#we-lost-the-sea — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #we-lost-the-sea, aggregated by home.social.
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The Hafenklang is not a tugboat. It is a destroyer. We Lost The Sea let it sink, quite nonchalantly, on the 14th of May. Concert review up now on Sounds Vegan. 🌊
https://soundsvegan.com/2026/05/we-lost-the-sea-hafenklang-hamburg-en
#WeLostTheSea #PostRock #Hamburg #Hafenklang #SoundsVegan #music #concert
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The Hafenklang is not a tugboat. It is a destroyer. We Lost The Sea let it sink, quite nonchalantly, on the 14th of May. Concert review up now on Sounds Vegan. 🌊
https://soundsvegan.com/2026/05/we-lost-the-sea-hafenklang-hamburg-en
#WeLostTheSea #PostRock #Hamburg #Hafenklang #SoundsVegan #music #concert
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The Hafenklang is not a tugboat. It is a destroyer. We Lost The Sea let it sink, quite nonchalantly, on the 14th of May. Concert review up now on Sounds Vegan. 🌊
https://soundsvegan.com/2026/05/we-lost-the-sea-hafenklang-hamburg-en
#WeLostTheSea #PostRock #Hamburg #Hafenklang #SoundsVegan #music #concert
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The Hafenklang is not a tugboat. It is a destroyer. We Lost The Sea let it sink, quite nonchalantly, on the 14th of May. Concert review up now on Sounds Vegan. 🌊
https://soundsvegan.com/2026/05/we-lost-the-sea-hafenklang-hamburg-en
#WeLostTheSea #PostRock #Hamburg #Hafenklang #SoundsVegan #music #concert
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The Hafenklang is not a tugboat. It is a destroyer. We Lost The Sea let it sink, quite nonchalantly, on the 14th of May. Concert review up now on Sounds Vegan. 🌊
https://soundsvegan.com/2026/05/we-lost-the-sea-hafenklang-hamburg-en
#WeLostTheSea #PostRock #Hamburg #Hafenklang #SoundsVegan #music #concert
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Mentally preparing for #dunkfestival this long weekend. The last few editions were inside @viernulviergent's building, but this year they are going back to the forest of #zottegem. I have fond memories of the epic post-rock concerts on the forest stage 😍
This year's highlights will definitely be #RussianCircles and the TWO sets of #welostthesea, including one session playing the whole Departure Songs album. As always I am looking forward to discovering new gems as well 💎
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Mentally preparing for #dunkfestival this long weekend. The last few editions were inside @viernulviergent's building, but this year they are going back to the forest of #zottegem. I have fond memories of the epic post-rock concerts on the forest stage 😍
This year's highlights will definitely be #RussianCircles and the TWO sets of #welostthesea, including one session playing the whole Departure Songs album. As always I am looking forward to discovering new gems as well 💎
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Mentally preparing for #dunkfestival this long weekend. The last few editions were inside @viernulviergent's building, but this year they are going back to the forest of #zottegem. I have fond memories of the epic post-rock concerts on the forest stage 😍
This year's highlights will definitely be #RussianCircles and the TWO sets of #welostthesea, including one session playing the whole Departure Songs album. As always I am looking forward to discovering new gems as well 💎
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Mentally preparing for #dunkfestival this long weekend. The last few editions were inside @viernulviergent's building, but this year they are going back to the forest of #zottegem. I have fond memories of the epic post-rock concerts on the forest stage 😍
This year's highlights will definitely be #RussianCircles and the TWO sets of #welostthesea, including one session playing the whole Departure Songs album. As always I am looking forward to discovering new gems as well 💎
-
Mentally preparing for #dunkfestival this long weekend. The last few editions were inside @viernulviergent's building, but this year they are going back to the forest of #zottegem. I have fond memories of the epic post-rock concerts on the forest stage 😍
This year's highlights will definitely be #RussianCircles and the TWO sets of #welostthesea, including one session playing the whole Departure Songs album. As always I am looking forward to discovering new gems as well 💎
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New #review today: "In addition to a similarity in names, the bands #WeLostTheSea and #WeStoodLikeKings have a stylistic relationship in that both of them can be broadly labeled #PostRock. The former is from Australia and the latter from Belgium, and I think it’s interesting to compare their latest albums." #ExposeOnline http://expose.org/index.php/articles/display/we-lost-the-sea-a-single-flower-we-stood-like-kings-pinocchio-2.html
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New #review today: "In addition to a similarity in names, the bands #WeLostTheSea and #WeStoodLikeKings have a stylistic relationship in that both of them can be broadly labeled #PostRock. The former is from Australia and the latter from Belgium, and I think it’s interesting to compare their latest albums." #ExposeOnline http://expose.org/index.php/articles/display/we-lost-the-sea-a-single-flower-we-stood-like-kings-pinocchio-2.html
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New #review today: "In addition to a similarity in names, the bands #WeLostTheSea and #WeStoodLikeKings have a stylistic relationship in that both of them can be broadly labeled #PostRock. The former is from Australia and the latter from Belgium, and I think it’s interesting to compare their latest albums." #ExposeOnline http://expose.org/index.php/articles/display/we-lost-the-sea-a-single-flower-we-stood-like-kings-pinocchio-2.html
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New #review today: "In addition to a similarity in names, the bands #WeLostTheSea and #WeStoodLikeKings have a stylistic relationship in that both of them can be broadly labeled #PostRock. The former is from Australia and the latter from Belgium, and I think it’s interesting to compare their latest albums." #ExposeOnline http://expose.org/index.php/articles/display/we-lost-the-sea-a-single-flower-we-stood-like-kings-pinocchio-2.html
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New #review today: "In addition to a similarity in names, the bands #WeLostTheSea and #WeStoodLikeKings have a stylistic relationship in that both of them can be broadly labeled #PostRock. The former is from Australia and the latter from Belgium, and I think it’s interesting to compare their latest albums." #ExposeOnline http://expose.org/index.php/articles/display/we-lost-the-sea-a-single-flower-we-stood-like-kings-pinocchio-2.html
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I napped on the couch listening to #WeLostTheSea, as recommended by @yourfutureex (the album was recommended by her, not the nap).
It's what I'd expect from something labelled instrumental #PostRock, it reminds me of #LongDistanceCalling and #Monkey3 in places, but there's also a quieter passage heavy with piano and violins, which feel very #Berlinist and #Gris OST.
One thing I didn't like though, was how the music goes from one style to the other, in places. Too sudden, woke me up.
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I napped on the couch listening to #WeLostTheSea, as recommended by @yourfutureex (the album was recommended by her, not the nap).
It's what I'd expect from something labelled instrumental #PostRock, it reminds me of #LongDistanceCalling and #Monkey3 in places, but there's also a quieter passage heavy with piano and violins, which feel very #Berlinist and #Gris OST.
One thing I didn't like though, was how the music goes from one style to the other, in places. Too sudden, woke me up.
-
I napped on the couch listening to #WeLostTheSea, as recommended by @yourfutureex (the album was recommended by her, not the nap).
It's what I'd expect from something labelled instrumental #PostRock, it reminds me of #LongDistanceCalling and #Monkey3 in places, but there's also a quieter passage heavy with piano and violins, which feel very #Berlinist and #Gris OST.
One thing I didn't like though, was how the music goes from one style to the other, in places. Too sudden, woke me up.
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#BestInstrumentalAlbum: #WeLostTheSea: A Single Flower
https://album.link/pc9p5kzzcdvwn
This is the album to listen to by the survivors of the apocalypse as they marvel at all the marred beauty of what's left of the world.
It is restrained, demanding your attention as each song edges towards a very rewarding climax. -
#BestInstrumentalAlbum: #WeLostTheSea: A Single Flower
https://album.link/pc9p5kzzcdvwn
This is the album to listen to by the survivors of the apocalypse as they marvel at all the marred beauty of what's left of the world.
It is restrained, demanding your attention as each song edges towards a very rewarding climax. -
#BestInstrumentalAlbum: #WeLostTheSea: A Single Flower
https://album.link/pc9p5kzzcdvwn
This is the album to listen to by the survivors of the apocalypse as they marvel at all the marred beauty of what's left of the world.
It is restrained, demanding your attention as each song edges towards a very rewarding climax. -
#BestInstrumentalAlbum: #WeLostTheSea: A Single Flower
https://album.link/pc9p5kzzcdvwn
This is the album to listen to by the survivors of the apocalypse as they marvel at all the marred beauty of what's left of the world.
It is restrained, demanding your attention as each song edges towards a very rewarding climax. -
New #review today: "There is a current crop of bands that do sound very similar, and I’m content applying the label #PostRock to them. Norway’s #LesDunes is one of these. From Etne to the Edge of Space is the band’s second album, following on from their 2023 self-titled debut, and it is very much in the idiom of current bands like #Mono and #WeLostTheSea." #ExposeOnline http://expose.org/index.php/articles/display/les-dunes-from-etne-to-the-edge-of-space-2.html
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New #review today: "There is a current crop of bands that do sound very similar, and I’m content applying the label #PostRock to them. Norway’s #LesDunes is one of these. From Etne to the Edge of Space is the band’s second album, following on from their 2023 self-titled debut, and it is very much in the idiom of current bands like #Mono and #WeLostTheSea." #ExposeOnline http://expose.org/index.php/articles/display/les-dunes-from-etne-to-the-edge-of-space-2.html
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New #review today: "There is a current crop of bands that do sound very similar, and I’m content applying the label #PostRock to them. Norway’s #LesDunes is one of these. From Etne to the Edge of Space is the band’s second album, following on from their 2023 self-titled debut, and it is very much in the idiom of current bands like #Mono and #WeLostTheSea." #ExposeOnline http://expose.org/index.php/articles/display/les-dunes-from-etne-to-the-edge-of-space-2.html
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New #review today: "There is a current crop of bands that do sound very similar, and I’m content applying the label #PostRock to them. Norway’s #LesDunes is one of these. From Etne to the Edge of Space is the band’s second album, following on from their 2023 self-titled debut, and it is very much in the idiom of current bands like #Mono and #WeLostTheSea." #ExposeOnline http://expose.org/index.php/articles/display/les-dunes-from-etne-to-the-edge-of-space-2.html
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New #review today: "There is a current crop of bands that do sound very similar, and I’m content applying the label #PostRock to them. Norway’s #LesDunes is one of these. From Etne to the Edge of Space is the band’s second album, following on from their 2023 self-titled debut, and it is very much in the idiom of current bands like #Mono and #WeLostTheSea." #ExposeOnline http://expose.org/index.php/articles/display/les-dunes-from-etne-to-the-edge-of-space-2.html
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#NowPlaying this new one 'A Single Flower' by Sydney, Australia's WE LOST THE SEA as I know @HailsandAles and @wendigo dug it. Took a couple times for me, had to be in the mood - but it's some great instrumental rock/metal, light, airy bits, ambient, psych, and such. Post-metal? I dunno, man. Try it in your ear holes. FFO Pelican maybe.
https://welostthesea.bandcamp.com/album/a-single-flower
#PostMetal #metal #WeLostTheSea #PostRock #2025Albums #2025Records #Sydney #Australia #SydneyBands #AustralianBands #InstrumentalMetal #instrumental #InstrumentalRock #InstrumentalMusic
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#NowPlaying this new one 'A Single Flower' by Sydney, Australia's WE LOST THE SEA as I know @HailsandAles and @wendigo dug it. Took a couple times for me, had to be in the mood - but it's some great instrumental rock/metal, light, airy bits, ambient, psych, and such. Post-metal? I dunno, man. Try it in your ear holes. FFO Pelican maybe.
https://welostthesea.bandcamp.com/album/a-single-flower
#PostMetal #metal #WeLostTheSea #PostRock #2025Albums #2025Records #Sydney #Australia #SydneyBands #AustralianBands #InstrumentalMetal #instrumental #InstrumentalRock #InstrumentalMusic
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#NowPlaying this new one 'A Single Flower' by Sydney, Australia's WE LOST THE SEA as I know @HailsandAles and @wendigo dug it. Took a couple times for me, had to be in the mood - but it's some great instrumental rock/metal, light, airy bits, ambient, psych, and such. Post-metal? I dunno, man. Try it in your ear holes. FFO Pelican maybe.
https://welostthesea.bandcamp.com/album/a-single-flower
#PostMetal #metal #WeLostTheSea #PostRock #2025Albums #2025Records #Sydney #Australia #SydneyBands #AustralianBands #InstrumentalMetal #instrumental #InstrumentalRock #InstrumentalMusic
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#NowPlaying this new one 'A Single Flower' by Sydney, Australia's WE LOST THE SEA as I know @HailsandAles and @wendigo dug it. Took a couple times for me, had to be in the mood - but it's some great instrumental rock/metal, light, airy bits, ambient, psych, and such. Post-metal? I dunno, man. Try it in your ear holes. FFO Pelican maybe.
https://welostthesea.bandcamp.com/album/a-single-flower
#PostMetal #metal #WeLostTheSea #PostRock #2025Albums #2025Records #Sydney #Australia #SydneyBands #AustralianBands #InstrumentalMetal #instrumental #InstrumentalRock #InstrumentalMusic
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#NowPlaying this new one 'A Single Flower' by Sydney, Australia's WE LOST THE SEA as I know @HailsandAles and @wendigo dug it. Took a couple times for me, had to be in the mood - but it's some great instrumental rock/metal, light, airy bits, ambient, psych, and such. Post-metal? I dunno, man. Try it in your ear holes. FFO Pelican maybe.
https://welostthesea.bandcamp.com/album/a-single-flower
#PostMetal #metal #WeLostTheSea #PostRock #2025Albums #2025Records #Sydney #Australia #SydneyBands #AustralianBands #InstrumentalMetal #instrumental #InstrumentalRock #InstrumentalMusic
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We Lost the Sea – A Single Flower Review
By Dear Hollow
How do you follow up an album born from tragedy? While the Sydney collective We Lost the Sea began as a mammoth post-metal band with standout releases like Crimea and The Quietest Place on Earth, renowned for uncompromising weight and tantalizing patience, the tragic death of vocalist Chris Torpey silenced them, taking its teeth in the process. Grief embodied its 2015 album, not devastating for the notes and tempos that commanded it, but rather what it symbolized. Comprised of instrumental elegies to failed acts of heroism and sacrifice, Departure Songs served as both a beautiful post-rock album with an intriguing theme and a knack for instrumental hooks, as well as an homage to Torpey.
Because of this, 2019 follow-up Triumph & Disaster was doomed for disingenuousness, regardless of its quality. We Lost the Sea set out on its own path in a concept album devoted to apocalypse via climate disaster, employing many of the same tricks with more bite, but to an unfocused and inconsistent degree that landed its singles in EOY territory but its supporting cast as mediocre at best. Six years later, we’re graced with A Single Flower, an ode to revolution and defiance in its trademark groove and crescendo-laden patience. Much of it lands in Post-Rock 101, in line with the likes of Mono, God is an Astronaut, and Eluvium, with steadily building crescendos as the backbone while twinkly guitars guide the journey to crunchy metallic explosions, with some ugliness for contrast. While nowhere near the likes of its early discography, A Single Flower is a welcome improvement, as We Lost the Sea distances itself from its tragic past.
If A Single Flower is Post-Rock 101, then opener “If They Had Hearts” is the syllabus. Nearly nine minutes of steadily building twinkling, with its ugly metallic hit at the end of it all being an easy highlight. But by and large, the cuts that rely on this formula run the risk of being a weaker version of “A Gallant Gentleman” from Departure Songs, (“Bloom (Murmurations at First Light)”), that their solid songwriting and gentle crescendos are derailed by excessive length’s meandering consequences. Otherwise, appearances of anachronistic instrumentals add a jolt of confusion, such as electronic beats (“Everything Here is Black and Blinding”) and industrial harshness (“A Dance With Death”). Then there’s the elephant in the room that closer “Blood Will Have Blood” is twenty-six minutes long, which is too long despite however rebellious and driving its almost punk-like rhythms suggest.
Flowery textures are post-rock’s kryptonite, but tension between harmony eeriness is where it succeeds – and A Single Flower is no exception. While the textured plucking is a motif that courses through nearly every moment, riding the line between haunting and sanguine is a signature that elevates it. This taut dynamic gives the album a much more nuanced dynamic that recalls Godspeed You! Black Emperor, with its climactic and chaotic metal apexes recalling the collisions of agony and beauty that acts like Milanku or Audrey Fall (“A Dance With Death,” the conclusion of “Everything Here is Black and Blinding”). Terse drumming and textures of noise add to that thread of ugliness that adds contrast to the more crystalline movements, a constantly shifting palette (“Blood Will Have Blood”).
We Lost the Sea has released an imperfect album that successfully distances itself from the shadow of its more iconic past. Incorporating more of a metal presence than Departure Songs while streamlining the effort beyond the inconsistent Triumph & Disaster, A Single Flower manages to balance meditation and urgency neatly. It has its moments of post-rock paper-thin crescendo-core, and there are choices within that end up being head scratchers – and I would be remiss to neglect the album’s dummy long hour and twenty runtime – but We Lost the Sea finally feels like who they wanted to be beyond tragedy and its aftermath. Thus, A Single Flower owes its staying power more to what it represents than the instruments its contributors jam on. It suggests a good trajectory – and sometimes that’s all you need.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Bird’s Robe Records
Websites: welostthesea.bandcamp.com | welostthesea.com | facebook.com/welostthesea
Releases Worldwide: July 4th, 2025#25 #2025 #ASingleFlower #AudreyFall #AustralianMetal #BirdSRobeRecords #Eluvium #GodIsAnAstronaut #GodspeedYouBlackEmperor #Jul25 #Milanku #Mono #PostRock #PostMetal #Review #Reviews #WeLostTheSea
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We Lost the Sea – A Single Flower Review
By Dear Hollow
How do you follow up an album born from tragedy? While the Sydney collective We Lost the Sea began as a mammoth post-metal band with standout releases like Crimea and The Quietest Place on Earth, renowned for uncompromising weight and tantalizing patience, the tragic death of vocalist Chris Torpey silenced them, taking its teeth in the process. Grief embodied its 2015 album, not devastating for the notes and tempos that commanded it, but rather what it symbolized. Comprised of instrumental elegies to failed acts of heroism and sacrifice, Departure Songs served as both a beautiful post-rock album with an intriguing theme and a knack for instrumental hooks, as well as an homage to Torpey.
Because of this, 2019 follow-up Triumph & Disaster was doomed for disingenuousness, regardless of its quality. We Lost the Sea set out on its own path in a concept album devoted to apocalypse via climate disaster, employing many of the same tricks with more bite, but to an unfocused and inconsistent degree that landed its singles in EOY territory but its supporting cast as mediocre at best. Six years later, we’re graced with A Single Flower, an ode to revolution and defiance in its trademark groove and crescendo-laden patience. Much of it lands in Post-Rock 101, in line with the likes of Mono, God is an Astronaut, and Eluvium, with steadily building crescendos as the backbone while twinkly guitars guide the journey to crunchy metallic explosions, with some ugliness for contrast. While nowhere near the likes of its early discography, A Single Flower is a welcome improvement, as We Lost the Sea distances itself from its tragic past.
If A Single Flower is Post-Rock 101, then opener “If They Had Hearts” is the syllabus. Nearly nine minutes of steadily building twinkling, with its ugly metallic hit at the end of it all being an easy highlight. But by and large, the cuts that rely on this formula run the risk of being a weaker version of “A Gallant Gentleman” from Departure Songs, (“Bloom (Murmurations at First Light)”), that their solid songwriting and gentle crescendos are derailed by excessive length’s meandering consequences. Otherwise, appearances of anachronistic instrumentals add a jolt of confusion, such as electronic beats (“Everything Here is Black and Blinding”) and industrial harshness (“A Dance With Death”). Then there’s the elephant in the room that closer “Blood Will Have Blood” is twenty-six minutes long, which is too long despite however rebellious and driving its almost punk-like rhythms suggest.
Flowery textures are post-rock’s kryptonite, but tension between harmony eeriness is where it succeeds – and A Single Flower is no exception. While the textured plucking is a motif that courses through nearly every moment, riding the line between haunting and sanguine is a signature that elevates it. This taut dynamic gives the album a much more nuanced dynamic that recalls Godspeed You! Black Emperor, with its climactic and chaotic metal apexes recalling the collisions of agony and beauty that acts like Milanku or Audrey Fall (“A Dance With Death,” the conclusion of “Everything Here is Black and Blinding”). Terse drumming and textures of noise add to that thread of ugliness that adds contrast to the more crystalline movements, a constantly shifting palette (“Blood Will Have Blood”).
We Lost the Sea has released an imperfect album that successfully distances itself from the shadow of its more iconic past. Incorporating more of a metal presence than Departure Songs while streamlining the effort beyond the inconsistent Triumph & Disaster, A Single Flower manages to balance meditation and urgency neatly. It has its moments of post-rock paper-thin crescendo-core, and there are choices within that end up being head scratchers – and I would be remiss to neglect the album’s dummy long hour and twenty runtime – but We Lost the Sea finally feels like who they wanted to be beyond tragedy and its aftermath. Thus, A Single Flower owes its staying power more to what it represents than the instruments its contributors jam on. It suggests a good trajectory – and sometimes that’s all you need.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Bird’s Robe Records
Websites: welostthesea.bandcamp.com | welostthesea.com | facebook.com/welostthesea
Releases Worldwide: July 4th, 2025#25 #2025 #ASingleFlower #AudreyFall #AustralianMetal #BirdSRobeRecords #Eluvium #GodIsAnAstronaut #GodspeedYouBlackEmperor #Jul25 #Milanku #Mono #PostRock #PostMetal #Review #Reviews #WeLostTheSea
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We Lost the Sea – A Single Flower Review
By Dear Hollow
How do you follow up an album born from tragedy? While the Sydney collective We Lost the Sea began as a mammoth post-metal band with standout releases like Crimea and The Quietest Place on Earth, renowned for uncompromising weight and tantalizing patience, the tragic death of vocalist Chris Torpey silenced them, taking its teeth in the process. Grief embodied its 2015 album, not devastating for the notes and tempos that commanded it, but rather what it symbolized. Comprised of instrumental elegies to failed acts of heroism and sacrifice, Departure Songs served as both a beautiful post-rock album with an intriguing theme and a knack for instrumental hooks, as well as an homage to Torpey.
Because of this, 2019 follow-up Triumph & Disaster was doomed for disingenuousness, regardless of its quality. We Lost the Sea set out on its own path in a concept album devoted to apocalypse via climate disaster, employing many of the same tricks with more bite, but to an unfocused and inconsistent degree that landed its singles in EOY territory but its supporting cast as mediocre at best. Six years later, we’re graced with A Single Flower, an ode to revolution and defiance in its trademark groove and crescendo-laden patience. Much of it lands in Post-Rock 101, in line with the likes of Mono, God is an Astronaut, and Eluvium, with steadily building crescendos as the backbone while twinkly guitars guide the journey to crunchy metallic explosions, with some ugliness for contrast. While nowhere near the likes of its early discography, A Single Flower is a welcome improvement, as We Lost the Sea distances itself from its tragic past.
If A Single Flower is Post-Rock 101, then opener “If They Had Hearts” is the syllabus. Nearly nine minutes of steadily building twinkling, with its ugly metallic hit at the end of it all being an easy highlight. But by and large, the cuts that rely on this formula run the risk of being a weaker version of “A Gallant Gentleman” from Departure Songs, (“Bloom (Murmurations at First Light)”), that their solid songwriting and gentle crescendos are derailed by excessive length’s meandering consequences. Otherwise, appearances of anachronistic instrumentals add a jolt of confusion, such as electronic beats (“Everything Here is Black and Blinding”) and industrial harshness (“A Dance With Death”). Then there’s the elephant in the room that closer “Blood Will Have Blood” is twenty-six minutes long, which is too long despite however rebellious and driving its almost punk-like rhythms suggest.
Flowery textures are post-rock’s kryptonite, but tension between harmony eeriness is where it succeeds – and A Single Flower is no exception. While the textured plucking is a motif that courses through nearly every moment, riding the line between haunting and sanguine is a signature that elevates it. This taut dynamic gives the album a much more nuanced dynamic that recalls Godspeed You! Black Emperor, with its climactic and chaotic metal apexes recalling the collisions of agony and beauty that acts like Milanku or Audrey Fall (“A Dance With Death,” the conclusion of “Everything Here is Black and Blinding”). Terse drumming and textures of noise add to that thread of ugliness that adds contrast to the more crystalline movements, a constantly shifting palette (“Blood Will Have Blood”).
We Lost the Sea has released an imperfect album that successfully distances itself from the shadow of its more iconic past. Incorporating more of a metal presence than Departure Songs while streamlining the effort beyond the inconsistent Triumph & Disaster, A Single Flower manages to balance meditation and urgency neatly. It has its moments of post-rock paper-thin crescendo-core, and there are choices within that end up being head scratchers – and I would be remiss to neglect the album’s dummy long hour and twenty runtime – but We Lost the Sea finally feels like who they wanted to be beyond tragedy and its aftermath. Thus, A Single Flower owes its staying power more to what it represents than the instruments its contributors jam on. It suggests a good trajectory – and sometimes that’s all you need.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Bird’s Robe Records
Websites: welostthesea.bandcamp.com | welostthesea.com | facebook.com/welostthesea
Releases Worldwide: July 4th, 2025#25 #2025 #ASingleFlower #AudreyFall #AustralianMetal #BirdSRobeRecords #Eluvium #GodIsAnAstronaut #GodspeedYouBlackEmperor #Jul25 #Milanku #Mono #PostRock #PostMetal #Review #Reviews #WeLostTheSea
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We Lost the Sea – A Single Flower Review
By Dear Hollow
How do you follow up an album born from tragedy? While the Sydney collective We Lost the Sea began as a mammoth post-metal band with standout releases like Crimea and The Quietest Place on Earth, renowned for uncompromising weight and tantalizing patience, the tragic death of vocalist Chris Torpey silenced them, taking its teeth in the process. Grief embodied its 2015 album, not devastating for the notes and tempos that commanded it, but rather what it symbolized. Comprised of instrumental elegies to failed acts of heroism and sacrifice, Departure Songs served as both a beautiful post-rock album with an intriguing theme and a knack for instrumental hooks, as well as an homage to Torpey.
Because of this, 2019 follow-up Triumph & Disaster was doomed for disingenuousness, regardless of its quality. We Lost the Sea set out on its own path in a concept album devoted to apocalypse via climate disaster, employing many of the same tricks with more bite, but to an unfocused and inconsistent degree that landed its singles in EOY territory but its supporting cast as mediocre at best. Six years later, we’re graced with A Single Flower, an ode to revolution and defiance in its trademark groove and crescendo-laden patience. Much of it lands in Post-Rock 101, in line with the likes of Mono, God is an Astronaut, and Eluvium, with steadily building crescendos as the backbone while twinkly guitars guide the journey to crunchy metallic explosions, with some ugliness for contrast. While nowhere near the likes of its early discography, A Single Flower is a welcome improvement, as We Lost the Sea distances itself from its tragic past.
If A Single Flower is Post-Rock 101, then opener “If They Had Hearts” is the syllabus. Nearly nine minutes of steadily building twinkling, with its ugly metallic hit at the end of it all being an easy highlight. But by and large, the cuts that rely on this formula run the risk of being a weaker version of “A Gallant Gentleman” from Departure Songs, (“Bloom (Murmurations at First Light)”), that their solid songwriting and gentle crescendos are derailed by excessive length’s meandering consequences. Otherwise, appearances of anachronistic instrumentals add a jolt of confusion, such as electronic beats (“Everything Here is Black and Blinding”) and industrial harshness (“A Dance With Death”). Then there’s the elephant in the room that closer “Blood Will Have Blood” is twenty-six minutes long, which is too long despite however rebellious and driving its almost punk-like rhythms suggest.
Flowery textures are post-rock’s kryptonite, but tension between harmony eeriness is where it succeeds – and A Single Flower is no exception. While the textured plucking is a motif that courses through nearly every moment, riding the line between haunting and sanguine is a signature that elevates it. This taut dynamic gives the album a much more nuanced dynamic that recalls Godspeed You! Black Emperor, with its climactic and chaotic metal apexes recalling the collisions of agony and beauty that acts like Milanku or Audrey Fall (“A Dance With Death,” the conclusion of “Everything Here is Black and Blinding”). Terse drumming and textures of noise add to that thread of ugliness that adds contrast to the more crystalline movements, a constantly shifting palette (“Blood Will Have Blood”).
We Lost the Sea has released an imperfect album that successfully distances itself from the shadow of its more iconic past. Incorporating more of a metal presence than Departure Songs while streamlining the effort beyond the inconsistent Triumph & Disaster, A Single Flower manages to balance meditation and urgency neatly. It has its moments of post-rock paper-thin crescendo-core, and there are choices within that end up being head scratchers – and I would be remiss to neglect the album’s dummy long hour and twenty runtime – but We Lost the Sea finally feels like who they wanted to be beyond tragedy and its aftermath. Thus, A Single Flower owes its staying power more to what it represents than the instruments its contributors jam on. It suggests a good trajectory – and sometimes that’s all you need.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Bird’s Robe Records
Websites: welostthesea.bandcamp.com | welostthesea.com | facebook.com/welostthesea
Releases Worldwide: July 4th, 2025#25 #2025 #ASingleFlower #AudreyFall #AustralianMetal #BirdSRobeRecords #Eluvium #GodIsAnAstronaut #GodspeedYouBlackEmperor #Jul25 #Milanku #Mono #PostRock #PostMetal #Review #Reviews #WeLostTheSea
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We Lost the Sea – A Single Flower Review
By Dear Hollow
How do you follow up an album born from tragedy? While the Sydney collective We Lost the Sea began as a mammoth post-metal band with standout releases like Crimea and The Quietest Place on Earth, renowned for uncompromising weight and tantalizing patience, the tragic death of vocalist Chris Torpey silenced them, taking its teeth in the process. Grief embodied its 2015 album, not devastating for the notes and tempos that commanded it, but rather what it symbolized. Comprised of instrumental elegies to failed acts of heroism and sacrifice, Departure Songs served as both a beautiful post-rock album with an intriguing theme and a knack for instrumental hooks, as well as an homage to Torpey.
Because of this, 2019 follow-up Triumph & Disaster was doomed for disingenuousness, regardless of its quality. We Lost the Sea set out on its own path in a concept album devoted to apocalypse via climate disaster, employing many of the same tricks with more bite, but to an unfocused and inconsistent degree that landed its singles in EOY territory but its supporting cast as mediocre at best. Six years later, we’re graced with A Single Flower, an ode to revolution and defiance in its trademark groove and crescendo-laden patience. Much of it lands in Post-Rock 101, in line with the likes of Mono, God is an Astronaut, and Eluvium, with steadily building crescendos as the backbone while twinkly guitars guide the journey to crunchy metallic explosions, with some ugliness for contrast. While nowhere near the likes of its early discography, A Single Flower is a welcome improvement, as We Lost the Sea distances itself from its tragic past.
If A Single Flower is Post-Rock 101, then opener “If They Had Hearts” is the syllabus. Nearly nine minutes of steadily building twinkling, with its ugly metallic hit at the end of it all being an easy highlight. But by and large, the cuts that rely on this formula run the risk of being a weaker version of “A Gallant Gentleman” from Departure Songs, (“Bloom (Murmurations at First Light)”), that their solid songwriting and gentle crescendos are derailed by excessive length’s meandering consequences. Otherwise, appearances of anachronistic instrumentals add a jolt of confusion, such as electronic beats (“Everything Here is Black and Blinding”) and industrial harshness (“A Dance With Death”). Then there’s the elephant in the room that closer “Blood Will Have Blood” is twenty-six minutes long, which is too long despite however rebellious and driving its almost punk-like rhythms suggest.
Flowery textures are post-rock’s kryptonite, but tension between harmony eeriness is where it succeeds – and A Single Flower is no exception. While the textured plucking is a motif that courses through nearly every moment, riding the line between haunting and sanguine is a signature that elevates it. This taut dynamic gives the album a much more nuanced dynamic that recalls Godspeed You! Black Emperor, with its climactic and chaotic metal apexes recalling the collisions of agony and beauty that acts like Milanku or Audrey Fall (“A Dance With Death,” the conclusion of “Everything Here is Black and Blinding”). Terse drumming and textures of noise add to that thread of ugliness that adds contrast to the more crystalline movements, a constantly shifting palette (“Blood Will Have Blood”).
We Lost the Sea has released an imperfect album that successfully distances itself from the shadow of its more iconic past. Incorporating more of a metal presence than Departure Songs while streamlining the effort beyond the inconsistent Triumph & Disaster, A Single Flower manages to balance meditation and urgency neatly. It has its moments of post-rock paper-thin crescendo-core, and there are choices within that end up being head scratchers – and I would be remiss to neglect the album’s dummy long hour and twenty runtime – but We Lost the Sea finally feels like who they wanted to be beyond tragedy and its aftermath. Thus, A Single Flower owes its staying power more to what it represents than the instruments its contributors jam on. It suggests a good trajectory – and sometimes that’s all you need.
Rating: 2.5/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Bird’s Robe Records
Websites: welostthesea.bandcamp.com | welostthesea.com | facebook.com/welostthesea
Releases Worldwide: July 4th, 2025#25 #2025 #ASingleFlower #AudreyFall #AustralianMetal #BirdSRobeRecords #Eluvium #GodIsAnAstronaut #GodspeedYouBlackEmperor #Jul25 #Milanku #Mono #PostRock #PostMetal #Review #Reviews #WeLostTheSea
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If there's just one #PostRock album you're willing to listen this year, make it this one:
#WeLostTheSea: A Single Flower
https://album.link/xbq3w8pt33xnz
FFO #BearTheMammoth #GodspeedYouBlackEmperor #RussianCircles
---
At the time of this toot, the album in its entirety is available only on Bandcamp. If album.link does not pick up the usual suspects automatically, I'll insert an updated link later.
-
If there's just one #PostRock album you're willing to listen this year, make it this one:
#WeLostTheSea: A Single Flower
https://album.link/xbq3w8pt33xnz
FFO #BearTheMammoth #GodspeedYouBlackEmperor #RussianCircles
---
At the time of this toot, the album in its entirety is available only on Bandcamp. If album.link does not pick up the usual suspects automatically, I'll insert an updated link later.
-
If there's just one #PostRock album you're willing to listen this year, make it this one:
#WeLostTheSea: A Single Flower
https://album.link/xbq3w8pt33xnz
FFO #BearTheMammoth #GodspeedYouBlackEmperor #RussianCircles
---
At the time of this toot, the album in its entirety is available only on Bandcamp. If album.link does not pick up the usual suspects automatically, I'll insert an updated link later.
-
If there's just one #PostRock album you're willing to listen this year, make it this one:
#WeLostTheSea: A Single Flower
https://album.link/xbq3w8pt33xnz
FFO #BearTheMammoth #GodspeedYouBlackEmperor #RussianCircles
---
At the time of this toot, the album in its entirety is available only on Bandcamp. If album.link does not pick up the usual suspects automatically, I'll insert an updated link later.
-
Touching #art is something essential for survival in an increasingly fucked up world! My goodness, the dancer and the #music are great! I'm often amazed when „skilled“ people #dance to #hardcore #metal. It's awesome! #WeLostTheSea - Everything Here is Black and Blinding #ballet #alternative #rock
We Lost The Sea - Everything H... -
Touching #art is something essential for survival in an increasingly fucked up world! My goodness, the dancer and the #music are great! I'm often amazed when „skilled“ people #dance to #hardcore #metal. It's awesome! #WeLostTheSea - Everything Here is Black and Blinding #ballet #alternative #rock
We Lost The Sea - Everything H... -
Touching #art is something essential for survival in an increasingly fucked up world! My goodness, the dancer and the #music are great! I'm often amazed when „skilled“ people #dance to #hardcore #metal. It's awesome! #WeLostTheSea - Everything Here is Black and Blinding #ballet #alternative #rock
We Lost The Sea - Everything H... -
Touching #art is something essential for survival in an increasingly fucked up world! My goodness, the dancer and the #music are great! I'm often amazed when „skilled“ people #dance to #hardcore #metal. It's awesome! #WeLostTheSea - Everything Here is Black and Blinding #ballet #alternative #rock
We Lost The Sea - Everything H... -
#WeLostTheSea: Everything Here is Black and Blinding
https://www.youtube.com/watch?v=J3ar0CsOlzA
https://redirect.invidious.io/watch?v=J3ar0CsOlzA
-
#WeLostTheSea: Everything Here is Black and Blinding
https://www.youtube.com/watch?v=J3ar0CsOlzA
https://redirect.invidious.io/watch?v=J3ar0CsOlzA
-
#WeLostTheSea: Everything Here is Black and Blinding
https://www.youtube.com/watch?v=J3ar0CsOlzA
https://redirect.invidious.io/watch?v=J3ar0CsOlzA
-
#WeLostTheSea: Everything Here is Black and Blinding
https://www.youtube.com/watch?v=J3ar0CsOlzA
https://redirect.invidious.io/watch?v=J3ar0CsOlzA
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It's alredy Tuesday, so let me leave this here for @DXMacGuffin's #ProgTuesday:
#WeLostTheSea: A Dance with Death
https://www.youtube.com/watch?v=9r97usgJJwo
-
It's alredy Tuesday, so let me leave this here for @DXMacGuffin's #ProgTuesday:
#WeLostTheSea: A Dance with Death
https://www.youtube.com/watch?v=9r97usgJJwo
-
It's alredy Tuesday, so let me leave this here for @DXMacGuffin's #ProgTuesday:
#WeLostTheSea: A Dance with Death
https://www.youtube.com/watch?v=9r97usgJJwo
-
It's alredy Tuesday, so let me leave this here for @DXMacGuffin's #ProgTuesday:
#WeLostTheSea: A Dance with Death
https://www.youtube.com/watch?v=9r97usgJJwo
-
It's alredy Tuesday, so let me leave this here for @DXMacGuffin's #ProgTuesday:
#WeLostTheSea: A Dance with Death
https://www.youtube.com/watch?v=9r97usgJJwo
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Oh, ein neues Album von We Lost The Sea. Nice.
https://welostthesea.bandcamp.com/album/a-single-flower -
Oh, ein neues Album von We Lost The Sea. Nice.
https://welostthesea.bandcamp.com/album/a-single-flower -
Oh, ein neues Album von We Lost The Sea. Nice.
https://welostthesea.bandcamp.com/album/a-single-flower -
Oh, ein neues Album von We Lost The Sea. Nice.
https://welostthesea.bandcamp.com/album/a-single-flower -
Oh, ein neues Album von We Lost The Sea. Nice.
https://welostthesea.bandcamp.com/album/a-single-flower -
It's a good day when one of your favorite post-rock bands releases a new song with the promise of a new album: https://welostthesea.bandcamp.com/album/a-single-flower #welostthesea #postrock
🔥