#smoulder — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #smoulder, aggregated by home.social.
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Gestern konnte ich endlich mal #Smoulder #live erleben - das stand schon etwas länger auf der Konzertwunschliste. Ihren Stil bezeichnen sie als „Arcane Power Doom“ und genau wie eine arkane Magierin agiert Sarah ausdrucksstark auf der Bühne.
Ebenso habe ich mich über #MegatonSword gefreut - für mich derzeit der Inbegriff des #epic #metal überhaupt.
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Gestern konnte ich endlich mal #Smoulder #live erleben - das stand schon etwas länger auf der Konzertwunschliste. Ihren Stil bezeichnen sie als „Arcane Power Doom“ und genau wie eine arkane Magierin agiert Sarah ausdrucksstark auf der Bühne.
Ebenso habe ich mich über #MegatonSword gefreut - für mich derzeit der Inbegriff des #epic #metal überhaupt.
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Gestern konnte ich endlich mal #Smoulder #live erleben - das stand schon etwas länger auf der Konzertwunschliste. Ihren Stil bezeichnen sie als „Arcane Power Doom“ und genau wie eine arkane Magierin agiert Sarah ausdrucksstark auf der Bühne.
Ebenso habe ich mich über #MegatonSword gefreut - für mich derzeit der Inbegriff des #epic #metal überhaupt.
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Treff' ich morgen jemanden vom #metalheadclub bei #Smoulder, #MegatonSword & #Crom in #Landshut?
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Treff' ich morgen jemanden vom #metalheadclub bei #Smoulder, #MegatonSword & #Crom in #Landshut?
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Treff' ich morgen jemanden vom #metalheadclub bei #Smoulder, #MegatonSword & #Crom in Landshut?
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Treff' ich morgen jemanden vom #metalheadclub bei #Smoulder, #MegatonSword & #Crom in #Landshut?
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Treff' ich morgen jemanden vom #metalheadclub bei #Smoulder, #MegatonSword & #Crom in Landshut?
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#EpicMetal mit feministischer Perspektive und ein irisches Rauhbein. Der Abend im Keiler war mal wieder sehr besonders. Und die Musik war ja auch noch gut.
https://www.gig-blog.net/2025/12/20/smoulder-dread-sovereign-17-12-2025-schwarzer-keiler-stuttgart/
#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal #Smoulder #DreadSovereign #GrendelsSyster #Stuttgart #SchwarzerKeiler
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#EpicMetal mit feministischer Perspektive und ein irisches Rauhbein. Der Abend im Keiler war mal wieder sehr besonders. Und die Musik war ja auch noch gut.
https://www.gig-blog.net/2025/12/20/smoulder-dread-sovereign-17-12-2025-schwarzer-keiler-stuttgart/
#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal #Smoulder #DreadSovereign #GrendelsSyster #Stuttgart #SchwarzerKeiler
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#EpicMetal mit feministischer Perspektive und ein irisches Rauhbein. Der Abend im Keiler war mal wieder sehr besonders. Und die Musik war ja auch noch gut.
https://www.gig-blog.net/2025/12/20/smoulder-dread-sovereign-17-12-2025-schwarzer-keiler-stuttgart/
#Konzert #Konzertbericht #Concert #LiveMusic #LiveMusik #Konzertfotografie #ConcertPhotography #Metal #Smoulder #DreadSovereign #GrendelsSyster #Stuttgart #SchwarzerKeiler
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https://www.europesays.com/uk/552093/ Bergfried – Romantik III Review #1980s #2025 #3.0 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #Entertainment #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #music #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult #UK #UnitedKingdom
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Bergfried – Romantik III Review
After dropping debut EP Romantik I in 2022 and foll…
#NewsBeep #News #Music #1980s #2025 #3.0 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink-182 #BloodStar #Dragony #Elvenking #Enforcer #Entertainment #EternalChampion #Hardrock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #review #Reviews #RomantikIII #Smoulder #TheCult #UK #UnitedKingdom
https://www.newsbeep.com/uk/246544/ -
Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Mit dem Besuch auf Muskelrock in Schweden haben @Spitzbuebin und ich uns ein kleines Träumchen erfüllt.
Einziger Nachteil: Unsere Messlatte für Festivals hängt jetzt einen ganzen Meter höher.
Alle Eindrücke hier: https://andwil.de/weblog/muskelrock-2025
#metal #muskelrock #festival #electriceelshock #seax #helvetesport #templar #saxon #ambush #bronze #agusa #covenjapan #tonnerre #ridersofrohan #stallion #enforcer #castlerat #sabbat #midnatt #sanhedrin #airraid #smoulder #metalucifer #savagemaster
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Mit dem Besuch auf Muskelrock in Schweden haben @Spitzbuebin und ich uns ein kleines Träumchen erfüllt.
Einziger Nachteil: Unsere Messlatte für Festivals hängt jetzt einen ganzen Meter höher.
Alle Eindrücke hier: https://andwil.de/weblog/muskelrock-2025
#metal #muskelrock #festival #electriceelshock #seax #helvetesport #templar #saxon #ambush #bronze #agusa #covenjapan #tonnerre #ridersofrohan #stallion #enforcer #castlerat #sabbat #midnatt #sanhedrin #airraid #smoulder #metalucifer #savagemaster
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Mit dem Besuch auf Muskelrock in Schweden haben @Spitzbuebin und ich uns ein kleines Träumchen erfüllt.
Einziger Nachteil: Unsere Messlatte für Festivals hängt jetzt einen ganzen Meter höher.
Alle Eindrücke hier: https://andwil.de/weblog/muskelrock-2025
#metal #muskelrock #festival #electriceelshock #seax #helvetesport #templar #saxon #ambush #bronze #agusa #covenjapan #tonnerre #ridersofrohan #stallion #enforcer #castlerat #sabbat #midnatt #sanhedrin #airraid #smoulder #metalucifer #savagemaster
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Mit dem Besuch auf Muskelrock in Schweden haben @Spitzbuebin und ich uns ein kleines Träumchen erfüllt.
Einziger Nachteil: Unsere Messlatte für Festivals hängt jetzt einen ganzen Meter höher.
Alle Eindrücke hier: https://andwil.de/weblog/muskelrock-2025
#metal #muskelrock #festival #electriceelshock #seax #helvetesport #templar #saxon #ambush #bronze #agusa #covenjapan #tonnerre #ridersofrohan #stallion #enforcer #castlerat #sabbat #midnatt #sanhedrin #airraid #smoulder #metalucifer #savagemaster
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Serpent Rider – The Ichor Of Chimaera Review
By Steel Druhm
Steel never gets his fill of old-timey, sword-swinging trve metal. It’s one of the few genres that pulls me away from the rot pit these days, and a break from the reek of putrefaction is always nice. Enter The Ichor Of Chimaera, the debut from Los Angeles-based trvesters Serpent Rider, featuring Brandon Corsair of Houkago Grind Time and Draghkar. Their goal is a convincingly throwback sound and an epic vibe, taking pages from Manilla Road, Brocas Helm, DoomSword, and newer acts like Smoulder. With ample musical chops and solid appreciation for the sounds of past glories, can Serpent Rider tame the snakes of inexperience and triumph over the other trve hordes stalking the wastelands?
Things open in a deceptively low-key way on “Steel is the Answer.” The title would lead one to expect pounding war drums, martial marching, and much chest-thumping bravado, but instead, you’re met by the smooth and decidedly mellow vocals of R. Villar, who operates in a sedate, hypnotic space despite spinning tales of steel conquest and retribution. The supporting music is fully retro, with 80s-centric proto-metal riffs and flashes of glory-seeking harmonies. This creates a bit of a disconnect, but it isn’t bad at all. The war hammers rattle more forcefully on “Radiant,” where the might of trve metal reveals itself, even if the vocals never rise to match the fervor. The album grows stronger as it goes along, with the victorious, valorous (and somewhat liturgical) “Matri Deorum” charging into that sweet spot between Cirith Ungol, Manowar, and DoomSword, and I want to hoist a banner in its honor. This is the stuff that brings Steel to the fightspace.
Other moments of entertaining throwback barbarian fury include “Tyrant’s March,” which is what I expected more of based on the genre and promo language. This is more like all thunderous war galloping and ravaging, and I’m here for it. Closer “In Spring” changes things up with bouncy NWoBHM riffs that eventually merge into blackened terms and frantic blastbeats. This is an ingredient they should have mixed throughout the entire Manocake for added thrills and kills. There are a few stumbles on the way to Helm’s Deep, however. The title track is a decent enough 5-minute song stretched on the Rack of Elongation to an unwieldy 7-plus minutes, and it gets tiresome before it retreats. “The Hero’s Spirit” suffers a different fate, opting for a quasi-Goth doom sound that recalls Within Temptation, but doesn’t quite come together. At a crisp 36:11 minutes, most of The Ichor of Chimaera goes down pretty easily like ice-cold Night Train. The production is warm and appropriately retro, with a certain Cirith Ungol-esque clang and clomp I appreciate.
Though a vocalist can often be the guiding force for a trve metal act, in the case of Serpent Rider, it’s the fretboard acumen of Paul Gelbach and Brandon Corsair that fills the sails and cracks the whips. They run through a variety of old time influences along the way, like Cirith Ungol, Helstar, and Manilla Road, and they know exactly the sound and vibe they want to invoke. They’re adept at creating 80s-centric soundscapes and bring a goodly amount of heat to the forge. R Villar is an interesting frontwoman. Her smooth, laconic delivery is pleasant but feels out of place on songs that sound like they were made for battle and heroics, and the music cries out for more passion and invective. Her laid back approach works better on the slower, doomy cuts like the title track, but I still want MOAR oomph from her. She seems unwilling to take things into a more forceful gear, even on the aggressive cuts like “Radiant” and “In Spring.” This makes me long for Tower’s Sarabeth Linden to show up and roar against the dying of the light.
Serpent Rider exist inside the trve wheelhouse of Steel, and I enjoy what they do on The Ichor Of Chimaera. I just wish they brought more swords to the slaughter and fewer Gothic sleepytime lullabies. There’s plenty to like here, and a few keepers to honor in the Playlists of Titans. They just need to dial the trveness up a few more notches if you hope to curry favor with the Lords of Metal on Mount Crom. Hoard the damn swords, people. HOARD THEM!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: serpentrider.bandcamp.com | facebook.com/serpentriderband | instagram.com/serpentriderofficial
Releases Worldwide: March 28th, 2025#2025 #30 #AmericanMetal #CirithUngol #DoomMetal #HeavyMetal #HoukagoGrindTime #ManillaRoad #Mar25 #NoRemorseRecords #Review #Reviews #SerpentRider #Smoulder #TheIchorOfChimaera #TrueMetal
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Serpent Rider – The Ichor Of Chimaera Review
By Steel Druhm
Steel never gets his fill of old-timey, sword-swinging trve metal. It’s one of the few genres that pulls me away from the rot pit these days, and a break from the reek of putrefaction is always nice. Enter The Ichor Of Chimaera, the debut from Los Angeles-based trvesters Serpent Rider, featuring Brandon Corsair of Houkago Grind Time and Draghkar. Their goal is a convincingly throwback sound and an epic vibe, taking pages from Manilla Road, Brocas Helm, DoomSword, and newer acts like Smoulder. With ample musical chops and solid appreciation for the sounds of past glories, can Serpent Rider tame the snakes of inexperience and triumph over the other trve hordes stalking the wastelands?
Things open in a deceptively low-key way on “Steel is the Answer.” The title would lead one to expect pounding war drums, martial marching, and much chest-thumping bravado, but instead, you’re met by the smooth and decidedly mellow vocals of R. Villar, who operates in a sedate, hypnotic space despite spinning tales of steel conquest and retribution. The supporting music is fully retro, with 80s-centric proto-metal riffs and flashes of glory-seeking harmonies. This creates a bit of a disconnect, but it isn’t bad at all. The war hammers rattle more forcefully on “Radiant,” where the might of trve metal reveals itself, even if the vocals never rise to match the fervor. The album grows stronger as it goes along, with the victorious, valorous (and somewhat liturgical) “Matri Deorum” charging into that sweet spot between Cirith Ungol, Manowar, and DoomSword, and I want to hoist a banner in its honor. This is the stuff that brings Steel to the fightspace.
Other moments of entertaining throwback barbarian fury include “Tyrant’s March,” which is what I expected more of based on the genre and promo language. This is more like all thunderous war galloping and ravaging, and I’m here for it. Closer “In Spring” changes things up with bouncy NWoBHM riffs that eventually merge into blackened terms and frantic blastbeats. This is an ingredient they should have mixed throughout the entire Manocake for added thrills and kills. There are a few stumbles on the way to Helm’s Deep, however. The title track is a decent enough 5-minute song stretched on the Rack of Elongation to an unwieldy 7-plus minutes, and it gets tiresome before it retreats. “The Hero’s Spirit” suffers a different fate, opting for a quasi-Goth doom sound that recalls Within Temptation, but doesn’t quite come together. At a crisp 36:11 minutes, most of The Ichor of Chimaera goes down pretty easily like ice-cold Night Train. The production is warm and appropriately retro, with a certain Cirith Ungol-esque clang and clomp I appreciate.
Though a vocalist can often be the guiding force for a trve metal act, in the case of Serpent Rider, it’s the fretboard acumen of Paul Gelbach and Brandon Corsair that fills the sails and cracks the whips. They run through a variety of old time influences along the way, like Cirith Ungol, Helstar, and Manilla Road, and they know exactly the sound and vibe they want to invoke. They’re adept at creating 80s-centric soundscapes and bring a goodly amount of heat to the forge. R Villar is an interesting frontwoman. Her smooth, laconic delivery is pleasant but feels out of place on songs that sound like they were made for battle and heroics, and the music cries out for more passion and invective. Her laid back approach works better on the slower, doomy cuts like the title track, but I still want MOAR oomph from her. She seems unwilling to take things into a more forceful gear, even on the aggressive cuts like “Radiant” and “In Spring.” This makes me long for Tower’s Sarabeth Linden to show up and roar against the dying of the light.
Serpent Rider exist inside the trve wheelhouse of Steel, and I enjoy what they do on The Ichor Of Chimaera. I just wish they brought more swords to the slaughter and fewer Gothic sleepytime lullabies. There’s plenty to like here, and a few keepers to honor in the Playlists of Titans. They just need to dial the trveness up a few more notches if you hope to curry favor with the Lords of Metal on Mount Crom. Hoard the damn swords, people. HOARD THEM!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: serpentrider.bandcamp.com | facebook.com/serpentriderband | instagram.com/serpentriderofficial
Releases Worldwide: March 28th, 2025#2025 #30 #AmericanMetal #CirithUngol #DoomMetal #HeavyMetal #HoukagoGrindTime #ManillaRoad #Mar25 #NoRemorseRecords #Review #Reviews #SerpentRider #Smoulder #TheIchorOfChimaera #TrueMetal
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Serpent Rider – The Ichor Of Chimaera Review
By Steel Druhm
Steel never gets his fill of old-timey, sword-swinging trve metal. It’s one of the few genres that pulls me away from the rot pit these days, and a break from the reek of putrefaction is always nice. Enter The Ichor Of Chimaera, the debut from Los Angeles-based trvesters Serpent Rider, featuring Brandon Corsair of Houkago Grind Time and Draghkar. Their goal is a convincingly throwback sound and an epic vibe, taking pages from Manilla Road, Brocas Helm, DoomSword, and newer acts like Smoulder. With ample musical chops and solid appreciation for the sounds of past glories, can Serpent Rider tame the snakes of inexperience and triumph over the other trve hordes stalking the wastelands?
Things open in a deceptively low-key way on “Steel is the Answer.” The title would lead one to expect pounding war drums, martial marching, and much chest-thumping bravado, but instead, you’re met by the smooth and decidedly mellow vocals of R. Villar, who operates in a sedate, hypnotic space despite spinning tales of steel conquest and retribution. The supporting music is fully retro, with 80s-centric proto-metal riffs and flashes of glory-seeking harmonies. This creates a bit of a disconnect, but it isn’t bad at all. The war hammers rattle more forcefully on “Radiant,” where the might of trve metal reveals itself, even if the vocals never rise to match the fervor. The album grows stronger as it goes along, with the victorious, valorous (and somewhat liturgical) “Matri Deorum” charging into that sweet spot between Cirith Ungol, Manowar, and DoomSword, and I want to hoist a banner in its honor. This is the stuff that brings Steel to the fightspace.
Other moments of entertaining throwback barbarian fury include “Tyrant’s March,” which is what I expected more of based on the genre and promo language. This is more like all thunderous war galloping and ravaging, and I’m here for it. Closer “In Spring” changes things up with bouncy NWoBHM riffs that eventually merge into blackened terms and frantic blastbeats. This is an ingredient they should have mixed throughout the entire Manocake for added thrills and kills. There are a few stumbles on the way to Helm’s Deep, however. The title track is a decent enough 5-minute song stretched on the Rack of Elongation to an unwieldy 7-plus minutes, and it gets tiresome before it retreats. “The Hero’s Spirit” suffers a different fate, opting for a quasi-Goth doom sound that recalls Within Temptation, but doesn’t quite come together. At a crisp 36:11 minutes, most of The Ichor of Chimaera goes down pretty easily like ice-cold Night Train. The production is warm and appropriately retro, with a certain Cirith Ungol-esque clang and clomp I appreciate.
Though a vocalist can often be the guiding force for a trve metal act, in the case of Serpent Rider, it’s the fretboard acumen of Paul Gelbach and Brandon Corsair that fills the sails and cracks the whips. They run through a variety of old time influences along the way, like Cirith Ungol, Helstar, and Manilla Road, and they know exactly the sound and vibe they want to invoke. They’re adept at creating 80s-centric soundscapes and bring a goodly amount of heat to the forge. R Villar is an interesting frontwoman. Her smooth, laconic delivery is pleasant but feels out of place on songs that sound like they were made for battle and heroics, and the music cries out for more passion and invective. Her laid back approach works better on the slower, doomy cuts like the title track, but I still want MOAR oomph from her. She seems unwilling to take things into a more forceful gear, even on the aggressive cuts like “Radiant” and “In Spring.” This makes me long for Tower’s Sarabeth Linden to show up and roar against the dying of the light.
Serpent Rider exist inside the trve wheelhouse of Steel, and I enjoy what they do on The Ichor Of Chimaera. I just wish they brought more swords to the slaughter and fewer Gothic sleepytime lullabies. There’s plenty to like here, and a few keepers to honor in the Playlists of Titans. They just need to dial the trveness up a few more notches if you hope to curry favor with the Lords of Metal on Mount Crom. Hoard the damn swords, people. HOARD THEM!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: serpentrider.bandcamp.com | facebook.com/serpentriderband | instagram.com/serpentriderofficial
Releases Worldwide: March 28th, 2025#2025 #30 #AmericanMetal #CirithUngol #DoomMetal #HeavyMetal #HoukagoGrindTime #ManillaRoad #Mar25 #NoRemorseRecords #Review #Reviews #SerpentRider #Smoulder #TheIchorOfChimaera #TrueMetal
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Serpent Rider – The Ichor Of Chimaera Review
By Steel Druhm
Steel never gets his fill of old-timey, sword-swinging trve metal. It’s one of the few genres that pulls me away from the rot pit these days, and a break from the reek of putrefaction is always nice. Enter The Ichor Of Chimaera, the debut from Los Angeles-based trvesters Serpent Rider, featuring Brandon Corsair of Houkago Grind Time and Draghkar. Their goal is a convincingly throwback sound and an epic vibe, taking pages from Manilla Road, Brocas Helm, DoomSword, and newer acts like Smoulder. With ample musical chops and solid appreciation for the sounds of past glories, can Serpent Rider tame the snakes of inexperience and triumph over the other trve hordes stalking the wastelands?
Things open in a deceptively low-key way on “Steel is the Answer.” The title would lead one to expect pounding war drums, martial marching, and much chest-thumping bravado, but instead, you’re met by the smooth and decidedly mellow vocals of R. Villar, who operates in a sedate, hypnotic space despite spinning tales of steel conquest and retribution. The supporting music is fully retro, with 80s-centric proto-metal riffs and flashes of glory-seeking harmonies. This creates a bit of a disconnect, but it isn’t bad at all. The war hammers rattle more forcefully on “Radiant,” where the might of trve metal reveals itself, even if the vocals never rise to match the fervor. The album grows stronger as it goes along, with the victorious, valorous (and somewhat liturgical) “Matri Deorum” charging into that sweet spot between Cirith Ungol, Manowar, and DoomSword, and I want to hoist a banner in its honor. This is the stuff that brings Steel to the fightspace.
Other moments of entertaining throwback barbarian fury include “Tyrant’s March,” which is what I expected more of based on the genre and promo language. This is more like all thunderous war galloping and ravaging, and I’m here for it. Closer “In Spring” changes things up with bouncy NWoBHM riffs that eventually merge into blackened terms and frantic blastbeats. This is an ingredient they should have mixed throughout the entire Manocake for added thrills and kills. There are a few stumbles on the way to Helm’s Deep, however. The title track is a decent enough 5-minute song stretched on the Rack of Elongation to an unwieldy 7-plus minutes, and it gets tiresome before it retreats. “The Hero’s Spirit” suffers a different fate, opting for a quasi-Goth doom sound that recalls Within Temptation, but doesn’t quite come together. At a crisp 36:11 minutes, most of The Ichor of Chimaera goes down pretty easily like ice-cold Night Train. The production is warm and appropriately retro, with a certain Cirith Ungol-esque clang and clomp I appreciate.
Though a vocalist can often be the guiding force for a trve metal act, in the case of Serpent Rider, it’s the fretboard acumen of Paul Gelbach and Brandon Corsair that fills the sails and cracks the whips. They run through a variety of old time influences along the way, like Cirith Ungol, Helstar, and Manilla Road, and they know exactly the sound and vibe they want to invoke. They’re adept at creating 80s-centric soundscapes and bring a goodly amount of heat to the forge. R Villar is an interesting frontwoman. Her smooth, laconic delivery is pleasant but feels out of place on songs that sound like they were made for battle and heroics, and the music cries out for more passion and invective. Her laid back approach works better on the slower, doomy cuts like the title track, but I still want MOAR oomph from her. She seems unwilling to take things into a more forceful gear, even on the aggressive cuts like “Radiant” and “In Spring.” This makes me long for Tower’s Sarabeth Linden to show up and roar against the dying of the light.
Serpent Rider exist inside the trve wheelhouse of Steel, and I enjoy what they do on The Ichor Of Chimaera. I just wish they brought more swords to the slaughter and fewer Gothic sleepytime lullabies. There’s plenty to like here, and a few keepers to honor in the Playlists of Titans. They just need to dial the trveness up a few more notches if you hope to curry favor with the Lords of Metal on Mount Crom. Hoard the damn swords, people. HOARD THEM!
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: No Remorse
Websites: serpentrider.bandcamp.com | facebook.com/serpentriderband | instagram.com/serpentriderofficial
Releases Worldwide: March 28th, 2025#2025 #30 #AmericanMetal #CirithUngol #DoomMetal #HeavyMetal #HoukagoGrindTime #ManillaRoad #Mar25 #NoRemorseRecords #Review #Reviews #SerpentRider #Smoulder #TheIchorOfChimaera #TrueMetal
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🔊 #NowPlaying on #KEXP's #SeekAndDestroy
Smoulder:
🎵 Spellforgerhttps://smoulder.bandcamp.com/track/spellforger
https://open.spotify.com/track/72fsYcmZXv7Xhid1wVJvuR
Please 🔁 BOOST to share what you like
- your followers don't see if you ⭐ favourite a post -
🔊 #NowPlaying on #KEXP's #SeekAndDestroy
Smoulder:
🎵 Spellforgerhttps://smoulder.bandcamp.com/track/spellforger
https://open.spotify.com/track/72fsYcmZXv7Xhid1wVJvuR
Please 🔁 BOOST to share what you like
- your followers don't see if you ⭐ favourite a post -
🔊 #NowPlaying on #KEXP's #SeekAndDestroy
Smoulder:
🎵 Spellforgerhttps://smoulder.bandcamp.com/track/spellforger
https://open.spotify.com/track/72fsYcmZXv7Xhid1wVJvuR
Please 🔁 BOOST to share what you like
- your followers don't see if you ⭐ favourite a post -
🔊 #NowPlaying on #KEXP's #SeekAndDestroy
Smoulder:
🎵 Spellforgerhttps://smoulder.bandcamp.com/track/spellforger
https://open.spotify.com/track/72fsYcmZXv7Xhid1wVJvuR
Please 🔁 BOOST to share what you like
- your followers don't see if you ⭐ favourite a post -
🔊 #NowPlaying on #KEXP's #SeekAndDestroy
Smoulder:
🎵 Spellforgerhttps://smoulder.bandcamp.com/track/spellforger
https://open.spotify.com/track/72fsYcmZXv7Xhid1wVJvuR
Please 🔁 BOOST to share what you like
- your followers don't see if you ⭐ favourite a post -
Da fällt mir ein, ich hab meinen Blog Post zum Steel Held High vor zwei Wochen hier noch gar nicht beworben:
https://andwil.de/weblog/steel-held-high-2024
Spitzenmäßiges Kuchenbüffet mit Musik von #Cherokee, #Smoulder, #Ostrogoth u.m. 😉
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Da fällt mir ein, ich hab meinen Blog Post zum Steel Held High vor zwei Wochen hier noch gar nicht beworben:
https://andwil.de/weblog/steel-held-high-2024
Spitzenmäßiges Kuchenbüffet mit Musik von #Cherokee, #Smoulder, #Ostrogoth u.m. 😉
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Da fällt mir ein, ich hab meinen Blog Post zum Steel Held High vor zwei Wochen hier noch gar nicht beworben:
https://andwil.de/weblog/steel-held-high-2024
Spitzenmäßiges Kuchenbüffet mit Musik von #Cherokee, #Smoulder, #Ostrogoth u.m. 😉
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Ticket geshoppt, Hotel reserviert und grünes Licht von @Spitzbuebin bekommen. Kann losgehen, bin heiß. ✊🏼🍺🤠
#ostrogoth #smoulder #cherokee #vanquisher #writhenhilt #metal #braunschweig
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Ticket geshoppt, Hotel reserviert und grünes Licht von @Spitzbuebin bekommen. Kann losgehen, bin heiß. ✊🏼🍺🤠
#ostrogoth #smoulder #cherokee #vanquisher #writhenhilt #metal #braunschweig
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Ticket geshoppt, Hotel reserviert und grünes Licht von @Spitzbuebin bekommen. Kann losgehen, bin heiß. ✊🏼🍺🤠
#ostrogoth #smoulder #cherokee #vanquisher #writhenhilt #metal #braunschweig
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#12 is from a band fronted by one of my favourite hosts of #BangerTV. I had no idea she had a band. But they are awesome.
So number 12 on my #Top20SongsOfTheYear is...
🎵 Spellforger by #Smoulder
https://song.link/y/Bk-JCVhdTWk
What a great fast paced tune. It has a nice Rock'n'Roll vibe to it.
9/21 #SOTY2023 #TomsMusic
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#12 is from a band fronted by one of my favourite hosts of #BangerTV. I had no idea she had a band. But they are awesome.
So number 12 on my #Top20SongsOfTheYear is...
🎵 Spellforger by #Smoulder
https://song.link/y/Bk-JCVhdTWk
What a great fast paced tune. It has a nice Rock'n'Roll vibe to it.
9/21 #SOTY2023 #TomsMusic
-
#12 is from a band fronted by one of my favourite hosts of #BangerTV. I had no idea she had a band. But they are awesome.
So number 12 on my #Top20SongsOfTheYear is...
🎵 Spellforger by #Smoulder
https://song.link/y/Bk-JCVhdTWk
What a great fast paced tune. It has a nice Rock'n'Roll vibe to it.
9/21 #SOTY2023 #TomsMusic
-
#12 is from a band fronted by one of my favourite hosts of #BangerTV. I had no idea she had a band. But they are awesome.
So number 12 on my #Top20SongsOfTheYear is...
🎵 Spellforger by #Smoulder
https://song.link/y/Bk-JCVhdTWk
What a great fast paced tune. It has a nice Rock'n'Roll vibe to it.
9/21 #SOTY2023 #TomsMusic
-
#12 is from a band fronted by one of my favourite hosts of #BangerTV. I had no idea she had a band. But they are awesome.
So number 12 on my #Top20SongsOfTheYear is...
🎵 Spellforger by #Smoulder
https://song.link/y/Bk-JCVhdTWk
What a great fast paced tune. It has a nice Rock'n'Roll vibe to it.
9/21 #SOTY2023 #TomsMusic
