#hulder — Public Fediverse posts

Repost BIR: #Hulder roept de duisternis op met “In Blood and In Earth” 🌲
De nieuwe single van Verbolgen is een duistere mix van black metal, folk horror en oude rituelen.
Meer weten? Check dan het BIR-item door #SethAbrikoos op de BIR website:
🔗 https://www.brothersinraw.com/post/nieuws-sounds-hulder-inbloodandinearth
💿 Season of Mist

🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy

Hulder:
🎵 In Blood and in Earth

#Hulder
#newRelease 🆕 single

https://listen.20buckspin.com/track/in-blood-and-in-earth

https://open.spotify.com/track/5IOt1talW67e6d7c5jrdo3

🇺🇦 #NowPlaying on #KEXP's #SeekAndDestroy

Hulder:
🎵 In Blood and in Earth

#Hulder
#newRelease 🆕 single

https://listen.20buckspin.com/track/in-blood-and-in-earth

https://open.spotify.com/track/5IOt1talW67e6d7c5jrdo3

Hulder have unveiled "In Blood and In Earth," the latest single from the upcoming album Verbolgen, arriving in August via 20 Buck Spin.

Details: https://metalinsider.net/video/hulder-release-new-single-in-blood-and-in-earth

#Hulder #Verbolgen #InBloodAndInEarth #20BuckSpin #NewMusic

Kalter #BlackMetal, warmes #JuHaWest. Ein ausverkauftes Haus trotzt begeistert den Temperaturen und bekommt im Gegenzug dafür zwei prima Auftritte.

https://www.gig-blog.net/2026/07/10/hulder-blood-torrent-08-07-2026-juha-west-stuttgart/

#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Hulder #BloodTorrent #Stuttgart

The year of the snake strikes again, and this time the venom flows through Heart of the Serpent. This US-based duo delivers black metal that slithers between second-wave and DSBM, and on their third spawn Unraveling, Heart of the Serpent concocts tortuous bursts of blackened intensity and slinky grooves coiled around thrashy and ambient interstices. Five years have passed since sophomore album Loathing, and in the intervening time Heart of the Serpent shed vocalist Urion, reducing the ensemble to a two-piece. On Unraveling, guitarist, bassist, and keyboardist Ulg absorbs vocal duties while Hulder’s live drummer Vapula returns to clobber the skins. As we hoist Heart of the Serpent onto the scale for judgment, will we find Unraveling buoyed by its charms or over-encumbered with musical sins?

Compared to Heart of the Serpent’s previous albums, Unraveling reveals itself as their most maturely composed. Unwinding at its leisure, Unraveling is the longest of the outfit’s three albums, though it still packs proceedings into just thirty-eight minutes. An extra few minutes may not seem like much, yet it’s enough to allow songs to fully gestate. This cultivates dynamic highs and lows that were hinted at on Contempt and Loathing, but Unraveling feels more fully developed. It also exhibits Heart of the Serpent’s cleanest production to date. This gives a much-needed emphasis to the bass guitar, especially when it bubbles to the fore of the mix to provide low-end punch. Still, the bulk of what Heart of the Serpent did previously remains—the execution is just more sophisticated.

For a two-man project, Unraveling feels remarkably robust. Vapula’s drumming deserves special mention, as his riveting performances and canny fills and rolls command the momentum on most of Unraveling’s tracks. Ulg carries his own weight, too, and the instrumentation churns with slow-burn intensity. Specifically, Heart of the Serpent invests more time than ever in unhurried builds, allowing Ulg to craft intoxicating guitar and bass interplay that largely eschews technicality yet is no less captivating for it. “Rust” and “Unraveling” both exhibit this pattern, where the bass prowls beneath austere guitar sustains as tension mounts in calculated anticipation. Hooks and serpentine melodies wend throughout Unraveling, proving seductively engrossing from song to song. The only track that doesn’t work for me is “Mourning/Asphyxia,” a five-minute ambient instrumental that saps momentum with its awkward placement and wearisome length. Given the lack of motifs to tether “Mourning/Asphyxia” to the rest of Unraveling, the track flounders without any obvious context for its inclusion. Working its themes into other tracks or cutting it altogether would induce a more seamless listening experience.

Given everything Heart of the Serpent does right on Unraveling, it’s a shame that some missteps inhibit what is otherwise an enticing outing. The momentum lapse stemming from “Mourning/Asphyxia” is my biggest complaint, though others further cramp Heart of the Serpent’s muscle. Unraveling’s production provides plenty of contrast and largely deserves appreciation, the drum tones often sound muffled. Considering the arresting performance Vapula discharges, I wish it packed a bit more oomph. The guitars and bass sound warm and fierce, though, ensuring a cozy nesting spot amidst the cold-blooded blasts of black metal. Lastly, the concluding dyad of songs are two of Unraveling’s best tracks, both of which are mostly characterized by slower paces and gentler moments, leaving listeners with a low-energy conclusion. Retooling the album’s song order or replacing “Mourning/Asphyxia” with a lean, second-wave scorcher moved between these tracks could help revitalize the back half of the album.

Ultimately, Heart of the Serpent delivers a varied and engaging slab of black metal marred by a few odd choices. Unraveling creeps close to a much better score, and if not for a few damning flaws, I’d be insisting how Heart of the Serpent dropped a very good platter that makes the score-counter sweat. Instead, I’ll settle for spreading the word that the Heart of the Serpent beats with the potential for greatness.

Rating: Mixed
DR: N/A | Format Reviewed: WAV
Label: Self-Release
Websites: Bandcamp | Facebook
Releases Worldwide: June 19th, 2026

The year of the snake strikes again, and this time the venom flows through Heart of the Serpent. This US-based duo delivers black metal that slithers between second-wave and DSBM, and on their third spawn Unraveling, Heart of the Serpent concocts tortuous bursts of blackened intensity and slinky grooves coiled around thrashy and ambient interstices. Five years have passed since sophomore album Loathing, and in the intervening time Heart of the Serpent shed vocalist Urion, reducing the ensemble to a two-piece. On Unraveling, guitarist, bassist, and keyboardist Ulg absorbs vocal duties while Hulder’s live drummer Vapula returns to clobber the skins. As we hoist Heart of the Serpent onto the scale for judgment, will we find Unraveling buoyed by its charms or over-encumbered with musical sins?

Compared to Heart of the Serpent’s previous albums, Unraveling reveals itself as their most maturely composed. Unwinding at its leisure, Unraveling is the longest of the outfit’s three albums, though it still packs proceedings into just thirty-eight minutes. An extra few minutes may not seem like much, yet it’s enough to allow songs to fully gestate. This cultivates dynamic highs and lows that were hinted at on Contempt and Loathing, but Unraveling feels more fully developed. It also exhibits Heart of the Serpent’s cleanest production to date. This gives a much-needed emphasis to the bass guitar, especially when it bubbles to the fore of the mix to provide low-end punch. Still, the bulk of what Heart of the Serpent did previously remains—the execution is just more sophisticated.

For a two-man project, Unraveling feels remarkably robust. Vapula’s drumming deserves special mention, as his riveting performances and canny fills and rolls command the momentum on most of Unraveling’s tracks. Ulg carries his own weight, too, and the instrumentation churns with slow-burn intensity. Specifically, Heart of the Serpent invests more time than ever in unhurried builds, allowing Ulg to craft intoxicating guitar and bass interplay that largely eschews technicality yet is no less captivating for it. “Rust” and “Unraveling” both exhibit this pattern, where the bass prowls beneath austere guitar sustains as tension mounts in calculated anticipation. Hooks and serpentine melodies wend throughout Unraveling, proving seductively engrossing from song to song. The only track that doesn’t work for me is “Mourning/Asphyxia,” a five-minute ambient instrumental that saps momentum with its awkward placement and wearisome length. Given the lack of motifs to tether “Mourning/Asphyxia” to the rest of Unraveling, the track flounders without any obvious context for its inclusion. Working its themes into other tracks or cutting it altogether would induce a more seamless listening experience.

Given everything Heart of the Serpent does right on Unraveling, it’s a shame that some missteps inhibit what is otherwise an enticing outing. The momentum lapse stemming from “Mourning/Asphyxia” is my biggest complaint, though others further cramp Heart of the Serpent’s muscle. Unraveling’s production provides plenty of contrast and largely deserves appreciation, the drum tones often sound muffled. Considering the arresting performance Vapula discharges, I wish it packed a bit more oomph. The guitars and bass sound warm and fierce, though, ensuring a cozy nesting spot amidst the cold-blooded blasts of black metal. Lastly, the concluding dyad of songs are two of Unraveling’s best tracks, both of which are mostly characterized by slower paces and gentler moments, leaving listeners with a low-energy conclusion. Retooling the album’s song order or replacing “Mourning/Asphyxia” with a lean, second-wave scorcher moved between these tracks could help revitalize the back half of the album.

Ultimately, Heart of the Serpent delivers a varied and engaging slab of black metal marred by a few odd choices. Unraveling creeps close to a much better score, and if not for a few damning flaws, I’d be insisting how Heart of the Serpent dropped a very good platter that makes the score-counter sweat. Instead, I’ll settle for spreading the word that the Heart of the Serpent beats with the potential for greatness.

Rating: Mixed
DR: N/A | Format Reviewed: WAV
Label: Self-Release
Websites: Bandcamp | Facebook
Releases Worldwide: June 19th, 2026

Published some new #WhiteroomReviews items:

Photo reports of:
- #Possessed + #Sinsaenum | @baroeg.bsky.social
- #Cavalera + #BLOID | #Victorie

News items regarding:
- #Deadnate announced as support for #Baest
- A new #Hulder single | #SeasonofMistrecords

Fans of #heavymusic got their fill tonight at #patronaathaarlem Four bands covering a wide spectrum shared the stage: #Hulder #kylesa #OranssiPazuzu and #solstafir The last two had toured together in November 2024. We were reminded how well they complement each other. What a fun, eclectic gig.

Hulder has released the new single and video for "View From Nemeton," from the upcoming album Verbolgen, arriving in August.

Details: https://metalinsider.net/video/hulder-unveil-view-from-nemeton-video

#Hulder #Verbolgen #20BuckSpin

I wrote some new #WhiteroomReviews news item regarding:
- #Hulder
- #Quodac
- #UntitledWithDrums
- #PaintedScars
- #NHOPE
- #JavierValdi
- #Chopper
- #Gothminister
- #IANWILL

Go check it out:
https://www.whiteroomreviews.nl/tag/seth-abrikoos

Nice, #Hulder is in Berlin soon.
Not nice: Eventim 🫠

I don't wanna buy anything there, but want to see Hulder...

Dimmu Borgir are heading out on a North American tour this summer.

Support comes from Hypocrisy, Suffocation, and Hulder.

Details: https://metalinsider.net/touring/dimmu-borgir-announce-summer-2026-north-american-tour-with-hypocrisy-suffocation-hulder

#DimmuBorgir #Hypocrisy #Suffocation #Hulder #TourAnnouncement

Houston’s Necrofier first came on my radar when they played the 2024 Decibel Magazine Tour with Hulder, Devil Master, and Worm. Sadly, I missed their opening set, but gladly, I caught a recording of it on YouTube.1 Their raucous, crowd-pleasing performance compelled me to check out their recordings. At 36 minutes, debut Prophecies of Eternal Darkness (2021) is a lean, mean barrage of melodic black metal, while Burning Shadows in the Southern Night (2023) ups the ante with 47 minutes of stronger, more polished material. Necrofier’s (lone?) star seems to be on the rise since Decibel 2024, as their third album arrives on the mighty Metal Blade Records. Also on the rise are the band’s ambitions; Transcend into Oblivion spreads three three-songs suites and an eponymous closing track across a hefty 59 minutes. Everything is bigger in Texas, sure, but bigger doesn’t always mean better (or good).

Perhaps due to their sweltering abode, Necrofier draws black metal sustenance from the shivering environs of Scandinavia. Dissection is certainly an immediate reference point, if they excised the excursions into folky melodeath. Necrofier’s preferred melodicism swirls as a maelstrom of mobile power chords by guitarists Bakka and Semir Özerkan, propelled by the dexterous drumming of Dobber Beverly.2 The influence of Watain also feels present, especially since Bakka’s rasp sounds quite a bit like E. And early Emperor reigns here as well, before they fully unbound Prometheus. Violins, synthesizers, and harpsichords are felt more than heard outright, balancing a sweet spot production-wise à la Anthems to the Welkin at Dusk. On the unfortunate side of the production is bassist Mat Valentine, who gets lost in the shuffle. Nevertheless, Transcend into Oblivion consistently delivers quality black metal that is melodic but dangerous.

Transcend into Oblivion by Necrofier

Transcend into Oblivion progresses as three suites, each comprised of three songs. Together, they narrate a ‘Luciferian Night of the Dark Soul’: a spiritual awakening incites torment that ultimately engenders rebirth. Individually, they mostly play out as a collection of thematically-linked songs. “Fires of the Apocalypse, Light My Path” immediately kicks the door in (“Fires…I”) before kicking the door in again (“Fires…II”) and again—”Fires…III” is the strongest of the trio, but the listener begins wondering why these songs are presented as holistic units. The “Servants of Darkness, Guide My Way” trilogy comes closest to reaching suiteness. “Servants…I” starts with one of the album’s gnarliest trem riffs, “Servants…II” cools things down with an extended acoustic passage, and “Servants III” delightfully dips into doomy Middle-Eastern territory before black-metal blastoff. As for the “Horns of Destruction, Lift My Blade” triumvirate, it adds variety with d-beats, chunkier riffs, and a gong, but it feels like more of the same this deep into the album. There’s no real filler amongst the suites, but there aren’t any thrilling peaks either.

Keeping with their spiritualism, Necrofier nests numerology into Transcend into Oblivion, punctuating its three-song threesome with three instrumentals. For the most part, they effectively break up the black metal action. On the heels of the opening “Fires” suite, “Behold, the Birth of Ascension” conveys the onset of (re)birth pangs. Repurposing a melody from “Fires…III” with creepy bells and macabre piano, it cleverly inverts the typical function of an interlude, segueing out of a song rather than into one. More in the typical interlude camp is “Mystical Creation of Enlightenment.” Its Spanish-sounding acoustic plucks make for a soothing shift out of the savage “Servants” suite, while its ending modulation prefigures the ornery onset of the “Horns” suite. Oddly enough, it’s the eponymous instrumental that feels superfluous. “Toward the Necrofier” concludes the album with ominous space synths, incantatory spoken word, and tribal rhythms. “Horns…III,” however, ends with its own climax and a piano denouement, which makes the final instrumental feel like a coda to an album that doesn’t need more closure.

“Toward the Necrofier” does function as a serviceable springboard for a second spin of Transcend into Oblivion, an album which I ultimately recommend. It makes sense that Necrofier would cap off a work about rebirth with an eponymous song distilling the more unique elements of their sound. While Necrofier don’t fully realize their conceptual ambition, Transcend into Oblivion is sweet stuff regardless, demonstrating lots of promise for future outings. Black metal zealots of all stripes should strongly consider messing with these Texans.

Rating: 3.0/5.0
DR: 8 | Format Reviewed:256 kbps mp3
Label: Metal Blade Records
Websites: Bandcamp | Instagram | Facebook
Releases Worldwide: February 27th, 2026

Houston’s Necrofier first came on my radar when they played the 2024 Decibel Magazine Tour with Hulder, Devil Master, and Worm. Sadly, I missed their opening set, but gladly, I caught a recording of it on YouTube.1 Their raucous, crowd-pleasing performance compelled me to check out their recordings. At 36 minutes, debut Prophecies of Eternal Darkness (2021) is a lean, mean barrage of melodic black metal, while Burning Shadows in the Southern Night (2023) ups the ante with 47 minutes of stronger, more polished material. Necrofier’s (lone?) star seems to be on the rise since Decibel 2024, as their third album arrives on the mighty Metal Blade Records. Also on the rise are the band’s ambitions; Transcend into Oblivion spreads three three-songs suites and an eponymous closing track across a hefty 59 minutes. Everything is bigger in Texas, sure, but bigger doesn’t always mean better (or good).

Perhaps due to their sweltering abode, Necrofier draws black metal sustenance from the shivering environs of Scandinavia. Dissection is certainly an immediate reference point, if they excised the excursions into folky melodeath. Necrofier’s preferred melodicism swirls as a maelstrom of mobile power chords by guitarists Bakka and Semir Özerkan, propelled by the dexterous drumming of Dobber Beverly.2 The influence of Watain also feels present, especially since Bakka’s rasp sounds quite a bit like E. And early Emperor reigns here as well, before they fully unbound Prometheus. Violins, synthesizers, and harpsichords are felt more than heard outright, balancing a sweet spot production-wise à la Anthems to the Welkin at Dusk. On the unfortunate side of the production is bassist Mat Valentine, who gets lost in the shuffle. Nevertheless, Transcend into Oblivion consistently delivers quality black metal that is melodic but dangerous.

Transcend into Oblivion by Necrofier

Transcend into Oblivion progresses as three suites, each comprised of three songs. Together, they narrate a ‘Luciferian Night of the Dark Soul’: a spiritual awakening incites torment that ultimately engenders rebirth. Individually, they mostly play out as a collection of thematically-linked songs. “Fires of the Apocalypse, Light My Path” immediately kicks the door in (“Fires…I”) before kicking the door in again (“Fires…II”) and again—”Fires…III” is the strongest of the trio, but the listener begins wondering why these songs are presented as holistic units. The “Servants of Darkness, Guide My Way” trilogy comes closest to reaching suiteness. “Servants…I” starts with one of the album’s gnarliest trem riffs, “Servants…II” cools things down with an extended acoustic passage, and “Servants III” delightfully dips into doomy Middle-Eastern territory before black-metal blastoff. As for the “Horns of Destruction, Lift My Blade” triumvirate, it adds variety with d-beats, chunkier riffs, and a gong, but it feels like more of the same this deep into the album. There’s no real filler amongst the suites, but there aren’t any thrilling peaks either.

Keeping with their spiritualism, Necrofier nests numerology into Transcend into Oblivion, punctuating its three-song threesome with three instrumentals. For the most part, they effectively break up the black metal action. On the heels of the opening “Fires” suite, “Behold, the Birth of Ascension” conveys the onset of (re)birth pangs. Repurposing a melody from “Fires…III” with creepy bells and macabre piano, it cleverly inverts the typical function of an interlude, segueing out of a song rather than into one. More in the typical interlude camp is “Mystical Creation of Enlightenment.” Its Spanish-sounding acoustic plucks make for a soothing shift out of the savage “Servants” suite, while its ending modulation prefigures the ornery onset of the “Horns” suite. Oddly enough, it’s the eponymous instrumental that feels superfluous. “Toward the Necrofier” concludes the album with ominous space synths, incantatory spoken word, and tribal rhythms. “Horns…III,” however, ends with its own climax and a piano denouement, which makes the final instrumental feel like a coda to an album that doesn’t need more closure.

“Toward the Necrofier” does function as a serviceable springboard for a second spin of Transcend into Oblivion, an album which I ultimately recommend. It makes sense that Necrofier would cap off a work about rebirth with an eponymous song distilling the more unique elements of their sound. While Necrofier don’t fully realize their conceptual ambition, Transcend into Oblivion is sweet stuff regardless, demonstrating lots of promise for future outings. Black metal zealots of all stripes should strongly consider messing with these Texans.

Rating: 3.0/5.0
DR: 8 | Format Reviewed:256 kbps mp3
Label: Metal Blade Records
Websites: Bandcamp | Instagram | Facebook
Releases Worldwide: February 27th, 2026

12.06.2026 Zappenduster Festival, Sputnikhalle

#zappendusterfestival #sputnikhalle

#Kampfar #Moonlight Sorcery #Secrets of the Moon #Desaster #Hulder #AbigailWilliams #Heretoir #MidnightOdyssey #Enisum #PonteDelDiavolo #Hæresis #BoötesVoid #Mýrdal #Wesen #Teufelnacht

Labor Day edition. https://hulder.bandcamp.com/album/a-beacon-from-darkened-skies #Hulder #BlackMetalMonday

Labor Day edition. https://hulder.bandcamp.com/album/a-beacon-from-darkened-skies #Hulder #BlackMetalMonday

HULDER (Estats Units) presenta nou EP: "A Beacon From Darkened Skies" #Hulder #BlackMetal #Agost2025 #EstatsUnits #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

The Infernal Deceit – The True Harmful Black Review

By Alekhines Gun

In a year that already looks to be filled with heady pomp and artistry, there’s something to be appreciated about some straightforwardness in back-to-basics. You don’t always need the ultra highbrow and thought-provoking violence – sometimes you just want to throw on an album and veg out. Such wants prompted my newest scourings of the promo pit for something more immediate, something to get fists pumping and bootie shaking with blackened frowns to be had by all. Answering this call is German duo The Infernal Deceit, a self-described black/death hybrid outfit who are dropping their sophomore effort The True Harmful Black this month. Sporting some admittedly cool artwork and an uncommonly legible logo, I dove in to see what harms await in the promised black.

When The Infernal Deceit put their best foot forward, what results is a fun, riff-centric album with bounce and groove to be found in fair measure. The True Harmful Black slings some congenial black metal of the punky, catchy stylings ala Spectral Wound or Hulder with production pulled straight from the book of modern death metal. This gives moments like the “everybody clap your hands” buildup of “The Great Seducer, The Greatest Deceiver (Dethroned)” and the sprawling melodies of “The Primordial Maze and The Crawling Chaos” some real bop-to-the-nose force without losing the requisite trebly underpinnings. Songs wrapped around neck bobbing hooks demand attention and imply greatness ahead, with no genuine surprises to be found, instead opting for a handful of rote but well-implemented ingredients.

Instead of targeting for all rage all day, The True Harmful Black opts for a melancholy approach as much as a riff-centric one. Vocalist “R” has a suitably gruff bark, straddling the overlap between a blackened shriek and a deathly growl without neatly falling into either category. His somewhat monotone delivery helps the musical presentation, as he sounds at home whether the music blasts or crawls. Multi-instrumentalist “C” offers up a platter of songs which alternate between the expected bpm pushing swipes at Necrophobic melodies while frequently bringing the tempo to a much more somber, mood-drenched drawl. This saves the album from becoming too homogenous despite a bit of an overly familiar palate of riffs and lead stylings. Clean acoustics also litter the album, both as extra instrumentation as well as interlude and closer, offering up a nice flow and easy listening.

The Infernal Deceit peddle an enjoyable sound, but the album doesn’t seek to be much more than that. The constant changing of tempo eventually works against the band, particularly in the back half of the album. The True Harmful Black is at its strongest when bringing the pain (“In the Wilderness of Pernicious Black”), but its quest for atmospheric theatrics robs the riffs of much of their staying power. The clean acoustics are pretty when implemented as instrumental flourishes, but focusing on them robs the album of momentum. Combining that with the aforementioned frequent brake pumping leads to an album that doesn’t flow as much as it stutters. This is a bit disappointing because individual moments hint at some truly good stuff waiting to be unearthed; solos in particular rip and shred with delightful melodic prowess. An album with a filthier mix, more consistent strength in riffs, or some more extremity in the disparaging tempos would create a Deceit that could be Infernal indeed.

The True Harmful Black is a pleasant album, just not a remarkable one. There’s nothing wrong with that; not every album needs to be an earth-heaving, forest-felling, giant slaying leviathan of artistic intent. The Infernal Deceit are a competent pair who can craft solid moments and good melodies, but are still on the prowl for that x factor which will launch them further to stand shoulder to shoulder with their peers. I believe they have better in them, and will certainly check out what their next offering holds for us. For the moment, while certainly not challenging for any end-of-year placements, listeners on the quest for a quick black metal fix could do far worse, and might find some select moments of real harm waiting for them in the depicted black maze above.

Rating: 2.5/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Personal Records
Websites: Official Bandcamp | Official Facebook
Releases Worldwide: April 11th, 2025

#25 #2025 #Apr25 #BlackMetal #DeathMetal #GermanMetal #Hulder #Necrophobic #PersonalRecords #Review #Reviews #SpectralWound #TheInfernalDeceit #TheTrueHarmfulBlack

Trollseil

https://venera.social/display/85a863ed-1267-8d3c-9963-6a7314274241

Hulder was great. Yr was good as well. #blackmetal #vaterland #Oslo #Hulder #Yr #concert #live #metal

@cotillion_89 Good enough bruh, all good. I always love me black metal. Do you dig stuff
like agalloch too? #Neofolk. Watain? Old shit like #Bathory.
#Hulder #Wolvesinthethroneroom

For #BlackMetalMonday by @HailsandAles:

#Hulder: Hearken the End

https://song.link/trtf8d8jzfnfm

#ShampooCommercial

FFO #Pâlefroid #Sühnopfer #Véhémence

I'm not really paying attention to new music this year, but so far looks like my top 5 AOTY list (in chronological order) is gonna be:

#Hulder - Verses in Oath
#KimGordon - The Collective
#BigBrave - A Chaos of Flowers
#BethGibbons - Lives Outgrown
#JulieChristmas - Ridiculous and Full of Blood

Also just saw that there's also a new #MoorMother, so list might be updated real soon...

I'm not really paying attention to new music this year, but so far looks like my top 5 AOTY list (in chronological order) is gonna be:

#Hulder - Verses in Oath
#KimGordon - The Collective
#BigBrave - A Chaos of Flowers
#BethGibbons - Lives Outgrown
#JulieChristmas - Ridiculous and Full of Blood

Also just saw that there's also a new #MoorMother, so list might be updated real soon...

Folklore read live!

Are the trolls of Danish mounds fallen angels?
The unwashed children of Eden?
Or just more wild Hulderfolk?

Hear their tales LIVE right NOW: https://youtube.com/live/ZkfEqdR76WI

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #vancouver #indieWriter #fairy #folklore #folk #tales #stories #GrimmBrothers #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #fantasy #Denmark #Danish #hulder #huldra #trolls

Folklore read live!

Are the trolls of Danish mounds fallen angels?
The unwashed children of Eden?
Or just more wild Hulderfolk?

Hear their tales LIVE right NOW: https://youtube.com/live/ZkfEqdR76WI

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #vancouver #indieWriter #fairy #folklore #folk #tales #stories #GrimmBrothers #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #fantasy #Denmark #Danish #hulder #huldra #trolls

Concert Calendar (3/06-3/10): For Blackened Steel, For the Gloryflame,…It’s All for Heavy Metal. Gloryhammer, Hulder, & more

#ConcertCalendar #Shows #tours #Nightlife #Gloryhammer #Hulder #GWAR

https://metalinsider.net/touring/concert-calendar-3-06-3-10-for-blackened-steel-for-the-gloryflame-its-all-for-heavy-metal-gloryhammer-hulder-more

Folklore read live!

The one who buries you learns a lot of tales.
Maybe he'll tell you them when you're cold and in the soil.

Hear one of Asbjørnsen's best tonight LIVE right NOW: https://youtube.com/live/GHJyFPC1inM

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #vancouver #indieWriter #fairy #folklore #folk #tales #stories #GrimmBrothers #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #german #fantasy #grave #gravedigger #Asbjørnsen #hulder

Folklore read live!

The one who buries you learns a lot of tales.
Maybe he'll tell you them when you're cold and in the soil.

Hear one of Asbjørnsen's best tonight LIVE right NOW: https://youtube.com/live/GHJyFPC1inM

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #vancouver #indieWriter #fairy #folklore #folk #tales #stories #GrimmBrothers #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #german #fantasy #grave #gravedigger #Asbjørnsen #hulder

#TheMetalDogArticleList
#MetalInjection
The Weekly Injection: New Releases From HULDER, CHELSEA WOLFE & More Out Today 2/9
Plus releases from Infected Rain, The Last Ten Seconds of Life, The Pineapple Thief, and Per Wiberg.

https://metalinjection.net/upcoming-releases/heavy-new-releases/the-weekly-injection-new-releases-from-hulder-chelsea-wolfe-more-out-today-2-9

#HeavyNewReleases #Hulder #ChelseaWolfe #Music #NewMusic #MetalMusic #AlbumReleases #FridayRelease #WeeklyInjection #MusicLovers

#TheMetalDogArticleList
#MetalInjection
The Weekly Injection: New Releases From HULDER, CHELSEA WOLFE & More Out Today 2/9
Plus releases from Infected Rain, The Last Ten Seconds of Life, The Pineapple Thief, and Per Wiberg.

https://metalinjection.net/upcoming-releases/heavy-new-releases/the-weekly-injection-new-releases-from-hulder-chelsea-wolfe-more-out-today-2-9

#HeavyNewReleases #Hulder #ChelseaWolfe #Music #NewMusic #MetalMusic #AlbumReleases #FridayRelease #WeeklyInjection #MusicLovers

Folklore read live!

The Hulder Folk are ill-defined spirits born from the chaos of the wilds--NOT just "seductive forest creatures", Wikipedia!

Learn how the Wikipedia entry errs LIVE right NOW: https://youtube.com/live/y22HRg42OE8

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #indieWriter #fairy #folklore #folk #tales #stories #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #norway #huldr #hulder #hulderfolk #eventyr #elves #dwarves #Asbjornsen

Folklore read live!

The Hulder Folk are ill-defined spirits born from the chaos of the wilds--NOT just "seductive forest creatures", Wikipedia!

Learn how the Wikipedia entry errs LIVE right NOW: https://youtube.com/live/y22HRg42OE8

#FairyTaleTuesday #WritingCommunity #storyteller #FairyTale #AmReading #reading #indieWriter #fairy #folklore #folk #tales #stories #dnd #dnd5e #pathfinder #pf2e #ttrpg #fantasy #lotr #norway #huldr #hulder #hulderfolk #eventyr #elves #dwarves #Asbjornsen

Hulder unveils “Vessel of Suffering:” A glimpse into anticipated sophomore record:

#Hulder #VesselOfSuffering #NewMusic #SophomoreRecord #BlackMetal #MetalInsider #20BuckSpin

https://metalinsider.net/new-music/hulder-unveils-vessel-of-suffering-a-glimpse-into-anticipated-sophomore-record

Hulder to headline Decibel Magazine Tour 2024 w/ Worm, Devil Master & Necrofier:

#Hulder #DecibelMagazineTour #MetalTour2024 #Worm #DevilMaster #Necrofier #LiveMusicEvents #MetalInsider

https://metalinsider.net/touring/hulder-to-headline-decibel-magazine-tour-2024-w-worm-devil-master-necrofier

Just getting in under the wire with #BandShirtFriday. 🖤

#HULDER

Just getting in under the wire with #BandShirtFriday. 🖤

#HULDER

Even better is that Linda (a metalhead who didn’t really know what this was, and had a feeling it was gonna be dumb) absolutely LOVED it – #Hulder especially. ☺️

Even better is that Linda (a metalhead who didn’t really know what this was, and had a feeling it was gonna be dumb) absolutely LOVED it – #Hulder especially. ☺️

Shirt categories at the show:

1. This is my only metal-adjacent garment.
2. I smoke a shit ton of weed .
3. Cascadian black metal 🖤

#metalshirts #hulder #wittr

Well, #Hulder absolutely destroyed the room tonight – first night of a national tour with #WITTR. Can hardly imagine how many new fans she’s gonna pick up. 😍

#NowPlaying
#DunkleIsNowPlaying 🎶

Creature of Demonic Majesty
by HULDER

#Hulder
#BenightedInBlood
#BlackMetal
#music

Listen here: https://song.link/https://music.apple.com/us/album/creature-of-demonic-majesty/1549406340?i=1549406342&uo=4&app=music
🤘
Check the band out at https://hulder.bandcamp.com/

Keeping it local with #Hulder!

#BandShirtFriday