#nosferatu — Public Fediverse posts

#FREE #eBOOK #Giveaway #Nosferatu #Vampire #Horror #Adventure #Mashup #DRACULA OF THE #APES Book One THE URN Available at your favorite online bookstore, and as "NO STRINGS ATTACHED" direct download @GWellsTaylor (click link in bio)

#FREE #eBOOK #Giveaway #Nosferatu #Vampire #Horror #Adventure #Mashup #DRACULA OF THE #APES Book One THE URN Available at your favorite online bookstore, and as "NO STRINGS ATTACHED" direct download @GWellsTaylor (click link in bio)

#FREE #eBOOK #Giveaway #Nosferatu #Vampire #Horror #Adventure #Mashup #DRACULA OF THE #APES Book One THE URN Available at your favorite online bookstore, and as "NO STRINGS ATTACHED" direct download @GWellsTaylor (click link in bio)

🎬 Termine über Termine! Hier geht es zum Mai-2026-Kalender für Freund:innen des frühen Films: https://www.stummfilm-magazin.de/kalender
#stummfilmmagazin #stummfilm #stummfilme #silentfilm #silentfilms #silentmovie #silentmovies #kino #film #kinoprogramm #filmerbe #caligari #metropolis #nosferatu #stummfilmkonzert

Adivina la pregunta antes que se acabe el tiempo #tiempo #reto #pregunta #nosferatu #libro #cine
https://www.youtube.com/watch?v=TIOngc_GB9M

#adivina #pregunta #antes

Adivina la pregunta antes que se acabe el tiempo #tiempo #reto #pregunta #nosferatu #libro #cine
https://www.youtube.com/watch?v=TIOngc_GB9M

#adivina #pregunta #antes

I've listened to Popol Vuh's Bruder Des Schattens-Sohne Des Lichts and Nosferatu soundtrack albums a lot but finally digging deeper into their catalogue with these two albums. Any recommendations?

#PopolVuh #Germanmusic #Krautrock #ambientmusic #Electronicmusic #Moog #DiskUnion #Nosferatu

@Nanafugitiva #nosferatu solo hay una, lo demás son copias por falta de ideas para hacer algo más interesante :AI_Yay: https://m.youtube.com/watch?v=-d2otW-98gA.

Harto ya de versiones de cine, música, etc. Falta #creatividad y la que hay no se valora :ablobcatwobfast:

Project Caligari

As the days tolled ever onward to All Hallow’s Eve, an opportunity arose to make use of a new creative space on campus – just by our CentR Stage bar and just in time for the Academy’s Halloween party. Despite only receiving full access and equipment on the morning of festivities, a hastily scribbled tribute to the legacy of cinematic horror was set in motion.

Knowing partygoers were there to chill, chat, and indulge appropriately themed cocktails, there was no expectation they would sit down to watch a full film. Instead we planned a minimalist immersive area to relax in, with low-slung sofas encircled by rear-projected screens showing multiple silent movies. A central plinth would hold an object of focus and contrasting colour from the cold scenes on display.

Implementation demanded a different design – not least a lack of haze, incense, and human remains – with a trio of floor-sat units forward-projecting onto a curve of black drapes. The plinth then sat behind the sofas, adorned with a plastic pumpkin pilfered from the bar – ideally replacing it with the winner of the party’s carving competition.

Vintage horror sourced from archive.org provided the (cunningly Public Domain) vibe, with many films planned for each screen through the night. Technical difficulties, however, meant we had to lock each projector down to a single looping movie – controlled by a laptop behind the curtain running Resolume Media Server going into an HDMI splitter.

The chosen films presented a journey through the early years of macabre movies. An era where the steadfast rules of cinema had yet to be written, inspiring a vibrant visual imagination lost in a later generation of sedate talkies.

The vivid expressionism of The Cabinet of Dr. Caligari (1920) was an essential choice. The first feature-length horror committed to celluloid, and one which many have not been aware. Director Robert Wiene’s eye delivers a pioneering dream-like ambience to a tale of grisly murder, with hand painted backdrops accentuating this unreality.

Next, F. W. Murnau’s Nosferatu (1922) – another German Expressionist classic. Despite drawing the ire of the Stoker estate for obvious plagiarism, this film offers its own interpretation. Max Shreck‘s Count Orlak presents an iconic image of vampyric horror as a monstrous being, a presence revisited in subsequent remakes.

Completing the triptych with another tale retold through the generations, James Whale’s Frankenstein (1931) was filmed with spoken dialogue. However, the rich gothic design still offers strong visual storytelling, with Boris Karloff‘s taciturn performance as the monster just as captivating in silence. A cornerstone of Universal Studios’ shared monster cinematic universe.

All crew work is collective, and we could not have done this without the aid of veterans Nick and Max, who helped to set up and put the final pieces together while I was embroiled in all-day lectures. Their efforts ensured the project was finished to schedule.

Freshers had their chance to contribute too, with new student Ruby curating a masterful multi-genre playlist to accompany proceedings. Although I was obliged to throw in a few extra tracks at the end, we all agreed to remove ‘Monster Mash’ after the shuffle spookily reprised it over and over.

Nothing can ever happen without some form of improvisation, and the taming of wild ideas into practical necessity manifests many happy accidents. The surreal imagery of early experimental cinema, especially in Caligari’s twisted set design, was thrown further off-kilter by the warp of the drapes. An abstract unease accentuated by the imperfect focus and inconsistent framing. It is important, at times, to let go of perfection so things can simply find their own form.

Overall, it went down very well. Partygoers drifted in and out to watch and take photos, enjoying my eager explanations. The client and crew working in the main studio also popped in to take a look around in appreciation. The only complaint from some was the installation wasn’t ‘scary’ enough…

… but the True Terror was throwing it together on time!

https://heathenstorm.com/2025/11/01/project-caligari/

#academyoflivetechnology #caligari #cinema #expressionism #frankenstein #halloween #horror #immersive #nosferatu #projections #resolume #samhain #vintage

This Year’s Best Kills That Didn’t Take Home The Chainsaw Award

https://web.brid.gy/r/https://www.fangoria.com/chainsaw-awards-best-kill-nominees/

This Year’s Best Kills That Didn’t Take Home The Chainsaw Award

https://web.brid.gy/r/https://www.fangoria.com/chainsaw-awards-best-kill-nominees/

This Year’s Best Kills That Didn’t Take Home The Chainsaw Award

https://web.brid.gy/r/https://www.fangoria.com/chainsaw-awards-best-kill-nominees/

This Year’s Best Kills That Didn’t Take Home The Chainsaw Award

https://web.brid.gy/r/https://www.fangoria.com/chainsaw-awards-best-kill-nominees/

This Year’s Best Kills That Didn’t Take Home The Chainsaw Award

https://web.brid.gy/r/https://www.fangoria.com/chainsaw-awards-best-kill-nominees/

‘Severance’ Composer on ‘SNL’ Sketch, Popularity of Theme Song, Pressure of Working on Season 3: ‘Thank God the Main Title Theme Will Be the Same’
#Variety #Global #News #FilmFestGhent #Nosferatu #Severance #WorldSoundtrackAwards

https://variety.com/2025/artisans/global/severance-composer-popularity-theme-song-1236554176/

NOSFERATU and Escaping Abuse - YouTube
https://www.youtube.com/watch?v=gKpjAcffnMA
#CinemaTherapy #Nosferatu #Psychology #Therapy #MovieReaction #Halloween

Das legendäre "Unter Null"-#Festival 2025 im #AJZ #Bielefeld ist dieses Wochenende:

#Konzerte und #Party:
Fr. 22.08. ab 19 Uhr
und
Sa. 23.08. ab 16:00 Uhr

Specials Samstag:
#Kunstausstellung - "Transdimensionales Picknick"
ab 16:30 Uhr #Kino: #Nosferatu (1922) live begleitet von Trautonia Capra auf dem Theremin.

Bei Kunst & Kino Eintritt frei, auch ohne Festivalbesuch!

Info von: https://ajz-bielefeld.de/programm.php

ESPÍAS EN LA GUERRA FRÍA | 06x41
Espías en la guerra fría era una profesión de alto riesgo, con visas de trabajar para el enemigo, traicionar los principios o licencia para matar. Lo más simpático de los espías en la guerra fría, por
https://luisbermejo.com/espias-en-la-guerra-fria-06x41/
#agentes #bram stoker #cia #cine #criptozoología #crítica #drácula #espías #espionaje #gobiernos #guerra fría #hábitos #historia #humor #kgb #leyendas #misterio #mitos #moreno #nosferatu #playa #salud #supersticiones #podcast #NoSoyOriginal

Smaller Movies, Big Profit: Horror Is All The ROI Rage In 2024’s Most Valuable Blockbuster Tournament
#News #AQuietPlaceDayOne #Longlegs #MovieProfits #Nosferatu #Smile2 #SpeakNoEvil

https://deadline.com/2025/04/most-profitable-movies-2024-biggest-returns-1236379096/

Smaller Movies, Big Profit: Horror Is All The ROI Rage In 2024’s Most Valuable Blockbuster Tournament
#News #AQuietPlaceDayOne #Longlegs #MovieProfits #Nosferatu #Smile2 #SpeakNoEvil

https://deadline.com/2025/04/most-profitable-movies-2024-biggest-returns-1236379096/

Smaller Movies, Big Profit: Horror Is All The ROI Rage In 2024’s Most Valuable Blockbuster Tournament
#News #AQuietPlaceDayOne #Longlegs #MovieProfits #Nosferatu #Smile2 #SpeakNoEvil

https://deadline.com/2025/04/most-profitable-movies-2024-biggest-returns-1236379096/

Smaller Movies, Big Profit: Horror Is All The ROI Rage In 2024’s Most Valuable Blockbuster Tournament
#News #AQuietPlaceDayOne #Longlegs #MovieProfits #Nosferatu #Smile2 #SpeakNoEvil

https://deadline.com/2025/04/most-profitable-movies-2024-biggest-returns-1236379096/

🖼️ Pour la meilleure photographie, je pense que l’Académie récompensera #TheBrutalist et son revival du VistaVision.

Pour ma part, je n’ai été sensible ni au travail de Lol Crawley, ni au noir et blanc fade de #Nosferatu, et mon prix personnel revient à #Dune2.

Geekly Weekly Sunday Digest #290
January 19th - 25th

A weekly Pop Culture Ranking
Full lists at 99geek.ca
Subscribe for free to get it in your email!

New Releases Personal Ranking
#ThePitt
#HarleyQuinn
#Nosferatu
#Bookie
#SaturdayNightLive #SNL
#TheAgency
#StDenisMedical
#Dexter #DexterOriginalSin
#SonOfACritch
#Sonic3

Repost if you agree, comment if you don’t!

NEXT WEEK TOP 25
#Moana2
#Marvel #Spiderman2
#YourFriendlyNeighborhoodSpiderMan
#Companion
#Paradise
#MythicQuest
#BabyGirl
#NCIS

[05:45] Big Tech ondoorgrondelijk? Deze atlas gidst je door de digitale machtsverhoudingen

Digitalisering zet veel, zo niet alles, op losse schroeven. De geopolitieke verhoudingen worden er zo door opgeschud dat het op zijn minst onduidelijk is wie de macht in handen heeft: het volk, politici of Big Tech? Haroon Sheikh laat in zijn nieuwe boek zien hoe het zit – en wat dit betekent voor Nederland. Foto door Marijn Smulders (voor De Correspondent)
De wereld ondergaat een ingrijpende transformatie: digitalisering zet veel, zo niet alles, op losse schroeven. De geopolitieke verhoudingen worden er zo door opgeschud dat het op zijn minst onduidelijk is wie de macht in handen heeft: het volk, politici of Big Tech?
Hoe ziet die nieuwe wereld er eigenlijk uit? Haroon Sheikh schetst een zeer helder beeld in zijn Atlas van de digitale wereld (2024). Daarin biedt hij zeven ‘landkaarten’ aan die niet naast elkaar maar boven op elkaar liggen, als een stapel speelkaarten. Samen laten deze kaarten zien hoe de verschillende ‘lagen van digitalisering’ zich tot elkaar en de wereld verhouden, en wat de positie van Nederland en Europa hierin is. Sheikh is politicoloog en filosoof en senior onderzoeker bij de WRR, de Wetenschappelijke Raad voor het Regeringsbeleid. Ook is hij bijzonder hoogleraar aan de VU en heeft hij een breed interessegebied; film hoort daar ook bij. In een opiniestuk voor NRC schreef hij over de recente remake van Nosferatu, de klassieker van Murnau uit 1922. Hij las de film als een botsing tussen twee wereldbeelden: het traditionele religieuze en het moderne. Sheikh denkt dat de rationele mens van nu één ding over het hoofd ziet: het bestaan van het Kwaad. Op De Correspondent praten de auteur, experts en ervaringsdeskundigen samen verder over dit artikel. Log in om mee te praten. (Alleen voor leden).
Nog geen lid? Steun onze missie om jouw nieuws van context te voorzien en sluit je hier aan.
Wil je eerst kennismaken met onze verhalen? Schrijf je dan in voor de proefmail en ontvang elke zaterdag een artikel in je mailbox.

https://open.decorrespondent.nl/15836/-/f23780ed-8735-02dd-2ca4-1eead6fff088/app-open?pk_campaign=rss-feed&pk_medium=rss&pk_source=publication&pk_kwd=all&pk_cid=eccbc87e4b5ce2fe28308fd9f2a7baf3

#BigTech #Sheikh #Nederland #MarijnSmulders #DeCorrespondent #BigTech? #HaroonSheikh #2024 #zeven #Europa #WRR #WetenschappelijkeRaadvoorhetRegeringsbeleid #VU #NRC #Nosferatu #Murnau #1922 #twee #één #Kwaad #zaterdag

Včera večer jsem absolvoval první návštěvu kina v tomto roce a úplně v klidu můžu říct, že jsem viděl jeden z nejlepších letošních filmů. Dlouho jsem neodcházel z kina takhle nadšenej.
Nádherný gotický horor a remake jednoho z nejikoničtějších filmů v historii kinematografie.
Robert Eggers to dokázal! Natočil velmi povedený, démonicky atmosférický kousek, prolezlej hnilobou a morem, který se dokonce, kromě Kanady, natáčel i v České republice.
Herecké obsazení je taky výborné : Willem Dafoe, Nicholas Hoult, mladá Deppka (dcera Johnnyho Deppa)... a především, v roli ďábelského Orloka, Bill Skarsgard, který pokaždé, když promluvil, tak jsem měl husinu, až na zadnici. Tohle je potřeba vidět v originále.
Mistrovské dílo.

10/10

#movie #horor #horror #film #nosferatu #vampire #orlok #RobertEggers #remake

Il #7gennaio 1881 nasceva #HenrikGaleen sceneggiatore del #Nosferatu di Friedrich Wilhelm Murnau.
https://www.lasinistraquotidiana.it/friedrich-wilhelm-murnau-la-sinfonia-dellorrore/

#accaddeoggi #friedrichwilhelmmurnau #cinemagram #unocinema #cinema #cinemalover #movie #movies #moviescenes #filmscene #film #filmphoto #filmcommunity

Nosferatu (1922, Murnau)
Nosferatu (1979, Herzog)
Nosferatu (2024, Eggers)

#film #movies #movie #remake #nosferatu #horror #horor #vampire #vampires

Recensione “Nosferatu” (2024)

Parafrasando Nietzsche, si può dire che se tu guarderai a lungo nell’oscurità, anche l’oscurità vorrà guardare dentro di te. Ed è proprio in un buio accecante che Eggers immerge lo spettatore (e Lily-Rose Depp) sin dalla primissima inquadratura, come a volerlo rendere parte di quella stessa notte buia, la stessa oscurità nella quale il regista fa muovere le sue ombre.

Il vampiro Nosferatu, il “non spirato”, nasce nel 1922 come plagio cinematografico del capolavoro di Bram Stoker Dracula, in uno dei film più simbolici della cinematografia di Murnau, dell’espressionismo tedesco e senza dubbio di tutto il cinema muto: qualunque cinefilo che si rispetti avrà presente l’inquietante sagoma deformata di Max Schreck, il primo Nosferatu del cinema, proiettata sulla parete della sua decadente magione. Eggers prende quell’ombra e la diffonde per 135 minuti di film sugli occhi di chi guarda, soprattutto tra le pieghe di un desiderio latente, quello di una protagonista eccezionale, che rispetto alle versioni precedenti di Nosferatu, qui diventa il vero e proprio motore della storia: Lily-Rose Depp è infatti splendida e inquietante al tempo stesso, a tal punto che forse mi spaventerebbe addirittura incontrarla per strada, e concede tutta se stessa ai suoi demoni, alla sua solitudine, al suo desiderio, in una società maschilista controllata da inetti, come il marito della sua Ellen, il solito Nicolas Hoult confuso e incapace di cambiare espressione, non importa se il suo personaggio venga bullizzato nel liceo descritto da Nick Hornby, sia in preda a dubbi etici e morali nella giuria di Clint Eastwood o terrorizzato nei Carpazi da un uomo molto più carismatico di lui (sebbene si tratti di uno spaventoso vampiro, questo glielo concediamo). Perché, diciamolo, è molto più interessante il rapporto che intercorre tra Ellen e Orlok rispetto a quello che la donna ha con suo marito: è infatti la lotta contro l’oscurità che Leni porta dentro la vera anima di questo convincente lavoro di Eggers, un horror gotico ricco di atmosfere e suggestioni appartenenti al secolo scorso, ma capace anche di essere moderno, sempre credibile e mai grottesco. La grandezza di questa nuova versione di Nosferatu è, al di là dell’indubbia potenza visiva, la capacità di reinventarsi in ogni scena, di essere coinvolgente anche di fronte a una storia che abbiamo visto in tutte le salse, che il regista statunitense però riesce a modernizzare con la metafora, neanche troppo sottile, di una donna indipendente in lotta contro una società di maschi dominanti, che frenano i suoi desideri, che decidono come deve vivere e che addirittura tentano di frenare la sua “follia” facendole indossare corpetti più stretti.

Il Conte Orlok può anche far paura (bravo Skarsgaard, ormai abbonato a vestire i panni dei mostri), ma non sarà mai così spaventoso come quando Eggers costringe noi spettatori – e ogni personaggio dei suoi film – a fare i conti con l’oscurità che portiamo dentro, che probabilmente rinneghiamo, ma che forse dovremmo imparare a riconoscere. Perché anche dopo la notte più buia, c’è sempre il sorgere del sole.

#Cinema #commenti #daVedere #diCheParla #eggers #film #locandina #metafora #nosferatu #recensione #significato #spiegazione #storia #trama

Final pictures of Count Orlok from #Nosferatu

I ordered it from @CultTVman , and I had a lot of fun getting this one finished on time.

You can find a detailed writeup of the build on the Hobby Link International forums here:

https://community.hobbylinkinternational.com/index.php?threads/2023-halloween-nosferatu.3122/

HLI is a fairly small, currently evolving, low-key forum of scale model builders ... We're trying to keep out all the nonsense that comes with big social media stuff.

#scalemodel #halloween #vampire #scalemodeling #scalemodelling #groupbuild

13 days start to finish ... and done 21 hours before the deadline. 😀

Proper pictures will come later, after the camera battery charges, LOL.

#scalemodel #halloween #groupbuild #nosferatu #vampire #salemodeling #scalemodelling

Work continues ever onward with Count Orlok from #Nosferatu

Shading on the skin and clothes are done. The base has been, well, base coated with craft paint and gloss sealed so I can do some quick washes and weathering.

With any luck, I think I can be done before the #groupbuild deadline (10/28 at noon ET)

I wish the shading on the skin would show easier on camera, but it has always had a problem with lighter colors. May be time for an upgrade ...

Thanks for looking

#scalemodel #halloween

Base coating Orlok from #Nosferatu

I still have to mask and paint the cuffs and collar, but the parts need to bake for a bit.

Colors are mostly #ArmyPainter #Warpaints , thinned with #Vallejo Airbrush Thinner and Flow Improver, sprayed through my #Paasche Talon airbrush.

Next up is the base, but that'll mostly be craft paint brushing, washes and dry-brushing. It's the no-fuss part of the build.

Thanks for looking!

#scalemodel #halloween #vampire #scalemodeling #scalemodelling #groupbuild

Starting work on this #scaleModel for a #halloween #groupBuild over at Hobby Link International.

Count Orlok of #Nosferatu from Monarch Models. It's supposedly the last run of this kit.

Let's see if I can build and paint it in time.

I've been called a "glacial builder" though ... LOL.