#saxon — Public Fediverse posts

Cemented upon rebellious ideals that consistently buck the currents of popularity, the very nature of metal demands change. Yet some bedrocks of metal weather the winds of time and endure: thrash’s inevitable association with denim and cheap beer, OSDM’s obdurate immutability, and power metal’s lactose dependence persist. Yet perhaps none are as eternal as the legacy of traditional heavy metal bearing the banner of trve, and it’s under this standard that Fairfield, Connecticut’s Unknown marches. These Nutmeggers harbor loyalty for the olde school, and although they spice up sophomore full-length Graveyard of Empires with flavors of power and thrash, the overwhelming core of their concoction is one of classic heft. In the end, is it a draught worth quaffing, or a brew better left Unknown?

Though bits of other genres creep into Graveyard of Empires, Unknown’s comparators remain solidly rooted in classic heavy metal. Fans of Iron Maiden will uncover plenty of familiar qualities, especially from their aughts-era output, while Manilla Road and Jag Panzer offer further reference points. Mainly, Unknown operates in soaring mid-tempos that conjure sweeping vistas and epic atmospheres (“Ardennes Offensive,” “Guns of August”). A fair amount of Saxon reveals itself as well, particularly with how Unknown’s guitar work seamlessly oscillates between valiant, lofty leads and straightforward power chords that drive momentum and musical tension. Even amongst these towering touchstones, though, Unknown crafts an identity outside their influences.

Unknown’s music ferries listeners to vibrant landscapes on Graveyard of Empires. Whiffs of Ancient Egypt (“Graveyard of Empires”), galloping western melodrama (“Warrior Ascension”), and tribal paradise (“Land of the Pure”) enrich the record with a wealth of backdrops that feel fleshed out and distinct. The opening triad of “Ardennes Offensive,” “Graveyard of Empires,” and “Guns of August” brim with fiery twin guitars that flit between beautifully built sustains gleaming with majesty and burly riffs that crunch and punch. “Reverie Code” and “Warrior Ascension” likewise crackle with evocative six-string action, and credit to Aamir Syed and Michael Dale for their savvy guitar work on Graveyard. Meanwhile, bassist Andic Salcedo and session drummer Nick Bellmore supply a rock-solid rhythm section, rarely calling attention to themselves but ably girding Unknown’s melodic nucleus while unleashing subtle performances that are easy to miss unless attuned to them.

Despite the many things Unknown does well on Graveyard of Empires, I often find the vocal decisions and deliveries too distracting to enjoy. Given vocalist Matt Fisher’s compelling performance on Unknown’s debut Vanishing Point, the shift in direction is puzzling. Where Fisher’s range mostly dwelt in a comfortable mid-register on Vanishing Point, Graveyard of Empires sees him deploy many more falsettos across the album (“Guns of August,” “I Am Death,” “On the Edge of Peace”). Fisher clearly has talent, but his upper reaches undercut performances when he pushes his deliveries past the brink of his ability to control them, which is a real shame because when he drops into a lower range or growls, things work much better (“Ardennes Offensive,” “Graveyard of Empires”). On Vanishing Point, Fisher did a swell job with the top rungs of his vocal range, particularly on tracks “Where Men Find Glory” and “Mission No. 84”, so the miss here is especially perplexing. More positively the bright mix sparkles, enabling guitars and drums to strut their stuff. Additionally, the runtime packs an avalanche of riffs and aural panoramas into just forty minutes.

Broadly speaking, there tend to be two types of Mixed albums in my mind. The first can be characterized by records that are generally fine and do most things right without kindling enough interest for higher engagement. The second involves LPs that boast a higher ceiling but accommodate a flaw too glaring to look past. Graveyard of Empires falls squarely into this latter camp with a baffling foible that eluded Unknown’s debut. Still, the band does so much right on every other front that I have faith they’ll smooth out the kinks next time around. Until then, I’ll revisit some of these tracks on occasion and leave the rest in the Graveyard.

Rating: Mixed
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: September 4th, 2026

SAXON summon the “Gods of Thunder” on powerful new single

https://voiceofnoir.com/2026/09/11/saxon-summon-the-gods-of-thunder-on-powerful-new-single/

Macron and King Charles hail UK-France ties at Bayeux Tapestry viewing

It was the highlight of Emmanuel Macron’s two-day visit to the United Kingdom, which began on Wednesday: the…
#France #FR #Europe #EU #1066 #Anglo-Saxon #British #Burnham #CharlesIII #emmanuelmacron #EmmanuelMacron's #England #European #French #July #July2025 #KingHarold'sAnglo-Saxon #London #Macron #Norman #queencamilla #relations" #Saxon #Ukraine #wednesday #william
https://www.europesays.com/france/73378/

https://www.europesays.com/uk/1183349/ Macron and King Charles hail UK-France ties at Bayeux Tapestry viewing #1066 #AngloSaxon #Britain #British #Burnham #CharlesIII #EmmanuelMacron #EmmanuelMacron's #England #European #France #french #GreatBritain #july #July2025 #KingHarold'sAngloSaxon #london #Macron #norman #NorthernIreland #QueenCamilla #Relations #Saxon #Scotland #UK #Ukraine #UnitedKingdom #Wales #wednesday #William

Macron and King Charles hail UK-France ties at Bayeux Tapestry viewing

It was the highlight of Emmanuel Macron’s two-day visit to the United Kingdom, which began on Wednesday: the…
#France #FR #Europe #EU #1066 #Anglo-Saxon #British #Burnham #CharlesIII #emmanuelmacron #EmmanuelMacron's #England #European #French #July #July2025 #KingHarold'sAnglo-Saxon #London #Macron #Norman #queencamilla #relations" #Saxon #Ukraine #wednesday #william
https://www.europesays.com/france/73167/

https://www.europesays.com/people/212129/ Macron and King Charles hail UK-France ties at Bayeux Tapestry viewing #1066 #AngloSaxon #british #Burnham #CharlesIII #EmmanuelMacron #EmmanuelMacron's #England #european #France #French #july #July2025 #KingHarold'sAngloSaxon #London #macron #Norman #QueenCamilla #relations #Saxon #Ukraine #wednesday #William

Ear to the Irminsul

https://vianegativa6.wordpress.com/2026/06/04/ear-to-the-irminsul/

Ear to the Irminsul

https://vianegativa6.wordpress.com/2026/06/04/ear-to-the-irminsul/

Ear to the Irminsul

https://vianegativa6.wordpress.com/2026/06/04/ear-to-the-irminsul/

Ear to the Irminsul

https://vianegativa6.wordpress.com/2026/06/04/ear-to-the-irminsul/

Ear to the Irminsul

https://vianegativa6.wordpress.com/2026/06/04/ear-to-the-irminsul/

Banshees

A banshee (Bean si in Modern Irish & ben side, in Old Irish, meaning “woman of the fairy mound,” or “fairy woman”) is a female spirit in Irish folklore who heralds the death of a family member. She usually does this by screaming, wailing, shrieking, or keening. Keening is a traditional form of vocal lament for the dead in the Gaelic Celtic tradition. This is known to have taken place in Ireland & Scotland.

Banshees are strongly associated with specific Irish families. The belief is that the banshee is a family spirit attached to a particular lineage. Her mournful wail/cry is heard only by family members as a warning of an imminent death.

Another of the banshee characteristics is their unwavering attachment to certain Gaelic families such as the O’Neills, O’Brians, O’Connors, O’Grady, & Kavanaghs, among others. Some traditions hold that the banshee is the ghost. This is perhaps a mother of a famous poet/singer from the family who died tragically. In this sense, she’s an ancestral spirit tied to the bloodline & the land.

She appears or is heard only to mourn & warn the family of an impending death. Often before anyone has received news of it. This direct, specific role makes her an inherently familiar guardian or omen for that clan/family.

They aren’t family pets, the banshees presence is a known, if terrifying, part of the family’s history & destiny, linking her fate to theirs across generations.

A banshee is an autonomous entity, a powerful fairy-woman (bean sidhe) or ghost, isn’t under the control of any living person.

Sometimes she has long streaming hair, which she may be seen combing, with some legends specifying she can only be keen while combing her hair. She wears a gray cloak over a green dress. Her eyes are red from continual weeping. She’s sometimes dressed in white with red hair & a ghastly complexion.

In Ireland & parts of Scotland, a traditional part of mourning is the keening woman (bean chaointe), who wails a lament. This keening woman may be a professional, in some cases. The best Keeners would be in high demand.

Irish legends talks about a lament being sung by a fairy woman, or banshee. She would sing it when a family member died or was about to die. Even if the person had died far away & news of their death hasn’t come yet. In those cases, her wailing would be the 1st warning the household had of the death.

The banshee is also a predictor of death. If someone is about to enter a situation where it’s unlikely they’ll come out alive, she’ll warn people by screaming/wailing. This gives rise to the banshee also being known as a wailing woman. The banshee was also linked with the death coach. The banshee is said to either summon the death coach with her keening or travel in tandem with it.

When several banshees show up at 1 time, it usually indicates the death of someone holy or great. The story sometimes tells that the woman (though called a fairy) was a ghost. She’s often a specific murdered woman, or a man who passed away in childbirth.

In some parts of Leinster, she’s referred to as the bean chaointe or ban nigheachain (“little washerwoman”) or nigheag na h-ath (“little washer at the ford”). She’s seen washing bloodstained clothes or armor of those who are about to die.

In Welsh folklore, there’s also a similar being known as the cyhyraeth. The cyhyraeth gives a disembodied moaning voice before the person’s passing.

Some sources suggest that the banshees Laments only the descendants of pure Milesian stock of Ireland. The Milesians were the final race to settle in Ireland. The original belief appears to be associated with a number of ancient Irish families. According to tradition, a banshee wouldn’t lament or visit someone of Saxon or Norman descent or those who came to Ireland later.

Most, not all, of the last names associated with banshees have the “O” or “Mc/Mac” prefix. That means people with the last names of Goidelic origin. This means a family native to the Insular Celtic lands. Rather than those of the Norse, Anglo-Saxon, or Norman.

There are some exceptions to the banshee lore. A banshee may lament a person who’s been gifted with music & song.

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Mit dem Besuch auf Muskelrock in Schweden haben @Spitzbuebin und ich uns ein kleines Träumchen erfüllt.

Einziger Nachteil: Unsere Messlatte für Festivals hängt jetzt einen ganzen Meter höher.

Alle Eindrücke hier: https://andwil.de/weblog/muskelrock-2025

#metal #muskelrock #festival #electriceelshock #seax #helvetesport #templar #saxon #ambush #bronze #agusa #covenjapan #tonnerre #ridersofrohan #stallion #enforcer #castlerat #sabbat #midnatt #sanhedrin #airraid #smoulder #metalucifer #savagemaster