#ableton — Public Fediverse posts

Ableton Live offers musicians a robust environment to generate and reshape MIDI patterns. With new tools and unique instruments like Meld and Roar, finding sounds is quicker with the improved tag-based browser. Perfect for both hobbyists and pros looking to enhance their workflow. Explore more here: https://getmusictools.com/ableton-live #Ableton #DAW #MusicProduction

Is there a way to do ring modulation inside one of the Ableton stock synths? #ableton #ringmodulation

Is there a way to do ring modulation inside one of the Ableton stock synths? #ableton #ringmodulation

Is there a way to do ring modulation inside one of the Ableton stock synths? #ableton #ringmodulation

Is there a way to do ring modulation inside one of the Ableton stock synths? #ableton #ringmodulation

Is there a way to do ring modulation inside one of the Ableton stock synths? #ableton #ringmodulation

New device for loading samples randomly into multiple instances of Simpler at the same time.

https://killihu.vstskins.com/simpler-sample-loader/

#killihu #ableton #abletonlive #abletonlive12 #live12 #cycling74 #maxforlive #maxforlivedevices #plugins #audioplugins #musicproduction #musicproducer #musicproducers #musicproducerslife #musicmaker #musicstudio #sounddesign #sounddesigner #producerlife #studioflow

The Raven: Edgar Allen Poe als House-Experiment

The Raven: Sagt euch Edgar Allen Poe noch etwas? Ja, den älteren sicherlich. Eins seiner bekanntesten Werke ist eben jener Rabe im Gedicht. Ich habe viele Wochen an einem Experiment gebastelt, wo eher so zufällig dieses weltbekannte Gedicht Einzug hielt. Und irgendwie ist mir so, als müsste ich euch davon einfach mal ein bisschen was erzählen. Der Grund ist ganz einfach: Ich habe daraus eine Single gemacht, die Ditto Music über die Streamingdienste euch um die Ohren gehauen hat. Also aufgepasst und hingehört.

[…]

The Raven: Edgar Allen Poe als House-Experiment

The Raven: Sagt euch Edgar Allen Poe noch etwas? Ja, den älteren sicherlich. Eins seiner bekanntesten Werke ist eben jener Rabe im Gedicht. Ich habe viele Wochen an einem Experiment gebastelt, wo eher so zufällig dieses weltbekannte Gedicht Einzug hielt. Und irgendwie ist mir so, als müsste ich euch davon einfach mal ein bisschen was erzählen. Der Grund ist ganz einfach: Ich habe daraus eine Single gemacht, die Ditto Music über die Streamingdienste euch um die Ohren gehauen hat. Also aufgepasst und hingehört.

[…]

Niseko additive synth for Ableton Live by Monomono https://rekkerd.org/niseko-additive-synth-for-ableton-live-by-monomono/

#Ableton #IsotonikStudios #MaxForLive #Synthesizer

Niseko additive synth for Ableton Live by Monomono https://rekkerd.org/niseko-additive-synth-for-ableton-live-by-monomono/

#Ableton #IsotonikStudios #MaxForLive #Synthesizer

Niseko additive synth for Ableton Live by Monomono https://rekkerd.org/niseko-additive-synth-for-ableton-live-by-monomono/

#Ableton #IsotonikStudios #MaxForLive #Synthesizer

Niseko additive synth for Ableton Live by Monomono https://rekkerd.org/niseko-additive-synth-for-ableton-live-by-monomono/

#Ableton #IsotonikStudios #MaxForLive #Synthesizer

Niseko additive synth for Ableton Live by Monomono https://rekkerd.org/niseko-additive-synth-for-ableton-live-by-monomono/

#Ableton #IsotonikStudios #MaxForLive #Synthesizer

Currently looking into ways to control ableton and reaper using a GamePad.
Anyone know if this kind of thing is even possible at all?
#ableton #reaper #music #blind #accessibility

Currently looking into ways to control ableton and reaper using a GamePad.
Anyone know if this kind of thing is even possible at all?
#ableton #reaper #music #blind #accessibility

So really, just realising that with voiceover, I can just browse Kontakt presets via up/down arrows, then enter, changed everything. Before, it was super hard to scroll around, find presets I liked, etc.
Result? Noire starts to be my friend, really unexpectedly. When I bought it with complete standard, I was quite disappointed at the first looks of it, the presets having way too many categories that arn't changeable in Ableton, etc. But now? There's so much potential I couldn't see because of that, but which I can now.
I guess keyskape can wait a little more then, haha!
#music #ableton #accessibility #piano #Kontakt

So really, just realising that with voiceover, I can just browse Kontakt presets via up/down arrows, then enter, changed everything. Before, it was super hard to scroll around, find presets I liked, etc.
Result? Noire starts to be my friend, really unexpectedly. When I bought it with complete standard, I was quite disappointed at the first looks of it, the presets having way too many categories that arn't changeable in Ableton, etc. But now? There's so much potential I couldn't see because of that, but which I can now.
I guess keyskape can wait a little more then, haha!
#music #ableton #accessibility #piano #Kontakt

So really, just realising that with voiceover, I can just browse Kontakt presets via up/down arrows, then enter, changed everything. Before, it was super hard to scroll around, find presets I liked, etc.
Result? Noire starts to be my friend, really unexpectedly. When I bought it with complete standard, I was quite disappointed at the first looks of it, the presets having way too many categories that arn't changeable in Ableton, etc. But now? There's so much potential I couldn't see because of that, but which I can now.
I guess keyskape can wait a little more then, haha!
#music #ableton #accessibility #piano #Kontakt

So really, just realising that with voiceover, I can just browse Kontakt presets via up/down arrows, then enter, changed everything. Before, it was super hard to scroll around, find presets I liked, etc.
Result? Noire starts to be my friend, really unexpectedly. When I bought it with complete standard, I was quite disappointed at the first looks of it, the presets having way too many categories that arn't changeable in Ableton, etc. But now? There's so much potential I couldn't see because of that, but which I can now.
I guess keyskape can wait a little more then, haha!
#music #ableton #accessibility #piano #Kontakt

So really, just realising that with voiceover, I can just browse Kontakt presets via up/down arrows, then enter, changed everything. Before, it was super hard to scroll around, find presets I liked, etc.
Result? Noire starts to be my friend, really unexpectedly. When I bought it with complete standard, I was quite disappointed at the first looks of it, the presets having way too many categories that arn't changeable in Ableton, etc. But now? There's so much potential I couldn't see because of that, but which I can now.
I guess keyskape can wait a little more then, haha!
#music #ableton #accessibility #piano #Kontakt

J74 releases MIDI Assistant and Assistant Developers Tools for Ableton Live https://rekkerd.org/j74-releases-midi-assistant-and-assistant-developers-tools-for-ableton-live/

#Ableton #ArtificialIntelligence #FabrizioPoce #J74 #MaxForLive #MIDI

J74 releases MIDI Assistant and Assistant Developers Tools for Ableton Live https://rekkerd.org/j74-releases-midi-assistant-and-assistant-developers-tools-for-ableton-live/

#Ableton #ArtificialIntelligence #FabrizioPoce #J74 #MaxForLive #MIDI

J74 releases MIDI Assistant and Assistant Developers Tools for Ableton Live https://rekkerd.org/j74-releases-midi-assistant-and-assistant-developers-tools-for-ableton-live/

#Ableton #ArtificialIntelligence #FabrizioPoce #J74 #MaxForLive #MIDI

J74 releases MIDI Assistant and Assistant Developers Tools for Ableton Live https://rekkerd.org/j74-releases-midi-assistant-and-assistant-developers-tools-for-ableton-live/

#Ableton #ArtificialIntelligence #FabrizioPoce #J74 #MaxForLive #MIDI

J74 releases MIDI Assistant and Assistant Developers Tools for Ableton Live https://rekkerd.org/j74-releases-midi-assistant-and-assistant-developers-tools-for-ableton-live/

#Ableton #ArtificialIntelligence #FabrizioPoce #J74 #MaxForLive #MIDI

Timeline of my latest EP 😬

#ableton #production #elektron

Timeline of my latest EP 😬

#ableton #production #elektron

Timeline of my latest EP 😬

#ableton #production #elektron

Timeline of my latest EP 😬

#ableton #production #elektron

Im Loop gefangen: Die Krux in der elektronischen Musik

Jeder, der irgendwas mit Musik macht, kennt das: Irgendwann kommt der Punkt, an dem man im Loop gefangen ist. Es kommt die Frage: Und jetzt? Ganz besonders kommt das in der elektronischen Musik auf. Also wenn man irgendeine Art tanzbare Musik macht. Vor allem, wenn man keine Ahnung hat, ein Instrument zu spielen, was beim Musizieren eigentlich immer eine blöde Idee ist. Aber es gibt noch wesentlich mehr Fallen. Und jeder, der Musik macht, ist da schon reingetappt.

[…]

Im Loop gefangen: Die Krux in der elektronischen Musik

Jeder, der irgendwas mit Musik macht, kennt das: Irgendwann kommt der Punkt, an dem man im Loop gefangen ist. Es kommt die Frage: Und jetzt? Ganz besonders kommt das in der elektronischen Musik auf. Also wenn man irgendeine Art tanzbare Musik macht. Vor allem, wenn man keine Ahnung hat, ein Instrument zu spielen, was beim Musizieren eigentlich immer eine blöde Idee ist. Aber es gibt noch wesentlich mehr Fallen. Und jeder, der Musik macht, ist da schon reingetappt.

[…]

I've been a little quiet about this for the last week or two but I'm currently in a place where I'm relatively certain I can actually pull it off.
Last year, the #Ableton Live 12 software became ... pretty accessible. First-party #accessibility, particularly in a tool like this, is practically unheard of, so that made a bunch of Waves. (pun somewhat intended).
One of the big gaps that existed, and still exists, is working with so-called Max4Live devices, as well as VST plugins that have a large amount of parameters. Ableton doesn't currently expose these properly to screen readers, and hasn't for over a year now. I'm sure they'll get around to it one day, but I think I can get there faster.
One of my current Patreon projects is a tool I'm calling Enableton, which fixes both of these issues as well as I can fix them.
If this'd be of use to you, have a look over at https://patreon.com/zersiax at this and other projects I'm working on :)

I've been a little quiet about this for the last week or two but I'm currently in a place where I'm relatively certain I can actually pull it off.
Last year, the #Ableton Live 12 software became ... pretty accessible. First-party #accessibility, particularly in a tool like this, is practically unheard of, so that made a bunch of Waves. (pun somewhat intended).
One of the big gaps that existed, and still exists, is working with so-called Max4Live devices, as well as VST plugins that have a large amount of parameters. Ableton doesn't currently expose these properly to screen readers, and hasn't for over a year now. I'm sure they'll get around to it one day, but I think I can get there faster.
One of my current Patreon projects is a tool I'm calling Enableton, which fixes both of these issues as well as I can fix them.
If this'd be of use to you, have a look over at https://patreon.com/zersiax at this and other projects I'm working on :)

I've been a little quiet about this for the last week or two but I'm currently in a place where I'm relatively certain I can actually pull it off.
Last year, the #Ableton Live 12 software became ... pretty accessible. First-party #accessibility, particularly in a tool like this, is practically unheard of, so that made a bunch of Waves. (pun somewhat intended).
One of the big gaps that existed, and still exists, is working with so-called Max4Live devices, as well as VST plugins that have a large amount of parameters. Ableton doesn't currently expose these properly to screen readers, and hasn't for over a year now. I'm sure they'll get around to it one day, but I think I can get there faster.
One of my current Patreon projects is a tool I'm calling Enableton, which fixes both of these issues as well as I can fix them.
If this'd be of use to you, have a look over at https://patreon.com/zersiax at this and other projects I'm working on :)

I've been a little quiet about this for the last week or two but I'm currently in a place where I'm relatively certain I can actually pull it off.
Last year, the #Ableton Live 12 software became ... pretty accessible. First-party #accessibility, particularly in a tool like this, is practically unheard of, so that made a bunch of Waves. (pun somewhat intended).
One of the big gaps that existed, and still exists, is working with so-called Max4Live devices, as well as VST plugins that have a large amount of parameters. Ableton doesn't currently expose these properly to screen readers, and hasn't for over a year now. I'm sure they'll get around to it one day, but I think I can get there faster.
One of my current Patreon projects is a tool I'm calling Enableton, which fixes both of these issues as well as I can fix them.
If this'd be of use to you, have a look over at https://patreon.com/zersiax at this and other projects I'm working on :)

I've been a little quiet about this for the last week or two but I'm currently in a place where I'm relatively certain I can actually pull it off.
Last year, the #Ableton Live 12 software became ... pretty accessible. First-party #accessibility, particularly in a tool like this, is practically unheard of, so that made a bunch of Waves. (pun somewhat intended).
One of the big gaps that existed, and still exists, is working with so-called Max4Live devices, as well as VST plugins that have a large amount of parameters. Ableton doesn't currently expose these properly to screen readers, and hasn't for over a year now. I'm sure they'll get around to it one day, but I think I can get there faster.
One of my current Patreon projects is a tool I'm calling Enableton, which fixes both of these issues as well as I can fix them.
If this'd be of use to you, have a look over at https://patreon.com/zersiax at this and other projects I'm working on :)

So I dual boot into #Linux once in a while. If it weren't for #Ableton live, I'd never leave Linux.

As it stands, once or twice a month, I reboot, run "paru -Syu" and wonder why I ever left.

The UI and UX is smoother, snappier and quite frankly easier to use. But then, I reboot again and just won't bother rebooting once more.

But I've also been working a lot lately to get better at sound design and mixing again, so it just is what it is.

And no, Ableton through Wine/Yabridge is not enough.

So I dual boot into #Linux once in a while. If it weren't for #Ableton live, I'd never leave Linux.

As it stands, once or twice a month, I reboot, run "paru -Syu" and wonder why I ever left.

The UI and UX is smoother, snappier and quite frankly easier to use. But then, I reboot again and just won't bother rebooting once more.

But I've also been working a lot lately to get better at sound design and mixing again, so it just is what it is.

And no, Ableton through Wine/Yabridge is not enough.

So I dual boot into #Linux once in a while. If it weren't for #Ableton live, I'd never leave Linux.

As it stands, once or twice a month, I reboot, run "paru -Syu" and wonder why I ever left.

The UI and UX is smoother, snappier and quite frankly easier to use. But then, I reboot again and just won't bother rebooting once more.

But I've also been working a lot lately to get better at sound design and mixing again, so it just is what it is.

And no, Ableton through Wine/Yabridge is not enough.

So I dual boot into #Linux once in a while. If it weren't for #Ableton live, I'd never leave Linux.

As it stands, once or twice a month, I reboot, run "paru -Syu" and wonder why I ever left.

The UI and UX is smoother, snappier and quite frankly easier to use. But then, I reboot again and just won't bother rebooting once more.

But I've also been working a lot lately to get better at sound design and mixing again, so it just is what it is.

And no, Ableton through Wine/Yabridge is not enough.

So I dual boot into #Linux once in a while. If it weren't for #Ableton live, I'd never leave Linux.

As it stands, once or twice a month, I reboot, run "paru -Syu" and wonder why I ever left.

The UI and UX is smoother, snappier and quite frankly easier to use. But then, I reboot again and just won't bother rebooting once more.

But I've also been working a lot lately to get better at sound design and mixing again, so it just is what it is.

And no, Ableton through Wine/Yabridge is not enough.

Here's something I worked on in the Blind Producers Discord today. Used a few samples from @jayladdermusic's new sample pack, and other stuff I played and found on Splice. It's a remix of "Senses" by Mico: https://youtu.be/rGKXPsuYMlA?si=LYUAzIwFVvSRqLSh

Hope you like, was fun to make though I'm not totally happy with the production.

#Music #MusicProduction #Remix #Ableton #Pop #Piano #Splice

Here's something I worked on in the Blind Producers Discord today. Used a few samples from @jayladdermusic's new sample pack, and other stuff I played and found on Splice. It's a remix of "Senses" by Mico: https://youtu.be/rGKXPsuYMlA?si=LYUAzIwFVvSRqLSh

Hope you like, was fun to make though I'm not totally happy with the production.

#Music #MusicProduction #Remix #Ableton #Pop #Piano #Splice

Here's something I worked on in the Blind Producers Discord today. Used a few samples from @jayladdermusic's new sample pack, and other stuff I played and found on Splice. It's a remix of "Senses" by Mico: https://youtu.be/rGKXPsuYMlA?si=LYUAzIwFVvSRqLSh

Hope you like, was fun to make though I'm not totally happy with the production.

#Music #MusicProduction #Remix #Ableton #Pop #Piano #Splice

Here's something I worked on in the Blind Producers Discord today. Used a few samples from @jayladdermusic's new sample pack, and other stuff I played and found on Splice. It's a remix of "Senses" by Mico: https://youtu.be/rGKXPsuYMlA?si=LYUAzIwFVvSRqLSh

Hope you like, was fun to make though I'm not totally happy with the production.

#Music #MusicProduction #Remix #Ableton #Pop #Piano #Splice

Here's something I worked on in the Blind Producers Discord today. Used a few samples from @jayladdermusic's new sample pack, and other stuff I played and found on Splice. It's a remix of "Senses" by Mico: https://youtu.be/rGKXPsuYMlA?si=LYUAzIwFVvSRqLSh

Hope you like, was fun to make though I'm not totally happy with the production.

#Music #MusicProduction #Remix #Ableton #Pop #Piano #Splice

Meine Musik ist doch eh irrelevant

Mir ist jetzt etwas in Bezug auf meine Musik aufgefallen, was ich mal eben hier aufschreiben will. Und es wirft eine entscheidende Frage auf. Es ist nämlich tatsächlich fraglich, ob ich überhaupt noch irgendwas zu meinen Tracks auf irgendeiner Plattform – in meinem Fall halt das Fediverse und Bluesky – von mir geben werde. Und nein, es ist nicht so, dass ich frustriert bin oder so ein Bullshit. Es ist einfach so, dass ich mich frage, ob es den ganzen Aufwand überhaupt wert ist. Schauen wir mal.

[…]

Meine Musik ist doch eh irrelevant

Mir ist jetzt etwas in Bezug auf meine Musik aufgefallen, was ich mal eben hier aufschreiben will. Und es wirft eine entscheidende Frage auf. Es ist nämlich tatsächlich fraglich, ob ich überhaupt noch irgendwas zu meinen Tracks auf irgendeiner Plattform – in meinem Fall halt das Fediverse und Bluesky – von mir geben werde. Und nein, es ist nicht so, dass ich frustriert bin oder so ein Bullshit. Es ist einfach so, dass ich mich frage, ob es den ganzen Aufwand überhaupt wert ist. Schauen wir mal.

[…]

Meine Musik ist doch eh irrelevant

Mir ist jetzt etwas in Bezug auf meine Musik aufgefallen, was ich mal eben hier aufschreiben will. Und es wirft eine entscheidende Frage auf. Es ist nämlich tatsächlich fraglich, ob ich überhaupt noch irgendwas zu meinen Tracks auf irgendeiner Plattform – in meinem Fall halt das Fediverse und Bluesky – von mir geben werde. Und nein, es ist nicht so, dass ich frustriert bin oder so ein Bullshit. Es ist einfach so, dass ich mich frage, ob es den ganzen Aufwand überhaupt wert ist. Schauen wir mal.

[…]