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#post-rock — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #post-rock, aggregated by home.social.

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  1. Free download codes:

    Sebastian Arnold - Monolog Memories

    "Experience a danceable blend of complex grooves with electronic post-rock in Monolog Memories, where Berlin's 'mad scientist drummer' Sebastian fuses spacy synthesizers and electric piano with stunning live drumming."

    getmusic.fm/l/Z0bzTc

    #downtempo #postrock #dance #indietronica #electronicjazz #music

  2. Free download codes:

    Sebastian Arnold - Monolog Memories

    "Experience a danceable blend of complex grooves with electronic post-rock in Monolog Memories, where Berlin's 'mad scientist drummer' Sebastian fuses spacy synthesizers and electric piano with stunning live drumming."

    getmusic.fm/l/Z0bzTc

    #downtempo #postrock #dance #indietronica #electronicjazz #music

  3. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 Talk Talk - It's My Life

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #80s

  4. 🔴 LIVE NOW ON VORTEX
    📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
    ──────────────
    🎵 Talk Talk - It's My Life

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #TalkTalk #PostRock #NewWave #80s

  5. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Clipper

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  6. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Clipper

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  7. #nowplaying this
    n5md.bandcamp.com/album/garmon
    The first album I heard by Lights out Asia (it was originally put out by Sun Sea Sky) and (despite a lot of good stuff since) still my favourite. #music #postrock #ambient #electronic

  8. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Clipper

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  9. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Clipper

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  10. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎵 Turzi; Gage - Maybe

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Turzi #PostRock #Electro #2000s

  11. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Indie 🎸 (Indie pop, indie rock, classic rock)
    ──────────────
    🎵 Turzi; Gage - Maybe

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Turzi #PostRock #Electro #2000s

  12. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
    ──────────────
    🎵 Mass - Why

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Mass #PostRock #IndieMusic #2000s

  13. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
    ──────────────
    🎵 Mass - Why

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Mass #PostRock #IndieMusic #2000s

  14. Free download codes:

    peejmudd - fight to keep from sinking

    "a cinematic, post-classical journey through melancholic swells, weightless melodies, and the quiet struggle to stay afloat"

    getmusic.fm/l/Qu9sQa

    #ambient #instrumental #cinematic #postrock #postrock #instrumentalrock #neoclassical #cinematicrock #music

  15. Free download codes:

    peejmudd - fight to keep from sinking

    "a cinematic, post-classical journey through melancholic swells, weightless melodies, and the quiet struggle to stay afloat"

    getmusic.fm/l/Qu9sQa

    #ambient #instrumental #cinematic #postrock #postrock #instrumentalrock #neoclassical #cinematicrock #music

  16. Cette fois, j'y suis, je peux enfin le dire, c'est les vacances.

    J'espère qu'elles n'auront pas un goût amer et de regrets, de ne pas pouvoir profiter de balades locales, à cause d'un soleil trop vif, à cause d'un capitalisme décomplexé et de politiciens trahis par leurs (in)actions passionnées par l'instant T pour renflouer égo et portefeuilles.

    Prenez soin de vous.
    Je vous partage ma découverte du jour, encore du #postrock sur un clip qui nous rappelle la beauté du monde et des espaces qui nous entourent.

    youtube.com/watch?v=7FfiKPNPT-

  17. Cette fois, j'y suis, je peux enfin le dire, c'est les vacances.

    J'espère qu'elles n'auront pas un goût amer et de regrets, de ne pas pouvoir profiter de balades locales, à cause d'un soleil trop vif, à cause d'un capitalisme décomplexé et de politiciens trahis par leurs (in)actions passionnées par l'instant T pour renflouer égo et portefeuilles.

    Prenez soin de vous.
    Je vous partage ma découverte du jour, encore du #postrock sur un clip qui nous rappelle la beauté du monde et des espaces qui nous entourent.

    youtube.com/watch?v=7FfiKPNPT-

  18. “THE ENORMITY OF THEIR flat brain, the enormity of their stupidity, is just overwhelming. You have to do yourself a favor when you’re out in the countryside and you see a chicken: Try to look a chicken in the eye with great intensity, and the intensity of stupidity that is looking back at you is just amazing. By the way, it’s very easy to hypnotize a chicken; they are very prone to hypnosis, and in one or two films I have actually shown that.”
    #dronemusic #ambientdrone #wernerherzog #postrock

  19. Free download codes:

    Solid Blood - Western Sun

    "Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood"

    getmusic.fm/l/Dnszgh

    #alternative #indie #indierock #postrock #singersongwriter #music

  20. Free download codes:

    Solid Blood - Western Sun

    "Math-y, dreamy and emotive post-rock indie solo project from Rue Defence founder Solid Blood"

    getmusic.fm/l/Dnszgh

    #alternative #indie #indierock #postrock #singersongwriter #music

  21. I'll be live-streaming on YouTube in about 2 hours time. If you're into the music I make, then you'll get to see it get created in real time.

    As with every Tuesday live-stream, I'll be streaming for roughly 30 minutes, improvising a single ambient drone guitar piece throughout the entire session.

    Feel free to leave a comment in the waiting room chat saying which key you'd like me to play in!

    youtube.com/live/lMfG9H2ZMDk?s

    #ambientmusic #ambientdrone #frippertronics #dronemusic #postrock

  22. Cette introspection perso et professionnelle tombe à pic, pour accompagner cet album. Un petit sédatif musical pour les deux jours restant avant les saintes vacances.

    Fédiverse, bonne soirée.

    youtube.com/watch?v=ofOoUg3cHRA

    #postrock

  23. Cette introspection perso et professionnelle tombe à pic, pour accompagner cet album. Un petit sédatif musical pour les deux jours restant avant les saintes vacances.

    Fédiverse, bonne soirée.

    youtube.com/watch?v=ofOoUg3cHRA

    #postrock

  24. Started the morning with a Mogwai album, then switched gears to listen to What Would the Community Think by Cat Power (Chan Marshall) which was a big creative breakthrough for her even if it wasn't a super commercially successful album. Produced by Steve Shelley of Sonic Youth.

    #postrock #folkrock #indierock #indie #singersongwriter #music #nowplaying #nowlistening

  25. Started the morning with a Mogwai album, then switched gears to listen to What Would the Community Think by Cat Power (Chan Marshall) which was a big creative breakthrough for her even if it wasn't a super commercially successful album. Produced by Steve Shelley of Sonic Youth.

    #postrock #folkrock #indierock #indie #singersongwriter #music #nowplaying #nowlistening

  26. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Ruins

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  27. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Lounge 🍸 (Chillout, ethnic electronica, nu jazz)
    ──────────────
    🎵 Portico Quartet - Ruins

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #PorticoQuartet #PostRock #Jazz #2010s

  28. CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

    Editorial introduction

    For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

    Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

    This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

    The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

    I. The trilogy and the reset

    01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

    — A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

    02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

    — A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

    https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

    II. The concept — extinction as relief

    03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

    — A: We mean this entirely seriously. There’s no irony in it.

    04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

    — A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

    https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

    05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

    — A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

    III. The sound

    06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

    — A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

    07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

    — A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

    08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

    — A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

    https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

    IV. Influences and identity

    09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

    — A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

    V. Periphylla Records and the release

    10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

    — A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

    https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

    VI. What comes after

    11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

    — A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

    Editorial closing

    Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

    Artist: Catástrofe Club
    Title: Un futuro tranquilo
    Format: Vinyl, 12»/ Digital
    Label: Diffuse Reality / Periphylla Series
    Catalogue: PY 222

    Release Date: July 10, 2026
    Support & Buy: Bandcamp

    Tracklist
    A1. En el futuro
    A2. Todo sigue
    A3. Casa piedra camino
    A4. Satélites
    A5. Querido yo
    B1. El fin de la especie
    B2. Un día mejor
    B3. La belleza
    B4. En el futuro II
    B5. Nadie

    Credits
    Written and Produced by Catástrofe Club
    All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
    Josep Maria Herrera (vocals, guitars, programming).
    David Molina (bass, programming)

    All tracks written and produced by CATASTROFE CLUB.
    Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
    Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

    Design and artwork: Raquel Castro and Joan Antoni Martori.

    Catástrofe Club

    Instagram | Facebook | Bandcamp | Linktree

    Periphylla

    SoundCloud | Instagram | Facebook | Diffuse Reality Records

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #CatástrofeClub #CFPremiere #clubFuries #ClubFuriesPremiere #Darkwave #DiffuseRealityRecords #Electrónica #electro #Electronic #Electronica #Periphylla #PostPunk #PostRock #Premiere #premiereCF #PremiereClubFuries #Rock #techno #Vinyl
  29. CF Interview | The only question left is when: Catástrofe Club presents Un Futuro Tranquilo by Periphylla

    Editorial introduction

    For Catastrofe Club, the extinction of the human species is not a threat. It is the resolution.

    Josep M. Herrera and David Molina have been building their singular universe from Roca Umbert Fàbrica de les Arts in Granollers for over a decade — an unclassifiable project that moves freely between post-punk, darkwave, electronic and post-rock without the slightest trace of self-consciousness. Their first three albums were, in their own words, the soundtrack of a world without direction, of a society heading straight for the edge. Un Futuro Tranquilo arrives after that trilogy closes, and proposes something stranger: the day after. A future in which humanity has already disappeared, and the rest of living beings can finally breathe.

    This is their fourth LP and their first on Periphylla Records. The darkness is still there — but it sounds, and feels, brighter than ever. The messages remain raw, the humour remains peculiar, the vocals remain mostly spoken-word over richly layered electronics. What has changed is the calmness. Catastrofe Club have accepted the catastrophe, and it suits them well. We spoke with them about the end of everything — and why it might be good news.

    The interview was conducted and answered in Spanish, and the English translation was produced using DeepL and reviewed by Club Furies

    I. The trilogy and the reset

    01 Your first three albums formed a trilogy of their own. What did it feel like to close that chapter — and what made you decide that the fourth record had to begin somewhere completely different, on the other side of the catastrophe?

    — A: In all cases of bereavement, the first stage is denial, followed by a stage of grief and anguish, and finally the stage of acceptance. It is this last stage that brings healing. Surely the suffering of watching everything around us crumble over the years has ultimately led us, naturally and without premeditation, to this final stage, the one that sets us free. We accept defeat with calm. This leads us to write serenely about human extinction and to emphasise the beauty of a world in which the other species live, at last, in a certain harmony.

    02 The press kit describes Un Futuro Tranquilo as «a kind of reset.» What does a reset sound like for Catastrofe Club — what stays, and what had to change?

    — A: This fresh start leaves behind the anguish and suffering. The new album transports us to a new world full of relief, where there is nothing but peace. This has given us a breath of fresh air on a personal level throughout the creative process and has also breathed new life into the music itself, which – without losing our essence – has evolved into something more expansive, more ethereal and lighter.

    https://clubfuries.com.mx/2026/07/23/cfr-catastrofe-club-un-futuro-tranquilo-py222/

    II. The concept — extinction as relief

    03 The album sets out an uncomfortably peaceful future in which the human species has already disappeared — and frames that as good news for every other living being on the planet. How seriously do you mean it?

    — A: We mean this entirely seriously. There’s no irony in it.

    04 You describe yourselves not as visionaries but as chroniclers — of a reality many are still unwilling to face. What does it mean to chronicle something like this through music rather than through journalism, activism, or silence?

    — A: We have other small ways of getting involved in activism. But Catástrofe Club is a project that encompasses music, lyrics and visuals too. And it is this project that allows us to portray and capture with greater clarity the decline that we witness every day.

    https://soundcloud.com/thebrvtalistxx/premiere-cat-strofe-club-en-el

    05 The tracklist moves from «En el futuro» to «El fin de la especie» to «La belleza» to «Nadie.» That arc feels deliberate — almost liturgical. Did the sequence emerge from the concept, or did the concept emerge from the sequence?

    — A: The concept emerged from a single song, ‘En el futuro’, which is the opening track on the album. The song depicts a world where humans have already become extinct and where animals and plants are finally able to live in peace and harmony. Once we’d finished the song, we realised straight away that this idea could be developed, expanded upon, and could form the basis of an entire album.

    III. The sound

    06 On this record you lean further into post-rock and cinematic territory while keeping the post-punk and darkwave energy. What pushed you in that direction — and how does the expanded sonic palette serve the expanded emotional register of the album?

    — A: To be honest, there was no intention behind it. The very theme of the album transported us mentally to that world full of peace and harmony. And that led us, song after song, to a more ethereal, more expansive sound than on previous albums. It all happened very naturally and spontaneously. In any case, regardless of styles and nuances, everything we do still sounds like Catástrofe Club.

    07 The press kit mentions that your darkness «sounds and feels brighter than ever» on this LP. How do you make darkness sound bright without losing what makes it dark?

    — A: We are beings of light; we are drawn more to the light than to the darkness. However, a certain amount of darkness is always lurking, both within us and before our very eyes. Our music reflects exactly that: light and darkness never touch, but they walk hand in hand. Both are authentic, real, walking side by side. Just as in life.

    08 Your vocals are mostly spoken-word — raw, direct, laced with humour. On an album about the end of the species, what does humour do that solemnity can’t?

    — A: Rather than humour, what we’re really trying to do is show the viewer some affection. To tell them, in a gentle way, that they’re about to disappear and will never be here again. It’s like giving them a warm hug before breaking news that they’re bound to find unsettling. We probably use a certain amount of humour as an emotional entry point, as a necessary anaesthetic before the lethal injection.

    https://soundcloud.com/clubfuriess/cfs-catastrofe-club-todo-sigue-py222

    IV. Influences and identity

    09 The press kit places you between The Cure and Sigur Rós, Idles and Fontaines DC, Astrud and Punsetes, Albert Pla and Faemino y Cansado. That is a genuinely unusual range. How do you hold all of that together without it collapsing into pastiche?

    — A: They are simply some of the influences we’ve grown up with. We’d love to have traits of all those monsters. But it’s true that they’ve all left their mark on our personal development, on how we’ve matured since our teenage years. And in some way, that’s inside us, lying dormant, probably shaping some tiny part of our creative process.

    V. Periphylla Records and the release

    10 Un Futuro Tranquilo is your first release on Periphylla Records. What does that change — if anything — about how the album reaches the world, and what it means to release something this particular through a label?

    — A: Our relationship with Periphylla is undoubtedly the story of a happy, chance encounter. We saw in them – and in their parent organisation, Diffuse Reality – a collective very much in tune with our own way of understanding life and creativity. We discovered a team of people who prioritise artistic intent, a love for the community and a passion for creative projects, going beyond traditional norms and clichés. They placed their trust in us by featuring our live performances at several of their events, and we are proud that they are the ones helping us to distribute our work across various countries. Having travelling companions like them is a gift. Whatever time we have left in this world, it is worth sharing it in this way.

    https://clubfuries.com.mx/2026/07/15/cfs-catastrofe-club-todo-sigue-py222/

    VI. What comes after

    11 The album ends with «Nadie.» After you’ve narrated the end of the species — calmly, without trauma — what comes next for Catastrofe Club?

    — A: Probably nothing. We won’t be around anymore. We won’t be able to write songs, and there won’t be anyone left to listen to them.

    Editorial closing

    Un Futuro Tranquilo is an ood about the end of everything that somehow manages not to be depressing. Catastrofe Club have spent a decade chronicling collapse with black humour, raw language and a singular ood universe that belongs to no genre and sounds like no one else. Their fourth LP closes a trilogy and opens something stranger: a world after us, quieter, more beautiful, without trauma. If this is what the apocalypse sounds like, at oodtit has ood music. Out October 7th on Periphylla Records.

    Artist: Catástrofe Club
    Title: Un futuro tranquilo
    Format: Vinyl, 12»/ Digital
    Label: Diffuse Reality / Periphylla Series
    Catalogue: PY 222

    Release Date: July 10, 2026
    Support & Buy: Bandcamp

    Tracklist
    A1. En el futuro
    A2. Todo sigue
    A3. Casa piedra camino
    A4. Satélites
    A5. Querido yo
    B1. El fin de la especie
    B2. Un día mejor
    B3. La belleza
    B4. En el futuro II
    B5. Nadie

    Credits
    Written and Produced by Catástrofe Club
    All vinyl orders include two Diffuse Reality stickers and digital downloads of the full release.
    Josep Maria Herrera (vocals, guitars, programming).
    David Molina (bass, programming)

    All tracks written and produced by CATASTROFE CLUB.
    Recorded at the “Fábrica de Galletas” (CATASTROFE CLUB home studio) in 2025, except for the vocals, which were recorded by Dani Gil at Siete Barbas Estudio (Barcelona) in January 2026.
    Mixed and mastered by Dani Gil at Siete Barbas Estudio (BCN) between February and May 2026.

    Design and artwork: Raquel Castro and Joan Antoni Martori.

    Catástrofe Club

    Instagram | Facebook | Bandcamp | Linktree

    Periphylla

    SoundCloud | Instagram | Facebook | Diffuse Reality Records

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #CatástrofeClub #CFPremiere #clubFuries #ClubFuriesPremiere #Darkwave #DiffuseRealityRecords #Electrónica #electro #Electronic #Electronica #Periphylla #PostPunk #PostRock #Premiere #premiereCF #PremiereClubFuries #Rock #techno #Vinyl
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