home.social

#lament — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #lament, aggregated by home.social.

  1. The Web I grew up with and that grew up with me was already slowly fading. The Web of many people and organizations having their own small website. Capitalism and convenience lead to a concentration onto a small number of platforms and apps, but mostly these platforms let the rest be. People and small organizations and groups could still have their little website.

    #web #ai #llm #lament

    1/5

  2. The Web I grew up with and that grew up with me was already slowly fading. The Web of many people and organizations having their own small website. Capitalism and convenience lead to a concentration onto a small number of platforms and apps, but mostly these platforms let the rest be. People and small organizations and groups could still have their little website.

    #web #ai #llm #lament

    1/5

  3. The Web I grew up with and that grew up with me was already slowly fading. The Web of many people and organizations having their own small website. Capitalism and convenience lead to a concentration onto a small number of platforms and apps, but mostly these platforms let the rest be. People and small organizations and groups could still have their little website.

    #web #ai #llm #lament

    1/5

  4. The Web I grew up with and that grew up with me was already slowly fading. The Web of many people and organizations having their own small website. Capitalism and convenience lead to a concentration onto a small number of platforms and apps, but mostly these platforms let the rest be. People and small organizations and groups could still have their little website.

    1/5

  5. The Web I grew up with and that grew up with me was already slowly fading. The Web of many people and organizations having their own small website. Capitalism and convenience lead to a concentration onto a small number of platforms and apps, but mostly these platforms let the rest be. People and small organizations and groups could still have their little website.

    #web #ai #llm #lament

    1/5

  6. What space should be given in our lives for lament?  How should we maintain confidence in God through our #lament?

  7. What space should be given in our lives for lament?  How should we maintain confidence in God through our #lament?

  8. A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Echo drowning out the sun
    Mountain blinded by the lake
    Within a crushing cavern
    Holds a breath no thirst can slake

    Silver horns sound undented
    Roving hooves cut the meadow
    Soaring lark marks horizon
    Unmoved by absent echo

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Smoke seeps from a banked fire
    Midday matching prior night
    Open views to the distance
    Form tight enclosure from sight

    Where wildflowers hide the bedrock
    Oxen walk beneath the yoke
    Clouds linger in distant skies
    Claws as sharp as nightshade smoke

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    #coronach #lament #poetry

  9. A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Echo drowning out the sun
    Mountain blinded by the lake
    Within a crushing cavern
    Holds a breath no thirst can slake

    Silver horns sound undented
    Roving hooves cut the meadow
    Soaring lark marks horizon
    Unmoved by absent echo

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Smoke seeps from a banked fire
    Midday matching prior night
    Open views to the distance
    Form tight enclosure from sight

    Where wildflowers hide the bedrock
    Oxen walk beneath the yoke
    Clouds linger in distant skies
    Claws as sharp as nightshade smoke

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    #coronach #lament #poetry

  10. A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Echo drowning out the sun
    Mountain blinded by the lake
    Within a crushing cavern
    Holds a breath no thirst can slake

    Silver horns sound undented
    Roving hooves cut the meadow
    Soaring lark marks horizon
    Unmoved by absent echo

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    Smoke seeps from a banked fire
    Midday matching prior night
    Open views to the distance
    Form tight enclosure from sight

    Where wildflowers hide the bedrock
    Oxen walk beneath the yoke
    Clouds linger in distant skies
    Claws as sharp as nightshade smoke

    A flock of ravens take rest
    Rising past mist to tree top
    And the blossoms that billow
    Bare not when the tree will drop

    #coronach #lament #poetry

  11. Made a Mural of Me

    I have walked streets where the walls remember
    better than the governments do.

    I have stood beneath the painted faces
    of the disappeared, the assassinated,
    the catechists, the campesinos,
    the students, the mothers,
    the ones whose names were spoken once with terror
    and now are spoken with flowers.

    I have seen their eyes in plaster and pigment,
    their halos done in cheap color,
    their mouths half open as if the wall itself
    were still trying to tell the story
    of what was done to them.

    In Central America,
    I learned that a wall can become a gospel
    when the newspapers lie.
    A wall can become an archive
    when the official files are burned,
    when the generals call murder peace,
    when the empire calls bloodshed stability,
    when the poor are told to forget
    for the sake of moving on.

    But the wall does not move on.

    The wall says: here.
    The wall says: this happened.
    The wall says: this child had a name.
    This priest had hands.
    This woman had laughter.
    This union worker had a mother.
    This martyr did not die in abstraction,
    did not perish as an example,
    did not vanish into a sermon illustration.
    They were flesh.
    They were breath.
    They were somebody’s beloved.

    And I have seen it elsewhere too.

    Not only there, where memory was brushed onto concrete
    beneath the long shadow of rifles and oligarchs,
    but here,
    in this empire’s marble reach,
    in this capital of speeches and signatures,
    in neighborhoods of D.C. where color rises up
    against erasure,
    where the dead look down from brick walls
    and ask the living what exactly we are doing
    with the testimony they left us.

    I have walked those streets too,
    where murals bloom like wounds that refuse to close,
    where every face says both remember
    and why again?

    That is the ache of it.

    Because a mural is beautiful,
    but it is also an indictment.

    A mural is what happens
    when grief runs out of sanctioned places to go.
    When cemeteries are too quiet,
    when courtrooms are too compromised,
    when history books are too polite,
    when churches would rather canonize the dead
    than stand beside the threatened living,
    someone climbs a ladder with paint
    and says:
    You will not make us forget.

    And yet even that holy act contains a heartbreak.

    Because every new mural is also a confession
    that we have failed again.

    We say we honor the martyrs.
    We paint them large.
    We ring them with light.
    We write their names in careful letters.
    We tell their stories to our children.
    We call them seeds.
    We call them saints.
    We call them witnesses.

    But if we must keep making more walls,
    if there is always another name,
    another mother,
    another child,
    another prophet with blood on their shirt,
    another journalist, another dreamer, another body,
    then our memorials are not only songs of praise.
    They are laments.
    They are accusations.
    They are unfinished prayers.

    I do not want a world
    where we become very skilled
    at decorating the aftermath.

    I do not want justice outsourced to artists
    because legislators are cowards,
    because police departments close ranks,
    because borders harden,
    because markets consume,
    because nations baptize their violence
    and then ask poets to clean up the silence.

    I am grateful for the murals.
    God, I am grateful for them.
    For the ones who paint the saints with brown hands
    and tired eyes.
    For the ones who make a wall preach.
    For the ones who turn an alley into a liturgy.
    For the ones who refuse the second death,
    the death of being forgotten.

    But I am tired of needing them.

    Tired of standing before another radiant face
    and knowing radiance came at the price of a bullet.
    Tired of admiring the colors
    while knowing the color had to cover over grief
    too large for speech.
    Tired of telling the story again
    because the engines that made the story
    were never dismantled,
    only rebranded, relocated, repainted.

    That is the terrible genius of empire.
    It learns to tolerate memorials
    so long as the machinery of martyr-making stays intact.

    Put the face on the wall.
    Name the school after the slain.
    Hold the vigil.
    Light the candle.
    Share the quote.
    Then fund the weapons.
    Protect the system.
    Discredit the witness.
    Fortify the border.
    Ignore the neighborhood.
    Silence the poor.
    And when the next body falls,
    commission another mural.

    No.

    There is something obscene
    about praising the courage of the dead
    while refusing the cost of solidarity with the living.

    There is something blasphemous
    about loving Romero on the wall
    but not listening to prophets now.
    About cherishing painted martyrs in San Salvador
    and neglecting crucified people in Washington,
    in detention centers,
    in poor towns,
    in Black and brown neighborhoods,
    in places where the state still knows how to kneel
    on a neck,
    how to disappear a future,
    how to call a human being illegal
    before making them dead in spirit.

    So yes,
    I have walked among the murals.
    And yes,
    they have taught me.

    They taught me that memory is resistance.
    That color can be a form of defiance.
    That beauty can tell the truth
    when official language becomes a mask for murder.
    They taught me the communion of saints
    sometimes looks less like stained glass
    and more like chipped paint on cinder block.
    Less like cathedral windows
    and more like public walls under open sky.

    They taught me that the martyrs are still speaking.
    Not only from heaven.
    From brick.
    From alley.
    From barrio.
    From the side of a building everyone passes
    on the way to work,
    on the way to school,
    on the way to forgetting.

    And they taught me to shudder.

    Because sometimes, standing there,
    I have had the strange and terrible thought:

    One day they could make a mural of me.

    Not because I seek glory.
    Not because I imagine myself noble.
    Not because I think suffering makes a person pure.
    But because in a world like this,
    where truth still threatens power,
    where solidarity still has a price,
    where loving the crucified too closely
    can still get you crucified,
    any one of us who dares enough
    might end up as paint.

    Made a mural of me.

    Put me on a wall with the others.
    Give me a background of sunburst gold,
    or deep blue,
    or the red of blood transfigured into witness.
    Paint my face calmer than I ever was in life.
    Smooth out my fear.
    Make me look brave.

    But if you do,
    let the mural say I did not want this.

    Let it say I wanted fewer murals,
    not more.

    Let it say I wanted children to know these names
    without needing to inherit their wounds.
    Let it say I wanted nations to repent
    before artists had to remember for them.
    Let it say I wanted churches
    to become sanctuaries of the endangered
    instead of galleries of the already slain.
    Let it say I wanted the wall
    to go blank someday,
    not from amnesia,
    but from justice.

    That is my prayer now.

    Not that we stop honoring the martyrs.
    Never that.
    Paint them.
    Sing them.
    Tell them.
    Teach them.
    Write them in the streets and on the doors
    and in the marrow of the young.

    But also:
    stop making so many of them.

    Let there come a day
    when the painters have to find another subject.
    When the ladders lean against walls
    for festivals instead of funerals.
    When color is used for delight
    and not only for defiance.
    When remembrance is no longer emergency labor.
    When the living are protected enough
    that martyrdom becomes rare,
    and rare enough
    that every new death shocks us again.

    Until then,
    the walls will keep preaching.

    And I will keep listening
    with gratitude and grief,
    with reverence and anger,
    with hope cracked open but not empty.

    Because every mural is a promise
    the dead make to the living:

    We are still here.
    We are watching what you do next.
    Do not honor us
    by becoming connoisseurs of tragedy.
    Honor us
    by ending the thing that killed us.

    And until that day,
    the paint will keep drying,
    and the faces will keep multiplying,
    and the walls will keep learning names
    they should never have had to learn.

    And I will stand before them,
    heart broken open,
    thinking:

    this wall should be empty by now.

    #CentralAmerica #Justice #Lament #Martyrs #memory #murals #peace #propheticWitness #ProsePoem #publicArt #solidarity #SpokenWord #WashingtonDC
  12. Made a Mural of Me

    I have walked streets where the walls remember
    better than the governments do.

    I have stood beneath the painted faces
    of the disappeared, the assassinated,
    the catechists, the campesinos,
    the students, the mothers,
    the ones whose names were spoken once with terror
    and now are spoken with flowers.

    I have seen their eyes in plaster and pigment,
    their halos done in cheap color,
    their mouths half open as if the wall itself
    were still trying to tell the story
    of what was done to them.

    In Central America,
    I learned that a wall can become a gospel
    when the newspapers lie.
    A wall can become an archive
    when the official files are burned,
    when the generals call murder peace,
    when the empire calls bloodshed stability,
    when the poor are told to forget
    for the sake of moving on.

    But the wall does not move on.

    The wall says: here.
    The wall says: this happened.
    The wall says: this child had a name.
    This priest had hands.
    This woman had laughter.
    This union worker had a mother.
    This martyr did not die in abstraction,
    did not perish as an example,
    did not vanish into a sermon illustration.
    They were flesh.
    They were breath.
    They were somebody’s beloved.

    And I have seen it elsewhere too.

    Not only there, where memory was brushed onto concrete
    beneath the long shadow of rifles and oligarchs,
    but here,
    in this empire’s marble reach,
    in this capital of speeches and signatures,
    in neighborhoods of D.C. where color rises up
    against erasure,
    where the dead look down from brick walls
    and ask the living what exactly we are doing
    with the testimony they left us.

    I have walked those streets too,
    where murals bloom like wounds that refuse to close,
    where every face says both remember
    and why again?

    That is the ache of it.

    Because a mural is beautiful,
    but it is also an indictment.

    A mural is what happens
    when grief runs out of sanctioned places to go.
    When cemeteries are too quiet,
    when courtrooms are too compromised,
    when history books are too polite,
    when churches would rather canonize the dead
    than stand beside the threatened living,
    someone climbs a ladder with paint
    and says:
    You will not make us forget.

    And yet even that holy act contains a heartbreak.

    Because every new mural is also a confession
    that we have failed again.

    We say we honor the martyrs.
    We paint them large.
    We ring them with light.
    We write their names in careful letters.
    We tell their stories to our children.
    We call them seeds.
    We call them saints.
    We call them witnesses.

    But if we must keep making more walls,
    if there is always another name,
    another mother,
    another child,
    another prophet with blood on their shirt,
    another journalist, another dreamer, another body,
    then our memorials are not only songs of praise.
    They are laments.
    They are accusations.
    They are unfinished prayers.

    I do not want a world
    where we become very skilled
    at decorating the aftermath.

    I do not want justice outsourced to artists
    because legislators are cowards,
    because police departments close ranks,
    because borders harden,
    because markets consume,
    because nations baptize their violence
    and then ask poets to clean up the silence.

    I am grateful for the murals.
    God, I am grateful for them.
    For the ones who paint the saints with brown hands
    and tired eyes.
    For the ones who make a wall preach.
    For the ones who turn an alley into a liturgy.
    For the ones who refuse the second death,
    the death of being forgotten.

    But I am tired of needing them.

    Tired of standing before another radiant face
    and knowing radiance came at the price of a bullet.
    Tired of admiring the colors
    while knowing the color had to cover over grief
    too large for speech.
    Tired of telling the story again
    because the engines that made the story
    were never dismantled,
    only rebranded, relocated, repainted.

    That is the terrible genius of empire.
    It learns to tolerate memorials
    so long as the machinery of martyr-making stays intact.

    Put the face on the wall.
    Name the school after the slain.
    Hold the vigil.
    Light the candle.
    Share the quote.
    Then fund the weapons.
    Protect the system.
    Discredit the witness.
    Fortify the border.
    Ignore the neighborhood.
    Silence the poor.
    And when the next body falls,
    commission another mural.

    No.

    There is something obscene
    about praising the courage of the dead
    while refusing the cost of solidarity with the living.

    There is something blasphemous
    about loving Romero on the wall
    but not listening to prophets now.
    About cherishing painted martyrs in San Salvador
    and neglecting crucified people in Washington,
    in detention centers,
    in poor towns,
    in Black and brown neighborhoods,
    in places where the state still knows how to kneel
    on a neck,
    how to disappear a future,
    how to call a human being illegal
    before making them dead in spirit.

    So yes,
    I have walked among the murals.
    And yes,
    they have taught me.

    They taught me that memory is resistance.
    That color can be a form of defiance.
    That beauty can tell the truth
    when official language becomes a mask for murder.
    They taught me the communion of saints
    sometimes looks less like stained glass
    and more like chipped paint on cinder block.
    Less like cathedral windows
    and more like public walls under open sky.

    They taught me that the martyrs are still speaking.
    Not only from heaven.
    From brick.
    From alley.
    From barrio.
    From the side of a building everyone passes
    on the way to work,
    on the way to school,
    on the way to forgetting.

    And they taught me to shudder.

    Because sometimes, standing there,
    I have had the strange and terrible thought:

    One day they could make a mural of me.

    Not because I seek glory.
    Not because I imagine myself noble.
    Not because I think suffering makes a person pure.
    But because in a world like this,
    where truth still threatens power,
    where solidarity still has a price,
    where loving the crucified too closely
    can still get you crucified,
    any one of us who dares enough
    might end up as paint.

    Made a mural of me.

    Put me on a wall with the others.
    Give me a background of sunburst gold,
    or deep blue,
    or the red of blood transfigured into witness.
    Paint my face calmer than I ever was in life.
    Smooth out my fear.
    Make me look brave.

    But if you do,
    let the mural say I did not want this.

    Let it say I wanted fewer murals,
    not more.

    Let it say I wanted children to know these names
    without needing to inherit their wounds.
    Let it say I wanted nations to repent
    before artists had to remember for them.
    Let it say I wanted churches
    to become sanctuaries of the endangered
    instead of galleries of the already slain.
    Let it say I wanted the wall
    to go blank someday,
    not from amnesia,
    but from justice.

    That is my prayer now.

    Not that we stop honoring the martyrs.
    Never that.
    Paint them.
    Sing them.
    Tell them.
    Teach them.
    Write them in the streets and on the doors
    and in the marrow of the young.

    But also:
    stop making so many of them.

    Let there come a day
    when the painters have to find another subject.
    When the ladders lean against walls
    for festivals instead of funerals.
    When color is used for delight
    and not only for defiance.
    When remembrance is no longer emergency labor.
    When the living are protected enough
    that martyrdom becomes rare,
    and rare enough
    that every new death shocks us again.

    Until then,
    the walls will keep preaching.

    And I will keep listening
    with gratitude and grief,
    with reverence and anger,
    with hope cracked open but not empty.

    Because every mural is a promise
    the dead make to the living:

    We are still here.
    We are watching what you do next.
    Do not honor us
    by becoming connoisseurs of tragedy.
    Honor us
    by ending the thing that killed us.

    And until that day,
    the paint will keep drying,
    and the faces will keep multiplying,
    and the walls will keep learning names
    they should never have had to learn.

    And I will stand before them,
    heart broken open,
    thinking:

    this wall should be empty by now.

    #CentralAmerica #Justice #Lament #Martyrs #memory #murals #peace #propheticWitness #ProsePoem #publicArt #solidarity #SpokenWord #WashingtonDC
  13. Biblioteca

    Verse 1
    You can keep hunting for a reason
    In between the lines
    I'm going to write my epitaph
    On a bullet-broken spine

    Look under number 16
    See who you will find
    Rip another page out
    Until the clock ticks 49.

    Verse 2
    No, this isn't ketchup
    You're not going blind
    Who's the soft boy now?
    And now we're out of time.

    Despair is on the menu
    Hate is the wine
    The table's set for 16
    Here is where we'll dine

    Bridge
    Shame me
    Name me
    Call me what you will
    Fame me
    Game me
    It's time to pay the bill

    Outro
    I'm not your anti-hero
    I'm not the martyr kind
    I'm just another lost boy
    Who stepped over the line

    No more power-ups
    No more petty crime
    Checked out at 1208
    Out of sight
    Out of mind
    #Columbine #copycats #grief #hopelessness #Lament #martyrdom #Masculinity #Rage #ritesOfPassage #schoolShooting #shame #SongLyrics
  14. Beyond the World

    He was sitting here.
    Here, where cups were lifted,
    where steam from soup and broth
    blurred the window a little,
    where ordinary hunger met ordinary light,
    where a hand could rest on a tabletop
    and still belong to the world.

    He was sitting here playing guitar,
    not yet a headline,
    not yet a number folded into the nation’s mouth,
    not yet a yellow ribbon,
    not yet a photograph held up
    by trembling fingers in a street full of rain.

    He was talking about the trip
    the way young people talk
    when tomorrow still sounds trustworthy,
    when distance is a bright thing,
    when the sea is only scenery,
    when adults are supposed to know
    what to do with danger.

    Just how important this trip was to him.
    As if importance could save anyone.
    As if excitement were a life jacket.
    As if hope could float.
    As if the world did not so often
    require the young
    to pay for the negligence of the old.

    And what is justice
    before a table still remembering elbows,
    before a chair with no one in it,
    before a guitar that will never again
    be lifted by the hands
    that taught its strings to speak?

    What court can summon the water?
    What sentence can be passed
    against a wave,
    against greed,
    against cowardice dressed as procedure,
    against every polished lie
    that told children to stay where they were
    while death kept climbing?

    No justice.
    Not enough for the mothers
    whose sleep is now a corridor of names.
    Not enough for the fathers
    who learned that rage can outlive prayer.
    Not enough for classmates
    growing older than the dead.
    Not enough for a people
    forced to memorize the sound
    of preventable sorrow.

    Because justice, if it comes at all,
    comes limping.
    Comes after the cameras.
    Comes after the flowers have browned at the edges.
    Comes after officials bow their heads
    and call grief a lesson.
    Comes after memory has already done
    the harder work
    of refusing to let the lost be managed.

    Still, I want to say his life was larger
    than the drowning.
    Larger than the ferry’s tilted throat.
    Larger than the cold arithmetic of blame.
    He was sitting here.
    He was playing guitar.
    He was talking.
    He was alive in the small bright ways
    that make the ruin unbearable.

    That is the wound.
    Not only that they died,
    but that they lived so specifically—
    with favorite songs,
    half-finished jokes,
    text messages unsent,
    plans folded in their pockets
    like paper birds.

    No justice can return him
    to the chair,
    to the restaurant by the school,
    to the moment before the sea
    became an accusation.

    But let there be this much:
    that we do not call forgetting peace.
    That we do not call delay wisdom.
    That we do not call apology repair.
    That we do not let profit, pride, or power
    bury the children twice.

    He was sitting here playing guitar,
    talking about just how important
    this trip was to him.

    So let the line remain open,
    like a string still trembling
    after the hand is gone.
    Let it accuse us.
    Let it haunt the rooms
    where decisions are made.
    Let it be heavier than slogans,
    sharper than ceremony,
    truer than the speeches of men
    who survive their own failures.

    And let the dead
    be more than the manner of their dying.

    Let them be remembered
    sitting here,
    in the light,
    with music in them,
    with tomorrow in them,
    with all that was entrusted to the world—
    and all that the world
    had no right
    to take.

    (Author’s Note: On April 16, 2014, the South Korean ferry Sewol sank off the country’s southwestern coast while carrying hundreds of passengers, many of them students from Danwon High School on a class trip. More than 300 people died, most of them teenagers. The ferry was carrying twice its legal capacity and the investigation found significant negligence and falsified documentation from ferry owners and the coast guard. This poem is based on a CNN article retrieved from https://www.cnn.com/2014/04/25/world/asia/south-korea-lost-students

    #BeyondTheWorld #grief #Justice #Lament #Poetry #remembrance #Sewol #SewolFerryDisaster #SouthKorea #Tragedy
  15. A Trip to the Moon

    History, Artemis, and Humanity’s Space Junk

    There is something almost innocent, at first glance, about Georges Méliès’s A Trip to the Moon. The painted sets, the theatrical gestures, the famous image of the capsule lodged in the eye of the moon — all of it feels whimsical, handmade, full of wonder. It bears the marks of ingenuity in their freshest form. Cinema is still young. Imagination is learning what machinery can do. Human beings are discovering that they can build not only devices, but dreams.

    And yet, to watch the film closely is to feel a disturbance beneath the delight.

    The voyage is not simply a journey. It is an invasion. The moon is not approached with humility or reverence, but penetrated, subdued, and turned into a stage for conquest. The lunar beings are encountered not as neighbors in wonder but as hostile “natives,” there to be struck, shattered, and overcome. The travelers return not merely with experience, but with a captive and a triumphal procession. What looks at first like fantasy reveals itself as a little parable of empire.

    That is why the film still matters. It is not only an early science-fiction spectacle. It is an early warning.

    Read the full essay at PeaceGrooves.

    #ATripToTheMoon #Artemis #colonialism #Conquest #culturalCritique #EarlyCinema #Empire #FearOfTheUnknown #FilmReflection #HonoringMystery #humanNature #Lament #Modernity #MoonRace #Moonfall #moralImagination #mystery #Otherness #propheticReflection #Racism #Reverence #scienceFiction #SpaceExploration #StarsAndEmpire #TechnologyAndEthics #Violence #Wonder
  16. A Trip to the Moon

    History, Artemis, and Humanity’s Space Junk

    There is something almost innocent, at first glance, about Georges Méliès’s A Trip to the Moon. The painted sets, the theatrical gestures, the famous image of the capsule lodged in the eye of the moon — all of it feels whimsical, handmade, full of wonder. It bears the marks of ingenuity in their freshest form. Cinema is still young. Imagination is learning what machinery can do. Human beings are discovering that they can build not only devices, but dreams.

    And yet, to watch the film closely is to feel a disturbance beneath the delight.

    The voyage is not simply a journey. It is an invasion. The moon is not approached with humility or reverence, but penetrated, subdued, and turned into a stage for conquest. The lunar beings are encountered not as neighbors in wonder but as hostile “natives,” there to be struck, shattered, and overcome. The travelers return not merely with experience, but with a captive and a triumphal procession. What looks at first like fantasy reveals itself as a little parable of empire.

    That is why the film still matters. It is not only an early science-fiction spectacle. It is an early warning.

    Read the full essay at PeaceGrooves.

    #ATripToTheMoon #Artemis #colonialism #Conquest #culturalCritique #EarlyCinema #Empire #FearOfTheUnknown #FilmReflection #HonoringMystery #humanNature #Lament #Modernity #MoonRace #Moonfall #moralImagination #mystery #Otherness #propheticReflection #Racism #Reverence #scienceFiction #SpaceExploration #StarsAndEmpire #TechnologyAndEthics #Violence #Wonder
  17. Excommunicate Me

    Excommunicate me, then.
    Ring the bell if you have one. Draw the line in ash. Nail the notice to the chapel door. Speak my name in the flat voice reserved for weather, death, and disappointment. Tell the saints to avert their eyes. Tell the children not to ask questions. Tell the old women in the kitchen to lower their voices when I pass. I have grown used to doors closing with the gentleness of those who think themselves righteous.

    Excommunicate me for loving too widely, for asking where the missing ones went, for lingering too long at the edge of the map where the heretics, addicts, doubters, dissidents, and queer-eyed prophets make their fires at night. Excommunicate me for saying that Christ still wanders there, coat smelling of smoke, hands warm from other people’s wounds. Excommunicate me for suspecting that the kingdom keeps being born in places your committees have not approved.

    Cast me out for refusing to confuse your fences with holiness.
    Cast me out for noticing how often your purity is purchased with somebody else’s loneliness.
    Cast me out for believing that a table is still a table even when the wrong people find bread there first.

    I know how this works. First comes the sorrowful meeting. Then the careful language. Then the phrases dressed in prayer like soldiers dressed in hymnals. We say discernment when we mean fear. We say order when we mean control. We say peace when we mean silence from those already bruised. We say love while measuring who may enter it. We say truth with our arms folded.

    Excommunicate me because I cannot keep pretending that the wound in the Body is healed by cutting off another limb.

    I have seen too much of the outside to fear it now. I have seen the banished making soup for one another. I have seen the condemned share coats in winter. I have seen those denied the sacraments become sacraments for each other: bread in famine, oil in sickness, a hand on the shoulder in the long vestibule of grief. I have heard better theology whispered on back steps than shouted from polished pulpits. I have watched the Spirit climb out the stained-glass window and go where she is not expected.

    Excommunicate me, and I will go down among the unclaimed.
    I will kneel beside the ones your footnotes could not save.
    I will keep company with the mothers whose prayers embarrassed you, the children whose questions outgrew your answers, the men who wept when they were told to be strong, the women who spoke and were called dangerous, the wanderers who could not make your narrow gate into a home.

    And if you shut me out from your sanctuary, I will make a sanctuary of the road.
    If you deny me your blessing, I will learn the blessing of crows at morning, of rain on rusted tin, of strangers who still know how to share fire.
    If you call me lost, I will answer that some of us were never meant to be found by empires.

    Do not threaten me with the outer dark.
    I have met God there.

    Not the tidy god of minutes and motions, not the well-behaved deity who always sides with the CEO, but the God who haunts the threshold, who leaves the ninety-nine to go where the crying is, who touches the unclean and is not diminished, who slips through locked doors and still carries wounds, who keeps raising what the pious have buried.

    Excommunicate me for this: I no longer believe belonging is yours to ration.
    I no longer believe grace requires your seal.
    I no longer believe heaven trembles when your vote is taken.
    The veil was torn without your permission, and it has never been properly mended.

    So do it.
    Write me out.
    Strike my name from the roll.
    Erase me from the minutes.
    Tell yourselves the garden is safer now that one more wild thing has been removed.

    But listen: roots work in secret. Seeds pass through the beaks of birds and are planted in their shit. Wind ignores decrees. What you cast out does not always die. Sometimes it takes hold beyond the wall and flowers in the rubble, and those passing by say, I did not know beauty could grow here.

    Excommunicate me, then.
    I will go with Christ among the cast out.
    I will go where the lepers still ring their bells, where the scapegoats stagger into the wilderness, where the rejected stone waits in the dust.
    And when at last you come looking for God, breathless with your censures, your keys jangling at your side, do not be surprised to find us already inside the feast, the doors flung wide, the music loud, the wounded laughing, and every empty place at the table set for one more.

    #bell #Belonging #Brokenness #castOut #ChristAmongTheRejected #Church #ChurchCritique #crow #ecclesiology #exclusion #Excommunication #faithAndDoubt #Grace #holiness #kingdomOfGod #lamb #Lament #margins #Mercy #outcast #outsiderFaith #propheticPoetry #ProsePoem #radicalHospitality #Redemption #sacredDefiance #sanctuary #spiritualResistance #stainedGlass #symbolicPhotography #threshold #Wilderness #woundedBody
  18. Lent begins in the wilderness. So does the Great Litany. This year, let the ancient prayer teach you a new discipline: the courage to cry out. notd.io/n/LearningtoLament #Episcopal #Lent #GreatLitany #Lament

  19. Lent begins in the wilderness. So does the Great Litany. This year, let the ancient prayer teach you a new discipline: the courage to cry out. notd.io/n/LearningtoLament #Episcopal #Lent #GreatLitany #Lament

  20. Lent begins in the wilderness. So does the Great Litany. This year, let the ancient prayer teach you a new discipline: the courage to cry out. notd.io/n/LearningtoLament #Episcopal #Lent #GreatLitany #Lament

  21. Lent begins in the wilderness. So does the Great Litany. This year, let the ancient prayer teach you a new discipline: the courage to cry out. notd.io/n/LearningtoLament #Episcopal #Lent #GreatLitany #Lament

  22. @thestrangelet

    I think they exist, but they are tiny, not numerous, and widely dispersed. If you happen to find a #nonprofit or #QUANGO or co-operative that needs tech assistance, I think you could have a good chance of finding your skills put to use #ethically, possibly even helping make other peoples' lives better.

    The #income is not going to be in the same league with working for Big Tech's extraction machines and misery production lines, though.

    I used to do independent consulting for many years, before being lured back into an employee role for the last 4-5 years (spread across 2 companies/periods) before I was laid off, just before the "AI" boom kicked off in earnest. I would love to get back into that, even short-term engagements helping tiny orgs and sole proprietorships who happen to be doing things that meet my ethical standards. I haven't had much luck finding anything.

    My industry used to make things, things that people wanted, things that people used for work, for commerce, for fun, for joy. Now it seems the only things that pay are rent-extraction, people-exploitation, and financial scams like gambling and "innovative financial product".

    Sorry I can't be more positive about this. How about this: I've been #volunteering with my local Repair Cafe for ~6 months, and after each one of those I feel I have accomplished more good than in my last 5 years of paid work.

    #RepairCafe #lament #IT #software #CoOp #BigTech #AI #LLM

  23. @thestrangelet

    I think they exist, but they are tiny, not numerous, and widely dispersed. If you happen to find a #nonprofit or #QUANGO or co-operative that needs tech assistance, I think you could have a good chance of finding your skills put to use #ethically, possibly even helping make other peoples' lives better.

    The #income is not going to be in the same league with working for Big Tech's extraction machines and misery production lines, though.

    I used to do independent consulting for many years, before being lured back into an employee role for the last 4-5 years (spread across 2 companies/periods) before I was laid off, just before the "AI" boom kicked off in earnest. I would love to get back into that, even short-term engagements helping tiny orgs and sole proprietorships who happen to be doing things that meet my ethical standards. I haven't had much luck finding anything.

    My industry used to make things, things that people wanted, things that people used for work, for commerce, for fun, for joy. Now it seems the only things that pay are rent-extraction, people-exploitation, and financial scams like gambling and "innovative financial product".

    Sorry I can't be more positive about this. How about this: I've been #volunteering with my local Repair Cafe for ~6 months, and after each one of those I feel I have accomplished more good than in my last 5 years of paid work.

    #RepairCafe #lament #IT #software #CoOp #BigTech #AI #LLM

  24. @thestrangelet

    I think they exist, but they are tiny, not numerous, and widely dispersed. If you happen to find a #nonprofit or #QUANGO or co-operative that needs tech assistance, I think you could have a good chance of finding your skills put to use #ethically, possibly even helping make other peoples' lives better.

    The #income is not going to be in the same league with working for Big Tech's extraction machines and misery production lines, though.

    I used to do independent consulting for many years, before being lured back into an employee role for the last 4-5 years (spread across 2 companies/periods) before I was laid off, just before the "AI" boom kicked off in earnest. I would love to get back into that, even short-term engagements helping tiny orgs and sole proprietorships who happen to be doing things that meet my ethical standards. I haven't had much luck finding anything.

    My industry used to make things, things that people wanted, things that people used for work, for commerce, for fun, for joy. Now it seems the only things that pay are rent-extraction, people-exploitation, and financial scams like gambling and "innovative financial product".

    Sorry I can't be more positive about this. How about this: I've been #volunteering with my local Repair Cafe for ~6 months, and after each one of those I feel I have accomplished more good than in my last 5 years of paid work.

    #RepairCafe #lament #IT #software #CoOp #BigTech #AI #LLM

  25. @thestrangelet

    I think they exist, but they are tiny, not numerous, and widely dispersed. If you happen to find a #nonprofit or #QUANGO or co-operative that needs tech assistance, I think you could have a good chance of finding your skills put to use #ethically, possibly even helping make other peoples' lives better.

    The #income is not going to be in the same league with working for Big Tech's extraction machines and misery production lines, though.

    I used to do independent consulting for many years, before being lured back into an employee role for the last 4-5 years (spread across 2 companies/periods) before I was laid off, just before the "AI" boom kicked off in earnest. I would love to get back into that, even short-term engagements helping tiny orgs and sole proprietorships who happen to be doing things that meet my ethical standards. I haven't had much luck finding anything.

    My industry used to make things, things that people wanted, things that people used for work, for commerce, for fun, for joy. Now it seems the only things that pay are rent-extraction, people-exploitation, and financial scams like gambling and "innovative financial product".

    Sorry I can't be more positive about this. How about this: I've been #volunteering with my local Repair Cafe for ~6 months, and after each one of those I feel I have accomplished more good than in my last 5 years of paid work.

    #RepairCafe #lament #IT #software #CoOp #BigTech #AI #LLM

  26. @thestrangelet

    I think they exist, but they are tiny, not numerous, and widely dispersed. If you happen to find a #nonprofit or #QUANGO or co-operative that needs tech assistance, I think you could have a good chance of finding your skills put to use #ethically, possibly even helping make other peoples' lives better.

    The #income is not going to be in the same league with working for Big Tech's extraction machines and misery production lines, though.

    I used to do independent consulting for many years, before being lured back into an employee role for the last 4-5 years (spread across 2 companies/periods) before I was laid off, just before the "AI" boom kicked off in earnest. I would love to get back into that, even short-term engagements helping tiny orgs and sole proprietorships who happen to be doing things that meet my ethical standards. I haven't had much luck finding anything.

    My industry used to make things, things that people wanted, things that people used for work, for commerce, for fun, for joy. Now it seems the only things that pay are rent-extraction, people-exploitation, and financial scams like gambling and "innovative financial product".

    Sorry I can't be more positive about this. How about this: I've been #volunteering with my local Repair Cafe for ~6 months, and after each one of those I feel I have accomplished more good than in my last 5 years of paid work.

    #RepairCafe #lament #IT #software #CoOp #BigTech #AI #LLM

  27. The Psalm: #Psalm 32:1-11
     
    #David wrote a psalm for the people of God to #confess and #lament their #sins