#moonspell — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #moonspell, aggregated by home.social.
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MOONSPELL (Portugal) presenta nou EP: "Far from God and Other Spells" #Moonspell #GothicMetal #Abril2026 #Portugal #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou EP: "Far from God and Other Spells" #Moonspell #GothicMetal #Abril2026 #Portugal #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou EP: "Far from God and Other Spells" #Moonspell #GothicMetal #Abril2026 #Portugal #NouEp #Metall #Metal #MúsicaMetal #MetalMusic
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Yours truly is in a #podcast about all things #metal ! This week's topic is debut albums, and we also discuss some news and new album releases. Feel free to tune in
#metalheads #metalhead #metaltalk #metalmusic #IronMaiden #Slipknot #Apocalyptica #DimmuBorgir #Moonspell #Hellripper #Myrath
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Yours truly is in a #podcast about all things #metal ! This week's topic is debut albums, and we also discuss some news and new album releases. Feel free to tune in
#metalheads #metalhead #metaltalk #metalmusic #IronMaiden #Slipknot #Apocalyptica #DimmuBorgir #Moonspell #Hellripper #Myrath
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https://www.europesays.com/es/466487/ Detalles y vídeo del disco de MOONSPELL. Nuevo álbum de BLACK SPIKES. Debut de ARA SOLIS. #ARASOLIS #BLACKSPIKES #Entertainment #Entretenimiento #ES #España #MOONSPELL #Music #Música #Spain
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MOONSPELL (Portugal) presenta nou single: "Far From God" #Moonspell #GothicMetal #Març2026 #Portugal #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou single: "Far From God" #Moonspell #GothicMetal #Març2026 #Portugal #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou single: "Far From God" #Moonspell #GothicMetal #Març2026 #Portugal #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic
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Moonspell en Teatro Cariola: Celebrando su trayectoria al son del solsticio de otoño | vía #ZumbidoCL
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Moonspell en Teatro Cariola: Celebrando su trayectoria al son del solsticio de otoño | vía #ZumbidoCL
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Moonspell en Chile: Donde el otoño abrió la puerta al lobo interior | vía #iRock
#conciertos #internacional #metal #moonspell #mortajas #mournerslament
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Moonspell en Chile: Donde el otoño abrió la puerta al lobo interior | vía #iRock
#conciertos #internacional #metal #moonspell #mortajas #mournerslament
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Quand Moonspell a percé, il y avait beaucoup de jalousie. C’était très choquant pour nous.
#Moonspell #Goth #Metal #Wolfheart
#Portugal #socialmedia #musichttps://moonspell.bandcamp.com/album/sin-pecado
https://moonspell.bandcamp.com/track/eurotica
https://www.youtube.com/watch?v=_DNHEj0S-4E&list=RDTOTciTjR9Uo&index=6
https://www.youtube.com/watch?v=Sqi5QCD04GM&list=RDTOTciTjR9Uo&index=5
https://www.youtube.com/watch?v=fWYWJAFfOVs&list=OLAK5uy_mWsJYAuF9GEazSu-lok57YXvrLINDI9wQ
https://www.youtube.com/watch?v=vy2wmUL6GXk&list=OLAK5uy_mWsJYAuF9GEazSu-lok57YXvrLINDI9wQ&index=6
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https://www.europesays.com/at/36232/ Moonspell veröffentlichen bald neue Single und neues Album #AT #Austria #Entertainment #FernandoRibeiro #HERMITAGE #Moonspell #Music #Musik #NapalmRecords #NeueSingle #NeuesAlbum #Österreich #titel #Unterhaltung #Veröffentlichungsdatum
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https://www.europesays.com/es/437501/ El ‘Irreligious’ del siglo XXI #Entertainment #Entretenimiento #ES #España #GothicMetal #MOONSPELL #Music #Música #Spain
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https://www.europesays.com/es/436495/ Vídeos de BATTLE BEAST con su nueva cantante. Fecha y título para el disco de MOONSPELL. GREAT WHITE al estudio. Vídeo de DARWIN. #BATTLEBEAST #DARWIN #Entertainment #Entretenimiento #ES #España #GREATWHITE #MOONSPELL #Music #Música #Spain
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https://www.europesays.com/es/361177/ Más proyecciones en Cines. MOONSPELL en Iberoamérica. Wendy Dio dice que la reedición de “Hear N’ Aid” saldrá el año que viene. Reediciones de EVILDEAD. #CancillerElTempoDelRock #Cine #dio #Entertainment #Entretenimiento #ES #España #EVILDEAD #Film #MOONSPELL #Movies #Spain
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https://www.europesays.com/es/346200/ MOONSPELL ultimando la mezcla de su próxima obra. SINNER RAGE en Vitoria con HUNGER. BABYLON A.D. estrenan vídeo. #BABYLONA.D. #Entertainment #Entretenimiento #ES #España #MOONSPELL #Music #Música #SINNERRAGE #Spain
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Moonspell regresa a Chile para celebrar 30 años de su disco debut «Wolfheart» | vía #SonidosOcultos
#chargola #livechile #moonspell #powerprod #t2026 #teatrocariola
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Moonspell regresa a Chile para celebrar 30 años de su disco debut «Wolfheart» | vía #SonidosOcultos
#chargola #livechile #moonspell #powerprod #t2026 #teatrocariola
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Moonspell regresa a Chile para celebrar 30 años de su disco debut «Wolfheart» | vía #SonidosOcultos
#chargola #livechile #moonspell #powerprod #t2026 #teatrocariola
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Moonspell llega a Chile para celebrar el aniversario de “Wolfheart” | vía #iRock
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Moonspell llega a Chile para celebrar el aniversario de “Wolfheart” | vía #iRock
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https://www.europesays.com/nl/62112/ Samhain zondag: Hypnose en hakken #Amusement #BlackMetal #DeathMetal #dødheimsgard #Dutch #Entertainment #fen #hemelbestormer #Maastricht #metal #moonspell #Music #Muziek #muziekgieterij #Nederland #Nederlanden #Nederlands #Netherlands #NL #pthumulhu #samhain #shagor #SludgeMetal #sunken #sylvaine #wiegedood #winterfylleth
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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Withering Soul – Passage of the Arcane Review
By Andy-War-Hall
Much has changed in the decade since Withering Soul last graced this website. I was in high school when Madam X placed a scarlet 2.5 on Adverse Portrait, a scoring I would agree with wholeheartedly.1 It was an enjoyable but unfocused work, and its Moonspell-akin gothic tendencies didn’t mesh well with the band’s Dissection worship. But in a development not covered here, Withering Soul leveled up with 2021’s Last Contact, dropping the Type O Negative vocals almost entirely and amping up their blackened core with beefier riffs and more engaging compositions. Some gothic elements remained, and what did felt far better integrated into their style than before. Withering Soul continue down this stylistic path through their fifth album Passage of the Arcane, centered on the theme of “human experiences traversing into cursed oblivion.” Have Withering Soul really discovered a path of subliminal qualities, or will Passage of the Arcane only lead to disappointment?
Passage of the Arcane is a sensible progression from Last Contact for Withering Soul. Sporting Dark Fortress atmospheres brute-forced to life through death-influenced Dissection riffage, Withering Soul have departed even further from goth rock than Last Contact in favor of even more blistering melodic black metal. Gone are the low, clean croons of Withering Soul’s past, with lead man Christopher2 relying entirely on his powerful, hoarse screams for vocals. But the songs remain snappy with strong, hooky riffs and seamless transitions between various musical ideas. Death metal grime stains Withering Soul’s sonic tapestry on “Grievance Eludes the Light” and “Among Covetous Eyes,” while the sheen of synthesizers coats “Gallery of the End” and “Burden of the Valiant.” Withering Soul are clearly a talented bunch and everyone gets a chance to shine on Passage of the Arcane; with guitarist Frank G. layering “Gallery of the End” with a bright, melodic solo; drummer Rick hitting slick fills on “Grievance Eludes the Light” and bassist Joel dropping fat, sneaky lines on “Trajectory.” Withering Soul don’t break the mold with Passage of the Arcane, but they did craft an album better than their last.
There’s real dirt in Passage of the Arcane. The opening one-two-three punch of “Attrition Horizon,” “Grievance Eludes the Light,” and “The Monolith Embodied” sees Withering Soul swing with heavyweight might as Christopher and Frank G.’s guitars pummel through power chord abusive, tremolo-heavy riffs of winding, thrashy and frost rimed-natures. Things get more exploratory as Passage of the Arcane progresses, but Withering Soul never let off that initial intensity. Passage of the Arcane’s punchy production makes Rick’s kick drums really thump, and Joel’s bass comes through big time in Withering Soul’s chuggier, groovier moments (“Trajectory”). There’s an embarrassment of good riffs here, and everything clear of fat until, unfortunately, the closer “Burden of the Valiant,” but even that song picks up eventually. Like the blackened counterpart to Dormant Ordeal from earlier this year, Withering Soul more often than not embody aggression, dealing out some truly cut-throat metal on Passage of the Arcane.
But Withering Soul is held back from greatness by a lack of variety in certain areas. Riffs are multitudinous, but almost every guitar lead on Passage feels identical, usually consisting of basic eighth note arpeggios overtop tremolo riffs that don’t really do much to spruce up the chords (“Attrition Horizon,” “Gallery of the End,” “Burden of the Valiant”). It just stinks that Withering Soul couldn’t bring the creativity they have for rhythm guitar to lead. Similarly (and a bit ironically), vocal monotony is an issue, as Christopher only uses one style of scream across Passage of the Arcane’s 41 minutes. Perhaps a little goth bass singing wouldn’t go amiss, as a treat? These complaints may verge on nitpicks, but they are prominent and persistent enough to somewhat sully my enthusiasm for Passage of the Arcane.
Withering Soul assembled Passage of the Arcane out of common ingredients to the sub-genre, but tight songwriting and strong performances elevate the material. Though an immediate album in many ways, Passage was a grower for me, as repeat listenings revealed little details and how the pieces move. If you like your black metal riff-centric and melodic, this is an easy recommendation. Withering Soul may have reduced their sonic palette over the years, but the downsizing only made them leaner and meaner, and Passage of the Arcane is a lean, mean listen.
Rating: Very Good
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Liminal Dread Productions
Websites: witheringsoul.bandcamp.com | facebook.com/witheringsoulband | instagram.com/witheringsoul_77
Releases Worldwide: November 14th, 2025#2025 #35 #americanMetal #blackMetal #darkFortress #deathMetal #dissection #dormantOrdeal #liminalDreadProductions #melodicBlackMetal #moonspell #nov25 #passageOfTheArcane #review #reviews #typeONegative #witheringSoul
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MOONSPELL (Portugal) presenta nou àlbum en directe: "Opus Diabolicum - The Orchestral Live Show" #Moonspell #GothicMetal #Octubre2025 #Portugal #NouÀlbumEnDirecte #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou àlbum en directe: "Opus Diabolicum - The Orchestral Live Show" #Moonspell #GothicMetal #Octubre2025 #Portugal #NouÀlbumEnDirecte #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou àlbum en directe: "Opus Diabolicum - The Orchestral Live Show" #Moonspell #GothicMetal #Octubre2025 #Portugal #NouÀlbumEnDirecte #Metall #Metal #MúsicaMetal #MetalMusic
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MOONSPELL (Portugal) presenta nou àlbum en directe: "Opus Diabolicum - The Orchestral Live Show" #Moonspell #GothicMetal #Octubre2025 #Portugal #NouÀlbumEnDirecte #Metall #Metal #MúsicaMetal #MetalMusic
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„Opus Diabolicum“ – so der Titel des Live-Albums, das MOONSPELL am Freitag, 31. Oktober 2025, auf den Markt bringen. Die vorab veröffentlichten Live-Videos machen deutlich, wie gut der machtvolle Sound eines 45-köpfigen Orchesters den Dark Metal der Band zur Geltung bringt. #moonspell #darkmetal
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„Opus Diabolicum“ – so der Titel des Live-Albums, das MOONSPELL am Freitag, 31. Oktober 2025, auf den Markt bringen. Die vorab veröffentlichten Live-Videos machen deutlich, wie gut der machtvolle Sound eines 45-köpfigen Orchesters den Dark Metal der Band zur Geltung bringt. #moonspell #darkmetal
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„Opus Diabolicum“ – so der Titel des Live-Albums, das MOONSPELL am Freitag, 31. Oktober 2025, auf den Markt bringen. Die vorab veröffentlichten Live-Videos machen deutlich, wie gut der machtvolle Sound eines 45-köpfigen Orchesters den Dark Metal der Band zur Geltung bringt. #moonspell #darkmetal
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#prohecyfest 2025 war mal wieder ein grossartiges Familienfest in bester Umgebung. Persönliche Highlights neben allem anderen, waren #Myrkur, #Enslaved, die Wolfheart Show von #Moonspell und die absolut brachiale Power von #ImhaTarikat
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After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
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After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
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After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
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After Taste – Hungry For Life Review
By Grymm
I’ll be the first to admit, right now, that I miss Type O Negative. Chances are that you do, too. When bassist/vocalist Peter Steele died in 2010, he and his merry cohorts of doom and lust left a massive, gaping hole in the world of metal that no one to this day could replace or replicate. That hasn’t stopped others from trying, however. After Taste, hailing from the Netherlands and featuring Dave Meester of God Dethroned on guitar and vocals, are the latest in a line of those who worship at the altar of Black and Neon Green. With their second album, Hungry for Life, these Dutch doom-peddlers are hoping you will give in to your carnal cravings.
On a couple of songs, they do the trick. “Morning XTC” gives off a Host-era Paradise Lost vibe, with its somewhat upbeat, danceable rhythms and simple-yet-catchy riffs. Elsewhere, “Mind Over Body” could slot itself alongside Katatonia’s Night is the New Day in both atmosphere and performance, but with Meester aiming for Peter Steele instead of Jonas Renkse vocally. Their influences are sound, and their passions are in the right places when it comes to capturing a particular snapshot of a lifestyle of non-stop partying, and the grotesque, inevitable come-down afterwards.
So why doesn’t this land as well as it should? In their one-sheet, they’re aiming for a sound that’s equal parts Type O Negative, Rammstein, and Alice in Chains with electronic and synthwave vibes. Instead, what this reminds me of are the Century Media bands of the late 90s and early 2000s that decided they weren’t metal anymore: Morgoth, Moonspell, and Tiamat. Not necessarily a bad thing in and of itself, but Hungry for Life sounds exactly like those aforementioned bands that were once inspirational, but had gone pedestrian with their sound, and this album captures that complacency a bit too well.
For example, opener “Sustain Me” crawls along at a snail’s pace and doesn’t move the needle much in terms of melody or memorability. “Lost at Sea” could have been a strong single, but it drags out for too long, all while being a scant four-and-a-half minutes, due to its repetitive nature. “Methmouth” and “Liquid Courage” both aim for lyrical grossness, especially in the former (“You’re lips are locked/’Round my member/Yet your breath still fills the air”), yet don’t really go anywhere of note musically to back it up. Granted, the last band to impress me going this direction lyrically and stylistically was Voices, but London was released a long time ago at this point, and that band backed it up with chilling performances, compelling songwriting, and tight musicianship, all things that Hungry for Life lacks.I wanted to like Hungry for Life more than I did. It had all the ingredients in place to make for a fantastic album. Sadly, other than a scant few moments, it did little to quell my thirst for music in the vein of New York’s sorely missed goth overlords. I can only recommend this album for those that really, really miss Type of Negative, and even then, it’s not going to hit the same way as the originals did, and the end result yields an aggressively okay album. It’s a shame, because it feels like it could be a whole lot more.
Rating: 2.0/5.0
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Independent/Unsigned
Websites: Facebook1
Releases Worldwide: June 6th, 2025#20 #2025 #AfterTaste #AliceInChains #DoomMetal #DutchMetal #GodDethroned #HardRock #HungryForLife #IndependentUnsigned #Jun25 #Katatonia #Moonspell #Morgoth #MyDyingBride #ParadiseLost #Rammstein #Review #Reviews #Tiamat #TypeONegative #Voices
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Behind the scenes shot of yesterday... 📍#Patronaat
- #Hiraes
- #Moonspell
- #DarkTranquillityCan you spot me?
🌑 Thank you Frederike Kamphuis for the action pic!
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Behind the scenes shot of yesterday... 📍#Patronaat
- #Hiraes
- #Moonspell
- #DarkTranquillityCan you spot me?
🌑 Thank you Frederike Kamphuis for the action pic!
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Behind the scenes shot of yesterday... 📍#Patronaat
- #Hiraes
- #Moonspell
- #DarkTranquillityCan you spot me?
🌑 Thank you Frederike Kamphuis for the action pic!
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Behind the scenes shot of yesterday... 📍#Patronaat
- #Hiraes
- #Moonspell
- #DarkTranquillityCan you spot me?
🌑 Thank you Frederike Kamphuis for the action pic!
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Tonight's 📷📽️ office 📍 #Patronaat #Haarlem