#imperialist — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #imperialist, aggregated by home.social.
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Libraries hold a special place in my heart, for reasons both intellectual and sentimental.
Librarians are guardians of knowledge, champions of freedom, and friends of the people. They are community members, dedicated to helping connect poor people with relevant information, so they can improve their minds, educate themselves, and access job resources.
After I became a #whistleblower in 2023, and was made #homeless , this notion was challenged.
Librarians would block my access, call the police, and have me arrested. If you find this hard to believe, please see my whistleblower website. The PDF linked, has an appendix giving the “receipts” ( documents to corroborate my account ).
http://whistleblower.lovestoblog.com/
I had applied to be a board member of the libraries in Hawai’i after attending their meetings, and saw some corruption there.
Scroll to the bottom of this page, and see the photo of the board members. How many native Hawai’ian faces do you see? Any Japanese or brown folks?
https://folkhawaii.com/about-us/
Their former Director of Membership, Bobby Gebbia, lied in court, before the judge and cameras, saying I was a board member, though I was not granted a membership.
In Hawai’i, librarians appear to be part of the occupying forces, whitewashing colonialism, insidiously taking over and erasing the true history of Hawai’i, which I heard from talking to local old timers.
250 years ago, Hawai’i had not heard of Jesus, and had its own deities, ( Goddess Pele, the creator, Kaneloa, etc. )
Then Captain James Cook invaded, and 90% of the natives were wiped out.Then Samson Dole attacked with soldiers, threw out the natives, turned their land into plantations, and turned the natives into day laborers on the plantation, on their own land.
Contrary to popular belief, Hawai’i is not a part of the USA, but a belligerently occupied territory,
1887-1897: Hawaiʻi Rebelled against the USA.
Hawaiʻian people did not choose to be part of the USA.
King David Kalākaua was forced to sign what is called the "Bayonet Constitution". Queen Liliuokalani asserted that Kalākaua's life was threatened: "He signed that constitution under absolute compulsion."Now Hawai’i is full of churches, their own gods are vanishing from memory, thanks to the “librarians”. There’s poverty, a drug epidemic, and seething discontent on the streets. Hawai’ian people are heavily overpoliced, thrown into jail without cause, and denied #justice in the #courts of the occupiers ( #USA ).
All this is hidden from the casual tourist, content to visit a golf course on the sacred land, that has been bulldozed, and be served drinks by little brown people ( usually from the Marshall Islands, Hawai’i locals have mostly left for minimum wage jobs in mainland America ).
Billionaires, like Mark Zuckerberg, Larry Ellison, Jeff Bezos, and Oprah Winfrey, “own” huge chunks of the land.
Chinese billionaire, Eva Liu, has controlled the Punalu’u Black Sand beach, with a sweetheart deal ( $1 ), and is proposing erasing this natural landmark, spawning site of the endangered Saddleback Turtles, and building resorts there, in the name of “development”.
In 2022, the Hawai’ian people had a setback in court.
( Hawaiian Kingdom v. #Biden ; December 14, 2022 )Librarians have been instrumental, in manipulating minds, and pushing through these insidious #imperialist agendas, and disenfranchising and displacing the local people.
#Earth #environment
#library #libraries #librarian #librarians #liberty #hawaii
#bigisland #imperialism #colonialism #capitalism
#rebel #rebellion #revolution #HumanRights #Equalrights -
By Owlswald
Crafting a great or excellent record is a remarkable feat. But it’s another challenge entirely to consistently churn out banger after banger. This kind of consistency is the not-so-secret sauce that can launch bands into the upper echelons. While examples are numerous, California’s Imperialist is poised to demonstrate their potential for genuine longevity with third LP, Prime. Having already broken the Score Safety Counter with 2018’s Cipher, the sci-fi black metal quartet returned to impress our Elitist on staff again in 2021 with follow-up, Zenith. Now, four years later and with an EP in between, Imperialist sets its crosshairs on Prime to deliver their third quality record in a row.
Longtime followers of Imperialist’s cosmic flight path will notice that the foursome has stayed true to its blackened foundation. Sergio Soto and Bryant Quinones’ trem-picked guitars and stylish shredding—á la Dissection and Immortal—fuse with Rod Quinones’ explosive blast beats and Soto’s callous snarls to power their apocalyptic and space-faring narrative. However, on Prime, Imperialist updates their design, discarding the “loose screws” of previous albums for a meaner, more streamlined edge. The quartet’s songwriting has become more refined, featuring fluid transitions, engaging leads and solos, and strong, memorable riffs that anchor their high-energy sound. Everything about Prime is bigger, better, and more powerful than before, from the intense and technical performances to Eliran Kantor’s stunning cover art and Dan “The Man” Swanö’s excellent mix. The result is a full-force attack that hits with all its might, making Prime Imperialist’s most impressive effort to date.
Through years of dedication, Imperialist has weaponized its proven blueprint, transforming into a razor-sharp cohesive assault. Soto and Quinones’ guitars lead the charge, delivering a terrestrial invasion of light-speed tremolo runs and hooky, head-banging riffs packed full of cataclysmic energy perfectly suited for Prime’s apocalyptic premise. Imperialist prominently evolved its sound by adding melodic leads and solos that are both tasteful and technical, prioritizing emotion and phrase over showmanship to give Prime’s nine tracks greater punch and charisma. Their solos—with harmonic fluency (“A Ghost Abandoned,” “Beneath the Sands of Titan”), wah accents (“Starstorm,” “A Ghost Abandoned”), and expressive feel (“Final Hours,” “Nocturnal Eon”)—balance technicality with musical intuition while also contributing to Imperialist’s saga. Serving as the main force behind Prime’s storytelling, Soto’s vocal performance immerses the listener into the album’s vast narrative, as his tone, delivery and lyrical content perfectly marry Prime’s musical aggression with their thematic vision. His delivery has a great thrashy snarl that is flat-out mean, sounding like a mix between David DiSanto (Vektor) and Abbath (Immortal) while still retaining sharp and clear enunciation.
Prime hits hard from the start with “Starstorm” and sustains that high-energy approach for most of its forty-five-minute runtime. Bolstering Prime’s sound, Swanö’s mix forgoes the sterile feel of past albums for a lively and organic one, allowing each instrument room to breathe while pushing Soto’s vocals to the forefront. Interlude, “Heavens Sunder,” fits into the album’s arc perfectly and makes the return to Prime’s aggressive final half feel even heavier. The decision to include an interlude at the album’s midpoint was a smart move, especially given that a lack of song variation has historically been Imperialist’s Achilles’ heel. And yet, the back half of Prime still falters as its momentum wanes. “Union of the Swarm” and “Nocturnal Eon” are solid but feel less compelling, lacking the memorability of the album’s stronger tracks. Prime could have improved its staying power with greater differentiation between these songs and the album’s other material or by trimming one altogether. Fortunately, the triumphant “A Ghost Abandoned” breaks this pattern. With its sauntering rhythm, it provides a welcome change of pace before its satisfying, drifting outro delivers a sense of a completed journey, from initial onslaught to a final, fading resolution.
While it just misses greatness, Prime is without a doubt Imperialist’s most cohesive and powerful album to date. The group has successfully addressed nearly all the lingering issues from their past work while adding new depth to their sound. With Prime, these Californians are operating near the apex of their craft, having now released three consecutive quality black metal albums that cement them as one of the genre’s premier acts. No one knows where Imperialist go from here, but Prime is a journey that deserves your attention.
Rating: Very Good!
DR: 6 | Format Reviewed: 320 kb/s mp3
Label: Transcending Obscurity
Websites: imperialistus.bandcamp.com/music | imperialistofficial.com | facebook.com/Imperialistofficial
Releases Worldwide: September 5th, 2025#2025 #35 #AmericanMetalMetal #BlackMetal #Dissection #Immortal #Imperialist #Prime #Review #Reviews #Sep25 #TranscendingObscurity #Vektor
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Nguyễn Thị Bình is a granddaughter of the Nationalist leader Phan Chu Trinh. She grew up in a land that had been under French rule since 1858. The country’s resources were plundered, & the people exploited as cheap labour & reduced to grinding poverty. So determined were the French to maintain their colonial hold at any cost, they collaborated in power-sharing with Japanese #fascist #occupiers who brought horror & starvation from 1940-1945.
Despite this, led by the #VietMinh Front, people of Vietnam triumphed in the #AugustRevolution of 1945 & the Democratic Republic of Viet Nam (DRV) was declared on September 2nd. Democratic elections took place in January 1946 but French troops, with the open support of the US & Britain, attacked the new Viet Minh administration in the south of the country & the #WarOfResistance against #France began.
Binh studied French at Lycée Sisowath in Cambodia & worked as a teacher during the #French #colonisation of Vietnam. She joined #VietnamCommunistParty in 1948. Upon joining, she immediately began work as a #grassroots #AntiColonial organiser. From 1945-1951, she took part in intellectual protest movements against French #colonists. She was arrested & jailed between 1951-1953 in #Saigon by the French #colonial authority in Vietnam. She was repeatedly interrogated under torture & sentenced to death but was reprieved & released in very poor health in 1954.
Upon release from prison, Binh went north to work in #Hanoi for the National #WomensUnion. Her job took her to many localities where she witnessed first-hand the impact of #colonialism & the French War on ordinary people & especially women & children.
1954 was a year of victory for the Vietnamese army. The defeated French were forced to sign the #GenevaAccords recognising the independence, sovereignty & unity of Vietnam. The country was temporarily split in two at the 17th parallel, with the French moving to the south from which they would withdraw, while the Viet Minh went to the north. A general election for the government of a united country was to follow within 2 years.
But it never happened. The #USA came centre stage to ensure that the Accords were never implemented. Driven by strategic interests in the region, it made sure that Vietnam stayed divided – preventing an election that would have swept Ho Chi Minh to power with 80% support, while bankrolling & controlling the reactionary #regime of Diem-Nhu south of the 17th parallel. This regime violently suppressed all opposition, executing of thousands of Viet Minh supporters & condemning hundreds of thousands to concentration camps and prisons.
In response, the NLF (for liberation of South Vietnam & unification) was formed in 1960. Nguyen Thi Chau Sa was assigned to the Foreign Affairs Section of its Re-unification Committee & given the name Nguyen Thi Binh (Peace). From 1962 onwards, her high-profile diplomatic work, took her across the world. She represented the aspirations of the people of Vietnam in every country & forum she visited, while the world’s strongest #imperialist power made all-out war on her small country.
During the #VietnamWar, she became a member of the #Vietcong Central Committee and a vice-chairperson of the South Vietnamese #WomensLiberation Association. In 1969 she was appointed foreign minister of the Provisional #Revolutionary Government of the Republic of South Vietnam. A fluent French speaker, Bình played a major role in the #ParisPeaceAccords - an agreement that was supposed to end the war & restore peace in Vietnam.
She was expected to be replaced by a male Vietcong representative after preliminary talks, but became one of the group's most visible international public figures. During this time, she was famous for representing Vietnamese women with her elegant & gracious style, and was referred to by the media as "Madame Bình". She was also referred to as the "Viet Cong Queen" by Western media.
After the war, she was appointed Minister of Education of the Socialist Republic of Vietnam from 1982-1986; the first female minister ever in the history of Vietnam. Binh was a member of the Central Committee of Vietnam's Communist Party from 1987-1992. She was the Deputy Chair of the Party's Central Foreign Affairs Commission & Chair of the National Assembly's Foreign Affairs Committee. The National Assembly elected her twice to position of Vice President of the Socialist Republic of Vietnam for the terms 1992–1997 & 1997–2002.
Bình has authored several op-eds, including a one on the state newspaper Nhân Dân in which she voiced concerns that the current personnel policy of the Communist Party of Vietnam have allowed some "incompetent and opportunistic" individuals to enter the party's apparatus. She also criticized the Party's focus on increasing membership at the expense of "quality."
From March 2009-2014, she served as a member of the support committee of #RussellTribunal on #Palestine.
Madame Bình became a source of inspiration & namesake for Madame Binh Graphics Collective, a #RadicalLeft all-women poster, printmaking, & street art collective based in NYC from 1970s-1980s.
Many Americans in the #AntiWar movement were proud to wear T-shirts printed with the portrait of "Madame Binh". By then, she had become a symbol for female soldiers of the legitimacy of Vietnam's efforts.Madame Bình has been awarded many prestigious awards & honours, including the Order of Ho Chi Minh & Resistance Order (First Class). In 2021, President of Vietnam Nguyễn Xuân Phúc awarded her the 75-year Party Membership Commemorative Medal.
To commemorate the 75th anniversary of the Ministry of Foreign Affairs of Vietnam, the Government of Vietnam commissioned the official portraits for 12 former foreign ministers from 1945-2020. Nguyễn Thị Bình was included among them as the only South Vietnamese foreign minister & the only woman.Ref: Nguyen Thi Binh". Northeastern Dictionary of Women's Biography (3rd ed.). Boston: Northeastern University Press. 1999. ISBN 978-1-55553-421-9
Ref: Triantafillou, Eric (3 May 2012). "Graphic Uprising". The Brooklyn Rail.
Ref: https://www.russelltribunalonpalestine.com/en/about-rtop/patrons.html
Ref: Hy V. Luong (2003), Postwar Vietnam: dynamics of a transforming society, Rowman & Littlefield, ISBN 0847698653
#AsianMastodon #Vietnam #VietnameseRevolutionaries #ColonialResistance #Communist #VietnameseHistory #AsianHistory #SouthEastAsia #Viet #Geopolitics #USWarOnVietnam #LongLiveVietnam #VietnameseSovereignty #LearnHistory #TootSEA #WomenOfTheResistance #Changemakers #Feminist #TrailblazingWomen #WomenWhoChangeTheWorld #VietCongWomen #DebunkingUSLies
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Question:
Who is financing the war against #Russia's #imperialist #ethnofascism?
Answer:
Russia
Good job #Putin! You are a master 5D Chess player 🤪
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Question:
Who is financing the war against #Russia's #imperialist #ethnofascism?
Answer:
Russia
Good job #Putin! You are a master 5D Chess player 🤪
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Question:
Who is financing the war against #Russia's #imperialist #ethnofascism?
Answer:
Russia
Good job #Putin! You are a master 5D Chess player 🤪