#godflesh — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #godflesh, aggregated by home.social.
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OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities
at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?
As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.
Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘
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OK so you know, the music I’ve been making the last couple of years is definitely #drone based, and in at least that sense I consider it in part a form of #ambient (or even #darkAmbient if you must), as well as in that it’s meant to have certain meditative and immersive qualities
at the same time, I want to emphasize that while it’s experimental, electronic, and minimalistic, I also intend it to be heavy, ritualistic stuff. I track and mix at maximum volume, and my records are meant to be heard that way. I am inspired by artists like #gybe, #sunn_O))), #Neurosis, #MONO, @sigurRos, #Godflesh (Incl #Jesu) and fuckin #Swans. I work with digital software as my primary musical instrument, because it’s what I know best and have ready access to. As part of my workflow/process, some of the sounds are bounced down to analog cassette tape on a 1990s vintage four-track machine, and then back into the laptop/DAW. One way I sometimes try to put it, is I’d like my music to be judged as if it were, say, the electronic ambient #doom solo project of a former black metal drummer – except I skipped the part where I was a drummer in a black metal band. (I did play bass and keyboards in a couple of punk bands long ago.) You’re supposed to feel the bass in your sternum, you dig?
As much as I’d love a chance to get to work in a pro studio, or maybe just to have more hardware equipment at home and I do consider my music a meaningful and serious artistic endeavor, I’m not a pro musician but a suburban computer toucher of a certain age, with a mortgage and kids to get through college, so that’s not in the cards. And I *like* seeing how much of a throbbing racket I can stir up with a DAW and a couple of basic MIDI controllers, which I think turns out to be a lot. Today’s technology makes incredible things possible working entirely in the box. it becomes a trust the process/work within the limitations/constraints thing; something something about surrendering ego to the sound.
Anyway, the point is, I don’t expect the things I make to be everyone’s cup of #noise, and this one is a couple of years old already now (ugh) – but at the risk of sounding braggy I’m pretty proud of it, and I would like for my #fedimusic friends to hear it. And once again, I strongly encourage everyone to PLAY IT LOUD!! 🤘🖤🤘
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Author & Punisher – Nocturnal Birding Review
By Dear Hollow
Contrary to the plethora of one-man metal projects out there, Author & Punisher’s mastermind Tristan Shone, has always stayed on this side of innovative, consistently riding the line between apocalyptic/dystopian atmospheres and the heaviest electronics since Godflesh. Much like Igorrr’s Gautiere Serre, Shone’s genius has been just as much in song construction as instrument construction, having put his experience as a mechanical engineer to the configuration of his “drone machines” and “dub machines.” This skill has allowed Shone a flexibility in his compositions, with albums like Ursus Americanus and Beastland boasting formidable anthemic brutality, while the more subdued Melk en Honig and Krüller rely on sprawling atmospheres that feel as fiery as they are dense. Nocturnal Birding takes a unique concept and spins it for a trip down Riff Lane.
A leaner and more concise album than even Beastland, Nocturnal Birding is another step from the transhumanism of Author & Punisher’s pedigree into more organic territory – although undoubtedly owing its success to its history. It steps outside Shone’s comfort zone, the composition of Nocturnal Birding revolving around the literal birdsongs of the tracks’ respective namesakes – in a metaphorical homage to the migrants crossing from Mexico to the US and the dangers they face. The album sees Krüller contributor and A Life Once Lost alum Doug Sabolick inducted as full-time guitarist, offering riffs and humanity alike throughout the album’s thirty-four-minute runtime. Revolving around a unique concept that never overstays its welcome, Nocturnal Birding is a romp through everything that makes Author & Punisher unique – and more.
Shone’s dynamics have always been a force to be reckoned with, elevating his already crushing drone/doom/industrial attack to colossal proportions, and Nocturnal Birding is no exception. The introduction of the birdsong adds an intriguing texture to this dynamic, quirky melodics morphing into devastating waves of noise. Author & Punisher offers some of its most accessible content since Ursus Americanus, mammoth dub techno beats guiding the movement between these two extremes. Lulling listeners into a false sense of surreal melody only to blast out the speakers with intense sound, punishing tracks will get your head moving in slow motion weight (“Titanis,” “Black Storm Petrel”), more thoughtful compositions bathe you in off-kilter rhythms and reverb-laden pulses (“Titmouse,” “Titmice”), and crawling brooding flocks offer eerie environs of darkness with Shone’s Reznor- and Peter Steele-influenced cleans (“Meadowlark,” “Mute Swans,” “Thrush”).
It would be tempting to say that if you’ve heard an Author & Punisher album before, you’ve probably heard what Nocturnal Birding has to offer – but 2025 finds the act sounding the most human they’ve ever been. While he exists as mainly supplemental, an added layer to the textured weight of the electronics, Doug Sabolick’s guitar shines as a razor-sharp counterweight to the sludgy downtuned electronic pulses (“Titmouse,” “Rook”) as well as a riffy force to be reckoned with (“Meadowlark,” “Thrush”). Furthermore, the live drums and simmering samples of Indonesian noise artist Kuntari in “Titanis” inject energy, the spoken word of Couch Slut’s Megan Oztrosits takes the creepy mood to haunting lows in “Mute Swans,” and the appearance of French industrial/sludge/death metal band Fange makes “Black Storm Petrel” one of the densest and most brutal tracks. Ultimately, while the synthetic and mechanical hallmarks are very much intact, the inclusion of live instruments adds a genuine feel to the proceedings – a trend that has likewise benefited Igorrr’s latest as the emphasis on solo machine-mongering has faltered.
In his review for Krüller, the illustrious Kronos observed that Author & Punisher albums seem to alternate between anthemic and ambitious. Aside from the foundational birdsong incorporation, Nocturnal Birding finds Shone and company firmly embracing the former – but with a uniquely human touch. This album will mercilessly crush you in the same way Beastland and Ursus Americanus did, as well as the likes of influences Godflesh, Neurosis, and Nine Inch Nails have done for years, and in a way that proposes new avenues for Shone and Sabolick moving forward. Nocturnal Birding is a fist raised to the sky, a poetic eye cast to the wings above, and one hell of a statement.
Rating: 4.0/5.0
DR: N/A | Format Reviewed: STREAM
Label: Relapse Records
Websites: authorandpunisher.bandcamp.com | authorandpunisher.com | facebook.com/authorandpunisher
Releases Worldwide: October 3rd, 2025#2025 #40 #ALifeOnceLost #AmericanMetal #AuthorPunisher #CouchSlut #DoomMetal #Drone #ElectronicMetal #Fange #Godflesh #Igorrr #IndustrialMetal #Kuntari #Neurosis #NineInchNails #NocturnalBirding #Noise #Oct25 #RelapseRecords #Review #Reviews #TypeONegative
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Author & Punisher – Nocturnal Birding Review
By Dear Hollow
Contrary to the plethora of one-man metal projects out there, Author & Punisher’s mastermind Tristan Shone, has always stayed on this side of innovative, consistently riding the line between apocalyptic/dystopian atmospheres and the heaviest electronics since Godflesh. Much like Igorrr’s Gautiere Serre, Shone’s genius has been just as much in song construction as instrument construction, having put his experience as a mechanical engineer to the configuration of his “drone machines” and “dub machines.” This skill has allowed Shone a flexibility in his compositions, with albums like Ursus Americanus and Beastland boasting formidable anthemic brutality, while the more subdued Melk en Honig and Krüller rely on sprawling atmospheres that feel as fiery as they are dense. Nocturnal Birding takes a unique concept and spins it for a trip down Riff Lane.
A leaner and more concise album than even Beastland, Nocturnal Birding is another step from the transhumanism of Author & Punisher’s pedigree into more organic territory – although undoubtedly owing its success to its history. It steps outside Shone’s comfort zone, the composition of Nocturnal Birding revolving around the literal birdsongs of the tracks’ respective namesakes – in a metaphorical homage to the migrants crossing from Mexico to the US and the dangers they face. The album sees Krüller contributor and A Life Once Lost alum Doug Sabolick inducted as full-time guitarist, offering riffs and humanity alike throughout the album’s thirty-four-minute runtime. Revolving around a unique concept that never overstays its welcome, Nocturnal Birding is a romp through everything that makes Author & Punisher unique – and more.
Shone’s dynamics have always been a force to be reckoned with, elevating his already crushing drone/doom/industrial attack to colossal proportions, and Nocturnal Birding is no exception. The introduction of the birdsong adds an intriguing texture to this dynamic, quirky melodics morphing into devastating waves of noise. Author & Punisher offers some of its most accessible content since Ursus Americanus, mammoth dub techno beats guiding the movement between these two extremes. Lulling listeners into a false sense of surreal melody only to blast out the speakers with intense sound, punishing tracks will get your head moving in slow motion weight (“Titanis,” “Black Storm Petrel”), more thoughtful compositions bathe you in off-kilter rhythms and reverb-laden pulses (“Titmouse,” “Titmice”), and crawling brooding flocks offer eerie environs of darkness with Shone’s Reznor- and Peter Steele-influenced cleans (“Meadowlark,” “Mute Swans,” “Thrush”).
It would be tempting to say that if you’ve heard an Author & Punisher album before, you’ve probably heard what Nocturnal Birding has to offer – but 2025 finds the act sounding the most human they’ve ever been. While he exists as mainly supplemental, an added layer to the textured weight of the electronics, Doug Sabolick’s guitar shines as a razor-sharp counterweight to the sludgy downtuned electronic pulses (“Titmouse,” “Rook”) as well as a riffy force to be reckoned with (“Meadowlark,” “Thrush”). Furthermore, the live drums and simmering samples of Indonesian noise artist Kuntari in “Titanis” inject energy, the spoken word of Couch Slut’s Megan Oztrosits takes the creepy mood to haunting lows in “Mute Swans,” and the appearance of French industrial/sludge/death metal band Fange makes “Black Storm Petrel” one of the densest and most brutal tracks. Ultimately, while the synthetic and mechanical hallmarks are very much intact, the inclusion of live instruments adds a genuine feel to the proceedings – a trend that has likewise benefited Igorrr’s latest as the emphasis on solo machine-mongering has faltered.
In his review for Krüller, the illustrious Kronos observed that Author & Punisher albums seem to alternate between anthemic and ambitious. Aside from the foundational birdsong incorporation, Nocturnal Birding finds Shone and company firmly embracing the former – but with a uniquely human touch. This album will mercilessly crush you in the same way Beastland and Ursus Americanus did, as well as the likes of influences Godflesh, Neurosis, and Nine Inch Nails have done for years, and in a way that proposes new avenues for Shone and Sabolick moving forward. Nocturnal Birding is a fist raised to the sky, a poetic eye cast to the wings above, and one hell of a statement.
Rating: 4.0/5.0
DR: N/A | Format Reviewed: STREAM
Label: Relapse Records
Websites: authorandpunisher.bandcamp.com | authorandpunisher.com | facebook.com/authorandpunisher
Releases Worldwide: October 3rd, 2025#2025 #40 #ALifeOnceLost #AmericanMetal #AuthorPunisher #CouchSlut #DoomMetal #Drone #ElectronicMetal #Fange #Godflesh #Igorrr #IndustrialMetal #Kuntari #Neurosis #NineInchNails #NocturnalBirding #Noise #Oct25 #RelapseRecords #Review #Reviews #TypeONegative
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My favourite albums of 2023 so far are:
1. Metallica - 72 Seasons
2. Blur - The Ballad of Darren
3. Godflesh - Purge
4. Paul Gilbert - The Dio Album
5. Foo Fighters - But Here We AreWhat are some of yours? Share in this thread.