#thedoors — Public Fediverse posts

The Crystal Ship Band
Homenaje a Jim Morrison
1943-1971

Invitados:
Rocket

Viernes 17 de Julio del 2026
19:01 Hrs.

Multiforo Alicia
Eligio Ancona #145
Santa María la Stoned Immaculated

#rock #clásico #homenaje #TheDoors #multiforoAlicia #México #CiudadDeMéxico #cultura #independiente

Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)

Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)

Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)

Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)

Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)

Ted Tocks Covers

July 3 - A Busy Day in Music History

Originally posted on July 3, 2022

An interesting look back on just one day in music history.

#crosbystillsandnash #therollingstones #brianjones #thedoors #jimmorrison #mississippifredmcdowell #davidBowie #LaurensHammond #threedognight

https://tedtockscovers.wordpress.com/2022/07/03/july-3-a-busy-day-in-music-history-musicislife-tedtockscovers-crosbystillsandnash-therollingstones-thedoors-mississippifredmcdowell-davidbowie-laurenshammond-threedognight/?fbclid=IwY2xjawSz74ZleHRuA2FlbQIxMQBzcnRjBmFwcF9pZBAyMjIwMzkxNzg4MjAwODkyAAEe_gXJtZmhG-knZozNal9rIWJDlcwse0N9Gm48OHQBMXJjY7ENEBDRVRyDHX8_aem_e-xnR9Vrm_MFWxtz01FlZQ

55 years ago today, #JimMorrison, American singer-songwriter ( #TheDoors) and #poet, died of #heartfailure allegedly caused be an accidental #heroinoverdose at 27.
#RIP 🎗

55 years ago today, #JimMorrison, American singer-songwriter ( #TheDoors) and #poet, died of #heartfailure allegedly caused be an accidental #heroinoverdose at 27.
#RIP 🎗

When it comes to discerning the difference between doom and stoner metal, I subscribe to the Ned Flanders school of thought. While doom tends towards darker atmospheres at a slower pace, stoner metal generally grooves with a chiller vibe. Now, there are (at least two) exceptions, and it gets kind of tricky, one of which is the compound stoner-doom genre. This label nicely fits Druidess, who have become a staple of the UK doom and stoner scenes since the release of their 2024 EP, Hermits and Mandrakes. Two years later, this Newcastle upon Tyne quartet has finally dropped its independently-released debut LP, Trip Meadow. Whether a British stoner-doom scenester or a newcomer, you’re surely wondering whether Druidess’s musical trip feels like strolling through a meadow or slogging through a jungle.

Druidess travel through the crevices of Mount Doom and the streets of Stonerville, but they also haunt the alleys of Psychedelphia. Guitarist Daniel Downing powers this English engine, doling out an array of Sabbathian riffs that brood, gallop, and descend, often in the same song (“A Forest Witch’s Daughter”). Beneath Downing is drummer Sam Armstrong, who hits hard but sprinkles in peppery jazz accents, keeping things rhythmically dynamic (“Descended from Giants”). The highlight, however, is vocalist Shonagh Brown, who knows how to hold a straightforward verse and develop a sticky chorus (“Knightingales”). Brown claims Joan Jett (The Runaways) as a major influence, but I also hear Laura Donnelly (King Witch) in her penchant for effortless power.1 Draping Druidess’s stoner-doom core in a psychedelic haze is keyboardist James Hill, whose organ plinks owe a debt of gratitude to The Doors while recalling a contemporary band like Green Lung. If the presence of organ sounds insufficiently psychedelic, then you’ll be glad to hear that a saxophone occasionally moans melancholic melodies2 (“Trip Meadow,” “A Witches’ Sabbath”). Aesthetically and performance-wise, Trip Meadow brings home the goods.

The songwriting, however, sometimes sails the Inconsistent Sea. The songs hovering around 4 minutes deliver memorable jolts of Iommian riffs and Jettian choruses (“Mandragora,” “The Hermit of Druid’s Temple”). Even when Druidess expand to the 6–7 minute range, they usually do a good job balancing subdued excursions and tempo shifts with solid songcraft (“The Forest Witch’s Daughter,” “A Witches’ Sabbath”). A few tracks, however, could’ve definitely been pared down, the major example being the 10-minute title track. “Trip Meadow” opens with a sultry saxophone groove before reducing to an ominous organ line obliterated by a crushing doom riff. From there, it takes too long for the song to get to its good (not great) chorus. At around the 8-minute mark, however, Druidess goes off on gothic riff variations, variations that would’ve hit even harder were they to have come sooner.

I must also mention that Trip Meadow shares much in common with Druidess’s previous jaunt. Five of the album’s seven songs, in fact, appear on the Hermits and Mandrakes EP. Druidess does sonically improve these cuts for Trip Meadow, especially the vocal mix. Whereas Brown sits awkwardly atop the band on the EP, her voice feels prominent but porous on the LP, commingling with the fuzzy guitar tones while still carrying the tunes. It is disappointing, however, that roughly 70 percent of the material here exists on another release. The two new songs, though quite good, are not the strongest material on display. As discussed, “Trip Meadow” embodies enormous potential only partly realized. Meanwhile, “Descended from Giants” contains mighty fine bass-work, a neat pseudo-breakdown, and killer concluding wails, but it also retreads ground already covered.

Trip Meadow trips in a few ways, but ultimately, it’s a trip worth taking. If you’re already familiar with the Hermits and Mandrakes EP, the debut LP will probably feel like a tedious (albeit sonically improved) trek through well-worn terrain. If you’re like I was, however, ignorant of the EP and desiring of quality stoner-doom, then you should definitely take a stroll through Druidess’s comforting meadow of fuzzed-out riffs and fantastic vocals. At 41 minutes, Trip Meadow gets away with its redundancies because it sounds so good. If subsequent musical adventures tighten the songwriting while exploring experimentation under a cozy psych aesthetic, Druidess may find Greatness as a future destination.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Instagram | Facebook
Releases Worldwide: June 26th, 2026

When it comes to discerning the difference between doom and stoner metal, I subscribe to the Ned Flanders school of thought. While doom tends towards darker atmospheres at a slower pace, stoner metal generally grooves with a chiller vibe. Now, there are (at least two) exceptions, and it gets kind of tricky, one of which is the compound stoner-doom genre. This label nicely fits Druidess, who have become a staple of the UK doom and stoner scenes since the release of their 2024 EP, Hermits and Mandrakes. Two years later, this Newcastle upon Tyne quartet has finally dropped its independently-released debut LP, Trip Meadow. Whether a British stoner-doom scenester or a newcomer, you’re surely wondering whether Druidess’s musical trip feels like strolling through a meadow or slogging through a jungle.

Druidess travel through the crevices of Mount Doom and the streets of Stonerville, but they also haunt the alleys of Psychedelphia. Guitarist Daniel Downing powers this English engine, doling out an array of Sabbathian riffs that brood, gallop, and descend, often in the same song (“A Forest Witch’s Daughter”). Beneath Downing is drummer Sam Armstrong, who hits hard but sprinkles in peppery jazz accents, keeping things rhythmically dynamic (“Descended from Giants”). The highlight, however, is vocalist Shonagh Brown, who knows how to hold a straightforward verse and develop a sticky chorus (“Knightingales”). Brown claims Joan Jett (The Runaways) as a major influence, but I also hear Laura Donnelly (King Witch) in her penchant for effortless power.1 Draping Druidess’s stoner-doom core in a psychedelic haze is keyboardist James Hill, whose organ plinks owe a debt of gratitude to The Doors while recalling a contemporary band like Green Lung. If the presence of organ sounds insufficiently psychedelic, then you’ll be glad to hear that a saxophone occasionally moans melancholic melodies2 (“Trip Meadow,” “A Witches’ Sabbath”). Aesthetically and performance-wise, Trip Meadow brings home the goods.

The songwriting, however, sometimes sails the Inconsistent Sea. The songs hovering around 4 minutes deliver memorable jolts of Iommian riffs and Jettian choruses (“Mandragora,” “The Hermit of Druid’s Temple”). Even when Druidess expand to the 6–7 minute range, they usually do a good job balancing subdued excursions and tempo shifts with solid songcraft (“The Forest Witch’s Daughter,” “A Witches’ Sabbath”). A few tracks, however, could’ve definitely been pared down, the major example being the 10-minute title track. “Trip Meadow” opens with a sultry saxophone groove before reducing to an ominous organ line obliterated by a crushing doom riff. From there, it takes too long for the song to get to its good (not great) chorus. At around the 8-minute mark, however, Druidess goes off on gothic riff variations, variations that would’ve hit even harder were they to have come sooner.

I must also mention that Trip Meadow shares much in common with Druidess’s previous jaunt. Five of the album’s seven songs, in fact, appear on the Hermits and Mandrakes EP. Druidess does sonically improve these cuts for Trip Meadow, especially the vocal mix. Whereas Brown sits awkwardly atop the band on the EP, her voice feels prominent but porous on the LP, commingling with the fuzzy guitar tones while still carrying the tunes. It is disappointing, however, that roughly 70 percent of the material here exists on another release. The two new songs, though quite good, are not the strongest material on display. As discussed, “Trip Meadow” embodies enormous potential only partly realized. Meanwhile, “Descended from Giants” contains mighty fine bass-work, a neat pseudo-breakdown, and killer concluding wails, but it also retreads ground already covered.

Trip Meadow trips in a few ways, but ultimately, it’s a trip worth taking. If you’re already familiar with the Hermits and Mandrakes EP, the debut LP will probably feel like a tedious (albeit sonically improved) trek through well-worn terrain. If you’re like I was, however, ignorant of the EP and desiring of quality stoner-doom, then you should definitely take a stroll through Druidess’s comforting meadow of fuzzed-out riffs and fantastic vocals. At 41 minutes, Trip Meadow gets away with its redundancies because it sounds so good. If subsequent musical adventures tighten the songwriting while exploring experimentation under a cozy psych aesthetic, Druidess may find Greatness as a future destination.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kbps mp3
Label: Self-Release
Websites: Instagram | Facebook
Releases Worldwide: June 26th, 2026

"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=7G2-FPlvY58

"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=7G2-FPlvY58

Apocalypse Now (1979) - Music Video - The End
https://youtu.be/xpN54k93ugM?si=JH7gAllSaWe_P6J6

#Theend #thedoors #bye

"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=W1hn1pF-ilQ

"Riders on the Storm" is a song by American #rock band #theDoors, released in June 1971 by #ElektraRecords as the second single from the band's sixth studio album, #LAWoman. It is known for being the last song that #JimMorrison recorded prior to his sudden death in #Paris on July 3, 1971. It reached number 14 on the U.S. #Billboard Hot 100, number 22 on the #UKSinglesChart, and number seven in the #Netherlands.
https://www.youtube.com/watch?v=W1hn1pF-ilQ

I've got the perfect #TuneTuesday #windowsanddoors -themed tune. This one's an artist name and song title double whammy:

The Doors – Cars Hiss by my Window

#TheDoors #LAWoman

https://youtu.be/YZKCa2gD1BA?si=kZ0hb2ELPLkur-0Y

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=8lVqEchxIxw

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=8lVqEchxIxw

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=8lVqEchxIxw

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=8lVqEchxIxw

Ted Tocks Covers - Year 9 - Day 38

Kind Hearted Woman Blues

A Mini Tribute to Robert Johnson

Remembering the original member of the ’27 Club’ who was born on this day 115 years ago. Tons of good listening here.


#RobertJohnson #AllmanBrothersBand #BonnieRaitt #EricClapton #GeorgeThorogood #LedZeppelin #LeroyCarr #LucindaWilliams #MuddyWaters #PeterGreenSplinterGroup #RLBurnside #RooseveltSykes #TheDoors #TheRollingStones #TheWhiteStripes

https://tedtockscovers.wordpress.com/2026/05/08/kind-hearted-woman-blues-panoramic-story-fires-of-mankind-blasting-off-the-surface-of-a-spinning-piece-of-plastic-musicislife-tedtockscovers-robertjohnson/

Ted Tocks Covers - Year 9 - Day 38

Kind Hearted Woman Blues

A Mini Tribute to Robert Johnson

Remembering the original member of the ’27 Club’ who was born on this day 115 years ago. Tons of good listening here.


#RobertJohnson #AllmanBrothersBand #BonnieRaitt #EricClapton #GeorgeThorogood #LedZeppelin #LeroyCarr #LucindaWilliams #MuddyWaters #PeterGreenSplinterGroup #RLBurnside #RooseveltSykes #TheDoors #TheRollingStones #TheWhiteStripes

https://tedtockscovers.wordpress.com/2026/05/08/kind-hearted-woman-blues-panoramic-story-fires-of-mankind-blasting-off-the-surface-of-a-spinning-piece-of-plastic-musicislife-tedtockscovers-robertjohnson/

Ted Tocks Covers - Year 9 - Day 38

Kind Hearted Woman Blues

A Mini Tribute to Robert Johnson

Remembering the original member of the ’27 Club’ who was born on this day 115 years ago. Tons of good listening here.


#RobertJohnson #AllmanBrothersBand #BonnieRaitt #EricClapton #GeorgeThorogood #LedZeppelin #LeroyCarr #LucindaWilliams #MuddyWaters #PeterGreenSplinterGroup #RLBurnside #RooseveltSykes #TheDoors #TheRollingStones #TheWhiteStripes

https://tedtockscovers.wordpress.com/2026/05/08/kind-hearted-woman-blues-panoramic-story-fires-of-mankind-blasting-off-the-surface-of-a-spinning-piece-of-plastic-musicislife-tedtockscovers-robertjohnson/

Ted Tocks Covers - Year 9 - Day 38

Kind Hearted Woman Blues

A Mini Tribute to Robert Johnson

Remembering the original member of the ’27 Club’ who was born on this day 115 years ago. Tons of good listening here.


#RobertJohnson #AllmanBrothersBand #BonnieRaitt #EricClapton #GeorgeThorogood #LedZeppelin #LeroyCarr #LucindaWilliams #MuddyWaters #PeterGreenSplinterGroup #RLBurnside #RooseveltSykes #TheDoors #TheRollingStones #TheWhiteStripes

https://tedtockscovers.wordpress.com/2026/05/08/kind-hearted-woman-blues-panoramic-story-fires-of-mankind-blasting-off-the-surface-of-a-spinning-piece-of-plastic-musicislife-tedtockscovers-robertjohnson/

MONDAY MATINEE MUSIC VIDEO Tim (Chris) Andrews & Paul Korda “Makin’ Love to Him” https://www.youtube.com/watch?v=0xI7DTNZlgw

#chrisandrews #timandrews #paulkorda #bloke #jealousy #psychedelic #britpop #deeppurple #thedoors #echoplex #righteousbrothers #abbeyroad #gingerbaker #clemcattini #johnpauljones #fleurdelys #rupertspeople #hair #piratesofthecarribean #spinaltap #rogerdaltrey #lovesculpture #frankievalli #davidessex #davyjones #monkees #johnnyjblair

MONDAY MATINEE MUSIC VIDEO Tim (Chris) Andrews & Paul Korda “Makin’ Love to Him” https://www.youtube.com/watch?v=0xI7DTNZlgw

#chrisandrews #timandrews #paulkorda #bloke #jealousy #psychedelic #britpop #deeppurple #thedoors #echoplex #righteousbrothers #abbeyroad #gingerbaker #clemcattini #johnpauljones #fleurdelys #rupertspeople #hair #piratesofthecarribean #spinaltap #rogerdaltrey #lovesculpture #frankievalli #davidessex #davyjones #monkees #johnnyjblair

"L.A. Woman" by the Doors released this day in 1971.
#TheDoors #LAWoman #VintageVinyl

"L.A. Woman" by the Doors released this day in 1971.
#TheDoors #LAWoman #VintageVinyl

L.A. Woman

April 19, 1971 ~ The Doors release their 6th and best. 2 1/2 months later, Morrison is found dead.L.A. Woman is the return to blues-rock roots The Doors leaned on .. departing from the psychedelic stuff from earlier records. L.A. Woman is #364 on Rolling Stone's "500 Greatest Albums of All Time." Listen to L.A. Woman by The Doors on Amazon Music ... #thedoors #lawoman #60srock #rock #rockmusic #music #musicsky #musiciansky #bluesrock #psychedelicrock…

https://robinbannks.com/2026/04/19/l-a-woman/

L.A. Woman

April 19, 1971 ~ The Doors release their 6th and best. 2 1/2 months later, Morrison is found dead.L.A. Woman is the return to blues-rock roots The Doors leaned on .. departing from the psychedelic stuff from earlier records. L.A. Woman is #364 on Rolling Stone's "500 Greatest Albums of All Time." Listen to L.A. Woman by The Doors on Amazon Music ... #thedoors #lawoman #60srock #rock #rockmusic #music #musicsky #musiciansky #bluesrock #psychedelicrock…

https://robinbannks.com/2026/04/19/l-a-woman/

𝐃ocumentaire de la 𝐒emaine

𝐎𝐥𝐢𝐯𝐞𝐫 𝐒𝐭𝐨𝐧𝐞
Réalisateur Scénariste Américain

#OliverStone #Salvador #Platoon #TheDoors #JFK #UTurn
#Snowden #WhiteLies #MidnightExpress #ConanTheBarbarian
#Scarface #YearOfTheDragon #cinegenres #classic #cinema

𝐃ocumentaire 𝐂omplet:
https://cinegenres.com/film-de-la-soiree/

𝐃ocumentaire de la 𝐒emaine

𝐎𝐥𝐢𝐯𝐞𝐫 𝐒𝐭𝐨𝐧𝐞
Réalisateur Scénariste Américain

#OliverStone #Salvador #Platoon #TheDoors #JFK #UTurn
#Snowden #WhiteLies #MidnightExpress #ConanTheBarbarian
#Scarface #YearOfTheDragon #cinegenres #classic #cinema

𝐃ocumentaire 𝐂omplet:
https://cinegenres.com/film-de-la-soiree/

Sehen Sie den Text des Liedes “L.A. Woman” von The Doors
#TheDoors #LAWoman
https://daletra.top/the-doors/liedtexte/la-woman.html

Testo della canzone “L.A. Woman” di The Doors
#TheDoors #LAWoman
https://daletra.online/the-doors/testi/la-woman.html

Text des Liedes “L.A. Woman” von The Doors
#TheDoors #LAWoman
https://daletra.top/the-doors/liedtexte/la-woman.html

Der Wahnsinn begann mit einem Befehl. „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Er ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. (ARD, Wh)

Der Wahnsinn begann mit einem Befehl. „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Er ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. (ARD, Wh)

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=T6w9ELRKku0

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=T6w9ELRKku0

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=T6w9ELRKku0

"Touch Me" is a song by #theDoors from their 1969 album #TheSoftParade. Written by guitarist #RobbyKrieger in late 1968, it makes extensive use of brass and string instruments, including a solo by featured saxophonist #CurtisAmy. It was released as a single in December 1968 and reached No. 3 on the #Billboard #Hot100 (their last Top Ten hit in the US) and No. 1 in the #Cashbox #Top100 in early 1969 (the band's third American number-one single).
https://www.youtube.com/watch?v=T6w9ELRKku0

The Doors - The Soft Parade - 1969
#Music #AlbumSuggestions #NowPlaying #NowListening
#TheDoors #TheSoftParade

The Doors - The Soft Parade - 1969
#Music #AlbumSuggestions #NowPlaying #NowListening
#TheDoors #TheSoftParade

The Doors - The Soft Parade - 1969
#Music #AlbumSuggestions #NowPlaying #NowListening
#TheDoors #TheSoftParade

The Doors - The Soft Parade - 1969
#Music #AlbumSuggestions #NowPlaying #NowListening
#TheDoors #TheSoftParade

Paroles de la chanson “L.A. Woman” de The Doors
#TheDoors #LAWoman
https://daletra.art/the-doors/paroles/la-woman.html

Using Pilot ink as paint wash and drawing ink to illustrate the short and dark poem by Jim Morrison from 1967 called Horse Latitudes. (Album: “Strange Days”)
Syo-Ro used for the sea wash and the text, using Pilot Elite pen and a sable brush.
Shin-Kai used for sketching using Kaweko Sport.
Cheated a bit with Faber Castel watercolour pencils to add colour to the “tiny monsters” and the sun.
Hope you enjoy using ink as watercolour!

Extra alt text: poem is as follows:

When the still sea conspires and armour
And her sullen and aborted currents breed tiny monsters
TRUE SAILING IS DEAD!

Content warning: disturbing subject matter

#FountainPens #FountainPen #pilot #kaweko #PilotInk #watercolor #SargassoSea #SailingShip #horses #TheDoors #JimMorrison #trump #StrangeDays #HorseLatitudes

Using Pilot ink as paint wash and drawing ink to illustrate the short and dark poem by Jim Morrison from 1967 called Horse Latitudes. (Album: “Strange Days”)
Syo-Ro used for the sea wash and the text, using Pilot Elite pen and a sable brush.
Shin-Kai used for sketching using Kaweko Sport.
Cheated a bit with Faber Castel watercolour pencils to add colour to the “tiny monsters” and the sun.
Hope you enjoy using ink as watercolour!

Extra alt text: poem is as follows:

When the still sea conspires and armour
And her sullen and aborted currents breed tiny monsters
TRUE SAILING IS DEAD!

Content warning: disturbing subject matter

#FountainPens #FountainPen #pilot #kaweko #PilotInk #watercolor #SargassoSea #SailingShip #horses #TheDoors #JimMorrison #trump #StrangeDays #HorseLatitudes

Using Pilot ink as paint wash and drawing ink to illustrate the short and dark poem by Jim Morrison from 1967 called Horse Latitudes. (Album: “Strange Days”)
Syo-Ro used for the sea wash and the text, using Pilot Elite pen and a sable brush.
Shin-Kai used for sketching using Kaweko Sport.
Cheated a bit with Faber Castel watercolour pencils to add colour to the “tiny monsters” and the sun.
Hope you enjoy using ink as watercolour!

Extra alt text: poem is as follows:

When the still sea conspires and armour
And her sullen and aborted currents breed tiny monsters
TRUE SAILING IS DEAD!

Content warning: disturbing subject matter

#FountainPens #FountainPen #pilot #kaweko #PilotInk #watercolor #SargassoSea #SailingShip #horses #TheDoors #JimMorrison #trump #StrangeDays #HorseLatitudes