#thedoors — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #thedoors, aggregated by home.social.
-
The Doors - Waiting For The Sun - 1968
#Music #AlbumSuggestions #NowPlaying #NowListening
#TheDoors #WaitingForTheSun -
https://www.wacoca.com/news/2923761/ The Doors（ドアーズ）『アンバウンド・アンド・デンジャラス』1969～1970年のツアー音源による新たなライヴ・コレクション – TOWER RECORDS ONLINE #CD #DVD #Music #Science&Technology #ScienceNews #TechnologyNews #TheDoors（ドアーズ）『アンバウンド・アンド・デンジャラス』1969～1970年のツアー音源による新たなライヴ・コレクション #オンラインショッピング #タワーレコード #タワーレコードオンライン #タワレコ #テクノロジー #科学 #科学＆テクノロジー #音楽
-
The Doors - The Celebration of The Lizard
-
I'm back home from a short vacation and slowly getting back to my daily routine. 🙂
There's an interesting story behind the cover art photo. The band wasn't allowed to photograph inside the hotel, and while the clerk stepped away, the photographer had the band face the windows, quickly stepped outside, and snapped the picture!
Artist: The Doors
Album: Morrison Hotel (1970)
Release: 2009 reissue
Region: US
Label: Elektra – EKS-75007 -
The Doors - Roadhouse Blues
-
The Doors - Break On Through (to the Other Side)
-
Riders on the Storm 🌧️
#TheDoors
https://www.youtube.com/watch?v=7G2-FPlvY58 -
Riders on the Storm ft. The Doors | Song Around The World | Playing For Change
https://www.youtube.com/watch?v=GSiuMgKmiyk
#RidersOnTheStorm #TheDoors #Music #JohnDensmore #RobbyKrieger #LakotaDrumGroup
-
Crucial Track for 21 August 2026: "The Soft Parade" by The Doors
#CrucialTracks #music #thedoors
Today's prompt: What song makes you want to write poetry?
Welcome to the Soft Parade
All our lives we sweat and save
Building for a shallow grave
Must be something else we say
Somehow to defend this place
Everything must be this way
Everything must be this way yeahView entry:
https://www.crucialtracks.org/profile/pxplowsound/20260821 -
-
This is a pretty interesting video of a band arranging a cover version in a short period of time:
-
Mietin sitä lukiokaveria, joka kuunteli vain #TheDoors'ia, maalasi kuviksentunnilla ”ovistisia” töitään ja haaveili oman road movien ohjaamisesta… Vieläköhän hän tykittää kaikki iltansa Doorsia 40 vuotta myöhemmin? #PäivänMiete
-
I'm taking a trip back to the 1960s. All of a sudden, everything looks much more colorful... and I think my room is spinning!
Artist: The Doors
Album: Strange Days (1967)
Release: 2009 reissue
Region: US
Label: Rhino Records – RHI-74881-2 -
And now our final piece: “The End” by The Doors (https://youtu.be/y61fuUIeJHw?is=nda211U0-6DJro-4)
#LaEsoterica #TheDoors #classicrock -
Coffin Hunters – Cosmic Dawn Review By Grin ReaperI love album art you can hear, and fittingly, Coffin Hunters’ Cosmic Dawn churns with a groovy, psychedelic fusion of hard rock and heavy metal that spills off the cover. Plus, how can I resist a sassy reaper rooted in a strawberry-lemonade backdrop featuring a gateway to an alternate dimension? Cosmic Dawn is Coffin Hunters’ third album in under a decade, and on their previous LPs the Los Angeles foursome dispensed reliable earworms with a rockin’ retro swagger. On Cosmic Dawn, the crew adds a healthy dollop of synth into their formula and dips their toes into acid rock waters. With a new twist on Coffin Hunters’ recipe, is this the Cosmic Dawn of a triumphant new era?
While it’s clear that influences play a pivotal role in Coffin Hunters’ sound, it’s just as clear that the band works to establish an identity all their own. Debut The Fire Knight leaned heavily into throwback, traditional heavy metal and saw Coffin Hunters embracing bass-forward boogies and monster grooves that conjure the likes of Saxon, Jag Panzer, and Iron Maiden. Follow-up Wake the Dead shed the raw edges of The Fire Knight and adopted slicker riffs and a more polished production, even adding touches of southern flair recalling Molly Hatchet and some punchy bassmanship that reminds me of Mike Dirnt’s 90s Green Day contributions. On Cosmic Dawn, Coffin Hunters push their boundaries even further, fusing the synth stylings of The Doors and Uriah Heep into their collective personality and capping it with Floydian psychedelia. The sum total is an intriguing melting pot that incorporates seemingly disparate ingredients into a surprisingly cohesive dish.
Over the last decade, Coffin Hunters has retained their core contributors while exploring ever-expanding shades of hard rock and heavy metal. Other than replacing original drummer Jorge Guzman in 2020 with Brennan Kunkel, Coffin Hunters boasts remarkable lineup stability, and you can hear the effortless give and take during their well-crafted arrangements. Guitarist Eric Harriman’s fuzzy crunch strums and swirls around Brian Crites’ bass, which punctuates compositions with often understated yet always alluring performances, particularly on “Skeleton Key” and the title track. Keyboards round out Cosmic Dawn’s instrumentation, making an indelible mark as they imbue each song with hooks embedded so deeply and central to the album’s character (“Isle of the Dead”) that I marvel how Coffin Hunters wrote two albums without them. Vocalist Sean Rivera delivers a solid performance as well, guiding listeners through the album’s eight tracks with his steady croon.
Although Coffin Hunters nails most songwriting elements on Cosmic Dawn, evaluating the album in its entirety reveals a few cracks. Foremost is the lack of songwriting dynamics, as pacing and tempo consistency keep Cosmic Dawn’s forty-three minutes within too narrow a band and inhibit Coffin Hunters’ adventurousness. To be fair, “Last Nail in the Coffin” supplies an early downshift in pacing; however, it’s not enough to combat the uniformity that permeates the rest of the album. Even though most songs radiate head-bobbing energy on their own, strung together they too easily pass by in a pleasantly tame blur. Injecting a show-stopping moment or two that stretches the even-keeled energy into peaks and valleys would go a long way towards reinforcing Cosmic Dawn’s impact. Also, while Rivera’s vocals serve the music well enough, they tend to be a bit one-note and lack the bite of earlier albums. Exploring other styles, resurrecting The Fire Knight’s vocal grit, or bringing in a guest vocalist for a song or two would further aid Coffin Hunters in tackling Cosmic Dawn’s homogeneity.
In the end, Coffin Hunters winningly conjures the echoes of earlier generations. Their commitment to bringing the past into the present reminds me of what I love about Lynx’s Trinity of Suns and, to a lesser extent, Chalice and Owl’s releases from earlier this year. Unfortunately, Cosmic Dawn sticks too closely to its core sound over its runtime, leeching memorability through the back half. Even so, Coffin Hunters wholehearted embrace of keyboards is cause for celebration, as they add delightfully retro textures and cement a gnarly identity for the band. With a stronger emphasis on songwriting and performance diversity their next time around, Coffin Hunters might just strike gold.
Rating: Good
#2026 #30 #AmericanMetal #BitterEndRecords #Chalice #CoffinHunters #CosmicDawn #GreenDay #HardRock #HeavyMetal #IronMaiden #JagPanzer #Jul26 #Lynx #MollyHatchet #Owl #PinkFloyd #Review #Reviews #Saxon #TheDoors #UriahHeap
DR: 6 | Format Reviewed: 320 kbps mp3
Label: Bitter End Records
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: July 17th, 2026 -
Light My Fire 🚪
#TheDoors
https://www.youtube.com/watch?v=cq8k-ZbsXDI -
Break On Through (To the Other Side) 🔚
#TheDoors
https://www.youtube.com/watch?v=NFeUko-lQHg -
People Are Strange 🫂
#TheDoors
https://www.youtube.com/watch?v=sezc05A4s2g -
The Doors “meh” album …
#thedoors #classicrock #60srock #jimmorrison #pshychedelicrock #softparade #rock #rockmusic #music #musicsky #musiciansky #robbiekrieger #johndensmore #raymazarek July 18, 1969 ~ The Doors release their 4th album -- generally considered the least exciting of their works. Alec Dubro famously reviewed it for Rolling Stone in 1969 and called it, "sad." The band dramatically altered their raw, psychedelic sound by adding brass and orchestral…
-
Riders on the Storm 🏇
#TheDoors
https://www.youtube.com/watch?v=1hrgT_ZDUvs -
Waiting for the Sun
#TheDoors #WaitingForTheSun #60smusic #60srock #classicrock #rockmusic #music #musicsky #musiciansky #jimmorrison #robbiekrieger #johndensmore #raymzarek The Doors release their third album on July 3, 1968. It became the band's only number one album (topping the charts for four weeks) and included their second US number one single, "Hello, I Love You" (for two weeks starting August 3, 1968). Stereogum said, " "This is the Doors at their strangest,…
-
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979/2019)Der Wahnsinn begann mit einem Befehl: „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Es ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. Eigentlich glaubt er an nichts mehr. Ein monströses Anti-Krieg-Monument von Francis Ford Coppola. (3Sat, Wh.)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
MONDAY MATINEE MUSIC VIDEO Tim (Chris) Andrews & Paul Korda “Makin’ Love to Him” https://www.youtube.com/watch?v=0xI7DTNZlgw
#chrisandrews #timandrews #paulkorda #bloke #jealousy #psychedelic #britpop #deeppurple #thedoors #echoplex #righteousbrothers #abbeyroad #gingerbaker #clemcattini #johnpauljones #fleurdelys #rupertspeople #hair #piratesofthecarribean #spinaltap #rogerdaltrey #lovesculpture #frankievalli #davidessex #davyjones #monkees #johnnyjblair
-
L.A. Woman
April 19, 1971 ~ The Doors release their 6th and best. 2 1/2 months later, Morrison is found dead.L.A. Woman is the return to blues-rock roots The Doors leaned on .. departing from the psychedelic stuff from earlier records. L.A. Woman is #364 on Rolling Stone's "500 Greatest Albums of All Time." Listen to L.A. Woman by The Doors on Amazon Music ... #thedoors #lawoman #60srock #rock #rockmusic #music #musicsky #musiciansky #bluesrock #psychedelicrock…
-
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979)
Der Wahnsinn begann mit einem Befehl. „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Er ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. (ARD, Wh)
Zum Blog: https://nexxtpress.de/mediathekperlen/francis-ford-coppola-apocalypse-now-final-cut-1979/ -
Using Pilot ink as paint wash and drawing ink to illustrate the short and dark poem by Jim Morrison from 1967 called Horse Latitudes. (Album: “Strange Days”)
Syo-Ro used for the sea wash and the text, using Pilot Elite pen and a sable brush.
Shin-Kai used for sketching using Kaweko Sport.
Cheated a bit with Faber Castel watercolour pencils to add colour to the “tiny monsters” and the sun.
Hope you enjoy using ink as watercolour!Extra alt text: poem is as follows:
When the still sea conspires and armour
And her sullen and aborted currents breed tiny monsters
TRUE SAILING IS DEAD!Content warning: disturbing subject matter
#FountainPens #FountainPen #pilot #kaweko #PilotInk #watercolor #SargassoSea #SailingShip #horses #TheDoors #JimMorrison #trump #StrangeDays #HorseLatitudes -
181 THE EAGLE FM
CLASSIQUE ROCK !!🎶❕👍❕🎸
https://www.radio.fr/s/181fmtheeagle
#rock #classiques #eagle #radio
#ClassiqueRock #AngloRicain
#NetRadio #RadioRock #ici
#Ontheradio #rockradio
#theWho #TheBeatles
#Ledzeppelin #Yeah
#theClash #Clapton
#theDoors #Phil
#Genesis #Go
#rollingStones
#BeachBoys
#FREE
#labas
#On -
58 anos do álbum Strange Days
25 Setembro 1967
.
.
.
.
.
#TheDoors #StrangeDays -
Francis Ford Coppola – „Apocalypse Now – Final Cut“ (1979)
Der Wahnsinn begann mit einem Befehl. „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Er ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. (ARD, Wh)
-
Francis Ford Coppola – “Apocalypse Now – Final Cut” (1979)
Der Wahnsinn begann mit einem Befehl. „Terminate with extreme prejudice.“ Die Mission: einen amerikanischen Offizier zu liquidieren, weil er sich der Logik des Krieges in Vietnam entzogen hat. Ausgestiegen. Oder aufgestiegen? In einen Zustand, in dem Vernunft nicht mehr messbar ist. „Apocalypse Now“ ist kein Antikriegsfilm. Er ist ein Dokument des imperialen Wahns. Er glaubt nicht an Erlösung. Auch nicht an Erkenntnis. (ARD)
-
𝐌𝐢𝐜𝐡𝐚𝐞𝐥 𝐌𝐚𝐝𝐬𝐞𝐧
Acteur Américain (1957- 2025)#MichaelMadsen c'est plus de 150 Films!
#WarGames #TheNatural #KillMeAgain #TheDoors #ThelmaEtLouise #ReservoirDogs
#WyattEarp #Species #DonnieBrasco #KillBill #Blueberry #SinCity
#OnceUponATimeInHollywood #cinegenres #cinema #culte #classic -
#pouetradio avant dodo 🌒
The Doors - Love me two times ✌🏻
(album Strange Days) -
Michael Moorcock Bernard Braden Interview in June 1968
#theBeatles #theDoors #sontag #authors
