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#godflesh — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #godflesh, aggregated by home.social.

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  1. For today's #MondayRandom10 I'm going to share the #Doomgaze Primer from #BandCamp - I love me some slow electric guitar goodness and the picks on this playlist are all new to me, so it feels random. (The only artist I'm even tangentially familiar with is jesu but only because I've listened to a little #Godflesh.)

    daily.bandcamp.com/lists/doomg

  2. For today's #MondayRandom10 I'm going to share the #Doomgaze Primer from #BandCamp - I love me some slow electric guitar goodness and the picks on this playlist are all new to me, so it feels random. (The only artist I'm even tangentially familiar with is jesu but only because I've listened to a little #Godflesh.)

    daily.bandcamp.com/lists/doomg

  3. For today's #MondayRandom10 I'm going to share the #Doomgaze Primer from #BandCamp - I love me some slow electric guitar goodness and the picks on this playlist are all new to me, so it feels random. (The only artist I'm even tangentially familiar with is jesu but only because I've listened to a little #Godflesh.)

    daily.bandcamp.com/lists/doomg

  4. For today's #MondayRandom10 I'm going to share the #Doomgaze Primer from #BandCamp - I love me some slow electric guitar goodness and the picks on this playlist are all new to me, so it feels random. (The only artist I'm even tangentially familiar with is jesu but only because I've listened to a little #Godflesh.)

    daily.bandcamp.com/lists/doomg

  5. For today's #MondayRandom10 I'm going to share the #Doomgaze Primer from #BandCamp - I love me some slow electric guitar goodness and the picks on this playlist are all new to me, so it feels random. (The only artist I'm even tangentially familiar with is jesu but only because I've listened to a little #Godflesh.)

    daily.bandcamp.com/lists/doomg

  6. OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

    at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

    As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

    Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

    dub.yager-madden.com/blood-par

  7. OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

    at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

    As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

    Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

    dub.yager-madden.com/blood-par

  8. OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

    at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

    As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

    Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

    dub.yager-madden.com/blood-par

  9. OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

    at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

    As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

    Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

    dub.yager-madden.com/blood-par

  10. OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities

    at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?

    As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.

    Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘

    dub.yager-madden.com/blood-par

  11. Das ist eine .44er Magnum, die stärkste Handfeuerwaffe der Welt; sie bläst dir das Gehirn aus dem Schädel! #MagnumForce #Sielwolf Somewhere within the same spectrum as #EinstürzendeNeubauten and #Godflesh lies this musical dream made flesh. Live, they were simply brutal! #music #industrial

    Magnum Force

  12. Das ist eine .44er Magnum, die stärkste Handfeuerwaffe der Welt; sie bläst dir das Gehirn aus dem Schädel! #MagnumForce #Sielwolf Somewhere within the same spectrum as #EinstürzendeNeubauten and #Godflesh lies this musical dream made flesh. Live, they were simply brutal! #music #industrial

    Magnum Force

  13. Das ist eine .44er Magnum, die stärkste Handfeuerwaffe der Welt; sie bläst dir das Gehirn aus dem Schädel! #MagnumForce #Sielwolf Somewhere within the same spectrum as #EinstürzendeNeubauten and #Godflesh lies this musical dream made flesh. Live, they were simply brutal! #music #industrial

    Magnum Force

  14. Das ist eine .44er Magnum, die stärkste Handfeuerwaffe der Welt; sie bläst dir das Gehirn aus dem Schädel! #MagnumForce #Sielwolf Somewhere within the same spectrum as #EinstürzendeNeubauten and #Godflesh lies this musical dream made flesh. Live, they were simply brutal! #music #industrial

    Magnum Force

  15. Das ist eine .44er Magnum, die stärkste Handfeuerwaffe der Welt; sie bläst dir das Gehirn aus dem Schädel! #MagnumForce #Sielwolf Somewhere within the same spectrum as #EinstürzendeNeubauten and #Godflesh lies this musical dream made flesh. Live, they were simply brutal! #music #industrial

    Magnum Force

  16. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Night ⛓️ (Industrial metal)
    ──────────────
    🎵 Godflesh - Crush My Soul

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Godflesh #IndustrialMetal #PostMetal #90s

  17. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Night ⛓️ (Industrial metal)
    ──────────────
    🎵 Godflesh - Crush My Soul

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #Godflesh #IndustrialMetal #PostMetal #90s

  18. Sundays are a good day to relax.

    Lawns and grocery shopping completed this morning. Dinner is in the oven slow cooking for serving later this evening.

    I have a nice cold glass of Guinness and Godflesh playing on the headphones.

    I think I'm going to do some tweaking to the desktop.

    #nowplaying #sundayrelaxing #godflesh #guinness

  19. Sundays are a good day to relax.

    Lawns and grocery shopping completed this morning. Dinner is in the oven slow cooking for serving later this evening.

    I have a nice cold glass of Guinness and Godflesh playing on the headphones.

    I think I'm going to do some tweaking to the desktop.

  20. Sundays are a good day to relax.

    Lawns and grocery shopping completed this morning. Dinner is in the oven slow cooking for serving later this evening.

    I have a nice cold glass of Guinness and Godflesh playing on the headphones.

    I think I'm going to do some tweaking to the desktop.

    #nowplaying #sundayrelaxing #godflesh #guinness

  21. Sundays are a good day to relax.

    Lawns and grocery shopping completed this morning. Dinner is in the oven slow cooking for serving later this evening.

    I have a nice cold glass of Guinness and Godflesh playing on the headphones.

    I think I'm going to do some tweaking to the desktop.

    #nowplaying #sundayrelaxing #godflesh #guinness

  22. So sad to hear about Justin Broadrick's health issues. He's an absolute legend and I'll be forever grateful for his music and the two times I had the chance to see #Godflesh live.

    #JustinKBroadrick

  23. So sad to hear about Justin Broadrick's health issues. He's an absolute legend and I'll be forever grateful for his music and the two times I had the chance to see #Godflesh live.

    #JustinKBroadrick

  24. So sad to hear about Justin Broadrick's health issues. He's an absolute legend and I'll be forever grateful for his music and the two times I had the chance to see live.

  25. Justin K. Broadrick Forced To Retire From Touring With Godflesh Following Recent Abdominal Surgery

    Godflesh vocalist, guitarist, etc. Justin K. Broadrick has announced that his live days with the pioneering industrial metal…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #Godflesh #JustinKBroadrick
    newsbeep.com/us/504452/

  26. Justin K. Broadrick Forced To Retire From Touring With Godflesh Following Recent Abdominal Surgery

    Godflesh vocalist, guitarist, etc. Justin K. Broadrick has announced that his live days with the pioneering industrial metal…
    #NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #Godflesh #JustinKBroadrick
    newsbeep.com/us/504452/

  27. Napalm Death / Nocturnus / Godflesh

    Bands Napalm Death Nocturnus Godflesh Venue - Venue name: Blondies - Address: 21139 W 7 Mile, 2 Miles E of Telegraph in Detroit - Date: Friday May 10 - Time: Doors Open At 6:00pm - Admission price: Not specified - Any other details shown: All Ages Welcome

    grpunkflyers.notopia.dev/flyer

  28. Next release ?
    I’m working on a forthcoming release, musically the words « doom » and « industrial » will fit the description… Something in the spirit of ooold Godflesh.
    I will come back to the tape format, after a year and a half of CDs.
    SUPPORT ANALOG RESISTANCE

    #tape #doom #industrial #godflesh

  29. Next release ?
    I’m working on a forthcoming release, musically the words « doom » and « industrial » will fit the description… Something in the spirit of ooold Godflesh.
    I will come back to the tape format, after a year and a half of CDs.
    SUPPORT ANALOG RESISTANCE

    #tape #doom #industrial #godflesh