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#audioproduction — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #audioproduction, aggregated by home.social.

  1. 👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

    🇫🇷 Et hop ! Mise à jour de la version 4.5 de l'ensemble de greffons #ZamPlugins aux formats #LV2 #VST #VST3 #CLAP #LADSPA et #JACK est disponible immédiatement dans #LibraZiK-5. Avec un nouveau greffon : #ZamEcho. Allez mixer maintenant !

    #LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction
    #AudioProduction

  2. @beadsland TBF, that live audience note came after a couple of years in which the show was produced in-studio / over Zoom / Skype / whatever without and audience Because Covid. Lest we forget.

    And that said, I'd soured on WWDTM quite a while before that based on its general inanity.

    As for NPR's news programming: I've recently begun listening to WGBH's "The World" again after a hiatus of a decade or more, and one of my realisations is that my mind handles that programme far better than it does NPR's current mainstream news magazines (e.g., Morning Edition, All Things Considered, Weekend Edition, etc.).

    So far as I can tell, The World's magic is twofold:

    • Its principle focus is outside the U.S. bubble.
    • It is largely based on pre-recorded segments. That is, EDITED content.
    • It has very few sponsorship breaks.

    What I'd long since noticed listening to a live NPR affiliate broadcast (both local and sampled from various Internet streams from around the US) is that it seems like about half the time I join a broadcast it's running a sponsorship spot, that is, the promo percentage seems to be approaching 50%, and that much of the programming is live, *which means that all the fussy shit and inconsistency which an editing process drops on the cutting room floor intrudes into the on-the-air segment.

    When editing a segment, a reporter and whatever support staff assemble a finished product out of multiple segments of audio and commentary. This means that editing to length happens before an item goes on air. That speech tics get edited out. That it's not necessary to chase the guest(s) off the air in the last minute or so of a segment. And that the reporter, if they're any good at all, can take a stream-of-consciousness discussion and edit it to a consistent narrative.

    (That last can be problematic if the narrative is itself constructed. In the better cases, however, a reporter is uncovering a true thread. It's still something you want to watch.)

    NPR began its switch to live, and multi-location broadcast origin, following 9/11, when the network realised that its dependence on a single broadcast studio (in Washington, DC) put it at risk of being knocked off-air in a catastrophe ... or violent attack. And there was a desire to make the news magazines more responsive to late-breaking developments. There's something to be said for both points. But how the network has approached both points greatly weakens the overall product in ways that simply tire my brain. Increased reliance on corporate sponsorship puts a further degradation on the net product.

    Anyhow, that's my experience, and I'd be really interested in how other people feel comparing NPR (or programming such as the BBC which in many ways has evolved similarly) vs. The World's approach.

    I'm aware of some non-English programming which seems to more closely resemble pre-2001 NPR production, particularly Deutschlandfunk.

    @cy

    #Radio #NPR #TheWorld #WGBH #AudioProduction #NewsMedia

  3. 👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

    🇫🇷 La dernière version 0.9.20 de #Drumgizmo (greffon LV2 de batterie) est disponible immédiatement pour tout le monde dans #LibraZiK 4.

    🇬🇧 The latest version 0.9.20 of Drumgizmo (LV2 drum plugin) is immediately available to everyone in LibraZiK 4.

    #LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction #AudioProduction #Musique #Music

  4. If you want to get something for free or $20 cheaper than regular at #pluginalliance use the code SUMMER-20-OFF at checkout. If you sort it by „SUMMER OF SOUND $7.99–$19.99“ you could get a plug-in for free by using the code

    #plugins #audio #musicproduction #vst #vst3 #au #audiounit #audioproduction #mixing

  5. Get the Karanyisounds Minipol Synth for free karanyisounds.com/minipol-free

    „Recreate classic analog keys, chunky 80s basses, and kick-ass house stabs, or design massive soundscapes, modern plucks, or analog effects in no time.

    And for a limited time, Minipol is available for free! So why wait? Download it today and take your creativity to new heights.“
    #audio #vst #au #audiounit #free #synth #synthesizer #plugin #audioproduction #musicproduction

  6. Simple Hit VST

    peptoaudio.blogspot.com/2023/0

    Simple Hit is a vst instrument that offers a collection of orchestra hits including some old classics and some originals, with 15 sounds in total. It is very simple and aims to be a simple tool, as its name suggests.

    64-bit - Windows & Mac - vst, vst3 & AU

    Features:
    • 15 orchestra hits
    • Built-in reverb
    • Previous and Next buttons

    #vst #audiounit #free #audio #audioproduction #plugin

  7. 👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛🎵 🎶

    🇫🇷 Mises à jour des traductions en français pour la prochaine version 2.5 à venir du logiciel #Elektroid.

    🇬🇧 French translation updates for the upcoming 2.5 version of Elektroid.

    ---

    🇫🇷 Soutenez ce travail sur mon compte #LiberaPay :

    🇬🇧 Support this work on my LiberaPay account:

    liberapay.com/trebmuh/

    #LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction #AudioProduction

  8. 👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

    🇫🇷 Une mise à jour de la version 4.1 de l'ensemble de greffons #ZamPlugins aux formats #LV2 #VST #VST3 #CLAP #LADSPA et #JACK est disponible immédiatement dans #LibraZiK-4. Allez mixer maintenant !

    🇬🇧 An update to version 4.1 of the ZamPlugins plugin set in LV2 VST VST3 CLAP LADSPA and JACK formats is available immediately in LibraZiK-4. Go mix now!

    #LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction
    #AudioProduction