#audioproduction — Public Fediverse posts

Was ist eigentlich Mastering, wie viel Analog-Sound braucht man heute noch und warum ist Haptik im Studio durch nichts zu ersetzen? Stefan Nettewald von der EDEL-Audioschmiede Elysia gibt tiefe Einblicke in High-End-Gear, modernste Workflows und die Leidenschaft hinter echten Knöpfen. Jetzt reinhören! 🎧✨

#AudioProduction #MixingAndMastering #ProAudio #Elysia #Podcast #Musikproduktion

https://lautfunk.uber.space/probepodcast/probe-podcast-101-elysia/

Was ist eigentlich Mastering, wie viel Analog-Sound braucht man heute noch und warum ist Haptik im Studio durch nichts zu ersetzen? Stefan Nettewald von der EDEL-Audioschmiede Elysia gibt tiefe Einblicke in High-End-Gear, modernste Workflows und die Leidenschaft hinter echten Knöpfen. Jetzt reinhören! 🎧✨

#AudioProduction #MixingAndMastering #ProAudio #Elysia #Podcast #Musikproduktion

https://lautfunk.uber.space/probepodcast/probe-podcast-101-elysia/

I keep putting together wishlist #computerHardware builds

• Top tier 128GB DDR4, gen 3 #Ryzen

Decent. 3-5k USD for 1 gen newer. An improvement but, it's a waste. **I'd rather wait then spend 2x as much on a current gen #Threadripper #workstation**

• Mini-ITX which has always intrigued me,
• E-ATX Ryzen 9950X3D2

All the i/o is m.2. They're buried under mobo heatsinks. I need PCI-E cards for #audioProduction, #ai acceleration. I'm fine w/RAID SATA III + USB storage

Ideal:
Fat #GPDPocket 5 w/replacable RAM & battery, MCIO, multi USB 4 & 3, BT6.2, WiFi 7, latest Ryzen ai 400-500, 512GB UFS4.1 for #Bazzite, [ #RetroGame OS], #UbuntuStudio, 100% sRGB, mech kb

After 14 years I installed Ubuntu on a PC again. Chose because I want to play music and use real-time guitar effects.
So far: kernel panics, broken updates, and hours wasted configuring my M-Audio sound card.
I was almost starting to regret it... 🫩

#Linux #Ubuntu #UbuntuStudio #AudioProduction #MusicProduction #MIDI #OpenSource #KernelPanic

Jordan McDonald-Carr ready to graduate!

#HipHopProduction #MusicTechnology #StudioLife #RecordingStudio #AudioProduction #AudioMixing #AudioMastering #MixingEngineer #SoundEngineering #MusicProducer #AudioSchool #SoundEngineerLife #NeveConsole #RockvilleMD

@beadsland TBF, that live audience note came after a couple of years in which the show was produced in-studio / over Zoom / Skype / whatever without and audience Because Covid. Lest we forget.

And that said, I'd soured on WWDTM quite a while before that based on its general inanity.

As for NPR's news programming: I've recently begun listening to WGBH's "The World" again after a hiatus of a decade or more, and one of my realisations is that my mind handles that programme far better than it does NPR's current mainstream news magazines (e.g., Morning Edition, All Things Considered, Weekend Edition, etc.).

So far as I can tell, The World's magic is twofold:

• Its principle focus is outside the U.S. bubble.
• It is largely based on pre-recorded segments. That is, EDITED content.
• It has very few sponsorship breaks.

What I'd long since noticed listening to a live NPR affiliate broadcast (both local and sampled from various Internet streams from around the US) is that it seems like about half the time I join a broadcast it's running a sponsorship spot, that is, the promo percentage seems to be approaching 50%, and that much of the programming is live, *which means that all the fussy shit and inconsistency which an editing process drops on the cutting room floor intrudes into the on-the-air segment.

When editing a segment, a reporter and whatever support staff assemble a finished product out of multiple segments of audio and commentary. This means that editing to length happens before an item goes on air. That speech tics get edited out. That it's not necessary to chase the guest(s) off the air in the last minute or so of a segment. And that the reporter, if they're any good at all, can take a stream-of-consciousness discussion and edit it to a consistent narrative.

(That last can be problematic if the narrative is itself constructed. In the better cases, however, a reporter is uncovering a true thread. It's still something you want to watch.)

NPR began its switch to live, and multi-location broadcast origin, following 9/11, when the network realised that its dependence on a single broadcast studio (in Washington, DC) put it at risk of being knocked off-air in a catastrophe ... or violent attack. And there was a desire to make the news magazines more responsive to late-breaking developments. There's something to be said for both points. But how the network has approached both points greatly weakens the overall product in ways that simply tire my brain. Increased reliance on corporate sponsorship puts a further degradation on the net product.

Anyhow, that's my experience, and I'd be really interested in how other people feel comparing NPR (or programming such as the BBC which in many ways has evolved similarly) vs. The World's approach.

I'm aware of some non-English programming which seems to more closely resemble pre-2001 NPR production, particularly Deutschlandfunk.

@cy

#Radio #NPR #TheWorld #WGBH #AudioProduction #NewsMedia

👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

🇫🇷 Nouvelle version 3.2.1 pour le logiciel de #Drumrox (un greffon LV2 pour charger des kits de batterie #Hydrogen, ou des #SFZ) disponible dès maintenant dans #LibraZiK 4.

https://librazik.tuxfamily.org/doc4/logiciels/drumrox

🇬🇧 New version 3.2.1 for the Drumrox software (an LV2 plug-in for charging Hydrogen drum kits or SFZs) now available in LibraZiK 4.

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#LinuxMAO
#LinuxAudio
#LibreMusicProduction
#MusicProduction
#AudioProduction

👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

🇫🇷 Nouveau logiciel de #Drumrox (un greffon LV2 pour charger des kit de batterie #Hydrogen) disponible dès maintenant dans #LibraZiK 4.

https://librazik.tuxfamily.org/doc4/logiciels/drumrox

🇬🇧 New software from Drumrox (a LV2 plug-in for loading Hydrogen drum kits) now available in #LibraZiK 4.

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#LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction #AudioProduction

👨‍🎤 🎧 🎼 🎹 🥁 🎷 🎺 🎸 🎻 🎚 🎛 🎵 🎶

🇫🇷 Nouveau logiciel #ChowMatrix (un #délai matriciel aux formats #LV2, #VST3 et autonome) disponible dès maintenant dans #LibraZiK 4.

https://librazik.tuxfamily.org/doc4/logiciels/chowmatrix

🇬🇧 New ChowMatrix software (a matrix #delay in LV2, VST3 and standalone formats) available now in LibraZiK 4.

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#LinuxMAO #LinuxAudio #LibreMusicProduction #MusicProduction #AudioProduction

Ich suche einen günstigen #Verstärker/Mischpult für 3,5 Klinke. Wir machen #Webinare mit Potential mehreren Referenten. Die haben entweder Lavaliermikros mit Kabel/Funk und ggf Richt/Reporter Mikrofone!
#audio #guterton #audiophil #audioproduction #Audioproducer