#belonging — Public Fediverse posts

But back home, or: This brown earth

A Sijo

through my childhood's winters
my feathers turned as white as snow;
but back home on this brown earth
the very shade exposes me;
unruffled while in full view
I tuck my beak beneath one wing 

What Do You See 359

For WDYS, Sadje offers us a photo by Ali Kazal (Pexels) of a snowy owl perched on a log in a serene forest in Alberta, Canada.

As always, Sadje is eagerly awaiting our responses!

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

But back home, or: This brown earth

A Sijo

through my childhood's winters
my feathers turned as white as snow;
but back home on this brown earth
the very shade exposes me;
unruffled while in full view
I tuck my beak beneath one wing 

What Do You See 359

For WDYS, Sadje offers us a photo by Ali Kazal (Pexels) of a snowy owl perched on a log in a serene forest in Alberta, Canada.

As always, Sadje is eagerly awaiting our responses!

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

But back home, or: This brown earth

A Sijo

through my childhood's winters
my feathers turned as white as snow;
but back home on this brown earth
the very shade exposes me;
unruffled while in full view
I tuck my beak beneath one wing 

What Do You See 359

For WDYS, Sadje offers us a photo by Ali Kazal (Pexels) of a snowy owl perched on a log in a serene forest in Alberta, Canada.

As always, Sadje is eagerly awaiting our responses!

Sijo?

A Korean verse form related to haiku and tanka and comprised of three lines of 14-16 syllables each, for a total of 44-46 syllables. Each line contains a pause near the middle, similar to a caesura, though the break need not be metrical. The first half of the line contains six to nine syllables; the second half should contain no fewer than five. Originally intended as songs, sijo can treat romantic, metaphysical, or spiritual themes. Whatever the subject, the first line introduces an idea or story, the second supplies a “turn,” and the third provides closure. Modern sijo are sometimes printed in six lines.

Let’s write poetry together!

When it comes to partnership, some humans can make their lives alone – it’s possible. But creatively, it’s more like painting: you can’t just use the same colours in every painting. It’s just not an option. You can’t take the same photograph every time and live with art forms with no differences.

–Ben Harper (b. 1969)

Would you like to create poetry with me and have a completed poem of yours featured here at the Skeptic’s Kaddish? I am very excited to have launched the ‘Poetry Partners’ initiative and am looking forward to meeting and creating with you… Check it out!

A quotation from Hannah Arendt

The disturbing factor in the success of totalitarianism is rather the true selflessness of its adherents: it may be understandable that a Nazi or Bolshevik will not be shaken in his conviction by crimes against people who do not belong to the movement or are even hostile to it; but the amazing fact is that neither is he likely to waver when the monster begins to devour its own children, and not even if he becomes a victim of persecution himself, if he is framed and condemned, if he is purged from the party and sent to a forced-labor or concentration camp. On the contrary, to the wonder of the whole civilized world, he may even be willing to help in his own prosecution and frame his own death sentence if only his status as a member of the movement is not touched.

Hannah Arendt (1906-1975) German-American philosopher, political theorist
Origins of Totalitarianism, Part 3, ch. 10 “A Classless Society,” sec. 1 (1951)

More about this quote: wist.info/arendt-hannah/42025/

#quote #quotes #quotation #qotd #arendt #hannaharendt #belonging #fanatic #fanaticism #identity #loyalty #movement #partisan #selfdestruction #selfpreservation #selflessness #totalitarianism #tribalism #zealotry

A quotation from Hannah Arendt

The disturbing factor in the success of totalitarianism is rather the true selflessness of its adherents: it may be understandable that a Nazi or Bolshevik will not be shaken in his conviction by crimes against people who do not belong to the movement or are even hostile to it; but the amazing fact is that neither is he likely to waver when the monster begins to devour its own children, and not even if he becomes a victim of persecution himself, if he is framed and condemned, if he is purged from the party and sent to a forced-labor or concentration camp. On the contrary, to the wonder of the whole civilized world, he may even be willing to help in his own prosecution and frame his own death sentence if only his status as a member of the movement is not touched.

Hannah Arendt (1906-1975) German-American philosopher, political theorist
Origins of Totalitarianism, Part 3, ch. 10 “A Classless Society,” sec. 1 (1951)

More about this quote: wist.info/arendt-hannah/42025/

#quote #quotes #quotation #qotd #arendt #hannaharendt #belonging #fanatic #fanaticism #identity #loyalty #movement #partisan #selfdestruction #selfpreservation #selflessness #totalitarianism #tribalism #zealotry

A quotation from Hannah Arendt

The disturbing factor in the success of totalitarianism is rather the true selflessness of its adherents: it may be understandable that a Nazi or Bolshevik will not be shaken in his conviction by crimes against people who do not belong to the movement or are even hostile to it; but the amazing fact is that neither is he likely to waver when the monster begins to devour its own children, and not even if he becomes a victim of persecution himself, if he is framed and condemned, if he is purged from the party and sent to a forced-labor or concentration camp. On the contrary, to the wonder of the whole civilized world, he may even be willing to help in his own prosecution and frame his own death sentence if only his status as a member of the movement is not touched.

Hannah Arendt (1906-1975) German-American philosopher, political theorist
Origins of Totalitarianism, Part 3, ch. 10 “A Classless Society,” sec. 1 (1951)

More about this quote: wist.info/arendt-hannah/42025/

#quote #quotes #quotation #qotd #arendt #hannaharendt #belonging #fanatic #fanaticism #identity #loyalty #movement #partisan #selfdestruction #selfpreservation #selflessness #totalitarianism #tribalism #zealotry