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#bookreviews — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #bookreviews, aggregated by home.social.

  1. A DAZZLING, EXTRAORDINARY NOVEL: heartbreaking, witty, and thought-provoking look at sisterly love, being multiracial in 1980s Wyoming, pervasive 20th century misogyny, the generational weight of colonialism, and surviving childhood abuse. SOLID A

    bookshop.org/p/books/how-to-co

    @bookstodon

    #book #Books #bookreview #bookreviews #bookstodon #novel #novels #fiction #historicalfiction #desiwriters #Wyoming

  2. Personal Journey: A Story That Questions the “Happily Ever After”

    In a world where social media often sells perfect weddings and picture-perfect marriages, it takes courage to speak honestly about what happens after the celebration ends. Some stories don’t fit into fairy-tale frames — they challenge them. They ask deeper questions about identity, expectations, love, and personal growth. One such story is centered around author Thandeka Zungu-Sikhundla and her bold debut book, The Scam Called Marriage. Her platform is simple, direct, and intentional — […]

    sowetoapparel.wordpress.com/20

  3. Scribble & Rewrite @scribbleandrewrite.wordpress.com@scribbleandrewrite.wordpress.com ·

    Daily Notes From “Dance of Thieves” by Mary E. Pearson

    This post is a little different from the usual essay-style ones. This time, I'm sharing my unfiltered, daily thoughts on Dance of Thieves, separated over 8 days as I was reading the book. Keep in mind that this is all just my opinion, so don't take my comments too seriously, and if you have anything you would like to share, feel free to do so. SPOILER WARNING: These are notes I wrote as I read the book, so if you intend on reading Dance of Thieves in the future, check out a different blog […]

    scribbleandrewrite.wordpress.c

  4. November 9, 1989. The wall fell. The world changed that night. Frederick Taylor makes sure you feel every second of it. A must-read Cold War history book.
    #BerlinWallFall #ColdWarHistory #FrederickTaylor #books #bookreviews

  5. November 9, 1989. The wall fell. The world changed that night. Frederick Taylor makes sure you feel every second of it. A must-read Cold War history book.
    #BerlinWallFall #ColdWarHistory #FrederickTaylor #books #bookreviews

  6. November 9, 1989. The wall fell. The world changed that night. Frederick Taylor makes sure you feel every second of it. A must-read Cold War history book.
    #BerlinWallFall #ColdWarHistory #FrederickTaylor #books #bookreviews

  7. November 9, 1989. The wall fell. The world changed that night. Frederick Taylor makes sure you feel every second of it. A must-read Cold War history book.
    #BerlinWallFall #ColdWarHistory #FrederickTaylor #books #bookreviews

  8. November 9, 1989. The wall fell. The world changed that night. Frederick Taylor makes sure you feel every second of it. A must-read Cold War history book.
    #BerlinWallFall #ColdWarHistory #FrederickTaylor #books #bookreviews

  9. Why Kids Will Love So You Want To Be a Voice Actor

    Many children dream of becoming the voices behind cartoons, audiobooks, and favorite characters. So You Want To Be a Voice Actor by Linda Soules takes that excitement and turns it into something deeper: a fun introduction to creativity and storytelling.

    Instead of simply focusing on celebrity careers or funny voices, the book explains how voice actors create emotions and bring characters to life. Young readers learn that performance is more than changing your voice—it is about making people feel something.

    What makes the book stand out is its practical advice. Children are encouraged to read aloud, practice emotions, and experiment with storytelling in everyday situations. These simple ideas make creativity feel accessible.

    For parents and young readers alike, this book offers a refreshing mix of inspiration and useful lessons.

    Read the full review:
    https://www.bookbelow.com/book-review/so-you-want-to-be-a-voice-actor

    #bookReviews #Books #kids #Nonfiction #Review
  10. Why Kids Will Love So You Want To Be a Voice Actor

    Many children dream of becoming the voices behind cartoons, audiobooks, and favorite characters. So You Want To Be a Voice Actor by Linda Soules takes that excitement and turns it into something deeper: a fun introduction to creativity and storytelling.

    Instead of simply focusing on celebrity careers or funny voices, the book explains how voice actors create emotions and bring characters to life. Young readers learn that performance is more than changing your voice—it is about making people feel something.

    What makes the book stand out is its practical advice. Children are encouraged to read aloud, practice emotions, and experiment with storytelling in everyday situations. These simple ideas make creativity feel accessible.

    For parents and young readers alike, this book offers a refreshing mix of inspiration and useful lessons.

    Read the full review:
    https://www.bookbelow.com/book-review/so-you-want-to-be-a-voice-actor

    #bookReviews #Books #kids #Nonfiction #Review
  11. Why Kids Will Love So You Want To Be a Voice Actor

    Many children dream of becoming the voices behind cartoons, audiobooks, and favorite characters. So You Want To Be a Voice Actor by Linda Soules takes that excitement and turns it into something deeper: a fun introduction to creativity and storytelling.

    Instead of simply focusing on celebrity careers or funny voices, the book explains how voice actors create emotions and bring characters to life. Young readers learn that performance is more than changing your voice—it is about making people feel something.

    What makes the book stand out is its practical advice. Children are encouraged to read aloud, practice emotions, and experiment with storytelling in everyday situations. These simple ideas make creativity feel accessible.

    For parents and young readers alike, this book offers a refreshing mix of inspiration and useful lessons.

    Read the full review:
    https://www.bookbelow.com/book-review/so-you-want-to-be-a-voice-actor

    #bookReviews #Books #kids #Nonfiction #Review
  12. Why Kids Will Love So You Want To Be a Voice Actor

    Many children dream of becoming the voices behind cartoons, audiobooks, and favorite characters. So You Want To Be a Voice Actor by Linda Soules takes that excitement and turns it into something deeper: a fun introduction to creativity and storytelling.

    Instead of simply focusing on celebrity careers or funny voices, the book explains how voice actors create emotions and bring characters to life. Young readers learn that performance is more than changing your voice—it is about making people feel something.

    What makes the book stand out is its practical advice. Children are encouraged to read aloud, practice emotions, and experiment with storytelling in everyday situations. These simple ideas make creativity feel accessible.

    For parents and young readers alike, this book offers a refreshing mix of inspiration and useful lessons.

    Read the full review:
    https://www.bookbelow.com/book-review/so-you-want-to-be-a-voice-actor

    #bookReviews #Books #kids #Nonfiction #Review
  13. Why Kids Will Love So You Want To Be a Voice Actor

    Many children dream of becoming the voices behind cartoons, audiobooks, and favorite characters. So You Want To Be a Voice Actor by Linda Soules takes that excitement and turns it into something deeper: a fun introduction to creativity and storytelling.

    Instead of simply focusing on celebrity careers or funny voices, the book explains how voice actors create emotions and bring characters to life. Young readers learn that performance is more than changing your voice—it is about making people feel something.

    What makes the book stand out is its practical advice. Children are encouraged to read aloud, practice emotions, and experiment with storytelling in everyday situations. These simple ideas make creativity feel accessible.

    For parents and young readers alike, this book offers a refreshing mix of inspiration and useful lessons.

    Read the full review:
    https://www.bookbelow.com/book-review/so-you-want-to-be-a-voice-actor

    #bookReviews #Books #kids #Nonfiction #Review
  14. 𝗪𝗵𝗮𝘁 𝗜’𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗘𝗺𝗽𝗼𝘄𝗲𝗿𝗶𝗻𝗴 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻" 𝗯𝘆 𝗜𝗿𝗮 𝗦𝗵𝗼𝗿 -

    Brilliant scholar Shor's classic on teaching for social justice, part of my research into my next book, and a great accompaniment to Freire, hooks, and others.

    #books #bookreviews #bookworm #readreadread #tbr #tbrpile #tbrlist #quotes #reading #irashor #empoweringeducation #socialjustice #teaching #education #nonfiction

  15. 𝗪𝗵𝗮𝘁 𝗜’𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗘𝗺𝗽𝗼𝘄𝗲𝗿𝗶𝗻𝗴 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻" 𝗯𝘆 𝗜𝗿𝗮 𝗦𝗵𝗼𝗿 -

    Brilliant scholar Shor's classic on teaching for social justice, part of my research into my next book, and a great accompaniment to Freire, hooks, and others.

    #books #bookreviews #bookworm #readreadread #tbr #tbrpile #tbrlist #quotes #reading #irashor #empoweringeducation #socialjustice #teaching #education #nonfiction

  16. 𝗪𝗵𝗮𝘁 𝗜’𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗘𝗺𝗽𝗼𝘄𝗲𝗿𝗶𝗻𝗴 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻" 𝗯𝘆 𝗜𝗿𝗮 𝗦𝗵𝗼𝗿 -

    Brilliant scholar Shor's classic on teaching for social justice, part of my research into my next book, and a great accompaniment to Freire, hooks, and others.

    #books #bookreviews #bookworm #readreadread #tbr #tbrpile #tbrlist #quotes #reading #irashor #empoweringeducation #socialjustice #teaching #education #nonfiction

  17. 𝗪𝗵𝗮𝘁 𝗜’𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗘𝗺𝗽𝗼𝘄𝗲𝗿𝗶𝗻𝗴 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻" 𝗯𝘆 𝗜𝗿𝗮 𝗦𝗵𝗼𝗿 -

    Brilliant scholar Shor's classic on teaching for social justice, part of my research into my next book, and a great accompaniment to Freire, hooks, and others.

    #books #bookreviews #bookworm #readreadread #tbr #tbrpile #tbrlist #quotes #reading #irashor #empoweringeducation #socialjustice #teaching #education #nonfiction

  18. 𝗪𝗵𝗮𝘁 𝗜’𝗺 𝗥𝗲𝗮𝗱𝗶𝗻𝗴: "𝗘𝗺𝗽𝗼𝘄𝗲𝗿𝗶𝗻𝗴 𝗘𝗱𝘂𝗰𝗮𝘁𝗶𝗼𝗻" 𝗯𝘆 𝗜𝗿𝗮 𝗦𝗵𝗼𝗿 -

    Brilliant scholar Shor's classic on teaching for social justice, part of my research into my next book, and a great accompaniment to Freire, hooks, and others.

    #books #bookreviews #bookworm #readreadread #tbr #tbrpile #tbrlist #quotes #reading #irashor #empoweringeducation #socialjustice #teaching #education #nonfiction

  19. o Pequeno Príncipe de Maquiavel, O livro conta a história de um menino que preferia ser temido do que amado e morava sozinho em um planeta sem água encanada

    #bookstodon #bookreviews

  20. o Pequeno Príncipe de Maquiavel, O livro conta a história de um menino que preferia ser temido do que amado e morava sozinho em um planeta sem água encanada

    #bookstodon #bookreviews

  21. o Pequeno Príncipe de Maquiavel, O livro conta a história de um menino que preferia ser temido do que amado e morava sozinho em um planeta sem água encanada

    #bookstodon #bookreviews

  22. o Pequeno Príncipe de Maquiavel, O livro conta a história de um menino que preferia ser temido do que amado e morava sozinho em um planeta sem água encanada

    #bookstodon #bookreviews

  23. o Pequeno Príncipe de Maquiavel, O livro conta a história de um menino que preferia ser temido do que amado e morava sozinho em um planeta sem água encanada

    #bookstodon #bookreviews

  24. T.A.E.’s Book Review – Schiele by Reinhard Steiner

    Reinhard Steiner’s Schiele is a compact Taschen monograph, running to 96 pages, and its chapter structure already reveals its interpretive intelligence: “The artist’s self,” “I went by way of Klimt,” “The figure as signifier,” “The visionary and symbolic works,” and “Landscapes of the soul.” That progression suggests a book less interested in exhaustive biography than in tracing Schiele as a sequence of pressures—selfhood, lineage, embodiment, symbol, and inward weather. It reads like an argument about how an artist becomes legible to himself and to history. 

    What gives the book its force is the way it frames Schiele’s style not as mere provocation, but as a language of perception. The publisher’s description emphasizes his “graphic style,” “figural distortion,” and “psychological and sexual intensity,” and Steiner’s selection of works appears designed to show that these are not decorative shocks but the core of Schiele’s artistic ethics. In this sense, the book is persuasive because it treats the body as an epistemological problem: Schiele’s figures do not simply pose; they expose. 

    The most memorable moments are those in which Steiner lets the artist’s own voice flare through the commentary. Two lines are especially revealing: “I want to taste dark water and see crackling trees and wild winds,” and “I want to look intently at grasses and pink people.” Together, they condense the book’s sensibility—an art driven by appetite, danger, tenderness, and a restless need to see more sharply than ordinary vision allows. Steiner’s achievement is to make those words feel like a key to the pictures: Schiele is not only painting bodies, but testing how far sensation can be pushed before it turns uncanny. 

    The book’s limitation is also its defining feature: at 96 pages, it is a lucid introduction rather than a deeply archival study. The publisher explicitly presents it as a selection of “key Schiele works” that introduces his “short but urgent career,” so the reader should not expect the density of a full scholarly monograph. But within those limits, Steiner offers a nimble, visually alert, and thematically coherent account of why this artist remains so unsettlingly modern. It is a book that understands that a creator’s lasting power lies not in scandal, but in intensity disciplined into form.

    #art #artBooks #artHistory #BookReviews #EgonSchiele #LiteraryCriticism #ReinhardSteiner #Steiner
  25. T.A.E.’s Book Review – Schiele by Reinhard Steiner

    Reinhard Steiner’s Schiele is a compact Taschen monograph, running to 96 pages, and its chapter structure already reveals its interpretive intelligence: “The artist’s self,” “I went by way of Klimt,” “The figure as signifier,” “The visionary and symbolic works,” and “Landscapes of the soul.” That progression suggests a book less interested in exhaustive biography than in tracing Schiele as a sequence of pressures—selfhood, lineage, embodiment, symbol, and inward weather. It reads like an argument about how an artist becomes legible to himself and to history. 

    What gives the book its force is the way it frames Schiele’s style not as mere provocation, but as a language of perception. The publisher’s description emphasizes his “graphic style,” “figural distortion,” and “psychological and sexual intensity,” and Steiner’s selection of works appears designed to show that these are not decorative shocks but the core of Schiele’s artistic ethics. In this sense, the book is persuasive because it treats the body as an epistemological problem: Schiele’s figures do not simply pose; they expose. 

    The most memorable moments are those in which Steiner lets the artist’s own voice flare through the commentary. Two lines are especially revealing: “I want to taste dark water and see crackling trees and wild winds,” and “I want to look intently at grasses and pink people.” Together, they condense the book’s sensibility—an art driven by appetite, danger, tenderness, and a restless need to see more sharply than ordinary vision allows. Steiner’s achievement is to make those words feel like a key to the pictures: Schiele is not only painting bodies, but testing how far sensation can be pushed before it turns uncanny. 

    The book’s limitation is also its defining feature: at 96 pages, it is a lucid introduction rather than a deeply archival study. The publisher explicitly presents it as a selection of “key Schiele works” that introduces his “short but urgent career,” so the reader should not expect the density of a full scholarly monograph. But within those limits, Steiner offers a nimble, visually alert, and thematically coherent account of why this artist remains so unsettlingly modern. It is a book that understands that a creator’s lasting power lies not in scandal, but in intensity disciplined into form.

    #art #artBooks #artHistory #BookReviews #EgonSchiele #LiteraryCriticism #ReinhardSteiner #Steiner
  26. T.A.E.’s Book Review – Schiele by Reinhard Steiner

    Reinhard Steiner’s Schiele is a compact Taschen monograph, running to 96 pages, and its chapter structure already reveals its interpretive intelligence: “The artist’s self,” “I went by way of Klimt,” “The figure as signifier,” “The visionary and symbolic works,” and “Landscapes of the soul.” That progression suggests a book less interested in exhaustive biography than in tracing Schiele as a sequence of pressures—selfhood, lineage, embodiment, symbol, and inward weather. It reads like an argument about how an artist becomes legible to himself and to history. 

    What gives the book its force is the way it frames Schiele’s style not as mere provocation, but as a language of perception. The publisher’s description emphasizes his “graphic style,” “figural distortion,” and “psychological and sexual intensity,” and Steiner’s selection of works appears designed to show that these are not decorative shocks but the core of Schiele’s artistic ethics. In this sense, the book is persuasive because it treats the body as an epistemological problem: Schiele’s figures do not simply pose; they expose. 

    The most memorable moments are those in which Steiner lets the artist’s own voice flare through the commentary. Two lines are especially revealing: “I want to taste dark water and see crackling trees and wild winds,” and “I want to look intently at grasses and pink people.” Together, they condense the book’s sensibility—an art driven by appetite, danger, tenderness, and a restless need to see more sharply than ordinary vision allows. Steiner’s achievement is to make those words feel like a key to the pictures: Schiele is not only painting bodies, but testing how far sensation can be pushed before it turns uncanny. 

    The book’s limitation is also its defining feature: at 96 pages, it is a lucid introduction rather than a deeply archival study. The publisher explicitly presents it as a selection of “key Schiele works” that introduces his “short but urgent career,” so the reader should not expect the density of a full scholarly monograph. But within those limits, Steiner offers a nimble, visually alert, and thematically coherent account of why this artist remains so unsettlingly modern. It is a book that understands that a creator’s lasting power lies not in scandal, but in intensity disciplined into form.

    #art #artBooks #artHistory #BookReviews #EgonSchiele #LiteraryCriticism #ReinhardSteiner #Steiner
  27. T.A.E.’s Book Review – Schiele by Reinhard Steiner

    Reinhard Steiner’s Schiele is a compact Taschen monograph, running to 96 pages, and its chapter structure already reveals its interpretive intelligence: “The artist’s self,” “I went by way of Klimt,” “The figure as signifier,” “The visionary and symbolic works,” and “Landscapes of the soul.” That progression suggests a book less interested in exhaustive biography than in tracing Schiele as a sequence of pressures—selfhood, lineage, embodiment, symbol, and inward weather. It reads like an argument about how an artist becomes legible to himself and to history. 

    What gives the book its force is the way it frames Schiele’s style not as mere provocation, but as a language of perception. The publisher’s description emphasizes his “graphic style,” “figural distortion,” and “psychological and sexual intensity,” and Steiner’s selection of works appears designed to show that these are not decorative shocks but the core of Schiele’s artistic ethics. In this sense, the book is persuasive because it treats the body as an epistemological problem: Schiele’s figures do not simply pose; they expose. 

    The most memorable moments are those in which Steiner lets the artist’s own voice flare through the commentary. Two lines are especially revealing: “I want to taste dark water and see crackling trees and wild winds,” and “I want to look intently at grasses and pink people.” Together, they condense the book’s sensibility—an art driven by appetite, danger, tenderness, and a restless need to see more sharply than ordinary vision allows. Steiner’s achievement is to make those words feel like a key to the pictures: Schiele is not only painting bodies, but testing how far sensation can be pushed before it turns uncanny. 

    The book’s limitation is also its defining feature: at 96 pages, it is a lucid introduction rather than a deeply archival study. The publisher explicitly presents it as a selection of “key Schiele works” that introduces his “short but urgent career,” so the reader should not expect the density of a full scholarly monograph. But within those limits, Steiner offers a nimble, visually alert, and thematically coherent account of why this artist remains so unsettlingly modern. It is a book that understands that a creator’s lasting power lies not in scandal, but in intensity disciplined into form.

    #art #artBooks #artHistory #BookReviews #EgonSchiele #LiteraryCriticism #ReinhardSteiner #Steiner
  28. T.A.E.’s Book Review – Schiele by Reinhard Steiner

    Reinhard Steiner’s Schiele is a compact Taschen monograph, running to 96 pages, and its chapter structure already reveals its interpretive intelligence: “The artist’s self,” “I went by way of Klimt,” “The figure as signifier,” “The visionary and symbolic works,” and “Landscapes of the soul.” That progression suggests a book less interested in exhaustive biography than in tracing Schiele as a sequence of pressures—selfhood, lineage, embodiment, symbol, and inward weather. It reads like an argument about how an artist becomes legible to himself and to history. 

    What gives the book its force is the way it frames Schiele’s style not as mere provocation, but as a language of perception. The publisher’s description emphasizes his “graphic style,” “figural distortion,” and “psychological and sexual intensity,” and Steiner’s selection of works appears designed to show that these are not decorative shocks but the core of Schiele’s artistic ethics. In this sense, the book is persuasive because it treats the body as an epistemological problem: Schiele’s figures do not simply pose; they expose. 

    The most memorable moments are those in which Steiner lets the artist’s own voice flare through the commentary. Two lines are especially revealing: “I want to taste dark water and see crackling trees and wild winds,” and “I want to look intently at grasses and pink people.” Together, they condense the book’s sensibility—an art driven by appetite, danger, tenderness, and a restless need to see more sharply than ordinary vision allows. Steiner’s achievement is to make those words feel like a key to the pictures: Schiele is not only painting bodies, but testing how far sensation can be pushed before it turns uncanny. 

    The book’s limitation is also its defining feature: at 96 pages, it is a lucid introduction rather than a deeply archival study. The publisher explicitly presents it as a selection of “key Schiele works” that introduces his “short but urgent career,” so the reader should not expect the density of a full scholarly monograph. But within those limits, Steiner offers a nimble, visually alert, and thematically coherent account of why this artist remains so unsettlingly modern. It is a book that understands that a creator’s lasting power lies not in scandal, but in intensity disciplined into form.

    #art #artBooks #artHistory #BookReviews #EgonSchiele #LiteraryCriticism #ReinhardSteiner #Steiner
  29. DAZZLINGLY WITTY AND BLEAK Spanish novel of office work and its bleakness skillfully threads the needle between bitter satire and farce. Smart, funny, sour protagonist is both a chaos goblin and a sharp, dispassionate observer of modern life. A MINUS

    bookshop.org/p/books/disconten

    @bookstodon

    #book #Books #bookreview #bookreviews #fiction #novel #novels #satire #Madrid #Spain #Spanishwriters

  30. DAZZLINGLY WITTY AND BLEAK Spanish novel of office work and its bleakness skillfully threads the needle between bitter satire and farce. Smart, funny, sour protagonist is both a chaos goblin and a sharp, dispassionate observer of modern life. A MINUS

    bookshop.org/p/books/disconten

    @bookstodon

    #book #Books #bookreview #bookreviews #fiction #novel #novels #satire #Madrid #Spain #Spanishwriters

  31. DAZZLINGLY WITTY AND BLEAK Spanish novel of office work and its bleakness skillfully threads the needle between bitter satire and farce. Smart, funny, sour protagonist is both a chaos goblin and a sharp, dispassionate observer of modern life. A MINUS

    bookshop.org/p/books/disconten

    @bookstodon

    #book #Books #bookreview #bookreviews #fiction #novel #novels #satire #Madrid #Spain #Spanishwriters

  32. DAZZLINGLY WITTY AND BLEAK Spanish novel of office work and its bleakness skillfully threads the needle between bitter satire and farce. Smart, funny, sour protagonist is both a chaos goblin and a sharp, dispassionate observer of modern life. A MINUS

    bookshop.org/p/books/disconten

    @bookstodon

    #book #Books #bookreview #bookreviews #fiction #novel #novels #satire #Madrid #Spain #Spanishwriters

  33. DAZZLINGLY WITTY AND BLEAK Spanish novel of office work and its bleakness skillfully threads the needle between bitter satire and farce. Smart, funny, sour protagonist is both a chaos goblin and a sharp, dispassionate observer of modern life. A MINUS

    bookshop.org/p/books/disconten

    @bookstodon

    #book #Books #bookreview #bookreviews #fiction #novel #novels #satire #Madrid #Spain #Spanishwriters