    Influenzati da band MBV e Sonic Youth si distaccano dal resto della scena per un soundwall assordante e una forte presenza sul palco.

    See less

    #spellboundcircle #alternative #autoproduzioni #concerto #diy #freeentry #grunge #juno #krautrock #musica #postrock #poststoner #progrock #psychedelia #RockNRollMilano #sothiac

  5. Free download codes:

    The Shining Tongues - SUMMER SOLSTICE XXI-VI-MMXXVI

    "The latest piece in The Shining Tongues' Summer Solstice series. Psychedelic art-rock sound collage full of blinding sunlight and spectral drone."

    getmusic.fm/l/DvRwqv

    #experimentalrock #artrock #postrock #avantgarde #music

  6. Free download codes:

    The Shining Tongues - SUMMER SOLSTICE XXI-VI-MMXXVI

    "The latest piece in The Shining Tongues' Summer Solstice series. Psychedelic art-rock sound collage full of blinding sunlight and spectral drone."

    getmusic.fm/l/DvRwqv

    #experimentalrock #artrock #postrock #avantgarde #music

  7. Les Irlandais de God Is an Astronaut sont passés au Hellfest 2026. Arte propose une captation vidéo de ce groupe aux envolés stratosphériques.
    Une véritable bulle qui dessinent des paysages sonores, où l'on s'imagine les arpenter, loin de tout..

    arte.tv/fr/videos/132692-035-A

    #postrock

  8. Les Irlandais de God Is an Astronaut sont passés au Hellfest 2026. Arte propose une captation vidéo de ce groupe aux envolés stratosphériques.
    Une véritable bulle qui dessinent des paysages sonores, où l'on s'imagine les arpenter, loin de tout..

    arte.tv/fr/videos/132692-035-A

    #postrock

  9. KARSK & MUSGOS At ORWO HAUS!!!

    Orwohaus, Friday, July 24 at 08:30 PM GMT+2

    24 July @karskband & @musgosband at ORWOHAUS

    Address: ORWOhaus e.V, Frank-Zappa-Straße 19, 12681 Berlin-Bezirk Marzahn-Hellersdorf

    _

    Against all odds, Dave the Brave screamed - Release the KARSK!! A monstrous creature who lives under the seven seas!! Simultaneously a silhouette of the biggest beard you ever seen approached the Man who's voice was shaking after announcing the horrendous name that feared many man, but not the bearded man, Captain Margaça, where pirates of many taverns and kneipens sang songs of his stories.

    Who is brave enough to witness such an event!?

    we dare you to join us, sail with us!!

    _

    Doors:19h

    Show:20:30

    Entrance free

    _

    Bands information:

    Musgos is an instrumental band that explores post-progressive/art-punk-jazz experimental rock landscapes.

    Tiago Margaça bass player and the Co founder of the band will preform solo for this special event.

    https://musgosband.com/

    KARSK is an instrumental three-piece band from Berlin that was formed in late 2018. They play heavy rock music and explore other textures to add to the mix. Thus their music has many facets and is driven by intensity, emotions and heavy attitude.

    https://karsk.bandcamp.com

    berlin.askapunk.de/event/karsk

  10. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 Talk Talk; Gavin MacKillop - Living in Another World (Extended Remix)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #80s

  11. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 Talk Talk; Gavin MacKillop - Living in Another World (Extended Remix)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #80s

  12. Free download codes:

    Echo Vocation - Taconite of Phobos (Angeline Stickney Version)

    "Is there someone in your life who reminds you to keep searching for that elusive star or satellite?"

    getmusic.fm/l/qCltOy

    #instrumental #downtempo #soundtrack #cinematic #electronicrock #postrock #ambientguitar #music

  13. Free download codes:

    Echo Vocation - Taconite of Phobos (Angeline Stickney Version)

    "Is there someone in your life who reminds you to keep searching for that elusive star or satellite?"

    getmusic.fm/l/qCltOy

    #instrumental #downtempo #soundtrack #cinematic #electronicrock #postrock #ambientguitar #music

  14. #nowplaying "Double Negative" by Low. Really an amazing album, I need to listen to this and HEY WHAT a lot more. #music #downtempo #experimental #electronic #postrock

  15. Post-Rock, Hoffnung und "Be kind to every kind": Ich habe mit Bernd Frikke von BRUECKEN über das neue Album "years that answer", den Emder Kneipenchor und sein veganes Leben gesprochen. Das Interview ist jetzt online!

    soundsvegan.com/2026/07/brueck

    #SoundsVegan #vegan #music #PostRock #interview #bruecken #oldenburg

  16. Post-Rock, Hoffnung und "Be kind to every kind": Ich habe mit Bernd Frikke von BRUECKEN über das neue Album "years that answer", den Emder Kneipenchor und sein veganes Leben gesprochen. Das Interview ist jetzt online!

    soundsvegan.com/2026/07/brueck

    #SoundsVegan #vegan #music #PostRock #interview #bruecken #oldenburg

  17. If These Trees Could Talk – The Hidden Hand Review By Killjoy

    If These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?

    By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.

    If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.

    The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.

    Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.

    Rating: 2.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Metal Blade Records
    Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
    Releases Worldwide: July 10th, 2026

    #25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
  18. If These Trees Could Talk – The Hidden Hand Review By Killjoy

    If These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?

    By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.

    If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.

    The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.

    Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.

    Rating: 2.5/5.0
    DR: 7 | Format Reviewed: 256 kbps mp3
    Label: Metal Blade Records
    Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
    Releases Worldwide: July 10th, 2026

    #25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
  19. 🎹 Michał Łapaj - Shattered Memories 🎹

    Un titre phare de son premier album solo Are You There (2021) . Le claviériste de Riverside y déploie des nappes de synthés analogiques sombres et atmosphériques . Un véritable "morceau monumental et captivant", porté par la voix mélancolique de Mick Moss (Antimatter) .

    #music #MichalLapaj #ShatteredMemories #AreYouThere #Riverside #PostRock #Ambient #mickmoss #textuumusic

    michallapaj.bandcamp.com//trac

  20. 🎹 Michał Łapaj - Shattered Memories 🎹

    Un titre phare de son premier album solo Are You There (2021) . Le claviériste de Riverside y déploie des nappes de synthés analogiques sombres et atmosphériques . Un véritable "morceau monumental et captivant", porté par la voix mélancolique de Mick Moss (Antimatter) .

    #music #MichalLapaj #ShatteredMemories #AreYouThere #Riverside #PostRock #Ambient #mickmoss #textuumusic

    michallapaj.bandcamp.com//trac

  21. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎵 Talk Talk - I Believe in You (1997 Remaster)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #90s

  22. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎵 Talk Talk - I Believe in You (1997 Remaster)

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #90s

  23. Godspeed You! Black Emperor - G_d's Pee at State's End!

    Also saved from the used bin today. One of their better late career albums. I love that there is a 12 inch and a 10 inch. #vinyl @vinylrecords #PostRock #instrumentalMusic #chamberMusic #noiseros #NowPlaying

  24. Free download codes:

    The Shining Tongues - A Bell Sings In Your Head

    "A solo performance by The Shining Tongues' Daniel Knowler, recorded live at CLUB GEOFF on 14th November 2025."

    getmusic.fm/l/2QzGhH

    #ambient #experimental #artrock #avantrock #postrock #music