home.social

#samhain — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #samhain, aggregated by home.social.

  1. L'automne n'est pas encore là, mais peut-être faites-vous partie des gens qui sont déjà en train de changer la déco, d'installer des chandelles, de guetter les premières soirées plaid boissons chaudes ?
    Saison Sombre est pour vous. Ce tirage d'art aux tons de chocolat et de cannelle accompagnera délicieusement la chute des feuilles d'arbres.
    aemarielle.com/produit/tirage-

    #MastoArt #FediArt #Automne #SaisonSombre #Samhain #Mabon #Sorcellerie #IllustrationFantasy

  2. Podcast Episode: ROCK DEDICATION: He Never Died (Dedicated to JEFFREY

    Now I know the mysteries of the sea, Tranquil emerald hues, emerald blues, enrapture me, Forever embraced with the mermaid queen, Now I know why the mariner nervously glances, Why no one on Grand Isle will ever say he died. For I too, will never die. They say he never died! In the night his spirit glides, Through the cold the sea roars, Pierre lives on forevermore.

    dwellerofthedark.com/2026/08/0

  3. ROCK DEDICATION: He Never Died (Dedicated to JEFFREY JAMES LEBLANC, SR.)

    Tranquil emerald hues, emerald blues, enrapture me, Forever embraced with the mermaid queen, Now I know why the mariner nervously glances, Why no one on Grand Isle will ever say he died. For I too, will never die. They say he never died! In the night his spirit glides, Through the cold the sea roars, Pierre lives on forevermore. ---HE NEVER DIED

    dwellerofthedark.com/2026/08/0

  4. MYTHOS MAYHEM: ‘Nyarlathotep’ by H.P. Lovecraft (Featuring ‘Nyarlathotep the Yellow King’)

    Nyarlathotep... the crawling chaos... I am the last... I will tell the audient void...' --H. P. Lovecraft (NYARLATHOTEP)

    dwellerofthedark.com/2026/07/1

  5. VAMPIRE HORROR: ‘The Strigae’ by Marcel Schwob

    'While one watches over the dead, one can hear the strigae: they sing airs that carry one away and which, despite oneself, one obeys.' --MARCEL SCHWOB (The Strigae)

    dwellerofthedark.com/2026/07/1

  6. ALIEN SCIENCE FICTION HORROR: ‘Nasty Thing Inside’ by DAVE SMITH

    Venom kissed, alien caressed, the time of humanity’s rule on Earth was no more. Human bones became the ageless dust of brilliant, shimmering stars. --EPOCH OF SATURNALIA

    dwellerofthedark.com/2026/07/1

  7. HORROR MASTER INTERVIEW: Alex Grass (Author of A BOY’S HAMMER, INFERNAL TRAMPS and Many More!)

    Our interview with horror master ALEX GRASS!!!

    dwellerofthedark.com/2026/07/1

  8. One of the theories I explore addresses the question: why are these two Munster-Mórrígna found in seasonal *triples* celebrating #imbolc, #Bealtaine, and #Lughnasa, but not #Samhain? And the answer, I think, is that in these guises they represented stages of the Corn: Planting, Ripening, and Harvest.

    That leaves one season and one goddess, but we already have a good idea: the last sheaf of the corn was woven and kept respectfully for next year, and called the #Cailleach - the same name as the goddess of Winter.

    That seems to put the Mórrígan in the position of being the representation of the "Maturing/Ripening" stage of the Corn. Planting should be done by Bealtaine! Planting is Brighid's business! :)

  9. " #ScorpioSeason runs from approximately October 23rd to November 22nd. #Scorpio is known as the witchiest of the astrological signs, and Scorpio Season is the most gothed-out, glam time of year. After all, spooky #Halloween , #Samhain and #DíadeMuertos all happen under Scorpio’s watch."

    ...read more:

    darkhabits.net/post/scorpio

    #queerscorpio #queerscoripos #queerastrology #queerwitch #queerwitches #queerancestors #queerscorpiowitches

    image:

    #claudecahun - October 25, 1894

  10. Project Caligari

    As the days tolled ever onward to All Hallow’s Eve, an opportunity arose to make use of a new creative space on campus – just by our CentR Stage bar and just in time for the Academy’s Halloween party. Despite only receiving full access and equipment on the morning of festivities, a hastily scribbled tribute to the legacy of cinematic horror was set in motion.

    Knowing partygoers were there to chill, chat, and indulge appropriately themed cocktails, there was no expectation they would sit down to watch a full film. Instead we planned a minimalist immersive area to relax in, with low-slung sofas encircled by rear-projected screens showing multiple silent movies. A central plinth would hold an object of focus and contrasting colour from the cold scenes on display.

    Implementation demanded a different design – not least a lack of haze, incense, and human remains – with a trio of floor-sat units forward-projecting onto a curve of black drapes. The plinth then sat behind the sofas, adorned with a plastic pumpkin pilfered from the bar – ideally replacing it with the winner of the party’s carving competition.

    Vintage horror sourced from archive.org provided the (cunningly Public Domain) vibe, with many films planned for each screen through the night. Technical difficulties, however, meant we had to lock each projector down to a single looping movie – controlled by a laptop behind the curtain running Resolume Media Server going into an HDMI splitter.

    The chosen films presented a journey through the early years of macabre movies. An era where the steadfast rules of cinema had yet to be written, inspiring a vibrant visual imagination lost in a later generation of sedate talkies.

    The vivid expressionism of The Cabinet of Dr. Caligari (1920) was an essential choice. The first feature-length horror committed to celluloid, and one which many have not been aware. Director Robert Wiene’s eye delivers a pioneering dream-like ambience to a tale of grisly murder, with hand painted backdrops accentuating this unreality.

    Next, F. W. Murnau’s Nosferatu (1922) – another German Expressionist classic. Despite drawing the ire of the Stoker estate for obvious plagiarism, this film offers its own interpretation. Max Shreck‘s Count Orlak presents an iconic image of vampyric horror as a monstrous being, a presence revisited in subsequent remakes.

    Completing the triptych with another tale retold through the generations, James Whale’s Frankenstein (1931) was filmed with spoken dialogue. However, the rich gothic design still offers strong visual storytelling, with Boris Karloff‘s taciturn performance as the monster just as captivating in silence. A cornerstone of Universal Studios’ shared monster cinematic universe.

    All crew work is collective, and we could not have done this without the aid of veterans Nick and Max, who helped to set up and put the final pieces together while I was embroiled in all-day lectures. Their efforts ensured the project was finished to schedule.

    Freshers had their chance to contribute too, with new student Ruby curating a masterful multi-genre playlist to accompany proceedings. Although I was obliged to throw in a few extra tracks at the end, we all agreed to remove ‘Monster Mash’ after the shuffle spookily reprised it over and over.

    Nothing can ever happen without some form of improvisation, and the taming of wild ideas into practical necessity manifests many happy accidents. The surreal imagery of early experimental cinema, especially in Caligari’s twisted set design, was thrown further off-kilter by the warp of the drapes. An abstract unease accentuated by the imperfect focus and inconsistent framing. It is important, at times, to let go of perfection so things can simply find their own form.

    Overall, it went down very well. Partygoers drifted in and out to watch and take photos, enjoying my eager explanations. The client and crew working in the main studio also popped in to take a look around in appreciation. The only complaint from some was the installation wasn’t ‘scary’ enough…

    … but the True Terror was throwing it together on time!

    https://heathenstorm.com/2025/11/01/project-caligari/

    #academyoflivetechnology #caligari #cinema #expressionism #frankenstein #halloween #horror #immersive #nosferatu #projections #resolume #samhain #vintage

  11. #Celtic #FairyTaleTuesday: `Airitech had three daughters who were werewolves. Every #Samhain, they emerged from the Cave of Cruachan, said to be a gateway to the #Otherworld, to kill sheep. They liked music, so the poet Cas Corach played his harp to distract them, and persuaded them to change back into their human form. Caoilte, a warrior of the #Fianna, then cast a spear that penetrated all three at once, and so they were killed.`
    twitter.com/ChristineV8/status
    Source: aliisaac.substack.com/

  12. „All the ancient #Irish festivals were celebrated with fire. The sun was considered to bring great healing energy. Walking three times ‘sun wise’, or cor deiseil, around a fire represented the circling of the sun, and was a potent ritual invocation of the sun’s healing power. We know from the number of monuments which align with sunrise on a festival morning that this part of the day was greatly revered; no doubt feeling the full force of the rays of the rising sun, as well as being spiritually uplifting, was considered beneficial to one’s healing process.“
    Source: Ali Isaac #Celtic
    ---
    RT @Selena_Fox
    Ways to celebrate #Samhain & #Celtic #NewYear - Big Blazing #Bonfire #Witchy #Druid #Wicca #NatureSpirituality #SamhainRitual. Pictured: #Pag
    twitter.com/Selena_Fox/status/