#blink182 — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #blink182, aggregated by home.social.
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Blink-182's Tom DeLonge Allegedly Showed Trent Reznor a 'Dead Alien' Photo at Foo Fighter Drummer's Wedding
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Compassion always tastes better! 🙏🌱 #quote #veganquote #vegancelebrities #blink182 #travisbarker
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Madi Diaz Backs Immigration Aid Funds With Full Album Cover of Blink-182’s ‘Enema of the State’
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This is one of the best cover albums I’ve heard in a long while. Money goes toward Defending Our Neighbors Fund. Thank you, Madi Diaz!
https://madidiaz.bandcamp.com/album/enema-of-the-garden-state
#madidiaz #blink182 #coversongs #AntiICE #defendingourneighborsfund #protestmusic
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https://www.europesays.com/uk/552093/ Bergfried – Romantik III Review #1980s #2025 #3.0 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #Entertainment #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #music #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult #UK #UnitedKingdom
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Bergfried – Romantik III Review
By Grin Reaper
After dropping debut EP Romantik I in 2022 and follow-up Romantic II in 2023,1 Austrian-Hungarian duo Bergfried rides in on a wave of 80s nostalgia to deliver debut full-length Romantik III. The conclusion of a trilogy, main character Anna (voiced by Anna de Savoy2) tirelessly roams hell in pursuit of her lost lover. During the search, Anna clashes with God and Devil3 in her quest for love reunited. Bergfried and the Romantik series are the creations of Erech von Lothringen, guitarist on Romantik III and mastermind of Narzissus and Ancient Mastery, among others. While his other projects lean toward black metal, Bergfried forges something entirely different—a rock opera. Does Bergfried’s take on the style breathe new life into a tale as old as time, or would it have been kinder to leave it in the past?
If The Dark Crystal and Star Wars-inspired album art doesn’t clue you in, 80s vibes radiate throughout Romantik III, but not in the way I initially expected. Advance single “Queen of the Dead” sizzles with its Smouldering good hooks. Upon hearing it the first time, the promise of polished steel, bulging breastplates, and synth-laden heavy metal really rattled my saber. Listening through the entire album, however, reveals an altogether different beast. Lead track “Dark Wings” takes off with a riff that could easily nestle into The Cult’s Love, and it doesn’t take long to realize that Romantik III doesn’t follow the boot-trodden, retro heavy metal path of Eternal Champion or Blood Star. Instead, Bergfried’s platter favors an intersection of Meatloaf (“Dark Wings”) and Pat Benatar (“Fallen from Grace”).
Romantik III’s success hinges on Anna de Savoy’s performance, and she mostly triumphs alongside von Lothringen and various guests.4 Never satisfied to linger on one sound for too long, Bergfried bears a handful of ballads (“For the Cursed,” “Star-Crossed Love”), 80s pop rock anthems (“Dark Wings,” “Tears of a Thousand Years”), and a touch of pop punk à la Blink-182 (“Serenades,” after the unadorned piano-ballad intro). Throughout the album, Anna de Savoy brandishes her voice to carry the story forward, harnessing an earnest, commanding presence. Unfortunately, her voice falters on a few occasions (the pre-chorus of “Tears of a Thousand Years,” for example), undermining an otherwise tremendous display of heartfelt conviction. The music supports her effectively, with rollicking guitar, synth, and bass undergirding the tale Anna spins without ever pulling attention away from her for too long. The guitar solos warrant praise as well,5 expanding Romantik III’s sonic range with snappy licks and quicker paces to keep things moving.
An organic mix and slick diversity pervade Romantik III’s nine tracks, preventing Bergfried from getting too mired in morose exposition. That said, some of the slower moments undercut the momentum built by preceding ones. In particular, the transition from “Gates of Fate” to “Serenades” dampens impact. The former is a rousing track that yields to a minute-long piano and vocal passage. “Serenades” eventually picks up, but by then the energy has stalled and requires a jump-start. The same issue recurs between “Tears of a Thousand Years” and “Star-Crossed Love.” Ballads can offer moments to expound on important story elements without distraction, and can also be an effective mechanism to control pace. What works against Bergfried in Romantik III, though, is that the best moments are the upbeat ones. Still, the individual track lengths are concise, and an easy-to-digest, forty-four-minute runtime makes replays easy. The mix and master are also perfectly suited to the 80s atmosphere, with bouncy bass and natural drums recalling production predating loudness wars and digitally-enhanced perfection.
Bergfried’s Romantik III does something many bands struggle with by creating a unique vision and sound that leans heavily on influences without aping them. With further refinement, their next project could be something fabulous, but for the time being Bergfried has bestowed listeners with an intriguing and offbeat album. I enjoyed my time with it, yet I’m not sure I’ll return to the Romatik series often. Given the talent and care that went into crafting it, though, I’ll be acutely attuned to whatever adventure these romantiks embark on next.
Rating: Good
DR: 7 | Format Reviewed: 320 kbps mp3
Label: High Roller Records
Websites: Bandcamp | Facebook
Releases Worldwide: October 24th, 2025#1980s #2025 #30 #80sMetal #AncientMastery #Annihilator #AustralianMetal #AustrianMetal #Bergfried #Blink182 #BloodStar #Dragony #Elvenking #Enforcer #EternalChampion #HardRock #HeavyMetal #HighRollerRecords #Meatloaf #Narzissus #Oct25 #PatBenatar #PopRock #RedEyeTemple #Review #Reviews #RomantikIII #Smoulder #TheCult
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Alkaline Trio Release New Single And Video “Bleeding Out” Produced By Travis Barker
Alkaline Trio have unveiled their new single “Bleeding Out,” produced by Blink-182’s Travis Barker and available now on all streaming platforms. The track delivers the Trio’s signature blend of dark lyricism and melodic hooks, driven by explosive rhythms and anthemic choruses. Accompanied by a video directed by Mark Eaton, “Bleeding Out” captures the raw energy of the band in performance. The single follows “Oblivion” as part of a three-song series from their sessions with Barker and Adam Hawkins. A limited-edition vinyl 7-inch is also set for release. Alkaline Trio are currently on tour with Blink-182 across the U.S.
https://youtu.be/Zk5odqEbkII?feature=shared
#ALKALINETRIO #BLINK182 #melodicPunkRock #MUSIC #NEWS #POPPUNK #PUNKROCK #TRAVISBARKER
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Hozier, Blink-182 Headline a Sun-Drenched Sea.Hear.Now 2025
#Music #MusicNews #Blink182 #Hozier -
I just wrapped up this drippy skull fan art poster for Blink-182’s concert happening tonight at Darien Lake Amphitheater near Buffalo, NY! 💀🐇 Created in Procreate and assembled in Photoshop. If you’re a Blink fan, Buffalo local, or someone who loves collecting gig posters, this design is for you. Prints are available now in my shop.
#blink182 #concertposter #buffaloNY #drippyart #gigposter #posterdesign #bandposterart #illustrationartists #punkrockart -
How does our ability to see (or 'catch' a glimpse-of-it) 3i/Atlas (e.g. empirical) bare on #LuisElizondo and #Blink182 Agenda?
Are you buying tix for the girl at the Rock show?
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Review: Monsters of California – “a good Saturday night popcorn flick.” Read it here https://bit.ly/4lzgzA0 by @LordWoolamaloo
Available on Digital Platforms now.
#monstersofcalifornia #film #scifi #TheGoonies #TomDeLonge #Blink182 #CasperVanDien #RichardKind #JackSamson
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Happy Blink 182 Day, everyone! Let the music take you back to those good old days. 🖤 weardjektd.com #july1st2025 #blink182 #celebratemusic #music #musiclover #djektd #ukclothingbrand #shopnow
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Happy Blink 182 Day, everyone! Let the music take you back to those good old days. 🖤 weardjektd.com #july1st2025 #blink182 #celebratemusic #music #musiclover #djektd #ukclothingbrand #shopnow
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Happy Blink 182 Day, everyone! Let the music take you back to those good old days. 🖤 weardjektd.com #july1st2025 #blink182 #celebratemusic #music #musiclover #djektd #ukclothingbrand #shopnow
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Happy Blink 182 Day, everyone! Let the music take you back to those good old days. 🖤 weardjektd.com #july1st2025 #blink182 #celebratemusic #music #musiclover #djektd #ukclothingbrand #shopnow
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Kurze Unterbrechung meiner Auszeit: Ich habe hier 2 Tickets Blink 182-Tribute für dem 27.06.2025 (kommenden Freitag) im Pitcher in Düsseldorf, Originalpreis 28,70 je Karte. Ich kann leider nicht, würde die Karten zusammen abgeben - zu einem Preis, den ihr euch leisten könnt (seid bitte ehrlich, wenn ihr ein Angebot macht).
Hat jemand Interesse? Ich gehe nach Eingang der Meldungen vor, bin aber (wie gesagt) gerade in Social Media-Auszeit, so dass ich vielleicht erst im Laufe des Wochenendes antworte.
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Tom DeLonge has joined WikiTree's expansive family tree! Now, his lineage is part of our shared human history. Dive into his ancestry and connections!
Check it out: https://www.wikitree.com/wiki/DeLonge-13
#TomDeLonge #Blink182 #CollaborativeGenealogy -
I like Blink-182. I’m rooting for them. However, it’s hard not to take “One More Time” and its ‘reunited and it feels so good’ vibe with a grain of salt given the precedent.
#OneMoreTime #Blink182 #Rock #Song #Lyrics #Analysis
https://songreading.wordpress.com/2025/04/12/one-more-time/ -
Entertainment Weekly: #Blink182's #MarkHoppus details 'awful' date that led to him meeting his wife the same night, in new memoir Fahrenheit-182 (exclusive)
#Punk #TomDelonge #TravisBarker
https://ew.com/blink-182-mark-hoppus-awful-melissa-joan-hart-date-fahrenheit-182-book-exclusive-11709729 -
Duck at the Eibsee, Germany
#duck #ente #eibsee #animals #tiere #lake #see #outdoorliving #peace #innerbalance #travel #Natur #nature #trekking #hiking #freedom #freiheit #wandern #outdoor #frieden #travelphotography #intothewild #blink182 #takemein
https://www.instagram.com/reel/DH0RFXdNKO-/?igsh=MXRqMTR1N2M0ZTYzbQ== -
Blink-182 Reunite With Former Guitarist Matt Skiba at L.A. Fire Relief Concert
#MusicNews #News #Blink182 #ChappellRoan #LosAngeles #LosAngelesWildfires #MarkHoppus #Music #TomDeLonge #TravisBarker -
"We can see the hairs on the foot of an ant"
#NASA on talking about #OSIRISREx on this youtube video.feat #BrianMay
that's unexpected.where's the dude from #Blink182 ?
https://youtu.be/fJ9rUzIMcZQ?si=zfxtHkz-boC7PySo&t=155 -
Rykerroad's Kyle & Eric are my GenX people & exactly how I felt when I first heard/saw Blink-182's "One More Time".
THIS IS GREAT! | ONE MORE TIME | BLINK 182
https://youtube.com/watch?v=49HLKzQ-FzM&si=Pfpm_fYKnfEgYzmD -
Panic! at the Disco Returns to Headline When We Were Young Fest With Blink-182
#Variety #News #Blink182 #PanicAtTheDisco #WhenWeWereYoung -
Brandy had a nice reaction... and she had to stop the video. Which I get. Especially if you've been following Blink for a while.
"THEY'RE BACK!! | blink-182 - ONE MORE TIME | Emotional Reaction!" - Slay with Brandy
https://youtube.com/watch?v=W_IrRoSGGEs&si=-YcZIADs1XeAEB50 -
Damn, Anna's a REAL Blink fan! Man, she caught almost all of the callbacks! What an amazing react!
"blink-182 - ONE MORE TIME (FAN REACTION)" - Anna Dinkov
https://youtube.com/watch?v=H4J9SC6-aLo&si=4fjIISGkERdZTRBR -
Ash apparently felt the same way. (Love her) Didn't even know she reacted to Blink's release.
"ONE MORE TIME (Official Video) || Goth Reacts" - SlashleyReacts
https://youtube.com/watch?v=G6Qz0l8jLGw&si=-C1xAjkE-L5JiD9Y -
Loving the new Blink 182 songs. Might be the best songs on the whole album. Many songs going full Cure and I am not complaining …
#blink182 #onemoretime #album #deluxe -
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I just want to know their purpose. Why?
Who, what, when, where, and why, as a matter of fact!
I refuse to believe it was a coincidental banding of brothers under some alleged canopy of #UAP and just happens to be a thing.
You believe it?
That one guy is a #Mellon as in #MellonFoundation #CarnegieMellon University, etc. Same guy. Same family at least.
You think he was hanging out on Blink 182's tour bus back in the 90's? Maybe he was. That's why they're all too hip to be square! #blink182
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#TheMetalDogArticleList
#MetalInjection
Watch CHARLIE BENANTE Learn The One BLINK-182 Song With Double Kick
Benante goes Barker, and nails it of course!https://metalinjection.net/video/watch-charlie-benante-learn-the-one-blink-182-song-with-double-kick
#CharlieBenante #Blink182 #TravisBarker #Drumeo #Anthrax #Pantera
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Travis Barker Leads 5K Run and Wellness Event Prior to Blink-182’s Biggest Stadium Show Ever
#MusicNews #News #Blink182 #KourtneyKardashian #MarkHoppus #Music #TaylorSwift #TomDeLonge #TravisBarker #Wellness -
Travis Barker Fosters Community With Inaugural Run Travis Run 5K in Los Angeles
#Variety #News #Blink182 #TravisBarkerhttps://variety.com/2024/music/news/travis-barker-run-travis-run-5k-los-angeles-1236063609/
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NOFX announce two London shows in June 2024 at O2 Academy Brixton https://allabouttherock.co.uk/nofx-announce-two-london-shows-in-june-2024-at-o2-academy-brixton/ #CircleJerks #TheLastGang #Blink182 #GreenDay #THEMEFFS #SNUFF #News #NOFX #punk #Pop #ska
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https://www.moezine.com/1038989/ Blink-182 – First Date ベース 弾いてみた TAB Bass Cover Blink-182 – First Date ベース 弾いてみた TAB Bass Cover ✅楽譜ダウンロード・リクエスト Bass TAB Download ⇒ Bass Tracks Download ⇒ たぬかな さん リクエストありがとうございます(^^) ✅曲のリクエストはこちらから！ https://www.patreon.com/saito_hironobu/membership… #4弦 #５弦 #announcer #bass #Basscover #Blink182 #cover #drum #FirstDate #guitar #jpop #music #saitohironobu #TAB #アナ #アナ美人 #ギター #ベース #女子アナ #女子アナ美人 #弾いてみた #楽譜 #歌ってみた #演奏してみた #玉木碧 #譜面 #踊ってみた #音楽
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Salió el cartel de Lollapalooza Chile 2024.
Yo encuentro que el nivel, igual que el año pasado, está bien más o menos. Salvo Blink 182, todo el resto son shows que en cualquier otro festival quedarían en segunda categoría.
@musicaAlgunos artistas destacados:
#Blink182 #ArcadeFire #LimpBizkit #TheOffspring #SamSmith #ThirtySecondsToMars #KingGizzardAndTheLizardWizard #NothingButThieves #Congreso #CatupecuMachu #TenemosExplosivos#Lollapalooza #LollaCL2024 #Conciertos #Conciertos2024 #Chile
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We zijn weer halverwege de maand! Er is al nieuwe muziek uitgekomen van #OfMiceAndMen, #Theocracy en #Beartooth, en er komt nog werk van #blink182, #WithinTemptation en #Wargasm. Check snel het volledige overzicht! https://www.nine32.nl/album-releases-2023/
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CW: Blink-182 rant
The more songs that come out on this album the more disappointed I am. Mixing especially terrible.
#blink182 #dancewithme -
Tom DeLonge Talks Directing ‘Monsters of California’ and Taking Some “Left Turns” with Blink-182’s New Record
#MovieFeatures #Movies #Blink182 #MonstersofCalifornia #TomDeLonge -
Es geht zurück nach #Panem und #Atlantis, #WesAnderson inszeniert #RoaldDahl, #Blink182 jagt Ufos, #HapeKerkeling und #Frasier schauen bei alten Schaffensorten vorbei, und dann noch ein #Scheißfilm überhaupt. #FantastischeTrailer @filmeundserien
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Aliens Exist in Trailer for Tom DeLonge’s Directorial Debut ‘Monsters of California’
#MovieNews #Movies #Blink182 #TomDeLonge #Trailers
