#bamboo — Public Fediverse posts

Picked up some black bamboo and some yellow bamboo which, once dry, snaps easily. Next will be red bamboo. The lot to go on the edge of the pond.

Frogs will be happy

https://photos.app.goo.gl/iyNGUKzAVmXHrVre6

Can't upload photos so there's a link. Apos.

#allotment #bamboo #pond #frogs #photography

Picked up some black bamboo and some yellow bamboo which, once dry, snaps easily. Next will be red bamboo. The lot to go on the edge of the pond.

Frogs will be happy.

#allotment #bamboo #pond #frogs #photography

Picked up some black bamboo and some yellow bamboo which, once dry, snaps easily. Next will be red bamboo. The lot to go on the edge of the pond.

Frogs will be happy.

#allotment #bamboo #pond #frogs #photography

Picked up some black bamboo and some yellow bamboo which, once dry, snaps easily. Next will be red bamboo. The lot to go on the edge of the pond.

Frogs will be happy.

#allotment #bamboo #pond #frogs #photography

Picked up some black bamboo and some yellow bamboo which, once dry, snaps easily. Next will be red bamboo. The lot to go on the edge of the pond.

Frogs will be happy

https://photos.app.goo.gl/iyNGUKzAVmXHrVre6

Can't upload photos so there's a link. Apos.

#allotment #bamboo #pond #frogs #photography

T.A.E.’s Book Review – The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden by Carol Stangler

Carol Stangler’s The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden is, at heart, a book about persuasion: it asks the reader to see bamboo not as a decorative novelty, but as a living medium with history, utility, and aesthetic dignity. The revised and updated 2009 edition presents itself as “a highly regarded introduction to the material,” one that offers “rich history, fascinating background and great projects,” and that framing matters. This is not merely a how-to manual; it is a conversion narrative in practical form, inviting the reader into an older, more ethical relationship with making. 

What gives the book its distinct character is the way it balances romance and procedure. The publisher’s description opens with “beautiful, sustainable bamboo,” a phrase that already joins visual pleasure to ecological responsibility, and then moves quickly into the language of use: “harvesting, storing, and making things with bamboo.” That progression is revealing. The author does not let bamboo remain an abstract symbol of greenness; she insists on its material life, its handling, its resistance, its needs. The book’s appeal, then, lies in its double vision: bamboo is at once an emblem of harmony and a substance that must be cut, dried, bent, fastened, and preserved. 

The project list confirms this hybrid ambition. The book promises “30 eco-friendly projects,” including “bamboo fences, trellises, chopsticks, teacups, and even an outdoor shower.” The range is striking because it moves from the infrastructural to the intimate, from garden boundary to tableware, from enclosure to ritual. In literary terms, the book stages bamboo as a material that crosses thresholds: between exterior and interior, craft and architecture, ornament and necessity. Even the improbable charm of an “outdoor shower” suggests bamboo’s capacity to transform ordinary domestic acts into something lightly ceremonial. 

The book’s vocabulary further strengthens that impression. Its preview metadata is thick with technical terms—“culm,” “rhizomes,” “square lashing,” “metric equivalents,” “drill bit,” “sealer,” “pressure-treated,” “reed fencing,” and “bamboo lengths.” This lexicon matters aesthetically. It signals a text that respects craftsmanship as a language of exactness, not just inspiration. One could say Stangler writes in the idiom of the workshop rather than the showroom. The result is a style of practical knowledge that feels almost literary in its attention to named parts, precise motions, and the stubborn intelligence of materials. 

As a reader, I find the book most compelling when it treats bamboo as both ecological resource and cultural form. Its promise of “lush photography and abundant illustrations” suggests that visual pleasure is not an afterthought but part of the argument: the book wants the reader to admire before they build, to understand with the eye as well as the hand. That is one reason the volume feels enduring rather than merely instructional. It belongs to a tradition of craft books that do more than transmit technique; they cultivate a sensibility, teaching that usefulness and grace need not be opposites. 

In the end, The Craft & Art of Bamboo succeeds because it takes seriously the ancient, adaptable intelligence of its subject. It is practical without being dry, ecological without being preachy, and technical without losing a sense of delight. Stangler’s book reminds us that craft is never only about making objects; it is about learning how to see a material world already full of form, possibility, and restraint. Bamboo, in her hands, becomes a lesson in disciplined abundance.

T.A.E.’s Book Review – The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden by Carol Stangler

Carol Stangler’s The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden is, at heart, a book about persuasion: it asks the reader to see bamboo not as a decorative novelty, but as a living medium with history, utility, and aesthetic dignity. The revised and updated 2009 edition presents itself as “a highly regarded introduction to the material,” one that offers “rich history, fascinating background and great projects,” and that framing matters. This is not merely a how-to manual; it is a conversion narrative in practical form, inviting the reader into an older, more ethical relationship with making. 

What gives the book its distinct character is the way it balances romance and procedure. The publisher’s description opens with “beautiful, sustainable bamboo,” a phrase that already joins visual pleasure to ecological responsibility, and then moves quickly into the language of use: “harvesting, storing, and making things with bamboo.” That progression is revealing. The author does not let bamboo remain an abstract symbol of greenness; she insists on its material life, its handling, its resistance, its needs. The book’s appeal, then, lies in its double vision: bamboo is at once an emblem of harmony and a substance that must be cut, dried, bent, fastened, and preserved. 

The project list confirms this hybrid ambition. The book promises “30 eco-friendly projects,” including “bamboo fences, trellises, chopsticks, teacups, and even an outdoor shower.” The range is striking because it moves from the infrastructural to the intimate, from garden boundary to tableware, from enclosure to ritual. In literary terms, the book stages bamboo as a material that crosses thresholds: between exterior and interior, craft and architecture, ornament and necessity. Even the improbable charm of an “outdoor shower” suggests bamboo’s capacity to transform ordinary domestic acts into something lightly ceremonial. 

The book’s vocabulary further strengthens that impression. Its preview metadata is thick with technical terms—“culm,” “rhizomes,” “square lashing,” “metric equivalents,” “drill bit,” “sealer,” “pressure-treated,” “reed fencing,” and “bamboo lengths.” This lexicon matters aesthetically. It signals a text that respects craftsmanship as a language of exactness, not just inspiration. One could say Stangler writes in the idiom of the workshop rather than the showroom. The result is a style of practical knowledge that feels almost literary in its attention to named parts, precise motions, and the stubborn intelligence of materials. 

As a reader, I find the book most compelling when it treats bamboo as both ecological resource and cultural form. Its promise of “lush photography and abundant illustrations” suggests that visual pleasure is not an afterthought but part of the argument: the book wants the reader to admire before they build, to understand with the eye as well as the hand. That is one reason the volume feels enduring rather than merely instructional. It belongs to a tradition of craft books that do more than transmit technique; they cultivate a sensibility, teaching that usefulness and grace need not be opposites. 

In the end, The Craft & Art of Bamboo succeeds because it takes seriously the ancient, adaptable intelligence of its subject. It is practical without being dry, ecological without being preachy, and technical without losing a sense of delight. Stangler’s book reminds us that craft is never only about making objects; it is about learning how to see a material world already full of form, possibility, and restraint. Bamboo, in her hands, becomes a lesson in disciplined abundance.

T.A.E.’s Book Review – The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden by Carol Stangler

Carol Stangler’s The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden is, at heart, a book about persuasion: it asks the reader to see bamboo not as a decorative novelty, but as a living medium with history, utility, and aesthetic dignity. The revised and updated 2009 edition presents itself as “a highly regarded introduction to the material,” one that offers “rich history, fascinating background and great projects,” and that framing matters. This is not merely a how-to manual; it is a conversion narrative in practical form, inviting the reader into an older, more ethical relationship with making. 

What gives the book its distinct character is the way it balances romance and procedure. The publisher’s description opens with “beautiful, sustainable bamboo,” a phrase that already joins visual pleasure to ecological responsibility, and then moves quickly into the language of use: “harvesting, storing, and making things with bamboo.” That progression is revealing. The author does not let bamboo remain an abstract symbol of greenness; she insists on its material life, its handling, its resistance, its needs. The book’s appeal, then, lies in its double vision: bamboo is at once an emblem of harmony and a substance that must be cut, dried, bent, fastened, and preserved. 

The project list confirms this hybrid ambition. The book promises “30 eco-friendly projects,” including “bamboo fences, trellises, chopsticks, teacups, and even an outdoor shower.” The range is striking because it moves from the infrastructural to the intimate, from garden boundary to tableware, from enclosure to ritual. In literary terms, the book stages bamboo as a material that crosses thresholds: between exterior and interior, craft and architecture, ornament and necessity. Even the improbable charm of an “outdoor shower” suggests bamboo’s capacity to transform ordinary domestic acts into something lightly ceremonial. 

The book’s vocabulary further strengthens that impression. Its preview metadata is thick with technical terms—“culm,” “rhizomes,” “square lashing,” “metric equivalents,” “drill bit,” “sealer,” “pressure-treated,” “reed fencing,” and “bamboo lengths.” This lexicon matters aesthetically. It signals a text that respects craftsmanship as a language of exactness, not just inspiration. One could say Stangler writes in the idiom of the workshop rather than the showroom. The result is a style of practical knowledge that feels almost literary in its attention to named parts, precise motions, and the stubborn intelligence of materials. 

As a reader, I find the book most compelling when it treats bamboo as both ecological resource and cultural form. Its promise of “lush photography and abundant illustrations” suggests that visual pleasure is not an afterthought but part of the argument: the book wants the reader to admire before they build, to understand with the eye as well as the hand. That is one reason the volume feels enduring rather than merely instructional. It belongs to a tradition of craft books that do more than transmit technique; they cultivate a sensibility, teaching that usefulness and grace need not be opposites. 

In the end, The Craft & Art of Bamboo succeeds because it takes seriously the ancient, adaptable intelligence of its subject. It is practical without being dry, ecological without being preachy, and technical without losing a sense of delight. Stangler’s book reminds us that craft is never only about making objects; it is about learning how to see a material world already full of form, possibility, and restraint. Bamboo, in her hands, becomes a lesson in disciplined abundance.

T.A.E.’s Book Review – The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden by Carol Stangler

Carol Stangler’s The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden is, at heart, a book about persuasion: it asks the reader to see bamboo not as a decorative novelty, but as a living medium with history, utility, and aesthetic dignity. The revised and updated 2009 edition presents itself as “a highly regarded introduction to the material,” one that offers “rich history, fascinating background and great projects,” and that framing matters. This is not merely a how-to manual; it is a conversion narrative in practical form, inviting the reader into an older, more ethical relationship with making. 

What gives the book its distinct character is the way it balances romance and procedure. The publisher’s description opens with “beautiful, sustainable bamboo,” a phrase that already joins visual pleasure to ecological responsibility, and then moves quickly into the language of use: “harvesting, storing, and making things with bamboo.” That progression is revealing. The author does not let bamboo remain an abstract symbol of greenness; she insists on its material life, its handling, its resistance, its needs. The book’s appeal, then, lies in its double vision: bamboo is at once an emblem of harmony and a substance that must be cut, dried, bent, fastened, and preserved. 

The project list confirms this hybrid ambition. The book promises “30 eco-friendly projects,” including “bamboo fences, trellises, chopsticks, teacups, and even an outdoor shower.” The range is striking because it moves from the infrastructural to the intimate, from garden boundary to tableware, from enclosure to ritual. In literary terms, the book stages bamboo as a material that crosses thresholds: between exterior and interior, craft and architecture, ornament and necessity. Even the improbable charm of an “outdoor shower” suggests bamboo’s capacity to transform ordinary domestic acts into something lightly ceremonial. 

The book’s vocabulary further strengthens that impression. Its preview metadata is thick with technical terms—“culm,” “rhizomes,” “square lashing,” “metric equivalents,” “drill bit,” “sealer,” “pressure-treated,” “reed fencing,” and “bamboo lengths.” This lexicon matters aesthetically. It signals a text that respects craftsmanship as a language of exactness, not just inspiration. One could say Stangler writes in the idiom of the workshop rather than the showroom. The result is a style of practical knowledge that feels almost literary in its attention to named parts, precise motions, and the stubborn intelligence of materials. 

As a reader, I find the book most compelling when it treats bamboo as both ecological resource and cultural form. Its promise of “lush photography and abundant illustrations” suggests that visual pleasure is not an afterthought but part of the argument: the book wants the reader to admire before they build, to understand with the eye as well as the hand. That is one reason the volume feels enduring rather than merely instructional. It belongs to a tradition of craft books that do more than transmit technique; they cultivate a sensibility, teaching that usefulness and grace need not be opposites. 

In the end, The Craft & Art of Bamboo succeeds because it takes seriously the ancient, adaptable intelligence of its subject. It is practical without being dry, ecological without being preachy, and technical without losing a sense of delight. Stangler’s book reminds us that craft is never only about making objects; it is about learning how to see a material world already full of form, possibility, and restraint. Bamboo, in her hands, becomes a lesson in disciplined abundance.

T.A.E.’s Book Review – The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden by Carol Stangler

Carol Stangler’s The Craft & Art of Bamboo: 30 Eco-Friendly Projects to Make for Home & Garden is, at heart, a book about persuasion: it asks the reader to see bamboo not as a decorative novelty, but as a living medium with history, utility, and aesthetic dignity. The revised and updated 2009 edition presents itself as “a highly regarded introduction to the material,” one that offers “rich history, fascinating background and great projects,” and that framing matters. This is not merely a how-to manual; it is a conversion narrative in practical form, inviting the reader into an older, more ethical relationship with making. 

What gives the book its distinct character is the way it balances romance and procedure. The publisher’s description opens with “beautiful, sustainable bamboo,” a phrase that already joins visual pleasure to ecological responsibility, and then moves quickly into the language of use: “harvesting, storing, and making things with bamboo.” That progression is revealing. The author does not let bamboo remain an abstract symbol of greenness; she insists on its material life, its handling, its resistance, its needs. The book’s appeal, then, lies in its double vision: bamboo is at once an emblem of harmony and a substance that must be cut, dried, bent, fastened, and preserved. 

The project list confirms this hybrid ambition. The book promises “30 eco-friendly projects,” including “bamboo fences, trellises, chopsticks, teacups, and even an outdoor shower.” The range is striking because it moves from the infrastructural to the intimate, from garden boundary to tableware, from enclosure to ritual. In literary terms, the book stages bamboo as a material that crosses thresholds: between exterior and interior, craft and architecture, ornament and necessity. Even the improbable charm of an “outdoor shower” suggests bamboo’s capacity to transform ordinary domestic acts into something lightly ceremonial. 

The book’s vocabulary further strengthens that impression. Its preview metadata is thick with technical terms—“culm,” “rhizomes,” “square lashing,” “metric equivalents,” “drill bit,” “sealer,” “pressure-treated,” “reed fencing,” and “bamboo lengths.” This lexicon matters aesthetically. It signals a text that respects craftsmanship as a language of exactness, not just inspiration. One could say Stangler writes in the idiom of the workshop rather than the showroom. The result is a style of practical knowledge that feels almost literary in its attention to named parts, precise motions, and the stubborn intelligence of materials. 

As a reader, I find the book most compelling when it treats bamboo as both ecological resource and cultural form. Its promise of “lush photography and abundant illustrations” suggests that visual pleasure is not an afterthought but part of the argument: the book wants the reader to admire before they build, to understand with the eye as well as the hand. That is one reason the volume feels enduring rather than merely instructional. It belongs to a tradition of craft books that do more than transmit technique; they cultivate a sensibility, teaching that usefulness and grace need not be opposites. 

In the end, The Craft & Art of Bamboo succeeds because it takes seriously the ancient, adaptable intelligence of its subject. It is practical without being dry, ecological without being preachy, and technical without losing a sense of delight. Stangler’s book reminds us that craft is never only about making objects; it is about learning how to see a material world already full of form, possibility, and restraint. Bamboo, in her hands, becomes a lesson in disciplined abundance.

evergreen

dreaming… a random bit

** in the ending of The Daily Post’s Weekly Photo Challenges from WordPress, here’s your Sunday Weekly Photo Prompt: travel **

medicine buddha mantra: Tayata Om Bekandze Bekandze Maha Bekandze Radza Samudgate Soha

health, wealth, and prosperity: Om Vasudhare Svaha

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Interesting facts:
One of the first US oil "wells" was drilled in 1859 to a depth of 69.5 ft (about 22 m).
https://en.wikipedia.org/wiki/Drake_Well

By which time Chinese drillers (using bamboo drill rods) had reached depths of over 1000 metres. Originally drilling for salt they had also found oil and gas. They were centuries ahead of the US and Europe in drill technology.
https://www.aapg.org/news-and-media/details/explorer/articleid/61813/big-drilling-in-ancient-china

#drilling
#salt
#bamboo
#China
#Chinese
#HeavenCarts

Interesting facts:
One of the first US oil "wells" was drilled in 1859 to a depth of 69.5 ft (about 22 m).
https://en.wikipedia.org/wiki/Drake_Well

By which time Chinese drillers (using bamboo drill rods) had reached depths of over 1000 metres. Originally drilling for salt they had also found oil and gas. They were centuries ahead of the US and Europe in drill technology.
https://www.aapg.org/news-and-media/details/explorer/articleid/61813/big-drilling-in-ancient-china

#drilling
#salt
#bamboo
#China
#Chinese
#HeavenCarts

Interesting facts:
One of the first US oil "wells" was drilled in 1859 to a depth of 69.5 ft (about 22 m).
https://en.wikipedia.org/wiki/Drake_Well

By which time Chinese drillers (using bamboo drill rods) had reached depths of over 1000 metres. Originally drilling for salt they had also found oil and gas. They were centuries ahead of the US and Europe in drill technology.
https://www.aapg.org/news-and-media/details/explorer/articleid/61813/big-drilling-in-ancient-china

#drilling
#salt
#bamboo
#China
#Chinese
#HeavenCarts

Interesting facts:
One of the first US oil "wells" was drilled in 1859 to a depth of 69.5 ft (about 22 m).
https://en.wikipedia.org/wiki/Drake_Well

By which time Chinese drillers (using bamboo drill rods) had reached depths of over 1000 metres. Originally drilling for salt they had also found oil and gas. They were centuries ahead of the US and Europe in drill technology.
https://www.aapg.org/news-and-media/details/explorer/articleid/61813/big-drilling-in-ancient-china

#drilling
#salt
#bamboo
#China
#Chinese
#HeavenCarts

Puccinia deutziae on bamboo
Liblar, NRW, Germany, 22.3.2026

#Puccinia #Pucciniadeutziae #Pucciniakusanoi #Bamboo #Phytopathology #FungiFriends

The sunbeam was welcome and unexpected. 📸 by me #photography #statue #mythology #folklore #bamboo #landscape #sunbeam #aphrodite

The sunbeam was welcome and unexpected. 📸 by me #photography #statue #mythology #folklore #bamboo #landscape #sunbeam #aphrodite

The sunbeam was welcome and unexpected. 📸 by me #photography #statue #mythology #folklore #bamboo #landscape #sunbeam #aphrodite

The sunbeam was welcome and unexpected. 📸 by me #photography #statue #mythology #folklore #bamboo #landscape #sunbeam #aphrodite

The sunbeam was welcome and unexpected. 📸 by me #photography #statue #mythology #folklore #bamboo #landscape #sunbeam #aphrodite

Prefabricated bamboo houses: a social response in Myanmar
The innovation lies in the use of small-diameter bamboo beams, a material often considered waste.

👉️ Discover MUCH MORE and SUBSCRIBE to our summary of news and updates through link: https://amusementlogic.com/general-news/prefabricated-bamboo-houses-a-social-response-in-myanmar/

🎍#architecture #housing #housingcrisis #socialdevelopment #affordablehousing #bamboo #prefabrication #myanmar #innovation #sustainability #préfabrication #durabilité #arquitectura #bambú #prefabricación #innovación #sostenibilidad

https://www.youtube.com/watch?v=AJSXVUd8190

#optimisme #climateChange #climateCrisis #climate #biodiversity #ecosystems #adaptation #changementClimatique #montéeDesEaux #nomadisme #nomadism #resilience #bambou #bois #bamboo #wood #construction #DIY #jardinFlottant #archesDeZoe #floatingGarden #vieNueDAgamben

I am SO stealing this idea - knit tiny ornaments from scrap yarn! Maybe all-pastel socks & sweaters for my Ostara wreath, come March? So cute!
Great idea, pic also, is from ShelbyKnits, @shelbyknits.bsky.social ~
#knit #mini #ornaments w #scrap #yarn #doublepoints or #straight #needles #either #way #cute #gift #idea #trim #tree #wreath #trimming #decoration #ball #hank #scrap #yarn #cotton #wool #bamboo #cable #pattern #count #stitch #color #work #bobbins #crochet #knitting #knitter #knit #purl

I am SO stealing this idea - knit tiny ornaments from scrap yarn! Maybe all-pastel socks & sweaters for my Ostara wreath, come March? So cute!
Great idea, pic also, is from ShelbyKnits, @shelbyknits.bsky.social ~
#knit #mini #ornaments w #scrap #yarn #doublepoints or #straight #needles #either #way #cute #gift #idea #trim #tree #wreath #trimming #decoration #ball #hank #scrap #yarn #cotton #wool #bamboo #cable #pattern #count #stitch #color #work #bobbins #crochet #knitting #knitter #knit #purl

I am SO stealing this idea - knit tiny ornaments from scrap yarn! Maybe all-pastel socks & sweaters for my Ostara wreath, come March? So cute!
Great idea, pic also, is from ShelbyKnits, @shelbyknits.bsky.social ~
#knit #mini #ornaments w #scrap #yarn #doublepoints or #straight #needles #either #way #cute #gift #idea #trim #tree #wreath #trimming #decoration #ball #hank #scrap #yarn #cotton #wool #bamboo #cable #pattern #count #stitch #color #work #bobbins #crochet #knitting #knitter #knit #purl

I am SO stealing this idea - knit tiny ornaments from scrap yarn! Maybe all-pastel socks & sweaters for my Ostara wreath, come March? So cute!
Great idea, pic also, is from ShelbyKnits, @shelbyknits.bsky.social ~
#knit #mini #ornaments w #scrap #yarn #doublepoints or #straight #needles #either #way #cute #gift #idea #trim #tree #wreath #trimming #decoration #ball #hank #scrap #yarn #cotton #wool #bamboo #cable #pattern #count #stitch #color #work #bobbins #crochet #knitting #knitter #knit #purl

I am SO stealing this idea - knit tiny ornaments from scrap yarn! Maybe all-pastel socks & sweaters for my Ostara wreath, come March? So cute!
Great idea, pic also, is from ShelbyKnits, @shelbyknits.bsky.social ~
#knit #mini #ornaments w #scrap #yarn #doublepoints or #straight #needles #either #way #cute #gift #idea #trim #tree #wreath #trimming #decoration #ball #hank #scrap #yarn #cotton #wool #bamboo #cable #pattern #count #stitch #color #work #bobbins #crochet #knitting #knitter #knit #purl

#rthk:
"
.. three men, .. arrested for alleged manslaughter amid suspicions that construction materials put up around the building did not meet fire safety standards.
"
"“We found Styrofoam .. installed outside some windows on each floor near the lift lobby,” Chung said. “Everyone knows this material is inflammable…”"

https://news.rthk.hk/rthk/en/component/k2/1833502-20251127.htm

27.11.2025

#bamboo #Bambus #Baugerüst #China #Hongkong #Feuer #fire #flammable #Großbrand #Hochhaus #Renovierung #Sanierung #scaffolding #WangFukCourt

#TheGuardian:
"
Hong Kong fire: .. death toll rises to 55
"
".. police allege unsafe scaffolding materials may have been behind fire’s rapid spread"

".. protective mesh sheets and plastic that may not meet fire standards, and discovered some windows on one unaffected building were sealed with a foam material .."

https://www.theguardian.com/news/2025/nov/27/hong-kong-fire-tai-po-police-blame-construction-company

27.11.2025

#bamboo #Bambus #Baugerüst #China #Hongkong #Feuer #fire #flammable #Großbrand #Hochhaus #Renovierung #Sanierung #scaffolding #WangFukCourt

Puccinia phyllostachydis ex Phyllostachys sp.

#Pucciniaphyllostachydis #Puccinia #rust #rostpilz #rustfungus #rostpilz #mushroom #mushrooms #fungus #fungi #pilz #pilze #champignons #champignon #nature #natur #bambus #bamboo #Phyllostachys #FungiFriends #Phytopathology

Man livid as neighbour takes over his garden with ‘invasive’ plant https://www.allforgardening.com/1513256/man-livid-as-neighbour-takes-over-his-garden-with-invasive-plant/ #bamboo #BambooInvasion #garden #GardenManagement #gardener #gardening #gardens #InvasivePlants #NeighbourDispute #Neighbours #NeighboursFromHell #PrivateNuisanceLaw #viral #ViralNews

Take care of the vegetable garden and make a bamboo trellis for cucumbers to climb https://www.diningandcooking.com/2381685/take-care-of-the-vegetable-garden-and-make-a-bamboo-trellis-for-cucumbers-to-climb/ #Around #bamboo #build #Cucumber #Dailylife #farm #fertilizer #garden #HoangThiBinh #hoangthibinh #LưuLinh #LưuLinhBuildingNewLife #LýLưuLinh #LyThiCa #lythica #make #peacefullife #TakeCareOfTheVegetableGardenAndMakeABambooTrellisForCucumbersToClimb #Takecareof #VegetableGarden #VegetableGardenVideos #VegetableGardening #VegetableGardeningVideos #Vegetables

New bamboo plastic offers eco-friendly durability

Bamboo pla…
#NewsBeep #News #Environment #bamboocellulose #bambooplastic #bambooplasticinnovation #bamboo-basedplastic #biodegradablematerials #biodegradableplastic #eco-friendlymaterials #environment #environmentallyfriendlyplastics #NatureCommunications #NortheastForestryUniversity #plasticalternatives #plasticrecycling #recyclableplastic #Science #sustainablematerials #sustainableplastics #UK #UnitedKingdom
https://www.newsbeep.com/uk/183608/

New bamboo plastic offers eco-friendly durability

Bamboo plastic sounds like …
#NewsBeep #News #Environment #AU #Australia #bamboocellulose #bambooplastic #bambooplasticinnovation #bamboo-basedplastic #biodegradablematerials #biodegradableplastic #eco-friendlymaterials #environmentallyfriendlyplastics #NatureCommunications #NortheastForestryUniversity #plasticalternatives #plasticrecycling #recyclableplastic #Science #sustainablematerials #sustainableplastics
https://www.newsbeep.com/au/195749/

Uke Review Day! Me Ol' Bamboo!

#gotaukulele #ukulele #review #bamboo #soprano #laka

https://www.gotaukulele.com/2025/10/laka-vus100b-bamboo-soprano-ukulele.html

Point what you want!
(Don’t trust the Internet and the oligarchs)

Paper Thing Chart 577 - 580

By Meister Jeder, Dadaist, Hüter des Kunstfriedens von 1961 und Realistiker 8/25
#dada #Nature #Color #Art #AIart #PicturePanel #Thing #animals #Bildtafel #Bambus #bamboo

I wonder what proportion of #AAAA #battery sales are caused by cryptic features on tablet styluses. It turns out the #bamboo #stylus has a nice „hurt me“ feature where you hold down both buttons for two seconds and it switches to a protocol your laptop doesn’t speak causing you to buy the aforementioned new AAAA battery. You’re about to throw away the pen (it’s clearly broken not working on other laptops either) and at the last second you RTFM and on the very last page they describe the hurtme

Bamboo brush on the way. 💟 Let’s bring home the bull!
#bamboo #ecofriendly #bambootoothbrush #sustainable #cleanliving #toothbrush #betterplanet #clean #kerala #earthy #plasticfree #healthy #lifestyle #koala #shopping #bringhomethebullproject #home #bull #newearth

Bamboo brush on the way. 💟 Let’s bring home the bull!
#bamboo #ecofriendly #bambootoothbrush #sustainable #cleanliving #toothbrush #betterplanet #clean #kerala #earthy #plasticfree #healthy #lifestyle #koala #shopping #bringhomethebullproject #home #bull #newearth

Bamboo brush on the way. 💟 Let’s bring home the bull!
#bamboo #ecofriendly #bambootoothbrush #sustainable #cleanliving #toothbrush #betterplanet #clean #kerala #earthy #plasticfree #healthy #lifestyle #koala #shopping #bringhomethebullproject #home #bull #newearth

Bamboo brush on the way. 💟 Let’s bring home the bull!
#bamboo #ecofriendly #bambootoothbrush #sustainable #cleanliving #toothbrush #betterplanet #clean #kerala #earthy #plasticfree #healthy #lifestyle #koala #shopping #bringhomethebullproject #home #bull #newearth

🎍#Bamboo is remarkable: fast #growing, #ecologically significant, and #economically valuable.
Wang et al. explore the #genomics, #biotechnology, and #molecular mechanisms behind its growth, #development, and #stress responses. https://doi.org/10.1111/jipb.13909
@wileyplantsci
#PlantScience #botany #review

The 4 other types of fences:

🎍Raikōjigaki (来迎寺垣 named after the nearby temple of Raikō-ji)
🎍Teradogaki (寺戸垣 named after the Teradō-cho neighbourhood 寺戸町)
🎍Fukadagaki (深田垣 named after nearby Fukada River 深田川)
🎍Kaidōgaki (海道垣 from local road names 中海道/御所海道)

#bamboo #竹 #Kyoto #Muko

Mukō (向日) has long been famed for producing high quality bamboo shoots (for consumption), and in 2000 began a campaign to preserve the natural landscape of bamboo groves. This same year a 1.8km road through the bamboo forest on Nishi-no-oka (西の岡) was opened.

#Kyoto #Japan #bamboo #向日 #Muko

Made a small hedge with bamboo from the garden and recycled parts of a baby enclosure. #diy #bamboo #urbangardener #recycling #gardening

Puccinia longicornis

#Puccinia #Puccinialongicornis #bambus #bamboo #rust #rustfungus #rost #rostpilz #Phytopathology #mushroom #mushrooms #fungus #fungi #pilz #pilze #champignons #champignon #nature #natur #FungiFriends

Crossed a bridge.

Überquerte eine Brücke.

#Brücke #bridge #Bambus #bamboo #SoutheastAsia #Südostasien

### #Fermented #bamboo shoot of #Tripura possesses #anti-obesity property
> Posted On: 09 DEC 2024 5:25PM by PIB Delhi

> Extract from a traditional fermented bamboo shoot variety of Tripura, popularly called called ‘Melye-amiley’ has anti-obesity effects and offers a solution to #weight management and #metabolic health, according to a new study. It reduces #lipid accumulation and increases fatty acid #β-oxidation.

https://pib.gov.in/PressReleasePage.aspx?PRID=2082373

#Melye-amiley

🛌 If you’re after new bedding or even a mattress I have some discount codes valid for the next few weeks on Panda super-sustainable, luxury bedding. 👇

https://ethicalrevolution.co.uk/panda-sustainable-luxury-bedding-voucher-codes/

🐼 Panda have found the sweet spot of luxury, sustainability and affordability in bedding, with exceptional bamboo home and sleep products that do not cost the Earth.

From breathable mattresses and toppers through duvets and pillows to towels, bath rugs and even eye masks, Panda make a great ethical choice.

#TheOnlyWayIsEthics #bamboo #bedding