#jesu — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #jesu, aggregated by home.social.
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Der #Ostersonntag ist im #Christentum der #Festtag der #Auferstehung #Jesu #Christi, der nach dem #NeuenTestament als #Sohn #Gottes den #Tod #überwunden hat. Der Ostersonntag markiert das #Ende der #Fastenzeit und den Beginn der #Osteroktav, die mit dem #WeißenSonntag endet.
https://welcher-tag-ist-heute.org/feiertage/ostersonntagFROHE OSTERN 🐰
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Die Liturgie vom #Leiden und #Sterben #Jesu, aus der #Jesuitenkirche in #Bad_Muenstereifel.
betet mit uns.
📺️ Live via #Youtube:
🔗 https://www.youtube.com/live/FbPI4xFschY?si=Ox8RGg4Ug7l6T8n4 -
RE: https://flipboard.com/@pitchfork/news-pqu92e91z/-/a-Kjik4wRZSXi7ZRwOwbOVKQ%3Aa%3A910329480-%2F0
My favourite band calls it a day. I am happy to have seen them live last October in Riga. Turns out this was one of their final shows. It was super good. Fortunately #Jesu will continue. I wish Justin K. Broadrick quick recovery.
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Justin K. Broadrick Halts Godflesh Live Shows Following Abdominal Surgery
https://thequietus.com/news/justin-k-broadrick-halts-godflesh-live-shows-following-abdominal-surgery/?utm_source=rss&utm_medium=rss&utm_campaign=justin-k-broadrick-halts-godflesh-live-shows-following-abdominal-surgery#thequietus #News #Godflesh #jesu #JK_Flesh #Justin_K_Broadrick
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Hashtags: #Suche #Austausch #Vernetzung #Familie #Gemeinschaft #Gemeinde #Gleichgesinnte #Glaubensgeschwister #Glaubensbrüder #Glaubensschwestern #Menschen #Werte #Prinzipien #analog #digital #Berlin #Umgebung #Brandeburg #Bayern #Österreich #Schweiz #weltweit #Glaube #Bibel #Torah #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi #Welt #alternativ #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Technik #Libre #OpenSource #freieSoftware #FLOSS #FOSS #Hardware #Software #Musik #frei #unabhängig #autark #Frieden #Freiheit #Gerechtigkeit #Liebe #Gefühle #Emotionen #Ehrlichkeit #Interesse #Gespräche #Dialoge #Aktivitäten #Unternehmungen #Zusammenarbeit #Kooperation #Coexistenz #Selbsthilfe #Hilfe #Unterstützung #Gruppe #Hauskreis #Kreis #analog #digital #Torahchristen #messianischeJuden #Christen #Juden #Andersgläubige #Ungläubige #Atheisten #Interessierte #offline #sozialeMedien #Mastodon #Fediverse #Internet #Messenger #SimpleXChat #SimpleX #ThreemaLibre #Threema #Jitsi #Jami #Informationen #Linkliste #Linkstack #AdminForge #Personenbeschreibung #Eleazar @eleazar #Rückmeldungen #Interessen
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Eleazar Linkliste (Linkstack) zu weiteren sozialen Medien und auch den Kontaktmöglichkeiten von mir, von anderen Glaubensbrüdern und Bibelübersetzungen, was ihr euch gerne einmal durchlesen und auch anschauen könnt:
Hashtags: #AdminForge #Linkliste #Linksammlung #Linkstack #Eleazar #Beschreibung #Vorhaben #Reuplods #Aufklärung #Gott #Bibel #Torah #Welt #Technik #freie #Software #Hardware #OpenSource #Open #Source #Libre #FLOSS #FOSS #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Musik #sozialeMedien #soziale #Medien #Mastodon #Invidious #YouTube #Twitch #Odysee #Kontaktmöglichkeiten #Emailadresse #Email #Mail #Alias #Messenger #SimpleXChat #SimpleX #SXC #SimpleXGruppen #Gruppen #ThreemaLibre #Threema #Libre #Friendica #Glaubensbrüder #Evangelist #EndzeitreporterMcM #McM #Bibellehrer #Nature23 #CrusaderofGod #Crusader #Internetseiten #Homepage #Telegram #Spendenkonto #Spende #PayPal #Bibelübersetzungen #Schlachter1951 #Schlachter2000 #Revision2021 #AltesTestament #AT #NeuesTestament #NT #Mose #Buchausgabe #Hörbuch #Wiedergabeliste #Playlist #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi
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Eleazar Linkliste (Linkstack) zu weiteren sozialen Medien und auch den Kontaktmöglichkeiten von mir, von anderen Glaubensbrüdern und Bibelübersetzungen, was ihr euch gerne einmal durchlesen und auch anschauen könnt:
Hashtags: #AdminForge #Linkliste #Linksammlung #Linkstack #Eleazar #Beschreibung #Vorhaben #Reuplods #Aufklärung #Gott #Bibel #Torah #Welt #Technik #freie #Software #Hardware #OpenSource #Open #Source #Libre #FLOSS #FOSS #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Musik #sozialeMedien #soziale #Medien #Mastodon #Invidious #YouTube #Twitch #Odysee #Kontaktmöglichkeiten #Emailadresse #Email #Mail #Alias #Messenger #SimpleXChat #SimpleX #SXC #SimpleXGruppen #Gruppen #ThreemaLibre #Threema #Libre #Friendica #Glaubensbrüder #Evangelist #EndzeitreporterMcM #McM #Bibellehrer #Nature23 #CrusaderofGod #Crusader #Internetseiten #Homepage #Telegram #Spendenkonto #Spende #PayPal #Bibelübersetzungen #Schlachter1951 #Schlachter2000 #Revision2021 #AltesTestament #AT #NeuesTestament #NT #Mose #Buchausgabe #Hörbuch #Wiedergabeliste #Playlist #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi
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Eleazar Linkliste (Linkstack) zu weiteren sozialen Medien und auch den Kontaktmöglichkeiten von mir, von anderen Glaubensbrüdern und Bibelübersetzungen, was ihr euch gerne einmal durchlesen und auch anschauen könnt:
Hashtags: #AdminForge #Linkliste #Linksammlung #Linkstack #Eleazar #Beschreibung #Vorhaben #Reuplods #Aufklärung #Gott #Bibel #Torah #Welt #Technik #freie #Software #Hardware #OpenSource #Open #Source #Libre #FLOSS #FOSS #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Musik #sozialeMedien #soziale #Medien #Mastodon #Invidious #YouTube #Twitch #Odysee #Kontaktmöglichkeiten #Emailadresse #Email #Mail #Alias #Messenger #SimpleXChat #SimpleX #SXC #SimpleXGruppen #Gruppen #ThreemaLibre #Threema #Libre #Friendica #Glaubensbrüder #Evangelist #EndzeitreporterMcM #McM #Bibellehrer #Nature23 #CrusaderofGod #Crusader #Internetseiten #Homepage #Telegram #Spendenkonto #Spende #PayPal #Bibelübersetzungen #Schlachter1951 #Schlachter2000 #Revision2021 #AltesTestament #AT #NeuesTestament #NT #Mose #Buchausgabe #Hörbuch #Wiedergabeliste #Playlist #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi
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Eleazar Linkliste (Linkstack) zu weiteren sozialen Medien und auch den Kontaktmöglichkeiten von mir, von anderen Glaubensbrüdern und Bibelübersetzungen, was ihr euch gerne einmal durchlesen und auch anschauen könnt:
Hashtags: #AdminForge #Linkliste #Linksammlung #Linkstack #Eleazar #Beschreibung #Vorhaben #Reuplods #Aufklärung #Gott #Bibel #Torah #Welt #Technik #freie #Software #Hardware #OpenSource #Open #Source #Libre #FLOSS #FOSS #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Musik #sozialeMedien #soziale #Medien #Mastodon #Invidious #YouTube #Twitch #Odysee #Kontaktmöglichkeiten #Emailadresse #Email #Mail #Alias #Messenger #SimpleXChat #SimpleX #SXC #SimpleXGruppen #Gruppen #ThreemaLibre #Threema #Libre #Friendica #Glaubensbrüder #Evangelist #EndzeitreporterMcM #McM #Bibellehrer #Nature23 #CrusaderofGod #Crusader #Internetseiten #Homepage #Telegram #Spendenkonto #Spende #PayPal #Bibelübersetzungen #Schlachter1951 #Schlachter2000 #Revision2021 #AltesTestament #AT #NeuesTestament #NT #Mose #Buchausgabe #Hörbuch #Wiedergabeliste #Playlist #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi
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Eleazar Linkliste (Linkstack) zu weiteren sozialen Medien und auch den Kontaktmöglichkeiten von mir, von anderen Glaubensbrüdern und Bibelübersetzungen, was ihr euch gerne einmal durchlesen und auch anschauen könnt:
Hashtags: #AdminForge #Linkliste #Linksammlung #Linkstack #Eleazar #Beschreibung #Vorhaben #Reuplods #Aufklärung #Gott #Bibel #Torah #Welt #Technik #freie #Software #Hardware #OpenSource #Open #Source #Libre #FLOSS #FOSS #Gesundheit #Medizin #Nachhaltigkeit #Geopolitik #Politik #Weltwirtschaft #Wirtschaft #Musik #sozialeMedien #soziale #Medien #Mastodon #Invidious #YouTube #Twitch #Odysee #Kontaktmöglichkeiten #Emailadresse #Email #Mail #Alias #Messenger #SimpleXChat #SimpleX #SXC #SimpleXGruppen #Gruppen #ThreemaLibre #Threema #Libre #Friendica #Glaubensbrüder #Evangelist #EndzeitreporterMcM #McM #Bibellehrer #Nature23 #CrusaderofGod #Crusader #Internetseiten #Homepage #Telegram #Spendenkonto #Spende #PayPal #Bibelübersetzungen #Schlachter1951 #Schlachter2000 #Revision2021 #AltesTestament #AT #NeuesTestament #NT #Mose #Buchausgabe #Hörbuch #Wiedergabeliste #Playlist #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #JesuChristi #Jesu #Christi
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Ich bin nun auch wieder mit meinem 3. Versuch zurück auf Mastodon an alle und an den Zensor und Glaubensbruder (Christ) @ThomasP von seinem Mastodon-Server elizur.me, aber dieses Mal nun über einen anderen und auch neuen Server-Betreiber von Kanoa (AdminForge).
Es wird vorerst nur noch über Kanoa ( https://kanoa.de/@eleazar ) neue Posts von mir auf Mastodon geben, da es über dem alten Account ( https://elizur.me/@eleazar ) und bei dem alten Server-Betreiber leider nicht mehr geht, da ich von ihm stumm geschaltet worden bin.
Also er hat mich damit mundtot gemacht und mir somit ein Maulkorb verpasst, und das sogar auch ohne Angabe von einem (triftigen) Grund.
Jedoch wird auch niemand die Wahrheit aufhalten oder gar unterdrücken können, auch kein Glaubensbruder o. sonst irgendjemand, wofür der Gott der Bibel auch sorgen wird.
Mal schauen, wie es nun hier weitergehen wird und ihr könnt auf neue Posts von mir gespannt sein, die ehrlich und direkt sind.
Ich wünsche euch allen & ganz besonders @ThomasP den Gottes reichen Segen.
PS: Wer mir folgen möchte, kann dies gerne tun, wenn nicht schon geschehen. ( @linuxnews & @atixag )
PPS: Bei Disroot & Akkoma (Pleroma) hat mir das nicht so gefallen, auch wenn es dort ein paar andere & auch gute Funktionen gibt, weshalb ich doch lieber direkt hier bei Mastodon dauerhaft bleiben möchte.
Hashstags: #ichbinwiederzurück #imback #ersterPost #Mastodon #AdminForge #Kanoa #Versuch #Zensor #Glaubensbruder #Christ #ServerBetreiber #Server #Betreiber #ThomasP #elizurme #Account #Profil #Konto #Zensur #Stummschaltung #stumm #mundtot #Maulkorb #ohneGrund #DieWahrheitkommtansTageslicht #DWKAT #Wahrheit #Tageslicht #Licht #Glaubensbruder #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #Jesu #Christi #Bibel #Torah #Posts #ehrlich #direkt #Segen #Eleazar #folgen #linuxnews #atixag #Disroot #Akkoma #Pleroma #Funktionen
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Ich bin nun auch wieder mit meinem 3. Versuch zurück auf Mastodon an alle und an den Zensor und Glaubensbruder (Christ) @ThomasP von seinem Mastodon-Server elizur.me, aber dieses Mal nun über einen anderen und auch neuen Server-Betreiber von Kanoa (AdminForge).
Es wird vorerst nur noch über Kanoa ( https://kanoa.de/@eleazar ) neue Posts von mir auf Mastodon geben, da es über dem alten Account ( https://elizur.me/@eleazar ) und bei dem alten Server-Betreiber leider nicht mehr geht, da ich von ihm stumm geschaltet worden bin.
Also er hat mich damit mundtot gemacht und mir somit ein Maulkorb verpasst, und das sogar auch ohne Angabe von einem (triftigen) Grund.
Jedoch wird auch niemand die Wahrheit aufhalten oder gar unterdrücken können, auch kein Glaubensbruder o. sonst irgendjemand, wofür der Gott der Bibel auch sorgen wird.
Mal schauen, wie es nun hier weitergehen wird und ihr könnt auf neue Posts von mir gespannt sein, die ehrlich und direkt sind.
Ich wünsche euch allen & ganz besonders @ThomasP den Gottes reichen Segen.
PS: Wer mir folgen möchte, kann dies gerne tun, wenn nicht schon geschehen. ( @linuxnews & @atixag )
PPS: Bei Disroot & Akkoma (Pleroma) hat mir das nicht so gefallen, auch wenn es dort ein paar andere & auch gute Funktionen gibt, weshalb ich doch lieber direkt hier bei Mastodon dauerhaft bleiben möchte.
Hashstags: #ichbinwiederzurück #imback #ersterPost #Mastodon #AdminForge #Kanoa #Versuch #Zensor #Glaubensbruder #Christ #ServerBetreiber #Server #Betreiber #ThomasP #elizurme #Account #Profil #Konto #Zensur #Stummschaltung #stumm #mundtot #Maulkorb #ohneGrund #DieWahrheitkommtansTageslicht #DWKAT #Wahrheit #Tageslicht #Licht #Glaubensbruder #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #Jesu #Christi #Bibel #Torah #Posts #ehrlich #direkt #Segen #Eleazar #folgen #linuxnews #atixag #Disroot #Akkoma #Pleroma #Funktionen
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Ich bin nun auch wieder mit meinem 3. Versuch zurück auf Mastodon an alle und an den Zensor und Glaubensbruder (Christ) @ThomasP von seinem Mastodon-Server elizur.me, aber dieses Mal nun über einen anderen und auch neuen Server-Betreiber von Kanoa (AdminForge).
Es wird vorerst nur noch über Kanoa ( https://kanoa.de/@eleazar ) neue Posts von mir auf Mastodon geben, da es über dem alten Account ( https://elizur.me/@eleazar ) und bei dem alten Server-Betreiber leider nicht mehr geht, da ich von ihm stumm geschaltet worden bin.
Also er hat mich damit mundtot gemacht und mir somit ein Maulkorb verpasst, und das sogar auch ohne Angabe von einem (triftigen) Grund.
Jedoch wird auch niemand die Wahrheit aufhalten oder gar unterdrücken können, auch kein Glaubensbruder o. sonst irgendjemand, wofür der Gott der Bibel auch sorgen wird.
Mal schauen, wie es nun hier weitergehen wird und ihr könnt auf neue Posts von mir gespannt sein, die ehrlich und direkt sind.
Ich wünsche euch allen & ganz besonders @ThomasP den Gottes reichen Segen.
PS: Wer mir folgen möchte, kann dies gerne tun, wenn nicht schon geschehen. ( @linuxnews & @atixag )
PPS: Bei Disroot & Akkoma (Pleroma) hat mir das nicht so gefallen, auch wenn es dort ein paar andere & auch gute Funktionen gibt, weshalb ich doch lieber direkt hier bei Mastodon dauerhaft bleiben möchte.
Hashstags: #ichbinwiederzurück #imback #ersterPost #Mastodon #AdminForge #Kanoa #Versuch #Zensor #Glaubensbruder #Christ #ServerBetreiber #Server #Betreiber #ThomasP #elizurme #Account #Profil #Konto #Zensur #Stummschaltung #stumm #mundtot #Maulkorb #ohneGrund #DieWahrheitkommtansTageslicht #DWKAT #Wahrheit #Tageslicht #Licht #Glaubensbruder #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #Jesu #Christi #Bibel #Torah #Posts #ehrlich #direkt #Segen #Eleazar #folgen #linuxnews #atixag #Disroot #Akkoma #Pleroma #Funktionen
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Ich bin nun auch wieder mit meinem 3. Versuch zurück auf Mastodon an alle und an den Zensor und Glaubensbruder (Christ) @ThomasP von seinem Mastodon-Server elizur.me, aber dieses Mal nun über einen anderen und auch neuen Server-Betreiber von Kanoa (AdminForge).
Es wird vorerst nur noch über Kanoa ( https://kanoa.de/@eleazar ) neue Posts von mir auf Mastodon geben, da es über dem alten Account ( https://elizur.me/@eleazar ) und bei dem alten Server-Betreiber leider nicht mehr geht, da ich von ihm stumm geschaltet worden bin.
Also er hat mich damit mundtot gemacht und mir somit ein Maulkorb verpasst, und das sogar auch ohne Angabe von einem (triftigen) Grund.
Jedoch wird auch niemand die Wahrheit aufhalten oder gar unterdrücken können, auch kein Glaubensbruder o. sonst irgendjemand, wofür der Gott der Bibel auch sorgen wird.
Mal schauen, wie es nun hier weitergehen wird und ihr könnt auf neue Posts von mir gespannt sein, die ehrlich und direkt sind.
Ich wünsche euch allen & ganz besonders @ThomasP den Gottes reichen Segen.
PS: Wer mir folgen möchte, kann dies gerne tun, wenn nicht schon geschehen. ( @linuxnews & @atixag )
PPS: Bei Disroot & Akkoma (Pleroma) hat mir das nicht so gefallen, auch wenn es dort ein paar andere & auch gute Funktionen gibt, weshalb ich doch lieber direkt hier bei Mastodon dauerhaft bleiben möchte.
Hashstags: #ichbinwiederzurück #imback #ersterPost #Mastodon #AdminForge #Kanoa #Versuch #Zensor #Glaubensbruder #Christ #ServerBetreiber #Server #Betreiber #ThomasP #elizurme #Account #Profil #Konto #Zensur #Stummschaltung #stumm #mundtot #Maulkorb #ohneGrund #DieWahrheitkommtansTageslicht #DWKAT #Wahrheit #Tageslicht #Licht #Glaubensbruder #Elohim #Gott #JHWH #Jahweh #Jahwe #Jehovah #Jehova #Jahuah #Jahua #Zebaoth #JehoschuaHaMachiach #Jehoschuah #Jeschuah #Jeschua #HaMachiach #JesusChristus #Jesus #Christus #Jesu #Christi #Bibel #Torah #Posts #ehrlich #direkt #Segen #Eleazar #folgen #linuxnews #atixag #Disroot #Akkoma #Pleroma #Funktionen
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Eine Weihnachtsbotschaft von Wuppertaler Superintendentin und Stadtdechant
Weihnachten. Das Fest der Liebe. Dass es …
#Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Botschaft #Bruno #Federschmidt #geboren #Germany #Gott #Ilka #Jesu #Kind #Kurth #Mensch #Menschenkind #Menschheit #menschliche #Menschlichkeit #Menschsein #Neugeborenen #Nordrhein-Westfalen #Unmenschlichkeit #Weihnachten #Weihnachtsbotschaft
https://www.europesays.com/de/668709/ -
Un titre de Noël comme je les aime 🤘
Christmas (JK FLESH Remix), by jesu
https://jesu.bandcamp.com/track/christmas-jk-flesh-remix
#NowPlaying #Musique #jesu #JKFLESH -
3/2
I started out as a big fan of #Jesu in late 2000s and mostly didn't get Godflesh. But I gradually started to get them. These days I still very much like older Jesu stuff but Godflesh is the metal act I listen to most often. Interestingly, Jesu hasn't put out any good records since 2010. However, all three albums by Godflesh that are released after their reunion (2014, 2017, 2023) are great. How can one artist be so "uneven" in different projects? -
Jesu - Heart Ache & Dethroned - 2010
#Music #AlbumSuggestions #NowPlaying #NowListening
#Jesu #HeartAcheDethroned -
Aus meiner Sicht schließen sich ein auch historisch-kritisch verstandenes #Christentum & jede Form von #Nationalismus, #Rassismus, #Antisemitismus, ja #Dualismus grundlegend aus. Rabbi #Jehoschua, griechisch #Jesu lehrte den #Mosesbund für jüdische & den #Noahbund für alle Menschen. Ein US-Pastor formulierte die Absage an den sog. "Christlichen Nationalismus" neulich so: https://www.youtube.com/shorts/4n2VeOMT0gQ
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Jesu - Everyday I Get Closer To The Light From Which I Came - 2013
#Music #AlbumSuggestions #NowPlaying #NowListening
#Jesu #EverydayIGetCloserToTheLightFromWhichICame -
https://www.wacoca.com/games/1173655/ プロゲーマー＆ストリーマー総勢22名がEXPO2025に集結！大阪・関西万博「未来をつなぐｅスポーツの力」｜セガ SEGA ##GAMING #eFootball #esports #ExpoMesse #expo2025 #eスポーツ #Game #GameNews #games #GamingNews #JeSU #ProGamer #puyopuyo #PuzzleAndDragons #streamer #StreetFighter6 #tekken8 #TheKingOfFightersXV #ゲーミング #ゲーム #ゲーム攻略 #ゲーム最新情報 #ストリートファイター6 #ぷよぷよ #配信者
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https://www.wacoca.com/games/1173655/ プロゲーマー＆ストリーマー総勢22名がEXPO2025に集結！大阪・関西万博「未来をつなぐｅスポーツの力」｜セガ SEGA ##GAMING #eFootball #esports #ExpoMesse #expo2025 #eスポーツ #Game #GameNews #games #GamingNews #JeSU #ProGamer #puyopuyo #PuzzleAndDragons #streamer #StreetFighter6 #tekken8 #TheKingOfFightersXV #ゲーミング #ゲーム #ゲーム攻略 #ゲーム最新情報 #ストリートファイター6 #ぷよぷよ #配信者
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Heute ist #WelttagderPoesie - Zeit, die Gleichnisse #Jesu als Meisterwerke der #Poesie zu würdigen: https://www.evangelische-aspekte.de/die-gleichnisse-jesu/
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It's Justin K Broadrick Sunday!
Started off with some Jesu, but finishing with Godflesh and Fall of Because.
#godflesh #jkb #jesu #nowplaying
This dude is a legend.
🤘
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By Dear Hollow
Black Aleph is a sonic experiment devoted to ritual. Debut Apsides, while short, is nothing short of perplexing in its evasion of genre trappings, ultimately making some form of drone metal with folk instruments, imbued with post-metal’s metamorphic crescendos. However, the value lies behind these descriptors, with a distinct ritualistic heart beating beneath as its Middle Eastern modal traditions guide the movements—a divine and otherworldly experience. Don’t misunderstand, Apsides will still crush you, but just as much in its serenity as its dense guitar riffs—the weight it conjures is a suggestion and anticipation of punishment rather than a rod brandished. The result is haunting and unique, but brimming with more potential than it capitalizes upon.
Black Aleph is a trio from Australia, its Sydney- and Melbourne-based members comprised other acts from the country’s weirder underground offerings. Aside from respective solo offerings, guitar and effects wizard Lachlan Dale hails from maqam-centric acts like Hashshashin and the Arya Ensemble,1 cellist Peter Hollo lends his eerie drones in post-rock/electronic collectives like Tangents, Haunts, and FourPlay String Quartet, and dar player/setarist Timothy Johannessen plays in the folk-inclined Mehr Ensemble. Johannessen and Dale’s respective roots in Arabic, Iranian, and Persian folk music pronounce the motifs that Black Aleph utilizes. The trio has been compared to renowned experimental acts like Godspeed You! Black Emperor, Justin Broadrick, and Jesu, while associated with members of We Lost the Sea and Sunn O))). However, Black Aleph plays more in line with Hashshashin or countrymates Omahara in the blurring of drone and folk, ever-punishing and ever-organic.
Black Aleph deals in a style that balances weight, tension, and melody. Just as in Godspeed’s Lift Your Skinny Fists…, chord progressions throughout Apsides are layered with tension, bated breath between dissonance and harmony. While layered with ominous droning doom riffs (“Descent,” “Precession”), the crescendos within its micro-movements prove the most intriguing. Whether it be its dancing and complex rhythms (“Return”), climbing arpeggios (the “Ambit” duo), or gradual uses of volume and curious motifs (“Separation,” “Return”) the best uses of the percussive daf are utilized in quieter moments, creating a pulsing undercurrent of mystery and frailty rather than the punishing drums they pretend to be in the more droning cuts. These more gentle movements gradually increase in girth with post-rock intention, erupting in satisfying droning climaxes (“Ambit II (Aphelion),” “Return”). While droning guitars are relatively straightforward, their acoustic instruments—setar, daf, cello, and violin2—provide Black Aleph an easy and effective bridge between droning metal and folk motifs, as the songs are constructed safely and neatly.
Black Aleph’s voiceless music creates a greater impetus to focus on the songwriting, and unfortunately, Apsides suffers from moments of directionless meandering and awkwardly curtailed movements. In general, the lack of vocals is a critique depending on the listener. In a manner of songwriting, however, the best crescendo occurs in “Ambit II (Aphelion)” and no track following lives up to this peak, although others attempt to scale it (“Separation,” “Return”). While noodling occurs throughout (i.e. “Ambit I (Ascension)”), it overwhelms the moments of climax, leading tracks plummeting to the ground, especially in the limp closer “Occultation,” whose wonky rhythms and skronky setar rob the guitars of needed weight. Most frustrating with Black Aleph is that, although each track is neatly composed and competently executed, the album at large feels too short and abrupt. Apisdes’ thirty-minute runtime feels too short like Black Aleph missed the chance to adequately flesh out their ideas when eschewing drone metal’s tendency towards lengthy offerings.
Apsides offers a unique sound, hindered by its own ambition. Although the songs are too short and performances can be shortsighted, Black Aleph has an endlessly intriguing premise and unique execution. Ritualistic rhythms, Middle Eastern motifs, droning riffs, and otherworldly drive collide in an album that largely succeeds. It’s good that I want to hear more of Black Aleph, because I think their next album will be better than Apsides.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: blackaleph.bandcamp.com | facebook.com/blackaleph
Releases Worldwide: October 25th, 2024#2024 #30 #Apsides #AryaEnsemble #AustralianMetal #BlackAleph #DoomMetal #Drone #DroneMetal #Folk #FourPlayStringQuartet #GodspeedYouBlackEmperor #Hashshashin #Haunts #Jesu #JustinBroadrick #MehrEnsemble #Noise #Oct24 #Omahara #PostRock #PostMetal #Review #Reviews #SelfReleased #SunnO_ #Tangents #WeLostTheSea
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By Dear Hollow
Black Aleph is a sonic experiment devoted to ritual. Debut Apsides, while short, is nothing short of perplexing in its evasion of genre trappings, ultimately making some form of drone metal with folk instruments, imbued with post-metal’s metamorphic crescendos. However, the value lies behind these descriptors, with a distinct ritualistic heart beating beneath as its Middle Eastern modal traditions guide the movements—a divine and otherworldly experience. Don’t misunderstand, Apsides will still crush you, but just as much in its serenity as its dense guitar riffs—the weight it conjures is a suggestion and anticipation of punishment rather than a rod brandished. The result is haunting and unique, but brimming with more potential than it capitalizes upon.
Black Aleph is a trio from Australia, its Sydney- and Melbourne-based members comprised other acts from the country’s weirder underground offerings. Aside from respective solo offerings, guitar and effects wizard Lachlan Dale hails from maqam-centric acts like Hashshashin and the Arya Ensemble,1 cellist Peter Hollo lends his eerie drones in post-rock/electronic collectives like Tangents, Haunts, and FourPlay String Quartet, and dar player/setarist Timothy Johannessen plays in the folk-inclined Mehr Ensemble. Johannessen and Dale’s respective roots in Arabic, Iranian, and Persian folk music pronounce the motifs that Black Aleph utilizes. The trio has been compared to renowned experimental acts like Godspeed You! Black Emperor, Justin Broadrick, and Jesu, while associated with members of We Lost the Sea and Sunn O))). However, Black Aleph plays more in line with Hashshashin or countrymates Omahara in the blurring of drone and folk, ever-punishing and ever-organic.
Black Aleph deals in a style that balances weight, tension, and melody. Just as in Godspeed’s Lift Your Skinny Fists…, chord progressions throughout Apsides are layered with tension, bated breath between dissonance and harmony. While layered with ominous droning doom riffs (“Descent,” “Precession”), the crescendos within its micro-movements prove the most intriguing. Whether it be its dancing and complex rhythms (“Return”), climbing arpeggios (the “Ambit” duo), or gradual uses of volume and curious motifs (“Separation,” “Return”) the best uses of the percussive daf are utilized in quieter moments, creating a pulsing undercurrent of mystery and frailty rather than the punishing drums they pretend to be in the more droning cuts. These more gentle movements gradually increase in girth with post-rock intention, erupting in satisfying droning climaxes (“Ambit II (Aphelion),” “Return”). While droning guitars are relatively straightforward, their acoustic instruments—setar, daf, cello, and violin2—provide Black Aleph an easy and effective bridge between droning metal and folk motifs, as the songs are constructed safely and neatly.
Black Aleph’s voiceless music creates a greater impetus to focus on the songwriting, and unfortunately, Apsides suffers from moments of directionless meandering and awkwardly curtailed movements. In general, the lack of vocals is a critique depending on the listener. In a manner of songwriting, however, the best crescendo occurs in “Ambit II (Aphelion)” and no track following lives up to this peak, although others attempt to scale it (“Separation,” “Return”). While noodling occurs throughout (i.e. “Ambit I (Ascension)”), it overwhelms the moments of climax, leading tracks plummeting to the ground, especially in the limp closer “Occultation,” whose wonky rhythms and skronky setar rob the guitars of needed weight. Most frustrating with Black Aleph is that, although each track is neatly composed and competently executed, the album at large feels too short and abrupt. Apisdes’ thirty-minute runtime feels too short like Black Aleph missed the chance to adequately flesh out their ideas when eschewing drone metal’s tendency towards lengthy offerings.
Apsides offers a unique sound, hindered by its own ambition. Although the songs are too short and performances can be shortsighted, Black Aleph has an endlessly intriguing premise and unique execution. Ritualistic rhythms, Middle Eastern motifs, droning riffs, and otherworldly drive collide in an album that largely succeeds. It’s good that I want to hear more of Black Aleph, because I think their next album will be better than Apsides.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: blackaleph.bandcamp.com | facebook.com/blackaleph
Releases Worldwide: October 25th, 2024Show 2 footnotes
- Alongside running labels Art As Catharsis and Worlds Within Worlds. ↩
- Courtesy of guest Natalya Bing. ↩
#2024 #30 #Apsides #AryaEnsemble #AustralianMetal #BlackAleph #DoomMetal #Drone #DroneMetal #Folk #FourPlayStringQuartet #GodspeedYouBlackEmperor #Hashshashin #Haunts #Jesu #JustinBroadrick #MehrEnsemble #Noise #Oct24 #Omahara #PostRock #PostMetal #Review #Reviews #SelfReleased #SunnO_ #Tangents #WeLostTheSea
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By Dear Hollow
Black Aleph is a sonic experiment devoted to ritual. Debut Apsides, while short, is nothing short of perplexing in its evasion of genre trappings, ultimately making some form of drone metal with folk instruments, imbued with post-metal’s metamorphic crescendos. However, the value lies behind these descriptors, with a distinct ritualistic heart beating beneath as its Middle Eastern modal traditions guide the movements—a divine and otherworldly experience. Don’t misunderstand, Apsides will still crush you, but just as much in its serenity as its dense guitar riffs—the weight it conjures is a suggestion and anticipation of punishment rather than a rod brandished. The result is haunting and unique, but brimming with more potential than it capitalizes upon.
Black Aleph is a trio from Australia, its Sydney- and Melbourne-based members comprised other acts from the country’s weirder underground offerings. Aside from respective solo offerings, guitar and effects wizard Lachlan Dale hails from maqam-centric acts like Hashshashin and the Arya Ensemble,1 cellist Peter Hollo lends his eerie drones in post-rock/electronic collectives like Tangents, Haunts, and FourPlay String Quartet, and dar player/setarist Timothy Johannessen plays in the folk-inclined Mehr Ensemble. Johannessen and Dale’s respective roots in Arabic, Iranian, and Persian folk music pronounce the motifs that Black Aleph utilizes. The trio has been compared to renowned experimental acts like Godspeed You! Black Emperor, Justin Broadrick, and Jesu, while associated with members of We Lost the Sea and Sunn O))). However, Black Aleph plays more in line with Hashshashin or countrymates Omahara in the blurring of drone and folk, ever-punishing and ever-organic.
Black Aleph deals in a style that balances weight, tension, and melody. Just as in Godspeed’s Lift Your Skinny Fists…, chord progressions throughout Apsides are layered with tension, bated breath between dissonance and harmony. While layered with ominous droning doom riffs (“Descent,” “Precession”), the crescendos within its micro-movements prove the most intriguing. Whether it be its dancing and complex rhythms (“Return”), climbing arpeggios (the “Ambit” duo), or gradual uses of volume and curious motifs (“Separation,” “Return”) the best uses of the percussive daf are utilized in quieter moments, creating a pulsing undercurrent of mystery and frailty rather than the punishing drums they pretend to be in the more droning cuts. These more gentle movements gradually increase in girth with post-rock intention, erupting in satisfying droning climaxes (“Ambit II (Aphelion),” “Return”). While droning guitars are relatively straightforward, their acoustic instruments—setar, daf, cello, and violin2—provide Black Aleph an easy and effective bridge between droning metal and folk motifs, as the songs are constructed safely and neatly.
Black Aleph’s voiceless music creates a greater impetus to focus on the songwriting, and unfortunately, Apsides suffers from moments of directionless meandering and awkwardly curtailed movements. In general, the lack of vocals is a critique depending on the listener. In a manner of songwriting, however, the best crescendo occurs in “Ambit II (Aphelion)” and no track following lives up to this peak, although others attempt to scale it (“Separation,” “Return”). While noodling occurs throughout (i.e. “Ambit I (Ascension)”), it overwhelms the moments of climax, leading tracks plummeting to the ground, especially in the limp closer “Occultation,” whose wonky rhythms and skronky setar rob the guitars of needed weight. Most frustrating with Black Aleph is that, although each track is neatly composed and competently executed, the album at large feels too short and abrupt. Apisdes’ thirty-minute runtime feels too short like Black Aleph missed the chance to adequately flesh out their ideas when eschewing drone metal’s tendency towards lengthy offerings.
Apsides offers a unique sound, hindered by its own ambition. Although the songs are too short and performances can be shortsighted, Black Aleph has an endlessly intriguing premise and unique execution. Ritualistic rhythms, Middle Eastern motifs, droning riffs, and otherworldly drive collide in an album that largely succeeds. It’s good that I want to hear more of Black Aleph, because I think their next album will be better than Apsides.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: blackaleph.bandcamp.com | facebook.com/blackaleph
Releases Worldwide: October 25th, 2024#2024 #30 #Apsides #AryaEnsemble #AustralianMetal #BlackAleph #DoomMetal #Drone #DroneMetal #Folk #FourPlayStringQuartet #GodspeedYouBlackEmperor #Hashshashin #Haunts #Jesu #JustinBroadrick #MehrEnsemble #Noise #Oct24 #Omahara #PostRock #PostMetal #Review #Reviews #SelfReleased #SunnO_ #Tangents #WeLostTheSea
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By Dear Hollow
Black Aleph is a sonic experiment devoted to ritual. Debut Apsides, while short, is nothing short of perplexing in its evasion of genre trappings, ultimately making some form of drone metal with folk instruments, imbued with post-metal’s metamorphic crescendos. However, the value lies behind these descriptors, with a distinct ritualistic heart beating beneath as its Middle Eastern modal traditions guide the movements—a divine and otherworldly experience. Don’t misunderstand, Apsides will still crush you, but just as much in its serenity as its dense guitar riffs—the weight it conjures is a suggestion and anticipation of punishment rather than a rod brandished. The result is haunting and unique, but brimming with more potential than it capitalizes upon.
Black Aleph is a trio from Australia, its Sydney- and Melbourne-based members comprised other acts from the country’s weirder underground offerings. Aside from respective solo offerings, guitar and effects wizard Lachlan Dale hails from maqam-centric acts like Hashshashin and the Arya Ensemble,1 cellist Peter Hollo lends his eerie drones in post-rock/electronic collectives like Tangents, Haunts, and FourPlay String Quartet, and dar player/setarist Timothy Johannessen plays in the folk-inclined Mehr Ensemble. Johannessen and Dale’s respective roots in Arabic, Iranian, and Persian folk music pronounce the motifs that Black Aleph utilizes. The trio has been compared to renowned experimental acts like Godspeed You! Black Emperor, Justin Broadrick, and Jesu, while associated with members of We Lost the Sea and Sunn O))). However, Black Aleph plays more in line with Hashshashin or countrymates Omahara in the blurring of drone and folk, ever-punishing and ever-organic.
Black Aleph deals in a style that balances weight, tension, and melody. Just as in Godspeed’s Lift Your Skinny Fists…, chord progressions throughout Apsides are layered with tension, bated breath between dissonance and harmony. While layered with ominous droning doom riffs (“Descent,” “Precession”), the crescendos within its micro-movements prove the most intriguing. Whether it be its dancing and complex rhythms (“Return”), climbing arpeggios (the “Ambit” duo), or gradual uses of volume and curious motifs (“Separation,” “Return”) the best uses of the percussive daf are utilized in quieter moments, creating a pulsing undercurrent of mystery and frailty rather than the punishing drums they pretend to be in the more droning cuts. These more gentle movements gradually increase in girth with post-rock intention, erupting in satisfying droning climaxes (“Ambit II (Aphelion),” “Return”). While droning guitars are relatively straightforward, their acoustic instruments—setar, daf, cello, and violin2—provide Black Aleph an easy and effective bridge between droning metal and folk motifs, as the songs are constructed safely and neatly.
Black Aleph’s voiceless music creates a greater impetus to focus on the songwriting, and unfortunately, Apsides suffers from moments of directionless meandering and awkwardly curtailed movements. In general, the lack of vocals is a critique depending on the listener. In a manner of songwriting, however, the best crescendo occurs in “Ambit II (Aphelion)” and no track following lives up to this peak, although others attempt to scale it (“Separation,” “Return”). While noodling occurs throughout (i.e. “Ambit I (Ascension)”), it overwhelms the moments of climax, leading tracks plummeting to the ground, especially in the limp closer “Occultation,” whose wonky rhythms and skronky setar rob the guitars of needed weight. Most frustrating with Black Aleph is that, although each track is neatly composed and competently executed, the album at large feels too short and abrupt. Apisdes’ thirty-minute runtime feels too short like Black Aleph missed the chance to adequately flesh out their ideas when eschewing drone metal’s tendency towards lengthy offerings.
Apsides offers a unique sound, hindered by its own ambition. Although the songs are too short and performances can be shortsighted, Black Aleph has an endlessly intriguing premise and unique execution. Ritualistic rhythms, Middle Eastern motifs, droning riffs, and otherworldly drive collide in an album that largely succeeds. It’s good that I want to hear more of Black Aleph, because I think their next album will be better than Apsides.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: blackaleph.bandcamp.com | facebook.com/blackaleph
Releases Worldwide: October 25th, 2024#2024 #30 #Apsides #AryaEnsemble #AustralianMetal #BlackAleph #DoomMetal #Drone #DroneMetal #Folk #FourPlayStringQuartet #GodspeedYouBlackEmperor #Hashshashin #Haunts #Jesu #JustinBroadrick #MehrEnsemble #Noise #Oct24 #Omahara #PostRock #PostMetal #Review #Reviews #SelfReleased #SunnO_ #Tangents #WeLostTheSea
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By Dear Hollow
Black Aleph is a sonic experiment devoted to ritual. Debut Apsides, while short, is nothing short of perplexing in its evasion of genre trappings, ultimately making some form of drone metal with folk instruments, imbued with post-metal’s metamorphic crescendos. However, the value lies behind these descriptors, with a distinct ritualistic heart beating beneath as its Middle Eastern modal traditions guide the movements—a divine and otherworldly experience. Don’t misunderstand, Apsides will still crush you, but just as much in its serenity as its dense guitar riffs—the weight it conjures is a suggestion and anticipation of punishment rather than a rod brandished. The result is haunting and unique, but brimming with more potential than it capitalizes upon.
Black Aleph is a trio from Australia, its Sydney- and Melbourne-based members comprised other acts from the country’s weirder underground offerings. Aside from respective solo offerings, guitar and effects wizard Lachlan Dale hails from maqam-centric acts like Hashshashin and the Arya Ensemble,1 cellist Peter Hollo lends his eerie drones in post-rock/electronic collectives like Tangents, Haunts, and FourPlay String Quartet, and dar player/setarist Timothy Johannessen plays in the folk-inclined Mehr Ensemble. Johannessen and Dale’s respective roots in Arabic, Iranian, and Persian folk music pronounce the motifs that Black Aleph utilizes. The trio has been compared to renowned experimental acts like Godspeed You! Black Emperor, Justin Broadrick, and Jesu, while associated with members of We Lost the Sea and Sunn O))). However, Black Aleph plays more in line with Hashshashin or countrymates Omahara in the blurring of drone and folk, ever-punishing and ever-organic.
Black Aleph deals in a style that balances weight, tension, and melody. Just as in Godspeed’s Lift Your Skinny Fists…, chord progressions throughout Apsides are layered with tension, bated breath between dissonance and harmony. While layered with ominous droning doom riffs (“Descent,” “Precession”), the crescendos within its micro-movements prove the most intriguing. Whether it be its dancing and complex rhythms (“Return”), climbing arpeggios (the “Ambit” duo), or gradual uses of volume and curious motifs (“Separation,” “Return”) the best uses of the percussive daf are utilized in quieter moments, creating a pulsing undercurrent of mystery and frailty rather than the punishing drums they pretend to be in the more droning cuts. These more gentle movements gradually increase in girth with post-rock intention, erupting in satisfying droning climaxes (“Ambit II (Aphelion),” “Return”). While droning guitars are relatively straightforward, their acoustic instruments—setar, daf, cello, and violin2—provide Black Aleph an easy and effective bridge between droning metal and folk motifs, as the songs are constructed safely and neatly.
Black Aleph’s voiceless music creates a greater impetus to focus on the songwriting, and unfortunately, Apsides suffers from moments of directionless meandering and awkwardly curtailed movements. In general, the lack of vocals is a critique depending on the listener. In a manner of songwriting, however, the best crescendo occurs in “Ambit II (Aphelion)” and no track following lives up to this peak, although others attempt to scale it (“Separation,” “Return”). While noodling occurs throughout (i.e. “Ambit I (Ascension)”), it overwhelms the moments of climax, leading tracks plummeting to the ground, especially in the limp closer “Occultation,” whose wonky rhythms and skronky setar rob the guitars of needed weight. Most frustrating with Black Aleph is that, although each track is neatly composed and competently executed, the album at large feels too short and abrupt. Apisdes’ thirty-minute runtime feels too short like Black Aleph missed the chance to adequately flesh out their ideas when eschewing drone metal’s tendency towards lengthy offerings.
Apsides offers a unique sound, hindered by its own ambition. Although the songs are too short and performances can be shortsighted, Black Aleph has an endlessly intriguing premise and unique execution. Ritualistic rhythms, Middle Eastern motifs, droning riffs, and otherworldly drive collide in an album that largely succeeds. It’s good that I want to hear more of Black Aleph, because I think their next album will be better than Apsides.
Rating: 3.0/5.0
DR: 8 | Format Reviewed: 320 kb/s mp3
Label: Self-Released
Websites: blackaleph.bandcamp.com | facebook.com/blackaleph
Releases Worldwide: October 25th, 2024Show 2 footnotes
- Alongside running labels Art As Catharsis and Worlds Within Worlds. ↩
- Courtesy of guest Natalya Bing. ↩
#2024 #30 #Apsides #AryaEnsemble #AustralianMetal #BlackAleph #DoomMetal #Drone #DroneMetal #Folk #FourPlayStringQuartet #GodspeedYouBlackEmperor #Hashshashin #Haunts #Jesu #JustinBroadrick #MehrEnsemble #Noise #Oct24 #Omahara #PostRock #PostMetal #Review #Reviews #SelfReleased #SunnO_ #Tangents #WeLostTheSea
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🔺
Zur Kenntnisnahme, #Erleuchtung und Weiterleitung an Ihre Glaubensgeschwister in der #Hoffnung, dass die deutsche #Christenheit endlich aufwacht.
Der #Zionismus ist ein #Sektenglaube ohne genuine #Gottesfurcht und fern jeder auch nur im Ansatz wahrhaften #Religion.
Der "Staat #Israel" ist weder der Staat #Mose noch der Staat #Jesu. Er ist ein militaristischer #Götzenstaat Herzels und Ben Gurions.
Grüße und einen beseelten #Sonntag,
STG
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"Die #Predigt #Jesu aufzunehmen, seine Worte durchzukauen, zu verdauen – das gibt #Kraft fürs Leben." – Susanne Haverkamp in ihren Gedanken zum #Evangelium. 📖💭 (chd)
https://www.bistum-wuerzburg.de/glaube-leben/impulse/detail/ansicht/das-andere-abendmahl/ -
#TheMetalDogArticleList
#BraveWords
Today In Metal History 🤘 July 3rd, 2024🤘 RATT, JIM MORRISON, SUICIDAL TENDENCIES, CRYPTOPSY, IN FLAMES#Ratt #JimMorrison #SuicidalTendencies #Cryptopsy #InFlames #TheRollingStones #TheDoors #Free #Sodom #Nile #Kataklysm #IcarusWitch #Periphery #TheWordAlive #Boris #BuryTomorrow #Haunt #HenryDerekElis #Jesu #Khemmis #Poltergeist #Powerwolf #Sunburst #FuManchu #Noroth #Cavalera #CryptSermon #Wormed #Phantom #Kvaen #Sibirr #Accept
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Krippe, Stall und Weihnachtsmann: Wie war das mit der Geburt von Jesus? Ein Stundenentwurf zum Thema Weihnachten. Krippe, Stall und Weihnachtsmann: Wie war das mit der Geburt von Jesus?...
https://material.rpi-virtuell.de/material/krippe-stall-und-weihnachtsmann-wie-war-das-mit-der-geburt-von-jesus/
#Kinder #ReligionEdu #FediLZ #Kirche #Grundschule #geburt #jesu-geburt #jesus #krippe #weihnachtsgeschichte #weihnachtskrippe -
So Leute, es wird ernst! #Donald #Trump muss #Bibeln verkaufen, um seine #Kaution stellen zu können!
Kauft die "God bless the USA bible"! Das ist auch ein tolles #Geschenk zu #Ostern, dem #Geburtstag, ....Special Feature:
"Die God Bless The USA #Bibel ist in einem leicht lesbaren, zweispaltigen Format gedruckt und enthält die Worte #Jesu in #Rot.
Wir haben auch dafür gesorgt, dass jede Bibel eine Präsentationsseite und ein #goldenes# Lesebändchen enthält." -
Nach Wochen der Proben war es #Heiligabend nun soweit: #Engel und die Waisen aus dem Morgenland begleiteten #Maria und #Josef und die Geburt #Jesu in Bethlehem.
Allen Beteiligten einen Riesendank für die vielen Übungsstunden #FediKirche
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#LMWAugenblick
Dieser über 4 Meter breite #Altar aus dem 16. Jahrhundert ist sehr detailliert gestaltet. Abgebildet wird u.a. #Maria, Mutter Gottes, & die Geburt #Jesu mit vielen Einzelheiten. Im Schrein stehen Cyriakus (rechts) & Pankratius (links) zu Seiten der thronenden Gottesmutter vor goldenem Hintergrund. Der Altar stammt aus der Pfarrkirche St. Cyriacus und Pankratius in Talheim.Mehr Infos: https://www.landesmuseum-stuttgart.de/sammlung/sammlung-online/dk-details?dk_object_id=313
#Christentum #Religion #Sakralkunst #Mittelalter #Landesmuseum
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Weihnachten interreligiös: Jesus und Isa Geburtsbericht aus dem Koran. Für Menschen christlichen Glaubens ist Jesus der Sohn Gottes. Am Weihnachtsfest wird seine Geburt gefeiert. In den biblischen Überlieferungen...
https://material.rpi-virtuell.de/material/weihnachten-interreligioes-jesus-und-isa/
#Berufsschule #ReligionEdu #FediLZ #Oberstufe #Sekundarstufe #geburt #interreligioeses-lernen #islam #jesu-geburt #jesus-christus #koran #weihnachten -
Jesu - Everyday I Get Closer To The Light From Which I Came - 2013
#Music #AlbumSuggestions #NowPlaying #NowListening
#Jesu #EverydayIGetCloserToTheLightFromWhichICame
