#thedoors — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #thedoors, aggregated by home.social.
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The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
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The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
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The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
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The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
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The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
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The Crystal Ship Band
Homenaje a Jim Morrison
1943-1971Invitados:
RocketViernes 17 de Julio del 2026
19:01 Hrs.Multiforo Alicia
Eligio Ancona #145
Santa María la Stoned Immaculated#rock #clásico #homenaje #TheDoors #multiforoAlicia #México #CiudadDeMéxico #cultura #independiente
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Riders on the Storm 🏇
#TheDoors
https://www.youtube.com/watch?v=1hrgT_ZDUvs -
Riders on the Storm 🏇
#TheDoors
https://www.youtube.com/watch?v=1hrgT_ZDUvs -
55 anni fa morì #JimMorrison. Questo documentario credo sia il più completo sulla sua vita. #TheDoors - When You re Strange - Documentario (ITA) https://youtube.com/watch?v=YoAdU2pmk-4&is=F-dXG4Zk3wKqKw_6
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55 anni fa morì #JimMorrison. Questo documentario credo sia il più completo sulla sua vita. #TheDoors - When You re Strange - Documentario (ITA) https://youtube.com/watch?v=YoAdU2pmk-4&is=F-dXG4Zk3wKqKw_6
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Waiting for the Sun
#TheDoors #WaitingForTheSun #60smusic #60srock #classicrock #rockmusic #music #musicsky #musiciansky #jimmorrison #robbiekrieger #johndensmore #raymzarek The Doors release their third album on July 3, 1968. It became the band's only number one album (topping the charts for four weeks) and included their second US number one single, "Hello, I Love You" (for two weeks starting August 3, 1968). Stereogum said, " "This is the Doors at their strangest,…
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Waiting for the Sun
#TheDoors #WaitingForTheSun #60smusic #60srock #classicrock #rockmusic #music #musicsky #musiciansky #jimmorrison #robbiekrieger #johndensmore #raymzarek The Doors release their third album on July 3, 1968. It became the band's only number one album (topping the charts for four weeks) and included their second US number one single, "Hello, I Love You" (for two weeks starting August 3, 1968). Stereogum said, " "This is the Doors at their strangest,…
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Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Ted Tocks Covers
July 3 - A Busy Day in Music History
Originally posted on July 3, 2022
An interesting look back on just one day in music history.
#crosbystillsandnash #therollingstones #brianjones #thedoors #jimmorrison #mississippifredmcdowell #davidBowie #LaurensHammond #threedognight
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Ted Tocks Covers
July 3 - A Busy Day in Music History
Originally posted on July 3, 2022
An interesting look back on just one day in music history.
#crosbystillsandnash #therollingstones #brianjones #thedoors #jimmorrison #mississippifredmcdowell #davidBowie #LaurensHammond #threedognight
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Ted Tocks Covers
July 3 - A Busy Day in Music History
Originally posted on July 3, 2022
An interesting look back on just one day in music history.
#crosbystillsandnash #therollingstones #brianjones #thedoors #jimmorrison #mississippifredmcdowell #davidBowie #LaurensHammond #threedognight
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55 years ago today, #JimMorrison, American singer-songwriter ( #TheDoors) and #poet, died of #heartfailure allegedly caused be an accidental #heroinoverdose at 27.
#RIP 🎗 -
55 years ago today, #JimMorrison, American singer-songwriter ( #TheDoors) and #poet, died of #heartfailure allegedly caused be an accidental #heroinoverdose at 27.
#RIP 🎗 -
Druidess – Trip Meadow Review By Creeping IvyWhen it comes to discerning the difference between doom and stoner metal, I subscribe to the Ned Flanders school of thought. While doom tends towards darker atmospheres at a slower pace, stoner metal generally grooves with a chiller vibe. Now, there are (at least two) exceptions, and it gets kind of tricky, one of which is the compound stoner-doom genre. This label nicely fits Druidess, who have become a staple of the UK doom and stoner scenes since the release of their 2024 EP, Hermits and Mandrakes. Two years later, this Newcastle upon Tyne quartet has finally dropped its independently-released debut LP, Trip Meadow. Whether a British stoner-doom scenester or a newcomer, you’re surely wondering whether Druidess’s musical trip feels like strolling through a meadow or slogging through a jungle.
Druidess travel through the crevices of Mount Doom and the streets of Stonerville, but they also haunt the alleys of Psychedelphia. Guitarist Daniel Downing powers this English engine, doling out an array of Sabbathian riffs that brood, gallop, and descend, often in the same song (“A Forest Witch’s Daughter”). Beneath Downing is drummer Sam Armstrong, who hits hard but sprinkles in peppery jazz accents, keeping things rhythmically dynamic (“Descended from Giants”). The highlight, however, is vocalist Shonagh Brown, who knows how to hold a straightforward verse and develop a sticky chorus (“Knightingales”). Brown claims Joan Jett (The Runaways) as a major influence, but I also hear Laura Donnelly (King Witch) in her penchant for effortless power.1 Draping Druidess’s stoner-doom core in a psychedelic haze is keyboardist James Hill, whose organ plinks owe a debt of gratitude to The Doors while recalling a contemporary band like Green Lung. If the presence of organ sounds insufficiently psychedelic, then you’ll be glad to hear that a saxophone occasionally moans melancholic melodies2 (“Trip Meadow,” “A Witches’ Sabbath”). Aesthetically and performance-wise, Trip Meadow brings home the goods.
The songwriting, however, sometimes sails the Inconsistent Sea. The songs hovering around 4 minutes deliver memorable jolts of Iommian riffs and Jettian choruses (“Mandragora,” “The Hermit of Druid’s Temple”). Even when Druidess expand to the 6–7 minute range, they usually do a good job balancing subdued excursions and tempo shifts with solid songcraft (“The Forest Witch’s Daughter,” “A Witches’ Sabbath”). A few tracks, however, could’ve definitely been pared down, the major example being the 10-minute title track. “Trip Meadow” opens with a sultry saxophone groove before reducing to an ominous organ line obliterated by a crushing doom riff. From there, it takes too long for the song to get to its good (not great) chorus. At around the 8-minute mark, however, Druidess goes off on gothic riff variations, variations that would’ve hit even harder were they to have come sooner.
I must also mention that Trip Meadow shares much in common with Druidess’s previous jaunt. Five of the album’s seven songs, in fact, appear on the Hermits and Mandrakes EP. Druidess does sonically improve these cuts for Trip Meadow, especially the vocal mix. Whereas Brown sits awkwardly atop the band on the EP, her voice feels prominent but porous on the LP, commingling with the fuzzy guitar tones while still carrying the tunes. It is disappointing, however, that roughly 70 percent of the material here exists on another release. The two new songs, though quite good, are not the strongest material on display. As discussed, “Trip Meadow” embodies enormous potential only partly realized. Meanwhile, “Descended from Giants” contains mighty fine bass-work, a neat pseudo-breakdown, and killer concluding wails, but it also retreads ground already covered.
Trip Meadow trips in a few ways, but ultimately, it’s a trip worth taking. If you’re already familiar with the Hermits and Mandrakes EP, the debut LP will probably feel like a tedious (albeit sonically improved) trek through well-worn terrain. If you’re like I was, however, ignorant of the EP and desiring of quality stoner-doom, then you should definitely take a stroll through Druidess’s comforting meadow of fuzzed-out riffs and fantastic vocals. At 41 minutes, Trip Meadow gets away with its redundancies because it sounds so good. If subsequent musical adventures tighten the songwriting while exploring experimentation under a cozy psych aesthetic, Druidess may find Greatness as a future destination.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #DoomMetal #Druidess #GreenLung #Jun26 #KingWitch #PsychedelicRock #Review #Reviews #SelfReleased #StonerMetal #TheDoors #TheRunaways #TripMeadow #UKMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Instagram | Facebook
Releases Worldwide: June 26th, 2026 -
Druidess – Trip Meadow Review By Creeping IvyWhen it comes to discerning the difference between doom and stoner metal, I subscribe to the Ned Flanders school of thought. While doom tends towards darker atmospheres at a slower pace, stoner metal generally grooves with a chiller vibe. Now, there are (at least two) exceptions, and it gets kind of tricky, one of which is the compound stoner-doom genre. This label nicely fits Druidess, who have become a staple of the UK doom and stoner scenes since the release of their 2024 EP, Hermits and Mandrakes. Two years later, this Newcastle upon Tyne quartet has finally dropped its independently-released debut LP, Trip Meadow. Whether a British stoner-doom scenester or a newcomer, you’re surely wondering whether Druidess’s musical trip feels like strolling through a meadow or slogging through a jungle.
Druidess travel through the crevices of Mount Doom and the streets of Stonerville, but they also haunt the alleys of Psychedelphia. Guitarist Daniel Downing powers this English engine, doling out an array of Sabbathian riffs that brood, gallop, and descend, often in the same song (“A Forest Witch’s Daughter”). Beneath Downing is drummer Sam Armstrong, who hits hard but sprinkles in peppery jazz accents, keeping things rhythmically dynamic (“Descended from Giants”). The highlight, however, is vocalist Shonagh Brown, who knows how to hold a straightforward verse and develop a sticky chorus (“Knightingales”). Brown claims Joan Jett (The Runaways) as a major influence, but I also hear Laura Donnelly (King Witch) in her penchant for effortless power.1 Draping Druidess’s stoner-doom core in a psychedelic haze is keyboardist James Hill, whose organ plinks owe a debt of gratitude to The Doors while recalling a contemporary band like Green Lung. If the presence of organ sounds insufficiently psychedelic, then you’ll be glad to hear that a saxophone occasionally moans melancholic melodies2 (“Trip Meadow,” “A Witches’ Sabbath”). Aesthetically and performance-wise, Trip Meadow brings home the goods.
The songwriting, however, sometimes sails the Inconsistent Sea. The songs hovering around 4 minutes deliver memorable jolts of Iommian riffs and Jettian choruses (“Mandragora,” “The Hermit of Druid’s Temple”). Even when Druidess expand to the 6–7 minute range, they usually do a good job balancing subdued excursions and tempo shifts with solid songcraft (“The Forest Witch’s Daughter,” “A Witches’ Sabbath”). A few tracks, however, could’ve definitely been pared down, the major example being the 10-minute title track. “Trip Meadow” opens with a sultry saxophone groove before reducing to an ominous organ line obliterated by a crushing doom riff. From there, it takes too long for the song to get to its good (not great) chorus. At around the 8-minute mark, however, Druidess goes off on gothic riff variations, variations that would’ve hit even harder were they to have come sooner.
I must also mention that Trip Meadow shares much in common with Druidess’s previous jaunt. Five of the album’s seven songs, in fact, appear on the Hermits and Mandrakes EP. Druidess does sonically improve these cuts for Trip Meadow, especially the vocal mix. Whereas Brown sits awkwardly atop the band on the EP, her voice feels prominent but porous on the LP, commingling with the fuzzy guitar tones while still carrying the tunes. It is disappointing, however, that roughly 70 percent of the material here exists on another release. The two new songs, though quite good, are not the strongest material on display. As discussed, “Trip Meadow” embodies enormous potential only partly realized. Meanwhile, “Descended from Giants” contains mighty fine bass-work, a neat pseudo-breakdown, and killer concluding wails, but it also retreads ground already covered.
Trip Meadow trips in a few ways, but ultimately, it’s a trip worth taking. If you’re already familiar with the Hermits and Mandrakes EP, the debut LP will probably feel like a tedious (albeit sonically improved) trek through well-worn terrain. If you’re like I was, however, ignorant of the EP and desiring of quality stoner-doom, then you should definitely take a stroll through Druidess’s comforting meadow of fuzzed-out riffs and fantastic vocals. At 41 minutes, Trip Meadow gets away with its redundancies because it sounds so good. If subsequent musical adventures tighten the songwriting while exploring experimentation under a cozy psych aesthetic, Druidess may find Greatness as a future destination.
Rating: 3.0/5.0
#2026 #30 #BlackSabbath #DoomMetal #Druidess #GreenLung #Jun26 #KingWitch #PsychedelicRock #Review #Reviews #SelfReleased #StonerMetal #TheDoors #TheRunaways #TripMeadow #UKMetal
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Instagram | Facebook
Releases Worldwide: June 26th, 2026 -
"A Beautiful Morning" is a song written by #FelixCavaliere and #EddieBrigati and recorded by #theRascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in #stereo, as #7inch singles generally were in mono. Together with #theDoors "Hello, I Love You", it's credited with changing the industry standard of #singles.
https://www.youtube.com/watch?v=cF3A89kPMv8 -
"A Beautiful Morning" is a song written by #FelixCavaliere and #EddieBrigati and recorded by #theRascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in #stereo, as #7inch singles generally were in mono. Together with #theDoors "Hello, I Love You", it's credited with changing the industry standard of #singles.
https://www.youtube.com/watch?v=cF3A89kPMv8 -
"A Beautiful Morning" is a song written by #FelixCavaliere and #EddieBrigati and recorded by #theRascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in #stereo, as #7inch singles generally were in mono. Together with #theDoors "Hello, I Love You", it's credited with changing the industry standard of #singles.
https://www.youtube.com/watch?v=cF3A89kPMv8 -
"A Beautiful Morning" is a song written by #FelixCavaliere and #EddieBrigati and recorded by #theRascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in #stereo, as #7inch singles generally were in mono. Together with #theDoors "Hello, I Love You", it's credited with changing the industry standard of #singles.
https://www.youtube.com/watch?v=cF3A89kPMv8 -
"A Beautiful Morning" is a song written by #FelixCavaliere and #EddieBrigati and recorded by #theRascals. Released in early 1968, it was the group's first track released after shortening their name from the Young Rascals. The single was one of the earliest released in #stereo, as #7inch singles generally were in mono. Together with #theDoors "Hello, I Love You", it's credited with changing the industry standard of #singles.
https://www.youtube.com/watch?v=cF3A89kPMv8 -
Bonjour les petit·es mammouth·es 🌱☕🎧
Avec The Doors ❤️ Light My Fire (Live At The Isle Of Wight Festival 1970)
https://www.youtube.com/watch?v=rj405bbDsoY
#theDoors #70smusic #livemusic -
Bonjour les petit·es mammouth·es 🌱☕🎧
Avec The Doors ❤️ Light My Fire (Live At The Isle Of Wight Festival 1970)
https://www.youtube.com/watch?v=rj405bbDsoY
#theDoors #70smusic #livemusic -
Love Her Madly 😜
#TheDoors
https://www.youtube.com/watch?v=B3zeeaZCpk0 -
Love Her Madly 😜
#TheDoors
https://www.youtube.com/watch?v=B3zeeaZCpk0 -
🇺🇦 #NowPlaying on #KEXP's #Early
The Doors:
🎵 Riders on the Stormhttps://kohra.bandcamp.com/track/the-doors-riders-on-the-storm-kohra-remix
https://open.spotify.com/track/3WoKO6hbT9uTs8aUSBQLo7
🎶 show playlist 👇
https://open.spotify.com/playlist/5F6PDmIbE0oCzbwTklfrLZ🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
🇺🇦 #NowPlaying on #KEXP's #Early
The Doors:
🎵 Riders on the Stormhttps://kohra.bandcamp.com/track/the-doors-riders-on-the-storm-kohra-remix
https://open.spotify.com/track/3WoKO6hbT9uTs8aUSBQLo7
🎶 show playlist 👇
https://open.spotify.com/playlist/5F6PDmIbE0oCzbwTklfrLZ🎶 KEXP playlist 👇
https://open.spotify.com/playlist/6VNALrOa3gWbk794YuIrwg -
Break On Through (To the Other Side) 🍘
#TheDoors
https://www.youtube.com/watch?v=gdnzBNMfZfo -
Break On Through (To the Other Side) 🍘
#TheDoors
https://www.youtube.com/watch?v=gdnzBNMfZfo -
"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=7G2-FPlvY58 -
"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=7G2-FPlvY58 -
Break On Through (To the Other Side) ⏹️
#TheDoors
https://www.youtube.com/watch?v=-r679Hhs9Zs -
Break On Through (To the Other Side) ⏹️
#TheDoors
https://www.youtube.com/watch?v=-r679Hhs9Zs -
I’ve been oscillating between enthusiasm and skepticism about #TheDoors since 1967, but I’m in the middle of a straight-through listen of their debut #album at the moment and I’m taking the view they were a pretty good band … #ClassicRock #music #MusicSky #rockmusic m.youtube.com/watch?v=yIS9...
Take It as It Comes (2017 Rema... -
I’ve been oscillating between enthusiasm and skepticism about #TheDoors since 1967, but I’m in the middle of a straight-through listen of their debut #album at the moment and I’m taking the view they were a pretty good band … #ClassicRock #music #MusicSky #rockmusic m.youtube.com/watch?v=yIS9...
Take It as It Comes (2017 Rema...
