#cares — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #cares, aggregated by home.social.
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creates semantic nodes and clusters #CBS #CARES multi-search-tag-explorer.aepiot.com/advanced-sea... AÉPIOT: INDEPENDENT SEMANTIC WEB 4.0 INFRASTRUCTURE (EST. 2009): aepiot.com
MultiSearch Tag Explorer -
creates semantic nodes and clusters #CBS #CARES multi-search-tag-explorer.aepiot.com/advanced-sea... AÉPIOT: INDEPENDENT SEMANTIC WEB 4.0 INFRASTRUCTURE (EST. 2009): aepiot.com
MultiSearch Tag Explorer -
https://www.europesays.com/sk/65259/ 6 najkrajších kaňonov v Európe #Cares #ČiernaHora #Európa #Fjaðrárgljúfur #francúzsko #grécko #Headlines #HlavnéSprávy #Island #kaňony #News #Príroda #Samaria #SK #Slovak #Slovakia #Slovenčina #Slovensko #španielsko #Správy #Tara #Titulky #TopStories #turistika #VerdonskýKaňon #Vikos
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@DjityDjity [2/?]
I think #Truth from those who #heckle are because of there main things (not necessarily all):⏺️ People have nowhere to# talk or #express themselves properly.
⏺️ Nothing we do has much effect / it feels like it doesn't ANY effect.
(#powerless]⏺️ Nobody #cares what we think / it's totally not built into #systems.
⏺️ #Citizens are totally unorgranised even if we don't expect any #system to #care or love them (!) not #hate them / economically #war / control them for $🇦🇺 💰 etc.
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@DjityDjity [2/?]
I think #Truth from those who #heckle are because of there main things (not necessarily all):⏺️ People have nowhere to# talk or #express themselves properly.
⏺️ Nothing we do has much effect / it feels like it doesn't ANY effect.
(#powerless]⏺️ Nobody #cares what we think / it's totally not built into #systems.
⏺️ #Citizens are totally unorgranised even if we don't expect any #system to #care or love them (!) not #hate them / economically #war / control them for $🇦🇺 💰 etc.
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@DjityDjity [2/?]
I think #Truth from those who #heckle are because of there main things (not necessarily all):⏺️ People have nowhere to# talk or #express themselves properly.
⏺️ Nothing we do has much effect / it feels like it doesn't ANY effect.
(#powerless]⏺️ Nobody #cares what we think / it's totally not built into #systems.
⏺️ #Citizens are totally unorgranised even if we don't expect any #system to #care or love them (!) not #hate them / economically #war / control them for $🇦🇺 💰 etc.
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@DjityDjity [2/?]
I think #Truth from those who #heckle are because of there main things (not necessarily all):⏺️ People have nowhere to# talk or #express themselves properly.
⏺️ Nothing we do has much effect / it feels like it doesn't ANY effect.
(#powerless]⏺️ Nobody #cares what we think / it's totally not built into #systems.
⏺️ #Citizens are totally unorgranised even if we don't expect any #system to #care or love them (!) not #hate them / economically #war / control them for $🇦🇺 💰 etc.
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QUEEN: Uncle, for God’s sake speak comfortable words.
YORK: Should I do so, I should belie my thoughts.
Comfort’s in heaven, and we are on the Earth,
Where nothing lives but crosses, cares, and grief.William Shakespeare (1564-1616) English dramatist and poet
Richard II, Act 2, sc. 2, l. 82ff (2.2.82-83) (1595)More about this quote: wist.info/shakespeare-william/…
#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #richardii #pessimism #burden #cares #comfort #grief #hope #humancondition #life #misery #world
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QUEEN: Uncle, for God’s sake speak comfortable words.
YORK: Should I do so, I should belie my thoughts.
Comfort’s in heaven, and we are on the Earth,
Where nothing lives but crosses, cares, and grief.William Shakespeare (1564-1616) English dramatist and poet
Richard II, Act 2, sc. 2, l. 82ff (2.2.82-83) (1595)More about this quote: wist.info/shakespeare-william/…
#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #richardii #pessimism #burden #cares #comfort #grief #hope #humancondition #life #misery #world
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QUEEN: Uncle, for God’s sake speak comfortable words.
YORK: Should I do so, I should belie my thoughts.
Comfort’s in heaven, and we are on the Earth,
Where nothing lives but crosses, cares, and grief.William Shakespeare (1564-1616) English dramatist and poet
Richard II, Act 2, sc. 2, l. 82ff (2.2.82-83) (1595)More about this quote: wist.info/shakespeare-william/…
#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #richardii #pessimism #burden #cares #comfort #grief #hope #humancondition #life #misery #world
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QUEEN: Uncle, for God’s sake speak comfortable words.
YORK: Should I do so, I should belie my thoughts.
Comfort’s in heaven, and we are on the Earth,
Where nothing lives but crosses, cares, and grief.William Shakespeare (1564-1616) English dramatist and poet
Richard II, Act 2, sc. 2, l. 82ff (2.2.82-83) (1595)More about this quote: wist.info/shakespeare-william/…
#quote #quotes #quotation #qotd #shakespeare #williamshakespeare #richardii #pessimism #burden #cares #comfort #grief #hope #humancondition #life #misery #world
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Bà Vương, người mới cưới, đã nhặt một cậu bé bị bỏ rơi ở ga tàu và quyết định nuôi dưỡng suốt 60 năm. Câu chuyện đầy cảm động về tình mẫu tử và lòng nhân ái, chứng tỏ một người mẹ không cần quan hệ máu mới có thể trao yêu thương vô bờ. 🌟
#Vietnam #Humanity #Family #Cares #NgườiMẹ #TìnhThương #Story #CâuChuyện #LòngNhânÁi
https://vietnamnet.vn/nhat-dua-tre-bi-bo-roi-o-ga-tau-nguoi-phu-nu-cham-soc-suot-60-nam-2475864.html
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https://www.europesays.com/es/264667/ Un derrumbe obliga al cierre total de la Ruta del Cares: Caín pierde el acceso #acceso #BreakingNews #BreakingNews #cain #cares #cierre #derrumbe #ES #España #FeaturedNews #FeaturedNews #Headlines #LatestNews #LatestNews #News #Noticias #NoticiasDestacadas #NoticiasDestacadas #obliga #pierde #ruta #Spain #Titulares #total #ÚltimasNoticias #ÚltimasNoticias
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Trao hơn 142 triệu đồng cho nam sinh mồ côi Nguyễn Lâm Dương ở Hà Tĩnh, con trai mất cha mẹ vì bệnh ung thư. 🎗️💙
#HàTĩnh #HỗTrợ #MồCôi #Charity #VietnamNet #Cares #Orphan #Support #Vietnam #Solidarity
https://vietnamnet.vn/trao-hon-142-trieu-dong-toi-nam-sinh-mo-coi-cha-me-o-ha-tinh-2455957.html
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NSND Thanh Lam cùng NSND Tấn Minh, Quang Dũng gây xúc động trong đêm nhạc thiện nguyện, quyên góp quỹ hỗ trợ đồng bào bị thiệt hại do bão lũ. 🎤❤️ #ThanhLam #NhạcThiệnNguyện #NSND #BãoLũ #Charity #Music #Vietnam #Support #Humanitarian #Cares 🙏
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CW: #Intro to FreeSchool / About my account name...
Inspired by "Free School" movement in the 60's & 70's... I practice educational living and learning life together towards #DIY / #Caring / #Art of #Life etc: in whatever way that suits and directs the individual.
More on that 60/70's movement here: https://en.wikipedia.org/wiki/Free_school
Text and short-depth understanding isn't doing it for saving humanity. So learning and your own action / direction is important. To get better examples that lies parents were fed or chose not to face.
#FreeSchool (me) makes #Notes #Quotes about #METAPolitics / #Politics and #Cares for people good #Books #Videos #Talks #Websites
That's my life in a few keyword sentences.
#Intro / #Introduction #NotNewHere but like #NewHere info.
===================
OFFERS TO FEDIVERSE...
===================☼ MY OFFERS OF FREE TIME ☼
>> GIVEN TOWARDS FREEDOM <<<
FREE WORK editing text, pictures, audio, basic video editing. Basically anything considered. Just say it.Audio #remixes also found on #FreeSchool hashtag to help keep you working well!
MORE.... OR JUST RESPOND TO ABOVE PLEASE...
I feel like Short-text / Short-reading by people directly undervalues people and longer understanding - it's cutting corners reading only short things and proportionally killing the planet / cutting people who write more off.
That's why I'd like to do audio conversation now... (anytime) so we don't get stuck in the text realm either and just speak lightly in the ethereal / spirit of life.
People are the depth and action of the culture so if text is not deep enough then culture dies. Audio conversation I have can put back the reality into people.
Just sticking to yourself dosn't work. We can solve almost everything as our efforts can double if we are relaxed but do it constantly over tiem... it's OK "it's all political" (!) and our opinions too... so letting go too far into "Politics" of "Leaders" is not the way we want to go... as a #centralised system (of control)
Your decisions can be made and changed doing short depth + short depth (=long!) which can reinforce those bad things less by seeing the depth in tricks (like chess it's "aha! I realise why they made that move now") .
Don't let "Short-ism" make you think it works for you (it's the opposite). Communicate more and build normal people up. - Increase more #sense and #society but socialising incrementally like at a party.
The 'human condition' needs A HUMAN WAY OF FIXING THINGS in a social-communal situation... not a ultra-tech way.
We have #Mastodon and #Jitsi etc - we just need to increase trust step by step and measure ourselves as we go.🙎 Develop people, not just the tech! 💻 ✈️ 📱
I'm working with anyone aligned / those that know themselves or want to as it's a natural human thing we need to solve (not just tech etc).
Get in touch and even have fun with it all!
==============================
More description
==============================The Free School movement I feel is "the best way" for people as a transient flexible "school" of fish / people in life because it's YOUR way and your likes mixed in however you want guided by others in the same class or other t give another perspective..
As long as you trust yourself and trust a few others more while measuring while mixing, then it's all good and essential can't be bad - especially from these distances.
Opposite of the above would be: working isolated in a loop... without encouraging contact ...working for bad people / state
...while not giving back or seeing what others have to give
...and reading the news in a bad loop #doomscrolling as I do (and need your help to get out of!) ... only to complain about my adding to it.So feeding yourself better comes building others in trust and people upwards not downwards pushing. Therefore:
Mutuality, Education, and maybe Friendship can help 🎈 WIN:WIN:WIN 🎈 for us all in this world ...or at least #Fediverse to start with.
📖 Towards a more caring intelligent planet and better mindset of people... but also not over-specialising...
:ablobwave: I'm here to broaden your like as a friendly person and to encourage your own thoughts *and* action to happen.
We need to be appreciated and appreciate a few more - that alone is enough!More togetherness means more ☑️ correct communication ☑️
to get there (and balance)...Short "ism" or short reading by people kills the planet and those people don't read deeply and fall into newspaper tabloid headlines (also short) and reacting too much almost as an #addiction.
#CONSTRUCT YOUR #DREAMS !
Build your dream(s) and maybe mine at the same time (both!).
Don't be afraid to share - even though it might be natural to try pull back. I don't think there is another way around this by carefully sharing and doing it with bad people filtered out (but not everyone filtered out as we all lose that way being cut off) .
Aagain measuring me and you (and others) we can avoid killing ourselves and others killing us (directly and indirectly) for profit (it's all linked back to banks and state who as root don't #care). So while we pretend to be '#independent' (which doesn't exist or very lightly does) I think we can truly undo things 1 at a time or just by not using things too much like #AI etc.
Those who feed from #mainstream (from the people behind it) surely will mess up again and see less and less gains over time). Short-term some AI benefit but long term chained-to-machine type stuff and robots judging us (robots are just people / leaders behind it controlling..)
🗨️ I reply to your interests and you give some ideas... we do what we can and like... more freely / towards each other's freedoms.
Consider *developing people* (or just me) at the same time in your work also - not just #developing machine code, but #decent people are the KEY to everything almost FOREMOST...
If people's lives are machine-like and computer-orientated then don't complain if that's what you get !
The cold Matrix system is all using $computers and #tech.
And that tech is being bought or regulated by the likes of #Musk / #Trump / #Bezos etc mostly since they have more leverage against everyone and using #banks also as negative force / debt generators.
In the end we lose with only tech, even with Mastodon without regular chats!
(yes computers are too fast and even nice things get used badly but only we can stop it (by developing better people to use better things in a better way). Give me a hammer and I won't break windows.
Working on better people is the better way at the end..
☼ MY OFFERS ☼
FREE TIME GIVEN TOWARDS FREEDOM. FREE WORK editing text, pictures, audio, basic video editing. Basically anything considered. Just say it.Audio #remixes also found on #FreeSchool hashtag to help keep you working well!
DATA DISCLAIMER: 🚫 NO CONSENT FOR PROCESSING MORE THAN READING 🚫 :cc_nc:
No scraping. Personal temporary individual Fediverse usage is ok. All inalienable rights reserved.
#NoSearcheEngine #NoIndex #NoBot #NoBridge #NoRobots
Help Grow PEOPLE / BETTER USERS!... Not only Tech-ONLY improvements / machines and #BIGTECH!
Freedom = Respect Friendship Learning
...Grow BETTER USERS and INTERACTION
= IMPROVED PEOPLE! Not just better Tech!Better People = Better Habits = (❤+⭐+🔔) ...
Learning Better Habits ❤+🔔 ... Growing Each Other -
CW: #Intro to FreeSchool / About my account name...
Inspired by "Free School" movement in the 60's & 70's... I practice educational living and learning life together towards #DIY / #Caring / #Art of #Life etc: in whatever way that suits and directs the individual.
More on that 60/70's movement here: https://en.wikipedia.org/wiki/Free_school
Text and short-depth understanding isn't doing it for saving humanity. So learning and your own action / direction is important. To get better examples that lies parents were fed or chose not to face.
#FreeSchool (me) makes #Notes #Quotes about #METAPolitics / #Politics and #Cares for people good #Books #Videos #Talks #Websites
That's my life in a few keyword sentences.
#Intro / #Introduction #NotNewHere but like #NewHere info.
===================
OFFERS TO FEDIVERSE...
===================☼ MY OFFERS OF FREE TIME ☼
>> GIVEN TOWARDS FREEDOM <<<
FREE WORK editing text, pictures, audio, basic video editing. Basically anything considered. Just say it.Audio #remixes also found on #FreeSchool hashtag to help keep you working well!
MORE.... OR JUST RESPOND TO ABOVE PLEASE...
I feel like Short-text / Short-reading by people directly undervalues people and longer understanding - it's cutting corners reading only short things and proportionally killing the planet / cutting people who write more off.
That's why I'd like to do audio conversation now... (anytime) so we don't get stuck in the text realm either and just speak lightly in the ethereal / spirit of life.
People are the depth and action of the culture so if text is not deep enough then culture dies. Audio conversation I have can put back the reality into people.
Just sticking to yourself dosn't work. We can solve almost everything as our efforts can double if we are relaxed but do it constantly over tiem... it's OK "it's all political" (!) and our opinions too... so letting go too far into "Politics" of "Leaders" is not the way we want to go... as a #centralised system (of control)
Your decisions can be made and changed doing short depth + short depth (=long!) which can reinforce those bad things less by seeing the depth in tricks (like chess it's "aha! I realise why they made that move now") .
Don't let "Short-ism" make you think it works for you (it's the opposite). Communicate more and build normal people up. - Increase more #sense and #society but socialising incrementally like at a party.
The 'human condition' needs A HUMAN WAY OF FIXING THINGS in a social-communal situation... not a ultra-tech way.
We have #Mastodon and #Jitsi etc - we just need to increase trust step by step and measure ourselves as we go.🙎 Develop people, not just the tech! 💻 ✈️ 📱
I'm working with anyone aligned / those that know themselves or want to as it's a natural human thing we need to solve (not just tech etc).
Get in touch and even have fun with it all!
==============================
More description
==============================The Free School movement I feel is "the best way" for people as a transient flexible "school" of fish / people in life because it's YOUR way and your likes mixed in however you want guided by others in the same class or other t give another perspective..
As long as you trust yourself and trust a few others more while measuring while mixing, then it's all good and essential can't be bad - especially from these distances.
Opposite of the above would be: working isolated in a loop... without encouraging contact ...working for bad people / state
...while not giving back or seeing what others have to give
...and reading the news in a bad loop #doomscrolling as I do (and need your help to get out of!) ... only to complain about my adding to it.So feeding yourself better comes building others in trust and people upwards not downwards pushing. Therefore:
Mutuality, Education, and maybe Friendship can help 🎈 WIN:WIN:WIN 🎈 for us all in this world ...or at least #Fediverse to start with.
📖 Towards a more caring intelligent planet and better mindset of people... but also not over-specialising...
:ablobwave: I'm here to broaden your like as a friendly person and to encourage your own thoughts *and* action to happen.
We need to be appreciated and appreciate a few more - that alone is enough!More togetherness means more ☑️ correct communication ☑️
to get there (and balance)...Short "ism" or short reading by people kills the planet and those people don't read deeply and fall into newspaper tabloid headlines (also short) and reacting too much almost as an #addiction.
#CONSTRUCT YOUR #DREAMS !
Build your dream(s) and maybe mine at the same time (both!).
Don't be afraid to share - even though it might be natural to try pull back. I don't think there is another way around this by carefully sharing and doing it with bad people filtered out (but not everyone filtered out as we all lose that way being cut off) .
Aagain measuring me and you (and others) we can avoid killing ourselves and others killing us (directly and indirectly) for profit (it's all linked back to banks and state who as root don't #care). So while we pretend to be '#independent' (which doesn't exist or very lightly does) I think we can truly undo things 1 at a time or just by not using things too much like #AI etc.
Those who feed from #mainstream (from the people behind it) surely will mess up again and see less and less gains over time). Short-term some AI benefit but long term chained-to-machine type stuff and robots judging us (robots are just people / leaders behind it controlling..)
🗨️ I reply to your interests and you give some ideas... we do what we can and like... more freely / towards each other's freedoms.
Consider *developing people* (or just me) at the same time in your work also - not just #developing machine code, but #decent people are the KEY to everything almost FOREMOST...
If people's lives are machine-like and computer-orientated then don't complain if that's what you get !
The cold Matrix system is all using $computers and #tech.
And that tech is being bought or regulated by the likes of #Musk / #Trump / #Bezos etc mostly since they have more leverage against everyone and using #banks also as negative force / debt generators.
In the end we lose with only tech, even with Mastodon without regular chats!
(yes computers are too fast and even nice things get used badly but only we can stop it (by developing better people to use better things in a better way). Give me a hammer and I won't break windows.
Working on better people is the better way at the end..
☼ MY OFFERS ☼
FREE TIME GIVEN TOWARDS FREEDOM. FREE WORK editing text, pictures, audio, basic video editing. Basically anything considered. Just say it.Audio #remixes also found on #FreeSchool hashtag to help keep you working well!
DATA DISCLAIMER: 🚫 NO CONSENT FOR PROCESSING MORE THAN READING 🚫 :cc_nc:
No scraping. Personal temporary individual Fediverse usage is ok. All inalienable rights reserved.
#NoSearcheEngine #NoIndex #NoBot #NoBridge #NoRobots
Help Grow PEOPLE / BETTER USERS!... Not only Tech-ONLY improvements / machines and #BIGTECH!
Freedom = Respect Friendship Learning
...Grow BETTER USERS and INTERACTION
= IMPROVED PEOPLE! Not just better Tech!Better People = Better Habits = (❤+⭐+🔔) ...
Learning Better Habits ❤+🔔 ... Growing Each Other -
https://www.europesays.com/fr/320799/ «L’Etat veut nous pousser vers un système à l’américaine» : les pharmaciens en grève ce samedi contre un arrêté ministériel – Libération #Actualités #care #cares #Commerce #CroixVerte #devanture #drug #drugs #enseigne #FR #France #franchise #horizontal #médecine #médical #medicale #médicament #Médicaments #MedicineAndHealth #News #Pharmacie #PharmacieDeGarde #pharmacy #RépubliqueFrançaise #sanitaire #Santé #soin #soins
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https://www.europesays.com/uk/310944/ Völur & Cares – Breathless Spirit Review #2025 #4.0 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #Entertainment #FolkMetal #HollowEarth #jazz #KingGoat #music #Review #Reviews #UK #UnitedKingdom #Volur #Völur&Cares
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Völur & Cares – Breathless Spirit Review
By Twelve
“Avant-garde doom metal from Canada. Do I really need to say more to pique your interest?” So said I a little under five years ago, closing out my Things You Might Have Missed feature for Völur’s Death Cult. The Toronto-based project launched itself to the top of my end-of-year list in 2020, owing to their expert fusion of an impressive blend of sounds and genres primarily rooted in doom metal. Wielding the violin like a sledgehammer, Death Cult featured intelligent, clever compositions that really impressed me in 2020. Now, at last, they’re back for their fourth full-length, Breathless Spirit, with one key change: a collaboration with Cares—UK/Canadian producer James Beardmore—whose influence aims to transcend an already-impressive trio to Valhallan heights. However do they fare?
But first, a correction: in reviewing Death Cult, I noted that “the guitars do not dominate, nor do they crush the listener; instead, they unsettle, distort, and act as anchor for the vocals and electric violins that make up the true meat of the music.” Völur has no guitarist—only Lucas Gadke (Blood Ceremony), who plays bass (in addition to vocals and piano). The electric violins are indeed the “true meat of the music;” Völur create their uniquely haunting sound through intense distortion on Laura Bates’s violin and viola,1 giving them a surprisingly heavy metal basis to work with—certainly I’d never have thought there’s no guitar in the blackened doom mania that is “Windbourne Sorcery II,” and I’m still not 100% sure I believe it. Previously, I compared the group to a gloomy “Apocapyse Orchestra meets King Goat” project, but, in hindsight, Apocalyptica might have been a better base point to use.
Realistically, though, none of that matters because Völur is unique in too many ways to build adequate comparisons, and Cares has only strengthened that position. Where Death Cult emphasized the heavier, doom metal basis of Völur’s material, Breathless Spirit leans more classical, a change that highlights the incredible range of the music, passing also through doom metal, black metal, folk, jazz, and drone along the way—and all of it done with “just” a violinist, bassist, and drummer (Justin Ruppel). What’s extra interesting (on an already very interesting record) is that Cares contributes piano, synthesizers, theremin, and textures. His production adds layer upon layer of grimy, modern darkness that contributes heavily to the metal feel of Breathless Spirit. It is, put simply, extremely experimental. It also works magnificently.
From the classically-inspired2 “Hearth,” Breathless Spirit’s instrumental intro whose motifs just keep reappearing, to the towering doom metal conclusion of “Death in Solitude,” Völur are as engaging as they are unpredictable. I mentioned that “Windbourne Sorcery II” has the album’s blackened highlight, with Bates’s utterly unhinged shrieks atop a steady alarm of urgency from her violin. That same song has an almost funeral buildup, a chilling passage I compare favorably with Bell Witch’s Mirror Reaper3. The title track is the highlight for me; Gadke’s roars are front and center, and all of his vocals have depth and command to them, recalling Barren Earth’s On Lonely Towers.4 Guest vocals from Amy Bowles (ex-Hollow Earth) are a fantastic counter to his baritone cleans, and the brief improvizations a third of the way in is chaotic and delightful. You can dance to the haunting middle section, but it ends on a sense of heavy, epic urgency. Whatever style they try, Völur & Cares can’t help but create something beautiful. Much credit also belongs to Ruppel, whose measured drumming keeps Breathless Spirit grounded in a steady, doom-laden theme that serves it well.
I’ve run out of words, but there’s so much more to say. Breathless Spirit is a hard album to describe with any level of brevity. It explores worlds I’ve only hinted at here, and is much stronger than the sum of its parts. It’s not perfect—”On Drangey” is perhaps a touch too long for my preferences—but it hardly has to be. Breathless Spirit should enshrine Völur and Cares as experts in the experimental. Equal parts beautiful, haunting, and dark, Breathless Spirit defies my vocabulary—you simply must listen for yourself.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 192 kbps mp3
Label: Blackthrone Productions
Websites: volur.bandcamp.com | facebook.com/VolurDoom
Releases Worldwide: August 8th, 2025#2025 #40 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #FolkMetal #HollowEarth #Jazz #KingGoat #Review #Reviews #Volur #VölurCares
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Völur & Cares – Breathless Spirit Review
By Twelve
“Avant-garde doom metal from Canada. Do I really need to say more to pique your interest?” So said I a little under five years ago, closing out my Things You Might Have Missed feature for Völur’s Death Cult. The Toronto-based project launched itself to the top of my end-of-year list in 2020, owing to their expert fusion of an impressive blend of sounds and genres primarily rooted in doom metal. Wielding the violin like a sledgehammer, Death Cult featured intelligent, clever compositions that really impressed me in 2020. Now, at last, they’re back for their fourth full-length, Breathless Spirit, with one key change: a collaboration with Cares—UK/Canadian producer James Beardmore—whose influence aims to transcend an already-impressive trio to Valhallan heights. However do they fare?
But first, a correction: in reviewing Death Cult, I noted that “the guitars do not dominate, nor do they crush the listener; instead, they unsettle, distort, and act as anchor for the vocals and electric violins that make up the true meat of the music.” Völur has no guitarist—only Lucas Gadke (Blood Ceremony), who plays bass (in addition to vocals and piano). The electric violins are indeed the “true meat of the music;” Völur create their uniquely haunting sound through intense distortion on Laura Bates’s violin and viola,1 giving them a surprisingly heavy metal basis to work with—certainly I’d never have thought there’s no guitar in the blackened doom mania that is “Windbourne Sorcery II,” and I’m still not 100% sure I believe it. Previously, I compared the group to a gloomy “Apocapyse Orchestra meets King Goat” project, but, in hindsight, Apocalyptica might have been a better base point to use.
Realistically, though, none of that matters because Völur is unique in too many ways to build adequate comparisons, and Cares has only strengthened that position. Where Death Cult emphasized the heavier, doom metal basis of Völur’s material, Breathless Spirit leans more classical, a change that highlights the incredible range of the music, passing also through doom metal, black metal, folk, jazz, and drone along the way—and all of it done with “just” a violinist, bassist, and drummer (Justin Ruppel). What’s extra interesting (on an already very interesting record) is that Cares contributes piano, synthesizers, theremin, and textures. His production adds layer upon layer of grimy, modern darkness that contributes heavily to the metal feel of Breathless Spirit. It is, put simply, extremely experimental. It also works magnificently.
From the classically-inspired2 “Hearth,” Breathless Spirit’s instrumental intro whose motifs just keep reappearing, to the towering doom metal conclusion of “Death in Solitude,” Völur are as engaging as they are unpredictable. I mentioned that “Windbourne Sorcery II” has the album’s blackened highlight, with Bates’s utterly unhinged shrieks atop a steady alarm of urgency from her violin. That same song has an almost funeral buildup, a chilling passage I compare favorably with Bell Witch’s Mirror Reaper3. The title track is the highlight for me; Gadke’s roars are front and center, and all of his vocals have depth and command to them, recalling Barren Earth’s On Lonely Towers.4 Guest vocals from Amy Bowles (ex-Hollow Earth) are a fantastic counter to his baritone cleans, and the brief improvizations a third of the way in is chaotic and delightful. You can dance to the haunting middle section, but it ends on a sense of heavy, epic urgency. Whatever style they try, Völur & Cares can’t help but create something beautiful. Much credit also belongs to Ruppel, whose measured drumming keeps Breathless Spirit grounded in a steady, doom-laden theme that serves it well.
I’ve run out of words, but there’s so much more to say. Breathless Spirit is a hard album to describe with any level of brevity. It explores worlds I’ve only hinted at here, and is much stronger than the sum of its parts. It’s not perfect—”On Drangey” is perhaps a touch too long for my preferences—but it hardly has to be. Breathless Spirit should enshrine Völur and Cares as experts in the experimental. Equal parts beautiful, haunting, and dark, Breathless Spirit defies my vocabulary—you simply must listen for yourself.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 192 kbps mp3
Label: Blackthrone Productions
Websites: volur.bandcamp.com | facebook.com/VolurDoom
Releases Worldwide: August 8th, 2025#2025 #40 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #FolkMetal #HollowEarth #Jazz #KingGoat #Review #Reviews #Volur #VölurCares
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Völur & Cares – Breathless Spirit Review
By Twelve
“Avant-garde doom metal from Canada. Do I really need to say more to pique your interest?” So said I a little under five years ago, closing out my Things You Might Have Missed feature for Völur’s Death Cult. The Toronto-based project launched itself to the top of my end-of-year list in 2020, owing to their expert fusion of an impressive blend of sounds and genres primarily rooted in doom metal. Wielding the violin like a sledgehammer, Death Cult featured intelligent, clever compositions that really impressed me in 2020. Now, at last, they’re back for their fourth full-length, Breathless Spirit, with one key change: a collaboration with Cares—UK/Canadian producer James Beardmore—whose influence aims to transcend an already-impressive trio to Valhallan heights. However do they fare?
But first, a correction: in reviewing Death Cult, I noted that “the guitars do not dominate, nor do they crush the listener; instead, they unsettle, distort, and act as anchor for the vocals and electric violins that make up the true meat of the music.” Völur has no guitarist—only Lucas Gadke (Blood Ceremony), who plays bass (in addition to vocals and piano). The electric violins are indeed the “true meat of the music;” Völur create their uniquely haunting sound through intense distortion on Laura Bates’s violin and viola,1 giving them a surprisingly heavy metal basis to work with—certainly I’d never have thought there’s no guitar in the blackened doom mania that is “Windbourne Sorcery II,” and I’m still not 100% sure I believe it. Previously, I compared the group to a gloomy “Apocapyse Orchestra meets King Goat” project, but, in hindsight, Apocalyptica might have been a better base point to use.
Realistically, though, none of that matters because Völur is unique in too many ways to build adequate comparisons, and Cares has only strengthened that position. Where Death Cult emphasized the heavier, doom metal basis of Völur’s material, Breathless Spirit leans more classical, a change that highlights the incredible range of the music, passing also through doom metal, black metal, folk, jazz, and drone along the way—and all of it done with “just” a violinist, bassist, and drummer (Justin Ruppel). What’s extra interesting (on an already very interesting record) is that Cares contributes piano, synthesizers, theremin, and textures. His production adds layer upon layer of grimy, modern darkness that contributes heavily to the metal feel of Breathless Spirit. It is, put simply, extremely experimental. It also works magnificently.
From the classically-inspired2 “Hearth,” Breathless Spirit’s instrumental intro whose motifs just keep reappearing, to the towering doom metal conclusion of “Death in Solitude,” Völur are as engaging as they are unpredictable. I mentioned that “Windbourne Sorcery II” has the album’s blackened highlight, with Bates’s utterly unhinged shrieks atop a steady alarm of urgency from her violin. That same song has an almost funeral buildup, a chilling passage I compare favorably with Bell Witch’s Mirror Reaper3. The title track is the highlight for me; Gadke’s roars are front and center, and all of his vocals have depth and command to them, recalling Barren Earth’s On Lonely Towers.4 Guest vocals from Amy Bowles (ex-Hollow Earth) are a fantastic counter to his baritone cleans, and the brief improvizations a third of the way in is chaotic and delightful. You can dance to the haunting middle section, but it ends on a sense of heavy, epic urgency. Whatever style they try, Völur & Cares can’t help but create something beautiful. Much credit also belongs to Ruppel, whose measured drumming keeps Breathless Spirit grounded in a steady, doom-laden theme that serves it well.
I’ve run out of words, but there’s so much more to say. Breathless Spirit is a hard album to describe with any level of brevity. It explores worlds I’ve only hinted at here, and is much stronger than the sum of its parts. It’s not perfect—”On Drangey” is perhaps a touch too long for my preferences—but it hardly has to be. Breathless Spirit should enshrine Völur and Cares as experts in the experimental. Equal parts beautiful, haunting, and dark, Breathless Spirit defies my vocabulary—you simply must listen for yourself.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 192 kbps mp3
Label: Blackthrone Productions
Websites: volur.bandcamp.com | facebook.com/VolurDoom
Releases Worldwide: August 8th, 2025#2025 #40 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #FolkMetal #HollowEarth #Jazz #KingGoat #Review #Reviews #Volur #VölurCares
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Völur & Cares – Breathless Spirit Review
By Twelve
“Avant-garde doom metal from Canada. Do I really need to say more to pique your interest?” So said I a little under five years ago, closing out my Things You Might Have Missed feature for Völur’s Death Cult. The Toronto-based project launched itself to the top of my end-of-year list in 2020, owing to their expert fusion of an impressive blend of sounds and genres primarily rooted in doom metal. Wielding the violin like a sledgehammer, Death Cult featured intelligent, clever compositions that really impressed me in 2020. Now, at last, they’re back for their fourth full-length, Breathless Spirit, with one key change: a collaboration with Cares—UK/Canadian producer James Beardmore—whose influence aims to transcend an already-impressive trio to Valhallan heights. However do they fare?
But first, a correction: in reviewing Death Cult, I noted that “the guitars do not dominate, nor do they crush the listener; instead, they unsettle, distort, and act as anchor for the vocals and electric violins that make up the true meat of the music.” Völur has no guitarist—only Lucas Gadke (Blood Ceremony), who plays bass (in addition to vocals and piano). The electric violins are indeed the “true meat of the music;” Völur create their uniquely haunting sound through intense distortion on Laura Bates’s violin and viola,1 giving them a surprisingly heavy metal basis to work with—certainly I’d never have thought there’s no guitar in the blackened doom mania that is “Windbourne Sorcery II,” and I’m still not 100% sure I believe it. Previously, I compared the group to a gloomy “Apocapyse Orchestra meets King Goat” project, but, in hindsight, Apocalyptica might have been a better base point to use.
Realistically, though, none of that matters because Völur is unique in too many ways to build adequate comparisons, and Cares has only strengthened that position. Where Death Cult emphasized the heavier, doom metal basis of Völur’s material, Breathless Spirit leans more classical, a change that highlights the incredible range of the music, passing also through doom metal, black metal, folk, jazz, and drone along the way—and all of it done with “just” a violinist, bassist, and drummer (Justin Ruppel). What’s extra interesting (on an already very interesting record) is that Cares contributes piano, synthesizers, theremin, and textures. His production adds layer upon layer of grimy, modern darkness that contributes heavily to the metal feel of Breathless Spirit. It is, put simply, extremely experimental. It also works magnificently.
From the classically-inspired2 “Hearth,” Breathless Spirit’s instrumental intro whose motifs just keep reappearing, to the towering doom metal conclusion of “Death in Solitude,” Völur are as engaging as they are unpredictable. I mentioned that “Windbourne Sorcery II” has the album’s blackened highlight, with Bates’s utterly unhinged shrieks atop a steady alarm of urgency from her violin. That same song has an almost funeral buildup, a chilling passage I compare favorably with Bell Witch’s Mirror Reaper3. The title track is the highlight for me; Gadke’s roars are front and center, and all of his vocals have depth and command to them, recalling Barren Earth’s On Lonely Towers.4 Guest vocals from Amy Bowles (ex-Hollow Earth) are a fantastic counter to his baritone cleans, and the brief improvizations a third of the way in is chaotic and delightful. You can dance to the haunting middle section, but it ends on a sense of heavy, epic urgency. Whatever style they try, Völur & Cares can’t help but create something beautiful. Much credit also belongs to Ruppel, whose measured drumming keeps Breathless Spirit grounded in a steady, doom-laden theme that serves it well.
I’ve run out of words, but there’s so much more to say. Breathless Spirit is a hard album to describe with any level of brevity. It explores worlds I’ve only hinted at here, and is much stronger than the sum of its parts. It’s not perfect—”On Drangey” is perhaps a touch too long for my preferences—but it hardly has to be. Breathless Spirit should enshrine Völur and Cares as experts in the experimental. Equal parts beautiful, haunting, and dark, Breathless Spirit defies my vocabulary—you simply must listen for yourself.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 192 kbps mp3
Label: Blackthrone Productions
Websites: volur.bandcamp.com | facebook.com/VolurDoom
Releases Worldwide: August 8th, 2025#2025 #40 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #FolkMetal #HollowEarth #Jazz #KingGoat #Review #Reviews #Volur #VölurCares
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Völur & Cares – Breathless Spirit Review
By Twelve
“Avant-garde doom metal from Canada. Do I really need to say more to pique your interest?” So said I a little under five years ago, closing out my Things You Might Have Missed feature for Völur’s Death Cult. The Toronto-based project launched itself to the top of my end-of-year list in 2020, owing to their expert fusion of an impressive blend of sounds and genres primarily rooted in doom metal. Wielding the violin like a sledgehammer, Death Cult featured intelligent, clever compositions that really impressed me in 2020. Now, at last, they’re back for their fourth full-length, Breathless Spirit, with one key change: a collaboration with Cares—UK/Canadian producer James Beardmore—whose influence aims to transcend an already-impressive trio to Valhallan heights. However do they fare?
But first, a correction: in reviewing Death Cult, I noted that “the guitars do not dominate, nor do they crush the listener; instead, they unsettle, distort, and act as anchor for the vocals and electric violins that make up the true meat of the music.” Völur has no guitarist—only Lucas Gadke (Blood Ceremony), who plays bass (in addition to vocals and piano). The electric violins are indeed the “true meat of the music;” Völur create their uniquely haunting sound through intense distortion on Laura Bates’s violin and viola,1 giving them a surprisingly heavy metal basis to work with—certainly I’d never have thought there’s no guitar in the blackened doom mania that is “Windbourne Sorcery II,” and I’m still not 100% sure I believe it. Previously, I compared the group to a gloomy “Apocapyse Orchestra meets King Goat” project, but, in hindsight, Apocalyptica might have been a better base point to use.
Realistically, though, none of that matters because Völur is unique in too many ways to build adequate comparisons, and Cares has only strengthened that position. Where Death Cult emphasized the heavier, doom metal basis of Völur’s material, Breathless Spirit leans more classical, a change that highlights the incredible range of the music, passing also through doom metal, black metal, folk, jazz, and drone along the way—and all of it done with “just” a violinist, bassist, and drummer (Justin Ruppel). What’s extra interesting (on an already very interesting record) is that Cares contributes piano, synthesizers, theremin, and textures. His production adds layer upon layer of grimy, modern darkness that contributes heavily to the metal feel of Breathless Spirit. It is, put simply, extremely experimental. It also works magnificently.
From the classically-inspired2 “Hearth,” Breathless Spirit’s instrumental intro whose motifs just keep reappearing, to the towering doom metal conclusion of “Death in Solitude,” Völur are as engaging as they are unpredictable. I mentioned that “Windbourne Sorcery II” has the album’s blackened highlight, with Bates’s utterly unhinged shrieks atop a steady alarm of urgency from her violin. That same song has an almost funeral buildup, a chilling passage I compare favorably with Bell Witch’s Mirror Reaper3. The title track is the highlight for me; Gadke’s roars are front and center, and all of his vocals have depth and command to them, recalling Barren Earth’s On Lonely Towers.4 Guest vocals from Amy Bowles (ex-Hollow Earth) are a fantastic counter to his baritone cleans, and the brief improvizations a third of the way in is chaotic and delightful. You can dance to the haunting middle section, but it ends on a sense of heavy, epic urgency. Whatever style they try, Völur & Cares can’t help but create something beautiful. Much credit also belongs to Ruppel, whose measured drumming keeps Breathless Spirit grounded in a steady, doom-laden theme that serves it well.
I’ve run out of words, but there’s so much more to say. Breathless Spirit is a hard album to describe with any level of brevity. It explores worlds I’ve only hinted at here, and is much stronger than the sum of its parts. It’s not perfect—”On Drangey” is perhaps a touch too long for my preferences—but it hardly has to be. Breathless Spirit should enshrine Völur and Cares as experts in the experimental. Equal parts beautiful, haunting, and dark, Breathless Spirit defies my vocabulary—you simply must listen for yourself.
Rating: 4.0/5.0
DR: 6 | Format Reviewed: 192 kbps mp3
Label: Blackthrone Productions
Websites: volur.bandcamp.com | facebook.com/VolurDoom
Releases Worldwide: August 8th, 2025#2025 #40 #ApocalypseOrchestra #Apocalyptica #Aug25 #BarrenEarth #BellWitch #BlackthroneProductions #BloodCeremony #BreathlessSpirit #CanadianMetal #Cares #DoomMetal #Drone #FolkMetal #HollowEarth #Jazz #KingGoat #Review #Reviews #Volur #VölurCares
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I would not change the song the flute-girl sings
For all the diadems of weary kings,
His joys the Sultan shares with all the world,
His cares he keeps — a chain of glittering rings.Omar Khayyám (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]
Rubáiyát [رباعیات] [tr. Le Gallienne (1897), # 201Sourcing, notes, other translations: wist.info/omar-khayyam/77973/
#quote #quotes #quotation #qotd #rubaiyat #omarkhayyam #cares #contentment #powerful #riches #satisfaction #simplicity #wealth #weariness
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I would not change the song the flute-girl sings
For all the diadems of weary kings,
His joys the Sultan shares with all the world,
His cares he keeps — a chain of glittering rings.Omar Khayyám (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]
Rubáiyát [رباعیات] [tr. Le Gallienne (1897), # 201Sourcing, notes, other translations: wist.info/omar-khayyam/77973/
#quote #quotes #quotation #qotd #rubaiyat #omarkhayyam #cares #contentment #powerful #riches #satisfaction #simplicity #wealth #weariness
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I would not change the song the flute-girl sings
For all the diadems of weary kings,
His joys the Sultan shares with all the world,
His cares he keeps — a chain of glittering rings.Omar Khayyám (1048-1123) Persian poet, mathematician, philosopher, astronomer [عمر خیام]
Rubáiyát [رباعیات] [tr. Le Gallienne (1897), # 201Sourcing, notes, other translations: wist.info/omar-khayyam/77973/
#quote #quotes #quotation #qotd #rubaiyat #omarkhayyam #cares #contentment #powerful #riches #satisfaction #simplicity #wealth #weariness
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🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜✝️💁🏼*Joshua to Succeed Moses!🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜🤗
🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜✝️💁🏼*Joshua to Succeed Moses!🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜🤗
🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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🤗🧡❤️💛💗💚💜💁🏿*God Cares For Us!🤗🧡❤️💛💗💚💜🤗
🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜✝️💁🏼*Joshua to Succeed Moses!🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜🤗
🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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🤗🧡❤️💛💗💚💜💁🏿*God Cares For Us!🤗🧡❤️💛💗💚💜🤗
🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜✝️💁🏼*Joshua to Succeed Moses!🤗🌎🫂🛐🙏🏿🙏🏻✝️💦👑🤓❤️🔥🌐🌍🙏🦪🍐🦚🍑🕊️🏳️✌️☮️🧡❤️💛💗💚💜🤗
🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎💁🏼♀️*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”🤗☮️🌍🫂🧡🙏🛐❤️🦪🙏🏿💛🍐🙏🏻💗🦚💦💚🍑👑💜🕊️🤓🏳️❤️🔥✝️✌️🌐🌎🤗
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*~*Deuteronomy 31:8*~*
*~*God Cares For Us!*~*
*~*Joshua to Succeed Moses!*~*
*~*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”*~*
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*~*Deuteronomy 31:8*~*
*~*God Cares For Us!*~*
*~*Joshua to Succeed Moses!*~*
*~*It is the Lord who goes before you!*He will be with you!*he will not leave you!*or forsake you!*Do not fear!*or be dismayed!”*~*
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🧊 Bridgestone Dueler A/T Ascent and Blizzak 6 Tires: Frozen Hands-on Review
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🧊 Bridgestone Dueler A/T Ascent and Blizzak 6 Tires: Frozen Hands-on Review
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🧊 Bridgestone Dueler A/T Ascent and Blizzak 6 Tires: Frozen Hands-on Review
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🧊 Bridgestone Dueler A/T Ascent and Blizzak 6 Tires: Frozen Hands-on Review
