#drone-metal — Public Fediverse posts

Wave Mountain 14 + Yore + By Fire + Acid Arno +

TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

Saturday 10th October
Wave Mountain presents a Drone Doom session

Yore
Doom metal
https://yoredoom.bandcamp.com/

By Fire
Drone metal
https://byfirebyfirebyfire.bandcamp.com/music

Acid Arno
https://acidarno.bandcamp.com/

Location: Trxxxer, am schlesi, dm for info or ask a punk
doors: 20:00

Flyer: @_waldon

Support your local storner, enjoy the trip!

https://berlin.askapunk.de/event/wave-mountain-14-yore-by-fire-acid-arno

Wave Mountain 14 + Yore + By Fire + Acid Arno +

TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

Saturday 10th October
Wave Mountain presents a Drone Doom session

Yore
Doom metal
https://yoredoom.bandcamp.com/

By Fire
Drone metal
https://byfirebyfirebyfire.bandcamp.com/music

Acid Arno
https://acidarno.bandcamp.com/

Location: Trxxxer, am schlesi, dm for info or ask a punk
doors: 20:00

Flyer: @_waldon

Support your local storner, enjoy the trip!

https://berlin.askapunk.de/event/wave-mountain-14-yore-by-fire-acid-arno

Wave Mountain 14 + Yore + By Fire + Acid Arno +

TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

Saturday 10th October
Wave Mountain presents a Drone Doom session

Yore
Doom metal
https://yoredoom.bandcamp.com/

By Fire
Drone metal
https://byfirebyfirebyfire.bandcamp.com/music

Acid Arno
https://acidarno.bandcamp.com/

Location: Trxxxer, am schlesi, dm for info or ask a punk
doors: 20:00

Flyer: @_waldon

Support your local storner, enjoy the trip!

https://berlin.askapunk.de/event/wave-mountain-14-yore-by-fire-acid-arno

Wave Mountain 14 + Yore + By Fire + Acid Arno +

TRXXXTR, Saturday, October 10 at 08:00 PM GMT+2

Saturday 10th October
Wave Mountain presents a Drone Doom session

Yore
Doom metal
https://yoredoom.bandcamp.com/

By Fire
Drone metal
https://byfirebyfirebyfire.bandcamp.com/music

Acid Arno
https://acidarno.bandcamp.com/

Location: Trxxxer, am schlesi, dm for info or ask a punk
doors: 20:00

Flyer: @_waldon

Support your local storner, enjoy the trip!

https://berlin.askapunk.de/event/wave-mountain-14-yore-by-fire-acid-arno

Dreams are no longer just the soundtracks to sleep. Dreams are a disease, transmitted from sleeper to sleeper, gaining strength until it consumes the final victim entirely. Dreams are a sticky, tar-like affair. Dreams wait patiently; dreams can kill. We sleep and turn off the real world, but its reprieve offers no rest. Dreams dwell among the uncanny, the images of our loved ones or the places where we’ve felt safe, but nostalgia is in distant lands; this time, these figures are haunted: eyeless mothers and children with black spewing from their gaping mouths. These dream places and figments are just masks for some darkness lurking behind it – an inevitable malady. Sleep is not safe.

Capturing an audio darkness better than most, the woefully underrated Rorcal has created something new for each release: mammoth post-metal (Myrra, Mordvynn, Marayaa), suffocating sludge (Heliogabalus), fiery grind (Világvége), shuddering black metal (Creon), and sprawling industrial drone (Muladona). The Swiss collective has retained that shadow within them, however, making each iteration another vision of the void. In 2024’s Silence, we saw a more streamlined approach: a blackened hardcore backbone fleshed out by skin and muscle of drone and sludge. It was a tad disjointed, but its eerie approach to hardcore nabbed the second spot on my Albums o’ the Year. Mahre is three years in the making, toning down the drone and the hardcore for ritualistic doom and post-metal in a sonic exploration of dreams as disease. If unease is your drink of choice, Rorcal will be a dreamland.

Rorcal’s song construction has always been extremely calculated even among their already intricate contemporaries (Amenra, Bolt Gun, Fall of Efrafa), and this has made them all the more terrifying. Rorcal addresses the disjointed nature of Silence in Mahre while significantly toning down the hardcore influences, offering five movements to a common descent into a darker and darker ritual through meditative, suffocating sprawls and pulsing percussion. Focusing on atmosphere, the drone influence is likewise diminished in favor of dissonant atmospheres punctuated by punishing attacks. Each movement offers its own identity that colludes for a resounding payoff, from scathing, otherworldly dissonance and blackened blastbeats (Movement I & II), climactic sludge beatdowns recalling the late-and-unhinged Admiral Angry (III), ten-ton hammering sludge riffs (III), and chaotic derailing to reveal the capitalization of the descent into degradation (V).

Rorcal’s wherewithal to burn in calculated intensity or explode in unhinged mania is Mahre’s clearest asset. Its five-movement crescendo, while intensely planned, features plenty of breath across its tidy forty minutes, allowing these movements to crash and burn in natural deterioration. The evolution from movements I to V is not only the progression from ominous blackened dissonant atmospheres to crushing sludge weight, but also from calculation to mania. By movements IV and V, the rhythms start deteriorating, and the simmering viciousness begins to derail, and the sonic dream sickness feels more like succumbing. A descent guided by vocalist Yonni Chapatte’s manic barks and shrieks, the anchor that holds your sanity in place, the transitions from the sprawling creepy dissonance of the first two movements, the punishing centerpiece “Movement III,” to the conclusions when the rhythms start falling into disarray, are truly an experience to behold.

By the time “Movement V” closes, your mind will have been dragged to one of the darkest corners of the metalverse by one of the most premier acts to specialize in it. Mahre is remarkably clean compared to Rorcal’s catalog, toning down the drone and hardcore influences for a sound whose filth comes from placement of dissonance or sludge riffs and throat-shredding vocals – a potential point of contention among long-time fans. Recalling this year’s Aversio Humanitatis in its hypnotic dissonance and dreamlike rhythms, but second-to-none in its fusion with sludge and doom, Rorcal nevertheless remains one of the most prolific acts in extreme metal, each iteration feeling uniquely theirs despite wild stylistic differences. Their sixth full-length is pitch-black and unrelenting in ways that only its creators could do. The Swiss collective has created a dreamland that feels infected, contagious, and terrifying, and you’d be foolhardy to sleep on Mahre.

Rating: 4.0/5.0
DR: 11 | Format Reviewed: 320 kb/s mp3
Label: Humus Records
Websites: rorcal.bandcamp.com | rorcal.com | facebook.com/Rorcal
Releases Worldwide: September 25th, 2026

Dreams are no longer just the soundtracks to sleep. Dreams are a disease, transmitted from sleeper to sleeper, gaining strength until it consumes the final victim entirely. Dreams are a sticky, tar-like affair. Dreams wait patiently; dreams can kill. We sleep and turn off the real world, but its reprieve offers no rest. Dreams dwell among the uncanny, the images of our loved ones or the places where we’ve felt safe, but nostalgia is in distant lands; this time, these figures are haunted: eyeless mothers and children with black spewing from their gaping mouths. These dream places and figments are just masks for some darkness lurking behind it – an inevitable malady. Sleep is not safe.

Capturing an audio darkness better than most, the woefully underrated Rorcal has created something new for each release: mammoth post-metal (Myrra, Mordvynn, Marayaa), suffocating sludge (Heliogabalus), fiery grind (Világvége), shuddering black metal (Creon), and sprawling industrial drone (Muladona). The Swiss collective has retained that shadow within them, however, making each iteration another vision of the void. In 2024’s Silence, we saw a more streamlined approach: a blackened hardcore backbone fleshed out by skin and muscle of drone and sludge. It was a tad disjointed, but its eerie approach to hardcore nabbed the second spot on my Albums o’ the Year. Mahre is three years in the making, toning down the drone and the hardcore for ritualistic doom and post-metal in a sonic exploration of dreams as disease. If unease is your drink of choice, Rorcal will be a dreamland.

Rorcal’s song construction has always been extremely calculated even among their already intricate contemporaries (Amenra, Bolt Gun, Fall of Efrafa), and this has made them all the more terrifying. Rorcal addresses the disjointed nature of Silence in Mahre while significantly toning down the hardcore influences, offering five movements to a common descent into a darker and darker ritual through meditative, suffocating sprawls and pulsing percussion. Focusing on atmosphere, the drone influence is likewise diminished in favor of dissonant atmospheres punctuated by punishing attacks. Each movement offers its own identity that colludes for a resounding payoff, from scathing, otherworldly dissonance and blackened blastbeats (Movement I & II), climactic sludge beatdowns recalling the late-and-unhinged Admiral Angry (III), ten-ton hammering sludge riffs (III), and chaotic derailing to reveal the capitalization of the descent into degradation (V).

Rorcal’s wherewithal to burn in calculated intensity or explode in unhinged mania is Mahre’s clearest asset. Its five-movement crescendo, while intensely planned, features plenty of breath across its tidy forty minutes, allowing these movements to crash and burn in natural deterioration. The evolution from movements I to V is not only the progression from ominous blackened dissonant atmospheres to crushing sludge weight, but also from calculation to mania. By movements IV and V, the rhythms start deteriorating, and the simmering viciousness begins to derail, and the sonic dream sickness feels more like succumbing. A descent guided by vocalist Yonni Chapatte’s manic barks and shrieks, the anchor that holds your sanity in place, the transitions from the sprawling creepy dissonance of the first two movements, the punishing centerpiece “Movement III,” to the conclusions when the rhythms start falling into disarray, are truly an experience to behold.

By the time “Movement V” closes, your mind will have been dragged to one of the darkest corners of the metalverse by one of the most premier acts to specialize in it. Mahre is remarkably clean compared to Rorcal’s catalog, toning down the drone and hardcore influences for a sound whose filth comes from placement of dissonance or sludge riffs and throat-shredding vocals – a potential point of contention among long-time fans. Recalling this year’s Aversio Humanitatis in its hypnotic dissonance and dreamlike rhythms, but second-to-none in its fusion with sludge and doom, Rorcal nevertheless remains one of the most prolific acts in extreme metal, each iteration feeling uniquely theirs despite wild stylistic differences. Their sixth full-length is pitch-black and unrelenting in ways that only its creators could do. The Swiss collective has created a dreamland that feels infected, contagious, and terrifying, and you’d be foolhardy to sleep on Mahre.

Rating: 4.0/5.0
DR: 11 | Format Reviewed: 320 kb/s mp3
Label: Humus Records
Websites: rorcal.bandcamp.com | rorcal.com | facebook.com/Rorcal
Releases Worldwide: September 25th, 2026

Dreams are no longer just the soundtracks to sleep. Dreams are a disease, transmitted from sleeper to sleeper, gaining strength until it consumes the final victim entirely. Dreams are a sticky, tar-like affair. Dreams wait patiently; dreams can kill. We sleep and turn off the real world, but its reprieve offers no rest. Dreams dwell among the uncanny, the images of our loved ones or the places where we’ve felt safe, but nostalgia is in distant lands; this time, these figures are haunted: eyeless mothers and children with black spewing from their gaping mouths. These dream places and figments are just masks for some darkness lurking behind it – an inevitable malady. Sleep is not safe.

Capturing an audio darkness better than most, the woefully underrated Rorcal has created something new for each release: mammoth post-metal (Myrra, Mordvynn, Marayaa), suffocating sludge (Heliogabalus), fiery grind (Világvége), shuddering black metal (Creon), and sprawling industrial drone (Muladona). The Swiss collective has retained that shadow within them, however, making each iteration another vision of the void. In 2024’s Silence, we saw a more streamlined approach: a blackened hardcore backbone fleshed out by skin and muscle of drone and sludge. It was a tad disjointed, but its eerie approach to hardcore nabbed the second spot on my Albums o’ the Year. Mahre is three years in the making, toning down the drone and the hardcore for ritualistic doom and post-metal in a sonic exploration of dreams as disease. If unease is your drink of choice, Rorcal will be a dreamland.

Rorcal’s song construction has always been extremely calculated even among their already intricate contemporaries (Amenra, Bolt Gun, Fall of Efrafa), and this has made them all the more terrifying. Rorcal addresses the disjointed nature of Silence in Mahre while significantly toning down the hardcore influences, offering five movements to a common descent into a darker and darker ritual through meditative, suffocating sprawls and pulsing percussion. Focusing on atmosphere, the drone influence is likewise diminished in favor of dissonant atmospheres punctuated by punishing attacks. Each movement offers its own identity that colludes for a resounding payoff, from scathing, otherworldly dissonance and blackened blastbeats (Movement I & II), climactic sludge beatdowns recalling the late-and-unhinged Admiral Angry (III), ten-ton hammering sludge riffs (III), and chaotic derailing to reveal the capitalization of the descent into degradation (V).

Rorcal’s wherewithal to burn in calculated intensity or explode in unhinged mania is Mahre’s clearest asset. Its five-movement crescendo, while intensely planned, features plenty of breath across its tidy forty minutes, allowing these movements to crash and burn in natural deterioration. The evolution from movements I to V is not only the progression from ominous blackened dissonant atmospheres to crushing sludge weight, but also from calculation to mania. By movements IV and V, the rhythms start deteriorating, and the simmering viciousness begins to derail, and the sonic dream sickness feels more like succumbing. A descent guided by vocalist Yonni Chapatte’s manic barks and shrieks, the anchor that holds your sanity in place, the transitions from the sprawling creepy dissonance of the first two movements, the punishing centerpiece “Movement III,” to the conclusions when the rhythms start falling into disarray, are truly an experience to behold.

By the time “Movement V” closes, your mind will have been dragged to one of the darkest corners of the metalverse by one of the most premier acts to specialize in it. Mahre is remarkably clean compared to Rorcal’s catalog, toning down the drone and hardcore influences for a sound whose filth comes from placement of dissonance or sludge riffs and throat-shredding vocals – a potential point of contention among long-time fans. Recalling this year’s Aversio Humanitatis in its hypnotic dissonance and dreamlike rhythms, but second-to-none in its fusion with sludge and doom, Rorcal nevertheless remains one of the most prolific acts in extreme metal, each iteration feeling uniquely theirs despite wild stylistic differences. Their sixth full-length is pitch-black and unrelenting in ways that only its creators could do. The Swiss collective has created a dreamland that feels infected, contagious, and terrifying, and you’d be foolhardy to sleep on Mahre.

Rating: 4.0/5.0
DR: 11 | Format Reviewed: 320 kb/s mp3
Label: Humus Records
Websites: rorcal.bandcamp.com | rorcal.com | facebook.com/Rorcal
Releases Worldwide: September 25th, 2026

Dreams are no longer just the soundtracks to sleep. Dreams are a disease, transmitted from sleeper to sleeper, gaining strength until it consumes the final victim entirely. Dreams are a sticky, tar-like affair. Dreams wait patiently; dreams can kill. We sleep and turn off the real world, but its reprieve offers no rest. Dreams dwell among the uncanny, the images of our loved ones or the places where we’ve felt safe, but nostalgia is in distant lands; this time, these figures are haunted: eyeless mothers and children with black spewing from their gaping mouths. These dream places and figments are just masks for some darkness lurking behind it – an inevitable malady. Sleep is not safe.

Capturing an audio darkness better than most, the woefully underrated Rorcal has created something new for each release: mammoth post-metal (Myrra, Mordvynn, Marayaa), suffocating sludge (Heliogabalus), fiery grind (Világvége), shuddering black metal (Creon), and sprawling industrial drone (Muladona). The Swiss collective has retained that shadow within them, however, making each iteration another vision of the void. In 2024’s Silence, we saw a more streamlined approach: a blackened hardcore backbone fleshed out by skin and muscle of drone and sludge. It was a tad disjointed, but its eerie approach to hardcore nabbed the second spot on my Albums o’ the Year. Mahre is three years in the making, toning down the drone and the hardcore for ritualistic doom and post-metal in a sonic exploration of dreams as disease. If unease is your drink of choice, Rorcal will be a dreamland.

Rorcal’s song construction has always been extremely calculated even among their already intricate contemporaries (Amenra, Bolt Gun, Fall of Efrafa), and this has made them all the more terrifying. Rorcal addresses the disjointed nature of Silence in Mahre while significantly toning down the hardcore influences, offering five movements to a common descent into a darker and darker ritual through meditative, suffocating sprawls and pulsing percussion. Focusing on atmosphere, the drone influence is likewise diminished in favor of dissonant atmospheres punctuated by punishing attacks. Each movement offers its own identity that colludes for a resounding payoff, from scathing, otherworldly dissonance and blackened blastbeats (Movement I & II), climactic sludge beatdowns recalling the late-and-unhinged Admiral Angry (III), ten-ton hammering sludge riffs (III), and chaotic derailing to reveal the capitalization of the descent into degradation (V).

Rorcal’s wherewithal to burn in calculated intensity or explode in unhinged mania is Mahre’s clearest asset. Its five-movement crescendo, while intensely planned, features plenty of breath across its tidy forty minutes, allowing these movements to crash and burn in natural deterioration. The evolution from movements I to V is not only the progression from ominous blackened dissonant atmospheres to crushing sludge weight, but also from calculation to mania. By movements IV and V, the rhythms start deteriorating, and the simmering viciousness begins to derail, and the sonic dream sickness feels more like succumbing. A descent guided by vocalist Yonni Chapatte’s manic barks and shrieks, the anchor that holds your sanity in place, the transitions from the sprawling creepy dissonance of the first two movements, the punishing centerpiece “Movement III,” to the conclusions when the rhythms start falling into disarray, are truly an experience to behold.

By the time “Movement V” closes, your mind will have been dragged to one of the darkest corners of the metalverse by one of the most premier acts to specialize in it. Mahre is remarkably clean compared to Rorcal’s catalog, toning down the drone and hardcore influences for a sound whose filth comes from placement of dissonance or sludge riffs and throat-shredding vocals – a potential point of contention among long-time fans. Recalling this year’s Aversio Humanitatis in its hypnotic dissonance and dreamlike rhythms, but second-to-none in its fusion with sludge and doom, Rorcal nevertheless remains one of the most prolific acts in extreme metal, each iteration feeling uniquely theirs despite wild stylistic differences. Their sixth full-length is pitch-black and unrelenting in ways that only its creators could do. The Swiss collective has created a dreamland that feels infected, contagious, and terrifying, and you’d be foolhardy to sleep on Mahre.

Rating: 4.0/5.0
DR: 11 | Format Reviewed: 320 kb/s mp3
Label: Humus Records
Websites: rorcal.bandcamp.com | rorcal.com | facebook.com/Rorcal
Releases Worldwide: September 25th, 2026

I'll have all of the distortion today, thanks.

#metal #deathmetal #dronemetal #extrememetal #blackmetal #hardcore #hardcorepunk

My pick for #Saturdoom is this classic that makes you feel like you're watching things rot in real time.

🎵 Khanate - Skin Coat (2001)

https://khanate.bandcamp.com/album/khanate?t=2

#DoomMetal #Metal #DroneMetal

My pick for #Saturdoom is this classic that makes you feel like you're watching things rot in real time.

🎵 Khanate - Skin Coat (2001)

https://khanate.bandcamp.com/album/khanate?t=2

#DoomMetal #Metal #DroneMetal

My pick for #Saturdoom is this classic that makes you feel like you're watching things rot in real time.

🎵 Khanate - Skin Coat (2001)

https://khanate.bandcamp.com/album/khanate?t=2

#DoomMetal #Metal #DroneMetal

My pick for #Saturdoom is this classic that makes you feel like you're watching things rot in real time.

🎵 Khanate - Skin Coat (2001)

https://khanate.bandcamp.com/album/khanate?t=2

#DoomMetal #Metal #DroneMetal

A bit of time left for #BlackMetalMonday and I would like to share this rediscovery I had just today scrolling my library. This band didn't really gel with me before but since I've started diving deeper and deeper Yellow Eyes this band really slaps now, hard.

👥 Ustalost
💿 Before the Glinting Spell Unvests
🎶 Enough Glass Will Cast a Shadow
🔗 https://musiccloud.io/VmaTy

This is Will Skarstad's side project where he does everything himself. And what a beauty of a record. If you like Yellow Eyes, this will be your jam.

#BlackMetal #YellowEyes #DroneMetal

A bit of time left for #BlackMetalMonday and I would like to share this rediscovery I had just today scrolling my library. This band didn't really gel with me before but since I've started diving deeper and deeper Yellow Eyes this band really slaps now, hard.

👥 Ustalost
💿 Before the Glinting Spell Unvests
🎶 Enough Glass Will Cast a Shadow
🔗 https://musiccloud.io/VmaTy

This is Will Skarstad's side project where he does everything himself. And what a beauty of a record. If you like Yellow Eyes, this will be your jam.

#BlackMetal #YellowEyes #DroneMetal

A bit of time left for #BlackMetalMonday and I would like to share this rediscovery I had just today scrolling my library. This band didn't really gel with me before but since I've started diving deeper and deeper Yellow Eyes this band really slaps now, hard.

👥 Ustalost
💿 Before the Glinting Spell Unvests
🎶 Enough Glass Will Cast a Shadow
🔗 https://musiccloud.io/VmaTy

This is Will Skarstad's side project where he does everything himself. And what a beauty of a record. If you like Yellow Eyes, this will be your jam.

#BlackMetal #YellowEyes #DroneMetal

A bit of time left for #BlackMetalMonday and I would like to share this rediscovery I had just today scrolling my library. This band didn't really gel with me before but since I've started diving deeper and deeper Yellow Eyes this band really slaps now, hard.

👥 Ustalost
💿 Before the Glinting Spell Unvests
🎶 Enough Glass Will Cast a Shadow
🔗 https://musiccloud.io/VmaTy

This is Will Skarstad's side project where he does everything himself. And what a beauty of a record. If you like Yellow Eyes, this will be your jam.

#BlackMetal #YellowEyes #DroneMetal

I was plopping around in Instagram last night, which I don't do often anymore, and by chance bumped into post by Dhyana.Doom about releasing a new album of old stuff!
I was just now looking for that post and couldn't for the life of me even find their account... until I realized it was Instagram, not Mastodon 🤦

https://www.instagram.com/p/DZVUtmdFTTZ/

Anyway, they have and its called 'Storehouse of Zen Reflections', it "features forgotten tracks and other songs that I finally found a place for."
It sounds great :blobDance:

Listen to it here:
https://dhyanadoom.bandcamp.com/album/storehouse-of-zen-reflections

#doommetal #dronemetal #zenbuddhism

I was plopping around in Instagram last night, which I don't do often anymore, and by chance bumped into post by Dhyana.Doom about releasing a new album of old stuff!
I was just now looking for that post and couldn't for the life of me even find their account... until I realized it was Instagram, not Mastodon 🤦

https://www.instagram.com/p/DZVUtmdFTTZ/

Anyway, they have and its called 'Storehouse of Zen Reflections', it "features forgotten tracks and other songs that I finally found a place for."
It sounds great :blobDance:

Listen to it here:
https://dhyanadoom.bandcamp.com/album/storehouse-of-zen-reflections

#doommetal #dronemetal #zenbuddhism

I was plopping around in Instagram last night, which I don't do often anymore, and by chance bumped into post by Dhyana.Doom about releasing a new album of old stuff!
I was just now looking for that post and couldn't for the life of me even find their account... until I realized it was Instagram, not Mastodon 🤦

https://www.instagram.com/p/DZVUtmdFTTZ/

Anyway, they have and its called 'Storehouse of Zen Reflections', it "features forgotten tracks and other songs that I finally found a place for."
It sounds great :blobDance:

Listen to it here:
https://dhyanadoom.bandcamp.com/album/storehouse-of-zen-reflections

#doommetal #dronemetal #zenbuddhism

I was plopping around in Instagram last night, which I don't do often anymore, and by chance bumped into post by Dhyana.Doom about releasing a new album of old stuff!
I was just now looking for that post and couldn't for the life of me even find their account... until I realized it was Instagram, not Mastodon 🤦

https://www.instagram.com/p/DZVUtmdFTTZ/

Anyway, they have and its called 'Storehouse of Zen Reflections', it "features forgotten tracks and other songs that I finally found a place for."
It sounds great :blobDance:

Listen to it here:
https://dhyanadoom.bandcamp.com/album/storehouse-of-zen-reflections

#doommetal #dronemetal #zenbuddhism

Edit: I did do a livestream , only once in pandemic. Very good memory skills :D 💯
Gig alert: tomorrow I'm performing as Diaries of Destruction, my drone metal project with Jordan Muscatello on bass. Grateful to Gabrielle/Internal Object for the invitation. great lineup to be part of. A full day of several activities not just concerts! Come on over if you are in London! Tickets and full event info here - boosts appreciated for those in the area: https://www.eventbrite.co.uk/e/rib-seminars-stalls-djs-live-music-food-tickets-1988901818880?aff=oddtdtcreator

We did a guitar, double bass and electronics version at Cafe OTO supporting Nadja last year. Now back to our current guitar + electric bass setup — actively avoiding sounding like a bad replica of Sunn O))) :D

Excerpt below...line check and an excuse to learn OBS ahead of my Gravitons livestream next Wednesday! Never livestreamed before, as you can tell from the camera positions. I can’t be bothered with fancy camera gear.

For tomorrow just two pedals to use, and this Gretsch baritone I've been obsessed with since the pandemic.

#londongigs #gretsch #baritoneguitar #dronemetal

Edit: I did do a livestream , only once in pandemic. Very good memory skills :D 💯
Gig alert: tomorrow I'm performing as Diaries of Destruction, my drone metal project with Jordan Muscatello on bass. Grateful to Gabrielle/Internal Object for the invitation. great lineup to be part of. A full day of several activities not just concerts! Come on over if you are in London! Tickets and full event info here - boosts appreciated for those in the area: https://www.eventbrite.co.uk/e/rib-seminars-stalls-djs-live-music-food-tickets-1988901818880?aff=oddtdtcreator

We did a guitar, double bass and electronics version at Cafe OTO supporting Nadja last year. Now back to our current guitar + electric bass setup — actively avoiding sounding like a bad replica of Sunn O))) :D

Excerpt below...line check and an excuse to learn OBS ahead of my Gravitons livestream next Wednesday! Never livestreamed before, as you can tell from the camera positions. I can’t be bothered with fancy camera gear.

For tomorrow just two pedals to use, and this Gretsch baritone I've been obsessed with since the pandemic.

#londongigs #gretsch #baritoneguitar #dronemetal

Edit: I did do a livestream , only once in pandemic. Very good memory skills :D 💯
Gig alert: tomorrow I'm performing as Diaries of Destruction, my drone metal project with Jordan Muscatello on bass. Grateful to Gabrielle/Internal Object for the invitation. great lineup to be part of. A full day of several activities not just concerts! Come on over if you are in London! Tickets and full event info here - boosts appreciated for those in the area: https://www.eventbrite.co.uk/e/rib-seminars-stalls-djs-live-music-food-tickets-1988901818880?aff=oddtdtcreator

We did a guitar, double bass and electronics version at Cafe OTO supporting Nadja last year. Now back to our current guitar + electric bass setup — actively avoiding sounding like a bad replica of Sunn O))) :D

Excerpt below...line check and an excuse to learn OBS ahead of my Gravitons livestream next Wednesday! Never livestreamed before, as you can tell from the camera positions. I can’t be bothered with fancy camera gear.

For tomorrow just two pedals to use, and this Gretsch baritone I've been obsessed with since the pandemic.

#londongigs #gretsch #baritoneguitar #dronemetal

Edit: I did do a livestream , only once in pandemic. Very good memory skills :D 💯
Gig alert: tomorrow I'm performing as Diaries of Destruction, my drone metal project with Jordan Muscatello on bass. Grateful to Gabrielle/Internal Object for the invitation. great lineup to be part of. A full day of several activities not just concerts! Come on over if you are in London! Tickets and full event info here - boosts appreciated for those in the area: https://www.eventbrite.co.uk/e/rib-seminars-stalls-djs-live-music-food-tickets-1988901818880?aff=oddtdtcreator

We did a guitar, double bass and electronics version at Cafe OTO supporting Nadja last year. Now back to our current guitar + electric bass setup — actively avoiding sounding like a bad replica of Sunn O))) :D

Excerpt below...line check and an excuse to learn OBS ahead of my Gravitons livestream next Wednesday! Never livestreamed before, as you can tell from the camera positions. I can’t be bothered with fancy camera gear.

For tomorrow just two pedals to use, and this Gretsch baritone I've been obsessed with since the pandemic.

#londongigs #gretsch #baritoneguitar #dronemetal

sunn O))) - Does Anyone Hear Like Venom? (Official Audio) [2026, CA, Drone Metal]

https://youtu.be/p32HJWA7eb0

On song.link: https://song.link/de/i/1839324570

… from the self-titled album by Sunn O))): https://rateyourmusic.com/release/album/sunn-o/sunn-o/

#DroneMetal

AMA, I managed to listen to 3 minutes of the first song of the new album of Sunn O))) - Sunn O))).

#dronemetal #nothanks

AMA, I managed to listen to 3 minutes of the first song of the new album of Sunn O))) - Sunn O))).

#dronemetal #nothanks

AMA, I managed to listen to 3 minutes of the first song of the new album of Sunn O))) - Sunn O))).

#dronemetal #nothanks

AMA, I managed to listen to 3 minutes of the first song of the new album of Sunn O))) - Sunn O))).

#dronemetal #nothanks

🔴 LIVE NOW ON VORTEX
📻 Vortex Night 🚀 (Krautrock & space rock)
──────────────
🎵 Om - Sinai

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #Om #DroneMetal #StonerRock #2000s

The new Sunn o))) self titled is excellent
https://open.spotify.com/album/1grbT4stwprQnmPMxshbbI?si=B_xcQhx4QkGV9K1YHHKPRQ
#doommetal #dronemetal #sunn #music

The new Sunn o))) self titled is excellent
https://open.spotify.com/album/1grbT4stwprQnmPMxshbbI?si=B_xcQhx4QkGV9K1YHHKPRQ
#doommetal #dronemetal #sunn #music

The new Sunn o))) self titled is excellent
https://open.spotify.com/album/1grbT4stwprQnmPMxshbbI?si=B_xcQhx4QkGV9K1YHHKPRQ
#doommetal #dronemetal #sunn #music

The new Sunn o))) self titled is excellent
https://open.spotify.com/album/1grbT4stwprQnmPMxshbbI?si=B_xcQhx4QkGV9K1YHHKPRQ
#doommetal #dronemetal #sunn #music

#CurrentlyListeningTo sunn o))) - sunn o))) #HeavyMetal #DoomMetal #DroneMetal 🇺🇸

#CurrentlyListeningTo sunn o))) - sunn o))) #HeavyMetal #DoomMetal #DroneMetal 🇺🇸

#CurrentlyListeningTo sunn o))) - sunn o))) #HeavyMetal #DoomMetal #DroneMetal 🇺🇸

🔴 LIVE NOW ON VORTEX
📻 Vortex Night 🚀 (Krautrock & space rock)
──────────────
🎵 Earth - Ouroboros Is Broken

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #Earth #DroneMetal #Experimental #2000s

Bull of Heaven – 118: The Chosen Priest and Apostle of Infinite Space
#Ambient #DarkAmbient #Drone #DroneMetal #Experimental #Glitch #Noise #Plunderphonics #SpokenWord #TribalAmbient #Denver
CC BY (#CreativeCommons Attribution) #ccmusic
https://bullofheavendc.bandcamp.com/album/118-the-chosen-priest-and-apostle-of-infinite-space

Bull of Heaven – 118: The Chosen Priest and Apostle of Infinite Space
#Ambient #DarkAmbient #Drone #DroneMetal #Experimental #Glitch #Noise #Plunderphonics #SpokenWord #TribalAmbient #Denver
CC BY (#CreativeCommons Attribution) #ccmusic
https://bullofheavendc.bandcamp.com/album/118-the-chosen-priest-and-apostle-of-infinite-space

Bull of Heaven – 118: The Chosen Priest and Apostle of Infinite Space
#Ambient #DarkAmbient #Drone #DroneMetal #Experimental #Glitch #Noise #Plunderphonics #SpokenWord #TribalAmbient #Denver
CC BY (#CreativeCommons Attribution) #ccmusic
https://bullofheavendc.bandcamp.com/album/118-the-chosen-priest-and-apostle-of-infinite-space

Bull of Heaven – 118: The Chosen Priest and Apostle of Infinite Space
#Ambient #DarkAmbient #Drone #DroneMetal #Experimental #Glitch #Noise #Plunderphonics #SpokenWord #TribalAmbient #Denver
CC BY (#CreativeCommons Attribution) #ccmusic
https://bullofheavendc.bandcamp.com/album/118-the-chosen-priest-and-apostle-of-infinite-space

https://www.europesays.com/at/81062/ Review: Sunn O))) – „Sunn O)))“ — Rolling Stone #AT #Austria #DroneMetal #Entertainment #Music #Musik #Österreich #Review #Sunn O))) #Unterhaltung

🔴 LIVE NOW ON VORTEX
📻 Vortex Night 🚀 (Krautrock & space rock)
──────────────
🎵 Earth - An Inquest Concerning Teeth

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
https://discord.gg/d82hJZBeDE

#VortexWave #Earth #DroneMetal #ExperimentalRock #90s

Art for Where the End Begins, my doom metal EP from last year.

Listen here! https://distrokid.com/hyperfollow/godteeth/where-the-end-begins

#doom #doommetal #drone #dronemetal

Art for Where the End Begins, my doom metal EP from last year.

Listen here! https://distrokid.com/hyperfollow/godteeth/where-the-end-begins

#doom #doommetal #drone #dronemetal

on my way to work:
https://thehives.bandcamp.com/album/the-hives-forever-forever-the-hives

#garagerock #rock #Stockholm #bandcamp #music

https://idlesband.bandcamp.com/album/tangk

#bandcamp #music
#newwave #post-punk #punk #rock #Bristol

https://helloianband.bandcamp.com/album/come-on-everybody-lets-do-nothing

#bandcamp #music
#dronemetal #metal noise #noiserock #post-metal post-rock #rock #London

on my way to work:
https://thehives.bandcamp.com/album/the-hives-forever-forever-the-hives

#garagerock #rock #Stockholm #bandcamp #music

https://idlesband.bandcamp.com/album/tangk

#bandcamp #music
#newwave #post-punk #punk #rock #Bristol

https://helloianband.bandcamp.com/album/come-on-everybody-lets-do-nothing

#bandcamp #music
#dronemetal #metal noise #noiserock #post-metal post-rock #rock #London

on my way to work:
https://thehives.bandcamp.com/album/the-hives-forever-forever-the-hives

#garagerock #rock #Stockholm #bandcamp #music

https://idlesband.bandcamp.com/album/tangk

#bandcamp #music
#newwave #post-punk #punk #rock #Bristol

https://helloianband.bandcamp.com/album/come-on-everybody-lets-do-nothing

#bandcamp #music
#dronemetal #metal noise #noiserock #post-metal post-rock #rock #London

on my way to work:
https://thehives.bandcamp.com/album/the-hives-forever-forever-the-hives

#garagerock #rock #Stockholm #bandcamp #music

https://idlesband.bandcamp.com/album/tangk

#bandcamp #music
#newwave #post-punk #punk #rock #Bristol

https://helloianband.bandcamp.com/album/come-on-everybody-lets-do-nothing

#bandcamp #music
#dronemetal #metal noise #noiserock #post-metal post-rock #rock #London

ANDESITE (Estats Units) presenta nova demo: "Mazzolatura" #Andesite #Sludge #DroneMetal #Gener2026 #EstatsUnits #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

ANDESITE (Estats Units) presenta nova demo: "Mazzolatura" #Andesite #Sludge #DroneMetal #Gener2026 #EstatsUnits #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

Moongazing Hare – The Sunderland Wreck
#Metal #PostFolkDrone #doommetal #doomfolk #drone #dronedoom #dronedoommetal #dronefolk #dronemetal #neofolk #psychfolk #Denmark
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://drowningcc.bandcamp.com/album/the-sunderland-wreck

Moongazing Hare – The Sunderland Wreck
#Metal #PostFolkDrone #doommetal #doomfolk #drone #dronedoom #dronedoommetal #dronefolk #dronemetal #neofolk #psychfolk #Denmark
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://drowningcc.bandcamp.com/album/the-sunderland-wreck

Moongazing Hare – The Sunderland Wreck
#Metal #PostFolkDrone #doommetal #doomfolk #drone #dronedoom #dronedoommetal #dronefolk #dronemetal #neofolk #psychfolk #Denmark
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://drowningcc.bandcamp.com/album/the-sunderland-wreck

Moongazing Hare – The Sunderland Wreck
#Metal #PostFolkDrone #doommetal #doomfolk #drone #dronedoom #dronedoommetal #dronefolk #dronemetal #neofolk #psychfolk #Denmark
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://drowningcc.bandcamp.com/album/the-sunderland-wreck

Remote – Parish
#Metal #blackmetal #deathmetal #doom #doommetal #drone #dronemetal #extrememetal #groovemetal #noise #noiserock #postmetal #sludge #sludgemetal #stoner #stonermetal #Kaluga
CC BY (#CreativeCommons Attribution) #ccmusic
https://remote-band.bandcamp.com/album/parish

Remote – Parish
#Metal #blackmetal #deathmetal #doom #doommetal #drone #dronemetal #extrememetal #groovemetal #noise #noiserock #postmetal #sludge #sludgemetal #stoner #stonermetal #Kaluga
CC BY (#CreativeCommons Attribution) #ccmusic
https://remote-band.bandcamp.com/album/parish

Remote – Parish
#Metal #blackmetal #deathmetal #doom #doommetal #drone #dronemetal #extrememetal #groovemetal #noise #noiserock #postmetal #sludge #sludgemetal #stoner #stonermetal #Kaluga
CC BY (#CreativeCommons Attribution) #ccmusic
https://remote-band.bandcamp.com/album/parish