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#heilung — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #heilung, aggregated by home.social.

  1. KI , Kreativität und die Sache mit der Doppelmoral

    Vor Kurzem bin ich auf den Beitrag einer Frau gestoßen, die mit Hilfe von KI Musik veröffentlicht hat und sich darüber freute, dass sie damit sogar etwas Geld verdienen konnte.  Was mich dabei weniger überrascht hat als die Geschichte selbst, waren die Kommentare darunter. Die üblichen Verdächtigen waren natürlich auch dabei: "Das hat doch die KI gemacht." "Du hast gar nichts erschaffen." "Das ist keine Kunst." Irgendwann fragt man sich, ob manche Menschen dieselben […]

    evaverses.wordpress.com/2026/0

  2. Wenn Frequenzen die Seele berühren: Die heilende Kraft und die Schattenseite der Klänge

    Lesezeit: 5 MinutenHast du dich jemals gefragt, warum  manche Klänge sofort entspannend wirken, während andere uns innerlich unruhig machen? Die Antwort liegt vielleicht nicht nur in der Musik selbst, sondern in der physikalischen Sprache des Universums: Energie, Frequenz und Vibration.Die Macht hinter den FrequenzenDie Idee, dass Klang mehr als nur Unterhaltung ist, hat eine lange Tradition. Nikola Tesla erkannte bereits, dass Energie, Frequenz und Vibration der Schlüssel zur […]

    evaverses.wordpress.com/2026/0

  3. De l’Abîme Naît l’Aube – Rituel : Initiation Review By Twelve

    Atmospheric post-black metal is quite the concept. Both titular subgenres span wide varieties of inspirations, levels of aggression, and affinities for emotion. Done well, they are gateways to catharsis and emotional storytelling. So I was intrigued when Rituel : Initiation caught my eye. This is the debut full-length release from Swiss post-black metal band De l’Abîme Naît l’Aube, recommended, or so I’m told, for fans of Alcest and Heilung. You never quite know what you’re going to get with a debut, but I was eager enough from the concept to want more. On paper, Rituel : Initiation could go anywhere.

    Fortunately, the first few minutes of Rituel : Initiation act as an interesting microcosm for its whole: “Une Pleine Absence” lulls you in slowly with heavy atmosphere, wordless sighs, throat singing (I believe from lead vocalist Sébastien Defabiani), and acoustic passages, slowly building in intensity. It does this so effectively, in fact, that when the guitars do arrive, they feel overly jagged, loud, and harsh. I signed up for a post-black metal album—I expected loud. But De l’Abîme Naît l’Aube do somber atmosphere very well, and they do post and black metal well, but it’s interesting how the two can be at odds with each other in this style. Ten minutes later, this moment is forgotten, and the guitars sound as natural as anything else. “Une Pleine Absence” is still going, incorporating tremolos and depressive shrieks as a heavier atmospheric element, and you know well what to expect over the rest of Rituel : Initiation.

    Rituel : Initiation by De l’Abîme Naît l’Aube

    This intersection of rough-around-the-edges post metal, black metal aggression, and atmospheric melancholy seems to define both Rituel : Initiation and De l’Abîme Naît l’Aube. “Le Vertige d’une Descendance” is similar to the intro in that it starts slowly and gives bassist Valerian Burki a moment to shine. It leans more post than black, with some strong riffs that give the song groove and, if you’ll forgive a technical term, head-nod factor. “Un Sanctuaire de Cendres” is much more blackened than post, but when Fantine Schütz’s clean singing soars through the gloom, it’s a genuinely touching moment. Tremolos towards the end from guitarists Dominique Blanc and Kilian Caddoux counterbalance nicely with Valentin Boada’s frantic drumming, and here, the intersections work very well.

    If I were to criticize one thing about Rituel : Initiation, it’s that the blended styles don’t allow for a ton of memorability. There are great moments throughout the five tracks—I’ve mentioned a few already, and want to highlight the slow march riffing around the midpoint of “Un Sanctuaire de Cendres” as well. But generally, Rituel : Initiation does not feel very strongly structured as an album. Songs, all but one over eleven minutes long, move from one idea to the next coherently and naturally, but in such a way as to evade hooks or moments of particular catchiness or impact. I always enjoy listening, but after the fifty-three minutes are done, I don’t have much impression of specific songs I liked; rather, it’s moments here and there that I know were early or late in the session. This makes sense of the style De l’Abîme Naît l’Aube play, but it also gives the impression of a dense album that I perhaps still need to spend more time with to truly crack.

    Still, I like what De l’Abîme Naît l’Aube are doing here. Cold, regal, aggressive, anguished, and balanced on a knife’s edge—there’s some good metal here! As “Une Absolute Prèsence” builds to the album’s climactic end, I can’t help but be impressed. I wouldn’t have hated more editing—there’s a lot of metal here too—but too much of a good thing isn’t a bad thing. Rituel : Initiation is, in my mind, an exciting debut, the kind that speaks of genuine potential. Color me intrigued.

    Rating: 3.0/5.0
    DR: 7 | Format Reviewed: 192 kbps mp3
    Label: Hypnotic Dirge Records
    Websites: danapostmetal.bandcamp.com | facebook.com/dana.postmetal
    Releases Worldwide: February 13th, 2026

    #2026 #30 #Alcest #BlackMetal #DeLAbîmeNaîtLAube #Feb26 #Heilung #HypnoticDirgeRecords #PostMetal #Review #Reviews #RituelInitiation #SwedishMetal
  4. Danheim – Heimferd Review

    By Mystikus Hugebeard

    Ah, the Viking Age. One of the most mythologized eras in history, and a bottomless well of inspiration for cool things like video games, shows, books, tattoos, and bad things like obsession over ancestral purity, shockingly racist ideologies, and lutefisk. But the best thing of all, and most importantly, music! Which leads us to Danheim (Literally “Danish Home”). Danheim is the solo Nordic folk project by Reidar Schæfer Olsen, and Heimferd is his first full album in four years, which might as well be an eternity. Danheim is usually very prolific, with eight albums released between 2017 and 2021, with about a gazillion singles released during and after those 4 years. Furthermore, Danheim is one of the more well-known Nordic folk artists; he has numerous collaborations with, to name a few, Gealdýr, Sigurboði, Heldom, and has, like Wardruna, been featured on the History Channel’s Vikings. In other words, Danheim is something of a titan of the genre—is Heimferd worth the wait?

    Danheim’s music, and by extension Heimferd, is a sonic extension of the version of the Vikings that has embedded itself within people’s imagination and contemporary media: an intoxicating image of a powerful and mysterious people, plunged into a captivating world of violence and mysticism.1 Most might immediately connect Danheim’s sound to Wardruna (not unjustifiably), but that paints a rather flat picture. The music is cinematic in a way that calls to mind a less avant-garde Heilung, it vibrates with a slightly electronic, tribal weight that, at this point, belongs more to Danheim than any of his peers (but one might still compare it to Vígundr or Heldom), and it’s atmospheric and densely layered like, well, Wardruna. But I believe it’s the simple immediacy of Danheim’s that has made him the Nordic folk titan that he is. It’s just so easy to fall under the spell of electronically augmented droning chants set to the rhythm of deep, beating drums, heard in some form or another in nearly every song on Heimferd.

    …and yet, there sadly wafts an air of shallowness across Heimferd. There is an unfulfilled relationship between Heimferd’s sound and its songwriting. Heimferd’s stellar production and the variety of instruments create a captivating soundscape, but so rarely do songs breathe or evolve in a way that gives the songs life. This is felt all throughout Heimferd. “Heljar Skuggar” and “Rúnmyrkr” each utilize engaging, distorted chants in the vein of Heilung, but feel stagnant, without peaks or valleys. Songs are often lacking in stakes or tension, the worst of which is heard in the lifeless “Valvejen” as it flits loosely between tagelharpa melodies and excessive downtime. For songs meant to sound almost hypnotic in their droning, much comes off as forgettable, like “Kominn Dagr” as it switches from monotone chanting into a toothless tagelharpa melody, neither section given ample time to grow or make an impact. Clearly, Danheim places a lot of emphasis on atmosphere, and Heimferd is indeed viking-y at a distance—but up close, there is little to sink your teeth into.

    This is not always the case, however, with a handful of songs towering above the rest. The vocal-heavy closer, “Yggdrasil II” (a sequel to “Yggdrasil” from 2018’s Fridr), has a quiet majesty to its rhythmic and beautiful chorus. “Vindfari” is an unassuming song that really sneaks up on you, as the drums march behind a simple chanting melody with a peculiar, percussive vocal delivery to some words that adds unique character to the song. Heimferd’s best song is “Haukadalur,” though. This song moves and breathes like a living thing, as distant haggard exhalations augment a powerful beat which heralds a coarse, dancing tagelharpa. These songs have such richness to their melodies, making the most of Danheim’s accessible and engaging style. It feels as if this has been my experience with every Danheim album: two or three genuinely stellar tracks that speak of an artist capable of amazing things, surrounded by songs that sound great but leave little impression.

    Danheim has ever been frustrating for me, and Heimferd reaffirms that feeling. His infectious soundscape sufficiently conjures a Viking-age atmosphere and energy, but with base songwriting that so rarely transforms the music into something lasting or impactful. It’s strange, because my first listen of Heimferd was the most positive one, and I think it’s because Danheim’s style of Nordic folk can be cathartic in a way not many other artists within the genre are. But on each subsequent spin, when I listen closer, probing, pleading for depth, I’m left wanting. Heimferd is the distilled essence of the modern perception of Vikings, but with little drama or tension. It’s fun, but ephemeral.

    Rating: Mixed
    DR: 7 | Format Reviewed: 320 kbps
    Label: Season of Mist
    Websites: official | bandcamp
    Releases Worldwide: October 31st, 2025

    #25 #2025 #Danheim #DarkFolk #Gealdýr #Heilung #Heimferd #Heldom #Neofolk #NordicFolk #Oct25 #Review #Reviews #SeasonOfMist #Sigurbodi #Vigundr #VikingMusic #Wardruna

  5. Eine Uniform kann man ausziehen - ein Trauma muss bewältigt werden

    Tausende ukrainische #Veteran:innen kehren mit unsichtbaren Wunden aus dem Krieg zurück: Posttraumatische Belastungsstörungen (PTSD), Angststörungen und andere psychische #Traumata bestimmen ihren #Alltag. Diese Belastungen erschweren nicht nur die Rückkehr ins zivile Leben, sondern auch ihre soziale und berufliche #Reintegration.

    Hilfe ist nötig!

    Um ihnen wirksam zu helfen, braucht es moderne, evidenzbasierte #Therapieverfahren. Gemeinsam mit der Ukrainischen PTSD Assoziation und der Assoziation für Neurorehabilitation und Traumatherapie möchte die Hilfsorganisation Bamberg:UA ein hochmodernes Neurofeedback-System (inklusive Eye-Tracking und Biofeedback) beschaffen und in ukrainische Rehabilitationszentren bringen.

    👉 Mit diesem System können:
    #Diagnostik und #Therapie von #PTSD und #Angststörung/en entscheidend verbessert werden,
    individuelle Behandlungspläne erstellt werden, die die Genesung nachhaltig fördern,
    und eine wissenschaftliche Begleitstudie durchgeführt werden, um die Wirkung langfristig zu sichern.

    Für die Veteran:innen bedeutet das: einen sicheren Schritt zurück ins Leben, weniger Symptome, mehr #Stabilität und die Chance auf echte #Heilung.

    Jetzt aktiv werden und spenden!

    Damit das System beschafft, überführt und in der #Ukraine eingesetzt werden kann, möchte Volt die Initiative von Bamberg:UA mit dieser #Spendenkampagne unterstützen - Hilf mit, unsichtbare Wunden zu heilen!

    Spendenlink

    tinyurl.com/ytd7kzty

    Auf Instagram:
    @opora.me
    @fort.in.ua
    @bamberg_ua
    @markus_bear_volt.eu.ua
    @povernis_do_mirnogo_zhittya
    @rehabilitation_galychyna
    @pislyasluzhby.org.ua
    @lviv_1tmo
    @saveukraine.official
    @bradgudger

    #MentalHealth #PTSD #TraumaRecovery #StandWithUkraine #SupportUkraine #UkrainianVeterans #Neurofeedback #TraumaTherapy #HealthInnovation #EveryDonationCounts #Fundraiser #HopeForUkraine #Voltsachsen #Volt #VoltEuropa #VoltUkraine #supportUkraine #ukrainesupport #europe #europa

  6. Trauer ist keine Störung. Keine Schwäche.
    Sie ist notwendig. Eine echte, tiefe Antwort auf Verlust.
    Und der einzige Weg, sie zu heilen, ist: zu trauern. 🌧️🖤
    #MentalHealth #Trauer #Heilung #GefühleZulassen #PTBS #Selbstmitgefühl #DuBistNichtAllein

  7. CRISPR/Cas9 - Hoffen auf die Genschere als Heilmittel gegen Aids

    Die Genschere CRISPR/Cas9 ruft große Hoffnung hervor, HIV heilen zu können. Der Beweis in der Forschung braucht aber wohl noch Jahre. Und es gibt auch Bedenken.#Genschere #GENTECHNIK #CRISPR-Cas9 #MEDIZIN #HIV #AIDS #Heilung
    Genschere CRISPR/Cas: Wird Aids heilbar?

  8. HEILUNG. Olinpa sunnuntaina Heilungin keikalla. Olihan se, hieno kokemus niin musiikillisesti kuin visuaalisesti, lähes kaksi tuntia rytmiä ja pauketta. Toinen kerta kun näin, edellinen oli Tuskassa 2019. Ihmiset tanssivat ja heiluivat rumpujen rytmissä, oli kurkkulaulua ja kalisevia luita. Rummuttajalla maailman isoimmat selkälihakset. Maria Franzilla jumalattaren ääni.

    #metallimusiikki #pakanametalli #musiikki #heilung #mariafranz

  9. This is mesmerizing beautiful and I will definitely buy this music. If you are wondering, one of the singers is Maria Franz who is also in the bands "Heilung" and "Euzen". She is an absolute fantastic artist. All of her projects are just right up my alley.

    [Edited to promote their Bandcamp releases]

    Songleikr on Bandcamp
    songleikr.bandcamp.com/release

    #Music #Songleikr #Euzen #Heilung #MariaFranz