#sunken — Public Fediverse posts

Artemis 2 heat shield is a sunken treasure in the ocean | Space photo of the day for April 28, 2026
https://atlas.whatip.xyz/post.php?slug=artemis-2-heat-shield-is-a-sunken-treasure-in-the-ocean-space-photo-of-the-day-for-april-28-2026
<p>This eerie image shows the heat shield following splashdown.</p>
#treasure #artemis #shield #sunken

Artemis 2 heat shield is a sunken treasure in the ocean | Space photo of the day for April 28, 2026
https://atlas.whatip.xyz/post.php?slug=artemis-2-heat-shield-is-a-sunken-treasure-in-the-ocean-space-photo-of-the-day-for-april-28-2026
<p>This eerie image shows the heat shield following splashdown.</p>
#treasure #artemis #shield #sunken

Today's 📷🎥 office for #DeHelling 📍 Utrecht: #Sunken + #Panopticon

Today's 📷🎥 office for #DeHelling 📍 Utrecht: #Sunken + #Panopticon

Today's 📷🎥 office for #DeHelling 📍 Utrecht: #Sunken + #Panopticon

Today's 📷🎥 office for #DeHelling 📍 Utrecht: #Sunken + #Panopticon

https://www.europesays.com/nl/68197/ Kwalitatieve black metal in plaats van publiektrekkers: een interview met het Belgische Unholy Congregation festival #absu #alkerdeel #Amusement #ancient #apovrasma #België #BlackMetal #blackmetalfestival #Dutch #Entertainment #festival #halphas #Interview #malakhim #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NL #nyrst #oudenaarde #shewolff #sunken #trivax #UltimaNecat #UnholyCongregation #WhoredomRife #ZwareMetalen

https://www.europesays.com/nl/62112/ Samhain zondag: Hypnose en hakken #Amusement #BlackMetal #DeathMetal #dødheimsgard #Dutch #Entertainment #fen #hemelbestormer #Maastricht #metal #moonspell #Music #Muziek #muziekgieterij #Nederland #Nederlanden #Nederlands #Netherlands #NL #pthumulhu #samhain #shagor #SludgeMetal #sunken #sylvaine #wiegedood #winterfylleth

Mal ein anderes Thema, da mir die #Subkultur immer noch sehr am Herzen liegt - hat sie mich doch gerade in meinen jungen Jahren nachhaltig geprägt.

Um so erfreuter war ich, als ich bemerkte, dass in dem autonomen Zentrum KTS in Freiburg einmal wieder die dunklen Künste halt machen und ein Black Metal Konzert organisiert wird.
Tatsächlich habe ich die Band auch erst vor einigen Wochen entdeckt und für sehr gut empfunden - daher dieser Info-Post.

Datum: 09.12.2025
Tickets: Abendkasse

https://freiburg.szene-radar.de/event/SUNKEN__EUROPEAN_RELEASE_TOUR-2025-12-09_3211

https://sunkendenmark.bandcamp.com/album/livslede

#konzert #blackmetal #metal #freiburg #freiburgevents #sunken

Sunken – Lykke Review

By Twelve

I love Sunken’s music. It’s been over five years since I first heard their sophomore full-length, Livslede, an album I fell in love with almost instantly for its depressive, atmospheric black metal, an album of incredible emotion buoyed by exceptional songwriting. Since then, it’s been a regular revisit any time I’m having an even vaguely unhappy day, and I’ve been eagerly awaiting the day I could review these Danes again. At last that day is here. Sunken are back with their third full-length release, Lykke. They’re just in time too—the days are getting shorter, colder, and altogether darker, which means now is a great time to “sink” into a great slab of mournful black metal.

Sunken’s brand of black metal is—still—tricky to describe, but the principal thing to point out about it is that it is deeply mournful. It’s unmistakably black metal, as Joachim Larsen’s blast beats quickly demonstrate. Guitarists Simon Krogh and Alexander Salling seemingly live for the tremolo, both in blackened riffs and melodic leads. But those leads are drenched in despair—”Og Det Er Lykke” is downright depressive, with a heavy backdrop of riffs counterbalanced by a measured lead that oozes melancholy. The song’s climax is an overflow of heartbreaking turmoil, written and performed expertly. There are times, as in opener “Din Roest Malede Farver I Luften,” when Jonas Faghtmann’s bass is carrying the low end by itself, so occupied are the other instruments with higher, more woeful melodies. Put together, and you get Lykke, an album that is powerfully cathartic, with every element working together to share impassioned anger, sorrow, and despair.

In my review for Livslede, I noted that the experience made me feel physically cold, so strong was Sunken’s affinity for baleful, depressive black metal. Lykke doesn’t have quite the same quality, but it does expertly capture a feeling of grief1—raw and powerful, but also comparatively softer than its predecessor. The stronger use of keys contributes heavily here, as songs like “Glaedesfaerd” demonstrate. Here, they cast a solemn sheen that blankets the heavy, blackened frenzies Sunken have crafted beneath. When Martin Thomasen’s vocal style shifts from shrieks to grieving howls, the music feels unhinged, desolate—but it’s those keys, those orchestral arrangements from Max Uldahl Pedersen, that ground it in the tragic, sorrowful sound Sunken performs so well.

In a practical sense, these trends away from Livslede also mean that Lykke is closer to being atmospheric black metal than depressive black metal. That no song is shorter than ten minutes—and that there are only four of them—makes Lykke feel drawn out, as though lingering in its own despair. Add to that the more prominent orchestrations, and it feels both more melodic and less than Sunken have been in the past. It feels more melodic, because the keys and lead guitars are produced in a way to make them prominent in their melancholy, and less because these choices emphasize individual melodies and hooks less. It feels as though Sunken focused this time on creating experiences over particularly memorable songs and passages. I don’t think there are any specific standout moments, but that does not make the songwriting any less impressive, nor the performances less impactful, though it does make Lykke feel just a little unfocused. Similarly, I also find Thomasen’s forays into raw howled vocals don’t work with this more atmospheric music as well as his “regular” style of snarling, shrieking, and snarling. The switches feel arbitrary, and the former style less effective.

Sunken have an extraordinary way of capturing sadness in their music. Make no mistake, Lykke is a powerful album. There are some choices that I’m not fully sold on, but that’s largely my holding Sunken in such high regard. I’ve really enjoyed Lykke, and am impressed by Sunken’s songwriting, talent, and ability to convey, purely by their music, the way I feel when everything is just sort of bleak.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Eisenwald Records
Websites: sunkendenmark.bandcamp.com | facebook.com/SunkenDenmark
Releases Worldwide: October 24th, 2025

#2025 #35 #AtmosphericBlackMetal #DanishMetal #EisenwaldRecords #Lykke #Oct25 #Review #Reviews #Sunken

Sunken – Lykke Review

By Twelve

I love Sunken’s music. It’s been over five years since I first heard their sophomore full-length, Livslede, an album I fell in love with almost instantly for its depressive, atmospheric black metal, an album of incredible emotion buoyed by exceptional songwriting. Since then, it’s been a regular revisit any time I’m having an even vaguely unhappy day, and I’ve been eagerly awaiting the day I could review these Danes again. At last that day is here. Sunken are back with their third full-length release, Lykke. They’re just in time too—the days are getting shorter, colder, and altogether darker, which means now is a great time to “sink” into a great slab of mournful black metal.

Sunken’s brand of black metal is—still—tricky to describe, but the principal thing to point out about it is that it is deeply mournful. It’s unmistakably black metal, as Joachim Larsen’s blast beats quickly demonstrate. Guitarists Simon Krogh and Alexander Salling seemingly live for the tremolo, both in blackened riffs and melodic leads. But those leads are drenched in despair—”Og Det Er Lykke” is downright depressive, with a heavy backdrop of riffs counterbalanced by a measured lead that oozes melancholy. The song’s climax is an overflow of heartbreaking turmoil, written and performed expertly. There are times, as in opener “Din Roest Malede Farver I Luften,” when Jonas Faghtmann’s bass is carrying the low end by itself, so occupied are the other instruments with higher, more woeful melodies. Put together, and you get Lykke, an album that is powerfully cathartic, with every element working together to share impassioned anger, sorrow, and despair.

In my review for Livslede, I noted that the experience made me feel physically cold, so strong was Sunken’s affinity for baleful, depressive black metal. Lykke doesn’t have quite the same quality, but it does expertly capture a feeling of grief1—raw and powerful, but also comparatively softer than its predecessor. The stronger use of keys contributes heavily here, as songs like “Glaedesfaerd” demonstrate. Here, they cast a solemn sheen that blankets the heavy, blackened frenzies Sunken have crafted beneath. When Martin Thomasen’s vocal style shifts from shrieks to grieving howls, the music feels unhinged, desolate—but it’s those keys, those orchestral arrangements from Max Uldahl Pedersen, that ground it in the tragic, sorrowful sound Sunken performs so well.

In a practical sense, these trends away from Livslede also mean that Lykke is closer to being atmospheric black metal than depressive black metal. That no song is shorter than ten minutes—and that there are only four of them—makes Lykke feel drawn out, as though lingering in its own despair. Add to that the more prominent orchestrations, and it feels both more melodic and less than Sunken have been in the past. It feels more melodic, because the keys and lead guitars are produced in a way to make them prominent in their melancholy, and less because these choices emphasize individual melodies and hooks less. It feels as though Sunken focused this time on creating experiences over particularly memorable songs and passages. I don’t think there are any specific standout moments, but that does not make the songwriting any less impressive, nor the performances less impactful, though it does make Lykke feel just a little unfocused. Similarly, I also find Thomasen’s forays into raw howled vocals don’t work with this more atmospheric music as well as his “regular” style of snarling, shrieking, and snarling. The switches feel arbitrary, and the former style less effective.

Sunken have an extraordinary way of capturing sadness in their music. Make no mistake, Lykke is a powerful album. There are some choices that I’m not fully sold on, but that’s largely my holding Sunken in such high regard. I’ve really enjoyed Lykke, and am impressed by Sunken’s songwriting, talent, and ability to convey, purely by their music, the way I feel when everything is just sort of bleak.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Eisenwald Records
Websites: sunkendenmark.bandcamp.com | facebook.com/SunkenDenmark
Releases Worldwide: October 24th, 2025

#2025 #35 #AtmosphericBlackMetal #DanishMetal #EisenwaldRecords #Lykke #Oct25 #Review #Reviews #Sunken

Sunken – Lykke Review

By Twelve

I love Sunken’s music. It’s been over five years since I first heard their sophomore full-length, Livslede, an album I fell in love with almost instantly for its depressive, atmospheric black metal, an album of incredible emotion buoyed by exceptional songwriting. Since then, it’s been a regular revisit any time I’m having an even vaguely unhappy day, and I’ve been eagerly awaiting the day I could review these Danes again. At last that day is here. Sunken are back with their third full-length release, Lykke. They’re just in time too—the days are getting shorter, colder, and altogether darker, which means now is a great time to “sink” into a great slab of mournful black metal.

Sunken’s brand of black metal is—still—tricky to describe, but the principal thing to point out about it is that it is deeply mournful. It’s unmistakably black metal, as Joachim Larsen’s blast beats quickly demonstrate. Guitarists Simon Krogh and Alexander Salling seemingly live for the tremolo, both in blackened riffs and melodic leads. But those leads are drenched in despair—”Og Det Er Lykke” is downright depressive, with a heavy backdrop of riffs counterbalanced by a measured lead that oozes melancholy. The song’s climax is an overflow of heartbreaking turmoil, written and performed expertly. There are times, as in opener “Din Roest Malede Farver I Luften,” when Jonas Faghtmann’s bass is carrying the low end by itself, so occupied are the other instruments with higher, more woeful melodies. Put together, and you get Lykke, an album that is powerfully cathartic, with every element working together to share impassioned anger, sorrow, and despair.

In my review for Livslede, I noted that the experience made me feel physically cold, so strong was Sunken’s affinity for baleful, depressive black metal. Lykke doesn’t have quite the same quality, but it does expertly capture a feeling of grief1—raw and powerful, but also comparatively softer than its predecessor. The stronger use of keys contributes heavily here, as songs like “Glaedesfaerd” demonstrate. Here, they cast a solemn sheen that blankets the heavy, blackened frenzies Sunken have crafted beneath. When Martin Thomasen’s vocal style shifts from shrieks to grieving howls, the music feels unhinged, desolate—but it’s those keys, those orchestral arrangements from Max Uldahl Pedersen, that ground it in the tragic, sorrowful sound Sunken performs so well.

In a practical sense, these trends away from Livslede also mean that Lykke is closer to being atmospheric black metal than depressive black metal. That no song is shorter than ten minutes—and that there are only four of them—makes Lykke feel drawn out, as though lingering in its own despair. Add to that the more prominent orchestrations, and it feels both more melodic and less than Sunken have been in the past. It feels more melodic, because the keys and lead guitars are produced in a way to make them prominent in their melancholy, and less because these choices emphasize individual melodies and hooks less. It feels as though Sunken focused this time on creating experiences over particularly memorable songs and passages. I don’t think there are any specific standout moments, but that does not make the songwriting any less impressive, nor the performances less impactful, though it does make Lykke feel just a little unfocused. Similarly, I also find Thomasen’s forays into raw howled vocals don’t work with this more atmospheric music as well as his “regular” style of snarling, shrieking, and snarling. The switches feel arbitrary, and the former style less effective.

Sunken have an extraordinary way of capturing sadness in their music. Make no mistake, Lykke is a powerful album. There are some choices that I’m not fully sold on, but that’s largely my holding Sunken in such high regard. I’ve really enjoyed Lykke, and am impressed by Sunken’s songwriting, talent, and ability to convey, purely by their music, the way I feel when everything is just sort of bleak.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Eisenwald Records
Websites: sunkendenmark.bandcamp.com | facebook.com/SunkenDenmark
Releases Worldwide: October 24th, 2025

#2025 #35 #AtmosphericBlackMetal #DanishMetal #EisenwaldRecords #Lykke #Oct25 #Review #Reviews #Sunken

Sunken – Lykke Review

By Twelve

I love Sunken’s music. It’s been over five years since I first heard their sophomore full-length, Livslede, an album I fell in love with almost instantly for its depressive, atmospheric black metal, an album of incredible emotion buoyed by exceptional songwriting. Since then, it’s been a regular revisit any time I’m having an even vaguely unhappy day, and I’ve been eagerly awaiting the day I could review these Danes again. At last that day is here. Sunken are back with their third full-length release, Lykke. They’re just in time too—the days are getting shorter, colder, and altogether darker, which means now is a great time to “sink” into a great slab of mournful black metal.

Sunken’s brand of black metal is—still—tricky to describe, but the principal thing to point out about it is that it is deeply mournful. It’s unmistakably black metal, as Joachim Larsen’s blast beats quickly demonstrate. Guitarists Simon Krogh and Alexander Salling seemingly live for the tremolo, both in blackened riffs and melodic leads. But those leads are drenched in despair—”Og Det Er Lykke” is downright depressive, with a heavy backdrop of riffs counterbalanced by a measured lead that oozes melancholy. The song’s climax is an overflow of heartbreaking turmoil, written and performed expertly. There are times, as in opener “Din Roest Malede Farver I Luften,” when Jonas Faghtmann’s bass is carrying the low end by itself, so occupied are the other instruments with higher, more woeful melodies. Put together, and you get Lykke, an album that is powerfully cathartic, with every element working together to share impassioned anger, sorrow, and despair.

In my review for Livslede, I noted that the experience made me feel physically cold, so strong was Sunken’s affinity for baleful, depressive black metal. Lykke doesn’t have quite the same quality, but it does expertly capture a feeling of grief1—raw and powerful, but also comparatively softer than its predecessor. The stronger use of keys contributes heavily here, as songs like “Glaedesfaerd” demonstrate. Here, they cast a solemn sheen that blankets the heavy, blackened frenzies Sunken have crafted beneath. When Martin Thomasen’s vocal style shifts from shrieks to grieving howls, the music feels unhinged, desolate—but it’s those keys, those orchestral arrangements from Max Uldahl Pedersen, that ground it in the tragic, sorrowful sound Sunken performs so well.

In a practical sense, these trends away from Livslede also mean that Lykke is closer to being atmospheric black metal than depressive black metal. That no song is shorter than ten minutes—and that there are only four of them—makes Lykke feel drawn out, as though lingering in its own despair. Add to that the more prominent orchestrations, and it feels both more melodic and less than Sunken have been in the past. It feels more melodic, because the keys and lead guitars are produced in a way to make them prominent in their melancholy, and less because these choices emphasize individual melodies and hooks less. It feels as though Sunken focused this time on creating experiences over particularly memorable songs and passages. I don’t think there are any specific standout moments, but that does not make the songwriting any less impressive, nor the performances less impactful, though it does make Lykke feel just a little unfocused. Similarly, I also find Thomasen’s forays into raw howled vocals don’t work with this more atmospheric music as well as his “regular” style of snarling, shrieking, and snarling. The switches feel arbitrary, and the former style less effective.

Sunken have an extraordinary way of capturing sadness in their music. Make no mistake, Lykke is a powerful album. There are some choices that I’m not fully sold on, but that’s largely my holding Sunken in such high regard. I’ve really enjoyed Lykke, and am impressed by Sunken’s songwriting, talent, and ability to convey, purely by their music, the way I feel when everything is just sort of bleak.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Eisenwald Records
Websites: sunkendenmark.bandcamp.com | facebook.com/SunkenDenmark
Releases Worldwide: October 24th, 2025

#2025 #35 #AtmosphericBlackMetal #DanishMetal #EisenwaldRecords #Lykke #Oct25 #Review #Reviews #Sunken

Sunken – Lykke Review

By Twelve

I love Sunken’s music. It’s been over five years since I first heard their sophomore full-length, Livslede, an album I fell in love with almost instantly for its depressive, atmospheric black metal, an album of incredible emotion buoyed by exceptional songwriting. Since then, it’s been a regular revisit any time I’m having an even vaguely unhappy day, and I’ve been eagerly awaiting the day I could review these Danes again. At last that day is here. Sunken are back with their third full-length release, Lykke. They’re just in time too—the days are getting shorter, colder, and altogether darker, which means now is a great time to “sink” into a great slab of mournful black metal.

Sunken’s brand of black metal is—still—tricky to describe, but the principal thing to point out about it is that it is deeply mournful. It’s unmistakably black metal, as Joachim Larsen’s blast beats quickly demonstrate. Guitarists Simon Krogh and Alexander Salling seemingly live for the tremolo, both in blackened riffs and melodic leads. But those leads are drenched in despair—”Og Det Er Lykke” is downright depressive, with a heavy backdrop of riffs counterbalanced by a measured lead that oozes melancholy. The song’s climax is an overflow of heartbreaking turmoil, written and performed expertly. There are times, as in opener “Din Roest Malede Farver I Luften,” when Jonas Faghtmann’s bass is carrying the low end by itself, so occupied are the other instruments with higher, more woeful melodies. Put together, and you get Lykke, an album that is powerfully cathartic, with every element working together to share impassioned anger, sorrow, and despair.

In my review for Livslede, I noted that the experience made me feel physically cold, so strong was Sunken’s affinity for baleful, depressive black metal. Lykke doesn’t have quite the same quality, but it does expertly capture a feeling of grief1—raw and powerful, but also comparatively softer than its predecessor. The stronger use of keys contributes heavily here, as songs like “Glaedesfaerd” demonstrate. Here, they cast a solemn sheen that blankets the heavy, blackened frenzies Sunken have crafted beneath. When Martin Thomasen’s vocal style shifts from shrieks to grieving howls, the music feels unhinged, desolate—but it’s those keys, those orchestral arrangements from Max Uldahl Pedersen, that ground it in the tragic, sorrowful sound Sunken performs so well.

In a practical sense, these trends away from Livslede also mean that Lykke is closer to being atmospheric black metal than depressive black metal. That no song is shorter than ten minutes—and that there are only four of them—makes Lykke feel drawn out, as though lingering in its own despair. Add to that the more prominent orchestrations, and it feels both more melodic and less than Sunken have been in the past. It feels more melodic, because the keys and lead guitars are produced in a way to make them prominent in their melancholy, and less because these choices emphasize individual melodies and hooks less. It feels as though Sunken focused this time on creating experiences over particularly memorable songs and passages. I don’t think there are any specific standout moments, but that does not make the songwriting any less impressive, nor the performances less impactful, though it does make Lykke feel just a little unfocused. Similarly, I also find Thomasen’s forays into raw howled vocals don’t work with this more atmospheric music as well as his “regular” style of snarling, shrieking, and snarling. The switches feel arbitrary, and the former style less effective.

Sunken have an extraordinary way of capturing sadness in their music. Make no mistake, Lykke is a powerful album. There are some choices that I’m not fully sold on, but that’s largely my holding Sunken in such high regard. I’ve really enjoyed Lykke, and am impressed by Sunken’s songwriting, talent, and ability to convey, purely by their music, the way I feel when everything is just sort of bleak.

Rating: 3.5/5.0
DR: 8 | Format Reviewed: 192 kbps mp3
Label: Eisenwald Records
Websites: sunkendenmark.bandcamp.com | facebook.com/SunkenDenmark
Releases Worldwide: October 24th, 2025

#2025 #35 #AtmosphericBlackMetal #DanishMetal #EisenwaldRecords #Lykke #Oct25 #Review #Reviews #Sunken

SUNKEN (Dinamarca) presenta nou àlbum: "Lykke" #Sunken #AtmosphericBlackMetal #Octubre2025 #Dinamarca #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

Egypt unveils sunken city artefacts submerged for over 2000 years https://www.byteseu.com/1309600/ #2000 #Alexandria #Ancient #artefacts #back #beneath #Buildings #city #coast #Dating #dock #Egypt #for #over #parts #revealing #submerged #sunken #unveiled #unveils #waters #years

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria

Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus

https://www.theguardian.com/world/2025/aug/21/egypt-retrieves-parts-of-2000-year-old-sunken-city-canopus-off-coast-of-alexandria

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria

Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus

https://www.theguardian.com/world/2025/aug/21/egypt-retrieves-parts-of-2000-year-old-sunken-city-canopus-off-coast-of-alexandria

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria

Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus

https://www.theguardian.com/world/2025/aug/21/egypt-retrieves-parts-of-2000-year-old-sunken-city-canopus-off-coast-of-alexandria

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria

Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus

https://www.theguardian.com/world/2025/aug/21/egypt-retrieves-parts-of-2000-year-old-sunken-city-canopus-off-coast-of-alexandria

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria

Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus

https://www.theguardian.com/world/2025/aug/21/egypt-retrieves-parts-of-2000-year-old-sunken-city-canopus-off-coast-of-alexandria

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus www.theguardian.com/world/2025/a...

Remnants of 2,000-year-old sun...

#Remnants of 2,000-year-old #sunken #city lifted out of the sea off #Alexandria Cranes hoisted #statues from depths of submerged site that authorities say may be extension of ancient #city of #Canopus www.theguardian.com/world/2025/a...

Remnants of 2,000-year-old sun...

Sunken City of Aenaria Rises from the Depths Off Italy’s Coast

Divers and archaeologists uncover ancient sunken city Aenaria under the Bay of Naples, Italy revealing daily life, trade,…
#Italy #Europe #Europa #EU #AncientCivilization #archaeology #greece #italy #sunken
https://www.europesays.com/2258690/

Sunken City of Aenaria Rises from the Depths Off Italy’s Coast https://www.byteseu.com/1208310/ #AncientCivilization #Archaeology #Europe #Greece #Italy #sunken

Die fünfköpfige Londoner Band Sunken hat gestern ihre EP 10K veröffentlicht. Der Song Friends begann als Sprachnotiz und hat diese leicht skizzenhafte Qualität beibehalten; rollender Bass, dezente Gitarren, unauffälliges Schlagzeug und geisterhafter Gesang. Faszinierend. …
#Sunken
#indiemusic
https://www.nicorola.de/sunken-friends/

Partially sunken boat in the ice of Chester Basin on the South Shore of Nova Scotia. #photography #blackandwhite #blackandwhitephotography #boat #sunken #novascotia #winter #nautical #EastCoastKin

New Artist announced for Summer Breeze Open Air 2025: 🔥 Sunken 🔥

🎶 Listen to the current LineUp on YouTube and Spotify: https://fyrefestivals.co
🎟️ Get your Tickets now: https://prf.hn/l/EJnYMdO

#Summer_Breeze_Open_Air_2025 #Sunken #fyre_festivals #livemusic #youtube #spotify #music #musicfestivals #playlist #tickets #announcement

This week, @arielkroon interviews Paul Heersink about his project mapping the #sunken #ships of WWII, and how this information can help #environmentalists, #salvagers, families of the deceased, and #treasure hunters! Come join us as we explore sunken potential.

#solarpunk #podcast #SolarpunkPresentsPodcast #mapping #GIS #ocean #WW2 #WWII #maps #ecology #environment

http://solarpunkpresents.com/2023/10/02/protecting-the-environment-with-gis-mapping-wwiis-sunken-ships-with-paul-heersink/

This week, @arielkroon interviews Paul Heersink about his project mapping the #sunken #ships of WWII, and how this information can help #environmentalists, #salvagers, families of the deceased, and #treasure hunters! Come join us as we explore sunken potential.

#solarpunk #podcast #SolarpunkPresentsPodcast #mapping #GIS #ocean #WW2 #WWII #maps #ecology #environment

http://solarpunkpresents.com/2023/10/02/protecting-the-environment-with-gis-mapping-wwiis-sunken-ships-with-paul-heersink/

This week, @arielkroon interviews Paul Heersink about his project mapping the #sunken #ships of WWII, and how this information can help #environmentalists, #salvagers, families of the deceased, and #treasure hunters! Come join us as we explore sunken potential.

#solarpunk #podcast #SolarpunkPresentsPodcast #mapping #GIS #ocean #WW2 #WWII #maps #ecology #environment

http://solarpunkpresents.com/2023/10/02/protecting-the-environment-with-gis-mapping-wwiis-sunken-ships-with-paul-heersink/

This week, @arielkroon interviews Paul Heersink about his project mapping the #sunken #ships of WWII, and how this information can help #environmentalists, #salvagers, families of the deceased, and #treasure hunters! Come join us as we explore sunken potential.

#solarpunk #podcast #SolarpunkPresentsPodcast #mapping #GIS #ocean #WW2 #WWII #maps #ecology #environment

http://solarpunkpresents.com/2023/10/02/protecting-the-environment-with-gis-mapping-wwiis-sunken-ships-with-paul-heersink/

This week, @arielkroon interviews Paul Heersink about his project mapping the #sunken #ships of WWII, and how this information can help #environmentalists, #salvagers, families of the deceased, and #treasure hunters! Come join us as we explore sunken potential.

#solarpunk #podcast #SolarpunkPresentsPodcast #mapping #GIS #ocean #WW2 #WWII #maps #ecology #environment

http://solarpunkpresents.com/2023/10/02/protecting-the-environment-with-gis-mapping-wwiis-sunken-ships-with-paul-heersink/

#nowPlaying

Sunken - Livslede

https://www.youtube.com/watch?v=iXVhNj38YT0

#AtmosphericBlackMetal #BlackMetal #Sunken #Livslede

Oops. #sunken #ship

#nowPlaying

Heltekvad - Ærbødig er den som sejrer

https://youtu.be/-wDNDJRjb8c

#MedievalBlackMetal #BlackMetal #DanishBlackMetal #Afsky #Sunken #Morild