#rme — Public Fediverse posts

🧵 … found some snapshots in my archive, showing the recording of “begin to…” by @annaohlmann

I almost had forgotten that I also had done the lights for that recording. Which is clearly visible in the audio. 🤪 OK, seriously: This was a concert situation with recording happening, so the grand piano and its player needed to be in the spotlight, for which a friendly #EventTech competitor gave me his crazy expensive #Arri #LC7 LED lights for free. (Heavy current outlets for Tungsten lights are often not found in churches. Today I own LED lights my self, also some neat tiny ones that don't have noisy fans.)

We have the same model of grand piano in our home now.

If you need some piano recordings, or other type of recording in the area of south-west Germany, @no-tlb can do it.

Feel free to re-toot if you want to support me.

#Veranstaltungstechnik #Recording #RME #Fireface400 #Neumann #Tontechniker #AudioAufnahme #Aufnahmezustand.

🧵 … found some snapshots in my archive, showing the recording of “begin to…” by @annaohlmann

I almost had forgotten that I also had done the lights for that recording. Which is clearly visible in the audio. 🤪 OK, seriously: This was a concert situation with recording happening, so the grand piano and its player needed to be in the spotlight, for which a friendly #EventTech competitor gave me his crazy expensive #Arri #LC7 LED lights for free. (Heavy current outlets for Tungsten lights are often not found in churches. Today I own LED lights my self, also some neat tiny ones that don't have noisy fans.)

We have the same model of grand piano in our home now.

If you need some piano recordings, or other type of recording in the area of south-west Germany, @no-tlb can do it.

Feel free to re-toot if you want to support me.

#Veranstaltungstechnik #Recording #RME #Fireface400 #Neumann #Tontechniker #AudioAufnahme #Aufnahmezustand.

🧵 … found some snapshots in my archive, showing the recording of “begin to…” by @annaohlmann

I almost had forgotten that I also had done the lights for that recording. Which is clearly visible in the audio. 🤪 OK, seriously: This was a concert situation with recording happening, so the grand piano and its player needed to be in the spotlight, for which a friendly #EventTech competitor gave me his crazy expensive #Arri #LC7 LED lights for free. (Heavy current outlets for Tungsten lights are often not found in churches. Today I own LED lights my self, also some neat tiny ones that don't have noisy fans.)

We have the same model of grand piano in our home now.

If you need some piano recordings, or other type of recording in the area of south-west Germany, @no-tlb can do it.

Feel free to re-toot if you want to support me.

#Veranstaltungstechnik #Recording #RME #Fireface400 #Neumann #Tontechniker #AudioAufnahme #Aufnahmezustand.

🧵 … found some snapshots in my archive, showing the recording of “begin to…” by @annaohlmann

I almost had forgotten that I also had done the lights for that recording. Which is clearly visible in the audio. 🤪 OK, seriously: This was a concert situation with recording happening, so the grand piano and its player needed to be in the spotlight, for which a friendly #EventTech competitor gave me his crazy expensive #Arri #LC7 LED lights for free. (Heavy current outlets for Tungsten lights are often not found in churches. Today I own LED lights my self, also some neat tiny ones that don't have noisy fans.)

We have the same model of grand piano in our home now.

If you need some piano recordings, or other type of recording in the area of south-west Germany, @no-tlb can do it.

Feel free to re-toot if you want to support me.

#Veranstaltungstechnik #Recording #RME #Fireface400 #Neumann #Tontechniker #AudioAufnahme #Aufnahmezustand.

🧵 … found some snapshots in my archive, showing the recording of “begin to…” by @annaohlmann

I almost had forgotten that I also had done the lights for that recording. Which is clearly visible in the audio. 🤪 OK, seriously: This was a concert situation with recording happening, so the grand piano and its player needed to be in the spotlight, for which a friendly #EventTech competitor gave me his crazy expensive #Arri #LC7 LED lights for free. (Heavy current outlets for Tungsten lights are often not found in churches. Today I own LED lights my self, also some neat tiny ones that don't have noisy fans.)

We have the same model of grand piano in our home now.

If you need some piano recordings, or other type of recording in the area of south-west Germany, @no-tlb can do it.

Feel free to re-toot if you want to support me.

#Veranstaltungstechnik #Recording #RME #Fireface400 #Neumann #Tontechniker #AudioAufnahme #Aufnahmezustand.

This is to announce that I just upgraded the current piano solo album of @annaohlmann to 24/48 HD audio.

Give it a listen!

If you have already bought this from #Bandcamp you can re-download it now in HD for free. If you happen to buy it just now, it will be in that format inside a bunch of FLAC files.

(Of course, for mobile use etc. you can still get MP3 or OGG)

„begin to…“ was recorded live in #SanktMariaAls #Stuttgart, a multi-purpose neo-gothic church, in 2022, me being the sound engineer. (Recorded in #Mixbus on #macOS using an #RME #Fireface 400 and 4 #Neumann #TLM102 mics, mixing/mastering in Mixbus on #Linux.)

https://annaohlmann.bandcamp.com/album/begin-to

Please re-toot.

#nielsotunes #music #musik #piano #pianoSolo #klavier #klaviermusik #harrisonMixbus #LinuxAudio #LinuxProAudio

This is to announce that I just upgraded the current piano solo album of @annaohlmann to 24/48 HD audio.

Give it a listen!

If you have already bought this from #Bandcamp you can re-download it now in HD for free. If you happen to buy it just now, it will be in that format inside a bunch of FLAC files.

(Of course, for mobile use etc. you can still get MP3 or OGG)

„begin to…“ was recorded live in #SanktMariaAls #Stuttgart, a multi-purpose neo-gothic church, in 2022, me being the sound engineer. (Recorded in #Mixbus on #macOS using an #RME #Fireface 400 and 4 #Neumann #TLM102 mics, mixing/mastering in Mixbus on #Linux.)

https://annaohlmann.bandcamp.com/album/begin-to

Please re-toot.

#nielsotunes #music #musik #piano #pianoSolo #klavier #klaviermusik #harrisonMixbus #LinuxAudio #LinuxProAudio

This is to announce that I just upgraded the current piano solo album of @annaohlmann to 24/48 HD audio.

Give it a listen!

If you have already bought this from #Bandcamp you can re-download it now in HD for free. If you happen to buy it just now, it will be in that format inside a bunch of FLAC files.

(Of course, for mobile use etc. you can still get MP3 or OGG)

„begin to…“ was recorded live in #SanktMariaAls #Stuttgart, a multi-purpose neo-gothic church, in 2022, me being the sound engineer. (Recorded in #Mixbus on #macOS using an #RME #Fireface 400 and 4 #Neumann #TLM102 mics, mixing/mastering in Mixbus on #Linux.)

https://annaohlmann.bandcamp.com/album/begin-to

Please re-toot.

#nielsotunes #music #musik #piano #pianoSolo #klavier #klaviermusik #harrisonMixbus #LinuxAudio #LinuxProAudio

This is to announce that I just upgraded the current piano solo album of @annaohlmann to 24/48 HD audio.

Give it a listen!

If you have already bought this from #Bandcamp you can re-download it now in HD for free. If you happen to buy it just now, it will be in that format inside a bunch of FLAC files.

(Of course, for mobile use etc. you can still get MP3 or OGG)

„begin to…“ was recorded live in #SanktMariaAls #Stuttgart, a multi-purpose neo-gothic church, in 2022, me being the sound engineer. (Recorded in #Mixbus on #macOS using an #RME #Fireface 400 and 4 #Neumann #TLM102 mics, mixing/mastering in Mixbus on #Linux.)

https://annaohlmann.bandcamp.com/album/begin-to

Please re-toot.

#nielsotunes #music #musik #piano #pianoSolo #klavier #klaviermusik #harrisonMixbus #LinuxAudio #LinuxProAudio

This is to announce that I just upgraded the current piano solo album of @annaohlmann to 24/48 HD audio.

Give it a listen!

If you have already bought this from #Bandcamp you can re-download it now in HD for free. If you happen to buy it just now, it will be in that format inside a bunch of FLAC files.

(Of course, for mobile use etc. you can still get MP3 or OGG)

„begin to…“ was recorded live in #SanktMariaAls #Stuttgart, a multi-purpose neo-gothic church, in 2022, me being the sound engineer. (Recorded in #Mixbus on #macOS using an #RME #Fireface 400 and 4 #Neumann #TLM102 mics, mixing/mastering in Mixbus on #Linux.)

https://annaohlmann.bandcamp.com/album/begin-to

Please re-toot.

#nielsotunes #music #musik #piano #pianoSolo #klavier #klaviermusik #harrisonMixbus #LinuxAudio #LinuxProAudio

Vier SprecherInnen aufgenommen, inkl. und für @annaohlmann – heute fertig geworden.

Während das #Pipewire Audiosystem von meinem #UbuntuStudio offenbar Suizid begangen hat durch Update, läuft die von Updates völlig freie uralte Lösung mit dem MacBook Pro 2017 und dem #RME #Fireface nach wie vor sehr solide und mit nach wie vor bemerkenswerter Klangqualität. (Okay, so ein #Neumann #Mikrofon tut auch was dazu…)

Ich bin jetzt in dem Alter, in dem Software früher besser war.

Aufnahmezustand erwünscht? Da kann ich was machen.

#Tontechnik #Recording #Tonaufnahme #LinuxAudio #LinuxProAudio #macos #Linux

Vier SprecherInnen aufgenommen, inkl. und für @annaohlmann – heute fertig geworden.

Während das #Pipewire Audiosystem von meinem #UbuntuStudio offenbar Suizid begangen hat durch Update, läuft die von Updates völlig freie uralte Lösung mit dem MacBook Pro 2017 und dem #RME #Fireface nach wie vor sehr solide und mit nach wie vor bemerkenswerter Klangqualität. (Okay, so ein #Neumann #Mikrofon tut auch was dazu…)

Ich bin jetzt in dem Alter, in dem Software früher besser war.

Aufnahmezustand erwünscht? Da kann ich was machen.

#Tontechnik #Recording #Tonaufnahme #LinuxAudio #LinuxProAudio #macos #Linux

Vier SprecherInnen aufgenommen, inkl. und für @annaohlmann – heute fertig geworden.

Während das #Pipewire Audiosystem von meinem #UbuntuStudio offenbar Suizid begangen hat durch Update, läuft die von Updates völlig freie uralte Lösung mit dem MacBook Pro 2017 und dem #RME #Fireface nach wie vor sehr solide und mit nach wie vor bemerkenswerter Klangqualität. (Okay, so ein #Neumann #Mikrofon tut auch was dazu…)

Ich bin jetzt in dem Alter, in dem Software früher besser war.

Aufnahmezustand erwünscht? Da kann ich was machen.

#Tontechnik #Recording #Tonaufnahme #LinuxAudio #LinuxProAudio #macos #Linux

Vier SprecherInnen aufgenommen, inkl. und für @annaohlmann – heute fertig geworden.

Während das #Pipewire Audiosystem von meinem #UbuntuStudio offenbar Suizid begangen hat durch Update, läuft die von Updates völlig freie uralte Lösung mit dem MacBook Pro 2017 und dem #RME #Fireface nach wie vor sehr solide und mit nach wie vor bemerkenswerter Klangqualität. (Okay, so ein #Neumann #Mikrofon tut auch was dazu…)

Ich bin jetzt in dem Alter, in dem Software früher besser war.

Aufnahmezustand erwünscht? Da kann ich was machen.

#Tontechnik #Recording #Tonaufnahme #LinuxAudio #LinuxProAudio #macos #Linux

Vier SprecherInnen aufgenommen, inkl. und für @annaohlmann – heute fertig geworden.

Während das #Pipewire Audiosystem von meinem #UbuntuStudio offenbar Suizid begangen hat durch Update, läuft die von Updates völlig freie uralte Lösung mit dem MacBook Pro 2017 und dem #RME #Fireface nach wie vor sehr solide und mit nach wie vor bemerkenswerter Klangqualität. (Okay, so ein #Neumann #Mikrofon tut auch was dazu…)

Ich bin jetzt in dem Alter, in dem Software früher besser war.

Aufnahmezustand erwünscht? Da kann ich was machen.

#Tontechnik #Recording #Tonaufnahme #LinuxAudio #LinuxProAudio #macos #Linux

Had a nice recording session last week for a new Slam Metal band. Entire production on #bitwig using #Linux. Worked perfectly with their #RME Digiface USB without any driver install needed. Even less work than on macOS where the driver install is a multi part process. Love the #Kali LP-UNF's as my traveling setup for an extra pair of 'known' ears to A/B between! #audioproduction

Had a nice recording session last week for a new Slam Metal band. Entire production on #bitwig using #Linux. Worked perfectly with their #RME Digiface USB without any driver install needed. Even less work than on macOS where the driver install is a multi part process. Love the #Kali LP-UNF's as my traveling setup for an extra pair of 'known' ears to A/B between! #audioproduction

🧵 … so #Alphalabs #Defeedback does reduce feedback, it's certainly not a hoax.

Alphalabs offer a dedicated Windows 11 IOT PC that is optimized for De-Feedback for $699. The license for the plugin is $499. Without connectivity, which can be a simple Focusrite 2i2 interface (analog I/O), your console's USB port, if it has one, or something like the #RME #Digiface #Dante (~1300€). It also runs on #Waves #Livebox ($7000).

A #MacMiniM4 with Waves Superrack Performer would be around 700€, too.

So, approx 1200€ for one single local #AI solution that does its thing but no wonders, if you own the I/O already.

(2/x)

🧵 … so #Alphalabs #Defeedback does reduce feedback, it's certainly not a hoax.

Alphalabs offer a dedicated Windows 11 IOT PC that is optimized for De-Feedback for $699. The license for the plugin is $499. Without connectivity, which can be a simple Focusrite 2i2 interface (analog I/O), your console's USB port, if it has one, or something like the #RME #Digiface #Dante (~1300€). It also runs on #Waves #Livebox ($7000).

A #MacMiniM4 with Waves Superrack Performer would be around 700€, too.

So, approx 1200€ for one single local #AI solution that does its thing but no wonders, if you own the I/O already.

(2/x)

🧵 … so #Alphalabs #Defeedback does reduce feedback, it's certainly not a hoax.

Alphalabs offer a dedicated Windows 11 IOT PC that is optimized for De-Feedback for $699. The license for the plugin is $499. Without connectivity, which can be a simple Focusrite 2i2 interface (analog I/O), your console's USB port, if it has one, or something like the #RME #Digiface #Dante (~1300€). It also runs on #Waves #Livebox ($7000).

A #MacMiniM4 with Waves Superrack Performer would be around 700€, too.

So, approx 1200€ for one single local #AI solution that does its thing but no wonders, if you own the I/O already.

(2/x)

🧵 … so #Alphalabs #Defeedback does reduce feedback, it's certainly not a hoax.

Alphalabs offer a dedicated Windows 11 IOT PC that is optimized for De-Feedback for $699. The license for the plugin is $499. Without connectivity, which can be a simple Focusrite 2i2 interface (analog I/O), your console's USB port, if it has one, or something like the #RME #Digiface #Dante (~1300€). It also runs on #Waves #Livebox ($7000).

A #MacMiniM4 with Waves Superrack Performer would be around 700€, too.

So, approx 1200€ for one single local #AI solution that does its thing but no wonders, if you own the I/O already.

(2/x)

🧵 … so #Alphalabs #Defeedback does reduce feedback, it's certainly not a hoax.

Alphalabs offer a dedicated Windows 11 IOT PC that is optimized for De-Feedback for $699. The license for the plugin is $499. Without connectivity, which can be a simple Focusrite 2i2 interface (analog I/O), your console's USB port, if it has one, or something like the #RME #Digiface #Dante (~1300€). It also runs on #Waves #Livebox ($7000).

A #MacMiniM4 with Waves Superrack Performer would be around 700€, too.

So, approx 1200€ for one single local #AI solution that does its thing but no wonders, if you own the I/O already.

(2/x)

Testing #Alphalabs #DeFeedback for #EventTech. This is an #AI #microphone #feedback remover.

And as usual with AI, people say it does wonders. First impression: Also as usual with AI, it can do its thing, but no wonders.

This is not to be confused with generative AI running in data centers. This is more like traditional #MachineLearning. It runs entirely local, and my #Waves system based on a #MacMiniM1 can run 1 instance of it at 64 samples buffer size with a #Rme #Digiface #Dante. Which is 2 channels of de-feedback. The #plugin itself runs at zero latency.

This is all about gain before feedback: How far can you push the faders before feedback sets in?

While this is easy to measure with traditional tools like feedback destroyers, EQs, automixers, it is hard to say here. Because this tool reduces certain frequencies in a way that apparently depends on many things, not entirely on gain.

🧵 1/x

Testing #Alphalabs #DeFeedback for #EventTech. This is an #AI #microphone #feedback remover.

And as usual with AI, people say it does wonders. First impression: Also as usual with AI, it can do its thing, but no wonders.

This is not to be confused with generative AI running in data centers. This is more like traditional #MachineLearning. It runs entirely local, and my #Waves system based on a #MacMiniM1 can run 1 instance of it at 64 samples buffer size with a #Rme #Digiface #Dante. Which is 2 channels of de-feedback. The #plugin itself runs at zero latency.

This is all about gain before feedback: How far can you push the faders before feedback sets in?

While this is easy to measure with traditional tools like feedback destroyers, EQs, automixers, it is hard to say here. Because this tool reduces certain frequencies in a way that apparently depends on many things, not entirely on gain.

🧵 1/x

Testing #Alphalabs #DeFeedback for #EventTech. This is an #AI #microphone #feedback remover.

And as usual with AI, people say it does wonders. First impression: Also as usual with AI, it can do its thing, but no wonders.

This is not to be confused with generative AI running in data centers. This is more like traditional #MachineLearning. It runs entirely local, and my #Waves system based on a #MacMiniM1 can run 1 instance of it at 64 samples buffer size with a #Rme #Digiface #Dante. Which is 2 channels of de-feedback. The #plugin itself runs at zero latency.

This is all about gain before feedback: How far can you push the faders before feedback sets in?

While this is easy to measure with traditional tools like feedback destroyers, EQs, automixers, it is hard to say here. Because this tool reduces certain frequencies in a way that apparently depends on many things, not entirely on gain.

🧵 1/x

Testing #Alphalabs #DeFeedback for #EventTech. This is an #AI #microphone #feedback remover.

And as usual with AI, people say it does wonders. First impression: Also as usual with AI, it can do its thing, but no wonders.

This is not to be confused with generative AI running in data centers. This is more like traditional #MachineLearning. It runs entirely local, and my #Waves system based on a #MacMiniM1 can run 1 instance of it at 64 samples buffer size with a #Rme #Digiface #Dante. Which is 2 channels of de-feedback. The #plugin itself runs at zero latency.

This is all about gain before feedback: How far can you push the faders before feedback sets in?

While this is easy to measure with traditional tools like feedback destroyers, EQs, automixers, it is hard to say here. Because this tool reduces certain frequencies in a way that apparently depends on many things, not entirely on gain.

🧵 1/x

Testing #Alphalabs #DeFeedback for #EventTech. This is an #AI #microphone #feedback remover.

And as usual with AI, people say it does wonders. First impression: Also as usual with AI, it can do its thing, but no wonders.

This is not to be confused with generative AI running in data centers. This is more like traditional #MachineLearning. It runs entirely local, and my #Waves system based on a #MacMiniM1 can run 1 instance of it at 64 samples buffer size with a #Rme #Digiface #Dante. Which is 2 channels of de-feedback. The #plugin itself runs at zero latency.

This is all about gain before feedback: How far can you push the faders before feedback sets in?

While this is easy to measure with traditional tools like feedback destroyers, EQs, automixers, it is hard to say here. Because this tool reduces certain frequencies in a way that apparently depends on many things, not entirely on gain.

🧵 1/x

Updated the firmware of my #RME Digiface USB and also ticked the "CC Mode Active" box so that it's now a class compliant device. Ardour has no issues with it but PulseAudio on my Debian 12 system refuses to talk to it.

I kind of expected this as the USB ID stayed the same so the driver stack is still using the quirks introduced with the 6.12 kernel. That doesn't add up I guess. Probably best to flash the firmware again and untick the "CC Mode Active" box before flashing.

#RMEAudio #LinuxAudio

Updated the firmware of my #RME Digiface USB and also ticked the "CC Mode Active" box so that it's now a class compliant device. Ardour has no issues with it but PulseAudio on my Debian 12 system refuses to talk to it.

I kind of expected this as the USB ID stayed the same so the driver stack is still using the quirks introduced with the 6.12 kernel. That doesn't add up I guess. Probably best to flash the firmware again and untick the "CC Mode Active" box before flashing.

#RMEAudio #LinuxAudio

Updated the firmware of my #RME Digiface USB and also ticked the "CC Mode Active" box so that it's now a class compliant device. Ardour has no issues with it but PulseAudio on my Debian 12 system refuses to talk to it.

I kind of expected this as the USB ID stayed the same so the driver stack is still using the quirks introduced with the 6.12 kernel. That doesn't add up I guess. Probably best to flash the firmware again and untick the "CC Mode Active" box before flashing.

#RMEAudio #LinuxAudio

Updated the firmware of my #RME Digiface USB and also ticked the "CC Mode Active" box so that it's now a class compliant device. Ardour has no issues with it but PulseAudio on my Debian 12 system refuses to talk to it.

I kind of expected this as the USB ID stayed the same so the driver stack is still using the quirks introduced with the 6.12 kernel. That doesn't add up I guess. Probably best to flash the firmware again and untick the "CC Mode Active" box before flashing.

#RMEAudio #LinuxAudio

https://www.carlofelicemanara.it/public/file/File/Innovazione_Didattica/2012/Ripensando%20educazione%20matematica%20.pdf

Freudenthal :«Il valore che si attribuisce ai discenti come esseri umani determina il modo in cui ci si aspetta
che essi imparino la loro matematica: con libertà oppure da schiavi, guidati oppure imbrigliati».

“Nell'ambito della matematica, l'acquisizione di abilità e l'impiego di procedure e di algoritmi imposti e memorizzati, senza che siano compresi e motivati, rischia di diventare un addestramento analogo a quello degli animali da circo”.

#Freudenthal #RME

https://www.carlofelicemanara.it/public/file/File/Innovazione_Didattica/2012/Ripensando%20educazione%20matematica%20.pdf

Freudenthal :«Il valore che si attribuisce ai discenti come esseri umani determina il modo in cui ci si aspetta
che essi imparino la loro matematica: con libertà oppure da schiavi, guidati oppure imbrigliati».

“Nell'ambito della matematica, l'acquisizione di abilità e l'impiego di procedure e di algoritmi imposti e memorizzati, senza che siano compresi e motivati, rischia di diventare un addestramento analogo a quello degli animali da circo”.

#Freudenthal #RME

https://www.carlofelicemanara.it/public/file/File/Innovazione_Didattica/2012/Ripensando%20educazione%20matematica%20.pdf

Freudenthal :«Il valore che si attribuisce ai discenti come esseri umani determina il modo in cui ci si aspetta
che essi imparino la loro matematica: con libertà oppure da schiavi, guidati oppure imbrigliati».

“Nell'ambito della matematica, l'acquisizione di abilità e l'impiego di procedure e di algoritmi imposti e memorizzati, senza che siano compresi e motivati, rischia di diventare un addestramento analogo a quello degli animali da circo”.

#Freudenthal #RME

https://www.carlofelicemanara.it/public/file/File/Innovazione_Didattica/2012/Ripensando%20educazione%20matematica%20.pdf

Freudenthal :«Il valore che si attribuisce ai discenti come esseri umani determina il modo in cui ci si aspetta
che essi imparino la loro matematica: con libertà oppure da schiavi, guidati oppure imbrigliati».

“Nell'ambito della matematica, l'acquisizione di abilità e l'impiego di procedure e di algoritmi imposti e memorizzati, senza che siano compresi e motivati, rischia di diventare un addestramento analogo a quello degli animali da circo”.

#Freudenthal #RME

https://www.carlofelicemanara.it/public/file/File/Innovazione_Didattica/2012/Ripensando%20educazione%20matematica%20.pdf

Freudenthal :«Il valore che si attribuisce ai discenti come esseri umani determina il modo in cui ci si aspetta
che essi imparino la loro matematica: con libertà oppure da schiavi, guidati oppure imbrigliati».

“Nell'ambito della matematica, l'acquisizione di abilità e l'impiego di procedure e di algoritmi imposti e memorizzati, senza che siano compresi e motivati, rischia di diventare un addestramento analogo a quello degli animali da circo”.

#Freudenthal #RME

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico basato su

- Reinvenzione Guidata. Il docente guida gli studenti perché scoprano le procedure matematiche, anziché riceverle passivamente.

- Interattività. Gli studenti cooperano per trovare le soluzioni, l'esperienza del mondo reale è all'inizio del processo di apprendimento

Nei metodi tradizionali prima vengono le definizioni e poi le applicazioni.

#RME #Freudenthal #matematica #didattica

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico basato su

- Reinvenzione Guidata. Il docente guida gli studenti perché scoprano le procedure matematiche, anziché riceverle passivamente.

- Interattività. Gli studenti cooperano per trovare le soluzioni, l'esperienza del mondo reale è all'inizio del processo di apprendimento

Nei metodi tradizionali prima vengono le definizioni e poi le applicazioni.

#RME #Freudenthal #matematica #didattica

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico basato su

- Reinvenzione Guidata. Il docente guida gli studenti perché scoprano le procedure matematiche, anziché riceverle passivamente.

- Interattività. Gli studenti cooperano per trovare le soluzioni, l'esperienza del mondo reale è all'inizio del processo di apprendimento

Nei metodi tradizionali prima vengono le definizioni e poi le applicazioni.

#RME #Freudenthal #matematica #didattica

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico basato su

- Reinvenzione Guidata. Il docente guida gli studenti perché scoprano le procedure matematiche, anziché riceverle passivamente.

- Interattività. Gli studenti cooperano per trovare le soluzioni, l'esperienza del mondo reale è all'inizio del processo di apprendimento

Nei metodi tradizionali prima vengono le definizioni e poi le applicazioni.

#RME #Freudenthal #matematica #didattica

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico basato su

- Reinvenzione Guidata. Il docente guida gli studenti perché scoprano le procedure matematiche, anziché riceverle passivamente.

- Interattività. Gli studenti cooperano per trovare le soluzioni, l'esperienza del mondo reale è all'inizio del processo di apprendimento

Nei metodi tradizionali prima vengono le definizioni e poi le applicazioni.

#RME #Freudenthal #matematica #didattica

Ecco i punti chiave dell'Educazione Matematica Realista.
- Matematizzazione (Realista vs. Formale): organizzazione della realtà (situazioni problematiche) con mezzi matematici.
- Contesti significativi: i problemi devono essere "reali" per lo studente, cioè concreti (compiti di realtà
, la spesa, situazioni quotidiane).
- Modellizzazione: uso di modelli per descrivere una situazione che diventano modelli astratti e quindi matematici.

#scuola #educazione #matematica #Freudenthal #RME

Ecco i punti chiave dell'Educazione Matematica Realista.
- Matematizzazione (Realista vs. Formale): organizzazione della realtà (situazioni problematiche) con mezzi matematici.
- Contesti significativi: i problemi devono essere "reali" per lo studente, cioè concreti (compiti di realtà
, la spesa, situazioni quotidiane).
- Modellizzazione: uso di modelli per descrivere una situazione che diventano modelli astratti e quindi matematici.

#scuola #educazione #matematica #Freudenthal #RME

Ecco i punti chiave dell'Educazione Matematica Realista.
- Matematizzazione (Realista vs. Formale): organizzazione della realtà (situazioni problematiche) con mezzi matematici.
- Contesti significativi: i problemi devono essere "reali" per lo studente, cioè concreti (compiti di realtà
, la spesa, situazioni quotidiane).
- Modellizzazione: uso di modelli per descrivere una situazione che diventano modelli astratti e quindi matematici.

#scuola #educazione #matematica #Freudenthal #RME

Ecco i punti chiave dell'Educazione Matematica Realista.
- Matematizzazione (Realista vs. Formale): organizzazione della realtà (situazioni problematiche) con mezzi matematici.
- Contesti significativi: i problemi devono essere "reali" per lo studente, cioè concreti (compiti di realtà
, la spesa, situazioni quotidiane).
- Modellizzazione: uso di modelli per descrivere una situazione che diventano modelli astratti e quindi matematici.

#scuola #educazione #matematica #Freudenthal #RME

Ecco i punti chiave dell'Educazione Matematica Realista.
- Matematizzazione (Realista vs. Formale): organizzazione della realtà (situazioni problematiche) con mezzi matematici.
- Contesti significativi: i problemi devono essere "reali" per lo studente, cioè concreti (compiti di realtà
, la spesa, situazioni quotidiane).
- Modellizzazione: uso di modelli per descrivere una situazione che diventano modelli astratti e quindi matematici.

#scuola #educazione #matematica #Freudenthal #RME

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico in cui la matematica viene appresa non come un sistema astratto, ma come un'attività umana di matematizzazione di situazioni reali e significative. Gli studenti "reinventano" i concetti matematici partendo da contesti quotidiani, utilizzando modelli (come diagrammi o schemi) che evolvono da descrizioni concrete a strumenti formali.

#scuola #educazione #matematica #Freudenthal #RME

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico in cui la matematica viene appresa non come un sistema astratto, ma come un'attività umana di matematizzazione di situazioni reali e significative. Gli studenti "reinventano" i concetti matematici partendo da contesti quotidiani, utilizzando modelli (come diagrammi o schemi) che evolvono da descrizioni concrete a strumenti formali.

#scuola #educazione #matematica #Freudenthal #RME

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico in cui la matematica viene appresa non come un sistema astratto, ma come un'attività umana di matematizzazione di situazioni reali e significative. Gli studenti "reinventano" i concetti matematici partendo da contesti quotidiani, utilizzando modelli (come diagrammi o schemi) che evolvono da descrizioni concrete a strumenti formali.

#scuola #educazione #matematica #Freudenthal #RME

La Educazione Matematica Realista (RME), sviluppata da Hans Freudenthal, è un approccio didattico in cui la matematica viene appresa non come un sistema astratto, ma come un'attività umana di matematizzazione di situazioni reali e significative. Gli studenti "reinventano" i concetti matematici partendo da contesti quotidiani, utilizzando modelli (come diagrammi o schemi) che evolvono da descrizioni concrete a strumenti formali.

#scuola #educazione #matematica #Freudenthal #RME