#sounddesign — Public Fediverse posts

Twelfth Night 12N4: Drunks and pirates and songs and schemes

The results of attending the Sept 6th rehearsal. #music #sounddesign #theater

http://bawebster.com/2026/09/11/twelfth-night-12n4-drunks-and-pirates-and-songs-and-schemes/

Twelfth Night 12N4: Drunks and pirates and songs and schemes

The results of attending the Sept 6th rehearsal. #music #sounddesign #theater

http://bawebster.com/2026/09/11/twelfth-night-12n4-drunks-and-pirates-and-songs-and-schemes/

Twelfth Night 12N4: Drunks and pirates and songs and schemes

The results of attending the Sept 6th rehearsal. #music #sounddesign #theater

http://bawebster.com/2026/09/11/twelfth-night-12n4-drunks-and-pirates-and-songs-and-schemes/

Twelfth Night 12N4: Drunks and pirates and songs and schemes

The results of attending the Sept 6th rehearsal. #music #sounddesign #theater

http://bawebster.com/2026/09/11/twelfth-night-12n4-drunks-and-pirates-and-songs-and-schemes/

Twelfth Night 12N4: Drunks and pirates and songs and schemes

The results of attending the Sept 6th rehearsal. #music #sounddesign #theater

http://bawebster.com/2026/09/11/twelfth-night-12n4-drunks-and-pirates-and-songs-and-schemes/

Twelfth Night 12N4: Drunks and pirates and songs and schemes

My last check-in was 7 days ago, talking about the read-through which occurred on Sunday Aug 30th. Cast rehearsals continued after that. I attended the rehearsal on Sunday Sep 6th which focused on blocking of much of Act II as well as Act III Scene 3.

In Act I, I need to create a gigantic shipwreck/thunder/lightning/surf pounding sound cue, which will be a lot of fun. My goal is to get the audience to collectively jump out of their seats. The goal for the opening of Act II is more modest – a return to the sea coast with a nice surf ambience to introduce Sebastian (Viola‘s twin brother, thought to be drowned) and Antonio (the “pirate”).

For the transition to Act II Scene 3, we’re going to try a semi-frantic but funny bebop riff for our two lovable drunks, Sir Toby Belch and Sir Andrew. I’ve come to really appreciate Shakespeare’s drunks. Feste the Clown also enters the scene and performs a reprise of the beautiful O’ Mistress Mine tune as well as joining the gentlemen in some musical shenanigans. Marvolio hops in to try to kill everyone’s buzz (to no avail). As does Maria who introduces the conspiracy to publicly embarrass. Marvolio later in the play.

Scene 4 will introduce a jazz version of Come Away, Come Away Death performed by Feste and Valentine (on guitar). I have a nice working combination of the melody and drums but now I need to work on the chord changes. Stay tuned…

This post is being published almost a week after the actual rehearsal occurred. The ideas are in my head, it just takes me an embarrassingly long time to get them into words in a post. I’m going to try to be more timely with future posts. We’ll see.

Today’s snippet – just a ditty

Twelfth Night 12N4: Drunks and pirates and songs and schemes

My last check-in was 7 days ago, talking about the read-through which occurred on Sunday Aug 30th. Cast rehearsals continued after that. I attended the rehearsal on Sunday Sep 6th which focused on blocking of much of Act II as well as Act III Scene 3.

In Act I, I need to create a gigantic shipwreck/thunder/lightning/surf pounding sound cue, which will be a lot of fun. My goal is to get the audience to collectively jump out of their seats. The goal for the opening of Act II is more modest – a return to the sea coast with a nice surf ambience to introduce Sebastian (Viola‘s twin brother, thought to be drowned) and Antonio (the “pirate”).

For the transition to Act II Scene 3, we’re going to try a semi-frantic but funny bebop riff for our two lovable drunks, Sir Toby Belch and Sir Andrew. I’ve come to really appreciate Shakespeare’s drunks. Feste the Clown also enters the scene and performs a reprise of the beautiful O’ Mistress Mine tune as well as joining the gentlemen in some musical shenanigans. Marvolio hops in to try to kill everyone’s buzz (to no avail). As does Maria who introduces the conspiracy to publicly embarrass. Marvolio later in the play.

Scene 4 will introduce a jazz version of Come Away, Come Away Death performed by Feste and Valentine (on guitar). I have a nice working combination of the melody and drums but now I need to work on the chord changes. Stay tuned…

This post is being published almost a week after the actual rehearsal occurred. The ideas are in my head, it just takes me an embarrassingly long time to get them into words in a post. I’m going to try to be more timely with future posts. We’ll see.

Today’s snippet – just a ditty

Twelfth Night 12N4: Drunks and pirates and songs and schemes

My last check-in was 7 days ago, talking about the read-through which occurred on Sunday Aug 30th. Cast rehearsals continued after that. I attended the rehearsal on Sunday Sep 6th which focused on blocking of much of Act II as well as Act III Scene 3.

In Act I, I need to create a gigantic shipwreck/thunder/lightning/surf pounding sound cue, which will be a lot of fun. My goal is to get the audience to collectively jump out of their seats. The goal for the opening of Act II is more modest – a return to the sea coast with a nice surf ambience to introduce Sebastian (Viola‘s twin brother, thought to be drowned) and Antonio (the “pirate”).

For the transition to Act II Scene 3, we’re going to try a semi-frantic but funny bebop riff for our two lovable drunks, Sir Toby Belch and Sir Andrew. I’ve come to really appreciate Shakespeare’s drunks. Feste the Clown also enters the scene and performs a reprise of the beautiful O’ Mistress Mine tune as well as joining the gentlemen in some musical shenanigans. Marvolio hops in to try to kill everyone’s buzz (to no avail). As does Maria who introduces the conspiracy to publicly embarrass. Marvolio later in the play.

Scene 4 will introduce a jazz version of Come Away, Come Away Death performed by Feste and Valentine (on guitar). I have a nice working combination of the melody and drums but now I need to work on the chord changes. Stay tuned…

This post is being published almost a week after the actual rehearsal occurred. The ideas are in my head, it just takes me an embarrassingly long time to get them into words in a post. I’m going to try to be more timely with future posts. We’ll see.

Today’s snippet – just a ditty

Twelfth Night 12N4: Drunks and pirates and songs and schemes

My last check-in was 7 days ago, talking about the read-through which occurred on Sunday Aug 30th. Cast rehearsals continued after that. I attended the rehearsal on Sunday Sep 6th which focused on blocking of much of Act II as well as Act III Scene 3.

In Act I, I need to create a gigantic shipwreck/thunder/lightning/surf pounding sound cue, which will be a lot of fun. My goal is to get the audience to collectively jump out of their seats. The goal for the opening of Act II is more modest – a return to the sea coast with a nice surf ambience to introduce Sebastian (Viola‘s twin brother, thought to be drowned) and Antonio (the “pirate”).

For the transition to Act II Scene 3, we’re going to try a semi-frantic but funny bebop riff for our two lovable drunks, Sir Toby Belch and Sir Andrew. I’ve come to really appreciate Shakespeare’s drunks. Feste the Clown also enters the scene and performs a reprise of the beautiful O’ Mistress Mine tune as well as joining the gentlemen in some musical shenanigans. Marvolio hops in to try to kill everyone’s buzz (to no avail). As does Maria who introduces the conspiracy to publicly embarrass. Marvolio later in the play.

Scene 4 will introduce a jazz version of Come Away, Come Away Death performed by Feste and Valentine (on guitar). I have a nice working combination of the melody and drums but now I need to work on the chord changes. Stay tuned…

This post is being published almost a week after the actual rehearsal occurred. The ideas are in my head, it just takes me an embarrassingly long time to get them into words in a post. I’m going to try to be more timely with future posts. We’ll see.

Today’s snippet – just a ditty

Twelfth Night 12N4: Drunks and pirates and songs and schemes

My last check-in was 7 days ago, talking about the read-through which occurred on Sunday Aug 30th. Cast rehearsals continued after that. I attended the rehearsal on Sunday Sep 6th which focused on blocking of much of Act II as well as Act III Scene 3.

In Act I, I need to create a gigantic shipwreck/thunder/lightning/surf pounding sound cue, which will be a lot of fun. My goal is to get the audience to collectively jump out of their seats. The goal for the opening of Act II is more modest – a return to the sea coast with a nice surf ambience to introduce Sebastian (Viola‘s twin brother, thought to be drowned) and Antonio (the “pirate”).

For the transition to Act II Scene 3, we’re going to try a semi-frantic but funny bebop riff for our two lovable drunks, Sir Toby Belch and Sir Andrew. I’ve come to really appreciate Shakespeare’s drunks. Feste the Clown also enters the scene and performs a reprise of the beautiful O’ Mistress Mine tune as well as joining the gentlemen in some musical shenanigans. Marvolio hops in to try to kill everyone’s buzz (to no avail). As does Maria who introduces the conspiracy to publicly embarrass. Marvolio later in the play.

Scene 4 will introduce a jazz version of Come Away, Come Away Death performed by Feste and Valentine (on guitar). I have a nice working combination of the melody and drums but now I need to work on the chord changes. Stay tuned…

This post is being published almost a week after the actual rehearsal occurred. The ideas are in my head, it just takes me an embarrassingly long time to get them into words in a post. I’m going to try to be more timely with future posts. We’ll see.

Today’s snippet – just a ditty

🎛️ New Free & Legal VST Plugins
All plugins listed are officially released and 100% piracy-free.

🔗 Grab them all via the link in bio!
#LegalVST #AudioTools #MusicProduction #SoundDesign #ProducerTools

Das könnte interessant sein: "Reactor Drift X"
https://play.google.com/store/apps/details?id=com.mystagogystudio.reactordriftx

#android #app #Synthesizer #experimental #sounddesign #musik #tiktok #noisemusic

Das könnte interessant sein: "Reactor Drift X"
https://play.google.com/store/apps/details?id=com.mystagogystudio.reactordriftx

#android #app #Synthesizer #experimental #sounddesign #musik #tiktok #noisemusic

Das könnte interessant sein: "Reactor Drift X"
https://play.google.com/store/apps/details?id=com.mystagogystudio.reactordriftx

#android #app #Synthesizer #experimental #sounddesign #musik #tiktok #noisemusic

Das könnte interessant sein: "Reactor Drift X"
https://play.google.com/store/apps/details?id=com.mystagogystudio.reactordriftx

#android #app #Synthesizer #experimental #sounddesign #musik #tiktok #noisemusic

Das könnte interessant sein: "Reactor Drift X"
https://play.google.com/store/apps/details?id=com.mystagogystudio.reactordriftx

#android #app #Synthesizer #experimental #sounddesign #musik #tiktok #noisemusic

JAS-I Khorlo 🎛️
Phys modeling/resonator synth w/ cylindrical interaction, pluckers/resonators, 8 mods, 4 macros, FX, 130+ presets

💻 Mac/Win/Linux (AU/VST3/CLAP)
🎁 FREE (Open Beta) https://jas-i.com/

More freeware 👉 https://linktr.ee/legalvst

#freeplugin #physmodeling #resonatorsynth #sounddesign #modulation #effects #openbeta

Here is a quick and short track I made!

The drums on this track were made by messing around with a noise oscillator that I added a very big FX chain to. I kept on adding minor changes to it and resampled it in to whatever these tiny noises are.

(Also, the recording is a bit rough because I couldn’t figure out how to make OBS capture the audio of my interface so I had to use the Windows audio drivers)

Boring stuff aside, here is the track :blobjam:
#music #artist #sounddesign #electronicmusic #glitch

Here is a quick and short track I made!

The drums on this track were made by messing around with a noise oscillator that I added a very big FX chain to. I kept on adding minor changes to it and resampled it in to whatever these tiny noises are.

(Also, the recording is a bit rough because I couldn’t figure out how to make OBS capture the audio of my interface so I had to use the Windows audio drivers)

Boring stuff aside, here is the track :blobjam:
#music #artist #sounddesign #electronicmusic #glitch

#Culture #Movie #SoundDesign

ストリートレース文化と映画音響が結びつき、「スピードの感覚」をどのように作り上げたのかを解き明かす

monumental-movement.jp/column-fast-...

【コラム】 ワイルド・スピード（Fast & Furious...

#Culture #Movie #SoundDesign

ストリートレース文化と映画音響が結びつき、「スピードの感覚」をどのように作り上げたのかを解き明かす

monumental-movement.jp/column-fast-...

【コラム】 ワイルド・スピード（Fast & Furious...

Composing modular game audio cues requires strict constraint management: locking BPM, harmonic key, and stem density so loop points stitch seamlessly without transient collision. Stacking non-deterministic descriptive tags usually breaks stem consistency across ambient and battle transitions. Tested this workflow on Sun AI Music for rapid vocal and instrumental prototyping: https://sunaimusic.com/udio-ai-music #GameAudio #SoundDesign #IndieDev

Composing modular game audio cues requires strict constraint management: locking BPM, harmonic key, and stem density so loop points stitch seamlessly without transient collision. Stacking non-deterministic descriptive tags usually breaks stem consistency across ambient and battle transitions. Tested this workflow on Sun AI Music for rapid vocal and instrumental prototyping: https://sunaimusic.com/udio-ai-music #GameAudio #SoundDesign #IndieDev

Composing modular game audio cues requires strict constraint management: locking BPM, harmonic key, and stem density so loop points stitch seamlessly without transient collision. Stacking non-deterministic descriptive tags usually breaks stem consistency across ambient and battle transitions. Tested this workflow on Sun AI Music for rapid vocal and instrumental prototyping: https://sunaimusic.com/udio-ai-music #GameAudio #SoundDesign #IndieDev

In This Episode You'll Learn

Why speed is partly an auditory experience
How Fast & Furious builds its engine sounds
Why many car sounds are recorded separately from filming

#FastAndFurious
#SoundDesign
#FilmSound

youtu.be/jbPYFcIMPU8

Why Fast & Furious Doesn't Jus...

In This Episode You'll Learn

Why speed is partly an auditory experience
How Fast & Furious builds its engine sounds
Why many car sounds are recorded separately from filming

#FastAndFurious
#SoundDesign
#FilmSound

youtu.be/jbPYFcIMPU8

Why Fast & Furious Doesn't Jus...

Metropolis (1927) sound design Laboratory Scene

https://spectra.video/w/59KovKe3EKZY39dWPrbgsb

Metropolis (1927) sound design Laboratory Scene

https://spectra.video/w/59KovKe3EKZY39dWPrbgsb

Love immersive sound? Our audio videos blend narration and music and effects for a movie-in-your-ears feel. Discover the studio behind it. https://inkican.com/inkican-audio-production/ #scifi #audiobooks #bookstolistento #sounddesign

Love immersive sound? Our audio videos blend narration and music and effects for a movie-in-your-ears feel. Discover the studio behind it. https://inkican.com/inkican-audio-production/ #scifi #audiobooks #bookstolistento #sounddesign

Love immersive sound? Our audio videos blend narration and music and effects for a movie-in-your-ears feel. Discover the studio behind it. https://inkican.com/inkican-audio-production/ #scifi #audiobooks #bookstolistento #sounddesign

Love immersive sound? Our audio videos blend narration and music and effects for a movie-in-your-ears feel. Discover the studio behind it. https://inkican.com/inkican-audio-production/ #scifi #audiobooks #bookstolistento #sounddesign

Love immersive sound? Our audio videos blend narration and music and effects for a movie-in-your-ears feel. Discover the studio behind it. https://inkican.com/inkican-audio-production/ #scifi #audiobooks #bookstolistento #sounddesign

Cissné , Adiós Cometa

Quella tra Cissné e Adiós Cometa (che significa "Addio Aquilone") è una collaborazione che non potevo non recensire perché unisce due dei miei grandi amori: il Giappone e l'America Latina. Non ho trovato molte informazioni sugli Adiós Cometa: solo che provengono da San José, in Costa Rica.
@cissne_jpn

#ambientmusic #ambient #experimentalmusic #electronicmusic #music #dronemusic #soundscape #synth #synthesizer #modularsynth #newmusic #postrock #meditationmusic #eurorack #electronica #noisemusic #instrumental #darkambient #meditation #downtempo #techno #soundtrack #musicproducer #instrumentalmusic #sounddesign #experimental #producer #lofi #chilloutmusic #soundscapes

iyezine.com/cissne-adios-comet…

#iye #iyezine #inyoureyesezine

Cissné , Adiós Cometa

Quella tra Cissné e Adiós Cometa (che significa "Addio Aquilone") è una collaborazione che non potevo non recensire perché unisce due dei miei grandi amori: il Giappone e l'America Latina. Non ho trovato molte informazioni sugli Adiós Cometa: solo che provengono da San José, in Costa Rica.
@cissne_jpn

#ambientmusic #ambient #experimentalmusic #electronicmusic #music #dronemusic #soundscape #synth #synthesizer #modularsynth #newmusic #postrock #meditationmusic #eurorack #electronica #noisemusic #instrumental #darkambient #meditation #downtempo #techno #soundtrack #musicproducer #instrumentalmusic #sounddesign #experimental #producer #lofi #chilloutmusic #soundscapes

https://www.iyezine.com/cissne-adios-cometa/

#iye #iyezine #inyoureyesezine

Cartoon & Horror FX by 344 SFX 🎨
8.38GB sound design bundle, 192kHz WAV, UCS metadata, cartoon + horror sounds, monster vocals, atmospheres

🎁 FREE (reg. $118) until 30 July
🔗 https://audioplugin.deals/product/cartoon-horror-fx-by-344-sfx/ref/190/

#freeplugin #sounddesign #cartoonfx #horrorfx #sfxlibs #344sfx #audioproduction

Giornata Mondiale dell’Ascolto

La Giornata Mondiale dell’Ascolto è una di quelle ricorrenze che sembrano semplici, ma in realtà aprono universi: suoni, silenzi, rumori che raccontano storie, città che respirano, persone che si rivelano. È la festa delle orecchie, ma anche del cuore.

Dal 2010, grazie al World Listening Project, il 18 luglio è dedicato a celebrare l’arte dell’ascolto in tutte le sue forme: ambientale, sociale, emotiva. Ogni anno un tema diverso invita a riflettere sul nostro rapporto con il paesaggio sonoro che ci circonda.

🎧 2026: “Echoes of Tomorrow”

Quest’anno il tema è futuristico e poetico: “Echoes of Tomorrow”, un invito a immaginare come i suoni di oggi influenzeranno il mondo di domani. Che traccia sonora stiamo lasciando alle generazioni future? E cosa succede se impariamo ad ascoltare con più attenzione?

Le iniziative del 2026 sono un piccolo concerto globale:

• Milano inaugura la prima Sound Marathon: 12 ore di ascolti guidati tra parchi, tram, mercati e cortili nascosti.
• A Londra, eco‑artisti registrano “le voci delle piante” con sensori bioacustici.
• In Canada, nasce Ear to the Future, una mappa sonora mondiale costruita dalle registrazioni inviate dagli ascoltatori.
• In Giappone, alcune aziende introducono la “pausa di ascolto consapevole”: cinque minuti di silenzio prima delle riunioni. Pare funzioni meglio del caffè.

🔍 Ma perché esistono due date diverse?

Se hai notato che Perfettamente Chic ha già pubblicato un altro articolo sulla Giornata dell’Ascolto il 21 ottobre, non è un errore: esistono due celebrazioni distinte, spesso confuse tra loro.

Ecco la differenza:

• 18 luglio – World Listening Day È la giornata ufficiale del World Listening Project, dedicata al paesaggio sonoro, alla bioacustica, all’ascolto dell’ambiente e alla consapevolezza sonora globale.
• 21 ottobre – World Day of Listening È una ricorrenza più recente, nata da iniziative educative e sociali che promuovono l’ascolto empatico, il dialogo, la comunicazione consapevole e la capacità di “sentire davvero” le persone. Non riguarda i suoni del mondo, ma le relazioni umane.

In pratica:

🎧 luglio ascolta il mondo, 💬 ottobre ascolta le persone.

E sì, esistono anche altre micro‑iniziative locali dedicate all’ascolto (festival, soundwalk day, listening labs), ma le due date principali sono queste.

🎙️ Curiosità chic che arricchiscono la storia

• Il primo World Listening Day del 2010 coinvolse più di 50 città in simultanea.
• Nel 2017 furono registrate le famose “dune che cantano” in Australia.
• Nel 2021 si scoprì che alcune tartarughe marine comunicano con micro‑vibrazioni.
• Nel 2024 Parigi dedicò una mostra ai “suoni perduti” della storia.

🧘‍♀️ Come partecipare oggi

• Spegni tutto per un minuto e ascolta la tua casa: ha una sinfonia segreta.
• Fai una mini soundwalk nel quartiere.
• Registra un suono che ami e condividilo.
• Oppure… ascolta davvero qualcuno. È rivoluzionario.

🔗 Per approfondire le due anime dell’ascolto

• L’articolo dedicato al World Listening Day (18 luglio): 👉 https://perfettamentechic.com/2025/07/18/🌍-world-listening-day/
• L’articolo dedicato al World Day of Listening (21 ottobre): 👉 https://perfettamentechic.com/2025/10/21/world-day-of-listening/

Autore: Lynda Di Natale
Fonte: web
Immagine: AI

Reverie by Quiet Music 🎸
Sympathetic str resonator + audio-reactive sampler
💻 Mac/Win (VST3/AU)
🎁 FREE
🔗 https://www.kvraudio.com/product/reverie-by-quiet-music

More freeware 👉 https://linktr.ee/legalvst

#freeplugin #quietmusic #resonator #sampler #ambience #sounddesign #microtonal

Video Log 2026-07-07 Part 3:Podstaging Sound Effects

https://tv.filmfreedom.net/w/fDdcmNvZ5C7AS4urroMyPb

BOOM ONE updated with positive UI sounds & raw food Foley https://rekkerd.org/boom-one-updated-with-positive-ui-sounds-raw-food-foley/

#BoomLibrary #Foley #food #SoundDesign #SoundFx

Save up to 70% on sound design tools from Krotos https://rekkerd.org/krotos-sound-design-bundles-plugins-sfx-sale/

#Krotos #PluginBoutique #Sale #SoundDesign #SoundFx

Hey y’all. Question for all the sound designer folks out there… what tips, tricks, workflows, or plug-ins have made your life easier?

I’m getting back into sound design with a song I’m working on and honestly, I forgot how much fun this stuff is. Been experimenting with movement, space, textures, transitions, automation, all of it.

I’ve heard of plug-ins that can make sounds feel super immersive and almost “3D” around your head. I know Logic Pro has built-in spatial audio tools and binaural stuff. Curious what y’all are using these days, especially for:
• Easy automation workflows
• Creative movement/panning
• Ambient textures
• Sound transitions
• Accessible workflows if any blind producers are on here

I’m doing this project in REAPER right now and just wanna learn from everybody’s setups and experiences.

#SoundDesign #MusicProduction #AudioProduction #ReaperDAW #Reaper #SpatialAudio #3DAudio #BinauralAudio #Mixing #ProducerLife #Synths #FilmScoring #GameAudio #Accessibility #BlindProducer #AudioEngineering

SoundMorph releases Phuze cinematic sound design instrument https://rekkerd.org/soundmorph-releases-phuze-cinematic-sound-design-instrument/

#AAX #AU #Cinematic #Sale #SoundDesign #SoundFx #SoundMorph #VST

#IMadeAThing! I've refined my #Dalek control room heartbeat sound effect, adding more harmonics, tweaking the reverb and speeding it up a bit. I'm really psyched to have been able to get as close as I have to such an iconic sound effect. Here's the original for reference. Let me know what you think.https://www.youtube.com/watch?v=su45cczykO8&list=RDsu45cczykO8&start_radio=1 #DoctorWho #SoundDesign #SoundEffects #SFX #SoundFX

I am psyched to have recreated the #dalek control room heartbeat sound, made in 1963 by Brian Hodgeson of the #BBC Radiophonic Workshop, this is an iconic sound, still used today, that I could not think how to recreate...until today. It's not perfect, criticisms welcome, but it's closer than I ever thought I'd get. Check it out! For reference, here's the original. https://www.youtube.com/watch?v=su45cczykO8&list=RDsu45cczykO8&start_radio=1 #DoctorWho #SoundDesign #SoundEffects #SFX #SoundFX

BOOM Library releases rebuilt Gun Handling sound effects library https://rekkerd.org/boom-library-releases-rebuilt-gun-handling-sound-effects-library/

#BoomLibrary #Foley #SoundDesign #SoundFx

https://youtube.com/shorts/JFb6Qdr2Omo

Hallo! 👽🤘 schaut doch mal rein und lasst gern n like, abo oder ein komment da .. 👹 neue Drogen braucht das Land ☮

#grainstorm #android #app #musicapp #musicchannel #noise #youtube #bandcamp #appstore #creativetoots #synth #creatorchannel #creator #shorts #tiktok #promo #piratensender #soundcloud #sounddesign #music #musik #experimentalmusic #soundcollage #klangteppich #radio #stream #streaming #glitch #granulator #one #impulse #signal #viral

Loopool & the One (family) – allpass 2
#Experimental #JeanPaulGarnier #alternative #ambient #bburroughs #electronic #indie #justinscottgray #loopool #noiseambient #postpunk #postrock #soundart #sounddesign #theOne(family) #Canada
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://amokrecordings.bandcamp.com/album/allpass-2

W.A. Production releases Cybertronic Glitches & SFX Vol. 3 sample pack https://rekkerd.org/w-a-production-releases-cybertronic-glitches-sfx-vol-3-sample-pack/

#experiment #glitch #SoundDesign #SoundFx #WAProduction