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1000 results for “I_Say_What_You_Think”
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I'm telling you now
I'm telling you right away
I'll be staying for many a day
I'm in love with you now
I'm telling you now
I'll say what you wanna hear
I'll be telling you for many a year
I'm in love with you now
Do you think I'm foolin' when I say I love you?
(I love you)
Maybe you'll believe me
when I'm finally through
Through through through
Frederick Garrity
Mitch Murray
#freddieandthedreamers
14 Aug 1963
#popmusic #merseybeat #1960s -
I'm telling you now
I'm telling you right away
I'll be staying for many a day
I'm in love with you now
I'm telling you now
I'll say what you wanna hear
I'll be telling you for many a year
I'm in love with you now
Do you think I'm foolin' when I say I love you?
(I love you)
Maybe you'll believe me
when I'm finally through
Through through through
Frederick Garrity
Mitch Murray
#freddieandthedreamers
14 Aug 1963
#popmusic #merseybeat #1960s -
I'm telling you now
I'm telling you right away
I'll be staying for many a day
I'm in love with you now
I'm telling you now
I'll say what you wanna hear
I'll be telling you for many a year
I'm in love with you now
Do you think I'm foolin' when I say I love you?
(I love you)
Maybe you'll believe me
when I'm finally through
Through through through
Frederick Garrity
Mitch Murray
#freddieandthedreamers
14 Aug 1963
#popmusic #merseybeat #1960s -
I'm telling you now
I'm telling you right away
I'll be staying for many a day
I'm in love with you now
I'm telling you now
I'll say what you wanna hear
I'll be telling you for many a year
I'm in love with you now
Do you think I'm foolin' when I say I love you?
(I love you)
Maybe you'll believe me
when I'm finally through
Through through through
Frederick Garrity
Mitch Murray
#freddieandthedreamers
14 Aug 1963
#popmusic #merseybeat #1960s -
I'm telling you now
I'm telling you right away
I'll be staying for many a day
I'm in love with you now
I'm telling you now
I'll say what you wanna hear
I'll be telling you for many a year
I'm in love with you now
Do you think I'm foolin' when I say I love you?
(I love you)
Maybe you'll believe me
when I'm finally through
Through through through
Frederick Garrity
Mitch Murray
#freddieandthedreamers
14 Aug 1963
#popmusic #merseybeat #1960s -
@hasanthehun @SamSeder @mehdirhasan @BulwarkOnline @PodSaveAmerica
The economy does better under Democrats. If you guys don't mention this in every video, every interview, every day, the electorate will never know. #ChangeTheNarrative
Here.
https://epiaction.org/2024/04/02/economic-performance-is-stronger-when-democrats-hold-the-white-house/ -
CW: Fedi meta
no wait im on wafrn. I need to use the power of tags
#According-to-all-known-laws-of-aviation #there-is-no-way-a-bee-should-be-able-to-fly.-Its-wings-are-too-small-to-get-its-fat-little-body-off-the-ground.-The-bee #of-course #flies-anyway-because-bees-don't-care-what-humans-think-is-impossible.-Yellow #black.-Yellow #black.-Yellow #black.-Yellow #black.-Ooh #black-and-yellow!-Let's-shake-it-up-a-little.-Barry!-Breakfast-is-ready!-Coming!-Hang-on-a-second.-Hello?-Barry?-Adam?-Can-you-believe-this-is-happening?-I-can't.-I'll-pick-you-up.-Looking-sharp.-Use-the-stairs #Your-father-paid-good-money-for-those.-Sorry.-I'm-excited.-Here's-the-graduate.-We're-very-proud-of-you #son.-A-perfect-report-card #all-B's.-Very-proud.-Ma!-I-got-a-thing-going-here.-You-got-lint-on-your-fuzz.-Ow!-That's-me!-Wave-to-us!-We'll-be-in-row-118 #000.-Bye!-Barry #I-told-you #stop-flying-in-the-house!-Hey #Adam.-Hey #Barry.-Is-that-fuzz-gel?-A-little.-Special-day #graduation.-Never-thought-I'd-make-it.-Three-days-grade-school #three-days-high-school.-Those-were-awkward.-Three-days-college.-I'm-glad-I-took-a-day-and-hitchhiked-around-The-Hive.-You-did-come-back-different.-Hi #Barry.-Artie #growing-a-mustache?-Looks-good.-Hear-about-Frankie?-Yeah.-You-going-to-the-funeral?-No #I'm-not-going.-Everybody-knows #sting-someone #you-die.-Don't-waste-it-on-a-squirrel.-Such-a-hothead.-I-guess-he-could-have-just-gotten-out-of-the-way.-I-love-this-incorporating-an-amusement-park-into-our-day.-That's-why-we-don't-need-vacations.-Boy #quite-a-bit-of-pomp-under-the-circumstances.-Well #Adam #today-we-are-men.-We-are!-Bee-men.-Amen!-Hallelujah!-Students #faculty #distinguished-bees #please-welcome-Dean-Buzzwell.-Welcome #New-Hive-City-graduating-class-of-9:15.-That-concludes-our-ceremonies-And-begins-your-career-at-Honex-Industries!-Will-we-pick-our-job-today?-I-heard-it's-just-orientation.-Heads-up!-Here-we-go.-Keep-your-hands-and-antennas-inside-the-tram-at-all-times.-Wonder-what-it'll-be-like?-A-little-scary.-Welcome-to-Honex #a-division-of-Honesco-and-a-part-of-the-Hexagon-Group.-This-is-it!-Wow.-Wow.-We-know-that-you #as-a-bee #have-worked-your-whole-life-to-get-to-the-point-where-you-can-work-for-your-whole-life.-Honey-begins-when-our-valiant-Pollen-Jocks-bring-the-nectar-to-The-Hive.-Our-top-secret-formula-is-automatically-color-corrected #scent-adjusted-and-bubble-contoured-into-this-soothing-sweet-syrup-with-its-distinctive-golden-glow-you-know-as...-Honey!-That-girl-was-hot.-She's-my-cousin!-She-is?-Yes #we're-all-cousins.-Right.-You're-right.-At-Honex #we-constantly-strive-to-improve-every-aspect-of-bee-existence.-These-bees-are-stress-testing-a-new-helmet-technology.-What-do-you-think-he-makes?-Not-enough.-Here-we-have-our-latest-advancement #the-Krelman.-What-does-that-do?-Catches-that-little-strand-of-honey-that-hangs-after-you-pour-it.-Saves-us-millions.-Can-anyone-work-on-the-Krelman?-Of-course.-Most-bee-jobs-are-small-ones.-But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot.-But-choose-carefully-because-you'll-stay-in-the-job-you-pick-for-the-rest-of-your-life.-The-same-job-the-rest-of-your-life?-I-didn't-know-that.-What's-the-difference?-You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off-in-27-million-years.-So-you'll-just-work-us-to-death?-We'll-sure-try.-Wow!-That-blew-my-mind!-'What's-the-difference?'-How-can-you-say-that?-One-job-forever?-That's-an-insane-choice-to-have-to-make.-I'm-relieved.-Now-we-only-have-to-make-one-decision-in-life.-But #Adam #how-could-they-never-have-told-us-that?-Why-would-you-question-anything?-We're-bees.-We're-the-most-perfectly-functioning-society-on-Earth.-You-ever-think-maybe-things-work-a-little-too-well-here?-Like-what?-Give-me-one-example.-I-don't-know.-But-you-know-what-I'm-talking-about.-Please-clear-the-gate.-Royal-Nectar-Force-on-approach.-Wait-a-second.-Check-it-out.-Hey #those-are-Pollen-Jocks!-Wow.-I've-never-seen-them-this-close.-They-know-what-it's-like-outside-The-Hive.-Yeah #but-some-don't-come-back.-Hey #Jocks!-Hi #Jocks!-You-guys-did-great!-You're-monsters!-You're-sky-freaks!-I-love-it!-I-love-it!-I-wonder-where-they-were.-I-don't-know.-Their-day's-not-planned.-Outside-The-Hive #flying-who-knows-where #doing-who-knows-what.-You-can't-just-decide-to-be-a-Pollen-Jock.-You-have-to-be-bred-for-that.-Right.-Look.-That's-more-pollen-than-you-and-I-will-see-in-a-lifetime.-It's-just-a-status-symbol.-Bees-make-too-much-of-it.-Perhaps.-Unless-you're-wearing-it-and-the-ladies-see-you-wearing-it.-Those-ladies?-Aren't-they-our-cousins-too?-Distant.-Distant.-Look-at-these-two.-Couple-of-Hive-Harrys.-Let's-have-fun-with-them.-It-must-be-dangerous-being-a-Pollen-Jock.-Yeah.-Once-a-bear-pinned-me-against-a-mushroom!-He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me!-Oh #my!-I-never-thought-I'd-knock-him-out.-What-were-you-doing-during-this?-Trying-to-alert-the-authorities.-I-can-autograph-that.-A-little-gusty-out-there-today #wasn't-it #comrades?-Yeah.-Gusty.-We're-hitting-a-sunflower-patch-six-miles-from-here-tomorrow.-Six-miles #huh?-Barry!-A-puddle-jump-for-us #but-maybe-you're-not-up-for-it.-Maybe-I-am.-You-are-not!-We're-going-0900-at-J-Gate.-What-do-you-think #buzzy-boy?-Are-you-bee-enough?-I-might-be.-It-all-depends-on-what-0900-means.-Hey #Honex!-Dad #you-surprised-me.-You-decide-what-you're-interested-in?-Well #there's-a-lot-of-choices.-But-you-only-get-one.-Do-you-ever-get-bored-doing-the-same-job-every-day?-Son #let-me-tell-you-about-stirring.-You-grab-that-stick #and-you-just-move-it-around #and-you-stir-it-around.-You-get-yourself-into-a-rhythm.-It's-a-beautiful-thing.-You-know #Dad #the-more-I-think-about-it #maybe-the-honey-field-just-isn't-right-for-me.-You-were-thinking-of-what #making-balloon-animals?-That's-a-bad-job-for-a-guy-with-a-stinger.-Janet #your-son's-not-sure-he-wants-to-go-into-honey!-Barry #you-are-so-funny-sometimes.-I'm-not-trying-to-be-funny.-You're-not-funny!-You're-going-into-honey.-Our-son #the-stirrer!-You're-gonna-be-a-stirrer?-No-one's-listening-to-me!-Wait-till-you-see-the-sticks-I-have.-I-could-say-anything-right-now.-I'm-gonna-get-an-ant-tattoo!-Let's-open-some-honey-and-celebrate!-Maybe-I'll-pierce-my-thorax.-Shave-my-antennae.-Shack-up-with-a-grasshopper.-Get-a-gold-tooth-and-call-everybody-'dawg'!-I'm-so-proud.-We're-starting-work-today!-Today's-the-day.-Come-on!-All-the-good-jobs-will-be-gone.-Yeah #right.-Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal...-Is-it-still-available?-Hang-on.-Two-left!-One-of-them's-yours!-Congratulations!-Step-to-the-side.-What'd-you-get?-Picking-crud-out.-Stellar!-Wow!-Couple-of-newbies?-Yes #sir!-Our-first-day!-We-are-ready!-Make-your-choice.-You-want-to-go-first?-No #you-go.-Oh #my.-What's-available?-Restroom-attendant's-open #not-for-the-reason-you-think.-Any-chance-of-getting-the-Krelman?-Sure #you're-on.-I'm-sorry #the-Krelman-just-closed-out.-Wax-monkey's-always-open.-The-Krelman-opened-up-again.-What-happened?-A-bee-died.-Makes-an-opening.-See?-He's-dead.-Another-dead-one.-Deady.-Deadified.-Two-more-dead.-Dead-from-the-neck-up.-Dead-from-the-neck-down.-That's-life!-Oh #this-is-so-hard!-Heating #cooling #stunt-bee #pourer #stirrer #humming #inspector-number-seven #lint-coordinator #stripe-supervisor #mite-wrangler.-Barry #what-do-you-think-I-should...-Barry?-Barry!-All-right #we've-got-the-sunflower-patch-in-quadrant-nine...-What-happened-to-you?-Where-are-you?-I'm-going-out.-Out?-Out-where?-Out-there.-Oh #no!-I-have-to #before-I-go-to-work-for-the-rest-of-my-life.-You're-gonna-die!-You're-crazy!-Hello?-Another-call-coming-in.-If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd-that-gets-their-roses-today.-Hey #guys.-Look-at-that.-Isn't-that-the-kid-we-saw-yesterday?-Hold-it #son #flight-deck's-restricted.-It's-OK #Lou.-We're-gonna-take-him-up.-Really?-Feeling-lucky #are-you?-Sign-here #here.-Just-initial-that.-Thank-you.-OK.-You-got-a-rain-advisory-today #and-as-you-all-know #bees-cannot-fly-in-rain.-So-be-careful.-As-always #watch-your-brooms #hockey-sticks #dogs #birds #bears-and-bats.-Also #I-got-a-couple-of-reports-of-root-beer-being-poured-on-us.-Murphy's-in-a-home-because-of-it #babbling-like-a-cicada!-That's-awful.-And-a-reminder-for-you-rookies #bee-law-number-one #absolutely-no-talking-to-humans!--All-right #launch-positions!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Black-and-yellow!-Hello!-You-ready-for-this #hot-shot?-Yeah.-Yeah #bring-it-on.-Wind #check.-Antennae #check.-Nectar-pack #check.-Wings #check.-Stinger #check.-Scared-out-of-my-shorts #check.-OK #ladies #let's-move-it-out!-Pound-those-petunias #you-striped-stem-suckers!-All-of-you #drain-those-flowers!-Wow!-I'm-out!-I-can't-believe-I'm-out!-So-blue.-I-feel-so-fast-and-free!-Box-kite!-Wow!-Flowers!-This-is-Blue-Leader #We-have-roses-visual.-Bring-it-around-30-degrees-and-hold.-Roses!-30-degrees #roger.-Bringing-it-around.-Stand-to-the-side #kid.-It's-got-a-bit-of-a-kick.-That-is-one-nectar-collector!-Ever-see-pollination-up-close?-No #sir.-I-pick-up-some-pollen-here #sprinkle-it-over-here.-Maybe-a-dash-over-there #a-pinch-on-that-one.-See-that?-It's-a-little-bit-of-magic.-That's-amazing.-Why-do-we-do-that?-That's-pollen-power.-More-pollen #more-flowers #more-nectar #more-honey-for-us.-Cool.-I'm-picking-up-a-lot-of-bright-yellow #Could-be-daisies #Don't-we-need-those?-Copy-that-visual.-Wait.-One-of-these-flowers-seems-to-be-on-the-move.-Say-again?-You're-reporting-a-moving-flower?-Affirmative.-That-was-on-the-line!-This-is-the-coolest.-What-is-it?-I-don't-know #but-I'm-loving-this-color.-It-smells-good.-Not-like-a-flower #but-I-like-it.-Yeah #fuzzy.-Chemical-y.-Careful #guys.-It's-a-little-grabby.-My-sweet-lord-of-bees!-Candy-brain #get-off-there!-Problem!-Guys!-This-could-be-bad.-Affirmative.-Very-close.-Gonna-hurt.-Mama's-little-boy.-You-are-way-out-of-position #rookie!-Coming-in-at-you-like-a-missile!-Help-me!-I-don't-think-these-are-flowers.-Should-we-tell-him?-I-think-he-knows.-What-is-this?!-Match-point!-You-can-start-packing-up #honey #because-you're-about-to-eat-it!-Yowser!-Gross.-There's-a-bee-in-the-car!-Do-something!-I'm-driving!-Hi #bee.-He's-back-here!-He's-going-to-sting-me!-Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze!-He-blinked!-Spray-him #Granny!-What-are-you-doing?!-Wow...-the-tension-level-out-here-is-unbelievable.-I-gotta-get-home.-Can't-fly-in-rain.-Can't-fly-in-rain.-Can't-fly-in-rain.-Mayday!-Mayday!-Bee-going-down!-Ken #could-you-close-the-window-please?-Ken #could-you-close-the-window-please?-Check-out-my-new-resume.-I-made-it-into-a-fold-out-brochure.-You-see?-Folds-out.-Oh #no.-More-humans.-I-don't-need-this.-What-was-that?-Maybe-this-time.-This-time.-This-time.-This-time!-This-time!-This...-Drapes!-That-is-diabolical.-It's-fantastic.-It's-got-all-my-special-skills #even-my-top-ten-favorite-movies.-What's-number-one?-Star-Wars?-Nah #I-don't-go-for-that...-kind-of-stuff.-No-wonder-we-shouldn't-talk-to-them.-They're-out-of-their-minds.-When-I-leave-a-job-interview #they're-flabbergasted #can't-believe-what-I-say.-There's-the-sun.-Maybe-that's-a-way-out.-I-don't-remember-the-sun-having-a-big-75-on-it.-I-predicted-global-warming.-I-could-feel-it-getting-hotter.-At-first-I-thought-it-was-just-me.-Wait!-Stop!-Bee!-Stand-back.-These-are-winter-boots.-Wait!-Don't-kill-him!-You-know-I'm-allergic-to-them!-This-thing-could-kill-me!-Why-does-his-life-have-less-value-than-yours?-Why-does-his-life-have-any-less-value-than-mine?-Is-that-your-statement?-I'm-just-saying-all-life-has-value.-You-don't-know-what-he's-capable-of-feeling.-My-brochure!-There-you-go #little-guy.-I'm-not-scared-of-him.It's-an-allergic-thing.--Put-that-on-your-resume-brochure.-My-whole-face-could-puff-up.-Make-it-one-of-your-special-skills.-Knocking-someone-out-is-also-a-special-skill.-Right.-Bye #Vanessa.-Thanks.-Vanessa #next-week?-Yogurt-night?-Sure #Ken.-You-know #whatever.-You-could-put-carob-chips-on-there.-Bye.-Supposed-to-be-less-calories.-Bye.-I-gotta-say-something.-She-saved-my-life.-I-gotta-say-something.-All-right #here-it-goes.-Nah.-What-would-I-say?-I-could-really-get-in-trouble.-It's-a-bee-law.-You're-not-supposed-to-talk-to-a-human.-I-can't-believe-I'm-doing-this.-I've-got-to.-Oh #I-can't-do-it.-Come-on!-No.-Yes.-No.-Do-it.-I-can't.-How-should-I-start-it?-'You-like-jazz?'-No #that's-no-good.-Here-she-comes!-Speak #you-fool!-Hi!-I'm-sorry.-You're-talking.-Yes #I-know.-You're-talking!-I'm-so-sorry.-No #it's-OK.-It's-fine.-I-know-I'm-dreaming.-But-I-don't-recall-going-to-bed.-Well #I'm-sure-this-is-very-disconcerting.-This-is-a-bit-of-a-surprise-to-me.-I-mean #you're-a-bee!-I-am.-And-I'm-not-supposed-to-be-doing-this #Barry?-It's-pretty-big #but-they-were-all-trying-to-kill-me.-And-if-it-wasn't-for-you...-I-had-to-thank-you.-It's-just-how-I-was-raised.-That-was-a-little-weird.-I'm-talking-with-a-bee.-Yeah.-I'm-talking-to-a-bee.-And-the-bee-is-talking-to-me!-I-just-want-to-say-I'm-grateful.-I'll-leave-now.-Wait!-How-did-you-learn-to-do-that?-What?-The-talking-thing.-Same-way-you-did #I-guess.-'Mama #Dada #honey.'-You-pick-it-up.-That's-very-funny.-Yeah.-Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with.-Anyway...-Can-I...-get-you-something?-Like-what?-I-don't-know.-I-mean...-I-don't-know.-Coffee?-I-don't-want-to-put-you-out.-It's-no-trouble.-It-takes-two-minutes.-It's-just-coffee.-I-hate-to-impose.-Don't-be-ridiculous!-Actually #I-would-love-a-cup.-Hey #you-want-rum-cake?-I-shouldn't.-Have-some.-No #I-can't.-Come-on!-I'm-trying-to-lose-a-couple-micrograms.-Where?-These-stripes-don't-help.-You-look-great!-I-don't-know-if-you-know-anything-about-fashion.-Are-you-all-right?-No.-He's-making-the-tie-in-the-cab-as-they're-flying-up-Madison.-He-finally-gets-there.-He-runs-up-the-steps-into-the-church.-The-wedding-is-on.-And-he-says #'Watermelon?-I-thought-you-said-Guatemalan.-Why-would-I-marry-a-watermelon?'-Is-that-a-bee-joke?-That's-the-kind-of-stuff-we-do.-Yeah #different.-So #what-are-you-gonna-do #Barry?-About-work?-I-don't-know.-I-want-to-do-my-part-for-The-Hive #but-I-can't-do-it-the-way-they-want.-I-know-how-you-feel.-You-do?-Sure.-My-parents-wanted-me-to-be-a-lawyer-or-a-doctor #but-I-wanted-to-be-a-florist.-Really?-My-only-interest-is-flowers.-Our-new-queen-was-just-elected-with-that-same-campaign-slogan.-Anyway #if-you-look...-There's-my-hive-right-there.-See-it?-You're-in-Sheep-Meadow!-Yes!-I'm-right-off-the-Turtle-Pond!-No-way!-I-know-that-area.-I-lost-a-toe-ring-there-once.-Why-do-girls-put-rings-on-their-toes?-Why-not?-It's-like-putting-a-hat-on-your-knee.-Maybe-I'll-try-that.-You-all-right #ma'am?-Oh #yeah.-Fine.-Just-having-two-cups-of-coffee!-Anyway #this-has-been-great.-Thanks-for-the-coffee.-Yeah #it's-no-trouble.-Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life.-Are-you...?-Can-I-take-a-piece-of-this-with-me?-Sure!-Here #have-a-crumb.-Thanks!-Yeah.-All-right.-Well #then...-I-guess-I'll-see-you-around.-Or-not.-OK #Barry.-And-thank-you-so-much-again...-for-before.-Oh #that?-That-was-nothing.-Well #not-nothing #but...-Anyway...-This-can't-possibly-work.-He's-all-set-to-go.-We-may-as-well-try-it.-OK #Dave #pull-the-chute.-Sounds-amazing.-It-was-amazing!-It-was-the-scariest #happiest-moment-of-my-life.-Humans!-I-can't-believe-you-were-with-humans!-Giant #scary-humans!-What-were-they-like?-Huge-and-crazy.-They-talk-crazy.-They-eat-crazy-giant-things.-They-drive-crazy.-Do-they-try-and-kill-you #like-on-TV?-Some-of-them.-But-some-of-them-don't.-How'd-you-get-back?-Poodle.-You-did-it #and-I'm-glad.-You-saw-whatever-you-wanted-to-see.-You-had-your-'experience.'-Now-you-can-pick-out-yourjob-and-be-normal.-Well...-Well?-Well #I-met-someone.-You-did?-Was-she-Bee-ish?-A-wasp?!-Your-parents-will-kill-you!-No #no #no #not-a-wasp.-Spider?-I'm-not-attracted-to-spiders.-I-know-it's-the-hottest-thing #with-the-eight-legs-and-all.-I-can't-get-by-that-face.-So-who-is-she?-She's...-human.-No #no.-That's-a-bee-law.-You-wouldn't-break-a-bee-law.-Her-name's-Vanessa.-Oh #boy.-She's-so-nice.-And-she's-a-florist!-Oh #no!-You're-dating-a-human-florist!-We're-not-dating.-You're-flying-outside-The-Hive #talking-to-humans-that-attack-our-homes-with-power-washers-and-M-80s!-One-eighth-a-stick-of-dynamite!-She-saved-my-life!-And-she-understands-me.-This-is-over!-Eat-this.-This-is-not-over!-What-was-that?-They-call-it-a-crumb.-It-was-so-stingin'-stripey!-And-that's-not-what-they-eat.-That's-what-falls-off-what-they-eat!-You-know-what-a-Cinnabon-is?-No.-It's-bread-and-cinnamon-and-frosting.-They-heat-it-up...-Sit-down!-...really-hot!-Listen-to-me!-We-are-not-them!-We're-us.-There's-us-and-there's-them!-Yes #but-who-can-deny-the-heart-that-is-yearning?-There's-no-yearning.-Stop-yearning.-Listen-to-me!-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Thinking-bee!-There-he-is.-He's-in-the-pool.-You-know-what-your-problem-is #Barry?-I-gotta-start-thinking-bee?-How-much-longer-will-this-go-on?-It's-been-three-days!-Why-aren't-you-working?-I've-got-a-lot-of-big-life-decisions-to-think-about.-What-life?-You-have-no-life!-You-have-no-job.-You're-barely-a-bee!-Would-it-kill-you-to-make-a-little-honey?-Barry #come-out.-Your-father's-talking-to-you.-Martin #would-you-talk-to-him?-Barry #I'm-talking-to-you!-You-coming?-Got-everything?-All-set!-Go-ahead.-I'll-catch-up.-Don't-be-too-long.-Watch-this!-Vanessa!-We're-still-here.-I-told-you-not-to-yell-at-him.-He-doesn't-respond-to-yelling!-Then-why-yell-at-me?-Because-you-don't-listen!-I'm-not-listening-to-this.-Sorry #I've-gotta-go.-Where-are-you-going?-I'm-meeting-a-friend.-A-girl?-Is-this-why-you-can't-decide?-Bye.-I-just-hope-she's-Bee-ish.-They-have-a-huge-parade-of-flowers-every-year-in-Pasadena?-To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream!-Up-on-a-float #surrounded-by-flowers #crowds-cheering.-A-tournament.-Do-the-roses-compete-in-athletic-events?-No.-All-right #I've-got-one.-How-come-you-don't-fly-everywhere?-It's-exhausting.-Why-don't-you-run-everywhere?-It's-faster.-Yeah #OK #I-see #I-see.-All-right #your-turn.-TiVo.-You-can-just-freeze-live-TV?-That's-insane!-You-don't-have-that?-We-have-Hivo #but-it's-a-disease.-It's-a-horrible #horrible-disease.-Oh #my.-Dumb-bees!-You-must-want-to-sting-all-those-jerks.-We-try-not-to-sting.-It's-usually-fatal-for-us.-So-you-have-to-watch-your-temper.-Very-carefully.-You-kick-a-wall #take-a-walk #write-an-angry-letter-and-throw-it-out.-Work-through-it-like-any-emotion:-Anger #jealousy #lust.-Oh #my-goodness!-Are-you-OK?-Yeah.-What-is-wrong-with-you?!-It's-a-bug.-He's-not-bothering-anybody.-Get-out-of-here #you-creep!-What-was-that?-A-Pic-'N'-Save-circular?-Yeah #it-was.-How-did-you-know?-It-felt-like-about-10-pages.-Seventy-five-is-pretty-much-our-limit.-You've-really-got-that-down-to-a-science.-I-lost-a-cousin-to-Italian-Vogue.-I'll-bet.-What-in-the-name-of-Mighty-Hercules-is-this?-How-did-this-get-here?-cute-Bee #Golden-Blossom #Ray-Liotta-Private-Select?-Is-he-that-actor?-I-never-heard-of-him.-Why-is-this-here?-For-people.-We-eat-it.-You-don't-have-enough-food-of-your-own?-Well #yes.-How-do-you-get-it?-Bees-make-it.-I-know-who-makes-it!-And-it's-hard-to-make-it!-There's-heating #cooling #stirring.-You-need-a-whole-Krelman-thing!-It's-organic.-It's-our-ganic!-It's-just-honey #Barry.-Just-what?!-Bees-don't-know-about-this!-This-is-stealing!-A-lot-of-stealing!-You've-taken-our-homes #schools #hospitals!-This-is-all-we-have!-And-it's-on-sale?!-I'm-getting-to-the-bottom-of-this.-I'm-getting-to-the-bottom-of-all-of-this!-Hey #Hector.-You-almost-done?-Almost.-He-is-here.-I-sense-it.-Well #I-guess-I'll-go-home-now-and-just-leave-this-nice-honey-out #with-no-one-around.-You're-busted #box-boy!-I-knew-I-heard-something.-So-you-can-talk!-I-can-talk.-And-now-you'll-start-talking!-Where-you-getting-the-sweet-stuff?-Who's-your-supplier?-I-don't-understand.-I-thought-we-were-friends.-The-last-thing-we-want-to-do-is-upset-bees!-You're-too-late!-It's-ours-now!-You #sir #have-crossed-the-wrong-sword!-You #sir #will-be-lunch-for-my-iguana #Ignacio!-Where-is-the-honey-coming-from?-Tell-me-where!-Honey-Farms!-It-comes-from-Honey-Farms!-Crazy-person!-What-horrible-thing-has-happened-here?-These-faces #they-never-knew-what-hit-them.-And-now-they're-on-the-road-to-nowhere!-Just-keep-still.-What?-You're-not-dead?-Do-I-look-dead?-They-will-wipe-anything-that-moves.-Where-you-headed?-To-Honey-Farms.-I-am-onto-something-huge-here.-I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off!-I'm-going-to-Tacoma.-And-you?-He-really-is-dead.-All-right.-Uh-oh!-What-is-that?!-Oh #no!-A-wiper!-Triple-blade!-Triple-blade?-Jump-on!-It's-your-only-chance #bee!-Why-does-everything-have-to-be-so-doggone-clean?!-How-much-do-you-people-need-to-see?!-Open-your-eyes!-Stick-your-head-out-the-window!-From-NPR-News-in-Washington #I'm-Carl-Kasell.-But-don't-kill-no-more-bugs!-Bee!-Moose-blood-guy!!-You-hear-something?-Like-what?-Like-tiny-screaming.-Turn-off-the-radio.-Whassup #bee-boy?-Hey #Blood.-Just-a-row-of-honey-jars #as-far-as-the-eye-could-see.-Wow!-I-assume-wherever-this-truck-goes-is-where-they're-getting-it.-I-mean #that-honey's-ours.-Bees-hang-tight.-We're-all-jammed-in.-It's-a-close-community.-Not-us #man.-We-on-our-own.-Every-mosquito-on-his-own.-What-if-you-get-in-trouble?-You-a-mosquito #you-in-trouble.-Nobody-likes-us.-They-just-smack.-See-a-mosquito #smack #smack!-At-least-you're-out-in-the-world.-You-must-meet-girls.-Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly.-Mosquito-girl-don't-want-no-mosquito.-You-got-to-be-kidding-me!-Mooseblood's-about-to-leave-the-building!-So-long #bee!-Hey #guys!-Mooseblood!-I-knew-I'd-catch-y'all-down-here.-Did-you-bring-your-crazy-straw?-We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit.-What-is-this-place?-A-bee's-got-a-brain-the-size-of-a-pinhead.-They-are-pinheads!-Pinhead.-Check-out-the-new-smoker.-Oh #sweet.-That's-the-one-you-want.-The-Thomas-3000!-Smoker?-Ninety-puffs-a-minute #semi-automatic.-Twice-the-nicotine #all-the-tar.-A-couple-breaths-of-this-knocks-them-right-out.-They-make-the-honey #and-we-make-the-money.-'They-make-the-honey #and-we-make-the-money'?-Oh #my!-What's-going-on?-Are-you-OK?-Yeah.-It-doesn't-last-too-long.-Do-you-know-you're-in-a-fake-hive-with-fake-walls?-Our-queen-was-moved-here.-We-had-no-choice.-This-is-your-queen?-That's-a-man-in-women's-clothes!-That's-a-drag-queen!-What-is-this?-Oh #no!-There's-hundreds-of-them!-Bee-honey.-Our-honey-is-being-brazenly-stolen-on-a-massive-scale!-This-is-worse-than-anything-bears-have-done!-I-intend-to-do-something.-Oh #Barry #stop.-Who-told-you-humans-are-taking-our-honey?-That's-a-rumor.-Do-these-look-like-rumors?-That's-a-conspiracy-theory.-These-are-obviously-doctored-photos.-How-did-you-get-mixed-up-in-this?-He's-been-talking-to-humans.-What?-Talking-to-humans?!-He-has-a-human-girlfriend.-And-they-make-out!-Make-out?-Barry!-We-do-not.-You-wish-you-could.-Whose-side-are-you-on?-The-bees!-I-dated-a-cricket-once-in-San-Antonio.-Those-crazy-legs-kept-me-up-all-night.-Barry #this-is-what-you-want-to-do-with-your-life?-I-want-to-do-it-for-all-our-lives.-Nobody-works-harder-than-bees!-Dad #I-remember-you-coming-home-so-overworked-your-hands-were-still-stirring.-You-couldn't-stop.-I-remember-that.-What-right-do-they-have-to-our-honey?-We-live-on-two-cups-a-year.-They-put-it-in-lip-balm-for-no-reason-whatsoever!-Even-if-it's-true #what-can-one-bee-do?-Sting-them-where-it-really-hurts.-In-the-face!-The-eye!-That-would-hurt.-No.-Up-the-nose?-That's-a-killer.-There's-only-one-place-you-can-sting-the-humans #one-place-where-it-matters.-Hive-at-Five #The-Hive's-only-full-hour-action-news-source.-No-more-bee-beards!-With-Bob-Bumble-at-the-anchor-desk.-Weather-with-Storm-Stinger.-Sports-with-Buzz-Larvi.-And-Jeanette-Chung.-Good-evening.-I'm-Bob-Bumble.-And-I'm-Jeanette-Ohung.-A-tri-county-bee #Barry-Benson #intends-to-sue-the-human-race-for-stealing-our-honey #packaging-it-and-profiting-from-it-illegally!-Tomorrow-night-on-Bee-Larry-King #we'll-have-three-former-queens-here-in-our-studio #discussing-their-new-book #classy-Ladies #out-this-week-on-Hexagon.-Tonight-we're-talking-to-Barry-Benson.-Did-you-ever-think #'I'm-a-kid-from-The-Hive.-I-can't-do-this'?-Bees-have-never-been-afraid-to-change-the-world.-What-about-Bee-Oolumbus?-Bee-Gandhi?-Bejesus?-Where-I'm-from #we'd-never-sue-humans.-We-were-thinking-of-stickball-or-candy-stores.-How-old-are-you?-The-bee-community-is-supporting-you-in-this-case #which-will-be-the-trial-of-the-bee-century.-You-know #they-have-a-Larry-King-in-the-human-world-too.-It's-a-common-name.-Next-week...-He-looks-like-you-and-has-a-show-and-suspenders-and-colored-dots...-Next-week...-Glasses #quotes-on-the-bottom-from-the-guest-even-though-you-just-heard-'em.-Bear-Week-next-week!-They're-scary #hairy-and-here-live.-Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish.-In-tennis #you-attack-at-the-point-of-weakness!-It-was-my-grandmother #Ken.-She's-81.-Honey #her-backhand's-a-joke!-I'm-not-gonna-take-advantage-of-that?-Quiet #please.-Actual-work-going-on-here.-Is-that-that-same-bee?-Yes #it-is!-I'm-helping-him-sue-the-human-race.-Hello.-Hello #bee.-This-is-Ken.-Yeah #I-remember-you.-Timberland #size-ten-and-a-half.-Vibram-sole #I-believe.-Why-does-he-talk-again?-Listen #you-better-go-'cause-we're-really-busy-working.-But-it's-our-yogurt-night!-Bye-bye.-Why-is-yogurt-night-so-difficult?!-You-poor-thing.-You-two-have-been-at-this-for-hours!-Yes #and-Adam-here-has-been-a-huge-help.-Frosting...-How-many-sugars?-Just-one.-I-try-not-to-use-the-competition.-So-why-are-you-helping-me?-Bees-have-good-qualities.-And-it-takes-my-mind-off-the-shop.-Instead-of-flowers #people-are-giving-balloon-bouquets-now.-Those-are-great #if-you're-three.-And-artificial-flowers.-Oh #those-just-get-me-psychotic!-Yeah #me-too.-Bent-stingers #pointless-pollination.-Bees-must-hate-those-fake-things!-Nothing-worse-than-a-daffodil-that's-had-work-done.-Maybe-this-could-make-up-for-it-a-little-bit.-This-lawsuit's-a-pretty-big-deal.-I-guess.-You-sure-you-want-to-go-through-with-it?-Am-I-sure?-When-I'm-done-with-the-humans #they-won't-be-able-to-say #'Honey #I'm-home #'-without-paying-a-royalty!-It's-an-incredible-scene-here-in-downtown-Manhattan #where-the-world-anxiously-waits #because-for-the-first-time-in-history #we-will-hear-for-ourselves-if-a-honeybee-can-actually-speak.-What-have-we-gotten-into-here #isn't-it?-I-can't-believe-how-many-humans-don't-work-during-the-day.-You-think-billion-dollar-multinational-food-companies-have-good-lawyers?-Everybody-needs-to-stay-behind-the-barricade.-What's-the-matter?-I-don't-know #I-just-got-a-chill.-Well #if-it-isn't-the-bee-team.-You-boys-work-on-this?-All-rise!-The-Honorable-Judge-Bumbleton-presiding.-All-right.-Case-number-4475 #Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry-is-now-in-session.-Mr.-Montgomery #you're-representing-the-five-food-companies-collectively?-A-privilege.-Mr.-Benson...-you're-representing-all-the-bees-of-the-world?-I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed.-Mr.-Montgomery #your-opening-statement #please.-Ladies-and-gentlemen-of-the-jury #my-grandmother-was-a-simple-woman.-Born-on-a-farm #she-believed-it-was-man's-divine-right-to-benefit-from-the-bounty-of-nature-God-put-before-us.-If-we-lived-in-the-topsy-turvy-world-Mr.-Benson-imagines #just-think-of-what-would-it-mean.-I-would-have-to-negotiate-with-the-silkworm-for-the-elastic-in-my-britches!-Talking-bee!-How-do-we-know-this-isn't-some-sort-of-holographic-motion-picture-capture-Hollywood-wizardry?-They-could-be-using-laser-beams!-Robotics!-Ventriloquism!-Cloning!-For-all-we-know #he-could-be-on-steroids!-Mr.-Benson?-Ladies-and-gentlemen #there's-no-trickery-here.-I'm-just-an-ordinary-bee.-Honey's-pretty-important-to-me.-It's-important-to-all-bees.-We-invented-it!-We-make-it.-And-we-protect-it-with-our-lives.-Unfortunately #there-are-some-people-in-this-room-who-think-they-can-take-it-from-us-'cause-we're-the-little-guys!-I'm-hoping-that #after-this-is-all-over #you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have-but-everything-we-are!-I-wish-he'd-dress-like-that-all-the-time.-So-nice!-Call-your-first-witness.-So #Mr.-Klauss-Vanderhayden-of-Honey-Farms #big-company-you-have.-I-suppose-so.-I-see-you-also-own-Honeyburton-and-Honron!-Yes #they-provide-beekeepers-for-our-farms.-Beekeeper.-I-find-that-to-be-a-very-disturbing-term.-I-don't-imagine-you-employ-any-bee-free-ers #do-you?-No.-I-couldn't-hear-you.-No.-No.-Because-you-don't-free-bees.-You-keep-bees.-Not-only-that #it-seems-you-thought-a-bear-would-be-an-appropriate-image-for-a-jar-of-honey.-They're-very-lovable-creatures.-Yogi-Bear #Fozzie-Bear #Build-A-Bear.-You-mean-like-this?-Bears-kill-bees!-How'd-you-like-his-head-crashing-through-your-living-room?!-Biting-into-your-couch!-Spitting-out-your-throw-pillows!-OK #that's-enough.-Take-him-away.-So #Mr.-Sting #thank-you-for-being-here.-Your-name-intrigues-me.-Where-have-I-heard-it-before?-I-was-with-a-band-called-The-Police.-But-you've-never-been-a-police-officer #have-you?-No #I-haven't.-No #you-haven't.-And-so-here-we-have-yet-another-example-of-bee-culture-casually-stolen-by-a-human-for-nothing-more-than-a-prance-about-stage-name.-Oh #please.-Have-you-ever-been-stung #Mr.-Sting?-Because-I'm-feeling-a-little-stung #Sting.-Or-should-I-say...-Mr.-Gordon-M.-Sumner!-That's-not-his-real-name?!-You-idiots!-Mr.-Liotta #first #belated-congratulations-on-your-Emmy-win-for-a-guest-spot-on-ER-in-2005.-Thank-you.-Thank-you.-I-see-from-your-resume-that-you're-devilishly-handsome-with-a-churning-inner-turmoil-that's-ready-to-blow.-I-enjoy-what-I-do.-Is-that-a-crime?-Not-yet-it-isn't.-But-is-this-what-it's-come-to-for-you?-Exploiting-tiny #helpless-bees-so-you-don't-have-to-rehearse-your-part-and-learn-your-lines #sir?-Watch-it #Benson!-I-could-blow-right-now!-This-isn't-a-goodfella.-This-is-a-badfella!-Why-doesn't-someone-just-step-on-this-creep #and-we-can-all-go-home?!-Order-in-this-court!-You're-all-thinking-it!-Order!-Order #I-say!-Say-it!-Mr.-Liotta #please-sit-down!-I-think-it-was-awfully-nice-of-that-bear-to-pitch-in-like-that.-I-think-the-jury's-on-our-side.-Are-we-doing-everything-right #legally?-I'm-a-florist.-Right.-Well #here's-to-a-great-team.-To-a-great-team!-Well #hello.-Ken!-Hello.-I-didn't-think-you-were-coming.-No #I-was-just-late-I-tried-to-call #but...-the-battery.-I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free.-Oh #that-was-lucky.-There's-a-little-left.-I-could-heat-it-up.-Yeah #heat-it-up #sure #whatever.-So-I-hear-you're-quite-a-tennis-player.-I'm-not-much-for-the-game-myself.-The-ball's-a-little-grabby.-That's-where-I-usually-sit.-Right...-there.-Ken #Barry-was-looking-at-your-resume #and-he-agreed-with-me-that-eating-with-chopsticks-isn't-really-a-special-skill.-You-think-I-don't-see-what-you're-doing?-I-know-how-hard-it-is-to-find-the-right-job.-We-have-that-in-common.-Do-we?-Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out.-That's-just-what-I-was-thinking-about-doing.-Ken #I-let-Barry-borrow-your-razor-for-his-fuzz.-I-hope-that-was-all-right.-I'm-going-to-drain-the-old-stinger.-Yeah #you-do-that.-Look-at-that.-You-know #I've-just-about-had-it-with-your-little-Mind-Games.-What's-that?-Italian-Vogue.-Mamma-mia #that's-a-lot-of-pages.-A-lot-of-ads.-Remember-what-Van-said #why-is-your-life-more-valuable-than-mine?-Funny #I-just-can't-seem-to-recall-that!-I-think-something-stinks-in-here!-I-love-the-smell-of-flowers.-How-do-you-like-the-smell-of-flames?!-Not-as-much.-Water-bug!-Not-taking-sides!-Ken #I'm-wearing-a-Chapstick-hat!-This-is-pathetic!-I've-got-issues!-Well #well #well #a-royal-flush!-You're-bluffing.-Am-I?-Surf's-up #dude!-Poo-water!-That-bowl-is-gnarly.-Except-for-those-dirty-yellow-rings!-Kenneth!-What-are-you-doing?!-You-know #I-don't-even-like-honey!-I-don't-eat-it!-We-need-to-talk!-He's-just-a-little-bee!-And-he-happens-to-be-the-nicest-bee-I've-met-in-a-long-time!-Long-time?-What-are-you-talking-about?!-Are-there-other-bugs-in-your-life?--No #but-there-are-other-things-bugging-me-in-life.-And-you're-one-of-them!-Fine!-Talking-bees #no-yogurt-night...-My-nerves-are-fried-from-riding-on-this-emotional-roller-coaster!-Goodbye #Ken.-And-for-your-information #I-prefer-sugar-free #artificial-sweeteners-made-by-man!-I'm-sorry-about-all-that.-I-know-it's-got-an-aftertaste!-I-like-it!-I-always-felt-there-was-some-kind-of-barrier-between-Ken-and-me.-I-couldn't-overcome-it.-Oh #well.-Are-you-OK-for-the-trial?-I-believe-Mr.-Montgomery-is-about-out-of-ideas.-We-would-like-to-call-Mr.-Barry-Benson-Bee-to-the-stand.-Good-idea!-You-can-really-see-why-he's-considered-one-of-the-best-lawyers...-Yeah.-Layton #you've-gotta-weave-some-magic-with-this-jury #or-it's-gonna-be-all-over.-Don't-worry.-The-only-thing-I-have-to-do-to-turn-this-jury-around-is-to-remind-them-of-what-they-don't-like-about-bees.-You-got-the-tweezers?-Are-you-allergic?-Only-to-losing #son.-Only-to-losing.-Mr.-Benson-Bee #I'll-ask-you-what-I-think-we'd-all-like-to-know.-What-exactly-is-your-relationship-to-that-woman?-We're-friends.-Good-friends?-Yes.-How-good?-Do-you-live-together?-Wait-a-minute...-Are-you-her-little...-bedbug?-I've-seen-a-bee-documentary-or-two.-From-what-I-understand #doesn't-your-queen-give-birth-to-all-the-bee-children?-Yeah #but...-So-those-aren't-your-real-parents!-Oh #Barry...-Yes #they-are!-Hold-me-back!-You're-an-illegitimate-bee #aren't-you #Benson?-He's-denouncing-bees!-Don't-y'all-date-your-cousins?-Objection!-I'm-going-to-pincushion-this-guy!-Adam #don't!-It's-what-he-wants!-Oh #I'm-hit!!-Oh #lordy #I-am-hit!-Order!-Order!-The-venom!-The-venom-is-coursing-through-my-veins!-I-have-been-felled-by-a-winged-beast-of-destruction!-You-see?-You-can't-treat-them-like-equals!-They're-striped-savages!-Stinging's-the-only-thing-they-know!-It's-their-way!-Adam #stay-with-me.-I-can't-feel-my-legs.-What-Angel-of-Mercy-will-come-forward-to-suck-the-poison-from-my-heaving-buttocks?-I-will-have-order-in-this-court.-Order!-Order #please!-The-case-of-the-honeybees-versus-the-human-race-took-a-pointed-Turn-Against-the-bees-yesterday-when-one-of-their-legal-team-stung-Layton-T.-Montgomery.-Hey #buddy.-Hey.-Is-there-much-pain?-Yeah.-I...-I-blew-the-whole-case #didn't-I?-It-doesn't-matter.-What-matters-is-you're-alive.-You-could-have-died.-I'd-be-better-off-dead.-Look-at-me.-They-got-it-from-the-cafeteria-downstairs #in-a-tuna-sandwich.-Look #there's-a-little-celery-still-on-it.-What-was-it-like-to-sting-someone?-I-can't-explain-it.-It-was-all...-All-adrenaline-and-then...and-then-ecstasy!-All-right.-You-think-it-was-all-a-trap?-Of-course.-I'm-sorry.-I-flew-us-right-into-this.-What-were-we-thinking?-Look-at-us.-We're-just-a-couple-of-bugs-in-this-world.-What-will-the-humans-do-to-us-if-they-win?-I-don't-know.-I-hear-they-put-the-roaches-in-motels.-That-doesn't-sound-so-bad.-Adam #they-check-in #but-they-don't-check-out!-Oh #my.-Could-you-get-a-nurse-to-close-that-window?-Why?-The-smoke.-Bees-don't-smoke.-Right.-Bees-don't-smoke.-Bees-don't-smoke!-But-some-bees-are-smoking.-That's-it!-That's-our-case!-It-is?-It's-not-over?-Get-dressed.-I've-gotta-go-somewhere.-Get-back-to-the-court-and-stall.-Stall-any-way-you-can.-And-assuming-you've-done-step-correctly #you're-ready-for-the-tub.-Mr.-Flayman.-Yes?-Yes #Your-Honor!-Where-is-the-rest-of-your-team?-Well #Your-Honor #it's-interesting.-Bees-are-trained-to-fly-haphazardly #and-as-a-result #we-don't-make-very-good-time.-I-actually-heard-a-funny-story-about...-Your-Honor #haven't-these-ridiculous-bugs-taken-up-enough-of-this-court's-valuable-time?-How-much-longer-will-we-allow-these-absurd-shenanigans-to-go-on?-They-have-presented-no-compelling-evidence-to-support-their-charges-against-my-clients #who-run-legitimate-businesses.-I-move-for-a-complete-dismissal-of-this-entire-case!-Mr.-Flayman #I'm-afraid-I'm-going-to-have-to-consider-Mr.-Montgomery's-motion.-But-you-can't!-We-have-a-terrific-case.-Where-is-your-proof?-Where-is-the-evidence?-Show-me-the-smoking-gun!-Hold-it #Your-Honor!-You-want-a-smoking-gun?-Here-is-your-smoking-gun.-What-is-that?-It's-a-bee-smoker!-What #this?-This-harmless-little-contraption?-This-couldn't-hurt-a-fly #let-alone-a-bee.-Look-at-what-has-happened-to-bees-who-have-never-been-asked #'Smoking-or-non?'-Is-this-what-nature-intended-for-us?-To-be-forcibly-addicted-to-smoke-machines-and-man-made-wooden-slat-work-camps?-Living-out-our-lives-as-honey-slaves-to-the-white-man?-What-are-we-gonna-do?-He's-playing-the-species-card.-Ladies-and-gentlemen #please #free-these-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-The-court-finds-in-favor-of-the-bees!-Vanessa #we-won!-I-knew-you-could-do-it!-High-five!-Sorry.-I'm-OK!-You-know-what-this-means?-All-the-honey-will-finally-belong-to-the-bees.-Now-we-won't-have-to-work-so-hard-all-the-time.-This-is-an-unholy-perversion-of-the-balance-of-nature #Benson.-You'll-regret-this.-Barry #how-much-honey-is-out-there?-All-right.-One-at-a-time.-Barry #who-are-you-wearing?-My-sweater-is-Ralph-Lauren #and-I-have-no-pants.-What-if-Montgomery's-right?-What-do-you-mean?-We've-been-living-the-bee-way-a-long-time #27-million-years.-Congratulations-on-your-victory.-What-will-you-demand-as-a-settlement?-First #we'll-demand-a-complete-shutdown-of-all-bee-work-camps.-Then-we-want-back-the-honey-that-was-ours-to-begin-with #every-last-drop.-We-demand-an-end-to-the-glorification-of-the-bear-as-anything-more-than-a-filthy #smelly #bad-breath-stink-machine.-We're-all-aware-of-what-they-do-in-the-woods.-Wait-for-my-signal.-Take-him-out.-He'll-have-nauseous-for-a-few-hours #then-he'll-be-fine.-And-we-will-no-longer-tolerate-bee-negative-nicknames...-But-it's-just-a-prance-about-stage-name!-...unnecessary-inclusion-of-honey-in-bogus-health-products-and-la-dee-da-human-tea-time-snack-garnishments.-Can't-breathe.-Bring-it-in #boys!-Hold-it-right-there!-Good.-Tap-it.-Mr.-Buzzwell #we-just-passed-three-cups-and-there's-gallons-more-coming!-I-think-we-need-to-shut-down!-Shut-down?-We've-never-shut-down.-Shut-down-honey-production!-Stop-making-honey!-Turn-your-key #sir!-What-do-we-do-now?-Cannonball!-We're-shutting-honey-production!-Mission-abort.-Aborting-pollination-and-nectar-detail.-Returning-to-base.-Adam #you-wouldn't-believe-how-much-honey-was-out-there.-Oh #yeah?-What's-going-on?-Where-is-everybody?-Are-they-out-celebrating?-They're-home.-They-don't-know-what-to-do.-Laying-out #sleeping-in.-I-heard-your-Uncle-Carl-was-on-his-way-to-San-Antonio-with-a-cricket.-At-least-we-got-our-honey-back.-Sometimes-I-think #so-what-if-humans-liked-our-honey?-Who-wouldn't?-It's-the-greatest-thing-in-the-world!-I-was-excited-to-be-part-of-making-it.-This-was-my-new-desk.-This-was-my-new-job.-I-wanted-to-do-it-really-well.-And-now...-Now-I-can't.-I-don't-understand-why-they're-not-happy.-I-thought-their-lives-would-be-better!-They're-doing-nothing.-It's-amazing.-Honey-really-changes-people.-You-don't-have-any-idea-what's-going-on #do-you?-What-did-you-want-to-show-me?-This.-What-happened-here?-That-is-not-the-half-of-it.-Oh #no.-Oh #my.-They're-all-wilting.-Doesn't-look-very-good #does-it?-No.-And-whose-fault-do-you-think-that-is?-You-know #I'm-gonna-guess-bees.-Bees?-Specifically #me.-I-didn't-think-bees-not-needing-to-make-honey-would-affect-all-these-things.-It's-not-just-flowers.-Fruits #vegetables #they-all-need-bees.-That's-our-whole-SAT-test-right-there.-Take-away-produce #that-affects-the-entire-animal-kingdom.-And-then #of-course...-The-human-species?-So-if-there's-no-more-pollination #it-could-all-just-go-south-here #couldn't-it?-I-know-this-is-also-partly-my-fault.-How-about-a-suicide-pact?-How-do-we-do-it?-I'll-sting-you #you-step-on-me.-That-just-kills-you-twice.-Right #right.-Listen #Barry...-sorry #but-I-gotta-get-going.-I-had-to-open-my-mouth-and-talk.-Vanessa?-Vanessa?-Why-are-you-leaving?-Where-are-you-going?-To-the-final-Tournament-of-Roses-parade-in-Pasadena.-They've-moved-it-to-this-weekend-because-all-the-flowers-are-dying.-It's-the-Last-Chance-I'll-ever-have-to-see-it.-Vanessa #I-just-wanna-say-I'm-sorry.-I-never-meant-it-to-turn-out-like-this.-I-know.-Me-neither.-Tournament-of-Roses.-Roses-can't-do-sports.-Wait-a-minute.-Roses.-Roses?-Roses!-Vanessa!-Roses?!-Barry?-Roses-are-flowers!-Yes #they-are.-Flowers #bees #pollen!-I-know.-That's-why-this-is-the-last-parade.-Maybe-not.-Could-you-ask-him-to-slow-down?-Could-you-slow-down?-Barry!-OK #I-made-a-huge-mistake.-This-is-a-total-disaster #all-my-fault.-Yes #it-kind-of-is.-I've-ruined-the-planet.-I-wanted-to-help-you-with-the-flower-shop.-I've-made-it-worse.-Actually #it's-completely-closed-down.-I-thought-maybe-you-were-remodeling.-But-I-have-another-idea #and-it's-greater-than-my-previous-ideas-combined.-I-don't-want-to-hear-it!-All-right #they-have-the-roses #the-roses-have-the-pollen.-I-know-every-bee #plant-and-flower-bud-in-this-park.-All-we-gotta-do-is-get-what-they've-got-back-here-with-what-we've-got.-Bees.-Park.-Pollen!-Flowers.-Repollination!-Across-the-nation!-Tournament-of-Roses #Pasadena #California.-They've-got-nothing-but-flowers #floats-and-cotton-candy.-Security-will-be-tight.-I-have-an-idea.-Vanessa-Bloome #FTD.-Official-floral-business.-It's-real.-Sorry #ma'am.-Nice-brooch.-Thank-you.-It-was-a-gift.-Once-inside #we-just-pick-the-right-float.-How-about-The-Princess-and-the-Pea?-I-could-be-the-princess #and-you-could-be-the-pea!-Yes #I-got-it.-Where-should-I-sit?-What-are-you?-I-believe-I'm-the-pea.-The-pea?-It-goes-under-the-mattresses.-Not-in-this-fairy-tale #sweetheart.-I'm-getting-the-marshal.-You-do-that!-This-whole-parade-is-a-fiasco!-Let's-see-what-this-baby'll-do.-Hey #what-are-you-doing?!-Then-all-we-do-is-blend-in-with-traffic...-without-arousing-suspicion.-Once-at-the-airport #there's-no-stopping-us.-Stop!-Security.-You-and-your-insect-pack-your-float?-Yes.-Has-it-been-in-your-possession-the-entire-time?-Would-you-remove-your-shoes?-Remove-your-stinger.-It's-part-of-me.-I-know.-Just-having-some-fun.-Enjoy-your-flight.-Then-if-we're-lucky #we'll-have-just-enough-pollen-to-do-the-job.-Can-you-believe-how-lucky-we-are?-We-have-just-enough-pollen-to-do-the-job!-I-think-this-is-gonna-work.-It's-got-to-work.-Attention #passengers #this-is-Captain-Scott.-We-have-a-bit-of-bad-weather-in-New-York.-It-looks-like-we'll-experience-a-couple-hours-delay.-Barry #these-are-cut-flowers-with-no-water.-They'll-never-make-it.-I-gotta-get-up-there-and-talk-to-them.-Be-careful.-Can-I-get-help-with-the-Sky-Mall-magazine?-I'd-like-to-order-the-talking-inflatable-nose-and-ear-hair-trimmer.-Captain #I'm-in-a-real-situation.-What'd-you-say #Hal?-Nothing.-Bee!-Don't-freak-out!-My-entire-species...-What-are-you-doing?-Wait-a-minute!-I'm-an-attorney!-Who's-an-attorney?-Don't-move.-Oh #Barry.-Good-afternoon #passengers.-This-is-your-captain.-Would-a-Miss-Vanessa-Bloome-in-24B-please-report-to-the-cockpit?-And-please-hurry!-What-happened-here?-There-was-a-DustBuster #a-toupee #a-life-raft-exploded.-One's-bald #one's-in-a-boat #they're-both-unconscious!-Is-that-another-bee-joke?-No!-No-one's-flying-the-plane!-This-is-JFK-control-tower #Flight-356.-What's-your-status?-This-is-Vanessa-Bloome.-I'm-a-florist-from-New-York.-Where's-the-pilot?-He's-unconscious #and-so-is-the-copilot.-Not-good.-Does-anyone-onboard-have-flight-experience?-As-a-matter-of-fact #there-is.-Who's-that?-Barry-Benson.-From-the-honey-trial?!-Oh #great.-Vanessa #this-is-nothing-more-than-a-big-metal-bee.-It's-got-giant-wings #huge-engines.-I-can't-fly-a-plane.-Why-not?-Isn't-John-Travolta-a-pilot?-Yes.-How-hard-could-it-be?-Wait #Barry!-We're-headed-into-some-lightning.-This-is-Bob-Bumble.-We-have-some-late-breaking-news-from-JFK-Airport #where-a-suspenseful-scene-is-developing.-Barry-Benson #fresh-from-his-legal-victory...-That's-Barry!-...is-attempting-to-land-a-plane #loaded-with-people #flowers-and-an-incapacitated-flight-crew.-Flowers?!-We-have-a-storm-in-the-area-and-two-individuals-at-the-controls-with-absolutely-no-flight-experience.-Just-a-minute.-There's-a-bee-on-that-plane.-I'm-quite-familiar-with-Mr.-Benson-and-his-no-account-compadres.-They've-done-enough-damage.-But-isn't-he-your-only-hope?-Technically #a-bee-shouldn't-be-able-to-fly-at-all.-Their-wings-are-too-small...-Haven't-we-heard-this-a-million-times?-'The-surface-area-of-the-wings-and-body-mass-make-no-sense.'-Get-this-on-the-air!-Got-it.-Stand-by.-We're-going-live.-The-way-we-work-may-be-a-mystery-to-you.-Making-honey-takes-a-lot-of-bees-doing-a-lot-of-small-jobs.-But-let-me-tell-you-about-a-small-job.-If-you-do-it-well #it-makes-a-big-difference.-More-than-we-realized.-To-us #to-everyone.-That's-why-I-want-to-get-bees-back-to-working-together.-That's-the-bee-way!-We're-not-made-of-Jell-O.-We-get-behind-a-fellow.-Black-and-yellow!-Hello!-Left #right #down #hover.-Hover?-Forget-hover.-This-isn't-so-hard.-Beep-beep!-Beep-beep!-Barry #what-happened?!-Wait #I-think-we-were-on-autopilot-the-whole-time.-That-may-have-been-helping-me.-And-now-we're-not!-So-it-turns-out-I-cannot-fly-a-plane.-All-of-you #let's-get-behind-this-fellow!-Move-it-out!-Move-out!-Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane!-Don't-have-to-yell.-I'm-not-yelling!-We're-in-a-lot-of-trouble.-It's-very-hard-to-concentrate-with-that-panicky-tone-in-your-voice!-It's-not-a-tone.-I'm-panicking!-I-can't-do-this!-Vanessa #pull-yourself-together.-You-have-to-snap-out-of-it!-You-snap-out-of-it.-You-snap-out-of-it.-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-Hold-it!-Why?-Come-on #it's-my-turn.-How-is-the-plane-flying?-I-don't-know.-Hello?-Benson #got-any-flowers-for-a-happy-occasion-in-there?-The-Pollen-Jocks!-They-do-get-behind-a-fellow.-Black-and-yellow.-Hello.-All-right #let's-drop-this-tin-can-on-the-blacktop.-Where?-I-can't-see-anything.-Can-you?-No #nothing.-It's-all-cloudy.-Come-on.-You-got-to-think-bee #Barry.-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Wait-a-minute.-I-think-I'm-feeling-something.-What?-I-don't-know.-It's-strong #pulling-me.-Like-a-27-million-year-old-instinct.-Bring-the-nose-down.-Thinking-bee!-Thinking-bee!-Thinking-bee!-What-in-the-world-is-on-the-tarmac?-Get-some-lights-on-that!-Thinking-bee!-Thinking-bee!-Thinking-bee!-Vanessa #aim-for-the-flower.-OK.-Cut-the-engines.-We're-going-in-on-bee-power.-Ready #boys?-Affirmative!-Good.-Good.-Easy #now.-That's-it.-Land-on-that-flower!-Ready?-Full-reverse!-Spin-it-around!-Not-that-flower!-The-other-one!-Which-one?-That-flower.-I'm-aiming-at-the-flower!-That's-a-fat-guy-in-a-flowered-shirt.-I-mean-the-giant-pulsating-flower-made-of-millions-of-bees!-Pull-forward.-Nose-down.-Tail-up.-Rotate-around-it.-This-is-insane #Barry!-This's-the-only-way-I-know-how-to-fly.-Am-I-koo-koo-kachoo #or-is-this-plane-flying-in-an-insect-like-pattern?-Get-your-nose-in-there.-Don't-be-afraid.-Smell-it.-Full-reverse!-Just-drop-it.-Be-a-part-of-it.-Aim-for-the-center!-Now-drop-it-in!-Drop-it-in #woman!-Come-on #already.-Barry #we-did-it!-You-taught-me-how-to-fly!-Yes.-No-high-five!-Right.-Barry #it-worked!-Did-you-see-the-giant-flower?-What-giant-flower?-Where?-Of-course-I-saw-the-flower!-That-was-genius!-Thank-you.-But-we're-not-done-yet.-Listen #everyone!-This-runway-is-covered-with-the-last-pollen-from-the-last-flowers-available-anywhere-on-Earth.-That-means-this-is-our-Last-Chance.-We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this.-If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say?-Are-we-going-to-be-bees #or-just-Museum-of-Natural-History-keychains?-We're-bees!-Keychain!-Then-follow-me!-Except-Keychain.-Hold-on #Barry.-Here.-You've-earned-this.-Yeah!-I'm-a-Pollen-Jock!-And-it's-a-perfect-fit.-All-I-gotta-do-are-the-sleeves.-Oh #yeah.-That's-our-Barry.-Mom!-The-bees-are-back!-If-anybody-needs-to-make-a-call #now's-the-time.-I-got-a-feeling-we'll-be-working-late-tonight!-Here's-your-change.-Have-a-great-afternoon!-Can-I-help-who's-next?-Would-you-like-some-honey-with-that?-It-is-bee-approved.-Don't-forget-these.-Milk #cream #cheese #it's-all-me.--And-I-don't-see-a-nickel!-Sometimes-I-just-feel-like-a-piece-of-meat!-I-had-no-idea.-Barry #I'm-sorry.-Have-you-got-a-moment?-Would-you-excuse-me?-My-mosquito-associate-will-help-you.-Sorry-I'm-late.-He's-a-lawyer-too?-I-was-already-a-blood-sucking-parasite.-All-I-needed-was-a-briefcase.-Have-a-great-afternoon!-Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere.-No-problem #Vannie.-Just-leave-it-to-me.-You're-a-lifesaver #Barry.-Can-I-help-who's-next?-All-right #scramble #jocks!-It's-time-to-fly.-Thank-you #Barry!-That-bee-is-living-my-life!-Let-it-go #Kenny.-When-will-this-nightmare-end?!-Let-it-all-go.-Beautiful-day-to-fly.-Sure-is.-Between-you-and-me #I-was-dying-to-get-out-of-that-office.-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Me?-Hold-it.-Let's-just-stop-for-a-second.-Hold-it.-I'm-sorry.-I'm-sorry #everyone.-Can-we-stop-here?-I'm-not-making-a-major-life-decision-during-a-production-number!-All-right.-Take-ten #everybody.-Wrap-it-up #guys.-I-had-virtually-no-rehearsal-for-that. -
ok here we go
#Scripts.com Bee-Movie By-Jerry-Seinfeld NARRATOR: (Black-screen-with-text;-The-sound-of-buzzing-bees-can-be-heard) According-to-all-known-laws of-aviation #: there-is-no-way-a-bee should-be-able-to-fly. -: Its-wings-are-too-small-to-get its-fat-little-body-off-the-ground. -: The-bee #of-course #flies-anyway -: because-bees-don't-care what-humans-think-is-impossible. BARRY-BENSON: (Barry-is-picking-out-a-shirt) Yellow #black.-Yellow #black. Yellow #black.-Yellow #black. -: Ooh #black-and-yellow! Let's-shake-it-up-a-little. JANET-BENSON: Barry!-Breakfast-is-ready! BARRY: Coming! -: Hang-on-a-second. (Barry-uses-his-antenna-like-a-phone) -: Hello? ADAM-FLAYMAN: (Through-phone) --Barry? BARRY: --Adam? ADAM: --Can-you-believe-this-is-happening? BARRY: --I-can't.-I'll-pick-you-up. (Barry-flies-down-the-stairs) -: MARTIN-BENSON: Looking-sharp. JANET: Use-the-stairs.-Your-father paid-good-money-for-those. BARRY: Sorry.-I'm-excited. MARTIN: Here's-the-graduate. We're-very-proud-of-you #son. -: A-perfect-report-card #all-B's. JANET: Very-proud. (Rubs-Barry's-hair) BARRY= Ma!-I-got-a-thing-going-here. JANET: --You-got-lint-on-your-fuzz. BARRY: --Ow!-That's-me! JANET: --Wave-to-us!-We'll-be-in-row-118 #000. --Bye! (Barry-flies-out-the-door) JANET: Barry #I-told-you #stop-flying-in-the-house! (Barry-drives-through-the-hive #and-is-waved-at-by-Adam-who-is-reading-a newspaper) BARRY== --Hey #Adam. ADAM: --Hey #Barry. (Adam-gets-in-Barry's-car) -: --Is-that-fuzz-gel? BARRY: --A-little.-Special-day #graduation. ADAM: Never-thought-I'd-make-it. (Barry-pulls-away-from-the-house-and-continues-driving) BARRY: Three-days-grade-school #three-days-high-school... ADAM: Those-were-awkward. BARRY: Three-days-college.-I'm-glad-I-took a-day-and-hitchhiked-around-the-hive. ADAM== You-did-come-back-different. (Barry-and-Adam-pass-by-Artie #who-is-jogging) ARTIE: --Hi #Barry! BARRY: --Artie #growing-a-mustache?-Looks-good. ADAM: --Hear-about-Frankie? BARRY: --Yeah. ADAM== --You-going-to-the-funeral? BARRY: --No #I'm-not-going-to-his-funeral. -: Everybody-knows #sting-someone #you-die. -: Don't-waste-it-on-a-squirrel. Such-a-hothead. ADAM: I-guess-he-could-have just-gotten-out-of-the-way. (The-car-does-a-barrel-roll-on-the-loop-shaped-bridge-and-lands-on-the highway) -: I-love-this-incorporating an-amusement-park-into-our-regular-day. BARRY: I-guess-that's-why-they-say-we-don't-need-vacations. (Barry-parallel-parks-the-car-and-together-they-fly-over-the-graduating students) Boy #quite-a-bit-of-pomp... under-the-circumstances. (Barry-and-Adam-sit-down-and-put-on-their-hats) -: --Well #Adam #today-we-are-men. ADAM: --We-are! BARRY= --Bee-men. =ADAM= --Amen! BARRY-AND-ADAM: Hallelujah! (Barry-and-Adam-both-have-a-happy-spasm) ANNOUNCER: Students #faculty #distinguished-bees #: please-welcome-Dean-Buzzwell. DEAN-BUZZWELL: Welcome #New-Hive-Oity graduating-class-of... -: ...9: -: That-concludes-our-ceremonies. -: And-begins-your-career at-Honex-Industries! ADAM: Will-we-pick-our-job-today? (Adam-and-Barry-get-into-a-tour-bus) BARRY= I-heard-it's-just-orientation. (Tour-buses-rise-out-of-the-ground-and-the-students-are-automatically loaded-into-the-buses) TOUR-GUIDE: Heads-up!-Here-we-go. ANNOUNCER: Keep-your-hands-and-antennas inside-the-tram-at-all-times. BARRY: --Wonder-what-it'll-be-like? ADAM: --A-little-scary. TOUR-GUIDE== Welcome-to-Honex #a-division-of-Honesco -: and-a-part-of-the-Hexagon-Group. Barry: This-is-it! BARRY-AND-ADAM: Wow. BARRY: Wow. (The-bus-drives-down-a-road-an-on-either-side-are-the-Bee's-massive complicated-Honey-making-machines) TOUR-GUIDE: We-know-that-you #as-a-bee #have-worked-your-whole-life -: to-get-to-the-point-where-you can-work-for-your-whole-life. -: Honey-begins-when-our-valiant-Pollen Jocks-bring-the-nectar-to-the-hive. -: Our-top-secret-formula -: is-automatically-color-corrected #scent-adjusted-and-bubble-contoured -: into-this-soothing-sweet-syrup -: with-its-distinctive golden-glow-you-know-as... EVERYONE-ON-BUS: Honey! (The-guide-has-been-collecting-honey-into-a-bottle-and-she-throws-it-into the-crowd-on-the-bus-and-it-is-caught-by-a-girl-in-the-back) ADAM: --That-girl-was-hot. BARRY: --She's-my-cousin! ADAM== --She-is? BARRY: --Yes #we're-all-cousins. ADAM: --Right.-You're-right. TOUR-GUIDE: --At-Honex #we-constantly-strive -: to-improve-every-aspect of-bee-existence. -: These-bees-are-stress-testing a-new-helmet-technology. (The-bus-passes-by-a-Bee-wearing-a-helmet-who-is-being-smashed-into-the ground-with-fly-swatters #newspapers-and-boots.-He-lifts-a-thumbs-up-but you-can-hear-him-groan) -: ADAM== --What-do-you-think-he-makes? BARRY: --Not-enough. TOUR-GUIDE: Here-we-have-our-latest-advancement #the-Krelman. (They-pass-by-a-turning-wheel-with-Bees-standing-on-pegs #who-are-each wearing-a-finger-shaped-hat) Barry: --Wow #What-does-that-do? TOUR-GUIDE: --Catches-that-little-strand-of-honey -: that-hangs-after-you-pour-it. Saves-us-millions. ADAM: (Intrigued) Can-anyone-work-on-the-Krelman? TOUR-GUIDE: Of-course.-Most-bee-jobs-are small-ones. But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot. -: But-choose-carefully -: because-you'll-stay-in-the-job you-pick-for-the-rest-of-your-life. (Everyone-claps-except-for-Barry) BARRY: The-same-job-the-rest-of-your-life? I-didn't-know-that. ADAM: What's-the-difference? TOUR-GUIDE: You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off -: in-27-million-years. BARRY: (Upset) So-you'll-just-work-us-to-death? -: We'll-sure-try. (Everyone-on-the-bus-laughs-except-Barry.-Barry-and-Adam-are-walking-back home-together) ADAM: Wow!-That-blew-my-mind! BARRY: 'What's-the-difference?' How-can-you-say-that? -: One-job-forever? That's-an-insane-choice-to-have-to-make. ADAM: I'm-relieved.-Now-we-only-have to-make-one-decision-in-life. BARRY: But #Adam #how-could-they never-have-told-us-that? ADAM: Why-would-you-question-anything? We're-bees. -: We're-the-most-perfectly functioning-society-on-Earth. BARRY: You-ever-think-maybe-things work-a-little-too-well-here? ADAM: Like-what?-Give-me-one-example. (Barry-and-Adam-stop-walking-and-it-is-revealed-to-the-audience-that hundreds-of-cars-are-speeding-by-and-narrowly-missing-them-in-perfect unison) BARRY: I-don't-know.-But-you-know what-I'm-talking-about. ANNOUNCER: Please-clear-the-gate. Royal-Nectar-Force-on-approach. BARRY: Wait-a-second.-Check-it-out. (The-Pollen-jocks-fly-in #circle-around-and-landing-in-line) -: --Hey #those-are-Pollen-Jocks! ADAM: --Wow. -: I've-never-seen-them-this-close. BARRY: They-know-what-it's-like outside-the-hive. ADAM: Yeah #but-some-don't-come-back. GIRL-BEES: --Hey #Jocks! --Hi #Jocks! (The-Pollen-Jocks-hook-up-their-backpacks-to-machines-that-pump-the-nectar to-trucks #which-drive-away) LOU-LO-DUVA: You-guys-did-great! -: You're-monsters! You're-sky-freaks! I-love-it! (Punching-the-Pollen-Jocks-in-joy) I-love-it! ADAM: --I-wonder-where-they-were. BARRY: --I-don't-know. -: Their-day's-not-planned. -: Outside-the-hive #flying-who-knows where #doing-who-knows-what. -: You-can't-just-decide-to-be-a-Pollen Jock.-You-have-to-be-bred-for-that. ADAM== Right. (Barry-and-Adam-are-covered-in-some-pollen-that-floated-off-of-the-Pollen Jocks) BARRY: Look-at-that.-That's-more-pollen than-you-and-I-will-see-in-a-lifetime. ADAM: It's-just-a-status-symbol. Bees-make-too-much-of-it. BARRY: Perhaps.-Unless-you're-wearing-it and-the-ladies-see-you-wearing-it. (Barry-waves-at-2-girls-standing-a-little-away-from-them) ADAM== Those-ladies? Aren't-they-our-cousins-too? BARRY: Distant.-Distant. POLLEN-JOCK-#1: Look-at-these-two. POLLEN-JOCK-#2: --Couple-of-Hive-Harrys. POLLEN-JOCK-#1: --Let's-have-fun-with-them. GIRL-BEE-#1: It-must-be-dangerous being-a-Pollen-Jock. BARRY: Yeah.-Once-a-bear-pinned-me against-a-mushroom! -: He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me! (Slaps-Adam-with-his-hand-to-represent-his-scenario) GIRL-BEE-#2: --Oh #my! BARRY: --I-never-thought-I'd-knock-him-out. GIRL-BEE-#1: (Looking-at-Adam) What-were-you-doing-during-this? ADAM: Obviously-I-was-trying-to-alert-the-authorities. BARRY: I-can-autograph-that. (The-pollen-jocks-walk-up-to-Barry-and-Adam #they-pretend-that-Barry-and Adam-really-are-pollen-jocks.) POLLEN-JOCK-#1: A-little-gusty-out-there-today #wasn't-it #comrades? BARRY: Yeah.-Gusty. POLLEN-JOCK-#1: We're-hitting-a-sunflower-patch six-miles-from-here-tomorrow. BARRY: --Six-miles #huh? ADAM: --Barry! POLLEN-JOCK-#2: A-puddle-jump-for-us #but-maybe-you're-not-up-for-it. BARRY: --Maybe-I-am. ADAM: --You-are-not! POLLEN-JOCK-#1: We're-going-0900-at-J-Gate. -: What-do-you-think #buzzy-boy? Are-you-bee-enough? BARRY: I-might-be.-It-all-depends on-what-0900-means. (The-scene-cuts-to-Barry-looking-out-on-the-hive-city-from-his-balcony-at night) MARTIN: Hey #Honex! BARRY: Dad #you-surprised-me. MARTIN: You-decide-what-you're-interested-in? BARRY: --Well #there's-a-lot-of-choices. --But-you-only-get-one. -: Do-you-ever-get-bored doing-the-same-job-every-day? MARTIN: Son #let-me-tell-you-about-stirring. -: You-grab-that-stick #and-you-just move-it-around #and-you-stir-it-around. -: You-get-yourself-into-a-rhythm. It's-a-beautiful-thing. BARRY: You-know #Dad #the-more-I-think-about-it #: maybe-the-honey-field just-isn't-right-for-me. MARTIN: You-were-thinking-of-what #making-balloon-animals? -: That's-a-bad-job for-a-guy-with-a-stinger. -: Janet #your-son's-not-sure he-wants-to-go-into-honey! JANET: --Barry #you-are-so-funny-sometimes. BARRY: --I'm-not-trying-to-be-funny. MARTIN: You're-not-funny!-You're-going into-honey.-Our-son #the-stirrer! JANET: --You're-gonna-be-a-stirrer? BARRY: --No-one's-listening-to-me! MARTIN: Wait-till-you-see-the-sticks-I-have. BARRY: I-could-say-anything-right-now. I'm-gonna-get-an-ant-tattoo! (Barry's-parents-don't-listen-to-him-and-continue-to-ramble-on) MARTIN: Let's-open-some-honey-and-celebrate! BARRY: Maybe-I'll-pierce-my-thorax. Shave-my-antennae. -: Shack-up-with-a-grasshopper.-Get a-gold-tooth-and-call-everybody-'dawg'! JANET: I'm-so-proud. (The-scene-cuts-to-Barry-and-Adam-waiting-in-line-to-get-a-job) ADAM: --We're-starting-work-today! BARRY: --Today's-the-day. ADAM: Come-on!-All-the-good-jobs will-be-gone. BARRY: Yeah #right. JOB-LISTER: Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal... BEE-IN-FRONT-OF-LINE: --Is-it-still-available? JOB-LISTER: --Hang-on.-Two-left! -: One-of-them's-yours!-Congratulations! Step-to-the-side. ADAM: --What'd-you-get? BEE-IN-FRONT-OF-LINE: --Picking-crud-out.-Stellar! (He-walks-away) ADAM: Wow! JOB-LISTER: Couple-of-newbies? ADAM: Yes #sir!-Our-first-day!-We-are-ready! JOB-LISTER: Make-your-choice. (Adam-and-Barry-look-up-at-the-job-board.-There-are-hundreds-of-constantly changing-panels-that-contain-available-or-unavailable-jobs.-It-looks-very confusing) ADAM: --You-want-to-go-first? BARRY: --No #you-go. ADAM: Oh #my.-What's-available? JOB-LISTER: Restroom-attendant's-open #not-for-the-reason-you-think. ADAM: --Any-chance-of-getting-the-Krelman? JOB-LISTER: --Sure #you're-on. (Puts-the-Krelman-finger-hat-on-Adam's-head) (Suddenly-the-sign-for-Krelman-closes-out) -: I'm-sorry #the-Krelman-just-closed-out. (Takes-Adam's-hat-off) Wax-monkey's-always-open. ADAM: The-Krelman-opened-up-again. -: What-happened? JOB-LISTER: A-bee-died.-Makes-an-opening.-See? He's-dead.-Another-dead-one. -: Deady.-Deadified.-Two-more-dead. -: Dead-from-the-neck-up. Dead-from-the-neck-down.-That's-life! ADAM: Oh #this-is-so-hard! (Barry-remembers-what-the-Pollen-Jock-offered-him-and-he-flies-off) Heating #cooling #stunt-bee #pourer #stirrer #: humming #inspector-number-seven #lint-coordinator #stripe-supervisor #: mite-wrangler.-Barry #what do-you-think-I-should...-Barry? (Adam-turns-around-and-sees-Barry-flying-away) -: Barry! POLLEN-JOCK: All-right #we've-got-the-sunflower-patch in-quadrant-nine... ADAM: (Through-phone) What-happened-to-you? Where-are-you? BARRY: --I'm-going-out. ADAM: --Out?-Out-where? BARRY: --Out-there. ADAM: --Oh #no! BARRY: I-have-to #before-I-go to-work-for-the-rest-of-my-life. ADAM: You're-gonna-die!-You're-crazy! (Barry-hangs-up) Hello? POLLEN-JOCK-#2: Another-call-coming-in. -: If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd -: that-gets-their-roses-today. BARRY: Hey #guys. POLLEN-JOCK-#1-== --Look-at-that. POLLEN-JOCK-#2: --Isn't-that-the-kid-we-saw-yesterday? LOU-LO-DUVA: Hold-it #son #flight-deck's-restricted. POLLEN-JOCK-#1: It's-OK #Lou.-We're-gonna-take-him-up. (Puts-hand-on-Barry's-shoulder) LOU-LO-DUVA: (To-Barry)-Really?-Feeling-lucky #are-you? BEE-WITH-CLIPBOARD: (To-Barry)-Sign-here #here.-Just-initial-that. -: --Thank-you. LOU-LO-DUVA: --OK. -: You-got-a-rain-advisory-today #: and-as-you-all-know #bees-cannot-fly-in-rain. -: So-be-careful.-As-always #watch-your-brooms #: hockey-sticks #dogs #birds #bears-and-bats. -: Also #I-got-a-couple-of-reports of-root-beer-being-poured-on-us. -: Murphy's-in-a-home-because-of-it #babbling-like-a-cicada! BARRY: --That's-awful. LOU-LO-DUVA: (Still-talking-through-megaphone) --And-a-reminder-for-you-rookies #: bee-law-number-one #absolutely-no-talking-to-humans! -: All-right #launch-positions! POLLEN-JOCKS: (The-Pollen-Jocks-run-into-formation) -: Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz! LOU-LU-DUVA: Black-and-yellow! POLLEN-JOCKS: Hello! POLLEN-JOCK-#1: (To-Barry)You-ready-for-this #hot-shot? BARRY: Yeah.-Yeah #bring-it-on. POLLEN-JOCK's: Wind #check. -: --Antennae #check. --Nectar-pack #check. -: --Wings #check. --Stinger #check. BARRY: Scared-out-of-my-shorts #check. LOU-LO-DUVA: OK #ladies #: let's-move-it-out! -: Pound-those-petunias #you-striped-stem-suckers! -: All-of-you #drain-those-flowers! (The-pollen-jocks-fly-out-of-the-hive) BARRY: Wow!-I'm-out! -: I-can't-believe-I'm-out! -: So-blue. -: I-feel-so-fast-and-free! -: Box-kite! (Barry-flies-through-the-kite) -: Wow! -: Flowers! (A-pollen-jock-puts-on-some-high-tech-goggles-that-shows-flowers-similar-to heat-sink-goggles.) POLLEN-JOCK: This-is-Blue-Leader. We-have-roses-visual. -: Bring-it-around-30-degrees-and-hold. -: Roses! POLLEN-JOCK-#1: 30-degrees #roger.-Bringing-it-around. -: Stand-to-the-side #kid. It's-got-a-bit-of-a-kick. (The-pollen-jock-fires-a-high-tech-gun-at-the-flower #shooting-tubes-that suck-up-the-nectar-from-the-flower-and-collects-it-into-a-pouch-on-the-gun) BARRY: That-is-one-nectar-collector! POLLEN-JOCK-#1== --Ever-see-pollination-up-close? BARRY: --No #sir. POLLEN-JOCK-#1: (Barry-and-the-Pollen-jock-fly-over-the-field #the-pollen-jock-sprinkles pollen-as-he-goes) -: I-pick-up-some-pollen-here #sprinkle-it over-here.-Maybe-a-dash-over-there #: a-pinch-on-that-one. See-that?-It's-a-little-bit-of-magic. BARRY: That's-amazing.-Why-do-we-do-that? POLLEN-JOCK-#1: That's-pollen-power.-More-pollen #more flowers #more-nectar #more-honey-for-us. BARRY: Cool. POLLEN-JOCK-#1: I'm-picking-up-a-lot-of-bright-yellow. could-be-daisies.-Don't-we-need-those? POLLEN-JOCK-#2: Copy-that-visual. -: Wait.-One-of-these-flowers seems-to-be-on-the-move. POLLEN-JOCK-#1: Say-again?-You're-reporting a-moving-flower? POLLEN-JOCK-#2: Affirmative. (The-Pollen-jocks-land-near-the-'flowers'-which #to-the-audience-are obviously-just-tennis-balls) KEN: (In-the-distance)-That-was-on-the-line! POLLEN-JOCK-#1: This-is-the-coolest.-What-is-it? POLLEN-JOCK-#2: I-don't-know #but-I'm-loving-this-color. -: It-smells-good. Not-like-a-flower #but-I-like-it. POLLEN-JOCK-#1: Yeah #fuzzy. (Sticks-his-hand-on-the-ball-but-it-gets-stuck) POLLEN-JOCK-#3== Chemical-y. (The-pollen-jock-finally-gets-his-hand-free-from-the-tennis-ball) POLLEN-JOCK-#1: Careful #guys.-It's-a-little-grabby. (The-pollen-jocks-turn-around-and-see-Barry-lying-his-entire-body-on-top-of one-of-the-tennis-balls) POLLEN-JOCK-#2: My-sweet-lord-of-bees! POLLEN-JOCK-#3: Candy-brain #get-off-there! POLLEN-JOCK-#1: (Pointing-upwards) Problem! (A-human-hand-reaches-down-and-grabs-the-tennis-ball-that-Barry-is-stuck to) BARRY: --Guys! POLLEN-JOCK-#2: --This-could-be-bad. POLLEN-JOCK-#3: Affirmative. (Vanessa-Bloome-starts-bouncing-the-tennis-ball #not-knowing-Barry-is-stick to-it) BARRY== Very-close. -: Gonna-hurt. -: Mama's-little-boy. (Barry-is-being-hit-back-and-forth-by-two-humans-playing-tennis.-He-is still-stuck-to-the-ball) POLLEN-JOCK-#1: You-are-way-out-of-position #rookie! KEN: Coming-in-at-you-like-a-MISSILE! (Barry-flies-past-the-pollen-jocks #still-stuck-to-the-ball) BARRY: (In-slow-motion) Help-me! POLLEN-JOCK-#2: I-don't-think-these-are-flowers. POLLEN-JOCK-#3: --Should-we-tell-him? POLLEN-JOCK-#1: --I-think-he-knows. BARRY: What-is-this?! KEN: Match-point! -: You-can-start-packing-up #honey #because-you're-about-to-EAT-IT! (A-pollen-jock-coughs-which-confused-Ken-and-he-hits-the-ball-the-wrong-way with-Barry-stuck-to-it-and-it-goes-flying-into-the-city) BARRY: Yowser! (Barry-bounces-around-town-and-gets-stuck-in-the-engine-of-a-car.-He-flies into-the-air-conditioner-and-sees-a-bug-that-was-frozen-in-there) BARRY: Ew #gross. (The-man-driving-the-car-turns-on-the-air-conditioner-which-blows-Barry into-the-car) GIRL-IN-CAR: There's-a-bee-in-the-car! -: --Do-something! DAD-DRIVING-CAR: --I'm-driving! BABY-GIRL: (Waving-at-Barry) --Hi #bee. (Barry-smiles-and-waves-at-the-baby-girl) GUY-IN-BACK-OF-CAR: --He's-back-here! -: He's-going-to-sting-me! GIRL-IN-CAR: Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze! (Barry-freezes-as-well #hovering-in-the-middle-of-the-car) -: GRANDMA-IN-CAR== He-blinked! (The-grandma-whips-out-some-bee-spray-and-sprays-everywhere-in-the-car #climbing-into-the-front-seat #still-trying-to-spray-Barry) GIRL-IN-CAR: Spray-him #Granny! DAD-DRIVING-THE-CAR: What-are-you-doing?! (Barry-escapes-the-car-through-the-air-conditioner-and-is-flying-high-above the-ground #safe.) BARRY: Wow...-the-tension-level out-here-is-unbelievable. (Barry-sees-that-storm-clouds-are-gathering-and-he-can-see-rain-clouds moving-into-this-direction) -: I-gotta-get-home. -: Can't-fly-in-rain. -: Can't-fly-in-rain. (A-rain-drop-hits-Barry-and-one-of-his-wings-is-damaged) -: Can't-fly-in-rain. (A-second-rain-drop-hits-Barry-again-and-he-spirals-downwards) Mayday!-Mayday!-Bee-going-down! (WW2-plane-sound-effects-are-played-as-he-plummets #and-he-crash-lands-on-a plant-inside-an-apartment-near-the-window) VANESSA-BLOOME: Ken #could-you-close the-window-please? KEN== Hey #check-out-my-new-resume. I-made-it-into-a-fold-out-brochure. -: You-see? (Folds-brochure-resume-out) Folds-out. (Ken-closes-the-window #trapping-Barry-inside) BARRY: Oh #no.-More-humans.-I-don't-need-this. (Barry-tries-to-fly-away-but-smashes-into-the-window-and-falls-again) -: What-was-that? (Barry-keeps-trying-to-fly-out-the-window-but-he-keeps-being-knocked-back because-the-window-is-closed) Maybe-this-time.-This-time.-This-time. This-time!-This-time!-This... -: Drapes! (Barry-taps-the-glass.-He-doesn't-understand-what-it-is) That-is-diabolical. KEN: It's-fantastic.-It's-got-all-my-special skills #even-my-top-ten-favorite-movies. ANDY: What's-number-one?-Star-Wars? KEN: Nah #I-don't-go-for-that... (Ken-makes-finger-guns-and-makes-'pew-pew-pew'-sounds-and-then-stops) -: ...kind-of-stuff. BARRY: No-wonder-we-shouldn't-talk-to-them. They're-out-of-their-minds. KEN: When-I-leave-a-job-interview #they're flabbergasted #can't-believe-what-I-say. BARRY: (Looking-at-the-light-on-the-ceiling) There's-the-sun.-Maybe-that's-a-way-out. (Starts-flying-towards-the-lightbulb) -: I-don't-remember-the-sun having-a-big-75-on-it. (Barry-hits-the-lightbulb-and-falls-into-the-dip-on-the-table-that-the humans-are-sitting-at) KEN: I-predicted-global-warming. -: I-could-feel-it-getting-hotter. At-first-I-thought-it-was-just-me. (Andy-dips-a-chip-into-the-bowl-and-scoops-up-some-dip-with-Barry-on-it-and is-about-to-put-it-in-his-mouth) -: Wait!-Stop!-Bee! (Andy-drops-the-chip-with-Barry-in-fear-and-backs-away.-All-the-humans freak-out) -: Stand-back.-These-are-winter-boots. (Ken-has-winter-boots-on-his-hands-and-he-is-about-to-smash-the-bee-but Vanessa-saves-him-last-second) VANESSA: Wait! -: Don't-kill-him! (Vanessa-puts-Barry-in-a-glass-to-protect-him) KEN: You-know-I'm-allergic-to-them! This-thing-could-kill-me! VANESSA: Why-does-his-life-have less-value-than-yours? KEN: Why-does-his-life-have-any-less-value than-mine?-Is-that-your-statement? VANESSA: I'm-just-saying-all-life-has-value.-You don't-know-what-he's-capable-of-feeling. (Vanessa-picks-up-Ken's-brochure-and-puts-it-under-the-glass-so-she-can carry-Barry-back-to-the-window.-Barry-looks-at-Vanessa-in-amazement) KEN: My-brochure! VANESSA: There-you-go #little-guy. (Vanessa-opens-the-window-and-lets-Barry-out-but-Barry-stays-back-and-is still-shocked-that-a-human-saved-his-life) KEN: I'm-not-scared-of-him. It's-an-allergic-thing. VANESSA: Put-that-on-your-resume-brochure. KEN: My-whole-face-could-puff-up. ANDY: Make-it-one-of-your-special-skills. KEN: Knocking-someone-out is-also-a-special-skill. (Ken-walks-to-the-door) Right.-Bye #Vanessa.-Thanks. -: --Vanessa #next-week?-Yogurt-night? VANESSA: --Sure #Ken.-You-know #whatever. -: (Vanessa-tries-to-close-door) KEN== --You-could-put-carob-chips-on-there. VANESSA: --Bye. (Closes-door-but-Ken-opens-it-again) KEN: --Supposed-to-be-less-calories. VANESSA: --Bye. (Closes-door) (Fast-forward-to-the-next-day #Barry-is-still-inside-the-house.-He-flies into-the-kitchen-where-Vanessa-is-doing-dishes) BARRY== (Talking-to-himself) I-gotta-say-something. -: She-saved-my-life. I-gotta-say-something. -: All-right #here-it-goes. (Turns-back) Nah. -: What-would-I-say? -: I-could-really-get-in-trouble. -: It's-a-bee-law. You're-not-supposed-to-talk-to-a-human. -: I-can't-believe-I'm-doing-this. -: I've-got-to. (Barry-disguises-himself-as-a-character-on-a-food-can-as-Vanessa-walks-by again) -: Oh #I-can't-do-it.-Come-on! -: No.-Yes.-No. -: Do-it.-I-can't. -: How-should-I-start-it? (Barry-strikes-a-pose-and-wiggles-his-eyebrows) 'You-like-jazz?' No #that's-no-good. (Vanessa-is-about-to-walk-past-Barry) Here-she-comes!-Speak #you-fool! -: ...Hi! (Vanessa-gasps-and-drops-the-dishes-in-fright-and-notices-Barry-on-the counter) -: I'm-sorry. VANESSA: --You're-talking. BARRY: --Yes #I-know. VANESSA: (Pointing-at-Barry) You're-talking! BARRY: I'm-so-sorry. VANESSA: No #it's-OK.-It's-fine. I-know-I'm-dreaming. -: But-I-don't-recall-going-to-bed. BARRY: Well #I'm-sure-this is-very-disconcerting. VANESSA: This-is-a-bit-of-a-surprise-to-me. I-mean #you're-a-bee! BARRY: I-am.-And-I'm-not-supposed to-be-doing-this #(Pointing-to-the-living-room-where-Ken-tried-to-kill-him-last-night) but-they-were-all-trying-to-kill-me. -: And-if-it-wasn't-for-you... -: I-had-to-thank-you. It's-just-how-I-was-raised. (Vanessa-stabs-her-hand-with-a-fork-to-test-whether-she's-dreaming-or-not) -: That-was-a-little-weird. VANESSA: --I'm-talking-with-a-bee. BARRY: --Yeah. VANESSA: I'm-talking-to-a-bee. And-the-bee-is-talking-to-me! BARRY: I-just-want-to-say-I'm-grateful. I'll-leave-now. (Barry-turns-to-leave) VANESSA: --Wait!-How-did-you-learn-to-do-that? BARRY: (Flying-back) --What? VANESSA: The-talking...thing. BARRY: Same-way-you-did #I-guess. 'Mama #Dada #honey.'-You-pick-it-up. VANESSA: --That's-very-funny. BARRY: --Yeah. -: Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with. -: Anyway... VANESSA: Can-I... -: ...get-you-something? BARRY: --Like-what? VANESSA: I-don't-know.-I-mean... I-don't-know.-Coffee? BARRY: I-don't-want-to-put-you-out. VANESSA: It's-no-trouble.-It-takes-two-minutes. -: --It's-just-coffee. BARRY: --I-hate-to-impose. (Vanessa-starts-making-coffee) VANESSA: --Don't-be-ridiculous! BARRY: --Actually #I-would-love-a-cup. VANESSA: Hey #you-want-rum-cake? BARRY: --I-shouldn't. VANESSA: --Have-some. BARRY: --No #I-can't. VANESSA: --Come-on! BARRY: I'm-trying-to-lose-a-couple-micrograms. VANESSA: --Where? BARRY: --These-stripes-don't-help. VANESSA: You-look-great! BARRY: I-don't-know-if-you-know anything-about-fashion. -: Are-you-all-right? VANESSA: (Pouring-coffee-on-the-floor-and-missing-the-cup-completely) No. (Flash-forward-in-time.-Barry-and-Vanessa-are-sitting-together-at-a-table on-top-of-the-apartment-building-drinking-coffee) -: BARRY== He's-making-the-tie-in-the-cab as-they're-flying-up-Madison. -: He-finally-gets-there. -: He-runs-up-the-steps-into-the-church. The-wedding-is-on. -: And-he-says #'Watermelon? I-thought-you-said-Guatemalan. -: Why-would-I-marry-a-watermelon?' (Barry-laughs-but-Vanessa-looks-confused) VANESSA: Is-that-a-bee-joke? BARRY: That's-the-kind-of-stuff-we-do. VANESSA: Yeah #different. -: So #what-are-you-gonna-do #Barry? (Barry-stands-on-top-of-a-sugar-cube-floating-in-his-coffee-and-paddles-it around-with-a-straw-like-it's-a-gondola) BARRY: About-work?-I-don't-know. -: I-want-to-do-my-part-for-the-hive #but-I-can't-do-it-the-way-they-want. VANESSA: I-know-how-you-feel. BARRY: --You-do? VANESSA: --Sure. -: My-parents-wanted-me-to-be-a-lawyer-or a-doctor #but-I-wanted-to-be-a-florist. BARRY: --Really? VANESSA: --My-only-interest-is-flowers. BARRY: Our-new-queen-was-just-elected with-that-same-campaign-slogan. -: Anyway #if-you-look... (Barry-points-to-a-tree-in-the-middle-of-Central-Park) -: There's-my-hive-right-there.-See-it? VANESSA: You're-in-Sheep-Meadow! BARRY: Yes!-I'm-right-off-the-Turtle-Pond! VANESSA: No-way!-I-know-that-area. I-lost-a-toe-ring-there-once. BARRY: --Why-do-girls-put-rings-on-their-toes? VANESSA: --Why-not? BARRY: --It's-like-putting-a-hat-on-your-knee. VANESSA: --Maybe-I'll-try-that. (A-custodian-installing-a-lightbulb-looks-over-at-them-but-to-his perspective-it-looks-like-Vanessa-is-talking-to-a-cup-of-coffee-on-the table) CUSTODIAN: --You-all-right #ma'am? VANESSA: --Oh #yeah.-Fine. -: Just-having-two-cups-of-coffee! BARRY: Anyway #this-has-been-great. Thanks-for-the-coffee. VANESSA== Yeah #it's-no-trouble. BARRY: Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life. (Barry-points-towards-the-rum-cake) -: Can-I-take-a-piece-of-this-with-me? VANESSA: Sure!-Here #have-a-crumb. (Vanessa-hands-Barry-a-crumb-but-it-is-still-pretty-big-for-Barry) BARRY: --Thanks! VANESSA: --Yeah. BARRY: All-right.-Well #then... I-guess-I'll-see-you-around. -: Or-not. VANESSA: OK #Barry... BARRY: And-thank-you so-much-again...-for-before. VANESSA: Oh #that?-That-was-nothing. BARRY: Well #not-nothing #but...-Anyway... (Vanessa-and-Barry-hold-hands #but-Vanessa-has-to-hold-out-a-finger-because her-hands-is-to-big-and-Barry-holds-that) (The-custodian-looks-over-again-and-it-appears-Vanessa-is-laughing-at-her coffee-again.-The-lightbulb-that-he-was-screwing-in-sparks-and-he-falls-off the-ladder) (Fast-forward-in-time-and-we-see-two-Bee-Scientists-testing-out-a-parachute in-a-Honex-wind-tunnel) BEE-SCIENTIST-#1: This-can't-possibly-work. BEE-SCIENTIST-#2: He's-all-set-to-go. We-may-as-well-try-it. -: OK #Dave #pull-the-chute. (Dave-pulls-the-chute-and-the-wind-slams-him-against-the-wall-and-he-falls on-his-face.The-camera-pans-over-and-we-see-Barry-and-Adam-walking together) ADAM: --Sounds-amazing. BARRY: --It-was-amazing! -: It-was-the-scariest #happiest-moment-of-my-life. ADAM: Humans!-I-can't-believe you-were-with-humans! -: Giant #scary-humans! What-were-they-like? BARRY: Huge-and-crazy.-They-talk-crazy. -: They-eat-crazy-giant-things. They-drive-crazy. ADAM: --Do-they-try-and-kill-you #like-on-TV? BARRY: --Some-of-them.-But-some-of-them-don't. ADAM: --How'd-you-get-back? BARRY: --Poodle. ADAM: You-did-it #and-I'm-glad.-You-saw whatever-you-wanted-to-see. -: You-had-your-'experience.'-Now-you can-pick-out-your-job-and-be-normal. BARRY: --Well... ADAM: --Well? BARRY: Well #I-met-someone. ADAM: You-did?-Was-she-Bee-ish? -: --A-wasp?!-Your-parents-will-kill-you! BARRY: --No #no #no #not-a-wasp. ADAM: --Spider? BARRY: --I'm-not-attracted-to-spiders. -: I-know #for-everyone-else #it's-the-hottest-thing #with-the-eight-legs-and-all. -: I-can't-get-by-that-face. ADAM: So-who-is-she? BARRY: She's...-human. ADAM: No #no.-That's-a-bee-law. You-wouldn't-break-a-bee-law. BARRY: --Her-name's-Vanessa. (Adam-puts-his-head-in-his-hands) ADAM: --Oh #boy. BARRY== She's-so-nice.-And-she's-a-florist! ADAM: Oh #no!-You're-dating-a-human-florist! BARRY: We're-not-dating. ADAM: You're-flying-outside-the-hive #talking to-humans-that-attack-our-homes -: with-power-washers-and-M-80s! That's-one-eighth-a-stick-of-dynamite! BARRY: She-saved-my-life! And-she-understands-me. ADAM: This-is-over! BARRY: Eat-this. (Barry-gives-Adam-a-piece-of-the-crumb-that-he-got-from-Vanessa.-Adam-eats it) ADAM: (Adam's-tone-changes) This-is-not-over!-What-was-that? BARRY: --They-call-it-a-crumb. ADAM: --It-was-so-stingin'-stripey! BARRY: And-that's-not-what-they-eat. That's-what-falls-off-what-they-eat! -: --You-know-what-a-Cinnabon-is? ADAM: --No. (Adam-opens-a-door-behind-him-and-he-pulls-Barry-in) BARRY: It's-bread-and-cinnamon-and-frosting. ADAM: Be-quiet! BARRY: They-heat-it-up... ADAM: Sit-down! (Adam-forces-Barry-to-sit-down) BARRY: (Still-rambling-about-Cinnabons) ...really-hot! (Adam-grabs-Barry-by-the-shoulders) ADAM: --Listen-to-me! -: We-are-not-them!-We're-us. There's-us-and-there's-them! BARRY== Yes #but-who-can-deny the-heart-that-is-yearning? ADAM: There's-no-yearning. Stop-yearning.-Listen-to-me! -: You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee! BARRY: --Thinking-bee. WORKER-BEE: --Thinking-bee. WORKER-BEES-AND-ADAM: Thinking-bee!-Thinking-bee! Thinking-bee!-Thinking-bee! (Flash-forward-in-time;-Barry-is-laying-on-a-raft-in-a-pool-full-of-honey. He-is-wearing-sunglasses) JANET: There-he-is.-He's-in-the-pool. MARTIN: You-know-what-your-problem-is #Barry? (Barry-pulls-down-his-sunglasses-and-he-looks-annoyed) BARRY: (Sarcastic) I-gotta-start-thinking-bee? JANET: How-much-longer-will-this-go-on? MARTIN: It's-been-three-days! Why-aren't-you-working? (Puts-sunglasses-back-on) BARRY: I've-got-a-lot-of-big-life-decisions to-think-about. MARTIN: What-life?-You-have-no-life! You-have-no-job.-You're-barely-a-bee! JANET: Would-it-kill-you to-make-a-little-honey? (Barry-rolls-off-the-raft-and-sinks-into-the-honey-pool) -: Barry #come-out. Your-father's-talking-to-you. -: Martin #would-you-talk-to-him? MARTIN: Barry #I'm-talking-to-you! (Barry-keeps-sinking-into-the-honey-until-he-is-suddenly-in-Central-Park having-a-picnic-with-Vanessa) (Barry-has-a-cup-of-honey-and-he-clinks-his-glass-with-Vanessas.-Suddenly-a mosquito-lands-on-Vanessa-and-she-slaps-it #killing-it.-They-both-gasp-but then-burst-out-laughing) VANESSA: You-coming? (The-camera-pans-over-and-Vanessa-is-climbing-into-a-small-yellow-airplane) BARRY: Got-everything? VANESSA: All-set! BARRY: Go-ahead.-I'll-catch-up. (Vanessa-lifts-off-and-flies-ahead) VANESSA: Don't-be-too-long. (Barry-catches-up-with-Vanessa-and-he-sticks-out-his-arms-like-ana-irplane. He-rolls-from-side-to-side #and-Vanessa-copies-him-with-the-airplane) VANESSA: Watch-this! (Barry-stays-back-and-watches-as-Vanessa-draws-a-heart-in-the-air-using pink-smoke-from-the-plane #but-on-the-last-loop-the-loop-she-suddenly crashes-into-a-mountain-and-the-plane-explodes.-The-destroyed-plane-falls into-some-rocks-and-explodes-a-second-time) BARRY: Vanessa! (As-Barry-is-yelling-his-mouth-fills-with-honey-and-he-wakes-up #discovering-that-he-was-just-day-dreaming.-He-slowly-sinks-back-into-the honey-pool) MARTIN: --We're-still-here. JANET: --I-told-you-not-to-yell-at-him. -: He-doesn't-respond-to-yelling! MARTIN: --Then-why-yell-at-me? JANET: --Because-you-don't-listen! MARTIN: I'm-not-listening-to-this. BARRY: Sorry #I've-gotta-go. MARTIN: --Where-are-you-going? BARRY: --I'm-meeting-a-friend. JANET: A-girl?-Is-this-why-you-can't-decide? BARRY: Bye. (Barry-flies-out-the-door-and-Martin-shakes-his-head) -: JANET== I-just-hope-she's-Bee-ish. (Fast-forward-in-time-and-Barry-is-sitting-on-Vanessa's-shoulder-and-she-is closing-up-her-shop) BARRY: They-have-a-huge-parade of-flowers-every-year-in-Pasadena? VANESSA: To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream! -: Up-on-a-float #surrounded by-flowers #crowds-cheering. BARRY: A-tournament.-Do-the-roses compete-in-athletic-events? VANESSA: No.-All-right #I've-got-one. How-come-you-don't-fly-everywhere? BARRY: It's-exhausting.-Why-don't-you run-everywhere?-It's-faster. VANESSA: Yeah #OK #I-see #I-see. All-right #your-turn. BARRY: TiVo.-You-can-just-freeze-live-TV? That's-insane! VANESSA: You-don't-have-that? BARRY: We-have-Hivo #but-it's-a-disease. It's-a-horrible #horrible-disease. VANESSA: Oh #my. (A-human-walks-by-and-Barry-narrowly-avoids-him) PASSERBY: Dumb-bees! VANESSA: You-must-want-to-sting-all-those-jerks. BARRY: We-try-not-to-sting. It's-usually-fatal-for-us. VANESSA: So-you-have-to-watch-your-temper (They-walk-into-a-store) BARRY: Very-carefully. You-kick-a-wall #take-a-walk #: write-an-angry-letter-and-throw-it-out. Work-through-it-like-any-emotion: -: Anger #jealousy #lust. (Suddenly-an-employee(Hector)-hits-Barry-off-of-Vanessa's-shoulder.-Hector thinks-he's-saving-Vanessa) VANESSA: (To-Barry) Oh #my-goodness!-Are-you-OK? (Barry-is-getting-up-off-the-floor) BARRY: Yeah. VANESSA: (To-Hector) --What-is-wrong-with-you?! HECTOR: (Confused) --It's-a-bug. VANESSA: He's-not-bothering-anybody. Get-out-of-here #you-creep! (Vanessa-hits-Hector-across-the-face-with-the-magazine-he-had-and-then-hits him-in-the-head.-Hector-backs-away-covering-his-head) Barry: What-was-that?-A-Pic-'N'-Save-circular? (Vanessa-sets-Barry-back-on-her-shoulder) VANESSA: Yeah #it-was.-How-did-you-know? BARRY: It-felt-like-about-10-pages. Seventy-five-is-pretty-much-our-limit. VANESSA: You've-really-got-that down-to-a-science. BARRY: --Oh #we-have-to.-I-lost-a-cousin-to-Italian-Vogue. VANESSA: --I'll-bet. (Barry-looks-to-his-right-and-notices-there-is-honey-for-sale-in-the-aisle) BARRY: What-in-the-name of-Mighty-Hercules-is-this? (Barry-looks-at-all-the-brands-of-honey #shocked) How-did-this-get-here? Cute-Bee #Golden-Blossom #: Ray-Liotta-Private-Select? (Barry-puts-his-hands-up-and-slowly-turns-around #a-look-of-disgust-on-his face) VANESSA: --Is-he-that-actor? BARRY: --I-never-heard-of-him. -: --Why-is-this-here? VANESSA: --For-people.-We-eat-it. BARRY: You-don't-have enough-food-of-your-own?! (Hector-looks-back-and-notices-that-Vanessa-is-talking-to-Barry) VANESSA: --Well #yes. BARRY: --How-do-you-get-it? VANESSA: --Bees-make-it. BARRY: --I-know-who-makes-it! -: And-it's-hard-to-make-it! -: There's-heating #cooling #stirring. You-need-a-whole-Krelman-thing! VANESSA: --It's-organic. BARRY: --It's-our-ganic! VANESSA: It's-just-honey #Barry. BARRY: Just-what?! -: Bees-don't-know-about-this! This-is-stealing!-A-lot-of-stealing! -: You've-taken-our-homes #schools #hospitals!-This-is-all-we-have! -: And-it's-on-sale?! I'm-getting-to-the-bottom-of-this. -: I'm-getting-to-the-bottom of-all-of-this! (Flash-forward-in-time;-Barry-paints-his-face-with-black-strikes-like-a soldier-and-sneaks-into-the-storage-section-of-the-store) (Two-men #including-Hector #are-loading-boxes-into-some-trucks) -: SUPERMARKET-EMPLOYEE== Hey #Hector. -: --You-almost-done? HECTOR: --Almost. (Barry-takes-a-step-to-peak-around-the-corner) (Whispering) He-is-here.-I-sense-it. -: Well #I-guess-I'll-go-home-now (Hector-pretends-to-walk-away-by-walking-in-place-and-speaking-loudly) -: and-just-leave-this-nice-honey-out #with-no-one-around. BARRY: You're-busted #box-boy! HECTOR: I-knew-I-heard-something! So-you-can-talk! BARRY: I-can-talk. And-now-you'll-start-talking! -: Where-you-getting-the-sweet-stuff? Who's-your-supplier? HECTOR: I-don't-understand. I-thought-we-were-friends. -: The-last-thing-we-want to-do-is-upset-bees! (Hector-takes-a-thumbtack-out-of-the-board-behind-him-and-sword-fights Barry.-Barry-is-using-his-stinger-like-a-sword) -: You're-too-late!-It's-ours-now! BARRY: You #sir #have-crossed the-wrong-sword! HECTOR: You #sir #will-be-lunch for-my-iguana #Ignacio! (Barry-hits-the-thumbtack-out-of-Hectors-hand-and-Hector-surrenders) Barry: Where-is-the-honey-coming-from? -: Tell-me-where! HECTOR: (Pointing-to-leaving-truck) Honey-Farms!-It-comes-from-Honey-Farms! (Barry-chases-after-the-truck-but-it-is-getting-away.-He-flies-onto-a bicyclists'-backpack-and-he-catches-up-to-the-truck) CAR-DRIVER: (To-bicyclist) Crazy-person! (Barry-flies-off-and-lands-on-the-windshield-of-the-Honey-farms-truck. Barry-looks-around-and-sees-dead-bugs-splattered-everywhere) BARRY: What-horrible-thing-has-happened-here? -: These-faces #they-never-knew what-hit-them.-And-now -: they're-on-the-road-to-nowhere! (Barry-hears-a-sudden-whisper) (Barry-looks-up-and-sees-Mooseblood #a-mosquito-playing-dead) MOOSEBLOOD: Just-keep-still. BARRY: What?-You're-not-dead? MOOSEBLOOD: Do-I-look-dead?-They-will-wipe-anything that-moves.-Where-you-headed? BARRY: To-Honey-Farms. I-am-onto-something-huge-here. MOOSEBLOOD: I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off! ANOTHER-BUG-PLAYING-DEAD: I'm-going-to-Tacoma. (Barry-looks-at-another-bug) BARRY: --And-you? MOOSEBLOOD: --He-really-is-dead. BARRY: All-right. (Another-bug-hits-the-windshield-and-the-drivers-notice.-They-activate-the windshield-wipers) MOOSEBLOOD== Uh-oh! (The-windshield-wipers-are-slowly-sliding-over-the-dead-bugs-and-wiping them-off) BARRY: --What-is-that?! MOOSEBLOOD: --Oh #no! -: --A-wiper!-Triple-blade! BARRY: --Triple-blade? MOOSEBLOOD: Jump-on!-It's-your-only-chance #bee! (Mooseblood-and-Barry-grab-onto-the-wiper-and-they-hold-on-as-it-wipes-the windshield) Why-does-everything-have to-be-so-doggone-clean?! -: How-much-do-you-people-need-to-see?! (Bangs-on-windshield) -: Open-your-eyes! Stick-your-head-out-the-window! RADIO-IN-TRUCK: From-NPR-News-in-Washington #I'm-Carl-Kasell. MOOSEBLOOD: But-don't-kill-no-more-bugs! (Mooseblood-and-Barry-are-washed-off-by-the-wipr-fluid) MOOSEBLOOD: --Bee! BARRY: --Moose-blood-guy!! (Barry-starts-screaming-as-he-hangs-onto-the-antenna) (Suddenly-it-is-revealed-that-a-water-bug-is-also-hanging-on-the-antenna. There-is-a-pause-and-then-Barry-and-the-water-bug-both-start-screaming) TRUCK-DRIVER: --You-hear-something? GUY-IN-TRUCK: --Like-what? TRUCK-DRIVER: Like-tiny-screaming. GUY-IN-TRUCK: Turn-off-the-radio. (The-antenna-starts-to-lower-until-it-gets-to-low-and-sinks-into-the-truck. The-water-bug-flies-off-and-Barry-is-forced-to-let-go-and-he-is-blown-away. He-luckily-lands-inside-a-horn-on-top-of-the-truck-where-he-finds Mooseblood #who-was-blown-into-the-same-place) MOOSEBLOOD: Whassup #bee-boy? BARRY: Hey #Blood. (Fast-forward-in-time-and-we-see-that-Barry-is-deep-in-conversation-with Mooseblood.-They-have-been-sitting-in-this-truck-for-a-while) BARRY: ...Just-a-row-of-honey-jars #as-far-as-the-eye-could-see. MOOSEBLOOD: Wow! BARRY: I-assume-wherever-this-truck-goes is-where-they're-getting-it. -: I-mean #that-honey's-ours. MOOSEBLOOD: --Bees-hang-tight. BARRY: --We're-all-jammed-in. -: It's-a-close-community. MOOSEBLOOD: Not-us #man.-We-on-our-own. Every-mosquito-on-his-own. BARRY: --What-if-you-get-in-trouble? MOOSEBLOOD: --You-a-mosquito #you-in-trouble. -: Nobody-likes-us.-They-just-smack. See-a-mosquito #smack #smack! BARRY: At-least-you're-out-in-the-world. You-must-meet-girls. MOOSEBLOOD: Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly. -: Mosquito-girl-don't-want-no-mosquito. (An-ambulance-passes-by-and-it-has-a-blood-donation-sign-on-it) You-got-to-be-kidding-me! -: Mooseblood's-about-to-leave the-building!-So-long #bee! (Mooseblood-leaves-and-flies-onto-the-window-of-the-ambulance-where-there are-other-mosquito's-hanging-out) -: --Hey #guys! OTHER-MOSQUITO: --Mooseblood! MOOSEBLOOD: I-knew-I'd-catch-y'all-down-here. Did-you-bring-your-crazy-straw? (The-truck-goes-out-of-view-and-Barry-notices-that-the-truck-he's-on-is pulling-into-a-camp-of-some-sort) TRUCK-DRIVER: We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit. (Barry-flies-out) BARRY: What-is-this-place? BEEKEEPER-1#: A-bee's-got-a-brain the-size-of-a-pinhead. BEEKEEPER-#2: They-are-pinheads! -: Pinhead. -: --Check-out-the-new-smoker. BEEKEEPER-#1: --Oh #sweet.-That's-the-one-you-want. -: The-Thomas-3000! BARRY: Smoker? BEEKEEPER-#1: Ninety-puffs-a-minute #semi-automatic. Twice-the-nicotine #all-the-tar. -: A-couple-breaths-of-this knocks-them-right-out. BEEKEEPER-#2: They-make-the-honey #and-we-make-the-money. BARRY: 'They-make-the-honey #and-we-make-the-money'? (The-Beekeeper-sprays-hundreds-of-cheap-miniature-apartments-with-the smoker.-The-bees-are-fainting-or-passing-out) Oh #my! -: What's-going-on?-Are-you-OK? (Barry-flies-into-one-of-the-apartment-and-helps-a-Bee-couple-get-off-the ground.-They-are-coughing-and-its-hard-for-them-to-stand) BEE-IN-APARTMENT: Yeah.-It-doesn't-last-too-long. BARRY: Do-you-know-you're in-a-fake-hive-with-fake-walls? BEE-IN-APPARTMENT: Our-queen-was-moved-here. We-had-no-choice. (The-apartment-room-is-completely-empty-except-for-a-photo-on-the-wall-of the-'queen'-who-is-obviously-a-man-in-women's-clothes) BARRY: This-is-your-queen? That's-a-man-in-women's-clothes! -: That's-a-drag-queen! -: What-is-this? (Barry-flies-out-and-he-discovers-that-there-are-hundreds-of-these structures #each-housing-thousands-of-Bees) Oh #no! -: There's-hundreds-of-them! (Barry-takes-out-his-camera-and-takes-pictures-of-these-Bee-work-camps.-The beekeepers-look-very-evil-in-these-depictions) Bee-honey. -: Our-honey-is-being-brazenly-stolen on-a-massive-scale! -: This-is-worse-than-anything-bears have-done!-I-intend-to-do-something. (Flash-forward-in-time-and-Barry-is-showing-these-pictures-to-his-parents) JANET: Oh #Barry #stop. MARTIN: Who-told-you-humans-are-taking our-honey?-That's-a-rumor. BARRY: Do-these-look-like-rumors? (Holds-up-the-pictures) UNCLE-CARL: That's-a-conspiracy-theory. These-are-obviously-doctored-photos. JANET: How-did-you-get-mixed-up-in-this? ADAM: He's-been-talking-to-humans. JANET: --What? MARTIN: --Talking-to-humans?! ADAM: He-has-a-human-girlfriend. And-they-make-out! JANET: Make-out?-Barry! BARRY: We-do-not. ADAM: --You-wish-you-could. MARTIN: --Whose-side-are-you-on? BARRY: The-bees! UNCLE-CARL: (He-has-been-sitting-in-the-back-of-the-room-this-entire-time) I-dated-a-cricket-once-in-San-Antonio. Those-crazy-legs-kept-me-up-all-night. JANET: Barry #this-is-what-you-want to-do-with-your-life? BARRY: I-want-to-do-it-for-all-our-lives. Nobody-works-harder-than-bees! -: Dad #I-remember-you coming-home-so-overworked -: your-hands-were-still-stirring. You-couldn't-stop. JANET: I-remember-that. BARRY: What-right-do-they-have-to-our-honey? -: We-live-on-two-cups-a-year.-They-put-it in-lip-balm-for-no-reason-whatsoever! ADAM: Even-if-it's-true #what-can-one-bee-do? BARRY: Sting-them-where-it-really-hurts. MARTIN: In-the-face!-The-eye! -: --That-would-hurt. BARRY: --No. MARTIN: Up-the-nose?-That's-a-killer. BARRY: There's-only-one-place-you-can-sting the-humans #one-place-where-it-matters. (Flash-forward-a-bit-in-time-and-we-are-watching-the-Bee-News) BEE-NEWS-NARRATOR: Hive-at-Five #the-hive's-only full-hour-action-news-source. BEE-PROTESTOR: No-more-bee-beards! BEE-NEWS-NARRATOR: With-Bob-Bumble-at-the-anchor-desk. -: Weather-with-Storm-Stinger. -: Sports-with-Buzz-Larvi. -: And-Jeanette-Chung. BOB-BUMBLE: --Good-evening.-I'm-Bob-Bumble. JEANETTE-CHUNG: --And-I'm-Jeanette-Chung. BOB-BUMBLE: A-tri-county-bee #Barry-Benson #: intends-to-sue-the-human-race for-stealing-our-honey #: packaging-it-and-profiting from-it-illegally! JEANETTE-CHUNG: Tomorrow-night-on-Bee-Larry-King #: we'll-have-three-former-queens-here-in our-studio #discussing-their-new-book #: Classy-Ladies #out-this-week-on-Hexagon. (The-scene-changes-to-an-interview-on-the-news-with-Bee-version-of-Larry King-and-Barry) BEE-LARRY-KING: Tonight-we're-talking-to-Barry-Benson. -: Did-you-ever-think #'I'm-a-kid from-the-hive.-I-can't-do-this'? BARRY: Bees-have-never-been-afraid to-change-the-world. -: What-about-Bee-Columbus? Bee-Gandhi?-Bejesus? BEE-LARRY-KING: Where-I'm-from #we'd-never-sue-humans. -: We-were-thinking of-stickball-or-candy-stores. BARRY: How-old-are-you? BEE-LARRY-KING: The-bee-community is-supporting-you-in-this-case #: which-will-be-the-trial of-the-bee-century. BARRY: You-know #they-have-a-Larry-King in-the-human-world-too. BEE-LARRY-KING: It's-a-common-name.-Next-week... BARRY: He-looks-like-you-and-has-a-show and-suspenders-and-colored-dots... BEE-LARRY-KING: Next-week... BARRY: Glasses #quotes-on-the-bottom-from-the guest-even-though-you-just-heard-'em. BEE-LARRY-KING: Bear-Week-next-week! They're-scary #hairy-and-here #live. (Bee-Larry-King-gets-annoyed-and-flies-away-offscreen) BARRY: Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish. (Flash-forward-in-time.-We-see-Vanessa-enter-and-Ken-enters-behind-her. They-are-arguing) KEN: In-tennis #you-attack at-the-point-of-weakness! VANESSA: It-was-my-grandmother #Ken.-She's-81. KEN== Honey #her-backhand's-a-joke! I'm-not-gonna-take-advantage-of-that? BARRY: (To-Ken) Quiet #please. Actual-work-going-on-here. KEN: (Pointing-at-Barry) --Is-that-that-same-bee? VANESSA: --Yes #it-is! -: I'm-helping-him-sue-the-human-race. BARRY: --Hello. KEN: --Hello #bee. VANESSA: This-is-Ken. BARRY: (Recalling-the-'Winter-Boots'-incident-earlier) Yeah #I-remember-you.-Timberland #size ten-and-a-half.-Vibram-sole #I-believe. KEN: (To-Vanessa) Why-does-he-talk-again? VANESSA: Listen #you-better-go 'cause-we're-really-busy-working. KEN: But-it's-our-yogurt-night! VANESSA: (Holding-door-open-for-Ken) Bye-bye. KEN: (Yelling) Why-is-yogurt-night-so-difficult?! (Ken-leaves-and-Vanessa-walks-over-to-Barry.-His-workplace-is-a-mess) VANESSA: You-poor-thing. You-two-have-been-at-this-for-hours! BARRY: Yes #and-Adam-here has-been-a-huge-help. ADAM: --Frosting... --How-many-sugars? -==BARRY== Just-one.-I-try-not to-use-the-competition. -: So-why-are-you-helping-me? VANESSA: Bees-have-good-qualities. -: And-it-takes-my-mind-off-the-shop. -: Instead-of-flowers #people are-giving-balloon-bouquets-now. BARRY: Those-are-great #if-you're-three. VANESSA: And-artificial-flowers. BARRY: --Oh #those-just-get-me-psychotic! VANESSA: --Yeah #me-too. -: BARRY: Bent-stingers #pointless-pollination. ADAM: Bees-must-hate-those-fake-things! -: Nothing-worse than-a-daffodil-that's-had-work-done. -: Maybe-this-could-make-up for-it-a-little-bit. VANESSA: --This-lawsuit's-a-pretty-big-deal. BARRY: --I-guess. ADAM: You-sure-you-want-to-go-through-with-it? BARRY: Am-I-sure?-When-I'm-done-with the-humans #they-won't-be-able -: to-say #'Honey #I'm-home #' without-paying-a-royalty! (Flash-forward-in-time-and-we-are-watching-the-human-news.-The-camera-shows a-crowd-outside-a-courthouse) NEWS-REPORTER: It's-an-incredible-scene here-in-downtown-Manhattan #: where-the-world-anxiously-waits #because-for-the-first-time-in-history #: we-will-hear-for-ourselves if-a-honeybee-can-actually-speak. (We-are-no-longer-watching-through-a-news-camera) ADAM: What-have-we-gotten-into-here #Barry? BARRY: It's-pretty-big #isn't-it? ADAM== (Looking-at-the-hundreds-of-people-around-the-courthouse) I-can't-believe-how-many-humans don't-work-during-the-day. BARRY: You-think-billion-dollar-multinational food-companies-have-good-lawyers? SECURITY-GUARD: Everybody-needs-to-stay behind-the-barricade. (A-limousine-drives-up-and-a-fat-man #Layton-Montgomery #a-honey-industry owner-gets-out-and-walks-past-Barry) ADAM: --What's-the-matter? BARRY: --I-don't-know #I-just-got-a-chill. (Fast-forward-in-time-and-everyone-is-in-the-court) MONTGOMERY: Well #if-it-isn't-the-bee-team. (To-Honey-Industry-lawyers) You-boys-work-on-this? MAN: All-rise!-The-Honorable Judge-Bumbleton-presiding. JUDGE-BUMBLETON: All-right.-Case-number-4475 #: Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry -: is-now-in-session. -: Mr.-Montgomery #you're-representing the-five-food-companies-collectively? MONTGOMERY: A-privilege. JUDGE-BUMBLETON: Mr.-Benson...-you're-representing all-the-bees-of-the-world? (Everyone-looks-closely #they-are-waiting-to-see-if-a-Bee-can-really-talk) (Barry-makes-several-buzzing-sounds-to-sound-like-a-Bee) BARRY: I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed. JUDGE-BUMBLBETON: Mr.-Montgomery #your-opening-statement #please. MONTGOMERY: Ladies-and-gentlemen-of-the-jury #: my-grandmother-was-a-simple-woman. -: Born-on-a-farm #she-believed it-was-man's-divine-right -: to-benefit-from-the-bounty of-nature-God-put-before-us. -: If-we-lived-in-the-topsy-turvy-world Mr.-Benson-imagines #: just-think-of-what-would-it-mean. -: I-would-have-to-negotiate with-the-silkworm -: for-the-elastic-in-my-britches! -: Talking-bee! (Montgomery-walks-over-and-looks-closely-at-Barry) -: How-do-we-know-this-isn't-some-sort-of -: holographic-motion-picture-capture Hollywood-wizardry? -: They-could-be-using-laser-beams! -: Robotics!-Ventriloquism! Cloning!-For-all-we-know #: he-could-be-on-steroids! JUDGE-BUMBLETON: Mr.-Benson? BARRY: Ladies-and-gentlemen #there's-no-trickery-here. -: I'm-just-an-ordinary-bee. Honey's-pretty-important-to-me. -: It's-important-to-all-bees. We-invented-it! -: We-make-it.-And-we-protect-it with-our-lives. -: Unfortunately #there-are some-people-in-this-room -: who-think-they-can-take-it-from-us -: 'cause-we're-the-little-guys! I'm-hoping-that #after-this-is-all-over #: you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have -: but-everything-we-are! JANET== (To-Martin) I-wish-he'd-dress-like-that all-the-time.-So-nice! JUDGE-BUMBLETON: Call-your-first-witness. BARRY: So #Mr.-Klauss-Vanderhayden of-Honey-Farms #big-company-you-have. KLAUSS-VANDERHAYDEN: I-suppose-so. BARRY: I-see-you-also-own Honeyburton-and-Honron! KLAUSS: Yes #they-provide-beekeepers for-our-farms. BARRY: Beekeeper.-I-find-that to-be-a-very-disturbing-term. -: I-don't-imagine-you-employ any-bee-free-ers #do-you? KLAUSS: (Quietly) --No. BARRY: --I-couldn't-hear-you. KLAUSS: --No. BARRY: --No. -: Because-you-don't-free-bees. You-keep-bees.-Not-only-that #: it-seems-you-thought-a-bear-would-be an-appropriate-image-for-a-jar-of-honey. KLAUSS: They're-very-lovable-creatures. -: Yogi-Bear #Fozzie-Bear #Build-A-Bear. BARRY: You-mean-like-this? (The-bear-from-Over-The-Hedge-barges-in-through-the-back-door-and-it-is roaring-and-standing-on-its-hind-legs.-It-is-thrashing-its-claws-and-people are-screaming.-It-is-being-held-back-by-a-guard-who-has-the-bear-on-a chain) -: (Pointing-to-the-roaring-bear) Bears-kill-bees! -: How'd-you-like-his-head-crashing through-your-living-room?! -: Biting-into-your-couch! Spitting-out-your-throw-pillows! JUDGE-BUMBLETON: OK #that's-enough.-Take-him-away. (The-bear-stops-roaring-and-thrashing-and-walks-out) BARRY: So #Mr.-Sting #thank-you-for-being-here. Your-name-intrigues-me. -: --Where-have-I-heard-it-before? MR.-STING: --I-was-with-a-band-called-The-Police. BARRY: But-you've-never-been a-police-officer #have-you? STING: No #I-haven't. BARRY: No #you-haven't.-And-so-here we-have-yet-another-example -: of-bee-culture-casually stolen-by-a-human -: for-nothing-more-than a-prance-about-stage-name. STING: Oh #please. BARRY: Have-you-ever-been-stung #Mr.-Sting? -: Because-I'm-feeling a-little-stung #Sting. -: Or-should-I-say...-Mr.-Gordon-M.-Sumner! MONTGOMERY: That's-not-his-real-name?!-You-idiots! BARRY: Mr.-Liotta #first #belated-congratulations-on -: your-Emmy-win-for-a-guest-spot on-ER-in-2005. RAY-LIOTTA: Thank-you.-Thank-you. BARRY: I-see-from-your-resume that-you're-devilishly-handsome -: with-a-churning-inner-turmoil that's-ready-to-blow. RAY-LIOTTA: I-enjoy-what-I-do.-Is-that-a-crime? BARRY: Not-yet-it-isn't.-But-is-this what-it's-come-to-for-you? -: Exploiting-tiny #helpless-bees so-you-don't -: have-to-rehearse your-part-and-learn-your-lines #sir? RAY-LIOTTA: Watch-it #Benson! I-could-blow-right-now! BARRY: This-isn't-a-goodfella. This-is-a-badfella! (Ray-Liotta-looses-it-and-tries-to-grab-Barry) RAY-LIOTTA: Why-doesn't-someone-just-step-on this-creep #and-we-can-all-go-home?! JUDGE-BUMBLETON: --Order-in-this-court! RAY-LIOTTA: --You're-all-thinking-it! (Judge-Bumbleton-starts-banging-her-gavel) JUDGE-BUMBLETON: Order!-Order #I-say! RAY-LIOTTA: --Say-it! MAN: --Mr.-Liotta #please-sit-down! (We-see-a-montage-of-magazines-which-feature-the-court-case) (Flash-forward-in-time-and-Barry-is-back-home-with-Vanessa) BARRY: I-think-it-was-awfully-nice of-that-bear-to-pitch-in-like-that. VANESSA: I-think-the-jury's-on-our-side. BARRY: Are-we-doing-everything-right #you-know #legally? VANESSA: I'm-a-florist. BARRY: Right.-Well #here's-to-a-great-team. VANESSA: To-a-great-team! (Ken-walks-in-from-work.-He-sees-Barry-and-he-looks-upset-when-he-sees Barry-clinking-his-glass-with-Vanessa) KEN: Well #hello. VANESSA: --Oh #Ken! BARRY: --Hello! VANESSA: I-didn't-think-you-were-coming. -: No #I-was-just-late. I-tried-to-call #but... (Ken-holds-up-his-phone-and-flips-it-open.-The-phone-has-no-charge) ...the-battery... VANESSA: I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free. KEN: Oh #that-was-lucky. (Ken-sits-down-at-the-table-across-from-Barry-and-Vanessa-leaves-the-room) VANESSA: There's-a-little-left. I-could-heat-it-up. KEN: (Not-taking-his-eyes-off-Barry) Yeah #heat-it-up #sure #whatever. BARRY: So-I-hear-you're-quite-a-tennis-player. -: I'm-not-much-for-the-game-myself. The-ball's-a-little-grabby. KEN: That's-where-I-usually-sit. Right... (Points-to-where-Barry-is-sitting) there. VANESSA: (Calling-from-other-room) Ken #Barry-was-looking-at-your-resume #: and-he-agreed-with-me-that-eating-with chopsticks-isn't-really-a-special-skill. KEN: (To-Barry) You-think-I-don't-see-what-you're-doing? BARRY: I-know-how-hard-it-is-to-find the-right-job.-We-have-that-in-common. KEN: Do-we? BARRY: Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out. KEN: (Menacingly) That's-just-what I-was-thinking-about-doing. (Ken-reaches-for-a-fork-on-the-table-but-knocks-if-on-the-floor.-He-goes-to pick-it-up) VANESSA: Ken #I-let-Barry-borrow-your-razor for-his-fuzz.-I-hope-that-was-all-right. (Ken-quickly-rises-back-up-after-hearing-this-but-hits-his-head-on-the table-and-yells) BARRY: I'm-going-to-drain-the-old-stinger. KEN: Yeah #you-do-that. (Barry-flies-past-Ken-to-get-to-the-bathroom-and-Ken-freaks-out #splashing some-of-the-wine-he-was-using-to-cool-his-head-in-his-eyes.-He-yells-in anger) (Barry-looks-at-the-magazines-featuring-his-victories-in-court) BARRY: Look-at-that. (Barry-flies-into-the-bathroom) (He-puts-his-hand-on-his-head-but-this-makes-hurts-him-and-makes-him-even madder.-He-yells-again) (Barry-is-washing-his-hands-in-the-sink-but-then-Ken-walks-in) KEN: You-know #you-know-I've-just-about-had-it (Closes-bathroom-door-behind-him) with-your-little-mind-games. (Ken-is-menacingly-rolling-up-a-magazine) BARRY: (Backing-away) --What's-that? KEN: --Italian-Vogue. BARRY: Mamma-mia #that's-a-lot-of-pages. KEN: It's-a-lot-of-ads. BARRY: Remember-what-Van-said #why-is your-life-more-valuable-than-mine? KEN: That's-funny #I-just-can't-seem-to-recall-that! (Ken-smashes-everything-off-the-sink-with-the-magazine-and-Barry-narrowly escapes) (Ken-follows-Barry-around-and-tries-to-hit-him-with-the-magazine-but-he keeps-missing) (Ken-gets-a-spray-bottle) -: I-think-something-stinks-in-here! BARRY: (Enjoying-the-spray) I-love-the-smell-of-flowers. (Ken-holds-a-lighter-in-front-of-the-spray-bottle) KEN: How-do-you-like-the-smell-of-flames?! BARRY: Not-as-much. (Ken-fires-his-make-shift-flamethrower-but-misses-Barry #burning-the bathroom.-He-torches-the-whole-room-but-looses-his-footing-and-falls-into the-bathtub.-After-getting-hit-in-the-head-by-falling-objects-3-times-he picks-up-the-shower-head #revealing-a-Water-bug-hiding-under-it) WATER-BUG: Water-bug!-Not-taking-sides! (Barry-gets-up-out-of-a-pile-of-bathroom-supplies-and-he-is-wearing-a chapstick-hat) BARRY: Ken #I'm-wearing-a-Chapstick-hat! This-is-pathetic! (Ken-switches-the-shower-head-to-lethal) KEN: I've-got-issues! (Ken-sprays-Barry-with-the-shower-head-and-he-crash-lands-into-the-toilet) (Ken-menacingly-looks-down-into-the-toilet-at-Barry) Well #well #well #a-royal-flush! BARRY: --You're-bluffing. KEN: --Am-I? (flushes-toilet) (Barry-grabs-a-chapstick-from-the-toilet-seat-and-uses-it-to-surf-in-the flushing-toilet) BARRY: Surf's-up #dude! (Barry-flies-out-of-the-toilet-on-the-chapstick-and-sprays-Ken's-face-with the-toilet-water) -: EW #Poo-water! BARRY: That-bowl-is-gnarly. KEN: (Aiming-a-toilet-cleaner-at-Barry) Except-for-those-dirty-yellow-rings! (Barry-cowers-and-covers-his-head-and-Vanessa-runs-in-and-takes-the-toilet cleaner-from-Ken-just-before-he-hits-Barry) VANESSA: Kenneth!-What-are-you-doing?! KEN== (Leaning-towards-Barry) You-know #I-don't-even-like-honey! I-don't-eat-it! VANESSA: We-need-to-talk! (Vanessa-pulls-Ken-out-of-the-bathroom) -: He's-just-a-little-bee! -: And-he-happens-to-be the-nicest-bee-I've-met-in-a-long-time! KEN: Long-time?-What-are-you-talking-about?! Are-there-other-bugs-in-your-life? VANESSA: No #but-there-are-other-things-bugging me-in-life.-And-you're-one-of-them! KEN: Fine!-Talking-bees #no-yogurt-night... -: My-nerves-are-fried-from-riding on-this-emotional-roller-coaster! VANESSA: Goodbye #Ken. (Ken-huffs-and-walks-out-and-slams-the-door.-But-suddenly-he-walks-back-in and-stares-at-Barry) -: And-for-your-information #I-prefer-sugar-free #artificial sweeteners-MADE-BY-MAN! (Ken-leaves-again-and-Vanessa-leans-in-towards-Barry) VANESSA: I'm-sorry-about-all-that. (Ken-walks-back-in-again) KEN: I-know-it's-got an-aftertaste!-I-LIKE-IT! (Ken-leaves-for-the-last-time) VANESSA: I-always-felt-there-was-some-kind of-barrier-between-Ken-and-me. -: I-couldn't-overcome-it. Oh #well. -: Are-you-OK-for-the-trial? BARRY: I-believe-Mr.-Montgomery is-about-out-of-ideas. (Flash-forward-in-time-and-Barry #Adam #and-Vanessa-are-back-in-court) MONTGOMERY-- We-would-like-to-call Mr.-Barry-Benson-Bee-to-the-stand. ADAM: Good-idea!-You-can-really-see-why-he's considered-one-of-the-best-lawyers... (Barry-stares-at-Adam) ...Yeah. LAWYER: Layton #you've gotta-weave-some-magic with-this-jury #or-it's-gonna-be-all-over. MONTGOMERY: Don't-worry.-The-only-thing-I-have to-do-to-turn-this-jury-around -: is-to-remind-them of-what-they-don't-like-about-bees. (To-lawyer) --You-got-the-tweezers? LAWYER: --Are-you-allergic? MONTGOMERY: Only-to-losing #son.-Only-to-losing. -: Mr.-Benson-Bee #I'll-ask-you what-I-think-we'd-all-like-to-know. -: What-exactly-is-your-relationship (Points-to-Vanessa) -: to-that-woman? BARRY: We're-friends. MONTGOMERY: --Good-friends? BARRY: --Yes. MONTGOMERY: How-good?-Do-you-live-together? ADAM: Wait-a-minute... -: MONTGOMERY: Are-you-her-little... -: ...bedbug? (Adam's-stinger-starts-vibrating.-He-is-agitated) I've-seen-a-bee-documentary-or-two. From-what-I-understand #: doesn't-your-queen-give-birth to-all-the-bee-children? BARRY: --Yeah #but... MONTGOMERY: (Pointing-at-Janet-and-Martin) --So-those-aren't-your-real-parents! JANET: --Oh #Barry... BARRY: --Yes #they-are! ADAM: Hold-me-back! (Vanessa-tries-to-hold-Adam-back.-He-wants-to-sting-Montgomery) MONTGOMERY: You're-an-illegitimate-bee #aren't-you #Benson? ADAM: He's-denouncing-bees! MONTGOMERY: Don't-y'all-date-your-cousins? (Montgomery-leans-over-on-the-jury-stand-and-stares-at-Adam) VANESSA: --Objection! (Vanessa-raises-her-hand-to-object-but-Adam-gets-free.-He-flies-straight-at Montgomery) =ADAM: --I'm-going-to-pincushion-this-guy! BARRY: Adam #don't!-It's-what-he-wants! (Adam-stings-Montgomery-in-the-butt-and-he-starts-thrashing-around) MONTGOMERY: Oh #I'm-hit!! -: Oh #lordy #I-am-hit! JUDGE-BUMBLETON: (Banging-gavel) Order!-Order! MONTGOMERY: (Overreacting) The-venom!-The-venom is-coursing-through-my-veins! -: I-have-been-felled by-a-winged-beast-of-destruction! -: You-see?-You-can't-treat-them like-equals!-They're-striped-savages! -: Stinging's-the-only-thing they-know!-It's-their-way! BARRY: --Adam #stay-with-me. ADAM: --I-can't-feel-my-legs. MONTGOMERY: (Overreacting-and-throwing-his-body-around-the-room) What-angel-of-mercy will-come-forward-to-suck-the-poison -: from-my-heaving-buttocks? JUDGE-BUMLBETON: I-will-have-order-in-this-court.-Order! -: Order #please! (Flash-forward-in-time-and-we-see-a-human-news-reporter) NEWS-REPORTER: The-case-of-the-honeybees versus-the-human-race -: took-a-pointed-turn-against-the-bees -: yesterday-when-one-of-their-legal team-stung-Layton-T.-Montgomery. (Adam-is-laying-in-a-hospital-bed-and-Barry-flies-in-to-see-him) BARRY: --Hey #buddy. ADAM: --Hey. BARRY: --Is-there-much-pain? ADAM: --Yeah. -: I... -: I-blew-the-whole-case #didn't-I? BARRY: It-doesn't-matter.-What-matters-is you're-alive.-You-could-have-died. ADAM: I'd-be-better-off-dead.-Look-at-me. (A-small-plastic-sword-is-replaced-as-Adam's-stinger) They-got-it-from-the-cafeteria downstairs #in-a-tuna-sandwich. -: Look #there's a-little-celery-still-on-it. (Flicks-off-the-celery-and-sighs) BARRY: What-was-it-like-to-sting-someone? ADAM: I-can't-explain-it.-It-was-all... -: All-adrenaline-and-then... and-then-ecstasy! BARRY: ...All-right. ADAM: You-think-it-was-all-a-trap? BARRY: Of-course.-I'm-sorry. I-flew-us-right-into-this. -: What-were-we-thinking?-Look-at-us.-We're just-a-couple-of-bugs-in-this-world. ADAM: What-will-the-humans-do-to-us if-they-win? BARRY: I-don't-know. ADAM: I-hear-they-put-the-roaches-in-motels. That-doesn't-sound-so-bad. BARRY: Adam #they-check-in #but-they-don't-check-out! ADAM: Oh #my. (Coughs) Could-you-get-a-nurse to-close-that-window? BARRY: --Why? ADAM: --The-smoke. (We-can-see-that-two-humans-are-smoking-cigarettes-outside) -: Bees-don't-smoke. BARRY: Right.-Bees-don't-smoke. -: Bees-don't-smoke! But-some-bees-are-smoking. -: That's-it!-That's-our-case! ADAM: It-is?-It's-not-over? BARRY: Get-dressed.-I've-gotta-go-somewhere. -: Get-back-to-the-court-and-stall. Stall-any-way-you-can. (Flash-forward-in-time-and-Adam-is-making-a-paper-boat-in-the-courtroom) ADAM: And-assuming-you've-done-step-29-correctly #you're-ready-for-the-tub! (We-see-that-the-jury-have-each-made-their-own-paper-boats-after-being taught-how-by-Adam.-They-all-look-confused) JUDGE-BUMBLETON: Mr.-Flayman. ADAM: Yes?-Yes #Your-Honor! JUDGE-BUMBLETON: Where-is-the-rest-of-your-team? ADAM: (Continues-stalling) Well #Your-Honor #it's-interesting. -: Bees-are-trained-to-fly-haphazardly #: and-as-a-result #we-don't-make-very-good-time. -: I-actually-heard-a-funny-story-about... MONTGOMERY: Your-Honor #haven't-these-ridiculous-bugs -: taken-up-enough of-this-court's-valuable-time? -: How-much-longer-will-we-allow these-absurd-shenanigans-to-go-on? -: They-have-presented-no-compelling evidence-to-support-their-charges -: against-my-clients #who-run-legitimate-businesses. -: I-move-for-a-complete-dismissal of-this-entire-case! JUDGE-BUMBLETON: Mr.-Flayman #I'm-afraid-I'm-going -: to-have-to-consider Mr.-Montgomery's-motion. ADAM: But-you-can't!-We-have-a-terrific-case. MONTGOMERY: Where-is-your-proof? Where-is-the-evidence? -: Show-me-the-smoking-gun! BARRY: (Barry-flies-in-through-the-door) Hold-it #Your-Honor! You-want-a-smoking-gun? -: Here-is-your-smoking-gun. (Vanessa-walks-in-holding-a-bee-smoker.-She-sets-it-down-on-the-Judge's podium) JUDGE-BUMBLETON: What-is-that? BARRY: It's-a-bee-smoker! MONTGOMERY: (Picks-up-smoker) What #this? This-harmless-little-contraption? -: This-couldn't-hurt-a-fly #let-alone-a-bee. (Montgomery-accidentally-fires-it-at-the-bees-in-the-crowd-and-they-faint and-cough) (Dozens-of-reporters-start-taking-pictures-of-the-suffering-bees) BARRY: Look-at-what-has-happened -: to-bees-who-have-never-been-asked #'Smoking-or-non?' -: Is-this-what-nature-intended-for-us? -: To-be-forcibly-addicted to-smoke-machines -: and-man-made-wooden-slat-work-camps? -: Living-out-our-lives-as-honey-slaves to-the-white-man? (Barry-points-to-the-honey-industry-owners.-One-of-them-is-an-African American-so-he-awkwardly-separates-himself-from-the-others) LAWYER: --What-are-we-gonna-do? --He's-playing-the-species-card. BARRY: Ladies-and-gentlemen #please #free-these-bees! ADAM-AND-VANESSA: Free-the-bees!-Free-the-bees! BEES-IN-CROWD: Free-the-bees! HUMAN-JURY: Free-the-bees!-Free-the-bees! JUDGE-BUMBLETON: The-court-finds-in-favor-of-the-bees! BARRY: Vanessa #we-won! VANESSA: I-knew-you-could-do-it!-High-five! (Vanessa-hits-Barry-hard-because-her-hand-is-too-big) -: Sorry. BARRY: (Overjoyed) I'm-OK!-You-know-what-this-means? -: All-the-honey will-finally-belong-to-the-bees. -: Now-we-won't-have to-work-so-hard-all-the-time. MONTGOMERY: This-is-an-unholy-perversion of-the-balance-of-nature #Benson. -: You'll-regret-this. (Montgomery-leaves-and-Barry-goes-outside-the-courtroom.-Several-reporters start-asking-Barry-questions) REPORTER-1#: Barry #how-much-honey-is-out-there? BARRY: All-right.-One-at-a-time. REPORTER-2#: Barry #who-are-you-wearing? BARRY: My-sweater-is-Ralph-Lauren #and-I-have-no-pants. (Barry-flies-outside-with-the-paparazzi-and-Adam-and-Vanessa-stay-back) ADAM: (To-Vanessa) --What-if-Montgomery's-right? Vanessa: --What-do-you-mean? ADAM: We've-been-living-the-bee-way a-long-time #27-million-years. (Flash-forward-in-time-and-Barry-is-talking-to-a-man) BUSINESS-MAN: Congratulations-on-your-victory. What-will-you-demand-as-a-settlement? BARRY: First #we'll-demand-a-complete-shutdown of-all-bee-work-camps. (As-Barry-is-talking-we-see-a-montage-of-men-putting-'closed'-tape-over-the work-camps-and-freeing-the-bees-in-the-crappy-apartments) Then-we-want-back-the-honey that-was-ours-to-begin-with #: every-last-drop. (Men-in-suits-are-pushing-all-the-honey-of-the-aisle-and-into-carts) We-demand-an-end-to-the-glorification of-the-bear-as-anything-more (We-see-a-statue-of-a-bear-shaped-honey-container-being-pulled-down-by bees) than-a-filthy #smelly #bad-breath-stink-machine. -: We're-all-aware of-what-they-do-in-the-woods. (We-see-Winnie-the-Pooh-sharing-his-honey-with-Piglet-in-the-cross-hairs-of a-high-tech-sniper-rifle) BARRY: (Looking-through-binoculars) Wait-for-my-signal. -: Take-him-out. (Winnie-gets-hit-by-a-tranquilizer-dart-and-dramatically-falls-off-the-log he-was-standing-on #his-tongue-hanging-out.-Piglet-looks-at-Pooh-in-fear and-the-Sniper-takes-the-honey.) SNIPER: He'll-have-nausea for-a-few-hours #then-he'll-be-fine. (Flash-forward-in-time) BARRY: And-we-will-no-longer-tolerate bee-negative-nicknames... (Mr.-Sting-is-sitting-at-home-until-he-is-taken-out-of-his-house-by-the-men in-suits) STING: But-it's-just-a-prance-about-stage-name! BARRY: ...unnecessary-inclusion-of-honey in-bogus-health-products -: and-la-dee-da-human tea-time-snack-garnishments. (An-old-lady-is-mixing-honey-into-her-tea-but-suddenly-men-in-suits-smash her-face-down-on-the-table-and-take-the-honey) OLD-LADY: Can't-breathe. (A-honey-truck-pulls-up-to-Barry's-hive) WORKER: Bring-it-in #boys! -: Hold-it-right-there!-Good. -: Tap-it. (Tons-of-honey-is-being-pumped-into-the-hive's-storage) BEE-WORKER-1#: (Honey-overflows-from-the-cup) Mr.-Buzzwell #we-just-passed-three-cups #and-there's-gallons-more-coming! -: --I-think-we-need-to-shut-down! =BEE-WORKER-#2= --Shut-down?-We've-never-shut-down. -: Shut-down-honey-production! DEAN-BUZZWELL: Stop-making-honey! (The-bees-all-leave-their-stations.-Two-bees-run-into-a-room-and-they-put the-keys-into-a-machine) Turn-your-key #sir! (Two-worker-bees-dramatically-turn-their-keys #which-opens-the-button-which they-press #shutting-down-the-honey-making-machines.-This-is-the-first-time this-has-ever-happened) BEE: ...What-do-we-do-now? (Flash-forward-in-time-and-a-Bee-is-about-to-jump-into-a-pool-full-of honey) Cannonball! (The-bee-gets-stuck-in-the-honey-and-we-get-a-short-montage-of-Bees-leaving work) (We-see-the-Pollen-Jocks-flying-but-one-of-them-gets-a-call-on-his-antenna) LOU-LU-DUVA: (Through-'phone') We're-shutting-honey-production! -: Mission-abort. POLLEN-JOCK-#1: Aborting-pollination-and-nectar-detail. Returning-to-base. (The-Pollen-Jocks-fly-back-to-the-hive) (We-get-a-time-lapse-of-Central-Park-slowly-wilting-away-as-the-bees-all relax) BARRY: Adam #you-wouldn't-believe how-much-honey-was-out-there. ADAM: Oh #yeah? BARRY: What's-going-on?-Where-is-everybody? (The-entire-street-is-deserted) -: --Are-they-out-celebrating? ADAM: --They're-home. -: They-don't-know-what-to-do. Laying-out #sleeping-in. -: I-heard-your-Uncle-Carl-was-on-his-way to-San-Antonio-with-a-cricket. BARRY: At-least-we-got-our-honey-back. ADAM: Sometimes-I-think #so-what-if-humans liked-our-honey?-Who-wouldn't? -: It's-the-greatest-thing-in-the-world! I-was-excited-to-be-part-of-making-it. -: This-was-my-new-desk.-This-was-my new-job.-I-wanted-to-do-it-really-well. -: And-now... -: Now-I-can't. (Flash-forward-in-time-and-Barry-is-talking-to-Vanessa) BARRY: I-don't-understand why-they're-not-happy. -: I-thought-their-lives-would-be-better! -: They're-doing-nothing.-It's-amazing. Honey-really-changes-people. VANESSA: You-don't-have-any-idea what's-going-on #do-you? BARRY: --What-did-you-want-to-show-me? (Vanessa-takes-Barry-to-the-rooftop-where-they-first-had-coffee-and-points to-her-store) VANESSA: --This. (Points-at-her-flowers.-They-are-all-grey-and-wilting) BARRY: What-happened-here? VANESSA: That-is-not-the-half-of-it. (Small-flash-forward-in-time-and-Vanessa-and-Barry-are-on-the-roof-of-her store-and-she-points-to-Central-Park) (We-see-that-Central-Park-is-no-longer-green-and-colorful #rather-it-is grey #brown #and-dead-like.-It-is-very-depressing-to-look-at) BARRY: Oh #no.-Oh #my. -: They're-all-wilting. VANESSA: Doesn't-look-very-good #does-it? BARRY: No. VANESSA: And-whose-fault-do-you-think-that-is? BARRY: You-know #I'm-gonna-guess-bees. VANESSA== (Staring-at-Barry) Bees? BARRY: Specifically #me. -: I-didn't-think-bees-not-needing-to-make honey-would-affect-all-these-things. VANESSA: It's-not-just-flowers. Fruits #vegetables #they-all-need-bees. BARRY: That's-our-whole-SAT-test-right-there. VANESSA: Take-away-produce #that-affects the-entire-animal-kingdom. -: And-then #of-course... BARRY: The-human-species? -: So-if-there's-no-more-pollination #: it-could-all-just-go-south-here #couldn't-it? VANESSA: I-know-this-is-also-partly-my-fault. BARRY: How-about-a-suicide-pact? VANESSA: How-do-we-do-it? BARRY: --I'll-sting-you #you-step-on-me. VANESSA: --That-just-kills-you-twice. BARRY: Right #right. VANESSA: Listen #Barry... sorry #but-I-gotta-get-going. (Vanessa-leaves) BARRY: (To-himself) I-had-to-open-my-mouth-and-talk. -: Vanessa? -: Vanessa?-Why-are-you-leaving? Where-are-you-going? (Vanessa-is-getting-into-a-taxi) VANESSA: To-the-final-Tournament-of-Roses-parade in-Pasadena. -: They've-moved-it-to-this-weekend because-all-the-flowers-are-dying. -: It's-the-last-chance I'll-ever-have-to-see-it. BARRY: Vanessa #I-just-wanna-say-I'm-sorry. I-never-meant-it-to-turn-out-like-this. VANESSA: I-know.-Me-neither. (The-taxi-starts-to-drive-away) BARRY: Tournament-of-Roses. Roses-can't-do-sports. -: Wait-a-minute.-Roses.-Roses? -: Roses! -: Vanessa! (Barry-flies-after-the-Taxi) VANESSA: Roses?! -: Barry? (Barry-is-flying-outside-the-window-of-the-taxi) BARRY: --Roses-are-flowers! VANESSA: --Yes #they-are. BARRY: Flowers #bees #pollen! VANESSA: I-know. That's-why-this-is-the-last-parade. BARRY: Maybe-not. Could-you-ask-him-to-slow-down? VANESSA: Could-you-slow-down? (The-taxi-driver-screeches-to-a-stop-and-Barry-keeps-flying-forward) -: Barry! (Barry-flies-back-to-the-window) BARRY: OK #I-made-a-huge-mistake. This-is-a-total-disaster #all-my-fault. VANESSA: Yes #it-kind-of-is. BARRY: I've-ruined-the-planet. I-wanted-to-help-you -: with-the-flower-shop. I've-made-it-worse. VANESSA: Actually #it's-completely-closed-down. BARRY: I-thought-maybe-you-were-remodeling. -: But-I-have-another-idea #and-it's greater-than-my-previous-ideas-combined. VANESSA: I-don't-want-to-hear-it! BARRY: All-right #they-have-the-roses #the-roses-have-the-pollen. -: I-know-every-bee #plant and-flower-bud-in-this-park. -: All-we-gotta-do-is-get-what-they've-got back-here-with-what-we've-got. -: --Bees. VANESSA: --Park. BARRY: --Pollen! VANESSA: --Flowers. BARRY: --Re-pollination! VANESSA: --Across-the-nation! -: Tournament-of-Roses #Pasadena #California. -: They've-got-nothing but-flowers #floats-and-cotton-candy. -: Security-will-be-tight. BARRY: I-have-an-idea. (Flash-forward-in-time.-Vanessa-is-about-to-board-a-plane-which-has-all-the Roses-on-board. VANESSA: Vanessa-Bloome #FTD. (Holds-out-badge) -: Official-floral-business.-It's-real. SECURITY-GUARD: Sorry #ma'am.-Nice-brooch. =VANESSA== Thank-you.-It-was-a-gift. (Barry-is-revealed-to-be-hiding-inside-the-brooch) (Flash-back-in-time-and-Barry-and-Vanessa-are-discussing-their-plan) BARRY: Once-inside #we-just-pick-the-right-float. VANESSA: How-about-The-Princess-and-the-Pea? -: I-could-be-the-princess #and-you-could-be-the-pea! BARRY: Yes #I-got-it. -: --Where-should-I-sit? GUARD: --What-are-you? BARRY: --I-believe-I'm-the-pea. GUARD: --The-pea? VANESSA: It-goes-under-the-mattresses. GUARD: --Not-in-this-fairy-tale #sweetheart. --I'm-getting-the-marshal. VANESSA: You-do-that! This-whole-parade-is-a-fiasco! -: Let's-see-what-this-baby'll-do. (Vanessa-drives-the-float-through-traffic) GUARD: Hey #what-are-you-doing?! BARRY== Then-all-we-do is-blend-in-with-traffic... -: ...without-arousing-suspicion. -: Once-at-the-airport #there's-no-stopping-us. (Flash-forward-in-time-and-Barry-and-Vanessa-are-about-to-get-on-a-plane) SECURITY-GUARD: Stop!-Security. -: --You-and-your-insect-pack-your-float? VANESSA: --Yes. SECURITY-GUARD: Has-it-been in-your-possession-the-entire-time? VANESSA: --Yes. SECURITY-GUARD: Would-you-remove-your-shoes? (To-Barry) --Remove-your-stinger. BARRY: --It's-part-of-me. SECURITY-GUARD: I-know.-Just-having-some-fun. Enjoy-your-flight. (Barry-plotting-with-Vanessa) BARRY: Then-if-we're-lucky #we'll-have just-enough-pollen-to-do-the-job. (Flash-forward-in-time-and-Barry-and-Vanessa-are-flying-on-the-plane) Can-you-believe-how-lucky-we-are?-We have-just-enough-pollen-to-do-the-job! VANESSA: I-think-this-is-gonna-work. BARRY: It's-got-to-work. CAPTAIN-SCOTT: (On-intercom) Attention #passengers #this-is-Captain-Scott. -: We-have-a-bit-of-bad-weather in-New-York. -: It-looks-like-we'll-experience a-couple-hours-delay. VANESSA: Barry #these-are-cut-flowers with-no-water.-They'll-never-make-it. BARRY: I-gotta-get-up-there and-talk-to-them. VANESSA== Be-careful. (Barry-flies-right-outside-the-cockpit-door) BARRY: Can-I-get-help with-the-Sky-Mall-magazine? I'd-like-to-order-the-talking inflatable-nose-and-ear-hair-trimmer. (The-flight-attendant-opens-the-door-and-walks-out-and-Barry-flies-into-the cockpit-unseen) BARRY: Captain #I'm-in-a-real-situation. CAPTAIN-SCOTT: --What'd-you-say #Hal? CO-PILOT-HAL: --Nothing. (Scott-notices-Barry-and-freaks-out) CAPTAIN-SCOTT: Bee! BARRY: No #no #no #Don't-freak-out!-My-entire-species... (Captain-Scott-gets-out-of-his-seat-and-tries-to-suck-Barry-into-a-handheld vacuum) HAL: (To-Scott) What-are-you-doing? (Barry-lands-on-Hals-hair-but-Scott-sees-him.-He-tries-to-suck-up-Barry-but instead-he-sucks-up-Hals-toupee) CAPTAIN-SCOTT: Uh-oh. BARRY: --Wait-a-minute!-I'm-an-attorney! HAL: (Hal-doesn't-know-Barry-is-on-his-head) --Who's-an-attorney? CAPTAIN-SCOTT: Don't-move. (Scott-hits-Hal-in-the-face-with-the-vacuum-in-an-attempt-to-hit-Barry.-Hal is-knocked-out-and-he-falls-on-the-life-raft-button-which-launches-an infalatable-boat-into-Scott #who-gets-knocked-out-and-falls-to-the-floor. They-are-both-uncounscious.) BARRY: (To-himself) Oh #Barry. BARRY: (On-intercom #with-a-Southern-accent) Good-afternoon #passengers. This-is-your-captain. -: Would-a-Miss-Vanessa-Bloome-in-24B please-report-to-the-cockpit? (Vanessa-looks-confused) (Normal-accent) ...And-please-hurry! (Vanessa-opens-the-door-and-sees-the-life-raft-and-the-uncounscious-pilots) VANESSA: What-happened-here? BARRY: I-tried-to-talk-to-them #but then-there-was-a-DustBuster #a-toupee #a-life-raft-exploded. -: Now-one's-bald #one's-in-a-boat #and-they're-both-unconscious! VANESSA: ...Is-that-another-bee-joke? BARRY: --No! -: No-one's-flying-the-plane! BUD-DITCHWATER: (Through-radio-on-plane) This-is-JFK-control-tower #Flight-356. What's-your-status? VANESSA: This-is-Vanessa-Bloome. I'm-a-florist-from-New-York. BUD: Where's-the-pilot? VANESSA: He's-unconscious #and-so-is-the-copilot. BUD: Not-good.-Does-anyone-onboard have-flight-experience? BARRY: As-a-matter-of-fact #there-is. BUD: --Who's-that? BARRY: --Barry-Benson. BUD: From-the-honey-trial?!-Oh #great. BARRY: Vanessa #this-is-nothing-more than-a-big-metal-bee. -: It's-got-giant-wings #huge-engines. VANESSA: I-can't-fly-a-plane. BARRY: --Why-not?-Isn't-John-Travolta-a-pilot? VANESSA: --Yes. BARRY: How-hard-could-it-be? (Vanessa-sits-down-and-flies-for-a-little-bit-but-we-see-lightning-clouds outside-the-window) VANESSA: Wait #Barry! We're-headed-into-some-lightning. (An-ominous-lightning-storm-looms-in-front-of-the-plane) (We-are-now-watching-the-Bee-News) BOB-BUMBLE: This-is-Bob-Bumble.-We-have-some late-breaking-news-from-JFK-Airport #: where-a-suspenseful-scene is-developing. -: Barry-Benson #fresh-from-his-legal-victory... ADAM: That's-Barry! BOB-BUMBLE: ...is-attempting-to-land-a-plane #loaded-with-people #flowers -: and-an-incapacitated-flight-crew. JANET #MARTIN #UNCLE-CAR-AND-ADAM: Flowers?! (The-scene-switches-to-the-human-news) REPORTER: (Talking-with-Bob-Bumble) We-have-a-storm-in-the-area and-two-individuals-at-the-controls -: with-absolutely-no-flight-experience. BOB-BUMBLE: Just-a-minute. There's-a-bee-on-that-plane. BUD: I'm-quite-familiar-with-Mr.-Benson and-his-no-account-compadres. -: They've-done-enough-damage. REPORTER: But-isn't-he-your-only-hope? BUD: Technically #a-bee shouldn't-be-able-to-fly-at-all. -: Their-wings-are-too-small... BARRY: (Through-radio) Haven't-we-heard-this-a-million-times? -: 'The-surface-area-of-the-wings and-body-mass-make-no-sense.'... BOB-BUMBLE: --Get-this-on-the-air! BEE: --Got-it. BEE-NEWS-CREW: --Stand-by. BEE-NEWS-CREW: --We're-going-live! BARRY: (Through-radio-on-TV) ...The-way-we-work-may-be-a-mystery-to-you. -: Making-honey-takes-a-lot-of-bees doing-a-lot-of-small-jobs. -: But-let-me-tell-you-about-a-small-job. -: If-you-do-it-well #it-makes-a-big-difference. -: More-than-we-realized. To-us #to-everyone. -: That's-why-I-want-to-get-bees back-to-working-together. -: That's-the-bee-way! We're-not-made-of-Jell-O. -: We-get-behind-a-fellow. -: --Black-and-yellow! BEES: --Hello! (The-scene-switches-and-Barry-is-teaching-Vanessa-how-to-fly) BARRY: Left #right #down #hover. VANESSA: --Hover? BARRY: --Forget-hover. VANESSA: This-isn't-so-hard. (Pretending-to-honk-the-horn) Beep-beep!-Beep-beep! (A-Lightning-bolt-hits-the-plane-and-autopilot-turns-off) Barry #what-happened?! BARRY: Wait #I-think-we-were on-autopilot-the-whole-time. VANESSA: --That-may-have-been-helping-me. BARRY: --And-now-we're-not! VANESSA: So-it-turns-out-I-cannot-fly-a-plane. (The-plane-plummets-but-we-see-Lou-Lu-Duva-and-the-Pollen-Jocks #along-with multiple-other-bees-flying-towards-the-plane) Lou-Lu-DUva: All-of-you #let's-get behind-this-fellow!-Move-it-out! -: Move-out! (The-scene-switches-back-to-Vanessa-and-Barry-in-the-plane) BARRY: Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane! (Barry-sticks-out-his-arms-like-an-airplane-and-flys-in-front-of-Vanessa's face) VANESSA: Don't-have-to-yell. BARRY: I'm-not-yelling! We're-in-a-lot-of-trouble. VANESSA: It's-very-hard-to-concentrate with-that-panicky-tone-in-your-voice! BARRY: It's-not-a-tone.-I'm-panicking! VANESSA: I-can't-do-this! (Barry-slaps-Vanessa) BARRY: Vanessa #pull-yourself-together. You-have-to-snap-out-of-it! VANESSA: (Slaps-Barry) You-snap-out-of-it. BARRY: (Slaps-Vanessa) -: You-snap-out-of-it. VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! (We-see-that-all-the-Pollen-Jocks-are-flying-under-the-plane) VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --Hold-it! BARRY: --Why?-Come-on #it's-my-turn. VANESSA: How-is-the-plane-flying? (The-plane-is-now-safely-flying) VANESSA: I-don't-know. (Barry's-antennae-rings-like-a-phone.-Barry-picks-up) BARRY: Hello? LOU-LU-DUVA: (Through-'phone') Benson #got-any-flowers for-a-happy-occasion-in-there? (All-of-the-Pollen-Jocks-are-carrying-the-plane) BARRY: The-Pollen-Jocks! -: They-do-get-behind-a-fellow. LOU-LU-DUVA: --Black-and-yellow. POLLEN-JOCKS: --Hello. LOU-LU-DUVA: All-right #let's-drop-this-tin-can on-the-blacktop. BARRY: Where?-I-can't-see-anything.-Can-you? VANESSA: No #nothing.-It's-all-cloudy. -: Come-on.-You-got-to-think-bee #Barry. BARRY: --Thinking-bee. --Thinking-bee. (On-the-runway-there-are-millions-of-bees-laying-on-their-backs) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: Wait-a-minute. I-think-I'm-feeling-something. VANESSA: --What? BARRY: --I-don't-know.-It's-strong #pulling-me. -: Like-a-27-million-year-old-instinct. -: Bring-the-nose-down. BEES: Thinking-bee! Thinking-bee!-Thinking-bee! CONTROL-TOWER-OPERATOR: --What-in-the-world-is-on-the-tarmac? BUD: --Get-some-lights-on-that! (It-is-revealed-that-all-the-bees-are-organized-into-a-giant-pulsating flower-formation) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: --Vanessa #aim-for-the-flower. VANESSA: --OK. BARRY: Out-the-engines.-We're-going-in on-bee-power.-Ready #boys? LOU-LU-DUVA: Affirmative! BARRY: Good.-Good.-Easy #now.-That's-it. -: Land-on-that-flower! -: Ready?-Full-reverse! -: Spin-it-around! (The-plane's-nose-is-pointed-at-a-flower-painted-on-a-nearby-plane) --Not-that-flower!-The-other-one! VANESSA: --Which-one? BARRY: --That-flower. (The-plane-is-now-pointed-at-a-fat-guy-in-a-flowered-shirt.-He-freaks-out and-tries-to-take-a-picture-of-the-plane) VANESSA: --I'm-aiming-at-the-flower! BARRY: That's-a-fat-guy-in-a-flowered-shirt. I-mean-the-giant-pulsating-flower made-of-millions-of-bees! (The-plane-hovers-over-the-bee-flower) -: Pull-forward.-Nose-down.-Tail-up. -: Rotate-around-it. VANESSA: --This-is-insane #Barry! BARRY: --This's-the-only-way-I-know-how-to-fly. BUD: Am-I-koo-koo-kachoo #or-is-this-plane flying-in-an-insect-like-pattern? (The-plane-is-unrealistically-hovering-and-spinning-over-the-bee-flower) BARRY: Get-your-nose-in-there.-Don't-be-afraid. Smell-it.-Full-reverse! -: Just-drop-it.-Be-a-part-of-it. -: Aim-for-the-center! -: Now-drop-it-in!-Drop-it-in #woman! -: Come-on #already. (The-bees-scatter-and-the-plane-safely-lands) VANESSA: Barry #we-did-it! You-taught-me-how-to-fly! BARRY: --Yes! (Vanessa-is-about-to-high-five-Barry) No-high-five! VANESSA: --Right. ADAM: Barry #it-worked! Did-you-see-the-giant-flower? BARRY: What-giant-flower?-Where?-Of-course I-saw-the-flower!-That-was-genius! ADAM: --Thank-you. BARRY: --But-we're-not-done-yet. -: Listen #everyone! -: This-runway-is-covered with-the-last-pollen -: from-the-last-flowers available-anywhere-on-Earth. -: That-means-this-is-our-last-chance. -: We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this. -: If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say? -: Are-we-going-to-be-bees #or-just Museum-of-Natural-History-keychains? BEES: We're-bees! BEE-WHO-LIKES-KEYCHAINS: Keychain! BARRY: Then-follow-me!-Except-Keychain. POLLEN-JOCK-#1: Hold-on #Barry.-Here. -: You've-earned-this. BARRY: Yeah! -: I'm-a-Pollen-Jock!-And-it's-a-perfect fit.-All-I-gotta-do-are-the-sleeves. (The-Pollen-Jocks-throw-Barry-a-nectar-collecting-gun.-Barry-catches-it) Oh #yeah. JANET: That's-our-Barry. (Barry-and-the-Pollen-Jocks-get-pollen-from-the-flowers-on-the-plane) (Flash-forward-in-time-and-the-Pollen-Jocks-are-flying-over-NYC) -: (Barry-pollinates-the-flowers-in-Vanessa's-shop-and-then-heads-to-Central Park) BOY-IN-PARK: Mom!-The-bees-are-back! ADAM: (Putting-on-his-Krelman-hat) If-anybody-needs to-make-a-call #now's-the-time. -: I-got-a-feeling-we'll-be working-late-tonight! (The-bee-honey-factories-are-back-up-and-running) (Meanwhile-at-Vanessa's-shop) VANESSA: (To-customer) Here's-your-change.-Have-a-great afternoon!-Can-I-help-who's-next? -: Would-you-like-some-honey-with-that? It-is-bee-approved.-Don't-forget-these. (There-is-a-room-in-the-shop-where-Barry-does-legal-work-for-other-animals. He-is-currently-talking-with-a-Cow) COW: Milk #cream #cheese #it's-all-me. And-I-don't-see-a-nickel! -: Sometimes-I-just-feel like-a-piece-of-meat! BARRY: I-had-no-idea. VANESSA: Barry #I'm-sorry. Have-you-got-a-moment? BARRY: Would-you-excuse-me? My-mosquito-associate-will-help-you. MOOSEBLOOD: Sorry-I'm-late. COW: He's-a-lawyer-too? MOOSEBLOOD: Ma'am #I-was-already-a-blood-sucking-parasite. All-I-needed-was-a-briefcase. VANESSA: Have-a-great-afternoon! -: Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere. BARRY: No-problem #Vannie. Just-leave-it-to-me. VANESSA: You're-a-lifesaver #Barry. Can-I-help-who's-next? BARRY: All-right #scramble #jocks! It's-time-to-fly. VANESSA: Thank-you #Barry! (Ken-walks-by-on-the-sidewalk-and-sees-the-'bee-approved-honey'-in Vanessa's-shop) KEN: That-bee-is-living-my-life!! ANDY: Let-it-go #Kenny. KEN: --When-will-this-nightmare-end?! ANDY: --Let-it-all-go. BARRY: --Beautiful-day-to-fly. POLLEN-JOCK: --Sure-is. BARRY: Between-you-and-me #I-was-dying-to-get-out-of-that-office. (Barry-recreates-the-scene-near-the-beginning-of-the-movie-where-he-flies through-the-box-kite.-The-movie-fades-to-black-and-the-credits-being) [--after-credits;-No-scene-can-be-seen-but-the-characters-can-be-heard talking-over-the-credits--] You-have-got to-start-thinking-bee #my-friend! -: --Thinking-bee! --Me? BARRY: (Talking-over-singer) Hold-it.-Let's-just-stop for-a-second.-Hold-it. -: I'm-sorry.-I'm-sorry #everyone. Can-we-stop-here? SINGER: Oh #BarryBARRY: I'm-not-making-a-major-life-decision during-a-production-number! SINGER: All-right.-Take-ten #everybody. Wrap-it-up #guys. BARRY: I-had-virtually-no-rehearsal-for-that.#scriptscombeemoviebyjerryseinfeldnarratorblackscreenwithtextthesoundofbuzzingbeescanbeheardaccordingtoallknownlawsofaviation #thereisnowayabeeshouldbeabletoflyitswingsaretoosmalltogetitsfatlittlebodyoffthegroundthebee #ofcourse #fliesanywaybecausebeesdontcarewhathumansthinkisimpossiblebarrybensonbarryispickingoutashirtyellow #blackyellow #blackooh -
CW: Fedi meta
no wait im on wafrn. I need to use the power of tags
#According-to-all-known-laws-of-aviation #there-is-no-way-a-bee-should-be-able-to-fly.-Its-wings-are-too-small-to-get-its-fat-little-body-off-the-ground.-The-bee #of-course #flies-anyway-because-bees-don't-care-what-humans-think-is-impossible.-Yellow #black.-Yellow #black.-Yellow #black.-Yellow #black.-Ooh #black-and-yellow!-Let's-shake-it-up-a-little.-Barry!-Breakfast-is-ready!-Coming!-Hang-on-a-second.-Hello?-Barry?-Adam?-Can-you-believe-this-is-happening?-I-can't.-I'll-pick-you-up.-Looking-sharp.-Use-the-stairs #Your-father-paid-good-money-for-those.-Sorry.-I'm-excited.-Here's-the-graduate.-We're-very-proud-of-you #son.-A-perfect-report-card #all-B's.-Very-proud.-Ma!-I-got-a-thing-going-here.-You-got-lint-on-your-fuzz.-Ow!-That's-me!-Wave-to-us!-We'll-be-in-row-118 #000.-Bye!-Barry #I-told-you #stop-flying-in-the-house!-Hey #Adam.-Hey #Barry.-Is-that-fuzz-gel?-A-little.-Special-day #graduation.-Never-thought-I'd-make-it.-Three-days-grade-school #three-days-high-school.-Those-were-awkward.-Three-days-college.-I'm-glad-I-took-a-day-and-hitchhiked-around-The-Hive.-You-did-come-back-different.-Hi #Barry.-Artie #growing-a-mustache?-Looks-good.-Hear-about-Frankie?-Yeah.-You-going-to-the-funeral?-No #I'm-not-going.-Everybody-knows #sting-someone #you-die.-Don't-waste-it-on-a-squirrel.-Such-a-hothead.-I-guess-he-could-have-just-gotten-out-of-the-way.-I-love-this-incorporating-an-amusement-park-into-our-day.-That's-why-we-don't-need-vacations.-Boy #quite-a-bit-of-pomp-under-the-circumstances.-Well #Adam #today-we-are-men.-We-are!-Bee-men.-Amen!-Hallelujah!-Students #faculty #distinguished-bees #please-welcome-Dean-Buzzwell.-Welcome #New-Hive-City-graduating-class-of-9:15.-That-concludes-our-ceremonies-And-begins-your-career-at-Honex-Industries!-Will-we-pick-our-job-today?-I-heard-it's-just-orientation.-Heads-up!-Here-we-go.-Keep-your-hands-and-antennas-inside-the-tram-at-all-times.-Wonder-what-it'll-be-like?-A-little-scary.-Welcome-to-Honex #a-division-of-Honesco-and-a-part-of-the-Hexagon-Group.-This-is-it!-Wow.-Wow.-We-know-that-you #as-a-bee #have-worked-your-whole-life-to-get-to-the-point-where-you-can-work-for-your-whole-life.-Honey-begins-when-our-valiant-Pollen-Jocks-bring-the-nectar-to-The-Hive.-Our-top-secret-formula-is-automatically-color-corrected #scent-adjusted-and-bubble-contoured-into-this-soothing-sweet-syrup-with-its-distinctive-golden-glow-you-know-as...-Honey!-That-girl-was-hot.-She's-my-cousin!-She-is?-Yes #we're-all-cousins.-Right.-You're-right.-At-Honex #we-constantly-strive-to-improve-every-aspect-of-bee-existence.-These-bees-are-stress-testing-a-new-helmet-technology.-What-do-you-think-he-makes?-Not-enough.-Here-we-have-our-latest-advancement #the-Krelman.-What-does-that-do?-Catches-that-little-strand-of-honey-that-hangs-after-you-pour-it.-Saves-us-millions.-Can-anyone-work-on-the-Krelman?-Of-course.-Most-bee-jobs-are-small-ones.-But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot.-But-choose-carefully-because-you'll-stay-in-the-job-you-pick-for-the-rest-of-your-life.-The-same-job-the-rest-of-your-life?-I-didn't-know-that.-What's-the-difference?-You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off-in-27-million-years.-So-you'll-just-work-us-to-death?-We'll-sure-try.-Wow!-That-blew-my-mind!-'What's-the-difference?'-How-can-you-say-that?-One-job-forever?-That's-an-insane-choice-to-have-to-make.-I'm-relieved.-Now-we-only-have-to-make-one-decision-in-life.-But #Adam #how-could-they-never-have-told-us-that?-Why-would-you-question-anything?-We're-bees.-We're-the-most-perfectly-functioning-society-on-Earth.-You-ever-think-maybe-things-work-a-little-too-well-here?-Like-what?-Give-me-one-example.-I-don't-know.-But-you-know-what-I'm-talking-about.-Please-clear-the-gate.-Royal-Nectar-Force-on-approach.-Wait-a-second.-Check-it-out.-Hey #those-are-Pollen-Jocks!-Wow.-I've-never-seen-them-this-close.-They-know-what-it's-like-outside-The-Hive.-Yeah #but-some-don't-come-back.-Hey #Jocks!-Hi #Jocks!-You-guys-did-great!-You're-monsters!-You're-sky-freaks!-I-love-it!-I-love-it!-I-wonder-where-they-were.-I-don't-know.-Their-day's-not-planned.-Outside-The-Hive #flying-who-knows-where #doing-who-knows-what.-You-can't-just-decide-to-be-a-Pollen-Jock.-You-have-to-be-bred-for-that.-Right.-Look.-That's-more-pollen-than-you-and-I-will-see-in-a-lifetime.-It's-just-a-status-symbol.-Bees-make-too-much-of-it.-Perhaps.-Unless-you're-wearing-it-and-the-ladies-see-you-wearing-it.-Those-ladies?-Aren't-they-our-cousins-too?-Distant.-Distant.-Look-at-these-two.-Couple-of-Hive-Harrys.-Let's-have-fun-with-them.-It-must-be-dangerous-being-a-Pollen-Jock.-Yeah.-Once-a-bear-pinned-me-against-a-mushroom!-He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me!-Oh #my!-I-never-thought-I'd-knock-him-out.-What-were-you-doing-during-this?-Trying-to-alert-the-authorities.-I-can-autograph-that.-A-little-gusty-out-there-today #wasn't-it #comrades?-Yeah.-Gusty.-We're-hitting-a-sunflower-patch-six-miles-from-here-tomorrow.-Six-miles #huh?-Barry!-A-puddle-jump-for-us #but-maybe-you're-not-up-for-it.-Maybe-I-am.-You-are-not!-We're-going-0900-at-J-Gate.-What-do-you-think #buzzy-boy?-Are-you-bee-enough?-I-might-be.-It-all-depends-on-what-0900-means.-Hey #Honex!-Dad #you-surprised-me.-You-decide-what-you're-interested-in?-Well #there's-a-lot-of-choices.-But-you-only-get-one.-Do-you-ever-get-bored-doing-the-same-job-every-day?-Son #let-me-tell-you-about-stirring.-You-grab-that-stick #and-you-just-move-it-around #and-you-stir-it-around.-You-get-yourself-into-a-rhythm.-It's-a-beautiful-thing.-You-know #Dad #the-more-I-think-about-it #maybe-the-honey-field-just-isn't-right-for-me.-You-were-thinking-of-what #making-balloon-animals?-That's-a-bad-job-for-a-guy-with-a-stinger.-Janet #your-son's-not-sure-he-wants-to-go-into-honey!-Barry #you-are-so-funny-sometimes.-I'm-not-trying-to-be-funny.-You're-not-funny!-You're-going-into-honey.-Our-son #the-stirrer!-You're-gonna-be-a-stirrer?-No-one's-listening-to-me!-Wait-till-you-see-the-sticks-I-have.-I-could-say-anything-right-now.-I'm-gonna-get-an-ant-tattoo!-Let's-open-some-honey-and-celebrate!-Maybe-I'll-pierce-my-thorax.-Shave-my-antennae.-Shack-up-with-a-grasshopper.-Get-a-gold-tooth-and-call-everybody-'dawg'!-I'm-so-proud.-We're-starting-work-today!-Today's-the-day.-Come-on!-All-the-good-jobs-will-be-gone.-Yeah #right.-Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal...-Is-it-still-available?-Hang-on.-Two-left!-One-of-them's-yours!-Congratulations!-Step-to-the-side.-What'd-you-get?-Picking-crud-out.-Stellar!-Wow!-Couple-of-newbies?-Yes #sir!-Our-first-day!-We-are-ready!-Make-your-choice.-You-want-to-go-first?-No #you-go.-Oh #my.-What's-available?-Restroom-attendant's-open #not-for-the-reason-you-think.-Any-chance-of-getting-the-Krelman?-Sure #you're-on.-I'm-sorry #the-Krelman-just-closed-out.-Wax-monkey's-always-open.-The-Krelman-opened-up-again.-What-happened?-A-bee-died.-Makes-an-opening.-See?-He's-dead.-Another-dead-one.-Deady.-Deadified.-Two-more-dead.-Dead-from-the-neck-up.-Dead-from-the-neck-down.-That's-life!-Oh #this-is-so-hard!-Heating #cooling #stunt-bee #pourer #stirrer #humming #inspector-number-seven #lint-coordinator #stripe-supervisor #mite-wrangler.-Barry #what-do-you-think-I-should...-Barry?-Barry!-All-right #we've-got-the-sunflower-patch-in-quadrant-nine...-What-happened-to-you?-Where-are-you?-I'm-going-out.-Out?-Out-where?-Out-there.-Oh #no!-I-have-to #before-I-go-to-work-for-the-rest-of-my-life.-You're-gonna-die!-You're-crazy!-Hello?-Another-call-coming-in.-If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd-that-gets-their-roses-today.-Hey #guys.-Look-at-that.-Isn't-that-the-kid-we-saw-yesterday?-Hold-it #son #flight-deck's-restricted.-It's-OK #Lou.-We're-gonna-take-him-up.-Really?-Feeling-lucky #are-you?-Sign-here #here.-Just-initial-that.-Thank-you.-OK.-You-got-a-rain-advisory-today #and-as-you-all-know #bees-cannot-fly-in-rain.-So-be-careful.-As-always #watch-your-brooms #hockey-sticks #dogs #birds #bears-and-bats.-Also #I-got-a-couple-of-reports-of-root-beer-being-poured-on-us.-Murphy's-in-a-home-because-of-it #babbling-like-a-cicada!-That's-awful.-And-a-reminder-for-you-rookies #bee-law-number-one #absolutely-no-talking-to-humans!--All-right #launch-positions!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Black-and-yellow!-Hello!-You-ready-for-this #hot-shot?-Yeah.-Yeah #bring-it-on.-Wind #check.-Antennae #check.-Nectar-pack #check.-Wings #check.-Stinger #check.-Scared-out-of-my-shorts #check.-OK #ladies #let's-move-it-out!-Pound-those-petunias #you-striped-stem-suckers!-All-of-you #drain-those-flowers!-Wow!-I'm-out!-I-can't-believe-I'm-out!-So-blue.-I-feel-so-fast-and-free!-Box-kite!-Wow!-Flowers!-This-is-Blue-Leader #We-have-roses-visual.-Bring-it-around-30-degrees-and-hold.-Roses!-30-degrees #roger.-Bringing-it-around.-Stand-to-the-side #kid.-It's-got-a-bit-of-a-kick.-That-is-one-nectar-collector!-Ever-see-pollination-up-close?-No #sir.-I-pick-up-some-pollen-here #sprinkle-it-over-here.-Maybe-a-dash-over-there #a-pinch-on-that-one.-See-that?-It's-a-little-bit-of-magic.-That's-amazing.-Why-do-we-do-that?-That's-pollen-power.-More-pollen #more-flowers #more-nectar #more-honey-for-us.-Cool.-I'm-picking-up-a-lot-of-bright-yellow #Could-be-daisies #Don't-we-need-those?-Copy-that-visual.-Wait.-One-of-these-flowers-seems-to-be-on-the-move.-Say-again?-You're-reporting-a-moving-flower?-Affirmative.-That-was-on-the-line!-This-is-the-coolest.-What-is-it?-I-don't-know #but-I'm-loving-this-color.-It-smells-good.-Not-like-a-flower #but-I-like-it.-Yeah #fuzzy.-Chemical-y.-Careful #guys.-It's-a-little-grabby.-My-sweet-lord-of-bees!-Candy-brain #get-off-there!-Problem!-Guys!-This-could-be-bad.-Affirmative.-Very-close.-Gonna-hurt.-Mama's-little-boy.-You-are-way-out-of-position #rookie!-Coming-in-at-you-like-a-missile!-Help-me!-I-don't-think-these-are-flowers.-Should-we-tell-him?-I-think-he-knows.-What-is-this?!-Match-point!-You-can-start-packing-up #honey #because-you're-about-to-eat-it!-Yowser!-Gross.-There's-a-bee-in-the-car!-Do-something!-I'm-driving!-Hi #bee.-He's-back-here!-He's-going-to-sting-me!-Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze!-He-blinked!-Spray-him #Granny!-What-are-you-doing?!-Wow...-the-tension-level-out-here-is-unbelievable.-I-gotta-get-home.-Can't-fly-in-rain.-Can't-fly-in-rain.-Can't-fly-in-rain.-Mayday!-Mayday!-Bee-going-down!-Ken #could-you-close-the-window-please?-Ken #could-you-close-the-window-please?-Check-out-my-new-resume.-I-made-it-into-a-fold-out-brochure.-You-see?-Folds-out.-Oh #no.-More-humans.-I-don't-need-this.-What-was-that?-Maybe-this-time.-This-time.-This-time.-This-time!-This-time!-This...-Drapes!-That-is-diabolical.-It's-fantastic.-It's-got-all-my-special-skills #even-my-top-ten-favorite-movies.-What's-number-one?-Star-Wars?-Nah #I-don't-go-for-that...-kind-of-stuff.-No-wonder-we-shouldn't-talk-to-them.-They're-out-of-their-minds.-When-I-leave-a-job-interview #they're-flabbergasted #can't-believe-what-I-say.-There's-the-sun.-Maybe-that's-a-way-out.-I-don't-remember-the-sun-having-a-big-75-on-it.-I-predicted-global-warming.-I-could-feel-it-getting-hotter.-At-first-I-thought-it-was-just-me.-Wait!-Stop!-Bee!-Stand-back.-These-are-winter-boots.-Wait!-Don't-kill-him!-You-know-I'm-allergic-to-them!-This-thing-could-kill-me!-Why-does-his-life-have-less-value-than-yours?-Why-does-his-life-have-any-less-value-than-mine?-Is-that-your-statement?-I'm-just-saying-all-life-has-value.-You-don't-know-what-he's-capable-of-feeling.-My-brochure!-There-you-go #little-guy.-I'm-not-scared-of-him.It's-an-allergic-thing.--Put-that-on-your-resume-brochure.-My-whole-face-could-puff-up.-Make-it-one-of-your-special-skills.-Knocking-someone-out-is-also-a-special-skill.-Right.-Bye #Vanessa.-Thanks.-Vanessa #next-week?-Yogurt-night?-Sure #Ken.-You-know #whatever.-You-could-put-carob-chips-on-there.-Bye.-Supposed-to-be-less-calories.-Bye.-I-gotta-say-something.-She-saved-my-life.-I-gotta-say-something.-All-right #here-it-goes.-Nah.-What-would-I-say?-I-could-really-get-in-trouble.-It's-a-bee-law.-You're-not-supposed-to-talk-to-a-human.-I-can't-believe-I'm-doing-this.-I've-got-to.-Oh #I-can't-do-it.-Come-on!-No.-Yes.-No.-Do-it.-I-can't.-How-should-I-start-it?-'You-like-jazz?'-No #that's-no-good.-Here-she-comes!-Speak #you-fool!-Hi!-I'm-sorry.-You're-talking.-Yes #I-know.-You're-talking!-I'm-so-sorry.-No #it's-OK.-It's-fine.-I-know-I'm-dreaming.-But-I-don't-recall-going-to-bed.-Well #I'm-sure-this-is-very-disconcerting.-This-is-a-bit-of-a-surprise-to-me.-I-mean #you're-a-bee!-I-am.-And-I'm-not-supposed-to-be-doing-this #Barry?-It's-pretty-big #but-they-were-all-trying-to-kill-me.-And-if-it-wasn't-for-you...-I-had-to-thank-you.-It's-just-how-I-was-raised.-That-was-a-little-weird.-I'm-talking-with-a-bee.-Yeah.-I'm-talking-to-a-bee.-And-the-bee-is-talking-to-me!-I-just-want-to-say-I'm-grateful.-I'll-leave-now.-Wait!-How-did-you-learn-to-do-that?-What?-The-talking-thing.-Same-way-you-did #I-guess.-'Mama #Dada #honey.'-You-pick-it-up.-That's-very-funny.-Yeah.-Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with.-Anyway...-Can-I...-get-you-something?-Like-what?-I-don't-know.-I-mean...-I-don't-know.-Coffee?-I-don't-want-to-put-you-out.-It's-no-trouble.-It-takes-two-minutes.-It's-just-coffee.-I-hate-to-impose.-Don't-be-ridiculous!-Actually #I-would-love-a-cup.-Hey #you-want-rum-cake?-I-shouldn't.-Have-some.-No #I-can't.-Come-on!-I'm-trying-to-lose-a-couple-micrograms.-Where?-These-stripes-don't-help.-You-look-great!-I-don't-know-if-you-know-anything-about-fashion.-Are-you-all-right?-No.-He's-making-the-tie-in-the-cab-as-they're-flying-up-Madison.-He-finally-gets-there.-He-runs-up-the-steps-into-the-church.-The-wedding-is-on.-And-he-says #'Watermelon?-I-thought-you-said-Guatemalan.-Why-would-I-marry-a-watermelon?'-Is-that-a-bee-joke?-That's-the-kind-of-stuff-we-do.-Yeah #different.-So #what-are-you-gonna-do #Barry?-About-work?-I-don't-know.-I-want-to-do-my-part-for-The-Hive #but-I-can't-do-it-the-way-they-want.-I-know-how-you-feel.-You-do?-Sure.-My-parents-wanted-me-to-be-a-lawyer-or-a-doctor #but-I-wanted-to-be-a-florist.-Really?-My-only-interest-is-flowers.-Our-new-queen-was-just-elected-with-that-same-campaign-slogan.-Anyway #if-you-look...-There's-my-hive-right-there.-See-it?-You're-in-Sheep-Meadow!-Yes!-I'm-right-off-the-Turtle-Pond!-No-way!-I-know-that-area.-I-lost-a-toe-ring-there-once.-Why-do-girls-put-rings-on-their-toes?-Why-not?-It's-like-putting-a-hat-on-your-knee.-Maybe-I'll-try-that.-You-all-right #ma'am?-Oh #yeah.-Fine.-Just-having-two-cups-of-coffee!-Anyway #this-has-been-great.-Thanks-for-the-coffee.-Yeah #it's-no-trouble.-Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life.-Are-you...?-Can-I-take-a-piece-of-this-with-me?-Sure!-Here #have-a-crumb.-Thanks!-Yeah.-All-right.-Well #then...-I-guess-I'll-see-you-around.-Or-not.-OK #Barry.-And-thank-you-so-much-again...-for-before.-Oh #that?-That-was-nothing.-Well #not-nothing #but...-Anyway...-This-can't-possibly-work.-He's-all-set-to-go.-We-may-as-well-try-it.-OK #Dave #pull-the-chute.-Sounds-amazing.-It-was-amazing!-It-was-the-scariest #happiest-moment-of-my-life.-Humans!-I-can't-believe-you-were-with-humans!-Giant #scary-humans!-What-were-they-like?-Huge-and-crazy.-They-talk-crazy.-They-eat-crazy-giant-things.-They-drive-crazy.-Do-they-try-and-kill-you #like-on-TV?-Some-of-them.-But-some-of-them-don't.-How'd-you-get-back?-Poodle.-You-did-it #and-I'm-glad.-You-saw-whatever-you-wanted-to-see.-You-had-your-'experience.'-Now-you-can-pick-out-yourjob-and-be-normal.-Well...-Well?-Well #I-met-someone.-You-did?-Was-she-Bee-ish?-A-wasp?!-Your-parents-will-kill-you!-No #no #no #not-a-wasp.-Spider?-I'm-not-attracted-to-spiders.-I-know-it's-the-hottest-thing #with-the-eight-legs-and-all.-I-can't-get-by-that-face.-So-who-is-she?-She's...-human.-No #no.-That's-a-bee-law.-You-wouldn't-break-a-bee-law.-Her-name's-Vanessa.-Oh #boy.-She's-so-nice.-And-she's-a-florist!-Oh #no!-You're-dating-a-human-florist!-We're-not-dating.-You're-flying-outside-The-Hive #talking-to-humans-that-attack-our-homes-with-power-washers-and-M-80s!-One-eighth-a-stick-of-dynamite!-She-saved-my-life!-And-she-understands-me.-This-is-over!-Eat-this.-This-is-not-over!-What-was-that?-They-call-it-a-crumb.-It-was-so-stingin'-stripey!-And-that's-not-what-they-eat.-That's-what-falls-off-what-they-eat!-You-know-what-a-Cinnabon-is?-No.-It's-bread-and-cinnamon-and-frosting.-They-heat-it-up...-Sit-down!-...really-hot!-Listen-to-me!-We-are-not-them!-We're-us.-There's-us-and-there's-them!-Yes #but-who-can-deny-the-heart-that-is-yearning?-There's-no-yearning.-Stop-yearning.-Listen-to-me!-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Thinking-bee!-There-he-is.-He's-in-the-pool.-You-know-what-your-problem-is #Barry?-I-gotta-start-thinking-bee?-How-much-longer-will-this-go-on?-It's-been-three-days!-Why-aren't-you-working?-I've-got-a-lot-of-big-life-decisions-to-think-about.-What-life?-You-have-no-life!-You-have-no-job.-You're-barely-a-bee!-Would-it-kill-you-to-make-a-little-honey?-Barry #come-out.-Your-father's-talking-to-you.-Martin #would-you-talk-to-him?-Barry #I'm-talking-to-you!-You-coming?-Got-everything?-All-set!-Go-ahead.-I'll-catch-up.-Don't-be-too-long.-Watch-this!-Vanessa!-We're-still-here.-I-told-you-not-to-yell-at-him.-He-doesn't-respond-to-yelling!-Then-why-yell-at-me?-Because-you-don't-listen!-I'm-not-listening-to-this.-Sorry #I've-gotta-go.-Where-are-you-going?-I'm-meeting-a-friend.-A-girl?-Is-this-why-you-can't-decide?-Bye.-I-just-hope-she's-Bee-ish.-They-have-a-huge-parade-of-flowers-every-year-in-Pasadena?-To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream!-Up-on-a-float #surrounded-by-flowers #crowds-cheering.-A-tournament.-Do-the-roses-compete-in-athletic-events?-No.-All-right #I've-got-one.-How-come-you-don't-fly-everywhere?-It's-exhausting.-Why-don't-you-run-everywhere?-It's-faster.-Yeah #OK #I-see #I-see.-All-right #your-turn.-TiVo.-You-can-just-freeze-live-TV?-That's-insane!-You-don't-have-that?-We-have-Hivo #but-it's-a-disease.-It's-a-horrible #horrible-disease.-Oh #my.-Dumb-bees!-You-must-want-to-sting-all-those-jerks.-We-try-not-to-sting.-It's-usually-fatal-for-us.-So-you-have-to-watch-your-temper.-Very-carefully.-You-kick-a-wall #take-a-walk #write-an-angry-letter-and-throw-it-out.-Work-through-it-like-any-emotion:-Anger #jealousy #lust.-Oh #my-goodness!-Are-you-OK?-Yeah.-What-is-wrong-with-you?!-It's-a-bug.-He's-not-bothering-anybody.-Get-out-of-here #you-creep!-What-was-that?-A-Pic-'N'-Save-circular?-Yeah #it-was.-How-did-you-know?-It-felt-like-about-10-pages.-Seventy-five-is-pretty-much-our-limit.-You've-really-got-that-down-to-a-science.-I-lost-a-cousin-to-Italian-Vogue.-I'll-bet.-What-in-the-name-of-Mighty-Hercules-is-this?-How-did-this-get-here?-cute-Bee #Golden-Blossom #Ray-Liotta-Private-Select?-Is-he-that-actor?-I-never-heard-of-him.-Why-is-this-here?-For-people.-We-eat-it.-You-don't-have-enough-food-of-your-own?-Well #yes.-How-do-you-get-it?-Bees-make-it.-I-know-who-makes-it!-And-it's-hard-to-make-it!-There's-heating #cooling #stirring.-You-need-a-whole-Krelman-thing!-It's-organic.-It's-our-ganic!-It's-just-honey #Barry.-Just-what?!-Bees-don't-know-about-this!-This-is-stealing!-A-lot-of-stealing!-You've-taken-our-homes #schools #hospitals!-This-is-all-we-have!-And-it's-on-sale?!-I'm-getting-to-the-bottom-of-this.-I'm-getting-to-the-bottom-of-all-of-this!-Hey #Hector.-You-almost-done?-Almost.-He-is-here.-I-sense-it.-Well #I-guess-I'll-go-home-now-and-just-leave-this-nice-honey-out #with-no-one-around.-You're-busted #box-boy!-I-knew-I-heard-something.-So-you-can-talk!-I-can-talk.-And-now-you'll-start-talking!-Where-you-getting-the-sweet-stuff?-Who's-your-supplier?-I-don't-understand.-I-thought-we-were-friends.-The-last-thing-we-want-to-do-is-upset-bees!-You're-too-late!-It's-ours-now!-You #sir #have-crossed-the-wrong-sword!-You #sir #will-be-lunch-for-my-iguana #Ignacio!-Where-is-the-honey-coming-from?-Tell-me-where!-Honey-Farms!-It-comes-from-Honey-Farms!-Crazy-person!-What-horrible-thing-has-happened-here?-These-faces #they-never-knew-what-hit-them.-And-now-they're-on-the-road-to-nowhere!-Just-keep-still.-What?-You're-not-dead?-Do-I-look-dead?-They-will-wipe-anything-that-moves.-Where-you-headed?-To-Honey-Farms.-I-am-onto-something-huge-here.-I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off!-I'm-going-to-Tacoma.-And-you?-He-really-is-dead.-All-right.-Uh-oh!-What-is-that?!-Oh #no!-A-wiper!-Triple-blade!-Triple-blade?-Jump-on!-It's-your-only-chance #bee!-Why-does-everything-have-to-be-so-doggone-clean?!-How-much-do-you-people-need-to-see?!-Open-your-eyes!-Stick-your-head-out-the-window!-From-NPR-News-in-Washington #I'm-Carl-Kasell.-But-don't-kill-no-more-bugs!-Bee!-Moose-blood-guy!!-You-hear-something?-Like-what?-Like-tiny-screaming.-Turn-off-the-radio.-Whassup #bee-boy?-Hey #Blood.-Just-a-row-of-honey-jars #as-far-as-the-eye-could-see.-Wow!-I-assume-wherever-this-truck-goes-is-where-they're-getting-it.-I-mean #that-honey's-ours.-Bees-hang-tight.-We're-all-jammed-in.-It's-a-close-community.-Not-us #man.-We-on-our-own.-Every-mosquito-on-his-own.-What-if-you-get-in-trouble?-You-a-mosquito #you-in-trouble.-Nobody-likes-us.-They-just-smack.-See-a-mosquito #smack #smack!-At-least-you're-out-in-the-world.-You-must-meet-girls.-Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly.-Mosquito-girl-don't-want-no-mosquito.-You-got-to-be-kidding-me!-Mooseblood's-about-to-leave-the-building!-So-long #bee!-Hey #guys!-Mooseblood!-I-knew-I'd-catch-y'all-down-here.-Did-you-bring-your-crazy-straw?-We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit.-What-is-this-place?-A-bee's-got-a-brain-the-size-of-a-pinhead.-They-are-pinheads!-Pinhead.-Check-out-the-new-smoker.-Oh #sweet.-That's-the-one-you-want.-The-Thomas-3000!-Smoker?-Ninety-puffs-a-minute #semi-automatic.-Twice-the-nicotine #all-the-tar.-A-couple-breaths-of-this-knocks-them-right-out.-They-make-the-honey #and-we-make-the-money.-'They-make-the-honey #and-we-make-the-money'?-Oh #my!-What's-going-on?-Are-you-OK?-Yeah.-It-doesn't-last-too-long.-Do-you-know-you're-in-a-fake-hive-with-fake-walls?-Our-queen-was-moved-here.-We-had-no-choice.-This-is-your-queen?-That's-a-man-in-women's-clothes!-That's-a-drag-queen!-What-is-this?-Oh #no!-There's-hundreds-of-them!-Bee-honey.-Our-honey-is-being-brazenly-stolen-on-a-massive-scale!-This-is-worse-than-anything-bears-have-done!-I-intend-to-do-something.-Oh #Barry #stop.-Who-told-you-humans-are-taking-our-honey?-That's-a-rumor.-Do-these-look-like-rumors?-That's-a-conspiracy-theory.-These-are-obviously-doctored-photos.-How-did-you-get-mixed-up-in-this?-He's-been-talking-to-humans.-What?-Talking-to-humans?!-He-has-a-human-girlfriend.-And-they-make-out!-Make-out?-Barry!-We-do-not.-You-wish-you-could.-Whose-side-are-you-on?-The-bees!-I-dated-a-cricket-once-in-San-Antonio.-Those-crazy-legs-kept-me-up-all-night.-Barry #this-is-what-you-want-to-do-with-your-life?-I-want-to-do-it-for-all-our-lives.-Nobody-works-harder-than-bees!-Dad #I-remember-you-coming-home-so-overworked-your-hands-were-still-stirring.-You-couldn't-stop.-I-remember-that.-What-right-do-they-have-to-our-honey?-We-live-on-two-cups-a-year.-They-put-it-in-lip-balm-for-no-reason-whatsoever!-Even-if-it's-true #what-can-one-bee-do?-Sting-them-where-it-really-hurts.-In-the-face!-The-eye!-That-would-hurt.-No.-Up-the-nose?-That's-a-killer.-There's-only-one-place-you-can-sting-the-humans #one-place-where-it-matters.-Hive-at-Five #The-Hive's-only-full-hour-action-news-source.-No-more-bee-beards!-With-Bob-Bumble-at-the-anchor-desk.-Weather-with-Storm-Stinger.-Sports-with-Buzz-Larvi.-And-Jeanette-Chung.-Good-evening.-I'm-Bob-Bumble.-And-I'm-Jeanette-Ohung.-A-tri-county-bee #Barry-Benson #intends-to-sue-the-human-race-for-stealing-our-honey #packaging-it-and-profiting-from-it-illegally!-Tomorrow-night-on-Bee-Larry-King #we'll-have-three-former-queens-here-in-our-studio #discussing-their-new-book #classy-Ladies #out-this-week-on-Hexagon.-Tonight-we're-talking-to-Barry-Benson.-Did-you-ever-think #'I'm-a-kid-from-The-Hive.-I-can't-do-this'?-Bees-have-never-been-afraid-to-change-the-world.-What-about-Bee-Oolumbus?-Bee-Gandhi?-Bejesus?-Where-I'm-from #we'd-never-sue-humans.-We-were-thinking-of-stickball-or-candy-stores.-How-old-are-you?-The-bee-community-is-supporting-you-in-this-case #which-will-be-the-trial-of-the-bee-century.-You-know #they-have-a-Larry-King-in-the-human-world-too.-It's-a-common-name.-Next-week...-He-looks-like-you-and-has-a-show-and-suspenders-and-colored-dots...-Next-week...-Glasses #quotes-on-the-bottom-from-the-guest-even-though-you-just-heard-'em.-Bear-Week-next-week!-They're-scary #hairy-and-here-live.-Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish.-In-tennis #you-attack-at-the-point-of-weakness!-It-was-my-grandmother #Ken.-She's-81.-Honey #her-backhand's-a-joke!-I'm-not-gonna-take-advantage-of-that?-Quiet #please.-Actual-work-going-on-here.-Is-that-that-same-bee?-Yes #it-is!-I'm-helping-him-sue-the-human-race.-Hello.-Hello #bee.-This-is-Ken.-Yeah #I-remember-you.-Timberland #size-ten-and-a-half.-Vibram-sole #I-believe.-Why-does-he-talk-again?-Listen #you-better-go-'cause-we're-really-busy-working.-But-it's-our-yogurt-night!-Bye-bye.-Why-is-yogurt-night-so-difficult?!-You-poor-thing.-You-two-have-been-at-this-for-hours!-Yes #and-Adam-here-has-been-a-huge-help.-Frosting...-How-many-sugars?-Just-one.-I-try-not-to-use-the-competition.-So-why-are-you-helping-me?-Bees-have-good-qualities.-And-it-takes-my-mind-off-the-shop.-Instead-of-flowers #people-are-giving-balloon-bouquets-now.-Those-are-great #if-you're-three.-And-artificial-flowers.-Oh #those-just-get-me-psychotic!-Yeah #me-too.-Bent-stingers #pointless-pollination.-Bees-must-hate-those-fake-things!-Nothing-worse-than-a-daffodil-that's-had-work-done.-Maybe-this-could-make-up-for-it-a-little-bit.-This-lawsuit's-a-pretty-big-deal.-I-guess.-You-sure-you-want-to-go-through-with-it?-Am-I-sure?-When-I'm-done-with-the-humans #they-won't-be-able-to-say #'Honey #I'm-home #'-without-paying-a-royalty!-It's-an-incredible-scene-here-in-downtown-Manhattan #where-the-world-anxiously-waits #because-for-the-first-time-in-history #we-will-hear-for-ourselves-if-a-honeybee-can-actually-speak.-What-have-we-gotten-into-here #isn't-it?-I-can't-believe-how-many-humans-don't-work-during-the-day.-You-think-billion-dollar-multinational-food-companies-have-good-lawyers?-Everybody-needs-to-stay-behind-the-barricade.-What's-the-matter?-I-don't-know #I-just-got-a-chill.-Well #if-it-isn't-the-bee-team.-You-boys-work-on-this?-All-rise!-The-Honorable-Judge-Bumbleton-presiding.-All-right.-Case-number-4475 #Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry-is-now-in-session.-Mr.-Montgomery #you're-representing-the-five-food-companies-collectively?-A-privilege.-Mr.-Benson...-you're-representing-all-the-bees-of-the-world?-I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed.-Mr.-Montgomery #your-opening-statement #please.-Ladies-and-gentlemen-of-the-jury #my-grandmother-was-a-simple-woman.-Born-on-a-farm #she-believed-it-was-man's-divine-right-to-benefit-from-the-bounty-of-nature-God-put-before-us.-If-we-lived-in-the-topsy-turvy-world-Mr.-Benson-imagines #just-think-of-what-would-it-mean.-I-would-have-to-negotiate-with-the-silkworm-for-the-elastic-in-my-britches!-Talking-bee!-How-do-we-know-this-isn't-some-sort-of-holographic-motion-picture-capture-Hollywood-wizardry?-They-could-be-using-laser-beams!-Robotics!-Ventriloquism!-Cloning!-For-all-we-know #he-could-be-on-steroids!-Mr.-Benson?-Ladies-and-gentlemen #there's-no-trickery-here.-I'm-just-an-ordinary-bee.-Honey's-pretty-important-to-me.-It's-important-to-all-bees.-We-invented-it!-We-make-it.-And-we-protect-it-with-our-lives.-Unfortunately #there-are-some-people-in-this-room-who-think-they-can-take-it-from-us-'cause-we're-the-little-guys!-I'm-hoping-that #after-this-is-all-over #you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have-but-everything-we-are!-I-wish-he'd-dress-like-that-all-the-time.-So-nice!-Call-your-first-witness.-So #Mr.-Klauss-Vanderhayden-of-Honey-Farms #big-company-you-have.-I-suppose-so.-I-see-you-also-own-Honeyburton-and-Honron!-Yes #they-provide-beekeepers-for-our-farms.-Beekeeper.-I-find-that-to-be-a-very-disturbing-term.-I-don't-imagine-you-employ-any-bee-free-ers #do-you?-No.-I-couldn't-hear-you.-No.-No.-Because-you-don't-free-bees.-You-keep-bees.-Not-only-that #it-seems-you-thought-a-bear-would-be-an-appropriate-image-for-a-jar-of-honey.-They're-very-lovable-creatures.-Yogi-Bear #Fozzie-Bear #Build-A-Bear.-You-mean-like-this?-Bears-kill-bees!-How'd-you-like-his-head-crashing-through-your-living-room?!-Biting-into-your-couch!-Spitting-out-your-throw-pillows!-OK #that's-enough.-Take-him-away.-So #Mr.-Sting #thank-you-for-being-here.-Your-name-intrigues-me.-Where-have-I-heard-it-before?-I-was-with-a-band-called-The-Police.-But-you've-never-been-a-police-officer #have-you?-No #I-haven't.-No #you-haven't.-And-so-here-we-have-yet-another-example-of-bee-culture-casually-stolen-by-a-human-for-nothing-more-than-a-prance-about-stage-name.-Oh #please.-Have-you-ever-been-stung #Mr.-Sting?-Because-I'm-feeling-a-little-stung #Sting.-Or-should-I-say...-Mr.-Gordon-M.-Sumner!-That's-not-his-real-name?!-You-idiots!-Mr.-Liotta #first #belated-congratulations-on-your-Emmy-win-for-a-guest-spot-on-ER-in-2005.-Thank-you.-Thank-you.-I-see-from-your-resume-that-you're-devilishly-handsome-with-a-churning-inner-turmoil-that's-ready-to-blow.-I-enjoy-what-I-do.-Is-that-a-crime?-Not-yet-it-isn't.-But-is-this-what-it's-come-to-for-you?-Exploiting-tiny #helpless-bees-so-you-don't-have-to-rehearse-your-part-and-learn-your-lines #sir?-Watch-it #Benson!-I-could-blow-right-now!-This-isn't-a-goodfella.-This-is-a-badfella!-Why-doesn't-someone-just-step-on-this-creep #and-we-can-all-go-home?!-Order-in-this-court!-You're-all-thinking-it!-Order!-Order #I-say!-Say-it!-Mr.-Liotta #please-sit-down!-I-think-it-was-awfully-nice-of-that-bear-to-pitch-in-like-that.-I-think-the-jury's-on-our-side.-Are-we-doing-everything-right #legally?-I'm-a-florist.-Right.-Well #here's-to-a-great-team.-To-a-great-team!-Well #hello.-Ken!-Hello.-I-didn't-think-you-were-coming.-No #I-was-just-late-I-tried-to-call #but...-the-battery.-I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free.-Oh #that-was-lucky.-There's-a-little-left.-I-could-heat-it-up.-Yeah #heat-it-up #sure #whatever.-So-I-hear-you're-quite-a-tennis-player.-I'm-not-much-for-the-game-myself.-The-ball's-a-little-grabby.-That's-where-I-usually-sit.-Right...-there.-Ken #Barry-was-looking-at-your-resume #and-he-agreed-with-me-that-eating-with-chopsticks-isn't-really-a-special-skill.-You-think-I-don't-see-what-you're-doing?-I-know-how-hard-it-is-to-find-the-right-job.-We-have-that-in-common.-Do-we?-Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out.-That's-just-what-I-was-thinking-about-doing.-Ken #I-let-Barry-borrow-your-razor-for-his-fuzz.-I-hope-that-was-all-right.-I'm-going-to-drain-the-old-stinger.-Yeah #you-do-that.-Look-at-that.-You-know #I've-just-about-had-it-with-your-little-Mind-Games.-What's-that?-Italian-Vogue.-Mamma-mia #that's-a-lot-of-pages.-A-lot-of-ads.-Remember-what-Van-said #why-is-your-life-more-valuable-than-mine?-Funny #I-just-can't-seem-to-recall-that!-I-think-something-stinks-in-here!-I-love-the-smell-of-flowers.-How-do-you-like-the-smell-of-flames?!-Not-as-much.-Water-bug!-Not-taking-sides!-Ken #I'm-wearing-a-Chapstick-hat!-This-is-pathetic!-I've-got-issues!-Well #well #well #a-royal-flush!-You're-bluffing.-Am-I?-Surf's-up #dude!-Poo-water!-That-bowl-is-gnarly.-Except-for-those-dirty-yellow-rings!-Kenneth!-What-are-you-doing?!-You-know #I-don't-even-like-honey!-I-don't-eat-it!-We-need-to-talk!-He's-just-a-little-bee!-And-he-happens-to-be-the-nicest-bee-I've-met-in-a-long-time!-Long-time?-What-are-you-talking-about?!-Are-there-other-bugs-in-your-life?--No #but-there-are-other-things-bugging-me-in-life.-And-you're-one-of-them!-Fine!-Talking-bees #no-yogurt-night...-My-nerves-are-fried-from-riding-on-this-emotional-roller-coaster!-Goodbye #Ken.-And-for-your-information #I-prefer-sugar-free #artificial-sweeteners-made-by-man!-I'm-sorry-about-all-that.-I-know-it's-got-an-aftertaste!-I-like-it!-I-always-felt-there-was-some-kind-of-barrier-between-Ken-and-me.-I-couldn't-overcome-it.-Oh #well.-Are-you-OK-for-the-trial?-I-believe-Mr.-Montgomery-is-about-out-of-ideas.-We-would-like-to-call-Mr.-Barry-Benson-Bee-to-the-stand.-Good-idea!-You-can-really-see-why-he's-considered-one-of-the-best-lawyers...-Yeah.-Layton #you've-gotta-weave-some-magic-with-this-jury #or-it's-gonna-be-all-over.-Don't-worry.-The-only-thing-I-have-to-do-to-turn-this-jury-around-is-to-remind-them-of-what-they-don't-like-about-bees.-You-got-the-tweezers?-Are-you-allergic?-Only-to-losing #son.-Only-to-losing.-Mr.-Benson-Bee #I'll-ask-you-what-I-think-we'd-all-like-to-know.-What-exactly-is-your-relationship-to-that-woman?-We're-friends.-Good-friends?-Yes.-How-good?-Do-you-live-together?-Wait-a-minute...-Are-you-her-little...-bedbug?-I've-seen-a-bee-documentary-or-two.-From-what-I-understand #doesn't-your-queen-give-birth-to-all-the-bee-children?-Yeah #but...-So-those-aren't-your-real-parents!-Oh #Barry...-Yes #they-are!-Hold-me-back!-You're-an-illegitimate-bee #aren't-you #Benson?-He's-denouncing-bees!-Don't-y'all-date-your-cousins?-Objection!-I'm-going-to-pincushion-this-guy!-Adam #don't!-It's-what-he-wants!-Oh #I'm-hit!!-Oh #lordy #I-am-hit!-Order!-Order!-The-venom!-The-venom-is-coursing-through-my-veins!-I-have-been-felled-by-a-winged-beast-of-destruction!-You-see?-You-can't-treat-them-like-equals!-They're-striped-savages!-Stinging's-the-only-thing-they-know!-It's-their-way!-Adam #stay-with-me.-I-can't-feel-my-legs.-What-Angel-of-Mercy-will-come-forward-to-suck-the-poison-from-my-heaving-buttocks?-I-will-have-order-in-this-court.-Order!-Order #please!-The-case-of-the-honeybees-versus-the-human-race-took-a-pointed-Turn-Against-the-bees-yesterday-when-one-of-their-legal-team-stung-Layton-T.-Montgomery.-Hey #buddy.-Hey.-Is-there-much-pain?-Yeah.-I...-I-blew-the-whole-case #didn't-I?-It-doesn't-matter.-What-matters-is-you're-alive.-You-could-have-died.-I'd-be-better-off-dead.-Look-at-me.-They-got-it-from-the-cafeteria-downstairs #in-a-tuna-sandwich.-Look #there's-a-little-celery-still-on-it.-What-was-it-like-to-sting-someone?-I-can't-explain-it.-It-was-all...-All-adrenaline-and-then...and-then-ecstasy!-All-right.-You-think-it-was-all-a-trap?-Of-course.-I'm-sorry.-I-flew-us-right-into-this.-What-were-we-thinking?-Look-at-us.-We're-just-a-couple-of-bugs-in-this-world.-What-will-the-humans-do-to-us-if-they-win?-I-don't-know.-I-hear-they-put-the-roaches-in-motels.-That-doesn't-sound-so-bad.-Adam #they-check-in #but-they-don't-check-out!-Oh #my.-Could-you-get-a-nurse-to-close-that-window?-Why?-The-smoke.-Bees-don't-smoke.-Right.-Bees-don't-smoke.-Bees-don't-smoke!-But-some-bees-are-smoking.-That's-it!-That's-our-case!-It-is?-It's-not-over?-Get-dressed.-I've-gotta-go-somewhere.-Get-back-to-the-court-and-stall.-Stall-any-way-you-can.-And-assuming-you've-done-step-correctly #you're-ready-for-the-tub.-Mr.-Flayman.-Yes?-Yes #Your-Honor!-Where-is-the-rest-of-your-team?-Well #Your-Honor #it's-interesting.-Bees-are-trained-to-fly-haphazardly #and-as-a-result #we-don't-make-very-good-time.-I-actually-heard-a-funny-story-about...-Your-Honor #haven't-these-ridiculous-bugs-taken-up-enough-of-this-court's-valuable-time?-How-much-longer-will-we-allow-these-absurd-shenanigans-to-go-on?-They-have-presented-no-compelling-evidence-to-support-their-charges-against-my-clients #who-run-legitimate-businesses.-I-move-for-a-complete-dismissal-of-this-entire-case!-Mr.-Flayman #I'm-afraid-I'm-going-to-have-to-consider-Mr.-Montgomery's-motion.-But-you-can't!-We-have-a-terrific-case.-Where-is-your-proof?-Where-is-the-evidence?-Show-me-the-smoking-gun!-Hold-it #Your-Honor!-You-want-a-smoking-gun?-Here-is-your-smoking-gun.-What-is-that?-It's-a-bee-smoker!-What #this?-This-harmless-little-contraption?-This-couldn't-hurt-a-fly #let-alone-a-bee.-Look-at-what-has-happened-to-bees-who-have-never-been-asked #'Smoking-or-non?'-Is-this-what-nature-intended-for-us?-To-be-forcibly-addicted-to-smoke-machines-and-man-made-wooden-slat-work-camps?-Living-out-our-lives-as-honey-slaves-to-the-white-man?-What-are-we-gonna-do?-He's-playing-the-species-card.-Ladies-and-gentlemen #please #free-these-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-The-court-finds-in-favor-of-the-bees!-Vanessa #we-won!-I-knew-you-could-do-it!-High-five!-Sorry.-I'm-OK!-You-know-what-this-means?-All-the-honey-will-finally-belong-to-the-bees.-Now-we-won't-have-to-work-so-hard-all-the-time.-This-is-an-unholy-perversion-of-the-balance-of-nature #Benson.-You'll-regret-this.-Barry #how-much-honey-is-out-there?-All-right.-One-at-a-time.-Barry #who-are-you-wearing?-My-sweater-is-Ralph-Lauren #and-I-have-no-pants.-What-if-Montgomery's-right?-What-do-you-mean?-We've-been-living-the-bee-way-a-long-time #27-million-years.-Congratulations-on-your-victory.-What-will-you-demand-as-a-settlement?-First #we'll-demand-a-complete-shutdown-of-all-bee-work-camps.-Then-we-want-back-the-honey-that-was-ours-to-begin-with #every-last-drop.-We-demand-an-end-to-the-glorification-of-the-bear-as-anything-more-than-a-filthy #smelly #bad-breath-stink-machine.-We're-all-aware-of-what-they-do-in-the-woods.-Wait-for-my-signal.-Take-him-out.-He'll-have-nauseous-for-a-few-hours #then-he'll-be-fine.-And-we-will-no-longer-tolerate-bee-negative-nicknames...-But-it's-just-a-prance-about-stage-name!-...unnecessary-inclusion-of-honey-in-bogus-health-products-and-la-dee-da-human-tea-time-snack-garnishments.-Can't-breathe.-Bring-it-in #boys!-Hold-it-right-there!-Good.-Tap-it.-Mr.-Buzzwell #we-just-passed-three-cups-and-there's-gallons-more-coming!-I-think-we-need-to-shut-down!-Shut-down?-We've-never-shut-down.-Shut-down-honey-production!-Stop-making-honey!-Turn-your-key #sir!-What-do-we-do-now?-Cannonball!-We're-shutting-honey-production!-Mission-abort.-Aborting-pollination-and-nectar-detail.-Returning-to-base.-Adam #you-wouldn't-believe-how-much-honey-was-out-there.-Oh #yeah?-What's-going-on?-Where-is-everybody?-Are-they-out-celebrating?-They're-home.-They-don't-know-what-to-do.-Laying-out #sleeping-in.-I-heard-your-Uncle-Carl-was-on-his-way-to-San-Antonio-with-a-cricket.-At-least-we-got-our-honey-back.-Sometimes-I-think #so-what-if-humans-liked-our-honey?-Who-wouldn't?-It's-the-greatest-thing-in-the-world!-I-was-excited-to-be-part-of-making-it.-This-was-my-new-desk.-This-was-my-new-job.-I-wanted-to-do-it-really-well.-And-now...-Now-I-can't.-I-don't-understand-why-they're-not-happy.-I-thought-their-lives-would-be-better!-They're-doing-nothing.-It's-amazing.-Honey-really-changes-people.-You-don't-have-any-idea-what's-going-on #do-you?-What-did-you-want-to-show-me?-This.-What-happened-here?-That-is-not-the-half-of-it.-Oh #no.-Oh #my.-They're-all-wilting.-Doesn't-look-very-good #does-it?-No.-And-whose-fault-do-you-think-that-is?-You-know #I'm-gonna-guess-bees.-Bees?-Specifically #me.-I-didn't-think-bees-not-needing-to-make-honey-would-affect-all-these-things.-It's-not-just-flowers.-Fruits #vegetables #they-all-need-bees.-That's-our-whole-SAT-test-right-there.-Take-away-produce #that-affects-the-entire-animal-kingdom.-And-then #of-course...-The-human-species?-So-if-there's-no-more-pollination #it-could-all-just-go-south-here #couldn't-it?-I-know-this-is-also-partly-my-fault.-How-about-a-suicide-pact?-How-do-we-do-it?-I'll-sting-you #you-step-on-me.-That-just-kills-you-twice.-Right #right.-Listen #Barry...-sorry #but-I-gotta-get-going.-I-had-to-open-my-mouth-and-talk.-Vanessa?-Vanessa?-Why-are-you-leaving?-Where-are-you-going?-To-the-final-Tournament-of-Roses-parade-in-Pasadena.-They've-moved-it-to-this-weekend-because-all-the-flowers-are-dying.-It's-the-Last-Chance-I'll-ever-have-to-see-it.-Vanessa #I-just-wanna-say-I'm-sorry.-I-never-meant-it-to-turn-out-like-this.-I-know.-Me-neither.-Tournament-of-Roses.-Roses-can't-do-sports.-Wait-a-minute.-Roses.-Roses?-Roses!-Vanessa!-Roses?!-Barry?-Roses-are-flowers!-Yes #they-are.-Flowers #bees #pollen!-I-know.-That's-why-this-is-the-last-parade.-Maybe-not.-Could-you-ask-him-to-slow-down?-Could-you-slow-down?-Barry!-OK #I-made-a-huge-mistake.-This-is-a-total-disaster #all-my-fault.-Yes #it-kind-of-is.-I've-ruined-the-planet.-I-wanted-to-help-you-with-the-flower-shop.-I've-made-it-worse.-Actually #it's-completely-closed-down.-I-thought-maybe-you-were-remodeling.-But-I-have-another-idea #and-it's-greater-than-my-previous-ideas-combined.-I-don't-want-to-hear-it!-All-right #they-have-the-roses #the-roses-have-the-pollen.-I-know-every-bee #plant-and-flower-bud-in-this-park.-All-we-gotta-do-is-get-what-they've-got-back-here-with-what-we've-got.-Bees.-Park.-Pollen!-Flowers.-Repollination!-Across-the-nation!-Tournament-of-Roses #Pasadena #California.-They've-got-nothing-but-flowers #floats-and-cotton-candy.-Security-will-be-tight.-I-have-an-idea.-Vanessa-Bloome #FTD.-Official-floral-business.-It's-real.-Sorry #ma'am.-Nice-brooch.-Thank-you.-It-was-a-gift.-Once-inside #we-just-pick-the-right-float.-How-about-The-Princess-and-the-Pea?-I-could-be-the-princess #and-you-could-be-the-pea!-Yes #I-got-it.-Where-should-I-sit?-What-are-you?-I-believe-I'm-the-pea.-The-pea?-It-goes-under-the-mattresses.-Not-in-this-fairy-tale #sweetheart.-I'm-getting-the-marshal.-You-do-that!-This-whole-parade-is-a-fiasco!-Let's-see-what-this-baby'll-do.-Hey #what-are-you-doing?!-Then-all-we-do-is-blend-in-with-traffic...-without-arousing-suspicion.-Once-at-the-airport #there's-no-stopping-us.-Stop!-Security.-You-and-your-insect-pack-your-float?-Yes.-Has-it-been-in-your-possession-the-entire-time?-Would-you-remove-your-shoes?-Remove-your-stinger.-It's-part-of-me.-I-know.-Just-having-some-fun.-Enjoy-your-flight.-Then-if-we're-lucky #we'll-have-just-enough-pollen-to-do-the-job.-Can-you-believe-how-lucky-we-are?-We-have-just-enough-pollen-to-do-the-job!-I-think-this-is-gonna-work.-It's-got-to-work.-Attention #passengers #this-is-Captain-Scott.-We-have-a-bit-of-bad-weather-in-New-York.-It-looks-like-we'll-experience-a-couple-hours-delay.-Barry #these-are-cut-flowers-with-no-water.-They'll-never-make-it.-I-gotta-get-up-there-and-talk-to-them.-Be-careful.-Can-I-get-help-with-the-Sky-Mall-magazine?-I'd-like-to-order-the-talking-inflatable-nose-and-ear-hair-trimmer.-Captain #I'm-in-a-real-situation.-What'd-you-say #Hal?-Nothing.-Bee!-Don't-freak-out!-My-entire-species...-What-are-you-doing?-Wait-a-minute!-I'm-an-attorney!-Who's-an-attorney?-Don't-move.-Oh #Barry.-Good-afternoon #passengers.-This-is-your-captain.-Would-a-Miss-Vanessa-Bloome-in-24B-please-report-to-the-cockpit?-And-please-hurry!-What-happened-here?-There-was-a-DustBuster #a-toupee #a-life-raft-exploded.-One's-bald #one's-in-a-boat #they're-both-unconscious!-Is-that-another-bee-joke?-No!-No-one's-flying-the-plane!-This-is-JFK-control-tower #Flight-356.-What's-your-status?-This-is-Vanessa-Bloome.-I'm-a-florist-from-New-York.-Where's-the-pilot?-He's-unconscious #and-so-is-the-copilot.-Not-good.-Does-anyone-onboard-have-flight-experience?-As-a-matter-of-fact #there-is.-Who's-that?-Barry-Benson.-From-the-honey-trial?!-Oh #great.-Vanessa #this-is-nothing-more-than-a-big-metal-bee.-It's-got-giant-wings #huge-engines.-I-can't-fly-a-plane.-Why-not?-Isn't-John-Travolta-a-pilot?-Yes.-How-hard-could-it-be?-Wait #Barry!-We're-headed-into-some-lightning.-This-is-Bob-Bumble.-We-have-some-late-breaking-news-from-JFK-Airport #where-a-suspenseful-scene-is-developing.-Barry-Benson #fresh-from-his-legal-victory...-That's-Barry!-...is-attempting-to-land-a-plane #loaded-with-people #flowers-and-an-incapacitated-flight-crew.-Flowers?!-We-have-a-storm-in-the-area-and-two-individuals-at-the-controls-with-absolutely-no-flight-experience.-Just-a-minute.-There's-a-bee-on-that-plane.-I'm-quite-familiar-with-Mr.-Benson-and-his-no-account-compadres.-They've-done-enough-damage.-But-isn't-he-your-only-hope?-Technically #a-bee-shouldn't-be-able-to-fly-at-all.-Their-wings-are-too-small...-Haven't-we-heard-this-a-million-times?-'The-surface-area-of-the-wings-and-body-mass-make-no-sense.'-Get-this-on-the-air!-Got-it.-Stand-by.-We're-going-live.-The-way-we-work-may-be-a-mystery-to-you.-Making-honey-takes-a-lot-of-bees-doing-a-lot-of-small-jobs.-But-let-me-tell-you-about-a-small-job.-If-you-do-it-well #it-makes-a-big-difference.-More-than-we-realized.-To-us #to-everyone.-That's-why-I-want-to-get-bees-back-to-working-together.-That's-the-bee-way!-We're-not-made-of-Jell-O.-We-get-behind-a-fellow.-Black-and-yellow!-Hello!-Left #right #down #hover.-Hover?-Forget-hover.-This-isn't-so-hard.-Beep-beep!-Beep-beep!-Barry #what-happened?!-Wait #I-think-we-were-on-autopilot-the-whole-time.-That-may-have-been-helping-me.-And-now-we're-not!-So-it-turns-out-I-cannot-fly-a-plane.-All-of-you #let's-get-behind-this-fellow!-Move-it-out!-Move-out!-Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane!-Don't-have-to-yell.-I'm-not-yelling!-We're-in-a-lot-of-trouble.-It's-very-hard-to-concentrate-with-that-panicky-tone-in-your-voice!-It's-not-a-tone.-I'm-panicking!-I-can't-do-this!-Vanessa #pull-yourself-together.-You-have-to-snap-out-of-it!-You-snap-out-of-it.-You-snap-out-of-it.-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-Hold-it!-Why?-Come-on #it's-my-turn.-How-is-the-plane-flying?-I-don't-know.-Hello?-Benson #got-any-flowers-for-a-happy-occasion-in-there?-The-Pollen-Jocks!-They-do-get-behind-a-fellow.-Black-and-yellow.-Hello.-All-right #let's-drop-this-tin-can-on-the-blacktop.-Where?-I-can't-see-anything.-Can-you?-No #nothing.-It's-all-cloudy.-Come-on.-You-got-to-think-bee #Barry.-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Wait-a-minute.-I-think-I'm-feeling-something.-What?-I-don't-know.-It's-strong #pulling-me.-Like-a-27-million-year-old-instinct.-Bring-the-nose-down.-Thinking-bee!-Thinking-bee!-Thinking-bee!-What-in-the-world-is-on-the-tarmac?-Get-some-lights-on-that!-Thinking-bee!-Thinking-bee!-Thinking-bee!-Vanessa #aim-for-the-flower.-OK.-Cut-the-engines.-We're-going-in-on-bee-power.-Ready #boys?-Affirmative!-Good.-Good.-Easy #now.-That's-it.-Land-on-that-flower!-Ready?-Full-reverse!-Spin-it-around!-Not-that-flower!-The-other-one!-Which-one?-That-flower.-I'm-aiming-at-the-flower!-That's-a-fat-guy-in-a-flowered-shirt.-I-mean-the-giant-pulsating-flower-made-of-millions-of-bees!-Pull-forward.-Nose-down.-Tail-up.-Rotate-around-it.-This-is-insane #Barry!-This's-the-only-way-I-know-how-to-fly.-Am-I-koo-koo-kachoo #or-is-this-plane-flying-in-an-insect-like-pattern?-Get-your-nose-in-there.-Don't-be-afraid.-Smell-it.-Full-reverse!-Just-drop-it.-Be-a-part-of-it.-Aim-for-the-center!-Now-drop-it-in!-Drop-it-in #woman!-Come-on #already.-Barry #we-did-it!-You-taught-me-how-to-fly!-Yes.-No-high-five!-Right.-Barry #it-worked!-Did-you-see-the-giant-flower?-What-giant-flower?-Where?-Of-course-I-saw-the-flower!-That-was-genius!-Thank-you.-But-we're-not-done-yet.-Listen #everyone!-This-runway-is-covered-with-the-last-pollen-from-the-last-flowers-available-anywhere-on-Earth.-That-means-this-is-our-Last-Chance.-We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this.-If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say?-Are-we-going-to-be-bees #or-just-Museum-of-Natural-History-keychains?-We're-bees!-Keychain!-Then-follow-me!-Except-Keychain.-Hold-on #Barry.-Here.-You've-earned-this.-Yeah!-I'm-a-Pollen-Jock!-And-it's-a-perfect-fit.-All-I-gotta-do-are-the-sleeves.-Oh #yeah.-That's-our-Barry.-Mom!-The-bees-are-back!-If-anybody-needs-to-make-a-call #now's-the-time.-I-got-a-feeling-we'll-be-working-late-tonight!-Here's-your-change.-Have-a-great-afternoon!-Can-I-help-who's-next?-Would-you-like-some-honey-with-that?-It-is-bee-approved.-Don't-forget-these.-Milk #cream #cheese #it's-all-me.--And-I-don't-see-a-nickel!-Sometimes-I-just-feel-like-a-piece-of-meat!-I-had-no-idea.-Barry #I'm-sorry.-Have-you-got-a-moment?-Would-you-excuse-me?-My-mosquito-associate-will-help-you.-Sorry-I'm-late.-He's-a-lawyer-too?-I-was-already-a-blood-sucking-parasite.-All-I-needed-was-a-briefcase.-Have-a-great-afternoon!-Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere.-No-problem #Vannie.-Just-leave-it-to-me.-You're-a-lifesaver #Barry.-Can-I-help-who's-next?-All-right #scramble #jocks!-It's-time-to-fly.-Thank-you #Barry!-That-bee-is-living-my-life!-Let-it-go #Kenny.-When-will-this-nightmare-end?!-Let-it-all-go.-Beautiful-day-to-fly.-Sure-is.-Between-you-and-me #I-was-dying-to-get-out-of-that-office.-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Me?-Hold-it.-Let's-just-stop-for-a-second.-Hold-it.-I'm-sorry.-I'm-sorry #everyone.-Can-we-stop-here?-I'm-not-making-a-major-life-decision-during-a-production-number!-All-right.-Take-ten #everybody.-Wrap-it-up #guys.-I-had-virtually-no-rehearsal-for-that. -
CW: Fedi meta
no wait im on wafrn. I need to use the power of tags
#According-to-all-known-laws-of-aviation #there-is-no-way-a-bee-should-be-able-to-fly.-Its-wings-are-too-small-to-get-its-fat-little-body-off-the-ground.-The-bee #of-course #flies-anyway-because-bees-don't-care-what-humans-think-is-impossible.-Yellow #black.-Yellow #black.-Yellow #black.-Yellow #black.-Ooh #black-and-yellow!-Let's-shake-it-up-a-little.-Barry!-Breakfast-is-ready!-Coming!-Hang-on-a-second.-Hello?-Barry?-Adam?-Can-you-believe-this-is-happening?-I-can't.-I'll-pick-you-up.-Looking-sharp.-Use-the-stairs #Your-father-paid-good-money-for-those.-Sorry.-I'm-excited.-Here's-the-graduate.-We're-very-proud-of-you #son.-A-perfect-report-card #all-B's.-Very-proud.-Ma!-I-got-a-thing-going-here.-You-got-lint-on-your-fuzz.-Ow!-That's-me!-Wave-to-us!-We'll-be-in-row-118 #000.-Bye!-Barry #I-told-you #stop-flying-in-the-house!-Hey #Adam.-Hey #Barry.-Is-that-fuzz-gel?-A-little.-Special-day #graduation.-Never-thought-I'd-make-it.-Three-days-grade-school #three-days-high-school.-Those-were-awkward.-Three-days-college.-I'm-glad-I-took-a-day-and-hitchhiked-around-The-Hive.-You-did-come-back-different.-Hi #Barry.-Artie #growing-a-mustache?-Looks-good.-Hear-about-Frankie?-Yeah.-You-going-to-the-funeral?-No #I'm-not-going.-Everybody-knows #sting-someone #you-die.-Don't-waste-it-on-a-squirrel.-Such-a-hothead.-I-guess-he-could-have-just-gotten-out-of-the-way.-I-love-this-incorporating-an-amusement-park-into-our-day.-That's-why-we-don't-need-vacations.-Boy #quite-a-bit-of-pomp-under-the-circumstances.-Well #Adam #today-we-are-men.-We-are!-Bee-men.-Amen!-Hallelujah!-Students #faculty #distinguished-bees #please-welcome-Dean-Buzzwell.-Welcome #New-Hive-City-graduating-class-of-9:15.-That-concludes-our-ceremonies-And-begins-your-career-at-Honex-Industries!-Will-we-pick-our-job-today?-I-heard-it's-just-orientation.-Heads-up!-Here-we-go.-Keep-your-hands-and-antennas-inside-the-tram-at-all-times.-Wonder-what-it'll-be-like?-A-little-scary.-Welcome-to-Honex #a-division-of-Honesco-and-a-part-of-the-Hexagon-Group.-This-is-it!-Wow.-Wow.-We-know-that-you #as-a-bee #have-worked-your-whole-life-to-get-to-the-point-where-you-can-work-for-your-whole-life.-Honey-begins-when-our-valiant-Pollen-Jocks-bring-the-nectar-to-The-Hive.-Our-top-secret-formula-is-automatically-color-corrected #scent-adjusted-and-bubble-contoured-into-this-soothing-sweet-syrup-with-its-distinctive-golden-glow-you-know-as...-Honey!-That-girl-was-hot.-She's-my-cousin!-She-is?-Yes #we're-all-cousins.-Right.-You're-right.-At-Honex #we-constantly-strive-to-improve-every-aspect-of-bee-existence.-These-bees-are-stress-testing-a-new-helmet-technology.-What-do-you-think-he-makes?-Not-enough.-Here-we-have-our-latest-advancement #the-Krelman.-What-does-that-do?-Catches-that-little-strand-of-honey-that-hangs-after-you-pour-it.-Saves-us-millions.-Can-anyone-work-on-the-Krelman?-Of-course.-Most-bee-jobs-are-small-ones.-But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot.-But-choose-carefully-because-you'll-stay-in-the-job-you-pick-for-the-rest-of-your-life.-The-same-job-the-rest-of-your-life?-I-didn't-know-that.-What's-the-difference?-You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off-in-27-million-years.-So-you'll-just-work-us-to-death?-We'll-sure-try.-Wow!-That-blew-my-mind!-'What's-the-difference?'-How-can-you-say-that?-One-job-forever?-That's-an-insane-choice-to-have-to-make.-I'm-relieved.-Now-we-only-have-to-make-one-decision-in-life.-But #Adam #how-could-they-never-have-told-us-that?-Why-would-you-question-anything?-We're-bees.-We're-the-most-perfectly-functioning-society-on-Earth.-You-ever-think-maybe-things-work-a-little-too-well-here?-Like-what?-Give-me-one-example.-I-don't-know.-But-you-know-what-I'm-talking-about.-Please-clear-the-gate.-Royal-Nectar-Force-on-approach.-Wait-a-second.-Check-it-out.-Hey #those-are-Pollen-Jocks!-Wow.-I've-never-seen-them-this-close.-They-know-what-it's-like-outside-The-Hive.-Yeah #but-some-don't-come-back.-Hey #Jocks!-Hi #Jocks!-You-guys-did-great!-You're-monsters!-You're-sky-freaks!-I-love-it!-I-love-it!-I-wonder-where-they-were.-I-don't-know.-Their-day's-not-planned.-Outside-The-Hive #flying-who-knows-where #doing-who-knows-what.-You-can't-just-decide-to-be-a-Pollen-Jock.-You-have-to-be-bred-for-that.-Right.-Look.-That's-more-pollen-than-you-and-I-will-see-in-a-lifetime.-It's-just-a-status-symbol.-Bees-make-too-much-of-it.-Perhaps.-Unless-you're-wearing-it-and-the-ladies-see-you-wearing-it.-Those-ladies?-Aren't-they-our-cousins-too?-Distant.-Distant.-Look-at-these-two.-Couple-of-Hive-Harrys.-Let's-have-fun-with-them.-It-must-be-dangerous-being-a-Pollen-Jock.-Yeah.-Once-a-bear-pinned-me-against-a-mushroom!-He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me!-Oh #my!-I-never-thought-I'd-knock-him-out.-What-were-you-doing-during-this?-Trying-to-alert-the-authorities.-I-can-autograph-that.-A-little-gusty-out-there-today #wasn't-it #comrades?-Yeah.-Gusty.-We're-hitting-a-sunflower-patch-six-miles-from-here-tomorrow.-Six-miles #huh?-Barry!-A-puddle-jump-for-us #but-maybe-you're-not-up-for-it.-Maybe-I-am.-You-are-not!-We're-going-0900-at-J-Gate.-What-do-you-think #buzzy-boy?-Are-you-bee-enough?-I-might-be.-It-all-depends-on-what-0900-means.-Hey #Honex!-Dad #you-surprised-me.-You-decide-what-you're-interested-in?-Well #there's-a-lot-of-choices.-But-you-only-get-one.-Do-you-ever-get-bored-doing-the-same-job-every-day?-Son #let-me-tell-you-about-stirring.-You-grab-that-stick #and-you-just-move-it-around #and-you-stir-it-around.-You-get-yourself-into-a-rhythm.-It's-a-beautiful-thing.-You-know #Dad #the-more-I-think-about-it #maybe-the-honey-field-just-isn't-right-for-me.-You-were-thinking-of-what #making-balloon-animals?-That's-a-bad-job-for-a-guy-with-a-stinger.-Janet #your-son's-not-sure-he-wants-to-go-into-honey!-Barry #you-are-so-funny-sometimes.-I'm-not-trying-to-be-funny.-You're-not-funny!-You're-going-into-honey.-Our-son #the-stirrer!-You're-gonna-be-a-stirrer?-No-one's-listening-to-me!-Wait-till-you-see-the-sticks-I-have.-I-could-say-anything-right-now.-I'm-gonna-get-an-ant-tattoo!-Let's-open-some-honey-and-celebrate!-Maybe-I'll-pierce-my-thorax.-Shave-my-antennae.-Shack-up-with-a-grasshopper.-Get-a-gold-tooth-and-call-everybody-'dawg'!-I'm-so-proud.-We're-starting-work-today!-Today's-the-day.-Come-on!-All-the-good-jobs-will-be-gone.-Yeah #right.-Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal...-Is-it-still-available?-Hang-on.-Two-left!-One-of-them's-yours!-Congratulations!-Step-to-the-side.-What'd-you-get?-Picking-crud-out.-Stellar!-Wow!-Couple-of-newbies?-Yes #sir!-Our-first-day!-We-are-ready!-Make-your-choice.-You-want-to-go-first?-No #you-go.-Oh #my.-What's-available?-Restroom-attendant's-open #not-for-the-reason-you-think.-Any-chance-of-getting-the-Krelman?-Sure #you're-on.-I'm-sorry #the-Krelman-just-closed-out.-Wax-monkey's-always-open.-The-Krelman-opened-up-again.-What-happened?-A-bee-died.-Makes-an-opening.-See?-He's-dead.-Another-dead-one.-Deady.-Deadified.-Two-more-dead.-Dead-from-the-neck-up.-Dead-from-the-neck-down.-That's-life!-Oh #this-is-so-hard!-Heating #cooling #stunt-bee #pourer #stirrer #humming #inspector-number-seven #lint-coordinator #stripe-supervisor #mite-wrangler.-Barry #what-do-you-think-I-should...-Barry?-Barry!-All-right #we've-got-the-sunflower-patch-in-quadrant-nine...-What-happened-to-you?-Where-are-you?-I'm-going-out.-Out?-Out-where?-Out-there.-Oh #no!-I-have-to #before-I-go-to-work-for-the-rest-of-my-life.-You're-gonna-die!-You're-crazy!-Hello?-Another-call-coming-in.-If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd-that-gets-their-roses-today.-Hey #guys.-Look-at-that.-Isn't-that-the-kid-we-saw-yesterday?-Hold-it #son #flight-deck's-restricted.-It's-OK #Lou.-We're-gonna-take-him-up.-Really?-Feeling-lucky #are-you?-Sign-here #here.-Just-initial-that.-Thank-you.-OK.-You-got-a-rain-advisory-today #and-as-you-all-know #bees-cannot-fly-in-rain.-So-be-careful.-As-always #watch-your-brooms #hockey-sticks #dogs #birds #bears-and-bats.-Also #I-got-a-couple-of-reports-of-root-beer-being-poured-on-us.-Murphy's-in-a-home-because-of-it #babbling-like-a-cicada!-That's-awful.-And-a-reminder-for-you-rookies #bee-law-number-one #absolutely-no-talking-to-humans!--All-right #launch-positions!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Black-and-yellow!-Hello!-You-ready-for-this #hot-shot?-Yeah.-Yeah #bring-it-on.-Wind #check.-Antennae #check.-Nectar-pack #check.-Wings #check.-Stinger #check.-Scared-out-of-my-shorts #check.-OK #ladies #let's-move-it-out!-Pound-those-petunias #you-striped-stem-suckers!-All-of-you #drain-those-flowers!-Wow!-I'm-out!-I-can't-believe-I'm-out!-So-blue.-I-feel-so-fast-and-free!-Box-kite!-Wow!-Flowers!-This-is-Blue-Leader #We-have-roses-visual.-Bring-it-around-30-degrees-and-hold.-Roses!-30-degrees #roger.-Bringing-it-around.-Stand-to-the-side #kid.-It's-got-a-bit-of-a-kick.-That-is-one-nectar-collector!-Ever-see-pollination-up-close?-No #sir.-I-pick-up-some-pollen-here #sprinkle-it-over-here.-Maybe-a-dash-over-there #a-pinch-on-that-one.-See-that?-It's-a-little-bit-of-magic.-That's-amazing.-Why-do-we-do-that?-That's-pollen-power.-More-pollen #more-flowers #more-nectar #more-honey-for-us.-Cool.-I'm-picking-up-a-lot-of-bright-yellow #Could-be-daisies #Don't-we-need-those?-Copy-that-visual.-Wait.-One-of-these-flowers-seems-to-be-on-the-move.-Say-again?-You're-reporting-a-moving-flower?-Affirmative.-That-was-on-the-line!-This-is-the-coolest.-What-is-it?-I-don't-know #but-I'm-loving-this-color.-It-smells-good.-Not-like-a-flower #but-I-like-it.-Yeah #fuzzy.-Chemical-y.-Careful #guys.-It's-a-little-grabby.-My-sweet-lord-of-bees!-Candy-brain #get-off-there!-Problem!-Guys!-This-could-be-bad.-Affirmative.-Very-close.-Gonna-hurt.-Mama's-little-boy.-You-are-way-out-of-position #rookie!-Coming-in-at-you-like-a-missile!-Help-me!-I-don't-think-these-are-flowers.-Should-we-tell-him?-I-think-he-knows.-What-is-this?!-Match-point!-You-can-start-packing-up #honey #because-you're-about-to-eat-it!-Yowser!-Gross.-There's-a-bee-in-the-car!-Do-something!-I'm-driving!-Hi #bee.-He's-back-here!-He's-going-to-sting-me!-Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze!-He-blinked!-Spray-him #Granny!-What-are-you-doing?!-Wow...-the-tension-level-out-here-is-unbelievable.-I-gotta-get-home.-Can't-fly-in-rain.-Can't-fly-in-rain.-Can't-fly-in-rain.-Mayday!-Mayday!-Bee-going-down!-Ken #could-you-close-the-window-please?-Ken #could-you-close-the-window-please?-Check-out-my-new-resume.-I-made-it-into-a-fold-out-brochure.-You-see?-Folds-out.-Oh #no.-More-humans.-I-don't-need-this.-What-was-that?-Maybe-this-time.-This-time.-This-time.-This-time!-This-time!-This...-Drapes!-That-is-diabolical.-It's-fantastic.-It's-got-all-my-special-skills #even-my-top-ten-favorite-movies.-What's-number-one?-Star-Wars?-Nah #I-don't-go-for-that...-kind-of-stuff.-No-wonder-we-shouldn't-talk-to-them.-They're-out-of-their-minds.-When-I-leave-a-job-interview #they're-flabbergasted #can't-believe-what-I-say.-There's-the-sun.-Maybe-that's-a-way-out.-I-don't-remember-the-sun-having-a-big-75-on-it.-I-predicted-global-warming.-I-could-feel-it-getting-hotter.-At-first-I-thought-it-was-just-me.-Wait!-Stop!-Bee!-Stand-back.-These-are-winter-boots.-Wait!-Don't-kill-him!-You-know-I'm-allergic-to-them!-This-thing-could-kill-me!-Why-does-his-life-have-less-value-than-yours?-Why-does-his-life-have-any-less-value-than-mine?-Is-that-your-statement?-I'm-just-saying-all-life-has-value.-You-don't-know-what-he's-capable-of-feeling.-My-brochure!-There-you-go #little-guy.-I'm-not-scared-of-him.It's-an-allergic-thing.--Put-that-on-your-resume-brochure.-My-whole-face-could-puff-up.-Make-it-one-of-your-special-skills.-Knocking-someone-out-is-also-a-special-skill.-Right.-Bye #Vanessa.-Thanks.-Vanessa #next-week?-Yogurt-night?-Sure #Ken.-You-know #whatever.-You-could-put-carob-chips-on-there.-Bye.-Supposed-to-be-less-calories.-Bye.-I-gotta-say-something.-She-saved-my-life.-I-gotta-say-something.-All-right #here-it-goes.-Nah.-What-would-I-say?-I-could-really-get-in-trouble.-It's-a-bee-law.-You're-not-supposed-to-talk-to-a-human.-I-can't-believe-I'm-doing-this.-I've-got-to.-Oh #I-can't-do-it.-Come-on!-No.-Yes.-No.-Do-it.-I-can't.-How-should-I-start-it?-'You-like-jazz?'-No #that's-no-good.-Here-she-comes!-Speak #you-fool!-Hi!-I'm-sorry.-You're-talking.-Yes #I-know.-You're-talking!-I'm-so-sorry.-No #it's-OK.-It's-fine.-I-know-I'm-dreaming.-But-I-don't-recall-going-to-bed.-Well #I'm-sure-this-is-very-disconcerting.-This-is-a-bit-of-a-surprise-to-me.-I-mean #you're-a-bee!-I-am.-And-I'm-not-supposed-to-be-doing-this #Barry?-It's-pretty-big #but-they-were-all-trying-to-kill-me.-And-if-it-wasn't-for-you...-I-had-to-thank-you.-It's-just-how-I-was-raised.-That-was-a-little-weird.-I'm-talking-with-a-bee.-Yeah.-I'm-talking-to-a-bee.-And-the-bee-is-talking-to-me!-I-just-want-to-say-I'm-grateful.-I'll-leave-now.-Wait!-How-did-you-learn-to-do-that?-What?-The-talking-thing.-Same-way-you-did #I-guess.-'Mama #Dada #honey.'-You-pick-it-up.-That's-very-funny.-Yeah.-Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with.-Anyway...-Can-I...-get-you-something?-Like-what?-I-don't-know.-I-mean...-I-don't-know.-Coffee?-I-don't-want-to-put-you-out.-It's-no-trouble.-It-takes-two-minutes.-It's-just-coffee.-I-hate-to-impose.-Don't-be-ridiculous!-Actually #I-would-love-a-cup.-Hey #you-want-rum-cake?-I-shouldn't.-Have-some.-No #I-can't.-Come-on!-I'm-trying-to-lose-a-couple-micrograms.-Where?-These-stripes-don't-help.-You-look-great!-I-don't-know-if-you-know-anything-about-fashion.-Are-you-all-right?-No.-He's-making-the-tie-in-the-cab-as-they're-flying-up-Madison.-He-finally-gets-there.-He-runs-up-the-steps-into-the-church.-The-wedding-is-on.-And-he-says #'Watermelon?-I-thought-you-said-Guatemalan.-Why-would-I-marry-a-watermelon?'-Is-that-a-bee-joke?-That's-the-kind-of-stuff-we-do.-Yeah #different.-So #what-are-you-gonna-do #Barry?-About-work?-I-don't-know.-I-want-to-do-my-part-for-The-Hive #but-I-can't-do-it-the-way-they-want.-I-know-how-you-feel.-You-do?-Sure.-My-parents-wanted-me-to-be-a-lawyer-or-a-doctor #but-I-wanted-to-be-a-florist.-Really?-My-only-interest-is-flowers.-Our-new-queen-was-just-elected-with-that-same-campaign-slogan.-Anyway #if-you-look...-There's-my-hive-right-there.-See-it?-You're-in-Sheep-Meadow!-Yes!-I'm-right-off-the-Turtle-Pond!-No-way!-I-know-that-area.-I-lost-a-toe-ring-there-once.-Why-do-girls-put-rings-on-their-toes?-Why-not?-It's-like-putting-a-hat-on-your-knee.-Maybe-I'll-try-that.-You-all-right #ma'am?-Oh #yeah.-Fine.-Just-having-two-cups-of-coffee!-Anyway #this-has-been-great.-Thanks-for-the-coffee.-Yeah #it's-no-trouble.-Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life.-Are-you...?-Can-I-take-a-piece-of-this-with-me?-Sure!-Here #have-a-crumb.-Thanks!-Yeah.-All-right.-Well #then...-I-guess-I'll-see-you-around.-Or-not.-OK #Barry.-And-thank-you-so-much-again...-for-before.-Oh #that?-That-was-nothing.-Well #not-nothing #but...-Anyway...-This-can't-possibly-work.-He's-all-set-to-go.-We-may-as-well-try-it.-OK #Dave #pull-the-chute.-Sounds-amazing.-It-was-amazing!-It-was-the-scariest #happiest-moment-of-my-life.-Humans!-I-can't-believe-you-were-with-humans!-Giant #scary-humans!-What-were-they-like?-Huge-and-crazy.-They-talk-crazy.-They-eat-crazy-giant-things.-They-drive-crazy.-Do-they-try-and-kill-you #like-on-TV?-Some-of-them.-But-some-of-them-don't.-How'd-you-get-back?-Poodle.-You-did-it #and-I'm-glad.-You-saw-whatever-you-wanted-to-see.-You-had-your-'experience.'-Now-you-can-pick-out-yourjob-and-be-normal.-Well...-Well?-Well #I-met-someone.-You-did?-Was-she-Bee-ish?-A-wasp?!-Your-parents-will-kill-you!-No #no #no #not-a-wasp.-Spider?-I'm-not-attracted-to-spiders.-I-know-it's-the-hottest-thing #with-the-eight-legs-and-all.-I-can't-get-by-that-face.-So-who-is-she?-She's...-human.-No #no.-That's-a-bee-law.-You-wouldn't-break-a-bee-law.-Her-name's-Vanessa.-Oh #boy.-She's-so-nice.-And-she's-a-florist!-Oh #no!-You're-dating-a-human-florist!-We're-not-dating.-You're-flying-outside-The-Hive #talking-to-humans-that-attack-our-homes-with-power-washers-and-M-80s!-One-eighth-a-stick-of-dynamite!-She-saved-my-life!-And-she-understands-me.-This-is-over!-Eat-this.-This-is-not-over!-What-was-that?-They-call-it-a-crumb.-It-was-so-stingin'-stripey!-And-that's-not-what-they-eat.-That's-what-falls-off-what-they-eat!-You-know-what-a-Cinnabon-is?-No.-It's-bread-and-cinnamon-and-frosting.-They-heat-it-up...-Sit-down!-...really-hot!-Listen-to-me!-We-are-not-them!-We're-us.-There's-us-and-there's-them!-Yes #but-who-can-deny-the-heart-that-is-yearning?-There's-no-yearning.-Stop-yearning.-Listen-to-me!-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Thinking-bee!-There-he-is.-He's-in-the-pool.-You-know-what-your-problem-is #Barry?-I-gotta-start-thinking-bee?-How-much-longer-will-this-go-on?-It's-been-three-days!-Why-aren't-you-working?-I've-got-a-lot-of-big-life-decisions-to-think-about.-What-life?-You-have-no-life!-You-have-no-job.-You're-barely-a-bee!-Would-it-kill-you-to-make-a-little-honey?-Barry #come-out.-Your-father's-talking-to-you.-Martin #would-you-talk-to-him?-Barry #I'm-talking-to-you!-You-coming?-Got-everything?-All-set!-Go-ahead.-I'll-catch-up.-Don't-be-too-long.-Watch-this!-Vanessa!-We're-still-here.-I-told-you-not-to-yell-at-him.-He-doesn't-respond-to-yelling!-Then-why-yell-at-me?-Because-you-don't-listen!-I'm-not-listening-to-this.-Sorry #I've-gotta-go.-Where-are-you-going?-I'm-meeting-a-friend.-A-girl?-Is-this-why-you-can't-decide?-Bye.-I-just-hope-she's-Bee-ish.-They-have-a-huge-parade-of-flowers-every-year-in-Pasadena?-To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream!-Up-on-a-float #surrounded-by-flowers #crowds-cheering.-A-tournament.-Do-the-roses-compete-in-athletic-events?-No.-All-right #I've-got-one.-How-come-you-don't-fly-everywhere?-It's-exhausting.-Why-don't-you-run-everywhere?-It's-faster.-Yeah #OK #I-see #I-see.-All-right #your-turn.-TiVo.-You-can-just-freeze-live-TV?-That's-insane!-You-don't-have-that?-We-have-Hivo #but-it's-a-disease.-It's-a-horrible #horrible-disease.-Oh #my.-Dumb-bees!-You-must-want-to-sting-all-those-jerks.-We-try-not-to-sting.-It's-usually-fatal-for-us.-So-you-have-to-watch-your-temper.-Very-carefully.-You-kick-a-wall #take-a-walk #write-an-angry-letter-and-throw-it-out.-Work-through-it-like-any-emotion:-Anger #jealousy #lust.-Oh #my-goodness!-Are-you-OK?-Yeah.-What-is-wrong-with-you?!-It's-a-bug.-He's-not-bothering-anybody.-Get-out-of-here #you-creep!-What-was-that?-A-Pic-'N'-Save-circular?-Yeah #it-was.-How-did-you-know?-It-felt-like-about-10-pages.-Seventy-five-is-pretty-much-our-limit.-You've-really-got-that-down-to-a-science.-I-lost-a-cousin-to-Italian-Vogue.-I'll-bet.-What-in-the-name-of-Mighty-Hercules-is-this?-How-did-this-get-here?-cute-Bee #Golden-Blossom #Ray-Liotta-Private-Select?-Is-he-that-actor?-I-never-heard-of-him.-Why-is-this-here?-For-people.-We-eat-it.-You-don't-have-enough-food-of-your-own?-Well #yes.-How-do-you-get-it?-Bees-make-it.-I-know-who-makes-it!-And-it's-hard-to-make-it!-There's-heating #cooling #stirring.-You-need-a-whole-Krelman-thing!-It's-organic.-It's-our-ganic!-It's-just-honey #Barry.-Just-what?!-Bees-don't-know-about-this!-This-is-stealing!-A-lot-of-stealing!-You've-taken-our-homes #schools #hospitals!-This-is-all-we-have!-And-it's-on-sale?!-I'm-getting-to-the-bottom-of-this.-I'm-getting-to-the-bottom-of-all-of-this!-Hey #Hector.-You-almost-done?-Almost.-He-is-here.-I-sense-it.-Well #I-guess-I'll-go-home-now-and-just-leave-this-nice-honey-out #with-no-one-around.-You're-busted #box-boy!-I-knew-I-heard-something.-So-you-can-talk!-I-can-talk.-And-now-you'll-start-talking!-Where-you-getting-the-sweet-stuff?-Who's-your-supplier?-I-don't-understand.-I-thought-we-were-friends.-The-last-thing-we-want-to-do-is-upset-bees!-You're-too-late!-It's-ours-now!-You #sir #have-crossed-the-wrong-sword!-You #sir #will-be-lunch-for-my-iguana #Ignacio!-Where-is-the-honey-coming-from?-Tell-me-where!-Honey-Farms!-It-comes-from-Honey-Farms!-Crazy-person!-What-horrible-thing-has-happened-here?-These-faces #they-never-knew-what-hit-them.-And-now-they're-on-the-road-to-nowhere!-Just-keep-still.-What?-You're-not-dead?-Do-I-look-dead?-They-will-wipe-anything-that-moves.-Where-you-headed?-To-Honey-Farms.-I-am-onto-something-huge-here.-I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off!-I'm-going-to-Tacoma.-And-you?-He-really-is-dead.-All-right.-Uh-oh!-What-is-that?!-Oh #no!-A-wiper!-Triple-blade!-Triple-blade?-Jump-on!-It's-your-only-chance #bee!-Why-does-everything-have-to-be-so-doggone-clean?!-How-much-do-you-people-need-to-see?!-Open-your-eyes!-Stick-your-head-out-the-window!-From-NPR-News-in-Washington #I'm-Carl-Kasell.-But-don't-kill-no-more-bugs!-Bee!-Moose-blood-guy!!-You-hear-something?-Like-what?-Like-tiny-screaming.-Turn-off-the-radio.-Whassup #bee-boy?-Hey #Blood.-Just-a-row-of-honey-jars #as-far-as-the-eye-could-see.-Wow!-I-assume-wherever-this-truck-goes-is-where-they're-getting-it.-I-mean #that-honey's-ours.-Bees-hang-tight.-We're-all-jammed-in.-It's-a-close-community.-Not-us #man.-We-on-our-own.-Every-mosquito-on-his-own.-What-if-you-get-in-trouble?-You-a-mosquito #you-in-trouble.-Nobody-likes-us.-They-just-smack.-See-a-mosquito #smack #smack!-At-least-you're-out-in-the-world.-You-must-meet-girls.-Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly.-Mosquito-girl-don't-want-no-mosquito.-You-got-to-be-kidding-me!-Mooseblood's-about-to-leave-the-building!-So-long #bee!-Hey #guys!-Mooseblood!-I-knew-I'd-catch-y'all-down-here.-Did-you-bring-your-crazy-straw?-We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit.-What-is-this-place?-A-bee's-got-a-brain-the-size-of-a-pinhead.-They-are-pinheads!-Pinhead.-Check-out-the-new-smoker.-Oh #sweet.-That's-the-one-you-want.-The-Thomas-3000!-Smoker?-Ninety-puffs-a-minute #semi-automatic.-Twice-the-nicotine #all-the-tar.-A-couple-breaths-of-this-knocks-them-right-out.-They-make-the-honey #and-we-make-the-money.-'They-make-the-honey #and-we-make-the-money'?-Oh #my!-What's-going-on?-Are-you-OK?-Yeah.-It-doesn't-last-too-long.-Do-you-know-you're-in-a-fake-hive-with-fake-walls?-Our-queen-was-moved-here.-We-had-no-choice.-This-is-your-queen?-That's-a-man-in-women's-clothes!-That's-a-drag-queen!-What-is-this?-Oh #no!-There's-hundreds-of-them!-Bee-honey.-Our-honey-is-being-brazenly-stolen-on-a-massive-scale!-This-is-worse-than-anything-bears-have-done!-I-intend-to-do-something.-Oh #Barry #stop.-Who-told-you-humans-are-taking-our-honey?-That's-a-rumor.-Do-these-look-like-rumors?-That's-a-conspiracy-theory.-These-are-obviously-doctored-photos.-How-did-you-get-mixed-up-in-this?-He's-been-talking-to-humans.-What?-Talking-to-humans?!-He-has-a-human-girlfriend.-And-they-make-out!-Make-out?-Barry!-We-do-not.-You-wish-you-could.-Whose-side-are-you-on?-The-bees!-I-dated-a-cricket-once-in-San-Antonio.-Those-crazy-legs-kept-me-up-all-night.-Barry #this-is-what-you-want-to-do-with-your-life?-I-want-to-do-it-for-all-our-lives.-Nobody-works-harder-than-bees!-Dad #I-remember-you-coming-home-so-overworked-your-hands-were-still-stirring.-You-couldn't-stop.-I-remember-that.-What-right-do-they-have-to-our-honey?-We-live-on-two-cups-a-year.-They-put-it-in-lip-balm-for-no-reason-whatsoever!-Even-if-it's-true #what-can-one-bee-do?-Sting-them-where-it-really-hurts.-In-the-face!-The-eye!-That-would-hurt.-No.-Up-the-nose?-That's-a-killer.-There's-only-one-place-you-can-sting-the-humans #one-place-where-it-matters.-Hive-at-Five #The-Hive's-only-full-hour-action-news-source.-No-more-bee-beards!-With-Bob-Bumble-at-the-anchor-desk.-Weather-with-Storm-Stinger.-Sports-with-Buzz-Larvi.-And-Jeanette-Chung.-Good-evening.-I'm-Bob-Bumble.-And-I'm-Jeanette-Ohung.-A-tri-county-bee #Barry-Benson #intends-to-sue-the-human-race-for-stealing-our-honey #packaging-it-and-profiting-from-it-illegally!-Tomorrow-night-on-Bee-Larry-King #we'll-have-three-former-queens-here-in-our-studio #discussing-their-new-book #classy-Ladies #out-this-week-on-Hexagon.-Tonight-we're-talking-to-Barry-Benson.-Did-you-ever-think #'I'm-a-kid-from-The-Hive.-I-can't-do-this'?-Bees-have-never-been-afraid-to-change-the-world.-What-about-Bee-Oolumbus?-Bee-Gandhi?-Bejesus?-Where-I'm-from #we'd-never-sue-humans.-We-were-thinking-of-stickball-or-candy-stores.-How-old-are-you?-The-bee-community-is-supporting-you-in-this-case #which-will-be-the-trial-of-the-bee-century.-You-know #they-have-a-Larry-King-in-the-human-world-too.-It's-a-common-name.-Next-week...-He-looks-like-you-and-has-a-show-and-suspenders-and-colored-dots...-Next-week...-Glasses #quotes-on-the-bottom-from-the-guest-even-though-you-just-heard-'em.-Bear-Week-next-week!-They're-scary #hairy-and-here-live.-Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish.-In-tennis #you-attack-at-the-point-of-weakness!-It-was-my-grandmother #Ken.-She's-81.-Honey #her-backhand's-a-joke!-I'm-not-gonna-take-advantage-of-that?-Quiet #please.-Actual-work-going-on-here.-Is-that-that-same-bee?-Yes #it-is!-I'm-helping-him-sue-the-human-race.-Hello.-Hello #bee.-This-is-Ken.-Yeah #I-remember-you.-Timberland #size-ten-and-a-half.-Vibram-sole #I-believe.-Why-does-he-talk-again?-Listen #you-better-go-'cause-we're-really-busy-working.-But-it's-our-yogurt-night!-Bye-bye.-Why-is-yogurt-night-so-difficult?!-You-poor-thing.-You-two-have-been-at-this-for-hours!-Yes #and-Adam-here-has-been-a-huge-help.-Frosting...-How-many-sugars?-Just-one.-I-try-not-to-use-the-competition.-So-why-are-you-helping-me?-Bees-have-good-qualities.-And-it-takes-my-mind-off-the-shop.-Instead-of-flowers #people-are-giving-balloon-bouquets-now.-Those-are-great #if-you're-three.-And-artificial-flowers.-Oh #those-just-get-me-psychotic!-Yeah #me-too.-Bent-stingers #pointless-pollination.-Bees-must-hate-those-fake-things!-Nothing-worse-than-a-daffodil-that's-had-work-done.-Maybe-this-could-make-up-for-it-a-little-bit.-This-lawsuit's-a-pretty-big-deal.-I-guess.-You-sure-you-want-to-go-through-with-it?-Am-I-sure?-When-I'm-done-with-the-humans #they-won't-be-able-to-say #'Honey #I'm-home #'-without-paying-a-royalty!-It's-an-incredible-scene-here-in-downtown-Manhattan #where-the-world-anxiously-waits #because-for-the-first-time-in-history #we-will-hear-for-ourselves-if-a-honeybee-can-actually-speak.-What-have-we-gotten-into-here #isn't-it?-I-can't-believe-how-many-humans-don't-work-during-the-day.-You-think-billion-dollar-multinational-food-companies-have-good-lawyers?-Everybody-needs-to-stay-behind-the-barricade.-What's-the-matter?-I-don't-know #I-just-got-a-chill.-Well #if-it-isn't-the-bee-team.-You-boys-work-on-this?-All-rise!-The-Honorable-Judge-Bumbleton-presiding.-All-right.-Case-number-4475 #Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry-is-now-in-session.-Mr.-Montgomery #you're-representing-the-five-food-companies-collectively?-A-privilege.-Mr.-Benson...-you're-representing-all-the-bees-of-the-world?-I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed.-Mr.-Montgomery #your-opening-statement #please.-Ladies-and-gentlemen-of-the-jury #my-grandmother-was-a-simple-woman.-Born-on-a-farm #she-believed-it-was-man's-divine-right-to-benefit-from-the-bounty-of-nature-God-put-before-us.-If-we-lived-in-the-topsy-turvy-world-Mr.-Benson-imagines #just-think-of-what-would-it-mean.-I-would-have-to-negotiate-with-the-silkworm-for-the-elastic-in-my-britches!-Talking-bee!-How-do-we-know-this-isn't-some-sort-of-holographic-motion-picture-capture-Hollywood-wizardry?-They-could-be-using-laser-beams!-Robotics!-Ventriloquism!-Cloning!-For-all-we-know #he-could-be-on-steroids!-Mr.-Benson?-Ladies-and-gentlemen #there's-no-trickery-here.-I'm-just-an-ordinary-bee.-Honey's-pretty-important-to-me.-It's-important-to-all-bees.-We-invented-it!-We-make-it.-And-we-protect-it-with-our-lives.-Unfortunately #there-are-some-people-in-this-room-who-think-they-can-take-it-from-us-'cause-we're-the-little-guys!-I'm-hoping-that #after-this-is-all-over #you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have-but-everything-we-are!-I-wish-he'd-dress-like-that-all-the-time.-So-nice!-Call-your-first-witness.-So #Mr.-Klauss-Vanderhayden-of-Honey-Farms #big-company-you-have.-I-suppose-so.-I-see-you-also-own-Honeyburton-and-Honron!-Yes #they-provide-beekeepers-for-our-farms.-Beekeeper.-I-find-that-to-be-a-very-disturbing-term.-I-don't-imagine-you-employ-any-bee-free-ers #do-you?-No.-I-couldn't-hear-you.-No.-No.-Because-you-don't-free-bees.-You-keep-bees.-Not-only-that #it-seems-you-thought-a-bear-would-be-an-appropriate-image-for-a-jar-of-honey.-They're-very-lovable-creatures.-Yogi-Bear #Fozzie-Bear #Build-A-Bear.-You-mean-like-this?-Bears-kill-bees!-How'd-you-like-his-head-crashing-through-your-living-room?!-Biting-into-your-couch!-Spitting-out-your-throw-pillows!-OK #that's-enough.-Take-him-away.-So #Mr.-Sting #thank-you-for-being-here.-Your-name-intrigues-me.-Where-have-I-heard-it-before?-I-was-with-a-band-called-The-Police.-But-you've-never-been-a-police-officer #have-you?-No #I-haven't.-No #you-haven't.-And-so-here-we-have-yet-another-example-of-bee-culture-casually-stolen-by-a-human-for-nothing-more-than-a-prance-about-stage-name.-Oh #please.-Have-you-ever-been-stung #Mr.-Sting?-Because-I'm-feeling-a-little-stung #Sting.-Or-should-I-say...-Mr.-Gordon-M.-Sumner!-That's-not-his-real-name?!-You-idiots!-Mr.-Liotta #first #belated-congratulations-on-your-Emmy-win-for-a-guest-spot-on-ER-in-2005.-Thank-you.-Thank-you.-I-see-from-your-resume-that-you're-devilishly-handsome-with-a-churning-inner-turmoil-that's-ready-to-blow.-I-enjoy-what-I-do.-Is-that-a-crime?-Not-yet-it-isn't.-But-is-this-what-it's-come-to-for-you?-Exploiting-tiny #helpless-bees-so-you-don't-have-to-rehearse-your-part-and-learn-your-lines #sir?-Watch-it #Benson!-I-could-blow-right-now!-This-isn't-a-goodfella.-This-is-a-badfella!-Why-doesn't-someone-just-step-on-this-creep #and-we-can-all-go-home?!-Order-in-this-court!-You're-all-thinking-it!-Order!-Order #I-say!-Say-it!-Mr.-Liotta #please-sit-down!-I-think-it-was-awfully-nice-of-that-bear-to-pitch-in-like-that.-I-think-the-jury's-on-our-side.-Are-we-doing-everything-right #legally?-I'm-a-florist.-Right.-Well #here's-to-a-great-team.-To-a-great-team!-Well #hello.-Ken!-Hello.-I-didn't-think-you-were-coming.-No #I-was-just-late-I-tried-to-call #but...-the-battery.-I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free.-Oh #that-was-lucky.-There's-a-little-left.-I-could-heat-it-up.-Yeah #heat-it-up #sure #whatever.-So-I-hear-you're-quite-a-tennis-player.-I'm-not-much-for-the-game-myself.-The-ball's-a-little-grabby.-That's-where-I-usually-sit.-Right...-there.-Ken #Barry-was-looking-at-your-resume #and-he-agreed-with-me-that-eating-with-chopsticks-isn't-really-a-special-skill.-You-think-I-don't-see-what-you're-doing?-I-know-how-hard-it-is-to-find-the-right-job.-We-have-that-in-common.-Do-we?-Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out.-That's-just-what-I-was-thinking-about-doing.-Ken #I-let-Barry-borrow-your-razor-for-his-fuzz.-I-hope-that-was-all-right.-I'm-going-to-drain-the-old-stinger.-Yeah #you-do-that.-Look-at-that.-You-know #I've-just-about-had-it-with-your-little-Mind-Games.-What's-that?-Italian-Vogue.-Mamma-mia #that's-a-lot-of-pages.-A-lot-of-ads.-Remember-what-Van-said #why-is-your-life-more-valuable-than-mine?-Funny #I-just-can't-seem-to-recall-that!-I-think-something-stinks-in-here!-I-love-the-smell-of-flowers.-How-do-you-like-the-smell-of-flames?!-Not-as-much.-Water-bug!-Not-taking-sides!-Ken #I'm-wearing-a-Chapstick-hat!-This-is-pathetic!-I've-got-issues!-Well #well #well #a-royal-flush!-You're-bluffing.-Am-I?-Surf's-up #dude!-Poo-water!-That-bowl-is-gnarly.-Except-for-those-dirty-yellow-rings!-Kenneth!-What-are-you-doing?!-You-know #I-don't-even-like-honey!-I-don't-eat-it!-We-need-to-talk!-He's-just-a-little-bee!-And-he-happens-to-be-the-nicest-bee-I've-met-in-a-long-time!-Long-time?-What-are-you-talking-about?!-Are-there-other-bugs-in-your-life?--No #but-there-are-other-things-bugging-me-in-life.-And-you're-one-of-them!-Fine!-Talking-bees #no-yogurt-night...-My-nerves-are-fried-from-riding-on-this-emotional-roller-coaster!-Goodbye #Ken.-And-for-your-information #I-prefer-sugar-free #artificial-sweeteners-made-by-man!-I'm-sorry-about-all-that.-I-know-it's-got-an-aftertaste!-I-like-it!-I-always-felt-there-was-some-kind-of-barrier-between-Ken-and-me.-I-couldn't-overcome-it.-Oh #well.-Are-you-OK-for-the-trial?-I-believe-Mr.-Montgomery-is-about-out-of-ideas.-We-would-like-to-call-Mr.-Barry-Benson-Bee-to-the-stand.-Good-idea!-You-can-really-see-why-he's-considered-one-of-the-best-lawyers...-Yeah.-Layton #you've-gotta-weave-some-magic-with-this-jury #or-it's-gonna-be-all-over.-Don't-worry.-The-only-thing-I-have-to-do-to-turn-this-jury-around-is-to-remind-them-of-what-they-don't-like-about-bees.-You-got-the-tweezers?-Are-you-allergic?-Only-to-losing #son.-Only-to-losing.-Mr.-Benson-Bee #I'll-ask-you-what-I-think-we'd-all-like-to-know.-What-exactly-is-your-relationship-to-that-woman?-We're-friends.-Good-friends?-Yes.-How-good?-Do-you-live-together?-Wait-a-minute...-Are-you-her-little...-bedbug?-I've-seen-a-bee-documentary-or-two.-From-what-I-understand #doesn't-your-queen-give-birth-to-all-the-bee-children?-Yeah #but...-So-those-aren't-your-real-parents!-Oh #Barry...-Yes #they-are!-Hold-me-back!-You're-an-illegitimate-bee #aren't-you #Benson?-He's-denouncing-bees!-Don't-y'all-date-your-cousins?-Objection!-I'm-going-to-pincushion-this-guy!-Adam #don't!-It's-what-he-wants!-Oh #I'm-hit!!-Oh #lordy #I-am-hit!-Order!-Order!-The-venom!-The-venom-is-coursing-through-my-veins!-I-have-been-felled-by-a-winged-beast-of-destruction!-You-see?-You-can't-treat-them-like-equals!-They're-striped-savages!-Stinging's-the-only-thing-they-know!-It's-their-way!-Adam #stay-with-me.-I-can't-feel-my-legs.-What-Angel-of-Mercy-will-come-forward-to-suck-the-poison-from-my-heaving-buttocks?-I-will-have-order-in-this-court.-Order!-Order #please!-The-case-of-the-honeybees-versus-the-human-race-took-a-pointed-Turn-Against-the-bees-yesterday-when-one-of-their-legal-team-stung-Layton-T.-Montgomery.-Hey #buddy.-Hey.-Is-there-much-pain?-Yeah.-I...-I-blew-the-whole-case #didn't-I?-It-doesn't-matter.-What-matters-is-you're-alive.-You-could-have-died.-I'd-be-better-off-dead.-Look-at-me.-They-got-it-from-the-cafeteria-downstairs #in-a-tuna-sandwich.-Look #there's-a-little-celery-still-on-it.-What-was-it-like-to-sting-someone?-I-can't-explain-it.-It-was-all...-All-adrenaline-and-then...and-then-ecstasy!-All-right.-You-think-it-was-all-a-trap?-Of-course.-I'm-sorry.-I-flew-us-right-into-this.-What-were-we-thinking?-Look-at-us.-We're-just-a-couple-of-bugs-in-this-world.-What-will-the-humans-do-to-us-if-they-win?-I-don't-know.-I-hear-they-put-the-roaches-in-motels.-That-doesn't-sound-so-bad.-Adam #they-check-in #but-they-don't-check-out!-Oh #my.-Could-you-get-a-nurse-to-close-that-window?-Why?-The-smoke.-Bees-don't-smoke.-Right.-Bees-don't-smoke.-Bees-don't-smoke!-But-some-bees-are-smoking.-That's-it!-That's-our-case!-It-is?-It's-not-over?-Get-dressed.-I've-gotta-go-somewhere.-Get-back-to-the-court-and-stall.-Stall-any-way-you-can.-And-assuming-you've-done-step-correctly #you're-ready-for-the-tub.-Mr.-Flayman.-Yes?-Yes #Your-Honor!-Where-is-the-rest-of-your-team?-Well #Your-Honor #it's-interesting.-Bees-are-trained-to-fly-haphazardly #and-as-a-result #we-don't-make-very-good-time.-I-actually-heard-a-funny-story-about...-Your-Honor #haven't-these-ridiculous-bugs-taken-up-enough-of-this-court's-valuable-time?-How-much-longer-will-we-allow-these-absurd-shenanigans-to-go-on?-They-have-presented-no-compelling-evidence-to-support-their-charges-against-my-clients #who-run-legitimate-businesses.-I-move-for-a-complete-dismissal-of-this-entire-case!-Mr.-Flayman #I'm-afraid-I'm-going-to-have-to-consider-Mr.-Montgomery's-motion.-But-you-can't!-We-have-a-terrific-case.-Where-is-your-proof?-Where-is-the-evidence?-Show-me-the-smoking-gun!-Hold-it #Your-Honor!-You-want-a-smoking-gun?-Here-is-your-smoking-gun.-What-is-that?-It's-a-bee-smoker!-What #this?-This-harmless-little-contraption?-This-couldn't-hurt-a-fly #let-alone-a-bee.-Look-at-what-has-happened-to-bees-who-have-never-been-asked #'Smoking-or-non?'-Is-this-what-nature-intended-for-us?-To-be-forcibly-addicted-to-smoke-machines-and-man-made-wooden-slat-work-camps?-Living-out-our-lives-as-honey-slaves-to-the-white-man?-What-are-we-gonna-do?-He's-playing-the-species-card.-Ladies-and-gentlemen #please #free-these-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-The-court-finds-in-favor-of-the-bees!-Vanessa #we-won!-I-knew-you-could-do-it!-High-five!-Sorry.-I'm-OK!-You-know-what-this-means?-All-the-honey-will-finally-belong-to-the-bees.-Now-we-won't-have-to-work-so-hard-all-the-time.-This-is-an-unholy-perversion-of-the-balance-of-nature #Benson.-You'll-regret-this.-Barry #how-much-honey-is-out-there?-All-right.-One-at-a-time.-Barry #who-are-you-wearing?-My-sweater-is-Ralph-Lauren #and-I-have-no-pants.-What-if-Montgomery's-right?-What-do-you-mean?-We've-been-living-the-bee-way-a-long-time #27-million-years.-Congratulations-on-your-victory.-What-will-you-demand-as-a-settlement?-First #we'll-demand-a-complete-shutdown-of-all-bee-work-camps.-Then-we-want-back-the-honey-that-was-ours-to-begin-with #every-last-drop.-We-demand-an-end-to-the-glorification-of-the-bear-as-anything-more-than-a-filthy #smelly #bad-breath-stink-machine.-We're-all-aware-of-what-they-do-in-the-woods.-Wait-for-my-signal.-Take-him-out.-He'll-have-nauseous-for-a-few-hours #then-he'll-be-fine.-And-we-will-no-longer-tolerate-bee-negative-nicknames...-But-it's-just-a-prance-about-stage-name!-...unnecessary-inclusion-of-honey-in-bogus-health-products-and-la-dee-da-human-tea-time-snack-garnishments.-Can't-breathe.-Bring-it-in #boys!-Hold-it-right-there!-Good.-Tap-it.-Mr.-Buzzwell #we-just-passed-three-cups-and-there's-gallons-more-coming!-I-think-we-need-to-shut-down!-Shut-down?-We've-never-shut-down.-Shut-down-honey-production!-Stop-making-honey!-Turn-your-key #sir!-What-do-we-do-now?-Cannonball!-We're-shutting-honey-production!-Mission-abort.-Aborting-pollination-and-nectar-detail.-Returning-to-base.-Adam #you-wouldn't-believe-how-much-honey-was-out-there.-Oh #yeah?-What's-going-on?-Where-is-everybody?-Are-they-out-celebrating?-They're-home.-They-don't-know-what-to-do.-Laying-out #sleeping-in.-I-heard-your-Uncle-Carl-was-on-his-way-to-San-Antonio-with-a-cricket.-At-least-we-got-our-honey-back.-Sometimes-I-think #so-what-if-humans-liked-our-honey?-Who-wouldn't?-It's-the-greatest-thing-in-the-world!-I-was-excited-to-be-part-of-making-it.-This-was-my-new-desk.-This-was-my-new-job.-I-wanted-to-do-it-really-well.-And-now...-Now-I-can't.-I-don't-understand-why-they're-not-happy.-I-thought-their-lives-would-be-better!-They're-doing-nothing.-It's-amazing.-Honey-really-changes-people.-You-don't-have-any-idea-what's-going-on #do-you?-What-did-you-want-to-show-me?-This.-What-happened-here?-That-is-not-the-half-of-it.-Oh #no.-Oh #my.-They're-all-wilting.-Doesn't-look-very-good #does-it?-No.-And-whose-fault-do-you-think-that-is?-You-know #I'm-gonna-guess-bees.-Bees?-Specifically #me.-I-didn't-think-bees-not-needing-to-make-honey-would-affect-all-these-things.-It's-not-just-flowers.-Fruits #vegetables #they-all-need-bees.-That's-our-whole-SAT-test-right-there.-Take-away-produce #that-affects-the-entire-animal-kingdom.-And-then #of-course...-The-human-species?-So-if-there's-no-more-pollination #it-could-all-just-go-south-here #couldn't-it?-I-know-this-is-also-partly-my-fault.-How-about-a-suicide-pact?-How-do-we-do-it?-I'll-sting-you #you-step-on-me.-That-just-kills-you-twice.-Right #right.-Listen #Barry...-sorry #but-I-gotta-get-going.-I-had-to-open-my-mouth-and-talk.-Vanessa?-Vanessa?-Why-are-you-leaving?-Where-are-you-going?-To-the-final-Tournament-of-Roses-parade-in-Pasadena.-They've-moved-it-to-this-weekend-because-all-the-flowers-are-dying.-It's-the-Last-Chance-I'll-ever-have-to-see-it.-Vanessa #I-just-wanna-say-I'm-sorry.-I-never-meant-it-to-turn-out-like-this.-I-know.-Me-neither.-Tournament-of-Roses.-Roses-can't-do-sports.-Wait-a-minute.-Roses.-Roses?-Roses!-Vanessa!-Roses?!-Barry?-Roses-are-flowers!-Yes #they-are.-Flowers #bees #pollen!-I-know.-That's-why-this-is-the-last-parade.-Maybe-not.-Could-you-ask-him-to-slow-down?-Could-you-slow-down?-Barry!-OK #I-made-a-huge-mistake.-This-is-a-total-disaster #all-my-fault.-Yes #it-kind-of-is.-I've-ruined-the-planet.-I-wanted-to-help-you-with-the-flower-shop.-I've-made-it-worse.-Actually #it's-completely-closed-down.-I-thought-maybe-you-were-remodeling.-But-I-have-another-idea #and-it's-greater-than-my-previous-ideas-combined.-I-don't-want-to-hear-it!-All-right #they-have-the-roses #the-roses-have-the-pollen.-I-know-every-bee #plant-and-flower-bud-in-this-park.-All-we-gotta-do-is-get-what-they've-got-back-here-with-what-we've-got.-Bees.-Park.-Pollen!-Flowers.-Repollination!-Across-the-nation!-Tournament-of-Roses #Pasadena #California.-They've-got-nothing-but-flowers #floats-and-cotton-candy.-Security-will-be-tight.-I-have-an-idea.-Vanessa-Bloome #FTD.-Official-floral-business.-It's-real.-Sorry #ma'am.-Nice-brooch.-Thank-you.-It-was-a-gift.-Once-inside #we-just-pick-the-right-float.-How-about-The-Princess-and-the-Pea?-I-could-be-the-princess #and-you-could-be-the-pea!-Yes #I-got-it.-Where-should-I-sit?-What-are-you?-I-believe-I'm-the-pea.-The-pea?-It-goes-under-the-mattresses.-Not-in-this-fairy-tale #sweetheart.-I'm-getting-the-marshal.-You-do-that!-This-whole-parade-is-a-fiasco!-Let's-see-what-this-baby'll-do.-Hey #what-are-you-doing?!-Then-all-we-do-is-blend-in-with-traffic...-without-arousing-suspicion.-Once-at-the-airport #there's-no-stopping-us.-Stop!-Security.-You-and-your-insect-pack-your-float?-Yes.-Has-it-been-in-your-possession-the-entire-time?-Would-you-remove-your-shoes?-Remove-your-stinger.-It's-part-of-me.-I-know.-Just-having-some-fun.-Enjoy-your-flight.-Then-if-we're-lucky #we'll-have-just-enough-pollen-to-do-the-job.-Can-you-believe-how-lucky-we-are?-We-have-just-enough-pollen-to-do-the-job!-I-think-this-is-gonna-work.-It's-got-to-work.-Attention #passengers #this-is-Captain-Scott.-We-have-a-bit-of-bad-weather-in-New-York.-It-looks-like-we'll-experience-a-couple-hours-delay.-Barry #these-are-cut-flowers-with-no-water.-They'll-never-make-it.-I-gotta-get-up-there-and-talk-to-them.-Be-careful.-Can-I-get-help-with-the-Sky-Mall-magazine?-I'd-like-to-order-the-talking-inflatable-nose-and-ear-hair-trimmer.-Captain #I'm-in-a-real-situation.-What'd-you-say #Hal?-Nothing.-Bee!-Don't-freak-out!-My-entire-species...-What-are-you-doing?-Wait-a-minute!-I'm-an-attorney!-Who's-an-attorney?-Don't-move.-Oh #Barry.-Good-afternoon #passengers.-This-is-your-captain.-Would-a-Miss-Vanessa-Bloome-in-24B-please-report-to-the-cockpit?-And-please-hurry!-What-happened-here?-There-was-a-DustBuster #a-toupee #a-life-raft-exploded.-One's-bald #one's-in-a-boat #they're-both-unconscious!-Is-that-another-bee-joke?-No!-No-one's-flying-the-plane!-This-is-JFK-control-tower #Flight-356.-What's-your-status?-This-is-Vanessa-Bloome.-I'm-a-florist-from-New-York.-Where's-the-pilot?-He's-unconscious #and-so-is-the-copilot.-Not-good.-Does-anyone-onboard-have-flight-experience?-As-a-matter-of-fact #there-is.-Who's-that?-Barry-Benson.-From-the-honey-trial?!-Oh #great.-Vanessa #this-is-nothing-more-than-a-big-metal-bee.-It's-got-giant-wings #huge-engines.-I-can't-fly-a-plane.-Why-not?-Isn't-John-Travolta-a-pilot?-Yes.-How-hard-could-it-be?-Wait #Barry!-We're-headed-into-some-lightning.-This-is-Bob-Bumble.-We-have-some-late-breaking-news-from-JFK-Airport #where-a-suspenseful-scene-is-developing.-Barry-Benson #fresh-from-his-legal-victory...-That's-Barry!-...is-attempting-to-land-a-plane #loaded-with-people #flowers-and-an-incapacitated-flight-crew.-Flowers?!-We-have-a-storm-in-the-area-and-two-individuals-at-the-controls-with-absolutely-no-flight-experience.-Just-a-minute.-There's-a-bee-on-that-plane.-I'm-quite-familiar-with-Mr.-Benson-and-his-no-account-compadres.-They've-done-enough-damage.-But-isn't-he-your-only-hope?-Technically #a-bee-shouldn't-be-able-to-fly-at-all.-Their-wings-are-too-small...-Haven't-we-heard-this-a-million-times?-'The-surface-area-of-the-wings-and-body-mass-make-no-sense.'-Get-this-on-the-air!-Got-it.-Stand-by.-We're-going-live.-The-way-we-work-may-be-a-mystery-to-you.-Making-honey-takes-a-lot-of-bees-doing-a-lot-of-small-jobs.-But-let-me-tell-you-about-a-small-job.-If-you-do-it-well #it-makes-a-big-difference.-More-than-we-realized.-To-us #to-everyone.-That's-why-I-want-to-get-bees-back-to-working-together.-That's-the-bee-way!-We're-not-made-of-Jell-O.-We-get-behind-a-fellow.-Black-and-yellow!-Hello!-Left #right #down #hover.-Hover?-Forget-hover.-This-isn't-so-hard.-Beep-beep!-Beep-beep!-Barry #what-happened?!-Wait #I-think-we-were-on-autopilot-the-whole-time.-That-may-have-been-helping-me.-And-now-we're-not!-So-it-turns-out-I-cannot-fly-a-plane.-All-of-you #let's-get-behind-this-fellow!-Move-it-out!-Move-out!-Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane!-Don't-have-to-yell.-I'm-not-yelling!-We're-in-a-lot-of-trouble.-It's-very-hard-to-concentrate-with-that-panicky-tone-in-your-voice!-It's-not-a-tone.-I'm-panicking!-I-can't-do-this!-Vanessa #pull-yourself-together.-You-have-to-snap-out-of-it!-You-snap-out-of-it.-You-snap-out-of-it.-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-Hold-it!-Why?-Come-on #it's-my-turn.-How-is-the-plane-flying?-I-don't-know.-Hello?-Benson #got-any-flowers-for-a-happy-occasion-in-there?-The-Pollen-Jocks!-They-do-get-behind-a-fellow.-Black-and-yellow.-Hello.-All-right #let's-drop-this-tin-can-on-the-blacktop.-Where?-I-can't-see-anything.-Can-you?-No #nothing.-It's-all-cloudy.-Come-on.-You-got-to-think-bee #Barry.-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Wait-a-minute.-I-think-I'm-feeling-something.-What?-I-don't-know.-It's-strong #pulling-me.-Like-a-27-million-year-old-instinct.-Bring-the-nose-down.-Thinking-bee!-Thinking-bee!-Thinking-bee!-What-in-the-world-is-on-the-tarmac?-Get-some-lights-on-that!-Thinking-bee!-Thinking-bee!-Thinking-bee!-Vanessa #aim-for-the-flower.-OK.-Cut-the-engines.-We're-going-in-on-bee-power.-Ready #boys?-Affirmative!-Good.-Good.-Easy #now.-That's-it.-Land-on-that-flower!-Ready?-Full-reverse!-Spin-it-around!-Not-that-flower!-The-other-one!-Which-one?-That-flower.-I'm-aiming-at-the-flower!-That's-a-fat-guy-in-a-flowered-shirt.-I-mean-the-giant-pulsating-flower-made-of-millions-of-bees!-Pull-forward.-Nose-down.-Tail-up.-Rotate-around-it.-This-is-insane #Barry!-This's-the-only-way-I-know-how-to-fly.-Am-I-koo-koo-kachoo #or-is-this-plane-flying-in-an-insect-like-pattern?-Get-your-nose-in-there.-Don't-be-afraid.-Smell-it.-Full-reverse!-Just-drop-it.-Be-a-part-of-it.-Aim-for-the-center!-Now-drop-it-in!-Drop-it-in #woman!-Come-on #already.-Barry #we-did-it!-You-taught-me-how-to-fly!-Yes.-No-high-five!-Right.-Barry #it-worked!-Did-you-see-the-giant-flower?-What-giant-flower?-Where?-Of-course-I-saw-the-flower!-That-was-genius!-Thank-you.-But-we're-not-done-yet.-Listen #everyone!-This-runway-is-covered-with-the-last-pollen-from-the-last-flowers-available-anywhere-on-Earth.-That-means-this-is-our-Last-Chance.-We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this.-If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say?-Are-we-going-to-be-bees #or-just-Museum-of-Natural-History-keychains?-We're-bees!-Keychain!-Then-follow-me!-Except-Keychain.-Hold-on #Barry.-Here.-You've-earned-this.-Yeah!-I'm-a-Pollen-Jock!-And-it's-a-perfect-fit.-All-I-gotta-do-are-the-sleeves.-Oh #yeah.-That's-our-Barry.-Mom!-The-bees-are-back!-If-anybody-needs-to-make-a-call #now's-the-time.-I-got-a-feeling-we'll-be-working-late-tonight!-Here's-your-change.-Have-a-great-afternoon!-Can-I-help-who's-next?-Would-you-like-some-honey-with-that?-It-is-bee-approved.-Don't-forget-these.-Milk #cream #cheese #it's-all-me.--And-I-don't-see-a-nickel!-Sometimes-I-just-feel-like-a-piece-of-meat!-I-had-no-idea.-Barry #I'm-sorry.-Have-you-got-a-moment?-Would-you-excuse-me?-My-mosquito-associate-will-help-you.-Sorry-I'm-late.-He's-a-lawyer-too?-I-was-already-a-blood-sucking-parasite.-All-I-needed-was-a-briefcase.-Have-a-great-afternoon!-Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere.-No-problem #Vannie.-Just-leave-it-to-me.-You're-a-lifesaver #Barry.-Can-I-help-who's-next?-All-right #scramble #jocks!-It's-time-to-fly.-Thank-you #Barry!-That-bee-is-living-my-life!-Let-it-go #Kenny.-When-will-this-nightmare-end?!-Let-it-all-go.-Beautiful-day-to-fly.-Sure-is.-Between-you-and-me #I-was-dying-to-get-out-of-that-office.-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Me?-Hold-it.-Let's-just-stop-for-a-second.-Hold-it.-I'm-sorry.-I'm-sorry #everyone.-Can-we-stop-here?-I'm-not-making-a-major-life-decision-during-a-production-number!-All-right.-Take-ten #everybody.-Wrap-it-up #guys.-I-had-virtually-no-rehearsal-for-that.#theroseshavethepolleniknoweverybee #plantandflowerbudinthisparkallwegottadoisgetwhattheyvegotbackherewithwhatwevegotbeesparkpollenflowersrepollinationacrossthenationtournamentofroses #pasadena #californiatheyvegotnothingbutflowers #floatsandcottoncandysecuritywillbetightihaveanideavanessabloome #ftdofficialfloralbusinessitsrealsorry -
CW: Fedi meta
no wait im on wafrn. I need to use the power of tags
#According-to-all-known-laws-of-aviation #there-is-no-way-a-bee-should-be-able-to-fly.-Its-wings-are-too-small-to-get-its-fat-little-body-off-the-ground.-The-bee #of-course #flies-anyway-because-bees-don't-care-what-humans-think-is-impossible.-Yellow #black.-Yellow #black.-Yellow #black.-Yellow #black.-Ooh #black-and-yellow!-Let's-shake-it-up-a-little.-Barry!-Breakfast-is-ready!-Coming!-Hang-on-a-second.-Hello?-Barry?-Adam?-Can-you-believe-this-is-happening?-I-can't.-I'll-pick-you-up.-Looking-sharp.-Use-the-stairs #Your-father-paid-good-money-for-those.-Sorry.-I'm-excited.-Here's-the-graduate.-We're-very-proud-of-you #son.-A-perfect-report-card #all-B's.-Very-proud.-Ma!-I-got-a-thing-going-here.-You-got-lint-on-your-fuzz.-Ow!-That's-me!-Wave-to-us!-We'll-be-in-row-118 #000.-Bye!-Barry #I-told-you #stop-flying-in-the-house!-Hey #Adam.-Hey #Barry.-Is-that-fuzz-gel?-A-little.-Special-day #graduation.-Never-thought-I'd-make-it.-Three-days-grade-school #three-days-high-school.-Those-were-awkward.-Three-days-college.-I'm-glad-I-took-a-day-and-hitchhiked-around-The-Hive.-You-did-come-back-different.-Hi #Barry.-Artie #growing-a-mustache?-Looks-good.-Hear-about-Frankie?-Yeah.-You-going-to-the-funeral?-No #I'm-not-going.-Everybody-knows #sting-someone #you-die.-Don't-waste-it-on-a-squirrel.-Such-a-hothead.-I-guess-he-could-have-just-gotten-out-of-the-way.-I-love-this-incorporating-an-amusement-park-into-our-day.-That's-why-we-don't-need-vacations.-Boy #quite-a-bit-of-pomp-under-the-circumstances.-Well #Adam #today-we-are-men.-We-are!-Bee-men.-Amen!-Hallelujah!-Students #faculty #distinguished-bees #please-welcome-Dean-Buzzwell.-Welcome #New-Hive-City-graduating-class-of-9:15.-That-concludes-our-ceremonies-And-begins-your-career-at-Honex-Industries!-Will-we-pick-our-job-today?-I-heard-it's-just-orientation.-Heads-up!-Here-we-go.-Keep-your-hands-and-antennas-inside-the-tram-at-all-times.-Wonder-what-it'll-be-like?-A-little-scary.-Welcome-to-Honex #a-division-of-Honesco-and-a-part-of-the-Hexagon-Group.-This-is-it!-Wow.-Wow.-We-know-that-you #as-a-bee #have-worked-your-whole-life-to-get-to-the-point-where-you-can-work-for-your-whole-life.-Honey-begins-when-our-valiant-Pollen-Jocks-bring-the-nectar-to-The-Hive.-Our-top-secret-formula-is-automatically-color-corrected #scent-adjusted-and-bubble-contoured-into-this-soothing-sweet-syrup-with-its-distinctive-golden-glow-you-know-as...-Honey!-That-girl-was-hot.-She's-my-cousin!-She-is?-Yes #we're-all-cousins.-Right.-You're-right.-At-Honex #we-constantly-strive-to-improve-every-aspect-of-bee-existence.-These-bees-are-stress-testing-a-new-helmet-technology.-What-do-you-think-he-makes?-Not-enough.-Here-we-have-our-latest-advancement #the-Krelman.-What-does-that-do?-Catches-that-little-strand-of-honey-that-hangs-after-you-pour-it.-Saves-us-millions.-Can-anyone-work-on-the-Krelman?-Of-course.-Most-bee-jobs-are-small-ones.-But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot.-But-choose-carefully-because-you'll-stay-in-the-job-you-pick-for-the-rest-of-your-life.-The-same-job-the-rest-of-your-life?-I-didn't-know-that.-What's-the-difference?-You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off-in-27-million-years.-So-you'll-just-work-us-to-death?-We'll-sure-try.-Wow!-That-blew-my-mind!-'What's-the-difference?'-How-can-you-say-that?-One-job-forever?-That's-an-insane-choice-to-have-to-make.-I'm-relieved.-Now-we-only-have-to-make-one-decision-in-life.-But #Adam #how-could-they-never-have-told-us-that?-Why-would-you-question-anything?-We're-bees.-We're-the-most-perfectly-functioning-society-on-Earth.-You-ever-think-maybe-things-work-a-little-too-well-here?-Like-what?-Give-me-one-example.-I-don't-know.-But-you-know-what-I'm-talking-about.-Please-clear-the-gate.-Royal-Nectar-Force-on-approach.-Wait-a-second.-Check-it-out.-Hey #those-are-Pollen-Jocks!-Wow.-I've-never-seen-them-this-close.-They-know-what-it's-like-outside-The-Hive.-Yeah #but-some-don't-come-back.-Hey #Jocks!-Hi #Jocks!-You-guys-did-great!-You're-monsters!-You're-sky-freaks!-I-love-it!-I-love-it!-I-wonder-where-they-were.-I-don't-know.-Their-day's-not-planned.-Outside-The-Hive #flying-who-knows-where #doing-who-knows-what.-You-can't-just-decide-to-be-a-Pollen-Jock.-You-have-to-be-bred-for-that.-Right.-Look.-That's-more-pollen-than-you-and-I-will-see-in-a-lifetime.-It's-just-a-status-symbol.-Bees-make-too-much-of-it.-Perhaps.-Unless-you're-wearing-it-and-the-ladies-see-you-wearing-it.-Those-ladies?-Aren't-they-our-cousins-too?-Distant.-Distant.-Look-at-these-two.-Couple-of-Hive-Harrys.-Let's-have-fun-with-them.-It-must-be-dangerous-being-a-Pollen-Jock.-Yeah.-Once-a-bear-pinned-me-against-a-mushroom!-He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me!-Oh #my!-I-never-thought-I'd-knock-him-out.-What-were-you-doing-during-this?-Trying-to-alert-the-authorities.-I-can-autograph-that.-A-little-gusty-out-there-today #wasn't-it #comrades?-Yeah.-Gusty.-We're-hitting-a-sunflower-patch-six-miles-from-here-tomorrow.-Six-miles #huh?-Barry!-A-puddle-jump-for-us #but-maybe-you're-not-up-for-it.-Maybe-I-am.-You-are-not!-We're-going-0900-at-J-Gate.-What-do-you-think #buzzy-boy?-Are-you-bee-enough?-I-might-be.-It-all-depends-on-what-0900-means.-Hey #Honex!-Dad #you-surprised-me.-You-decide-what-you're-interested-in?-Well #there's-a-lot-of-choices.-But-you-only-get-one.-Do-you-ever-get-bored-doing-the-same-job-every-day?-Son #let-me-tell-you-about-stirring.-You-grab-that-stick #and-you-just-move-it-around #and-you-stir-it-around.-You-get-yourself-into-a-rhythm.-It's-a-beautiful-thing.-You-know #Dad #the-more-I-think-about-it #maybe-the-honey-field-just-isn't-right-for-me.-You-were-thinking-of-what #making-balloon-animals?-That's-a-bad-job-for-a-guy-with-a-stinger.-Janet #your-son's-not-sure-he-wants-to-go-into-honey!-Barry #you-are-so-funny-sometimes.-I'm-not-trying-to-be-funny.-You're-not-funny!-You're-going-into-honey.-Our-son #the-stirrer!-You're-gonna-be-a-stirrer?-No-one's-listening-to-me!-Wait-till-you-see-the-sticks-I-have.-I-could-say-anything-right-now.-I'm-gonna-get-an-ant-tattoo!-Let's-open-some-honey-and-celebrate!-Maybe-I'll-pierce-my-thorax.-Shave-my-antennae.-Shack-up-with-a-grasshopper.-Get-a-gold-tooth-and-call-everybody-'dawg'!-I'm-so-proud.-We're-starting-work-today!-Today's-the-day.-Come-on!-All-the-good-jobs-will-be-gone.-Yeah #right.-Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal...-Is-it-still-available?-Hang-on.-Two-left!-One-of-them's-yours!-Congratulations!-Step-to-the-side.-What'd-you-get?-Picking-crud-out.-Stellar!-Wow!-Couple-of-newbies?-Yes #sir!-Our-first-day!-We-are-ready!-Make-your-choice.-You-want-to-go-first?-No #you-go.-Oh #my.-What's-available?-Restroom-attendant's-open #not-for-the-reason-you-think.-Any-chance-of-getting-the-Krelman?-Sure #you're-on.-I'm-sorry #the-Krelman-just-closed-out.-Wax-monkey's-always-open.-The-Krelman-opened-up-again.-What-happened?-A-bee-died.-Makes-an-opening.-See?-He's-dead.-Another-dead-one.-Deady.-Deadified.-Two-more-dead.-Dead-from-the-neck-up.-Dead-from-the-neck-down.-That's-life!-Oh #this-is-so-hard!-Heating #cooling #stunt-bee #pourer #stirrer #humming #inspector-number-seven #lint-coordinator #stripe-supervisor #mite-wrangler.-Barry #what-do-you-think-I-should...-Barry?-Barry!-All-right #we've-got-the-sunflower-patch-in-quadrant-nine...-What-happened-to-you?-Where-are-you?-I'm-going-out.-Out?-Out-where?-Out-there.-Oh #no!-I-have-to #before-I-go-to-work-for-the-rest-of-my-life.-You're-gonna-die!-You're-crazy!-Hello?-Another-call-coming-in.-If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd-that-gets-their-roses-today.-Hey #guys.-Look-at-that.-Isn't-that-the-kid-we-saw-yesterday?-Hold-it #son #flight-deck's-restricted.-It's-OK #Lou.-We're-gonna-take-him-up.-Really?-Feeling-lucky #are-you?-Sign-here #here.-Just-initial-that.-Thank-you.-OK.-You-got-a-rain-advisory-today #and-as-you-all-know #bees-cannot-fly-in-rain.-So-be-careful.-As-always #watch-your-brooms #hockey-sticks #dogs #birds #bears-and-bats.-Also #I-got-a-couple-of-reports-of-root-beer-being-poured-on-us.-Murphy's-in-a-home-because-of-it #babbling-like-a-cicada!-That's-awful.-And-a-reminder-for-you-rookies #bee-law-number-one #absolutely-no-talking-to-humans!--All-right #launch-positions!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Black-and-yellow!-Hello!-You-ready-for-this #hot-shot?-Yeah.-Yeah #bring-it-on.-Wind #check.-Antennae #check.-Nectar-pack #check.-Wings #check.-Stinger #check.-Scared-out-of-my-shorts #check.-OK #ladies #let's-move-it-out!-Pound-those-petunias #you-striped-stem-suckers!-All-of-you #drain-those-flowers!-Wow!-I'm-out!-I-can't-believe-I'm-out!-So-blue.-I-feel-so-fast-and-free!-Box-kite!-Wow!-Flowers!-This-is-Blue-Leader #We-have-roses-visual.-Bring-it-around-30-degrees-and-hold.-Roses!-30-degrees #roger.-Bringing-it-around.-Stand-to-the-side #kid.-It's-got-a-bit-of-a-kick.-That-is-one-nectar-collector!-Ever-see-pollination-up-close?-No #sir.-I-pick-up-some-pollen-here #sprinkle-it-over-here.-Maybe-a-dash-over-there #a-pinch-on-that-one.-See-that?-It's-a-little-bit-of-magic.-That's-amazing.-Why-do-we-do-that?-That's-pollen-power.-More-pollen #more-flowers #more-nectar #more-honey-for-us.-Cool.-I'm-picking-up-a-lot-of-bright-yellow #Could-be-daisies #Don't-we-need-those?-Copy-that-visual.-Wait.-One-of-these-flowers-seems-to-be-on-the-move.-Say-again?-You're-reporting-a-moving-flower?-Affirmative.-That-was-on-the-line!-This-is-the-coolest.-What-is-it?-I-don't-know #but-I'm-loving-this-color.-It-smells-good.-Not-like-a-flower #but-I-like-it.-Yeah #fuzzy.-Chemical-y.-Careful #guys.-It's-a-little-grabby.-My-sweet-lord-of-bees!-Candy-brain #get-off-there!-Problem!-Guys!-This-could-be-bad.-Affirmative.-Very-close.-Gonna-hurt.-Mama's-little-boy.-You-are-way-out-of-position #rookie!-Coming-in-at-you-like-a-missile!-Help-me!-I-don't-think-these-are-flowers.-Should-we-tell-him?-I-think-he-knows.-What-is-this?!-Match-point!-You-can-start-packing-up #honey #because-you're-about-to-eat-it!-Yowser!-Gross.-There's-a-bee-in-the-car!-Do-something!-I'm-driving!-Hi #bee.-He's-back-here!-He's-going-to-sting-me!-Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze!-He-blinked!-Spray-him #Granny!-What-are-you-doing?!-Wow...-the-tension-level-out-here-is-unbelievable.-I-gotta-get-home.-Can't-fly-in-rain.-Can't-fly-in-rain.-Can't-fly-in-rain.-Mayday!-Mayday!-Bee-going-down!-Ken #could-you-close-the-window-please?-Ken #could-you-close-the-window-please?-Check-out-my-new-resume.-I-made-it-into-a-fold-out-brochure.-You-see?-Folds-out.-Oh #no.-More-humans.-I-don't-need-this.-What-was-that?-Maybe-this-time.-This-time.-This-time.-This-time!-This-time!-This...-Drapes!-That-is-diabolical.-It's-fantastic.-It's-got-all-my-special-skills #even-my-top-ten-favorite-movies.-What's-number-one?-Star-Wars?-Nah #I-don't-go-for-that...-kind-of-stuff.-No-wonder-we-shouldn't-talk-to-them.-They're-out-of-their-minds.-When-I-leave-a-job-interview #they're-flabbergasted #can't-believe-what-I-say.-There's-the-sun.-Maybe-that's-a-way-out.-I-don't-remember-the-sun-having-a-big-75-on-it.-I-predicted-global-warming.-I-could-feel-it-getting-hotter.-At-first-I-thought-it-was-just-me.-Wait!-Stop!-Bee!-Stand-back.-These-are-winter-boots.-Wait!-Don't-kill-him!-You-know-I'm-allergic-to-them!-This-thing-could-kill-me!-Why-does-his-life-have-less-value-than-yours?-Why-does-his-life-have-any-less-value-than-mine?-Is-that-your-statement?-I'm-just-saying-all-life-has-value.-You-don't-know-what-he's-capable-of-feeling.-My-brochure!-There-you-go #little-guy.-I'm-not-scared-of-him.It's-an-allergic-thing.--Put-that-on-your-resume-brochure.-My-whole-face-could-puff-up.-Make-it-one-of-your-special-skills.-Knocking-someone-out-is-also-a-special-skill.-Right.-Bye #Vanessa.-Thanks.-Vanessa #next-week?-Yogurt-night?-Sure #Ken.-You-know #whatever.-You-could-put-carob-chips-on-there.-Bye.-Supposed-to-be-less-calories.-Bye.-I-gotta-say-something.-She-saved-my-life.-I-gotta-say-something.-All-right #here-it-goes.-Nah.-What-would-I-say?-I-could-really-get-in-trouble.-It's-a-bee-law.-You're-not-supposed-to-talk-to-a-human.-I-can't-believe-I'm-doing-this.-I've-got-to.-Oh #I-can't-do-it.-Come-on!-No.-Yes.-No.-Do-it.-I-can't.-How-should-I-start-it?-'You-like-jazz?'-No #that's-no-good.-Here-she-comes!-Speak #you-fool!-Hi!-I'm-sorry.-You're-talking.-Yes #I-know.-You're-talking!-I'm-so-sorry.-No #it's-OK.-It's-fine.-I-know-I'm-dreaming.-But-I-don't-recall-going-to-bed.-Well #I'm-sure-this-is-very-disconcerting.-This-is-a-bit-of-a-surprise-to-me.-I-mean #you're-a-bee!-I-am.-And-I'm-not-supposed-to-be-doing-this #Barry?-It's-pretty-big #but-they-were-all-trying-to-kill-me.-And-if-it-wasn't-for-you...-I-had-to-thank-you.-It's-just-how-I-was-raised.-That-was-a-little-weird.-I'm-talking-with-a-bee.-Yeah.-I'm-talking-to-a-bee.-And-the-bee-is-talking-to-me!-I-just-want-to-say-I'm-grateful.-I'll-leave-now.-Wait!-How-did-you-learn-to-do-that?-What?-The-talking-thing.-Same-way-you-did #I-guess.-'Mama #Dada #honey.'-You-pick-it-up.-That's-very-funny.-Yeah.-Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with.-Anyway...-Can-I...-get-you-something?-Like-what?-I-don't-know.-I-mean...-I-don't-know.-Coffee?-I-don't-want-to-put-you-out.-It's-no-trouble.-It-takes-two-minutes.-It's-just-coffee.-I-hate-to-impose.-Don't-be-ridiculous!-Actually #I-would-love-a-cup.-Hey #you-want-rum-cake?-I-shouldn't.-Have-some.-No #I-can't.-Come-on!-I'm-trying-to-lose-a-couple-micrograms.-Where?-These-stripes-don't-help.-You-look-great!-I-don't-know-if-you-know-anything-about-fashion.-Are-you-all-right?-No.-He's-making-the-tie-in-the-cab-as-they're-flying-up-Madison.-He-finally-gets-there.-He-runs-up-the-steps-into-the-church.-The-wedding-is-on.-And-he-says #'Watermelon?-I-thought-you-said-Guatemalan.-Why-would-I-marry-a-watermelon?'-Is-that-a-bee-joke?-That's-the-kind-of-stuff-we-do.-Yeah #different.-So #what-are-you-gonna-do #Barry?-About-work?-I-don't-know.-I-want-to-do-my-part-for-The-Hive #but-I-can't-do-it-the-way-they-want.-I-know-how-you-feel.-You-do?-Sure.-My-parents-wanted-me-to-be-a-lawyer-or-a-doctor #but-I-wanted-to-be-a-florist.-Really?-My-only-interest-is-flowers.-Our-new-queen-was-just-elected-with-that-same-campaign-slogan.-Anyway #if-you-look...-There's-my-hive-right-there.-See-it?-You're-in-Sheep-Meadow!-Yes!-I'm-right-off-the-Turtle-Pond!-No-way!-I-know-that-area.-I-lost-a-toe-ring-there-once.-Why-do-girls-put-rings-on-their-toes?-Why-not?-It's-like-putting-a-hat-on-your-knee.-Maybe-I'll-try-that.-You-all-right #ma'am?-Oh #yeah.-Fine.-Just-having-two-cups-of-coffee!-Anyway #this-has-been-great.-Thanks-for-the-coffee.-Yeah #it's-no-trouble.-Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life.-Are-you...?-Can-I-take-a-piece-of-this-with-me?-Sure!-Here #have-a-crumb.-Thanks!-Yeah.-All-right.-Well #then...-I-guess-I'll-see-you-around.-Or-not.-OK #Barry.-And-thank-you-so-much-again...-for-before.-Oh #that?-That-was-nothing.-Well #not-nothing #but...-Anyway...-This-can't-possibly-work.-He's-all-set-to-go.-We-may-as-well-try-it.-OK #Dave #pull-the-chute.-Sounds-amazing.-It-was-amazing!-It-was-the-scariest #happiest-moment-of-my-life.-Humans!-I-can't-believe-you-were-with-humans!-Giant #scary-humans!-What-were-they-like?-Huge-and-crazy.-They-talk-crazy.-They-eat-crazy-giant-things.-They-drive-crazy.-Do-they-try-and-kill-you #like-on-TV?-Some-of-them.-But-some-of-them-don't.-How'd-you-get-back?-Poodle.-You-did-it #and-I'm-glad.-You-saw-whatever-you-wanted-to-see.-You-had-your-'experience.'-Now-you-can-pick-out-yourjob-and-be-normal.-Well...-Well?-Well #I-met-someone.-You-did?-Was-she-Bee-ish?-A-wasp?!-Your-parents-will-kill-you!-No #no #no #not-a-wasp.-Spider?-I'm-not-attracted-to-spiders.-I-know-it's-the-hottest-thing #with-the-eight-legs-and-all.-I-can't-get-by-that-face.-So-who-is-she?-She's...-human.-No #no.-That's-a-bee-law.-You-wouldn't-break-a-bee-law.-Her-name's-Vanessa.-Oh #boy.-She's-so-nice.-And-she's-a-florist!-Oh #no!-You're-dating-a-human-florist!-We're-not-dating.-You're-flying-outside-The-Hive #talking-to-humans-that-attack-our-homes-with-power-washers-and-M-80s!-One-eighth-a-stick-of-dynamite!-She-saved-my-life!-And-she-understands-me.-This-is-over!-Eat-this.-This-is-not-over!-What-was-that?-They-call-it-a-crumb.-It-was-so-stingin'-stripey!-And-that's-not-what-they-eat.-That's-what-falls-off-what-they-eat!-You-know-what-a-Cinnabon-is?-No.-It's-bread-and-cinnamon-and-frosting.-They-heat-it-up...-Sit-down!-...really-hot!-Listen-to-me!-We-are-not-them!-We're-us.-There's-us-and-there's-them!-Yes #but-who-can-deny-the-heart-that-is-yearning?-There's-no-yearning.-Stop-yearning.-Listen-to-me!-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Thinking-bee!-There-he-is.-He's-in-the-pool.-You-know-what-your-problem-is #Barry?-I-gotta-start-thinking-bee?-How-much-longer-will-this-go-on?-It's-been-three-days!-Why-aren't-you-working?-I've-got-a-lot-of-big-life-decisions-to-think-about.-What-life?-You-have-no-life!-You-have-no-job.-You're-barely-a-bee!-Would-it-kill-you-to-make-a-little-honey?-Barry #come-out.-Your-father's-talking-to-you.-Martin #would-you-talk-to-him?-Barry #I'm-talking-to-you!-You-coming?-Got-everything?-All-set!-Go-ahead.-I'll-catch-up.-Don't-be-too-long.-Watch-this!-Vanessa!-We're-still-here.-I-told-you-not-to-yell-at-him.-He-doesn't-respond-to-yelling!-Then-why-yell-at-me?-Because-you-don't-listen!-I'm-not-listening-to-this.-Sorry #I've-gotta-go.-Where-are-you-going?-I'm-meeting-a-friend.-A-girl?-Is-this-why-you-can't-decide?-Bye.-I-just-hope-she's-Bee-ish.-They-have-a-huge-parade-of-flowers-every-year-in-Pasadena?-To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream!-Up-on-a-float #surrounded-by-flowers #crowds-cheering.-A-tournament.-Do-the-roses-compete-in-athletic-events?-No.-All-right #I've-got-one.-How-come-you-don't-fly-everywhere?-It's-exhausting.-Why-don't-you-run-everywhere?-It's-faster.-Yeah #OK #I-see #I-see.-All-right #your-turn.-TiVo.-You-can-just-freeze-live-TV?-That's-insane!-You-don't-have-that?-We-have-Hivo #but-it's-a-disease.-It's-a-horrible #horrible-disease.-Oh #my.-Dumb-bees!-You-must-want-to-sting-all-those-jerks.-We-try-not-to-sting.-It's-usually-fatal-for-us.-So-you-have-to-watch-your-temper.-Very-carefully.-You-kick-a-wall #take-a-walk #write-an-angry-letter-and-throw-it-out.-Work-through-it-like-any-emotion:-Anger #jealousy #lust.-Oh #my-goodness!-Are-you-OK?-Yeah.-What-is-wrong-with-you?!-It's-a-bug.-He's-not-bothering-anybody.-Get-out-of-here #you-creep!-What-was-that?-A-Pic-'N'-Save-circular?-Yeah #it-was.-How-did-you-know?-It-felt-like-about-10-pages.-Seventy-five-is-pretty-much-our-limit.-You've-really-got-that-down-to-a-science.-I-lost-a-cousin-to-Italian-Vogue.-I'll-bet.-What-in-the-name-of-Mighty-Hercules-is-this?-How-did-this-get-here?-cute-Bee #Golden-Blossom #Ray-Liotta-Private-Select?-Is-he-that-actor?-I-never-heard-of-him.-Why-is-this-here?-For-people.-We-eat-it.-You-don't-have-enough-food-of-your-own?-Well #yes.-How-do-you-get-it?-Bees-make-it.-I-know-who-makes-it!-And-it's-hard-to-make-it!-There's-heating #cooling #stirring.-You-need-a-whole-Krelman-thing!-It's-organic.-It's-our-ganic!-It's-just-honey #Barry.-Just-what?!-Bees-don't-know-about-this!-This-is-stealing!-A-lot-of-stealing!-You've-taken-our-homes #schools #hospitals!-This-is-all-we-have!-And-it's-on-sale?!-I'm-getting-to-the-bottom-of-this.-I'm-getting-to-the-bottom-of-all-of-this!-Hey #Hector.-You-almost-done?-Almost.-He-is-here.-I-sense-it.-Well #I-guess-I'll-go-home-now-and-just-leave-this-nice-honey-out #with-no-one-around.-You're-busted #box-boy!-I-knew-I-heard-something.-So-you-can-talk!-I-can-talk.-And-now-you'll-start-talking!-Where-you-getting-the-sweet-stuff?-Who's-your-supplier?-I-don't-understand.-I-thought-we-were-friends.-The-last-thing-we-want-to-do-is-upset-bees!-You're-too-late!-It's-ours-now!-You #sir #have-crossed-the-wrong-sword!-You #sir #will-be-lunch-for-my-iguana #Ignacio!-Where-is-the-honey-coming-from?-Tell-me-where!-Honey-Farms!-It-comes-from-Honey-Farms!-Crazy-person!-What-horrible-thing-has-happened-here?-These-faces #they-never-knew-what-hit-them.-And-now-they're-on-the-road-to-nowhere!-Just-keep-still.-What?-You're-not-dead?-Do-I-look-dead?-They-will-wipe-anything-that-moves.-Where-you-headed?-To-Honey-Farms.-I-am-onto-something-huge-here.-I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off!-I'm-going-to-Tacoma.-And-you?-He-really-is-dead.-All-right.-Uh-oh!-What-is-that?!-Oh #no!-A-wiper!-Triple-blade!-Triple-blade?-Jump-on!-It's-your-only-chance #bee!-Why-does-everything-have-to-be-so-doggone-clean?!-How-much-do-you-people-need-to-see?!-Open-your-eyes!-Stick-your-head-out-the-window!-From-NPR-News-in-Washington #I'm-Carl-Kasell.-But-don't-kill-no-more-bugs!-Bee!-Moose-blood-guy!!-You-hear-something?-Like-what?-Like-tiny-screaming.-Turn-off-the-radio.-Whassup #bee-boy?-Hey #Blood.-Just-a-row-of-honey-jars #as-far-as-the-eye-could-see.-Wow!-I-assume-wherever-this-truck-goes-is-where-they're-getting-it.-I-mean #that-honey's-ours.-Bees-hang-tight.-We're-all-jammed-in.-It's-a-close-community.-Not-us #man.-We-on-our-own.-Every-mosquito-on-his-own.-What-if-you-get-in-trouble?-You-a-mosquito #you-in-trouble.-Nobody-likes-us.-They-just-smack.-See-a-mosquito #smack #smack!-At-least-you're-out-in-the-world.-You-must-meet-girls.-Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly.-Mosquito-girl-don't-want-no-mosquito.-You-got-to-be-kidding-me!-Mooseblood's-about-to-leave-the-building!-So-long #bee!-Hey #guys!-Mooseblood!-I-knew-I'd-catch-y'all-down-here.-Did-you-bring-your-crazy-straw?-We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit.-What-is-this-place?-A-bee's-got-a-brain-the-size-of-a-pinhead.-They-are-pinheads!-Pinhead.-Check-out-the-new-smoker.-Oh #sweet.-That's-the-one-you-want.-The-Thomas-3000!-Smoker?-Ninety-puffs-a-minute #semi-automatic.-Twice-the-nicotine #all-the-tar.-A-couple-breaths-of-this-knocks-them-right-out.-They-make-the-honey #and-we-make-the-money.-'They-make-the-honey #and-we-make-the-money'?-Oh #my!-What's-going-on?-Are-you-OK?-Yeah.-It-doesn't-last-too-long.-Do-you-know-you're-in-a-fake-hive-with-fake-walls?-Our-queen-was-moved-here.-We-had-no-choice.-This-is-your-queen?-That's-a-man-in-women's-clothes!-That's-a-drag-queen!-What-is-this?-Oh #no!-There's-hundreds-of-them!-Bee-honey.-Our-honey-is-being-brazenly-stolen-on-a-massive-scale!-This-is-worse-than-anything-bears-have-done!-I-intend-to-do-something.-Oh #Barry #stop.-Who-told-you-humans-are-taking-our-honey?-That's-a-rumor.-Do-these-look-like-rumors?-That's-a-conspiracy-theory.-These-are-obviously-doctored-photos.-How-did-you-get-mixed-up-in-this?-He's-been-talking-to-humans.-What?-Talking-to-humans?!-He-has-a-human-girlfriend.-And-they-make-out!-Make-out?-Barry!-We-do-not.-You-wish-you-could.-Whose-side-are-you-on?-The-bees!-I-dated-a-cricket-once-in-San-Antonio.-Those-crazy-legs-kept-me-up-all-night.-Barry #this-is-what-you-want-to-do-with-your-life?-I-want-to-do-it-for-all-our-lives.-Nobody-works-harder-than-bees!-Dad #I-remember-you-coming-home-so-overworked-your-hands-were-still-stirring.-You-couldn't-stop.-I-remember-that.-What-right-do-they-have-to-our-honey?-We-live-on-two-cups-a-year.-They-put-it-in-lip-balm-for-no-reason-whatsoever!-Even-if-it's-true #what-can-one-bee-do?-Sting-them-where-it-really-hurts.-In-the-face!-The-eye!-That-would-hurt.-No.-Up-the-nose?-That's-a-killer.-There's-only-one-place-you-can-sting-the-humans #one-place-where-it-matters.-Hive-at-Five #The-Hive's-only-full-hour-action-news-source.-No-more-bee-beards!-With-Bob-Bumble-at-the-anchor-desk.-Weather-with-Storm-Stinger.-Sports-with-Buzz-Larvi.-And-Jeanette-Chung.-Good-evening.-I'm-Bob-Bumble.-And-I'm-Jeanette-Ohung.-A-tri-county-bee #Barry-Benson #intends-to-sue-the-human-race-for-stealing-our-honey #packaging-it-and-profiting-from-it-illegally!-Tomorrow-night-on-Bee-Larry-King #we'll-have-three-former-queens-here-in-our-studio #discussing-their-new-book #classy-Ladies #out-this-week-on-Hexagon.-Tonight-we're-talking-to-Barry-Benson.-Did-you-ever-think #'I'm-a-kid-from-The-Hive.-I-can't-do-this'?-Bees-have-never-been-afraid-to-change-the-world.-What-about-Bee-Oolumbus?-Bee-Gandhi?-Bejesus?-Where-I'm-from #we'd-never-sue-humans.-We-were-thinking-of-stickball-or-candy-stores.-How-old-are-you?-The-bee-community-is-supporting-you-in-this-case #which-will-be-the-trial-of-the-bee-century.-You-know #they-have-a-Larry-King-in-the-human-world-too.-It's-a-common-name.-Next-week...-He-looks-like-you-and-has-a-show-and-suspenders-and-colored-dots...-Next-week...-Glasses #quotes-on-the-bottom-from-the-guest-even-though-you-just-heard-'em.-Bear-Week-next-week!-They're-scary #hairy-and-here-live.-Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish.-In-tennis #you-attack-at-the-point-of-weakness!-It-was-my-grandmother #Ken.-She's-81.-Honey #her-backhand's-a-joke!-I'm-not-gonna-take-advantage-of-that?-Quiet #please.-Actual-work-going-on-here.-Is-that-that-same-bee?-Yes #it-is!-I'm-helping-him-sue-the-human-race.-Hello.-Hello #bee.-This-is-Ken.-Yeah #I-remember-you.-Timberland #size-ten-and-a-half.-Vibram-sole #I-believe.-Why-does-he-talk-again?-Listen #you-better-go-'cause-we're-really-busy-working.-But-it's-our-yogurt-night!-Bye-bye.-Why-is-yogurt-night-so-difficult?!-You-poor-thing.-You-two-have-been-at-this-for-hours!-Yes #and-Adam-here-has-been-a-huge-help.-Frosting...-How-many-sugars?-Just-one.-I-try-not-to-use-the-competition.-So-why-are-you-helping-me?-Bees-have-good-qualities.-And-it-takes-my-mind-off-the-shop.-Instead-of-flowers #people-are-giving-balloon-bouquets-now.-Those-are-great #if-you're-three.-And-artificial-flowers.-Oh #those-just-get-me-psychotic!-Yeah #me-too.-Bent-stingers #pointless-pollination.-Bees-must-hate-those-fake-things!-Nothing-worse-than-a-daffodil-that's-had-work-done.-Maybe-this-could-make-up-for-it-a-little-bit.-This-lawsuit's-a-pretty-big-deal.-I-guess.-You-sure-you-want-to-go-through-with-it?-Am-I-sure?-When-I'm-done-with-the-humans #they-won't-be-able-to-say #'Honey #I'm-home #'-without-paying-a-royalty!-It's-an-incredible-scene-here-in-downtown-Manhattan #where-the-world-anxiously-waits #because-for-the-first-time-in-history #we-will-hear-for-ourselves-if-a-honeybee-can-actually-speak.-What-have-we-gotten-into-here #isn't-it?-I-can't-believe-how-many-humans-don't-work-during-the-day.-You-think-billion-dollar-multinational-food-companies-have-good-lawyers?-Everybody-needs-to-stay-behind-the-barricade.-What's-the-matter?-I-don't-know #I-just-got-a-chill.-Well #if-it-isn't-the-bee-team.-You-boys-work-on-this?-All-rise!-The-Honorable-Judge-Bumbleton-presiding.-All-right.-Case-number-4475 #Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry-is-now-in-session.-Mr.-Montgomery #you're-representing-the-five-food-companies-collectively?-A-privilege.-Mr.-Benson...-you're-representing-all-the-bees-of-the-world?-I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed.-Mr.-Montgomery #your-opening-statement #please.-Ladies-and-gentlemen-of-the-jury #my-grandmother-was-a-simple-woman.-Born-on-a-farm #she-believed-it-was-man's-divine-right-to-benefit-from-the-bounty-of-nature-God-put-before-us.-If-we-lived-in-the-topsy-turvy-world-Mr.-Benson-imagines #just-think-of-what-would-it-mean.-I-would-have-to-negotiate-with-the-silkworm-for-the-elastic-in-my-britches!-Talking-bee!-How-do-we-know-this-isn't-some-sort-of-holographic-motion-picture-capture-Hollywood-wizardry?-They-could-be-using-laser-beams!-Robotics!-Ventriloquism!-Cloning!-For-all-we-know #he-could-be-on-steroids!-Mr.-Benson?-Ladies-and-gentlemen #there's-no-trickery-here.-I'm-just-an-ordinary-bee.-Honey's-pretty-important-to-me.-It's-important-to-all-bees.-We-invented-it!-We-make-it.-And-we-protect-it-with-our-lives.-Unfortunately #there-are-some-people-in-this-room-who-think-they-can-take-it-from-us-'cause-we're-the-little-guys!-I'm-hoping-that #after-this-is-all-over #you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have-but-everything-we-are!-I-wish-he'd-dress-like-that-all-the-time.-So-nice!-Call-your-first-witness.-So #Mr.-Klauss-Vanderhayden-of-Honey-Farms #big-company-you-have.-I-suppose-so.-I-see-you-also-own-Honeyburton-and-Honron!-Yes #they-provide-beekeepers-for-our-farms.-Beekeeper.-I-find-that-to-be-a-very-disturbing-term.-I-don't-imagine-you-employ-any-bee-free-ers #do-you?-No.-I-couldn't-hear-you.-No.-No.-Because-you-don't-free-bees.-You-keep-bees.-Not-only-that #it-seems-you-thought-a-bear-would-be-an-appropriate-image-for-a-jar-of-honey.-They're-very-lovable-creatures.-Yogi-Bear #Fozzie-Bear #Build-A-Bear.-You-mean-like-this?-Bears-kill-bees!-How'd-you-like-his-head-crashing-through-your-living-room?!-Biting-into-your-couch!-Spitting-out-your-throw-pillows!-OK #that's-enough.-Take-him-away.-So #Mr.-Sting #thank-you-for-being-here.-Your-name-intrigues-me.-Where-have-I-heard-it-before?-I-was-with-a-band-called-The-Police.-But-you've-never-been-a-police-officer #have-you?-No #I-haven't.-No #you-haven't.-And-so-here-we-have-yet-another-example-of-bee-culture-casually-stolen-by-a-human-for-nothing-more-than-a-prance-about-stage-name.-Oh #please.-Have-you-ever-been-stung #Mr.-Sting?-Because-I'm-feeling-a-little-stung #Sting.-Or-should-I-say...-Mr.-Gordon-M.-Sumner!-That's-not-his-real-name?!-You-idiots!-Mr.-Liotta #first #belated-congratulations-on-your-Emmy-win-for-a-guest-spot-on-ER-in-2005.-Thank-you.-Thank-you.-I-see-from-your-resume-that-you're-devilishly-handsome-with-a-churning-inner-turmoil-that's-ready-to-blow.-I-enjoy-what-I-do.-Is-that-a-crime?-Not-yet-it-isn't.-But-is-this-what-it's-come-to-for-you?-Exploiting-tiny #helpless-bees-so-you-don't-have-to-rehearse-your-part-and-learn-your-lines #sir?-Watch-it #Benson!-I-could-blow-right-now!-This-isn't-a-goodfella.-This-is-a-badfella!-Why-doesn't-someone-just-step-on-this-creep #and-we-can-all-go-home?!-Order-in-this-court!-You're-all-thinking-it!-Order!-Order #I-say!-Say-it!-Mr.-Liotta #please-sit-down!-I-think-it-was-awfully-nice-of-that-bear-to-pitch-in-like-that.-I-think-the-jury's-on-our-side.-Are-we-doing-everything-right #legally?-I'm-a-florist.-Right.-Well #here's-to-a-great-team.-To-a-great-team!-Well #hello.-Ken!-Hello.-I-didn't-think-you-were-coming.-No #I-was-just-late-I-tried-to-call #but...-the-battery.-I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free.-Oh #that-was-lucky.-There's-a-little-left.-I-could-heat-it-up.-Yeah #heat-it-up #sure #whatever.-So-I-hear-you're-quite-a-tennis-player.-I'm-not-much-for-the-game-myself.-The-ball's-a-little-grabby.-That's-where-I-usually-sit.-Right...-there.-Ken #Barry-was-looking-at-your-resume #and-he-agreed-with-me-that-eating-with-chopsticks-isn't-really-a-special-skill.-You-think-I-don't-see-what-you're-doing?-I-know-how-hard-it-is-to-find-the-right-job.-We-have-that-in-common.-Do-we?-Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out.-That's-just-what-I-was-thinking-about-doing.-Ken #I-let-Barry-borrow-your-razor-for-his-fuzz.-I-hope-that-was-all-right.-I'm-going-to-drain-the-old-stinger.-Yeah #you-do-that.-Look-at-that.-You-know #I've-just-about-had-it-with-your-little-Mind-Games.-What's-that?-Italian-Vogue.-Mamma-mia #that's-a-lot-of-pages.-A-lot-of-ads.-Remember-what-Van-said #why-is-your-life-more-valuable-than-mine?-Funny #I-just-can't-seem-to-recall-that!-I-think-something-stinks-in-here!-I-love-the-smell-of-flowers.-How-do-you-like-the-smell-of-flames?!-Not-as-much.-Water-bug!-Not-taking-sides!-Ken #I'm-wearing-a-Chapstick-hat!-This-is-pathetic!-I've-got-issues!-Well #well #well #a-royal-flush!-You're-bluffing.-Am-I?-Surf's-up #dude!-Poo-water!-That-bowl-is-gnarly.-Except-for-those-dirty-yellow-rings!-Kenneth!-What-are-you-doing?!-You-know #I-don't-even-like-honey!-I-don't-eat-it!-We-need-to-talk!-He's-just-a-little-bee!-And-he-happens-to-be-the-nicest-bee-I've-met-in-a-long-time!-Long-time?-What-are-you-talking-about?!-Are-there-other-bugs-in-your-life?--No #but-there-are-other-things-bugging-me-in-life.-And-you're-one-of-them!-Fine!-Talking-bees #no-yogurt-night...-My-nerves-are-fried-from-riding-on-this-emotional-roller-coaster!-Goodbye #Ken.-And-for-your-information #I-prefer-sugar-free #artificial-sweeteners-made-by-man!-I'm-sorry-about-all-that.-I-know-it's-got-an-aftertaste!-I-like-it!-I-always-felt-there-was-some-kind-of-barrier-between-Ken-and-me.-I-couldn't-overcome-it.-Oh #well.-Are-you-OK-for-the-trial?-I-believe-Mr.-Montgomery-is-about-out-of-ideas.-We-would-like-to-call-Mr.-Barry-Benson-Bee-to-the-stand.-Good-idea!-You-can-really-see-why-he's-considered-one-of-the-best-lawyers...-Yeah.-Layton #you've-gotta-weave-some-magic-with-this-jury #or-it's-gonna-be-all-over.-Don't-worry.-The-only-thing-I-have-to-do-to-turn-this-jury-around-is-to-remind-them-of-what-they-don't-like-about-bees.-You-got-the-tweezers?-Are-you-allergic?-Only-to-losing #son.-Only-to-losing.-Mr.-Benson-Bee #I'll-ask-you-what-I-think-we'd-all-like-to-know.-What-exactly-is-your-relationship-to-that-woman?-We're-friends.-Good-friends?-Yes.-How-good?-Do-you-live-together?-Wait-a-minute...-Are-you-her-little...-bedbug?-I've-seen-a-bee-documentary-or-two.-From-what-I-understand #doesn't-your-queen-give-birth-to-all-the-bee-children?-Yeah #but...-So-those-aren't-your-real-parents!-Oh #Barry...-Yes #they-are!-Hold-me-back!-You're-an-illegitimate-bee #aren't-you #Benson?-He's-denouncing-bees!-Don't-y'all-date-your-cousins?-Objection!-I'm-going-to-pincushion-this-guy!-Adam #don't!-It's-what-he-wants!-Oh #I'm-hit!!-Oh #lordy #I-am-hit!-Order!-Order!-The-venom!-The-venom-is-coursing-through-my-veins!-I-have-been-felled-by-a-winged-beast-of-destruction!-You-see?-You-can't-treat-them-like-equals!-They're-striped-savages!-Stinging's-the-only-thing-they-know!-It's-their-way!-Adam #stay-with-me.-I-can't-feel-my-legs.-What-Angel-of-Mercy-will-come-forward-to-suck-the-poison-from-my-heaving-buttocks?-I-will-have-order-in-this-court.-Order!-Order #please!-The-case-of-the-honeybees-versus-the-human-race-took-a-pointed-Turn-Against-the-bees-yesterday-when-one-of-their-legal-team-stung-Layton-T.-Montgomery.-Hey #buddy.-Hey.-Is-there-much-pain?-Yeah.-I...-I-blew-the-whole-case #didn't-I?-It-doesn't-matter.-What-matters-is-you're-alive.-You-could-have-died.-I'd-be-better-off-dead.-Look-at-me.-They-got-it-from-the-cafeteria-downstairs #in-a-tuna-sandwich.-Look #there's-a-little-celery-still-on-it.-What-was-it-like-to-sting-someone?-I-can't-explain-it.-It-was-all...-All-adrenaline-and-then...and-then-ecstasy!-All-right.-You-think-it-was-all-a-trap?-Of-course.-I'm-sorry.-I-flew-us-right-into-this.-What-were-we-thinking?-Look-at-us.-We're-just-a-couple-of-bugs-in-this-world.-What-will-the-humans-do-to-us-if-they-win?-I-don't-know.-I-hear-they-put-the-roaches-in-motels.-That-doesn't-sound-so-bad.-Adam #they-check-in #but-they-don't-check-out!-Oh #my.-Could-you-get-a-nurse-to-close-that-window?-Why?-The-smoke.-Bees-don't-smoke.-Right.-Bees-don't-smoke.-Bees-don't-smoke!-But-some-bees-are-smoking.-That's-it!-That's-our-case!-It-is?-It's-not-over?-Get-dressed.-I've-gotta-go-somewhere.-Get-back-to-the-court-and-stall.-Stall-any-way-you-can.-And-assuming-you've-done-step-correctly #you're-ready-for-the-tub.-Mr.-Flayman.-Yes?-Yes #Your-Honor!-Where-is-the-rest-of-your-team?-Well #Your-Honor #it's-interesting.-Bees-are-trained-to-fly-haphazardly #and-as-a-result #we-don't-make-very-good-time.-I-actually-heard-a-funny-story-about...-Your-Honor #haven't-these-ridiculous-bugs-taken-up-enough-of-this-court's-valuable-time?-How-much-longer-will-we-allow-these-absurd-shenanigans-to-go-on?-They-have-presented-no-compelling-evidence-to-support-their-charges-against-my-clients #who-run-legitimate-businesses.-I-move-for-a-complete-dismissal-of-this-entire-case!-Mr.-Flayman #I'm-afraid-I'm-going-to-have-to-consider-Mr.-Montgomery's-motion.-But-you-can't!-We-have-a-terrific-case.-Where-is-your-proof?-Where-is-the-evidence?-Show-me-the-smoking-gun!-Hold-it #Your-Honor!-You-want-a-smoking-gun?-Here-is-your-smoking-gun.-What-is-that?-It's-a-bee-smoker!-What #this?-This-harmless-little-contraption?-This-couldn't-hurt-a-fly #let-alone-a-bee.-Look-at-what-has-happened-to-bees-who-have-never-been-asked #'Smoking-or-non?'-Is-this-what-nature-intended-for-us?-To-be-forcibly-addicted-to-smoke-machines-and-man-made-wooden-slat-work-camps?-Living-out-our-lives-as-honey-slaves-to-the-white-man?-What-are-we-gonna-do?-He's-playing-the-species-card.-Ladies-and-gentlemen #please #free-these-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-Free-the-bees!-The-court-finds-in-favor-of-the-bees!-Vanessa #we-won!-I-knew-you-could-do-it!-High-five!-Sorry.-I'm-OK!-You-know-what-this-means?-All-the-honey-will-finally-belong-to-the-bees.-Now-we-won't-have-to-work-so-hard-all-the-time.-This-is-an-unholy-perversion-of-the-balance-of-nature #Benson.-You'll-regret-this.-Barry #how-much-honey-is-out-there?-All-right.-One-at-a-time.-Barry #who-are-you-wearing?-My-sweater-is-Ralph-Lauren #and-I-have-no-pants.-What-if-Montgomery's-right?-What-do-you-mean?-We've-been-living-the-bee-way-a-long-time #27-million-years.-Congratulations-on-your-victory.-What-will-you-demand-as-a-settlement?-First #we'll-demand-a-complete-shutdown-of-all-bee-work-camps.-Then-we-want-back-the-honey-that-was-ours-to-begin-with #every-last-drop.-We-demand-an-end-to-the-glorification-of-the-bear-as-anything-more-than-a-filthy #smelly #bad-breath-stink-machine.-We're-all-aware-of-what-they-do-in-the-woods.-Wait-for-my-signal.-Take-him-out.-He'll-have-nauseous-for-a-few-hours #then-he'll-be-fine.-And-we-will-no-longer-tolerate-bee-negative-nicknames...-But-it's-just-a-prance-about-stage-name!-...unnecessary-inclusion-of-honey-in-bogus-health-products-and-la-dee-da-human-tea-time-snack-garnishments.-Can't-breathe.-Bring-it-in #boys!-Hold-it-right-there!-Good.-Tap-it.-Mr.-Buzzwell #we-just-passed-three-cups-and-there's-gallons-more-coming!-I-think-we-need-to-shut-down!-Shut-down?-We've-never-shut-down.-Shut-down-honey-production!-Stop-making-honey!-Turn-your-key #sir!-What-do-we-do-now?-Cannonball!-We're-shutting-honey-production!-Mission-abort.-Aborting-pollination-and-nectar-detail.-Returning-to-base.-Adam #you-wouldn't-believe-how-much-honey-was-out-there.-Oh #yeah?-What's-going-on?-Where-is-everybody?-Are-they-out-celebrating?-They're-home.-They-don't-know-what-to-do.-Laying-out #sleeping-in.-I-heard-your-Uncle-Carl-was-on-his-way-to-San-Antonio-with-a-cricket.-At-least-we-got-our-honey-back.-Sometimes-I-think #so-what-if-humans-liked-our-honey?-Who-wouldn't?-It's-the-greatest-thing-in-the-world!-I-was-excited-to-be-part-of-making-it.-This-was-my-new-desk.-This-was-my-new-job.-I-wanted-to-do-it-really-well.-And-now...-Now-I-can't.-I-don't-understand-why-they're-not-happy.-I-thought-their-lives-would-be-better!-They're-doing-nothing.-It's-amazing.-Honey-really-changes-people.-You-don't-have-any-idea-what's-going-on #do-you?-What-did-you-want-to-show-me?-This.-What-happened-here?-That-is-not-the-half-of-it.-Oh #no.-Oh #my.-They're-all-wilting.-Doesn't-look-very-good #does-it?-No.-And-whose-fault-do-you-think-that-is?-You-know #I'm-gonna-guess-bees.-Bees?-Specifically #me.-I-didn't-think-bees-not-needing-to-make-honey-would-affect-all-these-things.-It's-not-just-flowers.-Fruits #vegetables #they-all-need-bees.-That's-our-whole-SAT-test-right-there.-Take-away-produce #that-affects-the-entire-animal-kingdom.-And-then #of-course...-The-human-species?-So-if-there's-no-more-pollination #it-could-all-just-go-south-here #couldn't-it?-I-know-this-is-also-partly-my-fault.-How-about-a-suicide-pact?-How-do-we-do-it?-I'll-sting-you #you-step-on-me.-That-just-kills-you-twice.-Right #right.-Listen #Barry...-sorry #but-I-gotta-get-going.-I-had-to-open-my-mouth-and-talk.-Vanessa?-Vanessa?-Why-are-you-leaving?-Where-are-you-going?-To-the-final-Tournament-of-Roses-parade-in-Pasadena.-They've-moved-it-to-this-weekend-because-all-the-flowers-are-dying.-It's-the-Last-Chance-I'll-ever-have-to-see-it.-Vanessa #I-just-wanna-say-I'm-sorry.-I-never-meant-it-to-turn-out-like-this.-I-know.-Me-neither.-Tournament-of-Roses.-Roses-can't-do-sports.-Wait-a-minute.-Roses.-Roses?-Roses!-Vanessa!-Roses?!-Barry?-Roses-are-flowers!-Yes #they-are.-Flowers #bees #pollen!-I-know.-That's-why-this-is-the-last-parade.-Maybe-not.-Could-you-ask-him-to-slow-down?-Could-you-slow-down?-Barry!-OK #I-made-a-huge-mistake.-This-is-a-total-disaster #all-my-fault.-Yes #it-kind-of-is.-I've-ruined-the-planet.-I-wanted-to-help-you-with-the-flower-shop.-I've-made-it-worse.-Actually #it's-completely-closed-down.-I-thought-maybe-you-were-remodeling.-But-I-have-another-idea #and-it's-greater-than-my-previous-ideas-combined.-I-don't-want-to-hear-it!-All-right #they-have-the-roses #the-roses-have-the-pollen.-I-know-every-bee #plant-and-flower-bud-in-this-park.-All-we-gotta-do-is-get-what-they've-got-back-here-with-what-we've-got.-Bees.-Park.-Pollen!-Flowers.-Repollination!-Across-the-nation!-Tournament-of-Roses #Pasadena #California.-They've-got-nothing-but-flowers #floats-and-cotton-candy.-Security-will-be-tight.-I-have-an-idea.-Vanessa-Bloome #FTD.-Official-floral-business.-It's-real.-Sorry #ma'am.-Nice-brooch.-Thank-you.-It-was-a-gift.-Once-inside #we-just-pick-the-right-float.-How-about-The-Princess-and-the-Pea?-I-could-be-the-princess #and-you-could-be-the-pea!-Yes #I-got-it.-Where-should-I-sit?-What-are-you?-I-believe-I'm-the-pea.-The-pea?-It-goes-under-the-mattresses.-Not-in-this-fairy-tale #sweetheart.-I'm-getting-the-marshal.-You-do-that!-This-whole-parade-is-a-fiasco!-Let's-see-what-this-baby'll-do.-Hey #what-are-you-doing?!-Then-all-we-do-is-blend-in-with-traffic...-without-arousing-suspicion.-Once-at-the-airport #there's-no-stopping-us.-Stop!-Security.-You-and-your-insect-pack-your-float?-Yes.-Has-it-been-in-your-possession-the-entire-time?-Would-you-remove-your-shoes?-Remove-your-stinger.-It's-part-of-me.-I-know.-Just-having-some-fun.-Enjoy-your-flight.-Then-if-we're-lucky #we'll-have-just-enough-pollen-to-do-the-job.-Can-you-believe-how-lucky-we-are?-We-have-just-enough-pollen-to-do-the-job!-I-think-this-is-gonna-work.-It's-got-to-work.-Attention #passengers #this-is-Captain-Scott.-We-have-a-bit-of-bad-weather-in-New-York.-It-looks-like-we'll-experience-a-couple-hours-delay.-Barry #these-are-cut-flowers-with-no-water.-They'll-never-make-it.-I-gotta-get-up-there-and-talk-to-them.-Be-careful.-Can-I-get-help-with-the-Sky-Mall-magazine?-I'd-like-to-order-the-talking-inflatable-nose-and-ear-hair-trimmer.-Captain #I'm-in-a-real-situation.-What'd-you-say #Hal?-Nothing.-Bee!-Don't-freak-out!-My-entire-species...-What-are-you-doing?-Wait-a-minute!-I'm-an-attorney!-Who's-an-attorney?-Don't-move.-Oh #Barry.-Good-afternoon #passengers.-This-is-your-captain.-Would-a-Miss-Vanessa-Bloome-in-24B-please-report-to-the-cockpit?-And-please-hurry!-What-happened-here?-There-was-a-DustBuster #a-toupee #a-life-raft-exploded.-One's-bald #one's-in-a-boat #they're-both-unconscious!-Is-that-another-bee-joke?-No!-No-one's-flying-the-plane!-This-is-JFK-control-tower #Flight-356.-What's-your-status?-This-is-Vanessa-Bloome.-I'm-a-florist-from-New-York.-Where's-the-pilot?-He's-unconscious #and-so-is-the-copilot.-Not-good.-Does-anyone-onboard-have-flight-experience?-As-a-matter-of-fact #there-is.-Who's-that?-Barry-Benson.-From-the-honey-trial?!-Oh #great.-Vanessa #this-is-nothing-more-than-a-big-metal-bee.-It's-got-giant-wings #huge-engines.-I-can't-fly-a-plane.-Why-not?-Isn't-John-Travolta-a-pilot?-Yes.-How-hard-could-it-be?-Wait #Barry!-We're-headed-into-some-lightning.-This-is-Bob-Bumble.-We-have-some-late-breaking-news-from-JFK-Airport #where-a-suspenseful-scene-is-developing.-Barry-Benson #fresh-from-his-legal-victory...-That's-Barry!-...is-attempting-to-land-a-plane #loaded-with-people #flowers-and-an-incapacitated-flight-crew.-Flowers?!-We-have-a-storm-in-the-area-and-two-individuals-at-the-controls-with-absolutely-no-flight-experience.-Just-a-minute.-There's-a-bee-on-that-plane.-I'm-quite-familiar-with-Mr.-Benson-and-his-no-account-compadres.-They've-done-enough-damage.-But-isn't-he-your-only-hope?-Technically #a-bee-shouldn't-be-able-to-fly-at-all.-Their-wings-are-too-small...-Haven't-we-heard-this-a-million-times?-'The-surface-area-of-the-wings-and-body-mass-make-no-sense.'-Get-this-on-the-air!-Got-it.-Stand-by.-We're-going-live.-The-way-we-work-may-be-a-mystery-to-you.-Making-honey-takes-a-lot-of-bees-doing-a-lot-of-small-jobs.-But-let-me-tell-you-about-a-small-job.-If-you-do-it-well #it-makes-a-big-difference.-More-than-we-realized.-To-us #to-everyone.-That's-why-I-want-to-get-bees-back-to-working-together.-That's-the-bee-way!-We're-not-made-of-Jell-O.-We-get-behind-a-fellow.-Black-and-yellow!-Hello!-Left #right #down #hover.-Hover?-Forget-hover.-This-isn't-so-hard.-Beep-beep!-Beep-beep!-Barry #what-happened?!-Wait #I-think-we-were-on-autopilot-the-whole-time.-That-may-have-been-helping-me.-And-now-we're-not!-So-it-turns-out-I-cannot-fly-a-plane.-All-of-you #let's-get-behind-this-fellow!-Move-it-out!-Move-out!-Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane!-Don't-have-to-yell.-I'm-not-yelling!-We're-in-a-lot-of-trouble.-It's-very-hard-to-concentrate-with-that-panicky-tone-in-your-voice!-It's-not-a-tone.-I'm-panicking!-I-can't-do-this!-Vanessa #pull-yourself-together.-You-have-to-snap-out-of-it!-You-snap-out-of-it.-You-snap-out-of-it.-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-You-snap-out-of-it!-Hold-it!-Why?-Come-on #it's-my-turn.-How-is-the-plane-flying?-I-don't-know.-Hello?-Benson #got-any-flowers-for-a-happy-occasion-in-there?-The-Pollen-Jocks!-They-do-get-behind-a-fellow.-Black-and-yellow.-Hello.-All-right #let's-drop-this-tin-can-on-the-blacktop.-Where?-I-can't-see-anything.-Can-you?-No #nothing.-It's-all-cloudy.-Come-on.-You-got-to-think-bee #Barry.-Thinking-bee.-Thinking-bee.-Thinking-bee!-Thinking-bee!-Thinking-bee!-Wait-a-minute.-I-think-I'm-feeling-something.-What?-I-don't-know.-It's-strong #pulling-me.-Like-a-27-million-year-old-instinct.-Bring-the-nose-down.-Thinking-bee!-Thinking-bee!-Thinking-bee!-What-in-the-world-is-on-the-tarmac?-Get-some-lights-on-that!-Thinking-bee!-Thinking-bee!-Thinking-bee!-Vanessa #aim-for-the-flower.-OK.-Cut-the-engines.-We're-going-in-on-bee-power.-Ready #boys?-Affirmative!-Good.-Good.-Easy #now.-That's-it.-Land-on-that-flower!-Ready?-Full-reverse!-Spin-it-around!-Not-that-flower!-The-other-one!-Which-one?-That-flower.-I'm-aiming-at-the-flower!-That's-a-fat-guy-in-a-flowered-shirt.-I-mean-the-giant-pulsating-flower-made-of-millions-of-bees!-Pull-forward.-Nose-down.-Tail-up.-Rotate-around-it.-This-is-insane #Barry!-This's-the-only-way-I-know-how-to-fly.-Am-I-koo-koo-kachoo #or-is-this-plane-flying-in-an-insect-like-pattern?-Get-your-nose-in-there.-Don't-be-afraid.-Smell-it.-Full-reverse!-Just-drop-it.-Be-a-part-of-it.-Aim-for-the-center!-Now-drop-it-in!-Drop-it-in #woman!-Come-on #already.-Barry #we-did-it!-You-taught-me-how-to-fly!-Yes.-No-high-five!-Right.-Barry #it-worked!-Did-you-see-the-giant-flower?-What-giant-flower?-Where?-Of-course-I-saw-the-flower!-That-was-genius!-Thank-you.-But-we're-not-done-yet.-Listen #everyone!-This-runway-is-covered-with-the-last-pollen-from-the-last-flowers-available-anywhere-on-Earth.-That-means-this-is-our-Last-Chance.-We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this.-If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say?-Are-we-going-to-be-bees #or-just-Museum-of-Natural-History-keychains?-We're-bees!-Keychain!-Then-follow-me!-Except-Keychain.-Hold-on #Barry.-Here.-You've-earned-this.-Yeah!-I'm-a-Pollen-Jock!-And-it's-a-perfect-fit.-All-I-gotta-do-are-the-sleeves.-Oh #yeah.-That's-our-Barry.-Mom!-The-bees-are-back!-If-anybody-needs-to-make-a-call #now's-the-time.-I-got-a-feeling-we'll-be-working-late-tonight!-Here's-your-change.-Have-a-great-afternoon!-Can-I-help-who's-next?-Would-you-like-some-honey-with-that?-It-is-bee-approved.-Don't-forget-these.-Milk #cream #cheese #it's-all-me.--And-I-don't-see-a-nickel!-Sometimes-I-just-feel-like-a-piece-of-meat!-I-had-no-idea.-Barry #I'm-sorry.-Have-you-got-a-moment?-Would-you-excuse-me?-My-mosquito-associate-will-help-you.-Sorry-I'm-late.-He's-a-lawyer-too?-I-was-already-a-blood-sucking-parasite.-All-I-needed-was-a-briefcase.-Have-a-great-afternoon!-Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere.-No-problem #Vannie.-Just-leave-it-to-me.-You're-a-lifesaver #Barry.-Can-I-help-who's-next?-All-right #scramble #jocks!-It's-time-to-fly.-Thank-you #Barry!-That-bee-is-living-my-life!-Let-it-go #Kenny.-When-will-this-nightmare-end?!-Let-it-all-go.-Beautiful-day-to-fly.-Sure-is.-Between-you-and-me #I-was-dying-to-get-out-of-that-office.-You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee!-Me?-Hold-it.-Let's-just-stop-for-a-second.-Hold-it.-I'm-sorry.-I'm-sorry #everyone.-Can-we-stop-here?-I'm-not-making-a-major-life-decision-during-a-production-number!-All-right.-Take-ten #everybody.-Wrap-it-up #guys.-I-had-virtually-no-rehearsal-for-that.#guysihadvirtuallynorehearsalforthat #everybodywrapitup #everyonecanwestophereimnotmakingamajorlifedecisionduringaproductionnumberallrighttaketen #myfriendthinkingbeemeholditletsjuststopforasecondholditimsorryimsorry #iwasdyingtogetoutofthatofficeyouhavegottostartthinkingbee #kennywhenwillthisnightmareendletitallgobeautifuldaytoflysureisbetweenyouandme -
ok here we go
#Scripts.com Bee-Movie By-Jerry-Seinfeld NARRATOR: (Black-screen-with-text;-The-sound-of-buzzing-bees-can-be-heard) According-to-all-known-laws of-aviation #: there-is-no-way-a-bee should-be-able-to-fly. -: Its-wings-are-too-small-to-get its-fat-little-body-off-the-ground. -: The-bee #of-course #flies-anyway -: because-bees-don't-care what-humans-think-is-impossible. BARRY-BENSON: (Barry-is-picking-out-a-shirt) Yellow #black.-Yellow #black. Yellow #black.-Yellow #black. -: Ooh #black-and-yellow! Let's-shake-it-up-a-little. JANET-BENSON: Barry!-Breakfast-is-ready! BARRY: Coming! -: Hang-on-a-second. (Barry-uses-his-antenna-like-a-phone) -: Hello? ADAM-FLAYMAN: (Through-phone) --Barry? BARRY: --Adam? ADAM: --Can-you-believe-this-is-happening? BARRY: --I-can't.-I'll-pick-you-up. (Barry-flies-down-the-stairs) -: MARTIN-BENSON: Looking-sharp. JANET: Use-the-stairs.-Your-father paid-good-money-for-those. BARRY: Sorry.-I'm-excited. MARTIN: Here's-the-graduate. We're-very-proud-of-you #son. -: A-perfect-report-card #all-B's. JANET: Very-proud. (Rubs-Barry's-hair) BARRY= Ma!-I-got-a-thing-going-here. JANET: --You-got-lint-on-your-fuzz. BARRY: --Ow!-That's-me! JANET: --Wave-to-us!-We'll-be-in-row-118 #000. --Bye! (Barry-flies-out-the-door) JANET: Barry #I-told-you #stop-flying-in-the-house! (Barry-drives-through-the-hive #and-is-waved-at-by-Adam-who-is-reading-a newspaper) BARRY== --Hey #Adam. ADAM: --Hey #Barry. (Adam-gets-in-Barry's-car) -: --Is-that-fuzz-gel? BARRY: --A-little.-Special-day #graduation. ADAM: Never-thought-I'd-make-it. (Barry-pulls-away-from-the-house-and-continues-driving) BARRY: Three-days-grade-school #three-days-high-school... ADAM: Those-were-awkward. BARRY: Three-days-college.-I'm-glad-I-took a-day-and-hitchhiked-around-the-hive. ADAM== You-did-come-back-different. (Barry-and-Adam-pass-by-Artie #who-is-jogging) ARTIE: --Hi #Barry! BARRY: --Artie #growing-a-mustache?-Looks-good. ADAM: --Hear-about-Frankie? BARRY: --Yeah. ADAM== --You-going-to-the-funeral? BARRY: --No #I'm-not-going-to-his-funeral. -: Everybody-knows #sting-someone #you-die. -: Don't-waste-it-on-a-squirrel. Such-a-hothead. ADAM: I-guess-he-could-have just-gotten-out-of-the-way. (The-car-does-a-barrel-roll-on-the-loop-shaped-bridge-and-lands-on-the highway) -: I-love-this-incorporating an-amusement-park-into-our-regular-day. BARRY: I-guess-that's-why-they-say-we-don't-need-vacations. (Barry-parallel-parks-the-car-and-together-they-fly-over-the-graduating students) Boy #quite-a-bit-of-pomp... under-the-circumstances. (Barry-and-Adam-sit-down-and-put-on-their-hats) -: --Well #Adam #today-we-are-men. ADAM: --We-are! BARRY= --Bee-men. =ADAM= --Amen! BARRY-AND-ADAM: Hallelujah! (Barry-and-Adam-both-have-a-happy-spasm) ANNOUNCER: Students #faculty #distinguished-bees #: please-welcome-Dean-Buzzwell. DEAN-BUZZWELL: Welcome #New-Hive-Oity graduating-class-of... -: ...9: -: That-concludes-our-ceremonies. -: And-begins-your-career at-Honex-Industries! ADAM: Will-we-pick-our-job-today? (Adam-and-Barry-get-into-a-tour-bus) BARRY= I-heard-it's-just-orientation. (Tour-buses-rise-out-of-the-ground-and-the-students-are-automatically loaded-into-the-buses) TOUR-GUIDE: Heads-up!-Here-we-go. ANNOUNCER: Keep-your-hands-and-antennas inside-the-tram-at-all-times. BARRY: --Wonder-what-it'll-be-like? ADAM: --A-little-scary. TOUR-GUIDE== Welcome-to-Honex #a-division-of-Honesco -: and-a-part-of-the-Hexagon-Group. Barry: This-is-it! BARRY-AND-ADAM: Wow. BARRY: Wow. (The-bus-drives-down-a-road-an-on-either-side-are-the-Bee's-massive complicated-Honey-making-machines) TOUR-GUIDE: We-know-that-you #as-a-bee #have-worked-your-whole-life -: to-get-to-the-point-where-you can-work-for-your-whole-life. -: Honey-begins-when-our-valiant-Pollen Jocks-bring-the-nectar-to-the-hive. -: Our-top-secret-formula -: is-automatically-color-corrected #scent-adjusted-and-bubble-contoured -: into-this-soothing-sweet-syrup -: with-its-distinctive golden-glow-you-know-as... EVERYONE-ON-BUS: Honey! (The-guide-has-been-collecting-honey-into-a-bottle-and-she-throws-it-into the-crowd-on-the-bus-and-it-is-caught-by-a-girl-in-the-back) ADAM: --That-girl-was-hot. BARRY: --She's-my-cousin! ADAM== --She-is? BARRY: --Yes #we're-all-cousins. ADAM: --Right.-You're-right. TOUR-GUIDE: --At-Honex #we-constantly-strive -: to-improve-every-aspect of-bee-existence. -: These-bees-are-stress-testing a-new-helmet-technology. (The-bus-passes-by-a-Bee-wearing-a-helmet-who-is-being-smashed-into-the ground-with-fly-swatters #newspapers-and-boots.-He-lifts-a-thumbs-up-but you-can-hear-him-groan) -: ADAM== --What-do-you-think-he-makes? BARRY: --Not-enough. TOUR-GUIDE: Here-we-have-our-latest-advancement #the-Krelman. (They-pass-by-a-turning-wheel-with-Bees-standing-on-pegs #who-are-each wearing-a-finger-shaped-hat) Barry: --Wow #What-does-that-do? TOUR-GUIDE: --Catches-that-little-strand-of-honey -: that-hangs-after-you-pour-it. Saves-us-millions. ADAM: (Intrigued) Can-anyone-work-on-the-Krelman? TOUR-GUIDE: Of-course.-Most-bee-jobs-are small-ones. But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot. -: But-choose-carefully -: because-you'll-stay-in-the-job you-pick-for-the-rest-of-your-life. (Everyone-claps-except-for-Barry) BARRY: The-same-job-the-rest-of-your-life? I-didn't-know-that. ADAM: What's-the-difference? TOUR-GUIDE: You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off -: in-27-million-years. BARRY: (Upset) So-you'll-just-work-us-to-death? -: We'll-sure-try. (Everyone-on-the-bus-laughs-except-Barry.-Barry-and-Adam-are-walking-back home-together) ADAM: Wow!-That-blew-my-mind! BARRY: 'What's-the-difference?' How-can-you-say-that? -: One-job-forever? That's-an-insane-choice-to-have-to-make. ADAM: I'm-relieved.-Now-we-only-have to-make-one-decision-in-life. BARRY: But #Adam #how-could-they never-have-told-us-that? ADAM: Why-would-you-question-anything? We're-bees. -: We're-the-most-perfectly functioning-society-on-Earth. BARRY: You-ever-think-maybe-things work-a-little-too-well-here? ADAM: Like-what?-Give-me-one-example. (Barry-and-Adam-stop-walking-and-it-is-revealed-to-the-audience-that hundreds-of-cars-are-speeding-by-and-narrowly-missing-them-in-perfect unison) BARRY: I-don't-know.-But-you-know what-I'm-talking-about. ANNOUNCER: Please-clear-the-gate. Royal-Nectar-Force-on-approach. BARRY: Wait-a-second.-Check-it-out. (The-Pollen-jocks-fly-in #circle-around-and-landing-in-line) -: --Hey #those-are-Pollen-Jocks! ADAM: --Wow. -: I've-never-seen-them-this-close. BARRY: They-know-what-it's-like outside-the-hive. ADAM: Yeah #but-some-don't-come-back. GIRL-BEES: --Hey #Jocks! --Hi #Jocks! (The-Pollen-Jocks-hook-up-their-backpacks-to-machines-that-pump-the-nectar to-trucks #which-drive-away) LOU-LO-DUVA: You-guys-did-great! -: You're-monsters! You're-sky-freaks! I-love-it! (Punching-the-Pollen-Jocks-in-joy) I-love-it! ADAM: --I-wonder-where-they-were. BARRY: --I-don't-know. -: Their-day's-not-planned. -: Outside-the-hive #flying-who-knows where #doing-who-knows-what. -: You-can't-just-decide-to-be-a-Pollen Jock.-You-have-to-be-bred-for-that. ADAM== Right. (Barry-and-Adam-are-covered-in-some-pollen-that-floated-off-of-the-Pollen Jocks) BARRY: Look-at-that.-That's-more-pollen than-you-and-I-will-see-in-a-lifetime. ADAM: It's-just-a-status-symbol. Bees-make-too-much-of-it. BARRY: Perhaps.-Unless-you're-wearing-it and-the-ladies-see-you-wearing-it. (Barry-waves-at-2-girls-standing-a-little-away-from-them) ADAM== Those-ladies? Aren't-they-our-cousins-too? BARRY: Distant.-Distant. POLLEN-JOCK-#1: Look-at-these-two. POLLEN-JOCK-#2: --Couple-of-Hive-Harrys. POLLEN-JOCK-#1: --Let's-have-fun-with-them. GIRL-BEE-#1: It-must-be-dangerous being-a-Pollen-Jock. BARRY: Yeah.-Once-a-bear-pinned-me against-a-mushroom! -: He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me! (Slaps-Adam-with-his-hand-to-represent-his-scenario) GIRL-BEE-#2: --Oh #my! BARRY: --I-never-thought-I'd-knock-him-out. GIRL-BEE-#1: (Looking-at-Adam) What-were-you-doing-during-this? ADAM: Obviously-I-was-trying-to-alert-the-authorities. BARRY: I-can-autograph-that. (The-pollen-jocks-walk-up-to-Barry-and-Adam #they-pretend-that-Barry-and Adam-really-are-pollen-jocks.) POLLEN-JOCK-#1: A-little-gusty-out-there-today #wasn't-it #comrades? BARRY: Yeah.-Gusty. POLLEN-JOCK-#1: We're-hitting-a-sunflower-patch six-miles-from-here-tomorrow. BARRY: --Six-miles #huh? ADAM: --Barry! POLLEN-JOCK-#2: A-puddle-jump-for-us #but-maybe-you're-not-up-for-it. BARRY: --Maybe-I-am. ADAM: --You-are-not! POLLEN-JOCK-#1: We're-going-0900-at-J-Gate. -: What-do-you-think #buzzy-boy? Are-you-bee-enough? BARRY: I-might-be.-It-all-depends on-what-0900-means. (The-scene-cuts-to-Barry-looking-out-on-the-hive-city-from-his-balcony-at night) MARTIN: Hey #Honex! BARRY: Dad #you-surprised-me. MARTIN: You-decide-what-you're-interested-in? BARRY: --Well #there's-a-lot-of-choices. --But-you-only-get-one. -: Do-you-ever-get-bored doing-the-same-job-every-day? MARTIN: Son #let-me-tell-you-about-stirring. -: You-grab-that-stick #and-you-just move-it-around #and-you-stir-it-around. -: You-get-yourself-into-a-rhythm. It's-a-beautiful-thing. BARRY: You-know #Dad #the-more-I-think-about-it #: maybe-the-honey-field just-isn't-right-for-me. MARTIN: You-were-thinking-of-what #making-balloon-animals? -: That's-a-bad-job for-a-guy-with-a-stinger. -: Janet #your-son's-not-sure he-wants-to-go-into-honey! JANET: --Barry #you-are-so-funny-sometimes. BARRY: --I'm-not-trying-to-be-funny. MARTIN: You're-not-funny!-You're-going into-honey.-Our-son #the-stirrer! JANET: --You're-gonna-be-a-stirrer? BARRY: --No-one's-listening-to-me! MARTIN: Wait-till-you-see-the-sticks-I-have. BARRY: I-could-say-anything-right-now. I'm-gonna-get-an-ant-tattoo! (Barry's-parents-don't-listen-to-him-and-continue-to-ramble-on) MARTIN: Let's-open-some-honey-and-celebrate! BARRY: Maybe-I'll-pierce-my-thorax. Shave-my-antennae. -: Shack-up-with-a-grasshopper.-Get a-gold-tooth-and-call-everybody-'dawg'! JANET: I'm-so-proud. (The-scene-cuts-to-Barry-and-Adam-waiting-in-line-to-get-a-job) ADAM: --We're-starting-work-today! BARRY: --Today's-the-day. ADAM: Come-on!-All-the-good-jobs will-be-gone. BARRY: Yeah #right. JOB-LISTER: Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal... BEE-IN-FRONT-OF-LINE: --Is-it-still-available? JOB-LISTER: --Hang-on.-Two-left! -: One-of-them's-yours!-Congratulations! Step-to-the-side. ADAM: --What'd-you-get? BEE-IN-FRONT-OF-LINE: --Picking-crud-out.-Stellar! (He-walks-away) ADAM: Wow! JOB-LISTER: Couple-of-newbies? ADAM: Yes #sir!-Our-first-day!-We-are-ready! JOB-LISTER: Make-your-choice. (Adam-and-Barry-look-up-at-the-job-board.-There-are-hundreds-of-constantly changing-panels-that-contain-available-or-unavailable-jobs.-It-looks-very confusing) ADAM: --You-want-to-go-first? BARRY: --No #you-go. ADAM: Oh #my.-What's-available? JOB-LISTER: Restroom-attendant's-open #not-for-the-reason-you-think. ADAM: --Any-chance-of-getting-the-Krelman? JOB-LISTER: --Sure #you're-on. (Puts-the-Krelman-finger-hat-on-Adam's-head) (Suddenly-the-sign-for-Krelman-closes-out) -: I'm-sorry #the-Krelman-just-closed-out. (Takes-Adam's-hat-off) Wax-monkey's-always-open. ADAM: The-Krelman-opened-up-again. -: What-happened? JOB-LISTER: A-bee-died.-Makes-an-opening.-See? He's-dead.-Another-dead-one. -: Deady.-Deadified.-Two-more-dead. -: Dead-from-the-neck-up. Dead-from-the-neck-down.-That's-life! ADAM: Oh #this-is-so-hard! (Barry-remembers-what-the-Pollen-Jock-offered-him-and-he-flies-off) Heating #cooling #stunt-bee #pourer #stirrer #: humming #inspector-number-seven #lint-coordinator #stripe-supervisor #: mite-wrangler.-Barry #what do-you-think-I-should...-Barry? (Adam-turns-around-and-sees-Barry-flying-away) -: Barry! POLLEN-JOCK: All-right #we've-got-the-sunflower-patch in-quadrant-nine... ADAM: (Through-phone) What-happened-to-you? Where-are-you? BARRY: --I'm-going-out. ADAM: --Out?-Out-where? BARRY: --Out-there. ADAM: --Oh #no! BARRY: I-have-to #before-I-go to-work-for-the-rest-of-my-life. ADAM: You're-gonna-die!-You're-crazy! (Barry-hangs-up) Hello? POLLEN-JOCK-#2: Another-call-coming-in. -: If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd -: that-gets-their-roses-today. BARRY: Hey #guys. POLLEN-JOCK-#1-== --Look-at-that. POLLEN-JOCK-#2: --Isn't-that-the-kid-we-saw-yesterday? LOU-LO-DUVA: Hold-it #son #flight-deck's-restricted. POLLEN-JOCK-#1: It's-OK #Lou.-We're-gonna-take-him-up. (Puts-hand-on-Barry's-shoulder) LOU-LO-DUVA: (To-Barry)-Really?-Feeling-lucky #are-you? BEE-WITH-CLIPBOARD: (To-Barry)-Sign-here #here.-Just-initial-that. -: --Thank-you. LOU-LO-DUVA: --OK. -: You-got-a-rain-advisory-today #: and-as-you-all-know #bees-cannot-fly-in-rain. -: So-be-careful.-As-always #watch-your-brooms #: hockey-sticks #dogs #birds #bears-and-bats. -: Also #I-got-a-couple-of-reports of-root-beer-being-poured-on-us. -: Murphy's-in-a-home-because-of-it #babbling-like-a-cicada! BARRY: --That's-awful. LOU-LO-DUVA: (Still-talking-through-megaphone) --And-a-reminder-for-you-rookies #: bee-law-number-one #absolutely-no-talking-to-humans! -: All-right #launch-positions! POLLEN-JOCKS: (The-Pollen-Jocks-run-into-formation) -: Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz! LOU-LU-DUVA: Black-and-yellow! POLLEN-JOCKS: Hello! POLLEN-JOCK-#1: (To-Barry)You-ready-for-this #hot-shot? BARRY: Yeah.-Yeah #bring-it-on. POLLEN-JOCK's: Wind #check. -: --Antennae #check. --Nectar-pack #check. -: --Wings #check. --Stinger #check. BARRY: Scared-out-of-my-shorts #check. LOU-LO-DUVA: OK #ladies #: let's-move-it-out! -: Pound-those-petunias #you-striped-stem-suckers! -: All-of-you #drain-those-flowers! (The-pollen-jocks-fly-out-of-the-hive) BARRY: Wow!-I'm-out! -: I-can't-believe-I'm-out! -: So-blue. -: I-feel-so-fast-and-free! -: Box-kite! (Barry-flies-through-the-kite) -: Wow! -: Flowers! (A-pollen-jock-puts-on-some-high-tech-goggles-that-shows-flowers-similar-to heat-sink-goggles.) POLLEN-JOCK: This-is-Blue-Leader. We-have-roses-visual. -: Bring-it-around-30-degrees-and-hold. -: Roses! POLLEN-JOCK-#1: 30-degrees #roger.-Bringing-it-around. -: Stand-to-the-side #kid. It's-got-a-bit-of-a-kick. (The-pollen-jock-fires-a-high-tech-gun-at-the-flower #shooting-tubes-that suck-up-the-nectar-from-the-flower-and-collects-it-into-a-pouch-on-the-gun) BARRY: That-is-one-nectar-collector! POLLEN-JOCK-#1== --Ever-see-pollination-up-close? BARRY: --No #sir. POLLEN-JOCK-#1: (Barry-and-the-Pollen-jock-fly-over-the-field #the-pollen-jock-sprinkles pollen-as-he-goes) -: I-pick-up-some-pollen-here #sprinkle-it over-here.-Maybe-a-dash-over-there #: a-pinch-on-that-one. See-that?-It's-a-little-bit-of-magic. BARRY: That's-amazing.-Why-do-we-do-that? POLLEN-JOCK-#1: That's-pollen-power.-More-pollen #more flowers #more-nectar #more-honey-for-us. BARRY: Cool. POLLEN-JOCK-#1: I'm-picking-up-a-lot-of-bright-yellow. could-be-daisies.-Don't-we-need-those? POLLEN-JOCK-#2: Copy-that-visual. -: Wait.-One-of-these-flowers seems-to-be-on-the-move. POLLEN-JOCK-#1: Say-again?-You're-reporting a-moving-flower? POLLEN-JOCK-#2: Affirmative. (The-Pollen-jocks-land-near-the-'flowers'-which #to-the-audience-are obviously-just-tennis-balls) KEN: (In-the-distance)-That-was-on-the-line! POLLEN-JOCK-#1: This-is-the-coolest.-What-is-it? POLLEN-JOCK-#2: I-don't-know #but-I'm-loving-this-color. -: It-smells-good. Not-like-a-flower #but-I-like-it. POLLEN-JOCK-#1: Yeah #fuzzy. (Sticks-his-hand-on-the-ball-but-it-gets-stuck) POLLEN-JOCK-#3== Chemical-y. (The-pollen-jock-finally-gets-his-hand-free-from-the-tennis-ball) POLLEN-JOCK-#1: Careful #guys.-It's-a-little-grabby. (The-pollen-jocks-turn-around-and-see-Barry-lying-his-entire-body-on-top-of one-of-the-tennis-balls) POLLEN-JOCK-#2: My-sweet-lord-of-bees! POLLEN-JOCK-#3: Candy-brain #get-off-there! POLLEN-JOCK-#1: (Pointing-upwards) Problem! (A-human-hand-reaches-down-and-grabs-the-tennis-ball-that-Barry-is-stuck to) BARRY: --Guys! POLLEN-JOCK-#2: --This-could-be-bad. POLLEN-JOCK-#3: Affirmative. (Vanessa-Bloome-starts-bouncing-the-tennis-ball #not-knowing-Barry-is-stick to-it) BARRY== Very-close. -: Gonna-hurt. -: Mama's-little-boy. (Barry-is-being-hit-back-and-forth-by-two-humans-playing-tennis.-He-is still-stuck-to-the-ball) POLLEN-JOCK-#1: You-are-way-out-of-position #rookie! KEN: Coming-in-at-you-like-a-MISSILE! (Barry-flies-past-the-pollen-jocks #still-stuck-to-the-ball) BARRY: (In-slow-motion) Help-me! POLLEN-JOCK-#2: I-don't-think-these-are-flowers. POLLEN-JOCK-#3: --Should-we-tell-him? POLLEN-JOCK-#1: --I-think-he-knows. BARRY: What-is-this?! KEN: Match-point! -: You-can-start-packing-up #honey #because-you're-about-to-EAT-IT! (A-pollen-jock-coughs-which-confused-Ken-and-he-hits-the-ball-the-wrong-way with-Barry-stuck-to-it-and-it-goes-flying-into-the-city) BARRY: Yowser! (Barry-bounces-around-town-and-gets-stuck-in-the-engine-of-a-car.-He-flies into-the-air-conditioner-and-sees-a-bug-that-was-frozen-in-there) BARRY: Ew #gross. (The-man-driving-the-car-turns-on-the-air-conditioner-which-blows-Barry into-the-car) GIRL-IN-CAR: There's-a-bee-in-the-car! -: --Do-something! DAD-DRIVING-CAR: --I'm-driving! BABY-GIRL: (Waving-at-Barry) --Hi #bee. (Barry-smiles-and-waves-at-the-baby-girl) GUY-IN-BACK-OF-CAR: --He's-back-here! -: He's-going-to-sting-me! GIRL-IN-CAR: Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze! (Barry-freezes-as-well #hovering-in-the-middle-of-the-car) -: GRANDMA-IN-CAR== He-blinked! (The-grandma-whips-out-some-bee-spray-and-sprays-everywhere-in-the-car #climbing-into-the-front-seat #still-trying-to-spray-Barry) GIRL-IN-CAR: Spray-him #Granny! DAD-DRIVING-THE-CAR: What-are-you-doing?! (Barry-escapes-the-car-through-the-air-conditioner-and-is-flying-high-above the-ground #safe.) BARRY: Wow...-the-tension-level out-here-is-unbelievable. (Barry-sees-that-storm-clouds-are-gathering-and-he-can-see-rain-clouds moving-into-this-direction) -: I-gotta-get-home. -: Can't-fly-in-rain. -: Can't-fly-in-rain. (A-rain-drop-hits-Barry-and-one-of-his-wings-is-damaged) -: Can't-fly-in-rain. (A-second-rain-drop-hits-Barry-again-and-he-spirals-downwards) Mayday!-Mayday!-Bee-going-down! (WW2-plane-sound-effects-are-played-as-he-plummets #and-he-crash-lands-on-a plant-inside-an-apartment-near-the-window) VANESSA-BLOOME: Ken #could-you-close the-window-please? KEN== Hey #check-out-my-new-resume. I-made-it-into-a-fold-out-brochure. -: You-see? (Folds-brochure-resume-out) Folds-out. (Ken-closes-the-window #trapping-Barry-inside) BARRY: Oh #no.-More-humans.-I-don't-need-this. (Barry-tries-to-fly-away-but-smashes-into-the-window-and-falls-again) -: What-was-that? (Barry-keeps-trying-to-fly-out-the-window-but-he-keeps-being-knocked-back because-the-window-is-closed) Maybe-this-time.-This-time.-This-time. This-time!-This-time!-This... -: Drapes! (Barry-taps-the-glass.-He-doesn't-understand-what-it-is) That-is-diabolical. KEN: It's-fantastic.-It's-got-all-my-special skills #even-my-top-ten-favorite-movies. ANDY: What's-number-one?-Star-Wars? KEN: Nah #I-don't-go-for-that... (Ken-makes-finger-guns-and-makes-'pew-pew-pew'-sounds-and-then-stops) -: ...kind-of-stuff. BARRY: No-wonder-we-shouldn't-talk-to-them. They're-out-of-their-minds. KEN: When-I-leave-a-job-interview #they're flabbergasted #can't-believe-what-I-say. BARRY: (Looking-at-the-light-on-the-ceiling) There's-the-sun.-Maybe-that's-a-way-out. (Starts-flying-towards-the-lightbulb) -: I-don't-remember-the-sun having-a-big-75-on-it. (Barry-hits-the-lightbulb-and-falls-into-the-dip-on-the-table-that-the humans-are-sitting-at) KEN: I-predicted-global-warming. -: I-could-feel-it-getting-hotter. At-first-I-thought-it-was-just-me. (Andy-dips-a-chip-into-the-bowl-and-scoops-up-some-dip-with-Barry-on-it-and is-about-to-put-it-in-his-mouth) -: Wait!-Stop!-Bee! (Andy-drops-the-chip-with-Barry-in-fear-and-backs-away.-All-the-humans freak-out) -: Stand-back.-These-are-winter-boots. (Ken-has-winter-boots-on-his-hands-and-he-is-about-to-smash-the-bee-but Vanessa-saves-him-last-second) VANESSA: Wait! -: Don't-kill-him! (Vanessa-puts-Barry-in-a-glass-to-protect-him) KEN: You-know-I'm-allergic-to-them! This-thing-could-kill-me! VANESSA: Why-does-his-life-have less-value-than-yours? KEN: Why-does-his-life-have-any-less-value than-mine?-Is-that-your-statement? VANESSA: I'm-just-saying-all-life-has-value.-You don't-know-what-he's-capable-of-feeling. (Vanessa-picks-up-Ken's-brochure-and-puts-it-under-the-glass-so-she-can carry-Barry-back-to-the-window.-Barry-looks-at-Vanessa-in-amazement) KEN: My-brochure! VANESSA: There-you-go #little-guy. (Vanessa-opens-the-window-and-lets-Barry-out-but-Barry-stays-back-and-is still-shocked-that-a-human-saved-his-life) KEN: I'm-not-scared-of-him. It's-an-allergic-thing. VANESSA: Put-that-on-your-resume-brochure. KEN: My-whole-face-could-puff-up. ANDY: Make-it-one-of-your-special-skills. KEN: Knocking-someone-out is-also-a-special-skill. (Ken-walks-to-the-door) Right.-Bye #Vanessa.-Thanks. -: --Vanessa #next-week?-Yogurt-night? VANESSA: --Sure #Ken.-You-know #whatever. -: (Vanessa-tries-to-close-door) KEN== --You-could-put-carob-chips-on-there. VANESSA: --Bye. (Closes-door-but-Ken-opens-it-again) KEN: --Supposed-to-be-less-calories. VANESSA: --Bye. (Closes-door) (Fast-forward-to-the-next-day #Barry-is-still-inside-the-house.-He-flies into-the-kitchen-where-Vanessa-is-doing-dishes) BARRY== (Talking-to-himself) I-gotta-say-something. -: She-saved-my-life. I-gotta-say-something. -: All-right #here-it-goes. (Turns-back) Nah. -: What-would-I-say? -: I-could-really-get-in-trouble. -: It's-a-bee-law. You're-not-supposed-to-talk-to-a-human. -: I-can't-believe-I'm-doing-this. -: I've-got-to. (Barry-disguises-himself-as-a-character-on-a-food-can-as-Vanessa-walks-by again) -: Oh #I-can't-do-it.-Come-on! -: No.-Yes.-No. -: Do-it.-I-can't. -: How-should-I-start-it? (Barry-strikes-a-pose-and-wiggles-his-eyebrows) 'You-like-jazz?' No #that's-no-good. (Vanessa-is-about-to-walk-past-Barry) Here-she-comes!-Speak #you-fool! -: ...Hi! (Vanessa-gasps-and-drops-the-dishes-in-fright-and-notices-Barry-on-the counter) -: I'm-sorry. VANESSA: --You're-talking. BARRY: --Yes #I-know. VANESSA: (Pointing-at-Barry) You're-talking! BARRY: I'm-so-sorry. VANESSA: No #it's-OK.-It's-fine. I-know-I'm-dreaming. -: But-I-don't-recall-going-to-bed. BARRY: Well #I'm-sure-this is-very-disconcerting. VANESSA: This-is-a-bit-of-a-surprise-to-me. I-mean #you're-a-bee! BARRY: I-am.-And-I'm-not-supposed to-be-doing-this #(Pointing-to-the-living-room-where-Ken-tried-to-kill-him-last-night) but-they-were-all-trying-to-kill-me. -: And-if-it-wasn't-for-you... -: I-had-to-thank-you. It's-just-how-I-was-raised. (Vanessa-stabs-her-hand-with-a-fork-to-test-whether-she's-dreaming-or-not) -: That-was-a-little-weird. VANESSA: --I'm-talking-with-a-bee. BARRY: --Yeah. VANESSA: I'm-talking-to-a-bee. And-the-bee-is-talking-to-me! BARRY: I-just-want-to-say-I'm-grateful. I'll-leave-now. (Barry-turns-to-leave) VANESSA: --Wait!-How-did-you-learn-to-do-that? BARRY: (Flying-back) --What? VANESSA: The-talking...thing. BARRY: Same-way-you-did #I-guess. 'Mama #Dada #honey.'-You-pick-it-up. VANESSA: --That's-very-funny. BARRY: --Yeah. -: Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with. -: Anyway... VANESSA: Can-I... -: ...get-you-something? BARRY: --Like-what? VANESSA: I-don't-know.-I-mean... I-don't-know.-Coffee? BARRY: I-don't-want-to-put-you-out. VANESSA: It's-no-trouble.-It-takes-two-minutes. -: --It's-just-coffee. BARRY: --I-hate-to-impose. (Vanessa-starts-making-coffee) VANESSA: --Don't-be-ridiculous! BARRY: --Actually #I-would-love-a-cup. VANESSA: Hey #you-want-rum-cake? BARRY: --I-shouldn't. VANESSA: --Have-some. BARRY: --No #I-can't. VANESSA: --Come-on! BARRY: I'm-trying-to-lose-a-couple-micrograms. VANESSA: --Where? BARRY: --These-stripes-don't-help. VANESSA: You-look-great! BARRY: I-don't-know-if-you-know anything-about-fashion. -: Are-you-all-right? VANESSA: (Pouring-coffee-on-the-floor-and-missing-the-cup-completely) No. (Flash-forward-in-time.-Barry-and-Vanessa-are-sitting-together-at-a-table on-top-of-the-apartment-building-drinking-coffee) -: BARRY== He's-making-the-tie-in-the-cab as-they're-flying-up-Madison. -: He-finally-gets-there. -: He-runs-up-the-steps-into-the-church. The-wedding-is-on. -: And-he-says #'Watermelon? I-thought-you-said-Guatemalan. -: Why-would-I-marry-a-watermelon?' (Barry-laughs-but-Vanessa-looks-confused) VANESSA: Is-that-a-bee-joke? BARRY: That's-the-kind-of-stuff-we-do. VANESSA: Yeah #different. -: So #what-are-you-gonna-do #Barry? (Barry-stands-on-top-of-a-sugar-cube-floating-in-his-coffee-and-paddles-it around-with-a-straw-like-it's-a-gondola) BARRY: About-work?-I-don't-know. -: I-want-to-do-my-part-for-the-hive #but-I-can't-do-it-the-way-they-want. VANESSA: I-know-how-you-feel. BARRY: --You-do? VANESSA: --Sure. -: My-parents-wanted-me-to-be-a-lawyer-or a-doctor #but-I-wanted-to-be-a-florist. BARRY: --Really? VANESSA: --My-only-interest-is-flowers. BARRY: Our-new-queen-was-just-elected with-that-same-campaign-slogan. -: Anyway #if-you-look... (Barry-points-to-a-tree-in-the-middle-of-Central-Park) -: There's-my-hive-right-there.-See-it? VANESSA: You're-in-Sheep-Meadow! BARRY: Yes!-I'm-right-off-the-Turtle-Pond! VANESSA: No-way!-I-know-that-area. I-lost-a-toe-ring-there-once. BARRY: --Why-do-girls-put-rings-on-their-toes? VANESSA: --Why-not? BARRY: --It's-like-putting-a-hat-on-your-knee. VANESSA: --Maybe-I'll-try-that. (A-custodian-installing-a-lightbulb-looks-over-at-them-but-to-his perspective-it-looks-like-Vanessa-is-talking-to-a-cup-of-coffee-on-the table) CUSTODIAN: --You-all-right #ma'am? VANESSA: --Oh #yeah.-Fine. -: Just-having-two-cups-of-coffee! BARRY: Anyway #this-has-been-great. Thanks-for-the-coffee. VANESSA== Yeah #it's-no-trouble. BARRY: Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life. (Barry-points-towards-the-rum-cake) -: Can-I-take-a-piece-of-this-with-me? VANESSA: Sure!-Here #have-a-crumb. (Vanessa-hands-Barry-a-crumb-but-it-is-still-pretty-big-for-Barry) BARRY: --Thanks! VANESSA: --Yeah. BARRY: All-right.-Well #then... I-guess-I'll-see-you-around. -: Or-not. VANESSA: OK #Barry... BARRY: And-thank-you so-much-again...-for-before. VANESSA: Oh #that?-That-was-nothing. BARRY: Well #not-nothing #but...-Anyway... (Vanessa-and-Barry-hold-hands #but-Vanessa-has-to-hold-out-a-finger-because her-hands-is-to-big-and-Barry-holds-that) (The-custodian-looks-over-again-and-it-appears-Vanessa-is-laughing-at-her coffee-again.-The-lightbulb-that-he-was-screwing-in-sparks-and-he-falls-off the-ladder) (Fast-forward-in-time-and-we-see-two-Bee-Scientists-testing-out-a-parachute in-a-Honex-wind-tunnel) BEE-SCIENTIST-#1: This-can't-possibly-work. BEE-SCIENTIST-#2: He's-all-set-to-go. We-may-as-well-try-it. -: OK #Dave #pull-the-chute. (Dave-pulls-the-chute-and-the-wind-slams-him-against-the-wall-and-he-falls on-his-face.The-camera-pans-over-and-we-see-Barry-and-Adam-walking together) ADAM: --Sounds-amazing. BARRY: --It-was-amazing! -: It-was-the-scariest #happiest-moment-of-my-life. ADAM: Humans!-I-can't-believe you-were-with-humans! -: Giant #scary-humans! What-were-they-like? BARRY: Huge-and-crazy.-They-talk-crazy. -: They-eat-crazy-giant-things. They-drive-crazy. ADAM: --Do-they-try-and-kill-you #like-on-TV? BARRY: --Some-of-them.-But-some-of-them-don't. ADAM: --How'd-you-get-back? BARRY: --Poodle. ADAM: You-did-it #and-I'm-glad.-You-saw whatever-you-wanted-to-see. -: You-had-your-'experience.'-Now-you can-pick-out-your-job-and-be-normal. BARRY: --Well... ADAM: --Well? BARRY: Well #I-met-someone. ADAM: You-did?-Was-she-Bee-ish? -: --A-wasp?!-Your-parents-will-kill-you! BARRY: --No #no #no #not-a-wasp. ADAM: --Spider? BARRY: --I'm-not-attracted-to-spiders. -: I-know #for-everyone-else #it's-the-hottest-thing #with-the-eight-legs-and-all. -: I-can't-get-by-that-face. ADAM: So-who-is-she? BARRY: She's...-human. ADAM: No #no.-That's-a-bee-law. You-wouldn't-break-a-bee-law. BARRY: --Her-name's-Vanessa. (Adam-puts-his-head-in-his-hands) ADAM: --Oh #boy. BARRY== She's-so-nice.-And-she's-a-florist! ADAM: Oh #no!-You're-dating-a-human-florist! BARRY: We're-not-dating. ADAM: You're-flying-outside-the-hive #talking to-humans-that-attack-our-homes -: with-power-washers-and-M-80s! That's-one-eighth-a-stick-of-dynamite! BARRY: She-saved-my-life! And-she-understands-me. ADAM: This-is-over! BARRY: Eat-this. (Barry-gives-Adam-a-piece-of-the-crumb-that-he-got-from-Vanessa.-Adam-eats it) ADAM: (Adam's-tone-changes) This-is-not-over!-What-was-that? BARRY: --They-call-it-a-crumb. ADAM: --It-was-so-stingin'-stripey! BARRY: And-that's-not-what-they-eat. That's-what-falls-off-what-they-eat! -: --You-know-what-a-Cinnabon-is? ADAM: --No. (Adam-opens-a-door-behind-him-and-he-pulls-Barry-in) BARRY: It's-bread-and-cinnamon-and-frosting. ADAM: Be-quiet! BARRY: They-heat-it-up... ADAM: Sit-down! (Adam-forces-Barry-to-sit-down) BARRY: (Still-rambling-about-Cinnabons) ...really-hot! (Adam-grabs-Barry-by-the-shoulders) ADAM: --Listen-to-me! -: We-are-not-them!-We're-us. There's-us-and-there's-them! BARRY== Yes #but-who-can-deny the-heart-that-is-yearning? ADAM: There's-no-yearning. Stop-yearning.-Listen-to-me! -: You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee! BARRY: --Thinking-bee. WORKER-BEE: --Thinking-bee. WORKER-BEES-AND-ADAM: Thinking-bee!-Thinking-bee! Thinking-bee!-Thinking-bee! (Flash-forward-in-time;-Barry-is-laying-on-a-raft-in-a-pool-full-of-honey. He-is-wearing-sunglasses) JANET: There-he-is.-He's-in-the-pool. MARTIN: You-know-what-your-problem-is #Barry? (Barry-pulls-down-his-sunglasses-and-he-looks-annoyed) BARRY: (Sarcastic) I-gotta-start-thinking-bee? JANET: How-much-longer-will-this-go-on? MARTIN: It's-been-three-days! Why-aren't-you-working? (Puts-sunglasses-back-on) BARRY: I've-got-a-lot-of-big-life-decisions to-think-about. MARTIN: What-life?-You-have-no-life! You-have-no-job.-You're-barely-a-bee! JANET: Would-it-kill-you to-make-a-little-honey? (Barry-rolls-off-the-raft-and-sinks-into-the-honey-pool) -: Barry #come-out. Your-father's-talking-to-you. -: Martin #would-you-talk-to-him? MARTIN: Barry #I'm-talking-to-you! (Barry-keeps-sinking-into-the-honey-until-he-is-suddenly-in-Central-Park having-a-picnic-with-Vanessa) (Barry-has-a-cup-of-honey-and-he-clinks-his-glass-with-Vanessas.-Suddenly-a mosquito-lands-on-Vanessa-and-she-slaps-it #killing-it.-They-both-gasp-but then-burst-out-laughing) VANESSA: You-coming? (The-camera-pans-over-and-Vanessa-is-climbing-into-a-small-yellow-airplane) BARRY: Got-everything? VANESSA: All-set! BARRY: Go-ahead.-I'll-catch-up. (Vanessa-lifts-off-and-flies-ahead) VANESSA: Don't-be-too-long. (Barry-catches-up-with-Vanessa-and-he-sticks-out-his-arms-like-ana-irplane. He-rolls-from-side-to-side #and-Vanessa-copies-him-with-the-airplane) VANESSA: Watch-this! (Barry-stays-back-and-watches-as-Vanessa-draws-a-heart-in-the-air-using pink-smoke-from-the-plane #but-on-the-last-loop-the-loop-she-suddenly crashes-into-a-mountain-and-the-plane-explodes.-The-destroyed-plane-falls into-some-rocks-and-explodes-a-second-time) BARRY: Vanessa! (As-Barry-is-yelling-his-mouth-fills-with-honey-and-he-wakes-up #discovering-that-he-was-just-day-dreaming.-He-slowly-sinks-back-into-the honey-pool) MARTIN: --We're-still-here. JANET: --I-told-you-not-to-yell-at-him. -: He-doesn't-respond-to-yelling! MARTIN: --Then-why-yell-at-me? JANET: --Because-you-don't-listen! MARTIN: I'm-not-listening-to-this. BARRY: Sorry #I've-gotta-go. MARTIN: --Where-are-you-going? BARRY: --I'm-meeting-a-friend. JANET: A-girl?-Is-this-why-you-can't-decide? BARRY: Bye. (Barry-flies-out-the-door-and-Martin-shakes-his-head) -: JANET== I-just-hope-she's-Bee-ish. (Fast-forward-in-time-and-Barry-is-sitting-on-Vanessa's-shoulder-and-she-is closing-up-her-shop) BARRY: They-have-a-huge-parade of-flowers-every-year-in-Pasadena? VANESSA: To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream! -: Up-on-a-float #surrounded by-flowers #crowds-cheering. BARRY: A-tournament.-Do-the-roses compete-in-athletic-events? VANESSA: No.-All-right #I've-got-one. How-come-you-don't-fly-everywhere? BARRY: It's-exhausting.-Why-don't-you run-everywhere?-It's-faster. VANESSA: Yeah #OK #I-see #I-see. All-right #your-turn. BARRY: TiVo.-You-can-just-freeze-live-TV? That's-insane! VANESSA: You-don't-have-that? BARRY: We-have-Hivo #but-it's-a-disease. It's-a-horrible #horrible-disease. VANESSA: Oh #my. (A-human-walks-by-and-Barry-narrowly-avoids-him) PASSERBY: Dumb-bees! VANESSA: You-must-want-to-sting-all-those-jerks. BARRY: We-try-not-to-sting. It's-usually-fatal-for-us. VANESSA: So-you-have-to-watch-your-temper (They-walk-into-a-store) BARRY: Very-carefully. You-kick-a-wall #take-a-walk #: write-an-angry-letter-and-throw-it-out. Work-through-it-like-any-emotion: -: Anger #jealousy #lust. (Suddenly-an-employee(Hector)-hits-Barry-off-of-Vanessa's-shoulder.-Hector thinks-he's-saving-Vanessa) VANESSA: (To-Barry) Oh #my-goodness!-Are-you-OK? (Barry-is-getting-up-off-the-floor) BARRY: Yeah. VANESSA: (To-Hector) --What-is-wrong-with-you?! HECTOR: (Confused) --It's-a-bug. VANESSA: He's-not-bothering-anybody. Get-out-of-here #you-creep! (Vanessa-hits-Hector-across-the-face-with-the-magazine-he-had-and-then-hits him-in-the-head.-Hector-backs-away-covering-his-head) Barry: What-was-that?-A-Pic-'N'-Save-circular? (Vanessa-sets-Barry-back-on-her-shoulder) VANESSA: Yeah #it-was.-How-did-you-know? BARRY: It-felt-like-about-10-pages. Seventy-five-is-pretty-much-our-limit. VANESSA: You've-really-got-that down-to-a-science. BARRY: --Oh #we-have-to.-I-lost-a-cousin-to-Italian-Vogue. VANESSA: --I'll-bet. (Barry-looks-to-his-right-and-notices-there-is-honey-for-sale-in-the-aisle) BARRY: What-in-the-name of-Mighty-Hercules-is-this? (Barry-looks-at-all-the-brands-of-honey #shocked) How-did-this-get-here? Cute-Bee #Golden-Blossom #: Ray-Liotta-Private-Select? (Barry-puts-his-hands-up-and-slowly-turns-around #a-look-of-disgust-on-his face) VANESSA: --Is-he-that-actor? BARRY: --I-never-heard-of-him. -: --Why-is-this-here? VANESSA: --For-people.-We-eat-it. BARRY: You-don't-have enough-food-of-your-own?! (Hector-looks-back-and-notices-that-Vanessa-is-talking-to-Barry) VANESSA: --Well #yes. BARRY: --How-do-you-get-it? VANESSA: --Bees-make-it. BARRY: --I-know-who-makes-it! -: And-it's-hard-to-make-it! -: There's-heating #cooling #stirring. You-need-a-whole-Krelman-thing! VANESSA: --It's-organic. BARRY: --It's-our-ganic! VANESSA: It's-just-honey #Barry. BARRY: Just-what?! -: Bees-don't-know-about-this! This-is-stealing!-A-lot-of-stealing! -: You've-taken-our-homes #schools #hospitals!-This-is-all-we-have! -: And-it's-on-sale?! I'm-getting-to-the-bottom-of-this. -: I'm-getting-to-the-bottom of-all-of-this! (Flash-forward-in-time;-Barry-paints-his-face-with-black-strikes-like-a soldier-and-sneaks-into-the-storage-section-of-the-store) (Two-men #including-Hector #are-loading-boxes-into-some-trucks) -: SUPERMARKET-EMPLOYEE== Hey #Hector. -: --You-almost-done? HECTOR: --Almost. (Barry-takes-a-step-to-peak-around-the-corner) (Whispering) He-is-here.-I-sense-it. -: Well #I-guess-I'll-go-home-now (Hector-pretends-to-walk-away-by-walking-in-place-and-speaking-loudly) -: and-just-leave-this-nice-honey-out #with-no-one-around. BARRY: You're-busted #box-boy! HECTOR: I-knew-I-heard-something! So-you-can-talk! BARRY: I-can-talk. And-now-you'll-start-talking! -: Where-you-getting-the-sweet-stuff? Who's-your-supplier? HECTOR: I-don't-understand. I-thought-we-were-friends. -: The-last-thing-we-want to-do-is-upset-bees! (Hector-takes-a-thumbtack-out-of-the-board-behind-him-and-sword-fights Barry.-Barry-is-using-his-stinger-like-a-sword) -: You're-too-late!-It's-ours-now! BARRY: You #sir #have-crossed the-wrong-sword! HECTOR: You #sir #will-be-lunch for-my-iguana #Ignacio! (Barry-hits-the-thumbtack-out-of-Hectors-hand-and-Hector-surrenders) Barry: Where-is-the-honey-coming-from? -: Tell-me-where! HECTOR: (Pointing-to-leaving-truck) Honey-Farms!-It-comes-from-Honey-Farms! (Barry-chases-after-the-truck-but-it-is-getting-away.-He-flies-onto-a bicyclists'-backpack-and-he-catches-up-to-the-truck) CAR-DRIVER: (To-bicyclist) Crazy-person! (Barry-flies-off-and-lands-on-the-windshield-of-the-Honey-farms-truck. Barry-looks-around-and-sees-dead-bugs-splattered-everywhere) BARRY: What-horrible-thing-has-happened-here? -: These-faces #they-never-knew what-hit-them.-And-now -: they're-on-the-road-to-nowhere! (Barry-hears-a-sudden-whisper) (Barry-looks-up-and-sees-Mooseblood #a-mosquito-playing-dead) MOOSEBLOOD: Just-keep-still. BARRY: What?-You're-not-dead? MOOSEBLOOD: Do-I-look-dead?-They-will-wipe-anything that-moves.-Where-you-headed? BARRY: To-Honey-Farms. I-am-onto-something-huge-here. MOOSEBLOOD: I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off! ANOTHER-BUG-PLAYING-DEAD: I'm-going-to-Tacoma. (Barry-looks-at-another-bug) BARRY: --And-you? MOOSEBLOOD: --He-really-is-dead. BARRY: All-right. (Another-bug-hits-the-windshield-and-the-drivers-notice.-They-activate-the windshield-wipers) MOOSEBLOOD== Uh-oh! (The-windshield-wipers-are-slowly-sliding-over-the-dead-bugs-and-wiping them-off) BARRY: --What-is-that?! MOOSEBLOOD: --Oh #no! -: --A-wiper!-Triple-blade! BARRY: --Triple-blade? MOOSEBLOOD: Jump-on!-It's-your-only-chance #bee! (Mooseblood-and-Barry-grab-onto-the-wiper-and-they-hold-on-as-it-wipes-the windshield) Why-does-everything-have to-be-so-doggone-clean?! -: How-much-do-you-people-need-to-see?! (Bangs-on-windshield) -: Open-your-eyes! Stick-your-head-out-the-window! RADIO-IN-TRUCK: From-NPR-News-in-Washington #I'm-Carl-Kasell. MOOSEBLOOD: But-don't-kill-no-more-bugs! (Mooseblood-and-Barry-are-washed-off-by-the-wipr-fluid) MOOSEBLOOD: --Bee! BARRY: --Moose-blood-guy!! (Barry-starts-screaming-as-he-hangs-onto-the-antenna) (Suddenly-it-is-revealed-that-a-water-bug-is-also-hanging-on-the-antenna. There-is-a-pause-and-then-Barry-and-the-water-bug-both-start-screaming) TRUCK-DRIVER: --You-hear-something? GUY-IN-TRUCK: --Like-what? TRUCK-DRIVER: Like-tiny-screaming. GUY-IN-TRUCK: Turn-off-the-radio. (The-antenna-starts-to-lower-until-it-gets-to-low-and-sinks-into-the-truck. The-water-bug-flies-off-and-Barry-is-forced-to-let-go-and-he-is-blown-away. He-luckily-lands-inside-a-horn-on-top-of-the-truck-where-he-finds Mooseblood #who-was-blown-into-the-same-place) MOOSEBLOOD: Whassup #bee-boy? BARRY: Hey #Blood. (Fast-forward-in-time-and-we-see-that-Barry-is-deep-in-conversation-with Mooseblood.-They-have-been-sitting-in-this-truck-for-a-while) BARRY: ...Just-a-row-of-honey-jars #as-far-as-the-eye-could-see. MOOSEBLOOD: Wow! BARRY: I-assume-wherever-this-truck-goes is-where-they're-getting-it. -: I-mean #that-honey's-ours. MOOSEBLOOD: --Bees-hang-tight. BARRY: --We're-all-jammed-in. -: It's-a-close-community. MOOSEBLOOD: Not-us #man.-We-on-our-own. Every-mosquito-on-his-own. BARRY: --What-if-you-get-in-trouble? MOOSEBLOOD: --You-a-mosquito #you-in-trouble. -: Nobody-likes-us.-They-just-smack. See-a-mosquito #smack #smack! BARRY: At-least-you're-out-in-the-world. You-must-meet-girls. MOOSEBLOOD: Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly. -: Mosquito-girl-don't-want-no-mosquito. (An-ambulance-passes-by-and-it-has-a-blood-donation-sign-on-it) You-got-to-be-kidding-me! -: Mooseblood's-about-to-leave the-building!-So-long #bee! (Mooseblood-leaves-and-flies-onto-the-window-of-the-ambulance-where-there are-other-mosquito's-hanging-out) -: --Hey #guys! OTHER-MOSQUITO: --Mooseblood! MOOSEBLOOD: I-knew-I'd-catch-y'all-down-here. Did-you-bring-your-crazy-straw? (The-truck-goes-out-of-view-and-Barry-notices-that-the-truck-he's-on-is pulling-into-a-camp-of-some-sort) TRUCK-DRIVER: We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit. (Barry-flies-out) BARRY: What-is-this-place? BEEKEEPER-1#: A-bee's-got-a-brain the-size-of-a-pinhead. BEEKEEPER-#2: They-are-pinheads! -: Pinhead. -: --Check-out-the-new-smoker. BEEKEEPER-#1: --Oh #sweet.-That's-the-one-you-want. -: The-Thomas-3000! BARRY: Smoker? BEEKEEPER-#1: Ninety-puffs-a-minute #semi-automatic. Twice-the-nicotine #all-the-tar. -: A-couple-breaths-of-this knocks-them-right-out. BEEKEEPER-#2: They-make-the-honey #and-we-make-the-money. BARRY: 'They-make-the-honey #and-we-make-the-money'? (The-Beekeeper-sprays-hundreds-of-cheap-miniature-apartments-with-the smoker.-The-bees-are-fainting-or-passing-out) Oh #my! -: What's-going-on?-Are-you-OK? (Barry-flies-into-one-of-the-apartment-and-helps-a-Bee-couple-get-off-the ground.-They-are-coughing-and-its-hard-for-them-to-stand) BEE-IN-APARTMENT: Yeah.-It-doesn't-last-too-long. BARRY: Do-you-know-you're in-a-fake-hive-with-fake-walls? BEE-IN-APPARTMENT: Our-queen-was-moved-here. We-had-no-choice. (The-apartment-room-is-completely-empty-except-for-a-photo-on-the-wall-of the-'queen'-who-is-obviously-a-man-in-women's-clothes) BARRY: This-is-your-queen? That's-a-man-in-women's-clothes! -: That's-a-drag-queen! -: What-is-this? (Barry-flies-out-and-he-discovers-that-there-are-hundreds-of-these structures #each-housing-thousands-of-Bees) Oh #no! -: There's-hundreds-of-them! (Barry-takes-out-his-camera-and-takes-pictures-of-these-Bee-work-camps.-The beekeepers-look-very-evil-in-these-depictions) Bee-honey. -: Our-honey-is-being-brazenly-stolen on-a-massive-scale! -: This-is-worse-than-anything-bears have-done!-I-intend-to-do-something. (Flash-forward-in-time-and-Barry-is-showing-these-pictures-to-his-parents) JANET: Oh #Barry #stop. MARTIN: Who-told-you-humans-are-taking our-honey?-That's-a-rumor. BARRY: Do-these-look-like-rumors? (Holds-up-the-pictures) UNCLE-CARL: That's-a-conspiracy-theory. These-are-obviously-doctored-photos. JANET: How-did-you-get-mixed-up-in-this? ADAM: He's-been-talking-to-humans. JANET: --What? MARTIN: --Talking-to-humans?! ADAM: He-has-a-human-girlfriend. And-they-make-out! JANET: Make-out?-Barry! BARRY: We-do-not. ADAM: --You-wish-you-could. MARTIN: --Whose-side-are-you-on? BARRY: The-bees! UNCLE-CARL: (He-has-been-sitting-in-the-back-of-the-room-this-entire-time) I-dated-a-cricket-once-in-San-Antonio. Those-crazy-legs-kept-me-up-all-night. JANET: Barry #this-is-what-you-want to-do-with-your-life? BARRY: I-want-to-do-it-for-all-our-lives. Nobody-works-harder-than-bees! -: Dad #I-remember-you coming-home-so-overworked -: your-hands-were-still-stirring. You-couldn't-stop. JANET: I-remember-that. BARRY: What-right-do-they-have-to-our-honey? -: We-live-on-two-cups-a-year.-They-put-it in-lip-balm-for-no-reason-whatsoever! ADAM: Even-if-it's-true #what-can-one-bee-do? BARRY: Sting-them-where-it-really-hurts. MARTIN: In-the-face!-The-eye! -: --That-would-hurt. BARRY: --No. MARTIN: Up-the-nose?-That's-a-killer. BARRY: There's-only-one-place-you-can-sting the-humans #one-place-where-it-matters. (Flash-forward-a-bit-in-time-and-we-are-watching-the-Bee-News) BEE-NEWS-NARRATOR: Hive-at-Five #the-hive's-only full-hour-action-news-source. BEE-PROTESTOR: No-more-bee-beards! BEE-NEWS-NARRATOR: With-Bob-Bumble-at-the-anchor-desk. -: Weather-with-Storm-Stinger. -: Sports-with-Buzz-Larvi. -: And-Jeanette-Chung. BOB-BUMBLE: --Good-evening.-I'm-Bob-Bumble. JEANETTE-CHUNG: --And-I'm-Jeanette-Chung. BOB-BUMBLE: A-tri-county-bee #Barry-Benson #: intends-to-sue-the-human-race for-stealing-our-honey #: packaging-it-and-profiting from-it-illegally! JEANETTE-CHUNG: Tomorrow-night-on-Bee-Larry-King #: we'll-have-three-former-queens-here-in our-studio #discussing-their-new-book #: Classy-Ladies #out-this-week-on-Hexagon. (The-scene-changes-to-an-interview-on-the-news-with-Bee-version-of-Larry King-and-Barry) BEE-LARRY-KING: Tonight-we're-talking-to-Barry-Benson. -: Did-you-ever-think #'I'm-a-kid from-the-hive.-I-can't-do-this'? BARRY: Bees-have-never-been-afraid to-change-the-world. -: What-about-Bee-Columbus? Bee-Gandhi?-Bejesus? BEE-LARRY-KING: Where-I'm-from #we'd-never-sue-humans. -: We-were-thinking of-stickball-or-candy-stores. BARRY: How-old-are-you? BEE-LARRY-KING: The-bee-community is-supporting-you-in-this-case #: which-will-be-the-trial of-the-bee-century. BARRY: You-know #they-have-a-Larry-King in-the-human-world-too. BEE-LARRY-KING: It's-a-common-name.-Next-week... BARRY: He-looks-like-you-and-has-a-show and-suspenders-and-colored-dots... BEE-LARRY-KING: Next-week... BARRY: Glasses #quotes-on-the-bottom-from-the guest-even-though-you-just-heard-'em. BEE-LARRY-KING: Bear-Week-next-week! They're-scary #hairy-and-here #live. (Bee-Larry-King-gets-annoyed-and-flies-away-offscreen) BARRY: Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish. (Flash-forward-in-time.-We-see-Vanessa-enter-and-Ken-enters-behind-her. They-are-arguing) KEN: In-tennis #you-attack at-the-point-of-weakness! VANESSA: It-was-my-grandmother #Ken.-She's-81. KEN== Honey #her-backhand's-a-joke! I'm-not-gonna-take-advantage-of-that? BARRY: (To-Ken) Quiet #please. Actual-work-going-on-here. KEN: (Pointing-at-Barry) --Is-that-that-same-bee? VANESSA: --Yes #it-is! -: I'm-helping-him-sue-the-human-race. BARRY: --Hello. KEN: --Hello #bee. VANESSA: This-is-Ken. BARRY: (Recalling-the-'Winter-Boots'-incident-earlier) Yeah #I-remember-you.-Timberland #size ten-and-a-half.-Vibram-sole #I-believe. KEN: (To-Vanessa) Why-does-he-talk-again? VANESSA: Listen #you-better-go 'cause-we're-really-busy-working. KEN: But-it's-our-yogurt-night! VANESSA: (Holding-door-open-for-Ken) Bye-bye. KEN: (Yelling) Why-is-yogurt-night-so-difficult?! (Ken-leaves-and-Vanessa-walks-over-to-Barry.-His-workplace-is-a-mess) VANESSA: You-poor-thing. You-two-have-been-at-this-for-hours! BARRY: Yes #and-Adam-here has-been-a-huge-help. ADAM: --Frosting... --How-many-sugars? -==BARRY== Just-one.-I-try-not to-use-the-competition. -: So-why-are-you-helping-me? VANESSA: Bees-have-good-qualities. -: And-it-takes-my-mind-off-the-shop. -: Instead-of-flowers #people are-giving-balloon-bouquets-now. BARRY: Those-are-great #if-you're-three. VANESSA: And-artificial-flowers. BARRY: --Oh #those-just-get-me-psychotic! VANESSA: --Yeah #me-too. -: BARRY: Bent-stingers #pointless-pollination. ADAM: Bees-must-hate-those-fake-things! -: Nothing-worse than-a-daffodil-that's-had-work-done. -: Maybe-this-could-make-up for-it-a-little-bit. VANESSA: --This-lawsuit's-a-pretty-big-deal. BARRY: --I-guess. ADAM: You-sure-you-want-to-go-through-with-it? BARRY: Am-I-sure?-When-I'm-done-with the-humans #they-won't-be-able -: to-say #'Honey #I'm-home #' without-paying-a-royalty! (Flash-forward-in-time-and-we-are-watching-the-human-news.-The-camera-shows a-crowd-outside-a-courthouse) NEWS-REPORTER: It's-an-incredible-scene here-in-downtown-Manhattan #: where-the-world-anxiously-waits #because-for-the-first-time-in-history #: we-will-hear-for-ourselves if-a-honeybee-can-actually-speak. (We-are-no-longer-watching-through-a-news-camera) ADAM: What-have-we-gotten-into-here #Barry? BARRY: It's-pretty-big #isn't-it? ADAM== (Looking-at-the-hundreds-of-people-around-the-courthouse) I-can't-believe-how-many-humans don't-work-during-the-day. BARRY: You-think-billion-dollar-multinational food-companies-have-good-lawyers? SECURITY-GUARD: Everybody-needs-to-stay behind-the-barricade. (A-limousine-drives-up-and-a-fat-man #Layton-Montgomery #a-honey-industry owner-gets-out-and-walks-past-Barry) ADAM: --What's-the-matter? BARRY: --I-don't-know #I-just-got-a-chill. (Fast-forward-in-time-and-everyone-is-in-the-court) MONTGOMERY: Well #if-it-isn't-the-bee-team. (To-Honey-Industry-lawyers) You-boys-work-on-this? MAN: All-rise!-The-Honorable Judge-Bumbleton-presiding. JUDGE-BUMBLETON: All-right.-Case-number-4475 #: Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry -: is-now-in-session. -: Mr.-Montgomery #you're-representing the-five-food-companies-collectively? MONTGOMERY: A-privilege. JUDGE-BUMBLETON: Mr.-Benson...-you're-representing all-the-bees-of-the-world? (Everyone-looks-closely #they-are-waiting-to-see-if-a-Bee-can-really-talk) (Barry-makes-several-buzzing-sounds-to-sound-like-a-Bee) BARRY: I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed. JUDGE-BUMBLBETON: Mr.-Montgomery #your-opening-statement #please. MONTGOMERY: Ladies-and-gentlemen-of-the-jury #: my-grandmother-was-a-simple-woman. -: Born-on-a-farm #she-believed it-was-man's-divine-right -: to-benefit-from-the-bounty of-nature-God-put-before-us. -: If-we-lived-in-the-topsy-turvy-world Mr.-Benson-imagines #: just-think-of-what-would-it-mean. -: I-would-have-to-negotiate with-the-silkworm -: for-the-elastic-in-my-britches! -: Talking-bee! (Montgomery-walks-over-and-looks-closely-at-Barry) -: How-do-we-know-this-isn't-some-sort-of -: holographic-motion-picture-capture Hollywood-wizardry? -: They-could-be-using-laser-beams! -: Robotics!-Ventriloquism! Cloning!-For-all-we-know #: he-could-be-on-steroids! JUDGE-BUMBLETON: Mr.-Benson? BARRY: Ladies-and-gentlemen #there's-no-trickery-here. -: I'm-just-an-ordinary-bee. Honey's-pretty-important-to-me. -: It's-important-to-all-bees. We-invented-it! -: We-make-it.-And-we-protect-it with-our-lives. -: Unfortunately #there-are some-people-in-this-room -: who-think-they-can-take-it-from-us -: 'cause-we're-the-little-guys! I'm-hoping-that #after-this-is-all-over #: you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have -: but-everything-we-are! JANET== (To-Martin) I-wish-he'd-dress-like-that all-the-time.-So-nice! JUDGE-BUMBLETON: Call-your-first-witness. BARRY: So #Mr.-Klauss-Vanderhayden of-Honey-Farms #big-company-you-have. KLAUSS-VANDERHAYDEN: I-suppose-so. BARRY: I-see-you-also-own Honeyburton-and-Honron! KLAUSS: Yes #they-provide-beekeepers for-our-farms. BARRY: Beekeeper.-I-find-that to-be-a-very-disturbing-term. -: I-don't-imagine-you-employ any-bee-free-ers #do-you? KLAUSS: (Quietly) --No. BARRY: --I-couldn't-hear-you. KLAUSS: --No. BARRY: --No. -: Because-you-don't-free-bees. You-keep-bees.-Not-only-that #: it-seems-you-thought-a-bear-would-be an-appropriate-image-for-a-jar-of-honey. KLAUSS: They're-very-lovable-creatures. -: Yogi-Bear #Fozzie-Bear #Build-A-Bear. BARRY: You-mean-like-this? (The-bear-from-Over-The-Hedge-barges-in-through-the-back-door-and-it-is roaring-and-standing-on-its-hind-legs.-It-is-thrashing-its-claws-and-people are-screaming.-It-is-being-held-back-by-a-guard-who-has-the-bear-on-a chain) -: (Pointing-to-the-roaring-bear) Bears-kill-bees! -: How'd-you-like-his-head-crashing through-your-living-room?! -: Biting-into-your-couch! Spitting-out-your-throw-pillows! JUDGE-BUMBLETON: OK #that's-enough.-Take-him-away. (The-bear-stops-roaring-and-thrashing-and-walks-out) BARRY: So #Mr.-Sting #thank-you-for-being-here. Your-name-intrigues-me. -: --Where-have-I-heard-it-before? MR.-STING: --I-was-with-a-band-called-The-Police. BARRY: But-you've-never-been a-police-officer #have-you? STING: No #I-haven't. BARRY: No #you-haven't.-And-so-here we-have-yet-another-example -: of-bee-culture-casually stolen-by-a-human -: for-nothing-more-than a-prance-about-stage-name. STING: Oh #please. BARRY: Have-you-ever-been-stung #Mr.-Sting? -: Because-I'm-feeling a-little-stung #Sting. -: Or-should-I-say...-Mr.-Gordon-M.-Sumner! MONTGOMERY: That's-not-his-real-name?!-You-idiots! BARRY: Mr.-Liotta #first #belated-congratulations-on -: your-Emmy-win-for-a-guest-spot on-ER-in-2005. RAY-LIOTTA: Thank-you.-Thank-you. BARRY: I-see-from-your-resume that-you're-devilishly-handsome -: with-a-churning-inner-turmoil that's-ready-to-blow. RAY-LIOTTA: I-enjoy-what-I-do.-Is-that-a-crime? BARRY: Not-yet-it-isn't.-But-is-this what-it's-come-to-for-you? -: Exploiting-tiny #helpless-bees so-you-don't -: have-to-rehearse your-part-and-learn-your-lines #sir? RAY-LIOTTA: Watch-it #Benson! I-could-blow-right-now! BARRY: This-isn't-a-goodfella. This-is-a-badfella! (Ray-Liotta-looses-it-and-tries-to-grab-Barry) RAY-LIOTTA: Why-doesn't-someone-just-step-on this-creep #and-we-can-all-go-home?! JUDGE-BUMBLETON: --Order-in-this-court! RAY-LIOTTA: --You're-all-thinking-it! (Judge-Bumbleton-starts-banging-her-gavel) JUDGE-BUMBLETON: Order!-Order #I-say! RAY-LIOTTA: --Say-it! MAN: --Mr.-Liotta #please-sit-down! (We-see-a-montage-of-magazines-which-feature-the-court-case) (Flash-forward-in-time-and-Barry-is-back-home-with-Vanessa) BARRY: I-think-it-was-awfully-nice of-that-bear-to-pitch-in-like-that. VANESSA: I-think-the-jury's-on-our-side. BARRY: Are-we-doing-everything-right #you-know #legally? VANESSA: I'm-a-florist. BARRY: Right.-Well #here's-to-a-great-team. VANESSA: To-a-great-team! (Ken-walks-in-from-work.-He-sees-Barry-and-he-looks-upset-when-he-sees Barry-clinking-his-glass-with-Vanessa) KEN: Well #hello. VANESSA: --Oh #Ken! BARRY: --Hello! VANESSA: I-didn't-think-you-were-coming. -: No #I-was-just-late. I-tried-to-call #but... (Ken-holds-up-his-phone-and-flips-it-open.-The-phone-has-no-charge) ...the-battery... VANESSA: I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free. KEN: Oh #that-was-lucky. (Ken-sits-down-at-the-table-across-from-Barry-and-Vanessa-leaves-the-room) VANESSA: There's-a-little-left. I-could-heat-it-up. KEN: (Not-taking-his-eyes-off-Barry) Yeah #heat-it-up #sure #whatever. BARRY: So-I-hear-you're-quite-a-tennis-player. -: I'm-not-much-for-the-game-myself. The-ball's-a-little-grabby. KEN: That's-where-I-usually-sit. Right... (Points-to-where-Barry-is-sitting) there. VANESSA: (Calling-from-other-room) Ken #Barry-was-looking-at-your-resume #: and-he-agreed-with-me-that-eating-with chopsticks-isn't-really-a-special-skill. KEN: (To-Barry) You-think-I-don't-see-what-you're-doing? BARRY: I-know-how-hard-it-is-to-find the-right-job.-We-have-that-in-common. KEN: Do-we? BARRY: Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out. KEN: (Menacingly) That's-just-what I-was-thinking-about-doing. (Ken-reaches-for-a-fork-on-the-table-but-knocks-if-on-the-floor.-He-goes-to pick-it-up) VANESSA: Ken #I-let-Barry-borrow-your-razor for-his-fuzz.-I-hope-that-was-all-right. (Ken-quickly-rises-back-up-after-hearing-this-but-hits-his-head-on-the table-and-yells) BARRY: I'm-going-to-drain-the-old-stinger. KEN: Yeah #you-do-that. (Barry-flies-past-Ken-to-get-to-the-bathroom-and-Ken-freaks-out #splashing some-of-the-wine-he-was-using-to-cool-his-head-in-his-eyes.-He-yells-in anger) (Barry-looks-at-the-magazines-featuring-his-victories-in-court) BARRY: Look-at-that. (Barry-flies-into-the-bathroom) (He-puts-his-hand-on-his-head-but-this-makes-hurts-him-and-makes-him-even madder.-He-yells-again) (Barry-is-washing-his-hands-in-the-sink-but-then-Ken-walks-in) KEN: You-know #you-know-I've-just-about-had-it (Closes-bathroom-door-behind-him) with-your-little-mind-games. (Ken-is-menacingly-rolling-up-a-magazine) BARRY: (Backing-away) --What's-that? KEN: --Italian-Vogue. BARRY: Mamma-mia #that's-a-lot-of-pages. KEN: It's-a-lot-of-ads. BARRY: Remember-what-Van-said #why-is your-life-more-valuable-than-mine? KEN: That's-funny #I-just-can't-seem-to-recall-that! (Ken-smashes-everything-off-the-sink-with-the-magazine-and-Barry-narrowly escapes) (Ken-follows-Barry-around-and-tries-to-hit-him-with-the-magazine-but-he keeps-missing) (Ken-gets-a-spray-bottle) -: I-think-something-stinks-in-here! BARRY: (Enjoying-the-spray) I-love-the-smell-of-flowers. (Ken-holds-a-lighter-in-front-of-the-spray-bottle) KEN: How-do-you-like-the-smell-of-flames?! BARRY: Not-as-much. (Ken-fires-his-make-shift-flamethrower-but-misses-Barry #burning-the bathroom.-He-torches-the-whole-room-but-looses-his-footing-and-falls-into the-bathtub.-After-getting-hit-in-the-head-by-falling-objects-3-times-he picks-up-the-shower-head #revealing-a-Water-bug-hiding-under-it) WATER-BUG: Water-bug!-Not-taking-sides! (Barry-gets-up-out-of-a-pile-of-bathroom-supplies-and-he-is-wearing-a chapstick-hat) BARRY: Ken #I'm-wearing-a-Chapstick-hat! This-is-pathetic! (Ken-switches-the-shower-head-to-lethal) KEN: I've-got-issues! (Ken-sprays-Barry-with-the-shower-head-and-he-crash-lands-into-the-toilet) (Ken-menacingly-looks-down-into-the-toilet-at-Barry) Well #well #well #a-royal-flush! BARRY: --You're-bluffing. KEN: --Am-I? (flushes-toilet) (Barry-grabs-a-chapstick-from-the-toilet-seat-and-uses-it-to-surf-in-the flushing-toilet) BARRY: Surf's-up #dude! (Barry-flies-out-of-the-toilet-on-the-chapstick-and-sprays-Ken's-face-with the-toilet-water) -: EW #Poo-water! BARRY: That-bowl-is-gnarly. KEN: (Aiming-a-toilet-cleaner-at-Barry) Except-for-those-dirty-yellow-rings! (Barry-cowers-and-covers-his-head-and-Vanessa-runs-in-and-takes-the-toilet cleaner-from-Ken-just-before-he-hits-Barry) VANESSA: Kenneth!-What-are-you-doing?! KEN== (Leaning-towards-Barry) You-know #I-don't-even-like-honey! I-don't-eat-it! VANESSA: We-need-to-talk! (Vanessa-pulls-Ken-out-of-the-bathroom) -: He's-just-a-little-bee! -: And-he-happens-to-be the-nicest-bee-I've-met-in-a-long-time! KEN: Long-time?-What-are-you-talking-about?! Are-there-other-bugs-in-your-life? VANESSA: No #but-there-are-other-things-bugging me-in-life.-And-you're-one-of-them! KEN: Fine!-Talking-bees #no-yogurt-night... -: My-nerves-are-fried-from-riding on-this-emotional-roller-coaster! VANESSA: Goodbye #Ken. (Ken-huffs-and-walks-out-and-slams-the-door.-But-suddenly-he-walks-back-in and-stares-at-Barry) -: And-for-your-information #I-prefer-sugar-free #artificial sweeteners-MADE-BY-MAN! (Ken-leaves-again-and-Vanessa-leans-in-towards-Barry) VANESSA: I'm-sorry-about-all-that. (Ken-walks-back-in-again) KEN: I-know-it's-got an-aftertaste!-I-LIKE-IT! (Ken-leaves-for-the-last-time) VANESSA: I-always-felt-there-was-some-kind of-barrier-between-Ken-and-me. -: I-couldn't-overcome-it. Oh #well. -: Are-you-OK-for-the-trial? BARRY: I-believe-Mr.-Montgomery is-about-out-of-ideas. (Flash-forward-in-time-and-Barry #Adam #and-Vanessa-are-back-in-court) MONTGOMERY-- We-would-like-to-call Mr.-Barry-Benson-Bee-to-the-stand. ADAM: Good-idea!-You-can-really-see-why-he's considered-one-of-the-best-lawyers... (Barry-stares-at-Adam) ...Yeah. LAWYER: Layton #you've gotta-weave-some-magic with-this-jury #or-it's-gonna-be-all-over. MONTGOMERY: Don't-worry.-The-only-thing-I-have to-do-to-turn-this-jury-around -: is-to-remind-them of-what-they-don't-like-about-bees. (To-lawyer) --You-got-the-tweezers? LAWYER: --Are-you-allergic? MONTGOMERY: Only-to-losing #son.-Only-to-losing. -: Mr.-Benson-Bee #I'll-ask-you what-I-think-we'd-all-like-to-know. -: What-exactly-is-your-relationship (Points-to-Vanessa) -: to-that-woman? BARRY: We're-friends. MONTGOMERY: --Good-friends? BARRY: --Yes. MONTGOMERY: How-good?-Do-you-live-together? ADAM: Wait-a-minute... -: MONTGOMERY: Are-you-her-little... -: ...bedbug? (Adam's-stinger-starts-vibrating.-He-is-agitated) I've-seen-a-bee-documentary-or-two. From-what-I-understand #: doesn't-your-queen-give-birth to-all-the-bee-children? BARRY: --Yeah #but... MONTGOMERY: (Pointing-at-Janet-and-Martin) --So-those-aren't-your-real-parents! JANET: --Oh #Barry... BARRY: --Yes #they-are! ADAM: Hold-me-back! (Vanessa-tries-to-hold-Adam-back.-He-wants-to-sting-Montgomery) MONTGOMERY: You're-an-illegitimate-bee #aren't-you #Benson? ADAM: He's-denouncing-bees! MONTGOMERY: Don't-y'all-date-your-cousins? (Montgomery-leans-over-on-the-jury-stand-and-stares-at-Adam) VANESSA: --Objection! (Vanessa-raises-her-hand-to-object-but-Adam-gets-free.-He-flies-straight-at Montgomery) =ADAM: --I'm-going-to-pincushion-this-guy! BARRY: Adam #don't!-It's-what-he-wants! (Adam-stings-Montgomery-in-the-butt-and-he-starts-thrashing-around) MONTGOMERY: Oh #I'm-hit!! -: Oh #lordy #I-am-hit! JUDGE-BUMBLETON: (Banging-gavel) Order!-Order! MONTGOMERY: (Overreacting) The-venom!-The-venom is-coursing-through-my-veins! -: I-have-been-felled by-a-winged-beast-of-destruction! -: You-see?-You-can't-treat-them like-equals!-They're-striped-savages! -: Stinging's-the-only-thing they-know!-It's-their-way! BARRY: --Adam #stay-with-me. ADAM: --I-can't-feel-my-legs. MONTGOMERY: (Overreacting-and-throwing-his-body-around-the-room) What-angel-of-mercy will-come-forward-to-suck-the-poison -: from-my-heaving-buttocks? JUDGE-BUMLBETON: I-will-have-order-in-this-court.-Order! -: Order #please! (Flash-forward-in-time-and-we-see-a-human-news-reporter) NEWS-REPORTER: The-case-of-the-honeybees versus-the-human-race -: took-a-pointed-turn-against-the-bees -: yesterday-when-one-of-their-legal team-stung-Layton-T.-Montgomery. (Adam-is-laying-in-a-hospital-bed-and-Barry-flies-in-to-see-him) BARRY: --Hey #buddy. ADAM: --Hey. BARRY: --Is-there-much-pain? ADAM: --Yeah. -: I... -: I-blew-the-whole-case #didn't-I? BARRY: It-doesn't-matter.-What-matters-is you're-alive.-You-could-have-died. ADAM: I'd-be-better-off-dead.-Look-at-me. (A-small-plastic-sword-is-replaced-as-Adam's-stinger) They-got-it-from-the-cafeteria downstairs #in-a-tuna-sandwich. -: Look #there's a-little-celery-still-on-it. (Flicks-off-the-celery-and-sighs) BARRY: What-was-it-like-to-sting-someone? ADAM: I-can't-explain-it.-It-was-all... -: All-adrenaline-and-then... and-then-ecstasy! BARRY: ...All-right. ADAM: You-think-it-was-all-a-trap? BARRY: Of-course.-I'm-sorry. I-flew-us-right-into-this. -: What-were-we-thinking?-Look-at-us.-We're just-a-couple-of-bugs-in-this-world. ADAM: What-will-the-humans-do-to-us if-they-win? BARRY: I-don't-know. ADAM: I-hear-they-put-the-roaches-in-motels. That-doesn't-sound-so-bad. BARRY: Adam #they-check-in #but-they-don't-check-out! ADAM: Oh #my. (Coughs) Could-you-get-a-nurse to-close-that-window? BARRY: --Why? ADAM: --The-smoke. (We-can-see-that-two-humans-are-smoking-cigarettes-outside) -: Bees-don't-smoke. BARRY: Right.-Bees-don't-smoke. -: Bees-don't-smoke! But-some-bees-are-smoking. -: That's-it!-That's-our-case! ADAM: It-is?-It's-not-over? BARRY: Get-dressed.-I've-gotta-go-somewhere. -: Get-back-to-the-court-and-stall. Stall-any-way-you-can. (Flash-forward-in-time-and-Adam-is-making-a-paper-boat-in-the-courtroom) ADAM: And-assuming-you've-done-step-29-correctly #you're-ready-for-the-tub! (We-see-that-the-jury-have-each-made-their-own-paper-boats-after-being taught-how-by-Adam.-They-all-look-confused) JUDGE-BUMBLETON: Mr.-Flayman. ADAM: Yes?-Yes #Your-Honor! JUDGE-BUMBLETON: Where-is-the-rest-of-your-team? ADAM: (Continues-stalling) Well #Your-Honor #it's-interesting. -: Bees-are-trained-to-fly-haphazardly #: and-as-a-result #we-don't-make-very-good-time. -: I-actually-heard-a-funny-story-about... MONTGOMERY: Your-Honor #haven't-these-ridiculous-bugs -: taken-up-enough of-this-court's-valuable-time? -: How-much-longer-will-we-allow these-absurd-shenanigans-to-go-on? -: They-have-presented-no-compelling evidence-to-support-their-charges -: against-my-clients #who-run-legitimate-businesses. -: I-move-for-a-complete-dismissal of-this-entire-case! JUDGE-BUMBLETON: Mr.-Flayman #I'm-afraid-I'm-going -: to-have-to-consider Mr.-Montgomery's-motion. ADAM: But-you-can't!-We-have-a-terrific-case. MONTGOMERY: Where-is-your-proof? Where-is-the-evidence? -: Show-me-the-smoking-gun! BARRY: (Barry-flies-in-through-the-door) Hold-it #Your-Honor! You-want-a-smoking-gun? -: Here-is-your-smoking-gun. (Vanessa-walks-in-holding-a-bee-smoker.-She-sets-it-down-on-the-Judge's podium) JUDGE-BUMBLETON: What-is-that? BARRY: It's-a-bee-smoker! MONTGOMERY: (Picks-up-smoker) What #this? This-harmless-little-contraption? -: This-couldn't-hurt-a-fly #let-alone-a-bee. (Montgomery-accidentally-fires-it-at-the-bees-in-the-crowd-and-they-faint and-cough) (Dozens-of-reporters-start-taking-pictures-of-the-suffering-bees) BARRY: Look-at-what-has-happened -: to-bees-who-have-never-been-asked #'Smoking-or-non?' -: Is-this-what-nature-intended-for-us? -: To-be-forcibly-addicted to-smoke-machines -: and-man-made-wooden-slat-work-camps? -: Living-out-our-lives-as-honey-slaves to-the-white-man? (Barry-points-to-the-honey-industry-owners.-One-of-them-is-an-African American-so-he-awkwardly-separates-himself-from-the-others) LAWYER: --What-are-we-gonna-do? --He's-playing-the-species-card. BARRY: Ladies-and-gentlemen #please #free-these-bees! ADAM-AND-VANESSA: Free-the-bees!-Free-the-bees! BEES-IN-CROWD: Free-the-bees! HUMAN-JURY: Free-the-bees!-Free-the-bees! JUDGE-BUMBLETON: The-court-finds-in-favor-of-the-bees! BARRY: Vanessa #we-won! VANESSA: I-knew-you-could-do-it!-High-five! (Vanessa-hits-Barry-hard-because-her-hand-is-too-big) -: Sorry. BARRY: (Overjoyed) I'm-OK!-You-know-what-this-means? -: All-the-honey will-finally-belong-to-the-bees. -: Now-we-won't-have to-work-so-hard-all-the-time. MONTGOMERY: This-is-an-unholy-perversion of-the-balance-of-nature #Benson. -: You'll-regret-this. (Montgomery-leaves-and-Barry-goes-outside-the-courtroom.-Several-reporters start-asking-Barry-questions) REPORTER-1#: Barry #how-much-honey-is-out-there? BARRY: All-right.-One-at-a-time. REPORTER-2#: Barry #who-are-you-wearing? BARRY: My-sweater-is-Ralph-Lauren #and-I-have-no-pants. (Barry-flies-outside-with-the-paparazzi-and-Adam-and-Vanessa-stay-back) ADAM: (To-Vanessa) --What-if-Montgomery's-right? Vanessa: --What-do-you-mean? ADAM: We've-been-living-the-bee-way a-long-time #27-million-years. (Flash-forward-in-time-and-Barry-is-talking-to-a-man) BUSINESS-MAN: Congratulations-on-your-victory. What-will-you-demand-as-a-settlement? BARRY: First #we'll-demand-a-complete-shutdown of-all-bee-work-camps. (As-Barry-is-talking-we-see-a-montage-of-men-putting-'closed'-tape-over-the work-camps-and-freeing-the-bees-in-the-crappy-apartments) Then-we-want-back-the-honey that-was-ours-to-begin-with #: every-last-drop. (Men-in-suits-are-pushing-all-the-honey-of-the-aisle-and-into-carts) We-demand-an-end-to-the-glorification of-the-bear-as-anything-more (We-see-a-statue-of-a-bear-shaped-honey-container-being-pulled-down-by bees) than-a-filthy #smelly #bad-breath-stink-machine. -: We're-all-aware of-what-they-do-in-the-woods. (We-see-Winnie-the-Pooh-sharing-his-honey-with-Piglet-in-the-cross-hairs-of a-high-tech-sniper-rifle) BARRY: (Looking-through-binoculars) Wait-for-my-signal. -: Take-him-out. (Winnie-gets-hit-by-a-tranquilizer-dart-and-dramatically-falls-off-the-log he-was-standing-on #his-tongue-hanging-out.-Piglet-looks-at-Pooh-in-fear and-the-Sniper-takes-the-honey.) SNIPER: He'll-have-nausea for-a-few-hours #then-he'll-be-fine. (Flash-forward-in-time) BARRY: And-we-will-no-longer-tolerate bee-negative-nicknames... (Mr.-Sting-is-sitting-at-home-until-he-is-taken-out-of-his-house-by-the-men in-suits) STING: But-it's-just-a-prance-about-stage-name! BARRY: ...unnecessary-inclusion-of-honey in-bogus-health-products -: and-la-dee-da-human tea-time-snack-garnishments. (An-old-lady-is-mixing-honey-into-her-tea-but-suddenly-men-in-suits-smash her-face-down-on-the-table-and-take-the-honey) OLD-LADY: Can't-breathe. (A-honey-truck-pulls-up-to-Barry's-hive) WORKER: Bring-it-in #boys! -: Hold-it-right-there!-Good. -: Tap-it. (Tons-of-honey-is-being-pumped-into-the-hive's-storage) BEE-WORKER-1#: (Honey-overflows-from-the-cup) Mr.-Buzzwell #we-just-passed-three-cups #and-there's-gallons-more-coming! -: --I-think-we-need-to-shut-down! =BEE-WORKER-#2= --Shut-down?-We've-never-shut-down. -: Shut-down-honey-production! DEAN-BUZZWELL: Stop-making-honey! (The-bees-all-leave-their-stations.-Two-bees-run-into-a-room-and-they-put the-keys-into-a-machine) Turn-your-key #sir! (Two-worker-bees-dramatically-turn-their-keys #which-opens-the-button-which they-press #shutting-down-the-honey-making-machines.-This-is-the-first-time this-has-ever-happened) BEE: ...What-do-we-do-now? (Flash-forward-in-time-and-a-Bee-is-about-to-jump-into-a-pool-full-of honey) Cannonball! (The-bee-gets-stuck-in-the-honey-and-we-get-a-short-montage-of-Bees-leaving work) (We-see-the-Pollen-Jocks-flying-but-one-of-them-gets-a-call-on-his-antenna) LOU-LU-DUVA: (Through-'phone') We're-shutting-honey-production! -: Mission-abort. POLLEN-JOCK-#1: Aborting-pollination-and-nectar-detail. Returning-to-base. (The-Pollen-Jocks-fly-back-to-the-hive) (We-get-a-time-lapse-of-Central-Park-slowly-wilting-away-as-the-bees-all relax) BARRY: Adam #you-wouldn't-believe how-much-honey-was-out-there. ADAM: Oh #yeah? BARRY: What's-going-on?-Where-is-everybody? (The-entire-street-is-deserted) -: --Are-they-out-celebrating? ADAM: --They're-home. -: They-don't-know-what-to-do. Laying-out #sleeping-in. -: I-heard-your-Uncle-Carl-was-on-his-way to-San-Antonio-with-a-cricket. BARRY: At-least-we-got-our-honey-back. ADAM: Sometimes-I-think #so-what-if-humans liked-our-honey?-Who-wouldn't? -: It's-the-greatest-thing-in-the-world! I-was-excited-to-be-part-of-making-it. -: This-was-my-new-desk.-This-was-my new-job.-I-wanted-to-do-it-really-well. -: And-now... -: Now-I-can't. (Flash-forward-in-time-and-Barry-is-talking-to-Vanessa) BARRY: I-don't-understand why-they're-not-happy. -: I-thought-their-lives-would-be-better! -: They're-doing-nothing.-It's-amazing. Honey-really-changes-people. VANESSA: You-don't-have-any-idea what's-going-on #do-you? BARRY: --What-did-you-want-to-show-me? (Vanessa-takes-Barry-to-the-rooftop-where-they-first-had-coffee-and-points to-her-store) VANESSA: --This. (Points-at-her-flowers.-They-are-all-grey-and-wilting) BARRY: What-happened-here? VANESSA: That-is-not-the-half-of-it. (Small-flash-forward-in-time-and-Vanessa-and-Barry-are-on-the-roof-of-her store-and-she-points-to-Central-Park) (We-see-that-Central-Park-is-no-longer-green-and-colorful #rather-it-is grey #brown #and-dead-like.-It-is-very-depressing-to-look-at) BARRY: Oh #no.-Oh #my. -: They're-all-wilting. VANESSA: Doesn't-look-very-good #does-it? BARRY: No. VANESSA: And-whose-fault-do-you-think-that-is? BARRY: You-know #I'm-gonna-guess-bees. VANESSA== (Staring-at-Barry) Bees? BARRY: Specifically #me. -: I-didn't-think-bees-not-needing-to-make honey-would-affect-all-these-things. VANESSA: It's-not-just-flowers. Fruits #vegetables #they-all-need-bees. BARRY: That's-our-whole-SAT-test-right-there. VANESSA: Take-away-produce #that-affects the-entire-animal-kingdom. -: And-then #of-course... BARRY: The-human-species? -: So-if-there's-no-more-pollination #: it-could-all-just-go-south-here #couldn't-it? VANESSA: I-know-this-is-also-partly-my-fault. BARRY: How-about-a-suicide-pact? VANESSA: How-do-we-do-it? BARRY: --I'll-sting-you #you-step-on-me. VANESSA: --That-just-kills-you-twice. BARRY: Right #right. VANESSA: Listen #Barry... sorry #but-I-gotta-get-going. (Vanessa-leaves) BARRY: (To-himself) I-had-to-open-my-mouth-and-talk. -: Vanessa? -: Vanessa?-Why-are-you-leaving? Where-are-you-going? (Vanessa-is-getting-into-a-taxi) VANESSA: To-the-final-Tournament-of-Roses-parade in-Pasadena. -: They've-moved-it-to-this-weekend because-all-the-flowers-are-dying. -: It's-the-last-chance I'll-ever-have-to-see-it. BARRY: Vanessa #I-just-wanna-say-I'm-sorry. I-never-meant-it-to-turn-out-like-this. VANESSA: I-know.-Me-neither. (The-taxi-starts-to-drive-away) BARRY: Tournament-of-Roses. Roses-can't-do-sports. -: Wait-a-minute.-Roses.-Roses? -: Roses! -: Vanessa! (Barry-flies-after-the-Taxi) VANESSA: Roses?! -: Barry? (Barry-is-flying-outside-the-window-of-the-taxi) BARRY: --Roses-are-flowers! VANESSA: --Yes #they-are. BARRY: Flowers #bees #pollen! VANESSA: I-know. That's-why-this-is-the-last-parade. BARRY: Maybe-not. Could-you-ask-him-to-slow-down? VANESSA: Could-you-slow-down? (The-taxi-driver-screeches-to-a-stop-and-Barry-keeps-flying-forward) -: Barry! (Barry-flies-back-to-the-window) BARRY: OK #I-made-a-huge-mistake. This-is-a-total-disaster #all-my-fault. VANESSA: Yes #it-kind-of-is. BARRY: I've-ruined-the-planet. I-wanted-to-help-you -: with-the-flower-shop. I've-made-it-worse. VANESSA: Actually #it's-completely-closed-down. BARRY: I-thought-maybe-you-were-remodeling. -: But-I-have-another-idea #and-it's greater-than-my-previous-ideas-combined. VANESSA: I-don't-want-to-hear-it! BARRY: All-right #they-have-the-roses #the-roses-have-the-pollen. -: I-know-every-bee #plant and-flower-bud-in-this-park. -: All-we-gotta-do-is-get-what-they've-got back-here-with-what-we've-got. -: --Bees. VANESSA: --Park. BARRY: --Pollen! VANESSA: --Flowers. BARRY: --Re-pollination! VANESSA: --Across-the-nation! -: Tournament-of-Roses #Pasadena #California. -: They've-got-nothing but-flowers #floats-and-cotton-candy. -: Security-will-be-tight. BARRY: I-have-an-idea. (Flash-forward-in-time.-Vanessa-is-about-to-board-a-plane-which-has-all-the Roses-on-board. VANESSA: Vanessa-Bloome #FTD. (Holds-out-badge) -: Official-floral-business.-It's-real. SECURITY-GUARD: Sorry #ma'am.-Nice-brooch. =VANESSA== Thank-you.-It-was-a-gift. (Barry-is-revealed-to-be-hiding-inside-the-brooch) (Flash-back-in-time-and-Barry-and-Vanessa-are-discussing-their-plan) BARRY: Once-inside #we-just-pick-the-right-float. VANESSA: How-about-The-Princess-and-the-Pea? -: I-could-be-the-princess #and-you-could-be-the-pea! BARRY: Yes #I-got-it. -: --Where-should-I-sit? GUARD: --What-are-you? BARRY: --I-believe-I'm-the-pea. GUARD: --The-pea? VANESSA: It-goes-under-the-mattresses. GUARD: --Not-in-this-fairy-tale #sweetheart. --I'm-getting-the-marshal. VANESSA: You-do-that! This-whole-parade-is-a-fiasco! -: Let's-see-what-this-baby'll-do. (Vanessa-drives-the-float-through-traffic) GUARD: Hey #what-are-you-doing?! BARRY== Then-all-we-do is-blend-in-with-traffic... -: ...without-arousing-suspicion. -: Once-at-the-airport #there's-no-stopping-us. (Flash-forward-in-time-and-Barry-and-Vanessa-are-about-to-get-on-a-plane) SECURITY-GUARD: Stop!-Security. -: --You-and-your-insect-pack-your-float? VANESSA: --Yes. SECURITY-GUARD: Has-it-been in-your-possession-the-entire-time? VANESSA: --Yes. SECURITY-GUARD: Would-you-remove-your-shoes? (To-Barry) --Remove-your-stinger. BARRY: --It's-part-of-me. SECURITY-GUARD: I-know.-Just-having-some-fun. Enjoy-your-flight. (Barry-plotting-with-Vanessa) BARRY: Then-if-we're-lucky #we'll-have just-enough-pollen-to-do-the-job. (Flash-forward-in-time-and-Barry-and-Vanessa-are-flying-on-the-plane) Can-you-believe-how-lucky-we-are?-We have-just-enough-pollen-to-do-the-job! VANESSA: I-think-this-is-gonna-work. BARRY: It's-got-to-work. CAPTAIN-SCOTT: (On-intercom) Attention #passengers #this-is-Captain-Scott. -: We-have-a-bit-of-bad-weather in-New-York. -: It-looks-like-we'll-experience a-couple-hours-delay. VANESSA: Barry #these-are-cut-flowers with-no-water.-They'll-never-make-it. BARRY: I-gotta-get-up-there and-talk-to-them. VANESSA== Be-careful. (Barry-flies-right-outside-the-cockpit-door) BARRY: Can-I-get-help with-the-Sky-Mall-magazine? I'd-like-to-order-the-talking inflatable-nose-and-ear-hair-trimmer. (The-flight-attendant-opens-the-door-and-walks-out-and-Barry-flies-into-the cockpit-unseen) BARRY: Captain #I'm-in-a-real-situation. CAPTAIN-SCOTT: --What'd-you-say #Hal? CO-PILOT-HAL: --Nothing. (Scott-notices-Barry-and-freaks-out) CAPTAIN-SCOTT: Bee! BARRY: No #no #no #Don't-freak-out!-My-entire-species... (Captain-Scott-gets-out-of-his-seat-and-tries-to-suck-Barry-into-a-handheld vacuum) HAL: (To-Scott) What-are-you-doing? (Barry-lands-on-Hals-hair-but-Scott-sees-him.-He-tries-to-suck-up-Barry-but instead-he-sucks-up-Hals-toupee) CAPTAIN-SCOTT: Uh-oh. BARRY: --Wait-a-minute!-I'm-an-attorney! HAL: (Hal-doesn't-know-Barry-is-on-his-head) --Who's-an-attorney? CAPTAIN-SCOTT: Don't-move. (Scott-hits-Hal-in-the-face-with-the-vacuum-in-an-attempt-to-hit-Barry.-Hal is-knocked-out-and-he-falls-on-the-life-raft-button-which-launches-an infalatable-boat-into-Scott #who-gets-knocked-out-and-falls-to-the-floor. They-are-both-uncounscious.) BARRY: (To-himself) Oh #Barry. BARRY: (On-intercom #with-a-Southern-accent) Good-afternoon #passengers. This-is-your-captain. -: Would-a-Miss-Vanessa-Bloome-in-24B please-report-to-the-cockpit? (Vanessa-looks-confused) (Normal-accent) ...And-please-hurry! (Vanessa-opens-the-door-and-sees-the-life-raft-and-the-uncounscious-pilots) VANESSA: What-happened-here? BARRY: I-tried-to-talk-to-them #but then-there-was-a-DustBuster #a-toupee #a-life-raft-exploded. -: Now-one's-bald #one's-in-a-boat #and-they're-both-unconscious! VANESSA: ...Is-that-another-bee-joke? BARRY: --No! -: No-one's-flying-the-plane! BUD-DITCHWATER: (Through-radio-on-plane) This-is-JFK-control-tower #Flight-356. What's-your-status? VANESSA: This-is-Vanessa-Bloome. I'm-a-florist-from-New-York. BUD: Where's-the-pilot? VANESSA: He's-unconscious #and-so-is-the-copilot. BUD: Not-good.-Does-anyone-onboard have-flight-experience? BARRY: As-a-matter-of-fact #there-is. BUD: --Who's-that? BARRY: --Barry-Benson. BUD: From-the-honey-trial?!-Oh #great. BARRY: Vanessa #this-is-nothing-more than-a-big-metal-bee. -: It's-got-giant-wings #huge-engines. VANESSA: I-can't-fly-a-plane. BARRY: --Why-not?-Isn't-John-Travolta-a-pilot? VANESSA: --Yes. BARRY: How-hard-could-it-be? (Vanessa-sits-down-and-flies-for-a-little-bit-but-we-see-lightning-clouds outside-the-window) VANESSA: Wait #Barry! We're-headed-into-some-lightning. (An-ominous-lightning-storm-looms-in-front-of-the-plane) (We-are-now-watching-the-Bee-News) BOB-BUMBLE: This-is-Bob-Bumble.-We-have-some late-breaking-news-from-JFK-Airport #: where-a-suspenseful-scene is-developing. -: Barry-Benson #fresh-from-his-legal-victory... ADAM: That's-Barry! BOB-BUMBLE: ...is-attempting-to-land-a-plane #loaded-with-people #flowers -: and-an-incapacitated-flight-crew. JANET #MARTIN #UNCLE-CAR-AND-ADAM: Flowers?! (The-scene-switches-to-the-human-news) REPORTER: (Talking-with-Bob-Bumble) We-have-a-storm-in-the-area and-two-individuals-at-the-controls -: with-absolutely-no-flight-experience. BOB-BUMBLE: Just-a-minute. There's-a-bee-on-that-plane. BUD: I'm-quite-familiar-with-Mr.-Benson and-his-no-account-compadres. -: They've-done-enough-damage. REPORTER: But-isn't-he-your-only-hope? BUD: Technically #a-bee shouldn't-be-able-to-fly-at-all. -: Their-wings-are-too-small... BARRY: (Through-radio) Haven't-we-heard-this-a-million-times? -: 'The-surface-area-of-the-wings and-body-mass-make-no-sense.'... BOB-BUMBLE: --Get-this-on-the-air! BEE: --Got-it. BEE-NEWS-CREW: --Stand-by. BEE-NEWS-CREW: --We're-going-live! BARRY: (Through-radio-on-TV) ...The-way-we-work-may-be-a-mystery-to-you. -: Making-honey-takes-a-lot-of-bees doing-a-lot-of-small-jobs. -: But-let-me-tell-you-about-a-small-job. -: If-you-do-it-well #it-makes-a-big-difference. -: More-than-we-realized. To-us #to-everyone. -: That's-why-I-want-to-get-bees back-to-working-together. -: That's-the-bee-way! We're-not-made-of-Jell-O. -: We-get-behind-a-fellow. -: --Black-and-yellow! BEES: --Hello! (The-scene-switches-and-Barry-is-teaching-Vanessa-how-to-fly) BARRY: Left #right #down #hover. VANESSA: --Hover? BARRY: --Forget-hover. VANESSA: This-isn't-so-hard. (Pretending-to-honk-the-horn) Beep-beep!-Beep-beep! (A-Lightning-bolt-hits-the-plane-and-autopilot-turns-off) Barry #what-happened?! BARRY: Wait #I-think-we-were on-autopilot-the-whole-time. VANESSA: --That-may-have-been-helping-me. BARRY: --And-now-we're-not! VANESSA: So-it-turns-out-I-cannot-fly-a-plane. (The-plane-plummets-but-we-see-Lou-Lu-Duva-and-the-Pollen-Jocks #along-with multiple-other-bees-flying-towards-the-plane) Lou-Lu-DUva: All-of-you #let's-get behind-this-fellow!-Move-it-out! -: Move-out! (The-scene-switches-back-to-Vanessa-and-Barry-in-the-plane) BARRY: Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane! (Barry-sticks-out-his-arms-like-an-airplane-and-flys-in-front-of-Vanessa's face) VANESSA: Don't-have-to-yell. BARRY: I'm-not-yelling! We're-in-a-lot-of-trouble. VANESSA: It's-very-hard-to-concentrate with-that-panicky-tone-in-your-voice! BARRY: It's-not-a-tone.-I'm-panicking! VANESSA: I-can't-do-this! (Barry-slaps-Vanessa) BARRY: Vanessa #pull-yourself-together. You-have-to-snap-out-of-it! VANESSA: (Slaps-Barry) You-snap-out-of-it. BARRY: (Slaps-Vanessa) -: You-snap-out-of-it. VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! (We-see-that-all-the-Pollen-Jocks-are-flying-under-the-plane) VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --Hold-it! BARRY: --Why?-Come-on #it's-my-turn. VANESSA: How-is-the-plane-flying? (The-plane-is-now-safely-flying) VANESSA: I-don't-know. (Barry's-antennae-rings-like-a-phone.-Barry-picks-up) BARRY: Hello? LOU-LU-DUVA: (Through-'phone') Benson #got-any-flowers for-a-happy-occasion-in-there? (All-of-the-Pollen-Jocks-are-carrying-the-plane) BARRY: The-Pollen-Jocks! -: They-do-get-behind-a-fellow. LOU-LU-DUVA: --Black-and-yellow. POLLEN-JOCKS: --Hello. LOU-LU-DUVA: All-right #let's-drop-this-tin-can on-the-blacktop. BARRY: Where?-I-can't-see-anything.-Can-you? VANESSA: No #nothing.-It's-all-cloudy. -: Come-on.-You-got-to-think-bee #Barry. BARRY: --Thinking-bee. --Thinking-bee. (On-the-runway-there-are-millions-of-bees-laying-on-their-backs) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: Wait-a-minute. I-think-I'm-feeling-something. VANESSA: --What? BARRY: --I-don't-know.-It's-strong #pulling-me. -: Like-a-27-million-year-old-instinct. -: Bring-the-nose-down. BEES: Thinking-bee! Thinking-bee!-Thinking-bee! CONTROL-TOWER-OPERATOR: --What-in-the-world-is-on-the-tarmac? BUD: --Get-some-lights-on-that! (It-is-revealed-that-all-the-bees-are-organized-into-a-giant-pulsating flower-formation) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: --Vanessa #aim-for-the-flower. VANESSA: --OK. BARRY: Out-the-engines.-We're-going-in on-bee-power.-Ready #boys? LOU-LU-DUVA: Affirmative! BARRY: Good.-Good.-Easy #now.-That's-it. -: Land-on-that-flower! -: Ready?-Full-reverse! -: Spin-it-around! (The-plane's-nose-is-pointed-at-a-flower-painted-on-a-nearby-plane) --Not-that-flower!-The-other-one! VANESSA: --Which-one? BARRY: --That-flower. (The-plane-is-now-pointed-at-a-fat-guy-in-a-flowered-shirt.-He-freaks-out and-tries-to-take-a-picture-of-the-plane) VANESSA: --I'm-aiming-at-the-flower! BARRY: That's-a-fat-guy-in-a-flowered-shirt. I-mean-the-giant-pulsating-flower made-of-millions-of-bees! (The-plane-hovers-over-the-bee-flower) -: Pull-forward.-Nose-down.-Tail-up. -: Rotate-around-it. VANESSA: --This-is-insane #Barry! BARRY: --This's-the-only-way-I-know-how-to-fly. BUD: Am-I-koo-koo-kachoo #or-is-this-plane flying-in-an-insect-like-pattern? (The-plane-is-unrealistically-hovering-and-spinning-over-the-bee-flower) BARRY: Get-your-nose-in-there.-Don't-be-afraid. Smell-it.-Full-reverse! -: Just-drop-it.-Be-a-part-of-it. -: Aim-for-the-center! -: Now-drop-it-in!-Drop-it-in #woman! -: Come-on #already. (The-bees-scatter-and-the-plane-safely-lands) VANESSA: Barry #we-did-it! You-taught-me-how-to-fly! BARRY: --Yes! (Vanessa-is-about-to-high-five-Barry) No-high-five! VANESSA: --Right. ADAM: Barry #it-worked! Did-you-see-the-giant-flower? BARRY: What-giant-flower?-Where?-Of-course I-saw-the-flower!-That-was-genius! ADAM: --Thank-you. BARRY: --But-we're-not-done-yet. -: Listen #everyone! -: This-runway-is-covered with-the-last-pollen -: from-the-last-flowers available-anywhere-on-Earth. -: That-means-this-is-our-last-chance. -: We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this. -: If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say? -: Are-we-going-to-be-bees #or-just Museum-of-Natural-History-keychains? BEES: We're-bees! BEE-WHO-LIKES-KEYCHAINS: Keychain! BARRY: Then-follow-me!-Except-Keychain. POLLEN-JOCK-#1: Hold-on #Barry.-Here. -: You've-earned-this. BARRY: Yeah! -: I'm-a-Pollen-Jock!-And-it's-a-perfect fit.-All-I-gotta-do-are-the-sleeves. (The-Pollen-Jocks-throw-Barry-a-nectar-collecting-gun.-Barry-catches-it) Oh #yeah. JANET: That's-our-Barry. (Barry-and-the-Pollen-Jocks-get-pollen-from-the-flowers-on-the-plane) (Flash-forward-in-time-and-the-Pollen-Jocks-are-flying-over-NYC) -: (Barry-pollinates-the-flowers-in-Vanessa's-shop-and-then-heads-to-Central Park) BOY-IN-PARK: Mom!-The-bees-are-back! ADAM: (Putting-on-his-Krelman-hat) If-anybody-needs to-make-a-call #now's-the-time. -: I-got-a-feeling-we'll-be working-late-tonight! (The-bee-honey-factories-are-back-up-and-running) (Meanwhile-at-Vanessa's-shop) VANESSA: (To-customer) Here's-your-change.-Have-a-great afternoon!-Can-I-help-who's-next? -: Would-you-like-some-honey-with-that? It-is-bee-approved.-Don't-forget-these. (There-is-a-room-in-the-shop-where-Barry-does-legal-work-for-other-animals. He-is-currently-talking-with-a-Cow) COW: Milk #cream #cheese #it's-all-me. And-I-don't-see-a-nickel! -: Sometimes-I-just-feel like-a-piece-of-meat! BARRY: I-had-no-idea. VANESSA: Barry #I'm-sorry. Have-you-got-a-moment? BARRY: Would-you-excuse-me? My-mosquito-associate-will-help-you. MOOSEBLOOD: Sorry-I'm-late. COW: He's-a-lawyer-too? MOOSEBLOOD: Ma'am #I-was-already-a-blood-sucking-parasite. All-I-needed-was-a-briefcase. VANESSA: Have-a-great-afternoon! -: Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere. BARRY: No-problem #Vannie. Just-leave-it-to-me. VANESSA: You're-a-lifesaver #Barry. Can-I-help-who's-next? BARRY: All-right #scramble #jocks! It's-time-to-fly. VANESSA: Thank-you #Barry! (Ken-walks-by-on-the-sidewalk-and-sees-the-'bee-approved-honey'-in Vanessa's-shop) KEN: That-bee-is-living-my-life!! ANDY: Let-it-go #Kenny. KEN: --When-will-this-nightmare-end?! ANDY: --Let-it-all-go. BARRY: --Beautiful-day-to-fly. POLLEN-JOCK: --Sure-is. BARRY: Between-you-and-me #I-was-dying-to-get-out-of-that-office. (Barry-recreates-the-scene-near-the-beginning-of-the-movie-where-he-flies through-the-box-kite.-The-movie-fades-to-black-and-the-credits-being) [--after-credits;-No-scene-can-be-seen-but-the-characters-can-be-heard talking-over-the-credits--] You-have-got to-start-thinking-bee #my-friend! -: --Thinking-bee! --Me? BARRY: (Talking-over-singer) Hold-it.-Let's-just-stop for-a-second.-Hold-it. -: I'm-sorry.-I'm-sorry #everyone. Can-we-stop-here? SINGER: Oh #BarryBARRY: I'm-not-making-a-major-life-decision during-a-production-number! SINGER: All-right.-Take-ten #everybody. Wrap-it-up #guys. BARRY: I-had-virtually-no-rehearsal-for-that.#scriptscombeemoviebyjerryseinfeldnarratorblackscreenwithtextthesoundofbuzzingbeescanbeheardaccordingtoallknownlawsofaviation #thereisnowayabeeshouldbeabletoflyitswingsaretoosmalltogetitsfatlittlebodyoffthegroundthebee #ofcourse #fliesanywaybecausebeesdontcarewhathumansthinkisimpossiblebarrybensonbarryispickingoutashirtyellow #blackyellow #blackooh -
ok here we go
#Scripts.com Bee-Movie By-Jerry-Seinfeld NARRATOR: (Black-screen-with-text;-The-sound-of-buzzing-bees-can-be-heard) According-to-all-known-laws of-aviation #: there-is-no-way-a-bee should-be-able-to-fly. -: Its-wings-are-too-small-to-get its-fat-little-body-off-the-ground. -: The-bee #of-course #flies-anyway -: because-bees-don't-care what-humans-think-is-impossible. BARRY-BENSON: (Barry-is-picking-out-a-shirt) Yellow #black.-Yellow #black. Yellow #black.-Yellow #black. -: Ooh #black-and-yellow! Let's-shake-it-up-a-little. JANET-BENSON: Barry!-Breakfast-is-ready! BARRY: Coming! -: Hang-on-a-second. (Barry-uses-his-antenna-like-a-phone) -: Hello? ADAM-FLAYMAN: (Through-phone) --Barry? BARRY: --Adam? ADAM: --Can-you-believe-this-is-happening? BARRY: --I-can't.-I'll-pick-you-up. (Barry-flies-down-the-stairs) -: MARTIN-BENSON: Looking-sharp. JANET: Use-the-stairs.-Your-father paid-good-money-for-those. BARRY: Sorry.-I'm-excited. MARTIN: Here's-the-graduate. We're-very-proud-of-you #son. -: A-perfect-report-card #all-B's. JANET: Very-proud. (Rubs-Barry's-hair) BARRY= Ma!-I-got-a-thing-going-here. JANET: --You-got-lint-on-your-fuzz. BARRY: --Ow!-That's-me! JANET: --Wave-to-us!-We'll-be-in-row-118 #000. --Bye! (Barry-flies-out-the-door) JANET: Barry #I-told-you #stop-flying-in-the-house! (Barry-drives-through-the-hive #and-is-waved-at-by-Adam-who-is-reading-a newspaper) BARRY== --Hey #Adam. ADAM: --Hey #Barry. (Adam-gets-in-Barry's-car) -: --Is-that-fuzz-gel? BARRY: --A-little.-Special-day #graduation. ADAM: Never-thought-I'd-make-it. (Barry-pulls-away-from-the-house-and-continues-driving) BARRY: Three-days-grade-school #three-days-high-school... ADAM: Those-were-awkward. BARRY: Three-days-college.-I'm-glad-I-took a-day-and-hitchhiked-around-the-hive. ADAM== You-did-come-back-different. (Barry-and-Adam-pass-by-Artie #who-is-jogging) ARTIE: --Hi #Barry! BARRY: --Artie #growing-a-mustache?-Looks-good. ADAM: --Hear-about-Frankie? BARRY: --Yeah. ADAM== --You-going-to-the-funeral? BARRY: --No #I'm-not-going-to-his-funeral. -: Everybody-knows #sting-someone #you-die. -: Don't-waste-it-on-a-squirrel. Such-a-hothead. ADAM: I-guess-he-could-have just-gotten-out-of-the-way. (The-car-does-a-barrel-roll-on-the-loop-shaped-bridge-and-lands-on-the highway) -: I-love-this-incorporating an-amusement-park-into-our-regular-day. BARRY: I-guess-that's-why-they-say-we-don't-need-vacations. (Barry-parallel-parks-the-car-and-together-they-fly-over-the-graduating students) Boy #quite-a-bit-of-pomp... under-the-circumstances. (Barry-and-Adam-sit-down-and-put-on-their-hats) -: --Well #Adam #today-we-are-men. ADAM: --We-are! BARRY= --Bee-men. =ADAM= --Amen! BARRY-AND-ADAM: Hallelujah! (Barry-and-Adam-both-have-a-happy-spasm) ANNOUNCER: Students #faculty #distinguished-bees #: please-welcome-Dean-Buzzwell. DEAN-BUZZWELL: Welcome #New-Hive-Oity graduating-class-of... -: ...9: -: That-concludes-our-ceremonies. -: And-begins-your-career at-Honex-Industries! ADAM: Will-we-pick-our-job-today? (Adam-and-Barry-get-into-a-tour-bus) BARRY= I-heard-it's-just-orientation. (Tour-buses-rise-out-of-the-ground-and-the-students-are-automatically loaded-into-the-buses) TOUR-GUIDE: Heads-up!-Here-we-go. ANNOUNCER: Keep-your-hands-and-antennas inside-the-tram-at-all-times. BARRY: --Wonder-what-it'll-be-like? ADAM: --A-little-scary. TOUR-GUIDE== Welcome-to-Honex #a-division-of-Honesco -: and-a-part-of-the-Hexagon-Group. Barry: This-is-it! BARRY-AND-ADAM: Wow. BARRY: Wow. (The-bus-drives-down-a-road-an-on-either-side-are-the-Bee's-massive complicated-Honey-making-machines) TOUR-GUIDE: We-know-that-you #as-a-bee #have-worked-your-whole-life -: to-get-to-the-point-where-you can-work-for-your-whole-life. -: Honey-begins-when-our-valiant-Pollen Jocks-bring-the-nectar-to-the-hive. -: Our-top-secret-formula -: is-automatically-color-corrected #scent-adjusted-and-bubble-contoured -: into-this-soothing-sweet-syrup -: with-its-distinctive golden-glow-you-know-as... EVERYONE-ON-BUS: Honey! (The-guide-has-been-collecting-honey-into-a-bottle-and-she-throws-it-into the-crowd-on-the-bus-and-it-is-caught-by-a-girl-in-the-back) ADAM: --That-girl-was-hot. BARRY: --She's-my-cousin! ADAM== --She-is? BARRY: --Yes #we're-all-cousins. ADAM: --Right.-You're-right. TOUR-GUIDE: --At-Honex #we-constantly-strive -: to-improve-every-aspect of-bee-existence. -: These-bees-are-stress-testing a-new-helmet-technology. (The-bus-passes-by-a-Bee-wearing-a-helmet-who-is-being-smashed-into-the ground-with-fly-swatters #newspapers-and-boots.-He-lifts-a-thumbs-up-but you-can-hear-him-groan) -: ADAM== --What-do-you-think-he-makes? BARRY: --Not-enough. TOUR-GUIDE: Here-we-have-our-latest-advancement #the-Krelman. (They-pass-by-a-turning-wheel-with-Bees-standing-on-pegs #who-are-each wearing-a-finger-shaped-hat) Barry: --Wow #What-does-that-do? TOUR-GUIDE: --Catches-that-little-strand-of-honey -: that-hangs-after-you-pour-it. Saves-us-millions. ADAM: (Intrigued) Can-anyone-work-on-the-Krelman? TOUR-GUIDE: Of-course.-Most-bee-jobs-are small-ones. But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot. -: But-choose-carefully -: because-you'll-stay-in-the-job you-pick-for-the-rest-of-your-life. (Everyone-claps-except-for-Barry) BARRY: The-same-job-the-rest-of-your-life? I-didn't-know-that. ADAM: What's-the-difference? TOUR-GUIDE: You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off -: in-27-million-years. BARRY: (Upset) So-you'll-just-work-us-to-death? -: We'll-sure-try. (Everyone-on-the-bus-laughs-except-Barry.-Barry-and-Adam-are-walking-back home-together) ADAM: Wow!-That-blew-my-mind! BARRY: 'What's-the-difference?' How-can-you-say-that? -: One-job-forever? That's-an-insane-choice-to-have-to-make. ADAM: I'm-relieved.-Now-we-only-have to-make-one-decision-in-life. BARRY: But #Adam #how-could-they never-have-told-us-that? ADAM: Why-would-you-question-anything? We're-bees. -: We're-the-most-perfectly functioning-society-on-Earth. BARRY: You-ever-think-maybe-things work-a-little-too-well-here? ADAM: Like-what?-Give-me-one-example. (Barry-and-Adam-stop-walking-and-it-is-revealed-to-the-audience-that hundreds-of-cars-are-speeding-by-and-narrowly-missing-them-in-perfect unison) BARRY: I-don't-know.-But-you-know what-I'm-talking-about. ANNOUNCER: Please-clear-the-gate. Royal-Nectar-Force-on-approach. BARRY: Wait-a-second.-Check-it-out. (The-Pollen-jocks-fly-in #circle-around-and-landing-in-line) -: --Hey #those-are-Pollen-Jocks! ADAM: --Wow. -: I've-never-seen-them-this-close. BARRY: They-know-what-it's-like outside-the-hive. ADAM: Yeah #but-some-don't-come-back. GIRL-BEES: --Hey #Jocks! --Hi #Jocks! (The-Pollen-Jocks-hook-up-their-backpacks-to-machines-that-pump-the-nectar to-trucks #which-drive-away) LOU-LO-DUVA: You-guys-did-great! -: You're-monsters! You're-sky-freaks! I-love-it! (Punching-the-Pollen-Jocks-in-joy) I-love-it! ADAM: --I-wonder-where-they-were. BARRY: --I-don't-know. -: Their-day's-not-planned. -: Outside-the-hive #flying-who-knows where #doing-who-knows-what. -: You-can't-just-decide-to-be-a-Pollen Jock.-You-have-to-be-bred-for-that. ADAM== Right. (Barry-and-Adam-are-covered-in-some-pollen-that-floated-off-of-the-Pollen Jocks) BARRY: Look-at-that.-That's-more-pollen than-you-and-I-will-see-in-a-lifetime. ADAM: It's-just-a-status-symbol. Bees-make-too-much-of-it. BARRY: Perhaps.-Unless-you're-wearing-it and-the-ladies-see-you-wearing-it. (Barry-waves-at-2-girls-standing-a-little-away-from-them) ADAM== Those-ladies? Aren't-they-our-cousins-too? BARRY: Distant.-Distant. POLLEN-JOCK-#1: Look-at-these-two. POLLEN-JOCK-#2: --Couple-of-Hive-Harrys. POLLEN-JOCK-#1: --Let's-have-fun-with-them. GIRL-BEE-#1: It-must-be-dangerous being-a-Pollen-Jock. BARRY: Yeah.-Once-a-bear-pinned-me against-a-mushroom! -: He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me! (Slaps-Adam-with-his-hand-to-represent-his-scenario) GIRL-BEE-#2: --Oh #my! BARRY: --I-never-thought-I'd-knock-him-out. GIRL-BEE-#1: (Looking-at-Adam) What-were-you-doing-during-this? ADAM: Obviously-I-was-trying-to-alert-the-authorities. BARRY: I-can-autograph-that. (The-pollen-jocks-walk-up-to-Barry-and-Adam #they-pretend-that-Barry-and Adam-really-are-pollen-jocks.) POLLEN-JOCK-#1: A-little-gusty-out-there-today #wasn't-it #comrades? BARRY: Yeah.-Gusty. POLLEN-JOCK-#1: We're-hitting-a-sunflower-patch six-miles-from-here-tomorrow. BARRY: --Six-miles #huh? ADAM: --Barry! POLLEN-JOCK-#2: A-puddle-jump-for-us #but-maybe-you're-not-up-for-it. BARRY: --Maybe-I-am. ADAM: --You-are-not! POLLEN-JOCK-#1: We're-going-0900-at-J-Gate. -: What-do-you-think #buzzy-boy? Are-you-bee-enough? BARRY: I-might-be.-It-all-depends on-what-0900-means. (The-scene-cuts-to-Barry-looking-out-on-the-hive-city-from-his-balcony-at night) MARTIN: Hey #Honex! BARRY: Dad #you-surprised-me. MARTIN: You-decide-what-you're-interested-in? BARRY: --Well #there's-a-lot-of-choices. --But-you-only-get-one. -: Do-you-ever-get-bored doing-the-same-job-every-day? MARTIN: Son #let-me-tell-you-about-stirring. -: You-grab-that-stick #and-you-just move-it-around #and-you-stir-it-around. -: You-get-yourself-into-a-rhythm. It's-a-beautiful-thing. BARRY: You-know #Dad #the-more-I-think-about-it #: maybe-the-honey-field just-isn't-right-for-me. MARTIN: You-were-thinking-of-what #making-balloon-animals? -: That's-a-bad-job for-a-guy-with-a-stinger. -: Janet #your-son's-not-sure he-wants-to-go-into-honey! JANET: --Barry #you-are-so-funny-sometimes. BARRY: --I'm-not-trying-to-be-funny. MARTIN: You're-not-funny!-You're-going into-honey.-Our-son #the-stirrer! JANET: --You're-gonna-be-a-stirrer? BARRY: --No-one's-listening-to-me! MARTIN: Wait-till-you-see-the-sticks-I-have. BARRY: I-could-say-anything-right-now. I'm-gonna-get-an-ant-tattoo! (Barry's-parents-don't-listen-to-him-and-continue-to-ramble-on) MARTIN: Let's-open-some-honey-and-celebrate! BARRY: Maybe-I'll-pierce-my-thorax. Shave-my-antennae. -: Shack-up-with-a-grasshopper.-Get a-gold-tooth-and-call-everybody-'dawg'! JANET: I'm-so-proud. (The-scene-cuts-to-Barry-and-Adam-waiting-in-line-to-get-a-job) ADAM: --We're-starting-work-today! BARRY: --Today's-the-day. ADAM: Come-on!-All-the-good-jobs will-be-gone. BARRY: Yeah #right. JOB-LISTER: Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal... BEE-IN-FRONT-OF-LINE: --Is-it-still-available? JOB-LISTER: --Hang-on.-Two-left! -: One-of-them's-yours!-Congratulations! Step-to-the-side. ADAM: --What'd-you-get? BEE-IN-FRONT-OF-LINE: --Picking-crud-out.-Stellar! (He-walks-away) ADAM: Wow! JOB-LISTER: Couple-of-newbies? ADAM: Yes #sir!-Our-first-day!-We-are-ready! JOB-LISTER: Make-your-choice. (Adam-and-Barry-look-up-at-the-job-board.-There-are-hundreds-of-constantly changing-panels-that-contain-available-or-unavailable-jobs.-It-looks-very confusing) ADAM: --You-want-to-go-first? BARRY: --No #you-go. ADAM: Oh #my.-What's-available? JOB-LISTER: Restroom-attendant's-open #not-for-the-reason-you-think. ADAM: --Any-chance-of-getting-the-Krelman? JOB-LISTER: --Sure #you're-on. (Puts-the-Krelman-finger-hat-on-Adam's-head) (Suddenly-the-sign-for-Krelman-closes-out) -: I'm-sorry #the-Krelman-just-closed-out. (Takes-Adam's-hat-off) Wax-monkey's-always-open. ADAM: The-Krelman-opened-up-again. -: What-happened? JOB-LISTER: A-bee-died.-Makes-an-opening.-See? He's-dead.-Another-dead-one. -: Deady.-Deadified.-Two-more-dead. -: Dead-from-the-neck-up. Dead-from-the-neck-down.-That's-life! ADAM: Oh #this-is-so-hard! (Barry-remembers-what-the-Pollen-Jock-offered-him-and-he-flies-off) Heating #cooling #stunt-bee #pourer #stirrer #: humming #inspector-number-seven #lint-coordinator #stripe-supervisor #: mite-wrangler.-Barry #what do-you-think-I-should...-Barry? (Adam-turns-around-and-sees-Barry-flying-away) -: Barry! POLLEN-JOCK: All-right #we've-got-the-sunflower-patch in-quadrant-nine... ADAM: (Through-phone) What-happened-to-you? Where-are-you? BARRY: --I'm-going-out. ADAM: --Out?-Out-where? BARRY: --Out-there. ADAM: --Oh #no! BARRY: I-have-to #before-I-go to-work-for-the-rest-of-my-life. ADAM: You're-gonna-die!-You're-crazy! (Barry-hangs-up) Hello? POLLEN-JOCK-#2: Another-call-coming-in. -: If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd -: that-gets-their-roses-today. BARRY: Hey #guys. POLLEN-JOCK-#1-== --Look-at-that. POLLEN-JOCK-#2: --Isn't-that-the-kid-we-saw-yesterday? LOU-LO-DUVA: Hold-it #son #flight-deck's-restricted. POLLEN-JOCK-#1: It's-OK #Lou.-We're-gonna-take-him-up. (Puts-hand-on-Barry's-shoulder) LOU-LO-DUVA: (To-Barry)-Really?-Feeling-lucky #are-you? BEE-WITH-CLIPBOARD: (To-Barry)-Sign-here #here.-Just-initial-that. -: --Thank-you. LOU-LO-DUVA: --OK. -: You-got-a-rain-advisory-today #: and-as-you-all-know #bees-cannot-fly-in-rain. -: So-be-careful.-As-always #watch-your-brooms #: hockey-sticks #dogs #birds #bears-and-bats. -: Also #I-got-a-couple-of-reports of-root-beer-being-poured-on-us. -: Murphy's-in-a-home-because-of-it #babbling-like-a-cicada! BARRY: --That's-awful. LOU-LO-DUVA: (Still-talking-through-megaphone) --And-a-reminder-for-you-rookies #: bee-law-number-one #absolutely-no-talking-to-humans! -: All-right #launch-positions! POLLEN-JOCKS: (The-Pollen-Jocks-run-into-formation) -: Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz! LOU-LU-DUVA: Black-and-yellow! POLLEN-JOCKS: Hello! POLLEN-JOCK-#1: (To-Barry)You-ready-for-this #hot-shot? BARRY: Yeah.-Yeah #bring-it-on. POLLEN-JOCK's: Wind #check. -: --Antennae #check. --Nectar-pack #check. -: --Wings #check. --Stinger #check. BARRY: Scared-out-of-my-shorts #check. LOU-LO-DUVA: OK #ladies #: let's-move-it-out! -: Pound-those-petunias #you-striped-stem-suckers! -: All-of-you #drain-those-flowers! (The-pollen-jocks-fly-out-of-the-hive) BARRY: Wow!-I'm-out! -: I-can't-believe-I'm-out! -: So-blue. -: I-feel-so-fast-and-free! -: Box-kite! (Barry-flies-through-the-kite) -: Wow! -: Flowers! (A-pollen-jock-puts-on-some-high-tech-goggles-that-shows-flowers-similar-to heat-sink-goggles.) POLLEN-JOCK: This-is-Blue-Leader. We-have-roses-visual. -: Bring-it-around-30-degrees-and-hold. -: Roses! POLLEN-JOCK-#1: 30-degrees #roger.-Bringing-it-around. -: Stand-to-the-side #kid. It's-got-a-bit-of-a-kick. (The-pollen-jock-fires-a-high-tech-gun-at-the-flower #shooting-tubes-that suck-up-the-nectar-from-the-flower-and-collects-it-into-a-pouch-on-the-gun) BARRY: That-is-one-nectar-collector! POLLEN-JOCK-#1== --Ever-see-pollination-up-close? BARRY: --No #sir. POLLEN-JOCK-#1: (Barry-and-the-Pollen-jock-fly-over-the-field #the-pollen-jock-sprinkles pollen-as-he-goes) -: I-pick-up-some-pollen-here #sprinkle-it over-here.-Maybe-a-dash-over-there #: a-pinch-on-that-one. See-that?-It's-a-little-bit-of-magic. BARRY: That's-amazing.-Why-do-we-do-that? POLLEN-JOCK-#1: That's-pollen-power.-More-pollen #more flowers #more-nectar #more-honey-for-us. BARRY: Cool. POLLEN-JOCK-#1: I'm-picking-up-a-lot-of-bright-yellow. could-be-daisies.-Don't-we-need-those? POLLEN-JOCK-#2: Copy-that-visual. -: Wait.-One-of-these-flowers seems-to-be-on-the-move. POLLEN-JOCK-#1: Say-again?-You're-reporting a-moving-flower? POLLEN-JOCK-#2: Affirmative. (The-Pollen-jocks-land-near-the-'flowers'-which #to-the-audience-are obviously-just-tennis-balls) KEN: (In-the-distance)-That-was-on-the-line! POLLEN-JOCK-#1: This-is-the-coolest.-What-is-it? POLLEN-JOCK-#2: I-don't-know #but-I'm-loving-this-color. -: It-smells-good. Not-like-a-flower #but-I-like-it. POLLEN-JOCK-#1: Yeah #fuzzy. (Sticks-his-hand-on-the-ball-but-it-gets-stuck) POLLEN-JOCK-#3== Chemical-y. (The-pollen-jock-finally-gets-his-hand-free-from-the-tennis-ball) POLLEN-JOCK-#1: Careful #guys.-It's-a-little-grabby. (The-pollen-jocks-turn-around-and-see-Barry-lying-his-entire-body-on-top-of one-of-the-tennis-balls) POLLEN-JOCK-#2: My-sweet-lord-of-bees! POLLEN-JOCK-#3: Candy-brain #get-off-there! POLLEN-JOCK-#1: (Pointing-upwards) Problem! (A-human-hand-reaches-down-and-grabs-the-tennis-ball-that-Barry-is-stuck to) BARRY: --Guys! POLLEN-JOCK-#2: --This-could-be-bad. POLLEN-JOCK-#3: Affirmative. (Vanessa-Bloome-starts-bouncing-the-tennis-ball #not-knowing-Barry-is-stick to-it) BARRY== Very-close. -: Gonna-hurt. -: Mama's-little-boy. (Barry-is-being-hit-back-and-forth-by-two-humans-playing-tennis.-He-is still-stuck-to-the-ball) POLLEN-JOCK-#1: You-are-way-out-of-position #rookie! KEN: Coming-in-at-you-like-a-MISSILE! (Barry-flies-past-the-pollen-jocks #still-stuck-to-the-ball) BARRY: (In-slow-motion) Help-me! POLLEN-JOCK-#2: I-don't-think-these-are-flowers. POLLEN-JOCK-#3: --Should-we-tell-him? POLLEN-JOCK-#1: --I-think-he-knows. BARRY: What-is-this?! KEN: Match-point! -: You-can-start-packing-up #honey #because-you're-about-to-EAT-IT! (A-pollen-jock-coughs-which-confused-Ken-and-he-hits-the-ball-the-wrong-way with-Barry-stuck-to-it-and-it-goes-flying-into-the-city) BARRY: Yowser! (Barry-bounces-around-town-and-gets-stuck-in-the-engine-of-a-car.-He-flies into-the-air-conditioner-and-sees-a-bug-that-was-frozen-in-there) BARRY: Ew #gross. (The-man-driving-the-car-turns-on-the-air-conditioner-which-blows-Barry into-the-car) GIRL-IN-CAR: There's-a-bee-in-the-car! -: --Do-something! DAD-DRIVING-CAR: --I'm-driving! BABY-GIRL: (Waving-at-Barry) --Hi #bee. (Barry-smiles-and-waves-at-the-baby-girl) GUY-IN-BACK-OF-CAR: --He's-back-here! -: He's-going-to-sting-me! GIRL-IN-CAR: Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze! (Barry-freezes-as-well #hovering-in-the-middle-of-the-car) -: GRANDMA-IN-CAR== He-blinked! (The-grandma-whips-out-some-bee-spray-and-sprays-everywhere-in-the-car #climbing-into-the-front-seat #still-trying-to-spray-Barry) GIRL-IN-CAR: Spray-him #Granny! DAD-DRIVING-THE-CAR: What-are-you-doing?! (Barry-escapes-the-car-through-the-air-conditioner-and-is-flying-high-above the-ground #safe.) BARRY: Wow...-the-tension-level out-here-is-unbelievable. (Barry-sees-that-storm-clouds-are-gathering-and-he-can-see-rain-clouds moving-into-this-direction) -: I-gotta-get-home. -: Can't-fly-in-rain. -: Can't-fly-in-rain. (A-rain-drop-hits-Barry-and-one-of-his-wings-is-damaged) -: Can't-fly-in-rain. (A-second-rain-drop-hits-Barry-again-and-he-spirals-downwards) Mayday!-Mayday!-Bee-going-down! (WW2-plane-sound-effects-are-played-as-he-plummets #and-he-crash-lands-on-a plant-inside-an-apartment-near-the-window) VANESSA-BLOOME: Ken #could-you-close the-window-please? KEN== Hey #check-out-my-new-resume. I-made-it-into-a-fold-out-brochure. -: You-see? (Folds-brochure-resume-out) Folds-out. (Ken-closes-the-window #trapping-Barry-inside) BARRY: Oh #no.-More-humans.-I-don't-need-this. (Barry-tries-to-fly-away-but-smashes-into-the-window-and-falls-again) -: What-was-that? (Barry-keeps-trying-to-fly-out-the-window-but-he-keeps-being-knocked-back because-the-window-is-closed) Maybe-this-time.-This-time.-This-time. This-time!-This-time!-This... -: Drapes! (Barry-taps-the-glass.-He-doesn't-understand-what-it-is) That-is-diabolical. KEN: It's-fantastic.-It's-got-all-my-special skills #even-my-top-ten-favorite-movies. ANDY: What's-number-one?-Star-Wars? KEN: Nah #I-don't-go-for-that... (Ken-makes-finger-guns-and-makes-'pew-pew-pew'-sounds-and-then-stops) -: ...kind-of-stuff. BARRY: No-wonder-we-shouldn't-talk-to-them. They're-out-of-their-minds. KEN: When-I-leave-a-job-interview #they're flabbergasted #can't-believe-what-I-say. BARRY: (Looking-at-the-light-on-the-ceiling) There's-the-sun.-Maybe-that's-a-way-out. (Starts-flying-towards-the-lightbulb) -: I-don't-remember-the-sun having-a-big-75-on-it. (Barry-hits-the-lightbulb-and-falls-into-the-dip-on-the-table-that-the humans-are-sitting-at) KEN: I-predicted-global-warming. -: I-could-feel-it-getting-hotter. At-first-I-thought-it-was-just-me. (Andy-dips-a-chip-into-the-bowl-and-scoops-up-some-dip-with-Barry-on-it-and is-about-to-put-it-in-his-mouth) -: Wait!-Stop!-Bee! (Andy-drops-the-chip-with-Barry-in-fear-and-backs-away.-All-the-humans freak-out) -: Stand-back.-These-are-winter-boots. (Ken-has-winter-boots-on-his-hands-and-he-is-about-to-smash-the-bee-but Vanessa-saves-him-last-second) VANESSA: Wait! -: Don't-kill-him! (Vanessa-puts-Barry-in-a-glass-to-protect-him) KEN: You-know-I'm-allergic-to-them! This-thing-could-kill-me! VANESSA: Why-does-his-life-have less-value-than-yours? KEN: Why-does-his-life-have-any-less-value than-mine?-Is-that-your-statement? VANESSA: I'm-just-saying-all-life-has-value.-You don't-know-what-he's-capable-of-feeling. (Vanessa-picks-up-Ken's-brochure-and-puts-it-under-the-glass-so-she-can carry-Barry-back-to-the-window.-Barry-looks-at-Vanessa-in-amazement) KEN: My-brochure! VANESSA: There-you-go #little-guy. (Vanessa-opens-the-window-and-lets-Barry-out-but-Barry-stays-back-and-is still-shocked-that-a-human-saved-his-life) KEN: I'm-not-scared-of-him. It's-an-allergic-thing. VANESSA: Put-that-on-your-resume-brochure. KEN: My-whole-face-could-puff-up. ANDY: Make-it-one-of-your-special-skills. KEN: Knocking-someone-out is-also-a-special-skill. (Ken-walks-to-the-door) Right.-Bye #Vanessa.-Thanks. -: --Vanessa #next-week?-Yogurt-night? VANESSA: --Sure #Ken.-You-know #whatever. -: (Vanessa-tries-to-close-door) KEN== --You-could-put-carob-chips-on-there. VANESSA: --Bye. (Closes-door-but-Ken-opens-it-again) KEN: --Supposed-to-be-less-calories. VANESSA: --Bye. (Closes-door) (Fast-forward-to-the-next-day #Barry-is-still-inside-the-house.-He-flies into-the-kitchen-where-Vanessa-is-doing-dishes) BARRY== (Talking-to-himself) I-gotta-say-something. -: She-saved-my-life. I-gotta-say-something. -: All-right #here-it-goes. (Turns-back) Nah. -: What-would-I-say? -: I-could-really-get-in-trouble. -: It's-a-bee-law. You're-not-supposed-to-talk-to-a-human. -: I-can't-believe-I'm-doing-this. -: I've-got-to. (Barry-disguises-himself-as-a-character-on-a-food-can-as-Vanessa-walks-by again) -: Oh #I-can't-do-it.-Come-on! -: No.-Yes.-No. -: Do-it.-I-can't. -: How-should-I-start-it? (Barry-strikes-a-pose-and-wiggles-his-eyebrows) 'You-like-jazz?' No #that's-no-good. (Vanessa-is-about-to-walk-past-Barry) Here-she-comes!-Speak #you-fool! -: ...Hi! (Vanessa-gasps-and-drops-the-dishes-in-fright-and-notices-Barry-on-the counter) -: I'm-sorry. VANESSA: --You're-talking. BARRY: --Yes #I-know. VANESSA: (Pointing-at-Barry) You're-talking! BARRY: I'm-so-sorry. VANESSA: No #it's-OK.-It's-fine. I-know-I'm-dreaming. -: But-I-don't-recall-going-to-bed. BARRY: Well #I'm-sure-this is-very-disconcerting. VANESSA: This-is-a-bit-of-a-surprise-to-me. I-mean #you're-a-bee! BARRY: I-am.-And-I'm-not-supposed to-be-doing-this #(Pointing-to-the-living-room-where-Ken-tried-to-kill-him-last-night) but-they-were-all-trying-to-kill-me. -: And-if-it-wasn't-for-you... -: I-had-to-thank-you. It's-just-how-I-was-raised. (Vanessa-stabs-her-hand-with-a-fork-to-test-whether-she's-dreaming-or-not) -: That-was-a-little-weird. VANESSA: --I'm-talking-with-a-bee. BARRY: --Yeah. VANESSA: I'm-talking-to-a-bee. And-the-bee-is-talking-to-me! BARRY: I-just-want-to-say-I'm-grateful. I'll-leave-now. (Barry-turns-to-leave) VANESSA: --Wait!-How-did-you-learn-to-do-that? BARRY: (Flying-back) --What? VANESSA: The-talking...thing. BARRY: Same-way-you-did #I-guess. 'Mama #Dada #honey.'-You-pick-it-up. VANESSA: --That's-very-funny. BARRY: --Yeah. -: Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with. -: Anyway... VANESSA: Can-I... -: ...get-you-something? BARRY: --Like-what? VANESSA: I-don't-know.-I-mean... I-don't-know.-Coffee? BARRY: I-don't-want-to-put-you-out. VANESSA: It's-no-trouble.-It-takes-two-minutes. -: --It's-just-coffee. BARRY: --I-hate-to-impose. (Vanessa-starts-making-coffee) VANESSA: --Don't-be-ridiculous! BARRY: --Actually #I-would-love-a-cup. VANESSA: Hey #you-want-rum-cake? BARRY: --I-shouldn't. VANESSA: --Have-some. BARRY: --No #I-can't. VANESSA: --Come-on! BARRY: I'm-trying-to-lose-a-couple-micrograms. VANESSA: --Where? BARRY: --These-stripes-don't-help. VANESSA: You-look-great! BARRY: I-don't-know-if-you-know anything-about-fashion. -: Are-you-all-right? VANESSA: (Pouring-coffee-on-the-floor-and-missing-the-cup-completely) No. (Flash-forward-in-time.-Barry-and-Vanessa-are-sitting-together-at-a-table on-top-of-the-apartment-building-drinking-coffee) -: BARRY== He's-making-the-tie-in-the-cab as-they're-flying-up-Madison. -: He-finally-gets-there. -: He-runs-up-the-steps-into-the-church. The-wedding-is-on. -: And-he-says #'Watermelon? I-thought-you-said-Guatemalan. -: Why-would-I-marry-a-watermelon?' (Barry-laughs-but-Vanessa-looks-confused) VANESSA: Is-that-a-bee-joke? BARRY: That's-the-kind-of-stuff-we-do. VANESSA: Yeah #different. -: So #what-are-you-gonna-do #Barry? (Barry-stands-on-top-of-a-sugar-cube-floating-in-his-coffee-and-paddles-it around-with-a-straw-like-it's-a-gondola) BARRY: About-work?-I-don't-know. -: I-want-to-do-my-part-for-the-hive #but-I-can't-do-it-the-way-they-want. VANESSA: I-know-how-you-feel. BARRY: --You-do? VANESSA: --Sure. -: My-parents-wanted-me-to-be-a-lawyer-or a-doctor #but-I-wanted-to-be-a-florist. BARRY: --Really? VANESSA: --My-only-interest-is-flowers. BARRY: Our-new-queen-was-just-elected with-that-same-campaign-slogan. -: Anyway #if-you-look... (Barry-points-to-a-tree-in-the-middle-of-Central-Park) -: There's-my-hive-right-there.-See-it? VANESSA: You're-in-Sheep-Meadow! BARRY: Yes!-I'm-right-off-the-Turtle-Pond! VANESSA: No-way!-I-know-that-area. I-lost-a-toe-ring-there-once. BARRY: --Why-do-girls-put-rings-on-their-toes? VANESSA: --Why-not? BARRY: --It's-like-putting-a-hat-on-your-knee. VANESSA: --Maybe-I'll-try-that. (A-custodian-installing-a-lightbulb-looks-over-at-them-but-to-his perspective-it-looks-like-Vanessa-is-talking-to-a-cup-of-coffee-on-the table) CUSTODIAN: --You-all-right #ma'am? VANESSA: --Oh #yeah.-Fine. -: Just-having-two-cups-of-coffee! BARRY: Anyway #this-has-been-great. Thanks-for-the-coffee. VANESSA== Yeah #it's-no-trouble. BARRY: Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life. (Barry-points-towards-the-rum-cake) -: Can-I-take-a-piece-of-this-with-me? VANESSA: Sure!-Here #have-a-crumb. (Vanessa-hands-Barry-a-crumb-but-it-is-still-pretty-big-for-Barry) BARRY: --Thanks! VANESSA: --Yeah. BARRY: All-right.-Well #then... I-guess-I'll-see-you-around. -: Or-not. VANESSA: OK #Barry... BARRY: And-thank-you so-much-again...-for-before. VANESSA: Oh #that?-That-was-nothing. BARRY: Well #not-nothing #but...-Anyway... (Vanessa-and-Barry-hold-hands #but-Vanessa-has-to-hold-out-a-finger-because her-hands-is-to-big-and-Barry-holds-that) (The-custodian-looks-over-again-and-it-appears-Vanessa-is-laughing-at-her coffee-again.-The-lightbulb-that-he-was-screwing-in-sparks-and-he-falls-off the-ladder) (Fast-forward-in-time-and-we-see-two-Bee-Scientists-testing-out-a-parachute in-a-Honex-wind-tunnel) BEE-SCIENTIST-#1: This-can't-possibly-work. BEE-SCIENTIST-#2: He's-all-set-to-go. We-may-as-well-try-it. -: OK #Dave #pull-the-chute. (Dave-pulls-the-chute-and-the-wind-slams-him-against-the-wall-and-he-falls on-his-face.The-camera-pans-over-and-we-see-Barry-and-Adam-walking together) ADAM: --Sounds-amazing. BARRY: --It-was-amazing! -: It-was-the-scariest #happiest-moment-of-my-life. ADAM: Humans!-I-can't-believe you-were-with-humans! -: Giant #scary-humans! What-were-they-like? BARRY: Huge-and-crazy.-They-talk-crazy. -: They-eat-crazy-giant-things. They-drive-crazy. ADAM: --Do-they-try-and-kill-you #like-on-TV? BARRY: --Some-of-them.-But-some-of-them-don't. ADAM: --How'd-you-get-back? BARRY: --Poodle. ADAM: You-did-it #and-I'm-glad.-You-saw whatever-you-wanted-to-see. -: You-had-your-'experience.'-Now-you can-pick-out-your-job-and-be-normal. BARRY: --Well... ADAM: --Well? BARRY: Well #I-met-someone. ADAM: You-did?-Was-she-Bee-ish? -: --A-wasp?!-Your-parents-will-kill-you! BARRY: --No #no #no #not-a-wasp. ADAM: --Spider? BARRY: --I'm-not-attracted-to-spiders. -: I-know #for-everyone-else #it's-the-hottest-thing #with-the-eight-legs-and-all. -: I-can't-get-by-that-face. ADAM: So-who-is-she? BARRY: She's...-human. ADAM: No #no.-That's-a-bee-law. You-wouldn't-break-a-bee-law. BARRY: --Her-name's-Vanessa. (Adam-puts-his-head-in-his-hands) ADAM: --Oh #boy. BARRY== She's-so-nice.-And-she's-a-florist! ADAM: Oh #no!-You're-dating-a-human-florist! BARRY: We're-not-dating. ADAM: You're-flying-outside-the-hive #talking to-humans-that-attack-our-homes -: with-power-washers-and-M-80s! That's-one-eighth-a-stick-of-dynamite! BARRY: She-saved-my-life! And-she-understands-me. ADAM: This-is-over! BARRY: Eat-this. (Barry-gives-Adam-a-piece-of-the-crumb-that-he-got-from-Vanessa.-Adam-eats it) ADAM: (Adam's-tone-changes) This-is-not-over!-What-was-that? BARRY: --They-call-it-a-crumb. ADAM: --It-was-so-stingin'-stripey! BARRY: And-that's-not-what-they-eat. That's-what-falls-off-what-they-eat! -: --You-know-what-a-Cinnabon-is? ADAM: --No. (Adam-opens-a-door-behind-him-and-he-pulls-Barry-in) BARRY: It's-bread-and-cinnamon-and-frosting. ADAM: Be-quiet! BARRY: They-heat-it-up... ADAM: Sit-down! (Adam-forces-Barry-to-sit-down) BARRY: (Still-rambling-about-Cinnabons) ...really-hot! (Adam-grabs-Barry-by-the-shoulders) ADAM: --Listen-to-me! -: We-are-not-them!-We're-us. There's-us-and-there's-them! BARRY== Yes #but-who-can-deny the-heart-that-is-yearning? ADAM: There's-no-yearning. Stop-yearning.-Listen-to-me! -: You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee! BARRY: --Thinking-bee. WORKER-BEE: --Thinking-bee. WORKER-BEES-AND-ADAM: Thinking-bee!-Thinking-bee! Thinking-bee!-Thinking-bee! (Flash-forward-in-time;-Barry-is-laying-on-a-raft-in-a-pool-full-of-honey. He-is-wearing-sunglasses) JANET: There-he-is.-He's-in-the-pool. MARTIN: You-know-what-your-problem-is #Barry? (Barry-pulls-down-his-sunglasses-and-he-looks-annoyed) BARRY: (Sarcastic) I-gotta-start-thinking-bee? JANET: How-much-longer-will-this-go-on? MARTIN: It's-been-three-days! Why-aren't-you-working? (Puts-sunglasses-back-on) BARRY: I've-got-a-lot-of-big-life-decisions to-think-about. MARTIN: What-life?-You-have-no-life! You-have-no-job.-You're-barely-a-bee! JANET: Would-it-kill-you to-make-a-little-honey? (Barry-rolls-off-the-raft-and-sinks-into-the-honey-pool) -: Barry #come-out. Your-father's-talking-to-you. -: Martin #would-you-talk-to-him? MARTIN: Barry #I'm-talking-to-you! (Barry-keeps-sinking-into-the-honey-until-he-is-suddenly-in-Central-Park having-a-picnic-with-Vanessa) (Barry-has-a-cup-of-honey-and-he-clinks-his-glass-with-Vanessas.-Suddenly-a mosquito-lands-on-Vanessa-and-she-slaps-it #killing-it.-They-both-gasp-but then-burst-out-laughing) VANESSA: You-coming? (The-camera-pans-over-and-Vanessa-is-climbing-into-a-small-yellow-airplane) BARRY: Got-everything? VANESSA: All-set! BARRY: Go-ahead.-I'll-catch-up. (Vanessa-lifts-off-and-flies-ahead) VANESSA: Don't-be-too-long. (Barry-catches-up-with-Vanessa-and-he-sticks-out-his-arms-like-ana-irplane. He-rolls-from-side-to-side #and-Vanessa-copies-him-with-the-airplane) VANESSA: Watch-this! (Barry-stays-back-and-watches-as-Vanessa-draws-a-heart-in-the-air-using pink-smoke-from-the-plane #but-on-the-last-loop-the-loop-she-suddenly crashes-into-a-mountain-and-the-plane-explodes.-The-destroyed-plane-falls into-some-rocks-and-explodes-a-second-time) BARRY: Vanessa! (As-Barry-is-yelling-his-mouth-fills-with-honey-and-he-wakes-up #discovering-that-he-was-just-day-dreaming.-He-slowly-sinks-back-into-the honey-pool) MARTIN: --We're-still-here. JANET: --I-told-you-not-to-yell-at-him. -: He-doesn't-respond-to-yelling! MARTIN: --Then-why-yell-at-me? JANET: --Because-you-don't-listen! MARTIN: I'm-not-listening-to-this. BARRY: Sorry #I've-gotta-go. MARTIN: --Where-are-you-going? BARRY: --I'm-meeting-a-friend. JANET: A-girl?-Is-this-why-you-can't-decide? BARRY: Bye. (Barry-flies-out-the-door-and-Martin-shakes-his-head) -: JANET== I-just-hope-she's-Bee-ish. (Fast-forward-in-time-and-Barry-is-sitting-on-Vanessa's-shoulder-and-she-is closing-up-her-shop) BARRY: They-have-a-huge-parade of-flowers-every-year-in-Pasadena? VANESSA: To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream! -: Up-on-a-float #surrounded by-flowers #crowds-cheering. BARRY: A-tournament.-Do-the-roses compete-in-athletic-events? VANESSA: No.-All-right #I've-got-one. How-come-you-don't-fly-everywhere? BARRY: It's-exhausting.-Why-don't-you run-everywhere?-It's-faster. VANESSA: Yeah #OK #I-see #I-see. All-right #your-turn. BARRY: TiVo.-You-can-just-freeze-live-TV? That's-insane! VANESSA: You-don't-have-that? BARRY: We-have-Hivo #but-it's-a-disease. It's-a-horrible #horrible-disease. VANESSA: Oh #my. (A-human-walks-by-and-Barry-narrowly-avoids-him) PASSERBY: Dumb-bees! VANESSA: You-must-want-to-sting-all-those-jerks. BARRY: We-try-not-to-sting. It's-usually-fatal-for-us. VANESSA: So-you-have-to-watch-your-temper (They-walk-into-a-store) BARRY: Very-carefully. You-kick-a-wall #take-a-walk #: write-an-angry-letter-and-throw-it-out. Work-through-it-like-any-emotion: -: Anger #jealousy #lust. (Suddenly-an-employee(Hector)-hits-Barry-off-of-Vanessa's-shoulder.-Hector thinks-he's-saving-Vanessa) VANESSA: (To-Barry) Oh #my-goodness!-Are-you-OK? (Barry-is-getting-up-off-the-floor) BARRY: Yeah. VANESSA: (To-Hector) --What-is-wrong-with-you?! HECTOR: (Confused) --It's-a-bug. VANESSA: He's-not-bothering-anybody. Get-out-of-here #you-creep! (Vanessa-hits-Hector-across-the-face-with-the-magazine-he-had-and-then-hits him-in-the-head.-Hector-backs-away-covering-his-head) Barry: What-was-that?-A-Pic-'N'-Save-circular? (Vanessa-sets-Barry-back-on-her-shoulder) VANESSA: Yeah #it-was.-How-did-you-know? BARRY: It-felt-like-about-10-pages. Seventy-five-is-pretty-much-our-limit. VANESSA: You've-really-got-that down-to-a-science. BARRY: --Oh #we-have-to.-I-lost-a-cousin-to-Italian-Vogue. VANESSA: --I'll-bet. (Barry-looks-to-his-right-and-notices-there-is-honey-for-sale-in-the-aisle) BARRY: What-in-the-name of-Mighty-Hercules-is-this? (Barry-looks-at-all-the-brands-of-honey #shocked) How-did-this-get-here? Cute-Bee #Golden-Blossom #: Ray-Liotta-Private-Select? (Barry-puts-his-hands-up-and-slowly-turns-around #a-look-of-disgust-on-his face) VANESSA: --Is-he-that-actor? BARRY: --I-never-heard-of-him. -: --Why-is-this-here? VANESSA: --For-people.-We-eat-it. BARRY: You-don't-have enough-food-of-your-own?! (Hector-looks-back-and-notices-that-Vanessa-is-talking-to-Barry) VANESSA: --Well #yes. BARRY: --How-do-you-get-it? VANESSA: --Bees-make-it. BARRY: --I-know-who-makes-it! -: And-it's-hard-to-make-it! -: There's-heating #cooling #stirring. You-need-a-whole-Krelman-thing! VANESSA: --It's-organic. BARRY: --It's-our-ganic! VANESSA: It's-just-honey #Barry. BARRY: Just-what?! -: Bees-don't-know-about-this! This-is-stealing!-A-lot-of-stealing! -: You've-taken-our-homes #schools #hospitals!-This-is-all-we-have! -: And-it's-on-sale?! I'm-getting-to-the-bottom-of-this. -: I'm-getting-to-the-bottom of-all-of-this! (Flash-forward-in-time;-Barry-paints-his-face-with-black-strikes-like-a soldier-and-sneaks-into-the-storage-section-of-the-store) (Two-men #including-Hector #are-loading-boxes-into-some-trucks) -: SUPERMARKET-EMPLOYEE== Hey #Hector. -: --You-almost-done? HECTOR: --Almost. (Barry-takes-a-step-to-peak-around-the-corner) (Whispering) He-is-here.-I-sense-it. -: Well #I-guess-I'll-go-home-now (Hector-pretends-to-walk-away-by-walking-in-place-and-speaking-loudly) -: and-just-leave-this-nice-honey-out #with-no-one-around. BARRY: You're-busted #box-boy! HECTOR: I-knew-I-heard-something! So-you-can-talk! BARRY: I-can-talk. And-now-you'll-start-talking! -: Where-you-getting-the-sweet-stuff? Who's-your-supplier? HECTOR: I-don't-understand. I-thought-we-were-friends. -: The-last-thing-we-want to-do-is-upset-bees! (Hector-takes-a-thumbtack-out-of-the-board-behind-him-and-sword-fights Barry.-Barry-is-using-his-stinger-like-a-sword) -: You're-too-late!-It's-ours-now! BARRY: You #sir #have-crossed the-wrong-sword! HECTOR: You #sir #will-be-lunch for-my-iguana #Ignacio! (Barry-hits-the-thumbtack-out-of-Hectors-hand-and-Hector-surrenders) Barry: Where-is-the-honey-coming-from? -: Tell-me-where! HECTOR: (Pointing-to-leaving-truck) Honey-Farms!-It-comes-from-Honey-Farms! (Barry-chases-after-the-truck-but-it-is-getting-away.-He-flies-onto-a bicyclists'-backpack-and-he-catches-up-to-the-truck) CAR-DRIVER: (To-bicyclist) Crazy-person! (Barry-flies-off-and-lands-on-the-windshield-of-the-Honey-farms-truck. Barry-looks-around-and-sees-dead-bugs-splattered-everywhere) BARRY: What-horrible-thing-has-happened-here? -: These-faces #they-never-knew what-hit-them.-And-now -: they're-on-the-road-to-nowhere! (Barry-hears-a-sudden-whisper) (Barry-looks-up-and-sees-Mooseblood #a-mosquito-playing-dead) MOOSEBLOOD: Just-keep-still. BARRY: What?-You're-not-dead? MOOSEBLOOD: Do-I-look-dead?-They-will-wipe-anything that-moves.-Where-you-headed? BARRY: To-Honey-Farms. I-am-onto-something-huge-here. MOOSEBLOOD: I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off! ANOTHER-BUG-PLAYING-DEAD: I'm-going-to-Tacoma. (Barry-looks-at-another-bug) BARRY: --And-you? MOOSEBLOOD: --He-really-is-dead. BARRY: All-right. (Another-bug-hits-the-windshield-and-the-drivers-notice.-They-activate-the windshield-wipers) MOOSEBLOOD== Uh-oh! (The-windshield-wipers-are-slowly-sliding-over-the-dead-bugs-and-wiping them-off) BARRY: --What-is-that?! MOOSEBLOOD: --Oh #no! -: --A-wiper!-Triple-blade! BARRY: --Triple-blade? MOOSEBLOOD: Jump-on!-It's-your-only-chance #bee! (Mooseblood-and-Barry-grab-onto-the-wiper-and-they-hold-on-as-it-wipes-the windshield) Why-does-everything-have to-be-so-doggone-clean?! -: How-much-do-you-people-need-to-see?! (Bangs-on-windshield) -: Open-your-eyes! Stick-your-head-out-the-window! RADIO-IN-TRUCK: From-NPR-News-in-Washington #I'm-Carl-Kasell. MOOSEBLOOD: But-don't-kill-no-more-bugs! (Mooseblood-and-Barry-are-washed-off-by-the-wipr-fluid) MOOSEBLOOD: --Bee! BARRY: --Moose-blood-guy!! (Barry-starts-screaming-as-he-hangs-onto-the-antenna) (Suddenly-it-is-revealed-that-a-water-bug-is-also-hanging-on-the-antenna. There-is-a-pause-and-then-Barry-and-the-water-bug-both-start-screaming) TRUCK-DRIVER: --You-hear-something? GUY-IN-TRUCK: --Like-what? TRUCK-DRIVER: Like-tiny-screaming. GUY-IN-TRUCK: Turn-off-the-radio. (The-antenna-starts-to-lower-until-it-gets-to-low-and-sinks-into-the-truck. The-water-bug-flies-off-and-Barry-is-forced-to-let-go-and-he-is-blown-away. He-luckily-lands-inside-a-horn-on-top-of-the-truck-where-he-finds Mooseblood #who-was-blown-into-the-same-place) MOOSEBLOOD: Whassup #bee-boy? BARRY: Hey #Blood. (Fast-forward-in-time-and-we-see-that-Barry-is-deep-in-conversation-with Mooseblood.-They-have-been-sitting-in-this-truck-for-a-while) BARRY: ...Just-a-row-of-honey-jars #as-far-as-the-eye-could-see. MOOSEBLOOD: Wow! BARRY: I-assume-wherever-this-truck-goes is-where-they're-getting-it. -: I-mean #that-honey's-ours. MOOSEBLOOD: --Bees-hang-tight. BARRY: --We're-all-jammed-in. -: It's-a-close-community. MOOSEBLOOD: Not-us #man.-We-on-our-own. Every-mosquito-on-his-own. BARRY: --What-if-you-get-in-trouble? MOOSEBLOOD: --You-a-mosquito #you-in-trouble. -: Nobody-likes-us.-They-just-smack. See-a-mosquito #smack #smack! BARRY: At-least-you're-out-in-the-world. You-must-meet-girls. MOOSEBLOOD: Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly. -: Mosquito-girl-don't-want-no-mosquito. (An-ambulance-passes-by-and-it-has-a-blood-donation-sign-on-it) You-got-to-be-kidding-me! -: Mooseblood's-about-to-leave the-building!-So-long #bee! (Mooseblood-leaves-and-flies-onto-the-window-of-the-ambulance-where-there are-other-mosquito's-hanging-out) -: --Hey #guys! OTHER-MOSQUITO: --Mooseblood! MOOSEBLOOD: I-knew-I'd-catch-y'all-down-here. Did-you-bring-your-crazy-straw? (The-truck-goes-out-of-view-and-Barry-notices-that-the-truck-he's-on-is pulling-into-a-camp-of-some-sort) TRUCK-DRIVER: We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit. (Barry-flies-out) BARRY: What-is-this-place? BEEKEEPER-1#: A-bee's-got-a-brain the-size-of-a-pinhead. BEEKEEPER-#2: They-are-pinheads! -: Pinhead. -: --Check-out-the-new-smoker. BEEKEEPER-#1: --Oh #sweet.-That's-the-one-you-want. -: The-Thomas-3000! BARRY: Smoker? BEEKEEPER-#1: Ninety-puffs-a-minute #semi-automatic. Twice-the-nicotine #all-the-tar. -: A-couple-breaths-of-this knocks-them-right-out. BEEKEEPER-#2: They-make-the-honey #and-we-make-the-money. BARRY: 'They-make-the-honey #and-we-make-the-money'? (The-Beekeeper-sprays-hundreds-of-cheap-miniature-apartments-with-the smoker.-The-bees-are-fainting-or-passing-out) Oh #my! -: What's-going-on?-Are-you-OK? (Barry-flies-into-one-of-the-apartment-and-helps-a-Bee-couple-get-off-the ground.-They-are-coughing-and-its-hard-for-them-to-stand) BEE-IN-APARTMENT: Yeah.-It-doesn't-last-too-long. BARRY: Do-you-know-you're in-a-fake-hive-with-fake-walls? BEE-IN-APPARTMENT: Our-queen-was-moved-here. We-had-no-choice. (The-apartment-room-is-completely-empty-except-for-a-photo-on-the-wall-of the-'queen'-who-is-obviously-a-man-in-women's-clothes) BARRY: This-is-your-queen? That's-a-man-in-women's-clothes! -: That's-a-drag-queen! -: What-is-this? (Barry-flies-out-and-he-discovers-that-there-are-hundreds-of-these structures #each-housing-thousands-of-Bees) Oh #no! -: There's-hundreds-of-them! (Barry-takes-out-his-camera-and-takes-pictures-of-these-Bee-work-camps.-The beekeepers-look-very-evil-in-these-depictions) Bee-honey. -: Our-honey-is-being-brazenly-stolen on-a-massive-scale! -: This-is-worse-than-anything-bears have-done!-I-intend-to-do-something. (Flash-forward-in-time-and-Barry-is-showing-these-pictures-to-his-parents) JANET: Oh #Barry #stop. MARTIN: Who-told-you-humans-are-taking our-honey?-That's-a-rumor. BARRY: Do-these-look-like-rumors? (Holds-up-the-pictures) UNCLE-CARL: That's-a-conspiracy-theory. These-are-obviously-doctored-photos. JANET: How-did-you-get-mixed-up-in-this? ADAM: He's-been-talking-to-humans. JANET: --What? MARTIN: --Talking-to-humans?! ADAM: He-has-a-human-girlfriend. And-they-make-out! JANET: Make-out?-Barry! BARRY: We-do-not. ADAM: --You-wish-you-could. MARTIN: --Whose-side-are-you-on? BARRY: The-bees! UNCLE-CARL: (He-has-been-sitting-in-the-back-of-the-room-this-entire-time) I-dated-a-cricket-once-in-San-Antonio. Those-crazy-legs-kept-me-up-all-night. JANET: Barry #this-is-what-you-want to-do-with-your-life? BARRY: I-want-to-do-it-for-all-our-lives. Nobody-works-harder-than-bees! -: Dad #I-remember-you coming-home-so-overworked -: your-hands-were-still-stirring. You-couldn't-stop. JANET: I-remember-that. BARRY: What-right-do-they-have-to-our-honey? -: We-live-on-two-cups-a-year.-They-put-it in-lip-balm-for-no-reason-whatsoever! ADAM: Even-if-it's-true #what-can-one-bee-do? BARRY: Sting-them-where-it-really-hurts. MARTIN: In-the-face!-The-eye! -: --That-would-hurt. BARRY: --No. MARTIN: Up-the-nose?-That's-a-killer. BARRY: There's-only-one-place-you-can-sting the-humans #one-place-where-it-matters. (Flash-forward-a-bit-in-time-and-we-are-watching-the-Bee-News) BEE-NEWS-NARRATOR: Hive-at-Five #the-hive's-only full-hour-action-news-source. BEE-PROTESTOR: No-more-bee-beards! BEE-NEWS-NARRATOR: With-Bob-Bumble-at-the-anchor-desk. -: Weather-with-Storm-Stinger. -: Sports-with-Buzz-Larvi. -: And-Jeanette-Chung. BOB-BUMBLE: --Good-evening.-I'm-Bob-Bumble. JEANETTE-CHUNG: --And-I'm-Jeanette-Chung. BOB-BUMBLE: A-tri-county-bee #Barry-Benson #: intends-to-sue-the-human-race for-stealing-our-honey #: packaging-it-and-profiting from-it-illegally! JEANETTE-CHUNG: Tomorrow-night-on-Bee-Larry-King #: we'll-have-three-former-queens-here-in our-studio #discussing-their-new-book #: Classy-Ladies #out-this-week-on-Hexagon. (The-scene-changes-to-an-interview-on-the-news-with-Bee-version-of-Larry King-and-Barry) BEE-LARRY-KING: Tonight-we're-talking-to-Barry-Benson. -: Did-you-ever-think #'I'm-a-kid from-the-hive.-I-can't-do-this'? BARRY: Bees-have-never-been-afraid to-change-the-world. -: What-about-Bee-Columbus? Bee-Gandhi?-Bejesus? BEE-LARRY-KING: Where-I'm-from #we'd-never-sue-humans. -: We-were-thinking of-stickball-or-candy-stores. BARRY: How-old-are-you? BEE-LARRY-KING: The-bee-community is-supporting-you-in-this-case #: which-will-be-the-trial of-the-bee-century. BARRY: You-know #they-have-a-Larry-King in-the-human-world-too. BEE-LARRY-KING: It's-a-common-name.-Next-week... BARRY: He-looks-like-you-and-has-a-show and-suspenders-and-colored-dots... BEE-LARRY-KING: Next-week... BARRY: Glasses #quotes-on-the-bottom-from-the guest-even-though-you-just-heard-'em. BEE-LARRY-KING: Bear-Week-next-week! They're-scary #hairy-and-here #live. (Bee-Larry-King-gets-annoyed-and-flies-away-offscreen) BARRY: Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish. (Flash-forward-in-time.-We-see-Vanessa-enter-and-Ken-enters-behind-her. They-are-arguing) KEN: In-tennis #you-attack at-the-point-of-weakness! VANESSA: It-was-my-grandmother #Ken.-She's-81. KEN== Honey #her-backhand's-a-joke! I'm-not-gonna-take-advantage-of-that? BARRY: (To-Ken) Quiet #please. Actual-work-going-on-here. KEN: (Pointing-at-Barry) --Is-that-that-same-bee? VANESSA: --Yes #it-is! -: I'm-helping-him-sue-the-human-race. BARRY: --Hello. KEN: --Hello #bee. VANESSA: This-is-Ken. BARRY: (Recalling-the-'Winter-Boots'-incident-earlier) Yeah #I-remember-you.-Timberland #size ten-and-a-half.-Vibram-sole #I-believe. KEN: (To-Vanessa) Why-does-he-talk-again? VANESSA: Listen #you-better-go 'cause-we're-really-busy-working. KEN: But-it's-our-yogurt-night! VANESSA: (Holding-door-open-for-Ken) Bye-bye. KEN: (Yelling) Why-is-yogurt-night-so-difficult?! (Ken-leaves-and-Vanessa-walks-over-to-Barry.-His-workplace-is-a-mess) VANESSA: You-poor-thing. You-two-have-been-at-this-for-hours! BARRY: Yes #and-Adam-here has-been-a-huge-help. ADAM: --Frosting... --How-many-sugars? -==BARRY== Just-one.-I-try-not to-use-the-competition. -: So-why-are-you-helping-me? VANESSA: Bees-have-good-qualities. -: And-it-takes-my-mind-off-the-shop. -: Instead-of-flowers #people are-giving-balloon-bouquets-now. BARRY: Those-are-great #if-you're-three. VANESSA: And-artificial-flowers. BARRY: --Oh #those-just-get-me-psychotic! VANESSA: --Yeah #me-too. -: BARRY: Bent-stingers #pointless-pollination. ADAM: Bees-must-hate-those-fake-things! -: Nothing-worse than-a-daffodil-that's-had-work-done. -: Maybe-this-could-make-up for-it-a-little-bit. VANESSA: --This-lawsuit's-a-pretty-big-deal. BARRY: --I-guess. ADAM: You-sure-you-want-to-go-through-with-it? BARRY: Am-I-sure?-When-I'm-done-with the-humans #they-won't-be-able -: to-say #'Honey #I'm-home #' without-paying-a-royalty! (Flash-forward-in-time-and-we-are-watching-the-human-news.-The-camera-shows a-crowd-outside-a-courthouse) NEWS-REPORTER: It's-an-incredible-scene here-in-downtown-Manhattan #: where-the-world-anxiously-waits #because-for-the-first-time-in-history #: we-will-hear-for-ourselves if-a-honeybee-can-actually-speak. (We-are-no-longer-watching-through-a-news-camera) ADAM: What-have-we-gotten-into-here #Barry? BARRY: It's-pretty-big #isn't-it? ADAM== (Looking-at-the-hundreds-of-people-around-the-courthouse) I-can't-believe-how-many-humans don't-work-during-the-day. BARRY: You-think-billion-dollar-multinational food-companies-have-good-lawyers? SECURITY-GUARD: Everybody-needs-to-stay behind-the-barricade. (A-limousine-drives-up-and-a-fat-man #Layton-Montgomery #a-honey-industry owner-gets-out-and-walks-past-Barry) ADAM: --What's-the-matter? BARRY: --I-don't-know #I-just-got-a-chill. (Fast-forward-in-time-and-everyone-is-in-the-court) MONTGOMERY: Well #if-it-isn't-the-bee-team. (To-Honey-Industry-lawyers) You-boys-work-on-this? MAN: All-rise!-The-Honorable Judge-Bumbleton-presiding. JUDGE-BUMBLETON: All-right.-Case-number-4475 #: Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry -: is-now-in-session. -: Mr.-Montgomery #you're-representing the-five-food-companies-collectively? MONTGOMERY: A-privilege. JUDGE-BUMBLETON: Mr.-Benson...-you're-representing all-the-bees-of-the-world? (Everyone-looks-closely #they-are-waiting-to-see-if-a-Bee-can-really-talk) (Barry-makes-several-buzzing-sounds-to-sound-like-a-Bee) BARRY: I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed. JUDGE-BUMBLBETON: Mr.-Montgomery #your-opening-statement #please. MONTGOMERY: Ladies-and-gentlemen-of-the-jury #: my-grandmother-was-a-simple-woman. -: Born-on-a-farm #she-believed it-was-man's-divine-right -: to-benefit-from-the-bounty of-nature-God-put-before-us. -: If-we-lived-in-the-topsy-turvy-world Mr.-Benson-imagines #: just-think-of-what-would-it-mean. -: I-would-have-to-negotiate with-the-silkworm -: for-the-elastic-in-my-britches! -: Talking-bee! (Montgomery-walks-over-and-looks-closely-at-Barry) -: How-do-we-know-this-isn't-some-sort-of -: holographic-motion-picture-capture Hollywood-wizardry? -: They-could-be-using-laser-beams! -: Robotics!-Ventriloquism! Cloning!-For-all-we-know #: he-could-be-on-steroids! JUDGE-BUMBLETON: Mr.-Benson? BARRY: Ladies-and-gentlemen #there's-no-trickery-here. -: I'm-just-an-ordinary-bee. Honey's-pretty-important-to-me. -: It's-important-to-all-bees. We-invented-it! -: We-make-it.-And-we-protect-it with-our-lives. -: Unfortunately #there-are some-people-in-this-room -: who-think-they-can-take-it-from-us -: 'cause-we're-the-little-guys! I'm-hoping-that #after-this-is-all-over #: you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have -: but-everything-we-are! JANET== (To-Martin) I-wish-he'd-dress-like-that all-the-time.-So-nice! JUDGE-BUMBLETON: Call-your-first-witness. BARRY: So #Mr.-Klauss-Vanderhayden of-Honey-Farms #big-company-you-have. KLAUSS-VANDERHAYDEN: I-suppose-so. BARRY: I-see-you-also-own Honeyburton-and-Honron! KLAUSS: Yes #they-provide-beekeepers for-our-farms. BARRY: Beekeeper.-I-find-that to-be-a-very-disturbing-term. -: I-don't-imagine-you-employ any-bee-free-ers #do-you? KLAUSS: (Quietly) --No. BARRY: --I-couldn't-hear-you. KLAUSS: --No. BARRY: --No. -: Because-you-don't-free-bees. You-keep-bees.-Not-only-that #: it-seems-you-thought-a-bear-would-be an-appropriate-image-for-a-jar-of-honey. KLAUSS: They're-very-lovable-creatures. -: Yogi-Bear #Fozzie-Bear #Build-A-Bear. BARRY: You-mean-like-this? (The-bear-from-Over-The-Hedge-barges-in-through-the-back-door-and-it-is roaring-and-standing-on-its-hind-legs.-It-is-thrashing-its-claws-and-people are-screaming.-It-is-being-held-back-by-a-guard-who-has-the-bear-on-a chain) -: (Pointing-to-the-roaring-bear) Bears-kill-bees! -: How'd-you-like-his-head-crashing through-your-living-room?! -: Biting-into-your-couch! Spitting-out-your-throw-pillows! JUDGE-BUMBLETON: OK #that's-enough.-Take-him-away. (The-bear-stops-roaring-and-thrashing-and-walks-out) BARRY: So #Mr.-Sting #thank-you-for-being-here. Your-name-intrigues-me. -: --Where-have-I-heard-it-before? MR.-STING: --I-was-with-a-band-called-The-Police. BARRY: But-you've-never-been a-police-officer #have-you? STING: No #I-haven't. BARRY: No #you-haven't.-And-so-here we-have-yet-another-example -: of-bee-culture-casually stolen-by-a-human -: for-nothing-more-than a-prance-about-stage-name. STING: Oh #please. BARRY: Have-you-ever-been-stung #Mr.-Sting? -: Because-I'm-feeling a-little-stung #Sting. -: Or-should-I-say...-Mr.-Gordon-M.-Sumner! MONTGOMERY: That's-not-his-real-name?!-You-idiots! BARRY: Mr.-Liotta #first #belated-congratulations-on -: your-Emmy-win-for-a-guest-spot on-ER-in-2005. RAY-LIOTTA: Thank-you.-Thank-you. BARRY: I-see-from-your-resume that-you're-devilishly-handsome -: with-a-churning-inner-turmoil that's-ready-to-blow. RAY-LIOTTA: I-enjoy-what-I-do.-Is-that-a-crime? BARRY: Not-yet-it-isn't.-But-is-this what-it's-come-to-for-you? -: Exploiting-tiny #helpless-bees so-you-don't -: have-to-rehearse your-part-and-learn-your-lines #sir? RAY-LIOTTA: Watch-it #Benson! I-could-blow-right-now! BARRY: This-isn't-a-goodfella. This-is-a-badfella! (Ray-Liotta-looses-it-and-tries-to-grab-Barry) RAY-LIOTTA: Why-doesn't-someone-just-step-on this-creep #and-we-can-all-go-home?! JUDGE-BUMBLETON: --Order-in-this-court! RAY-LIOTTA: --You're-all-thinking-it! (Judge-Bumbleton-starts-banging-her-gavel) JUDGE-BUMBLETON: Order!-Order #I-say! RAY-LIOTTA: --Say-it! MAN: --Mr.-Liotta #please-sit-down! (We-see-a-montage-of-magazines-which-feature-the-court-case) (Flash-forward-in-time-and-Barry-is-back-home-with-Vanessa) BARRY: I-think-it-was-awfully-nice of-that-bear-to-pitch-in-like-that. VANESSA: I-think-the-jury's-on-our-side. BARRY: Are-we-doing-everything-right #you-know #legally? VANESSA: I'm-a-florist. BARRY: Right.-Well #here's-to-a-great-team. VANESSA: To-a-great-team! (Ken-walks-in-from-work.-He-sees-Barry-and-he-looks-upset-when-he-sees Barry-clinking-his-glass-with-Vanessa) KEN: Well #hello. VANESSA: --Oh #Ken! BARRY: --Hello! VANESSA: I-didn't-think-you-were-coming. -: No #I-was-just-late. I-tried-to-call #but... (Ken-holds-up-his-phone-and-flips-it-open.-The-phone-has-no-charge) ...the-battery... VANESSA: I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free. KEN: Oh #that-was-lucky. (Ken-sits-down-at-the-table-across-from-Barry-and-Vanessa-leaves-the-room) VANESSA: There's-a-little-left. I-could-heat-it-up. KEN: (Not-taking-his-eyes-off-Barry) Yeah #heat-it-up #sure #whatever. BARRY: So-I-hear-you're-quite-a-tennis-player. -: I'm-not-much-for-the-game-myself. The-ball's-a-little-grabby. KEN: That's-where-I-usually-sit. Right... (Points-to-where-Barry-is-sitting) there. VANESSA: (Calling-from-other-room) Ken #Barry-was-looking-at-your-resume #: and-he-agreed-with-me-that-eating-with chopsticks-isn't-really-a-special-skill. KEN: (To-Barry) You-think-I-don't-see-what-you're-doing? BARRY: I-know-how-hard-it-is-to-find the-right-job.-We-have-that-in-common. KEN: Do-we? BARRY: Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out. KEN: (Menacingly) That's-just-what I-was-thinking-about-doing. (Ken-reaches-for-a-fork-on-the-table-but-knocks-if-on-the-floor.-He-goes-to pick-it-up) VANESSA: Ken #I-let-Barry-borrow-your-razor for-his-fuzz.-I-hope-that-was-all-right. (Ken-quickly-rises-back-up-after-hearing-this-but-hits-his-head-on-the table-and-yells) BARRY: I'm-going-to-drain-the-old-stinger. KEN: Yeah #you-do-that. (Barry-flies-past-Ken-to-get-to-the-bathroom-and-Ken-freaks-out #splashing some-of-the-wine-he-was-using-to-cool-his-head-in-his-eyes.-He-yells-in anger) (Barry-looks-at-the-magazines-featuring-his-victories-in-court) BARRY: Look-at-that. (Barry-flies-into-the-bathroom) (He-puts-his-hand-on-his-head-but-this-makes-hurts-him-and-makes-him-even madder.-He-yells-again) (Barry-is-washing-his-hands-in-the-sink-but-then-Ken-walks-in) KEN: You-know #you-know-I've-just-about-had-it (Closes-bathroom-door-behind-him) with-your-little-mind-games. (Ken-is-menacingly-rolling-up-a-magazine) BARRY: (Backing-away) --What's-that? KEN: --Italian-Vogue. BARRY: Mamma-mia #that's-a-lot-of-pages. KEN: It's-a-lot-of-ads. BARRY: Remember-what-Van-said #why-is your-life-more-valuable-than-mine? KEN: That's-funny #I-just-can't-seem-to-recall-that! (Ken-smashes-everything-off-the-sink-with-the-magazine-and-Barry-narrowly escapes) (Ken-follows-Barry-around-and-tries-to-hit-him-with-the-magazine-but-he keeps-missing) (Ken-gets-a-spray-bottle) -: I-think-something-stinks-in-here! BARRY: (Enjoying-the-spray) I-love-the-smell-of-flowers. (Ken-holds-a-lighter-in-front-of-the-spray-bottle) KEN: How-do-you-like-the-smell-of-flames?! BARRY: Not-as-much. (Ken-fires-his-make-shift-flamethrower-but-misses-Barry #burning-the bathroom.-He-torches-the-whole-room-but-looses-his-footing-and-falls-into the-bathtub.-After-getting-hit-in-the-head-by-falling-objects-3-times-he picks-up-the-shower-head #revealing-a-Water-bug-hiding-under-it) WATER-BUG: Water-bug!-Not-taking-sides! (Barry-gets-up-out-of-a-pile-of-bathroom-supplies-and-he-is-wearing-a chapstick-hat) BARRY: Ken #I'm-wearing-a-Chapstick-hat! This-is-pathetic! (Ken-switches-the-shower-head-to-lethal) KEN: I've-got-issues! (Ken-sprays-Barry-with-the-shower-head-and-he-crash-lands-into-the-toilet) (Ken-menacingly-looks-down-into-the-toilet-at-Barry) Well #well #well #a-royal-flush! BARRY: --You're-bluffing. KEN: --Am-I? (flushes-toilet) (Barry-grabs-a-chapstick-from-the-toilet-seat-and-uses-it-to-surf-in-the flushing-toilet) BARRY: Surf's-up #dude! (Barry-flies-out-of-the-toilet-on-the-chapstick-and-sprays-Ken's-face-with the-toilet-water) -: EW #Poo-water! BARRY: That-bowl-is-gnarly. KEN: (Aiming-a-toilet-cleaner-at-Barry) Except-for-those-dirty-yellow-rings! (Barry-cowers-and-covers-his-head-and-Vanessa-runs-in-and-takes-the-toilet cleaner-from-Ken-just-before-he-hits-Barry) VANESSA: Kenneth!-What-are-you-doing?! KEN== (Leaning-towards-Barry) You-know #I-don't-even-like-honey! I-don't-eat-it! VANESSA: We-need-to-talk! (Vanessa-pulls-Ken-out-of-the-bathroom) -: He's-just-a-little-bee! -: And-he-happens-to-be the-nicest-bee-I've-met-in-a-long-time! KEN: Long-time?-What-are-you-talking-about?! Are-there-other-bugs-in-your-life? VANESSA: No #but-there-are-other-things-bugging me-in-life.-And-you're-one-of-them! KEN: Fine!-Talking-bees #no-yogurt-night... -: My-nerves-are-fried-from-riding on-this-emotional-roller-coaster! VANESSA: Goodbye #Ken. (Ken-huffs-and-walks-out-and-slams-the-door.-But-suddenly-he-walks-back-in and-stares-at-Barry) -: And-for-your-information #I-prefer-sugar-free #artificial sweeteners-MADE-BY-MAN! (Ken-leaves-again-and-Vanessa-leans-in-towards-Barry) VANESSA: I'm-sorry-about-all-that. (Ken-walks-back-in-again) KEN: I-know-it's-got an-aftertaste!-I-LIKE-IT! (Ken-leaves-for-the-last-time) VANESSA: I-always-felt-there-was-some-kind of-barrier-between-Ken-and-me. -: I-couldn't-overcome-it. Oh #well. -: Are-you-OK-for-the-trial? BARRY: I-believe-Mr.-Montgomery is-about-out-of-ideas. (Flash-forward-in-time-and-Barry #Adam #and-Vanessa-are-back-in-court) MONTGOMERY-- We-would-like-to-call Mr.-Barry-Benson-Bee-to-the-stand. ADAM: Good-idea!-You-can-really-see-why-he's considered-one-of-the-best-lawyers... (Barry-stares-at-Adam) ...Yeah. LAWYER: Layton #you've gotta-weave-some-magic with-this-jury #or-it's-gonna-be-all-over. MONTGOMERY: Don't-worry.-The-only-thing-I-have to-do-to-turn-this-jury-around -: is-to-remind-them of-what-they-don't-like-about-bees. (To-lawyer) --You-got-the-tweezers? LAWYER: --Are-you-allergic? MONTGOMERY: Only-to-losing #son.-Only-to-losing. -: Mr.-Benson-Bee #I'll-ask-you what-I-think-we'd-all-like-to-know. -: What-exactly-is-your-relationship (Points-to-Vanessa) -: to-that-woman? BARRY: We're-friends. MONTGOMERY: --Good-friends? BARRY: --Yes. MONTGOMERY: How-good?-Do-you-live-together? ADAM: Wait-a-minute... -: MONTGOMERY: Are-you-her-little... -: ...bedbug? (Adam's-stinger-starts-vibrating.-He-is-agitated) I've-seen-a-bee-documentary-or-two. From-what-I-understand #: doesn't-your-queen-give-birth to-all-the-bee-children? BARRY: --Yeah #but... MONTGOMERY: (Pointing-at-Janet-and-Martin) --So-those-aren't-your-real-parents! JANET: --Oh #Barry... BARRY: --Yes #they-are! ADAM: Hold-me-back! (Vanessa-tries-to-hold-Adam-back.-He-wants-to-sting-Montgomery) MONTGOMERY: You're-an-illegitimate-bee #aren't-you #Benson? ADAM: He's-denouncing-bees! MONTGOMERY: Don't-y'all-date-your-cousins? (Montgomery-leans-over-on-the-jury-stand-and-stares-at-Adam) VANESSA: --Objection! (Vanessa-raises-her-hand-to-object-but-Adam-gets-free.-He-flies-straight-at Montgomery) =ADAM: --I'm-going-to-pincushion-this-guy! BARRY: Adam #don't!-It's-what-he-wants! (Adam-stings-Montgomery-in-the-butt-and-he-starts-thrashing-around) MONTGOMERY: Oh #I'm-hit!! -: Oh #lordy #I-am-hit! JUDGE-BUMBLETON: (Banging-gavel) Order!-Order! MONTGOMERY: (Overreacting) The-venom!-The-venom is-coursing-through-my-veins! -: I-have-been-felled by-a-winged-beast-of-destruction! -: You-see?-You-can't-treat-them like-equals!-They're-striped-savages! -: Stinging's-the-only-thing they-know!-It's-their-way! BARRY: --Adam #stay-with-me. ADAM: --I-can't-feel-my-legs. MONTGOMERY: (Overreacting-and-throwing-his-body-around-the-room) What-angel-of-mercy will-come-forward-to-suck-the-poison -: from-my-heaving-buttocks? JUDGE-BUMLBETON: I-will-have-order-in-this-court.-Order! -: Order #please! (Flash-forward-in-time-and-we-see-a-human-news-reporter) NEWS-REPORTER: The-case-of-the-honeybees versus-the-human-race -: took-a-pointed-turn-against-the-bees -: yesterday-when-one-of-their-legal team-stung-Layton-T.-Montgomery. (Adam-is-laying-in-a-hospital-bed-and-Barry-flies-in-to-see-him) BARRY: --Hey #buddy. ADAM: --Hey. BARRY: --Is-there-much-pain? ADAM: --Yeah. -: I... -: I-blew-the-whole-case #didn't-I? BARRY: It-doesn't-matter.-What-matters-is you're-alive.-You-could-have-died. ADAM: I'd-be-better-off-dead.-Look-at-me. (A-small-plastic-sword-is-replaced-as-Adam's-stinger) They-got-it-from-the-cafeteria downstairs #in-a-tuna-sandwich. -: Look #there's a-little-celery-still-on-it. (Flicks-off-the-celery-and-sighs) BARRY: What-was-it-like-to-sting-someone? ADAM: I-can't-explain-it.-It-was-all... -: All-adrenaline-and-then... and-then-ecstasy! BARRY: ...All-right. ADAM: You-think-it-was-all-a-trap? BARRY: Of-course.-I'm-sorry. I-flew-us-right-into-this. -: What-were-we-thinking?-Look-at-us.-We're just-a-couple-of-bugs-in-this-world. ADAM: What-will-the-humans-do-to-us if-they-win? BARRY: I-don't-know. ADAM: I-hear-they-put-the-roaches-in-motels. That-doesn't-sound-so-bad. BARRY: Adam #they-check-in #but-they-don't-check-out! ADAM: Oh #my. (Coughs) Could-you-get-a-nurse to-close-that-window? BARRY: --Why? ADAM: --The-smoke. (We-can-see-that-two-humans-are-smoking-cigarettes-outside) -: Bees-don't-smoke. BARRY: Right.-Bees-don't-smoke. -: Bees-don't-smoke! But-some-bees-are-smoking. -: That's-it!-That's-our-case! ADAM: It-is?-It's-not-over? BARRY: Get-dressed.-I've-gotta-go-somewhere. -: Get-back-to-the-court-and-stall. Stall-any-way-you-can. (Flash-forward-in-time-and-Adam-is-making-a-paper-boat-in-the-courtroom) ADAM: And-assuming-you've-done-step-29-correctly #you're-ready-for-the-tub! (We-see-that-the-jury-have-each-made-their-own-paper-boats-after-being taught-how-by-Adam.-They-all-look-confused) JUDGE-BUMBLETON: Mr.-Flayman. ADAM: Yes?-Yes #Your-Honor! JUDGE-BUMBLETON: Where-is-the-rest-of-your-team? ADAM: (Continues-stalling) Well #Your-Honor #it's-interesting. -: Bees-are-trained-to-fly-haphazardly #: and-as-a-result #we-don't-make-very-good-time. -: I-actually-heard-a-funny-story-about... MONTGOMERY: Your-Honor #haven't-these-ridiculous-bugs -: taken-up-enough of-this-court's-valuable-time? -: How-much-longer-will-we-allow these-absurd-shenanigans-to-go-on? -: They-have-presented-no-compelling evidence-to-support-their-charges -: against-my-clients #who-run-legitimate-businesses. -: I-move-for-a-complete-dismissal of-this-entire-case! JUDGE-BUMBLETON: Mr.-Flayman #I'm-afraid-I'm-going -: to-have-to-consider Mr.-Montgomery's-motion. ADAM: But-you-can't!-We-have-a-terrific-case. MONTGOMERY: Where-is-your-proof? Where-is-the-evidence? -: Show-me-the-smoking-gun! BARRY: (Barry-flies-in-through-the-door) Hold-it #Your-Honor! You-want-a-smoking-gun? -: Here-is-your-smoking-gun. (Vanessa-walks-in-holding-a-bee-smoker.-She-sets-it-down-on-the-Judge's podium) JUDGE-BUMBLETON: What-is-that? BARRY: It's-a-bee-smoker! MONTGOMERY: (Picks-up-smoker) What #this? This-harmless-little-contraption? -: This-couldn't-hurt-a-fly #let-alone-a-bee. (Montgomery-accidentally-fires-it-at-the-bees-in-the-crowd-and-they-faint and-cough) (Dozens-of-reporters-start-taking-pictures-of-the-suffering-bees) BARRY: Look-at-what-has-happened -: to-bees-who-have-never-been-asked #'Smoking-or-non?' -: Is-this-what-nature-intended-for-us? -: To-be-forcibly-addicted to-smoke-machines -: and-man-made-wooden-slat-work-camps? -: Living-out-our-lives-as-honey-slaves to-the-white-man? (Barry-points-to-the-honey-industry-owners.-One-of-them-is-an-African American-so-he-awkwardly-separates-himself-from-the-others) LAWYER: --What-are-we-gonna-do? --He's-playing-the-species-card. BARRY: Ladies-and-gentlemen #please #free-these-bees! ADAM-AND-VANESSA: Free-the-bees!-Free-the-bees! BEES-IN-CROWD: Free-the-bees! HUMAN-JURY: Free-the-bees!-Free-the-bees! JUDGE-BUMBLETON: The-court-finds-in-favor-of-the-bees! BARRY: Vanessa #we-won! VANESSA: I-knew-you-could-do-it!-High-five! (Vanessa-hits-Barry-hard-because-her-hand-is-too-big) -: Sorry. BARRY: (Overjoyed) I'm-OK!-You-know-what-this-means? -: All-the-honey will-finally-belong-to-the-bees. -: Now-we-won't-have to-work-so-hard-all-the-time. MONTGOMERY: This-is-an-unholy-perversion of-the-balance-of-nature #Benson. -: You'll-regret-this. (Montgomery-leaves-and-Barry-goes-outside-the-courtroom.-Several-reporters start-asking-Barry-questions) REPORTER-1#: Barry #how-much-honey-is-out-there? BARRY: All-right.-One-at-a-time. REPORTER-2#: Barry #who-are-you-wearing? BARRY: My-sweater-is-Ralph-Lauren #and-I-have-no-pants. (Barry-flies-outside-with-the-paparazzi-and-Adam-and-Vanessa-stay-back) ADAM: (To-Vanessa) --What-if-Montgomery's-right? Vanessa: --What-do-you-mean? ADAM: We've-been-living-the-bee-way a-long-time #27-million-years. (Flash-forward-in-time-and-Barry-is-talking-to-a-man) BUSINESS-MAN: Congratulations-on-your-victory. What-will-you-demand-as-a-settlement? BARRY: First #we'll-demand-a-complete-shutdown of-all-bee-work-camps. (As-Barry-is-talking-we-see-a-montage-of-men-putting-'closed'-tape-over-the work-camps-and-freeing-the-bees-in-the-crappy-apartments) Then-we-want-back-the-honey that-was-ours-to-begin-with #: every-last-drop. (Men-in-suits-are-pushing-all-the-honey-of-the-aisle-and-into-carts) We-demand-an-end-to-the-glorification of-the-bear-as-anything-more (We-see-a-statue-of-a-bear-shaped-honey-container-being-pulled-down-by bees) than-a-filthy #smelly #bad-breath-stink-machine. -: We're-all-aware of-what-they-do-in-the-woods. (We-see-Winnie-the-Pooh-sharing-his-honey-with-Piglet-in-the-cross-hairs-of a-high-tech-sniper-rifle) BARRY: (Looking-through-binoculars) Wait-for-my-signal. -: Take-him-out. (Winnie-gets-hit-by-a-tranquilizer-dart-and-dramatically-falls-off-the-log he-was-standing-on #his-tongue-hanging-out.-Piglet-looks-at-Pooh-in-fear and-the-Sniper-takes-the-honey.) SNIPER: He'll-have-nausea for-a-few-hours #then-he'll-be-fine. (Flash-forward-in-time) BARRY: And-we-will-no-longer-tolerate bee-negative-nicknames... (Mr.-Sting-is-sitting-at-home-until-he-is-taken-out-of-his-house-by-the-men in-suits) STING: But-it's-just-a-prance-about-stage-name! BARRY: ...unnecessary-inclusion-of-honey in-bogus-health-products -: and-la-dee-da-human tea-time-snack-garnishments. (An-old-lady-is-mixing-honey-into-her-tea-but-suddenly-men-in-suits-smash her-face-down-on-the-table-and-take-the-honey) OLD-LADY: Can't-breathe. (A-honey-truck-pulls-up-to-Barry's-hive) WORKER: Bring-it-in #boys! -: Hold-it-right-there!-Good. -: Tap-it. (Tons-of-honey-is-being-pumped-into-the-hive's-storage) BEE-WORKER-1#: (Honey-overflows-from-the-cup) Mr.-Buzzwell #we-just-passed-three-cups #and-there's-gallons-more-coming! -: --I-think-we-need-to-shut-down! =BEE-WORKER-#2= --Shut-down?-We've-never-shut-down. -: Shut-down-honey-production! DEAN-BUZZWELL: Stop-making-honey! (The-bees-all-leave-their-stations.-Two-bees-run-into-a-room-and-they-put the-keys-into-a-machine) Turn-your-key #sir! (Two-worker-bees-dramatically-turn-their-keys #which-opens-the-button-which they-press #shutting-down-the-honey-making-machines.-This-is-the-first-time this-has-ever-happened) BEE: ...What-do-we-do-now? (Flash-forward-in-time-and-a-Bee-is-about-to-jump-into-a-pool-full-of honey) Cannonball! (The-bee-gets-stuck-in-the-honey-and-we-get-a-short-montage-of-Bees-leaving work) (We-see-the-Pollen-Jocks-flying-but-one-of-them-gets-a-call-on-his-antenna) LOU-LU-DUVA: (Through-'phone') We're-shutting-honey-production! -: Mission-abort. POLLEN-JOCK-#1: Aborting-pollination-and-nectar-detail. Returning-to-base. (The-Pollen-Jocks-fly-back-to-the-hive) (We-get-a-time-lapse-of-Central-Park-slowly-wilting-away-as-the-bees-all relax) BARRY: Adam #you-wouldn't-believe how-much-honey-was-out-there. ADAM: Oh #yeah? BARRY: What's-going-on?-Where-is-everybody? (The-entire-street-is-deserted) -: --Are-they-out-celebrating? ADAM: --They're-home. -: They-don't-know-what-to-do. Laying-out #sleeping-in. -: I-heard-your-Uncle-Carl-was-on-his-way to-San-Antonio-with-a-cricket. BARRY: At-least-we-got-our-honey-back. ADAM: Sometimes-I-think #so-what-if-humans liked-our-honey?-Who-wouldn't? -: It's-the-greatest-thing-in-the-world! I-was-excited-to-be-part-of-making-it. -: This-was-my-new-desk.-This-was-my new-job.-I-wanted-to-do-it-really-well. -: And-now... -: Now-I-can't. (Flash-forward-in-time-and-Barry-is-talking-to-Vanessa) BARRY: I-don't-understand why-they're-not-happy. -: I-thought-their-lives-would-be-better! -: They're-doing-nothing.-It's-amazing. Honey-really-changes-people. VANESSA: You-don't-have-any-idea what's-going-on #do-you? BARRY: --What-did-you-want-to-show-me? (Vanessa-takes-Barry-to-the-rooftop-where-they-first-had-coffee-and-points to-her-store) VANESSA: --This. (Points-at-her-flowers.-They-are-all-grey-and-wilting) BARRY: What-happened-here? VANESSA: That-is-not-the-half-of-it. (Small-flash-forward-in-time-and-Vanessa-and-Barry-are-on-the-roof-of-her store-and-she-points-to-Central-Park) (We-see-that-Central-Park-is-no-longer-green-and-colorful #rather-it-is grey #brown #and-dead-like.-It-is-very-depressing-to-look-at) BARRY: Oh #no.-Oh #my. -: They're-all-wilting. VANESSA: Doesn't-look-very-good #does-it? BARRY: No. VANESSA: And-whose-fault-do-you-think-that-is? BARRY: You-know #I'm-gonna-guess-bees. VANESSA== (Staring-at-Barry) Bees? BARRY: Specifically #me. -: I-didn't-think-bees-not-needing-to-make honey-would-affect-all-these-things. VANESSA: It's-not-just-flowers. Fruits #vegetables #they-all-need-bees. BARRY: That's-our-whole-SAT-test-right-there. VANESSA: Take-away-produce #that-affects the-entire-animal-kingdom. -: And-then #of-course... BARRY: The-human-species? -: So-if-there's-no-more-pollination #: it-could-all-just-go-south-here #couldn't-it? VANESSA: I-know-this-is-also-partly-my-fault. BARRY: How-about-a-suicide-pact? VANESSA: How-do-we-do-it? BARRY: --I'll-sting-you #you-step-on-me. VANESSA: --That-just-kills-you-twice. BARRY: Right #right. VANESSA: Listen #Barry... sorry #but-I-gotta-get-going. (Vanessa-leaves) BARRY: (To-himself) I-had-to-open-my-mouth-and-talk. -: Vanessa? -: Vanessa?-Why-are-you-leaving? Where-are-you-going? (Vanessa-is-getting-into-a-taxi) VANESSA: To-the-final-Tournament-of-Roses-parade in-Pasadena. -: They've-moved-it-to-this-weekend because-all-the-flowers-are-dying. -: It's-the-last-chance I'll-ever-have-to-see-it. BARRY: Vanessa #I-just-wanna-say-I'm-sorry. I-never-meant-it-to-turn-out-like-this. VANESSA: I-know.-Me-neither. (The-taxi-starts-to-drive-away) BARRY: Tournament-of-Roses. Roses-can't-do-sports. -: Wait-a-minute.-Roses.-Roses? -: Roses! -: Vanessa! (Barry-flies-after-the-Taxi) VANESSA: Roses?! -: Barry? (Barry-is-flying-outside-the-window-of-the-taxi) BARRY: --Roses-are-flowers! VANESSA: --Yes #they-are. BARRY: Flowers #bees #pollen! VANESSA: I-know. That's-why-this-is-the-last-parade. BARRY: Maybe-not. Could-you-ask-him-to-slow-down? VANESSA: Could-you-slow-down? (The-taxi-driver-screeches-to-a-stop-and-Barry-keeps-flying-forward) -: Barry! (Barry-flies-back-to-the-window) BARRY: OK #I-made-a-huge-mistake. This-is-a-total-disaster #all-my-fault. VANESSA: Yes #it-kind-of-is. BARRY: I've-ruined-the-planet. I-wanted-to-help-you -: with-the-flower-shop. I've-made-it-worse. VANESSA: Actually #it's-completely-closed-down. BARRY: I-thought-maybe-you-were-remodeling. -: But-I-have-another-idea #and-it's greater-than-my-previous-ideas-combined. VANESSA: I-don't-want-to-hear-it! BARRY: All-right #they-have-the-roses #the-roses-have-the-pollen. -: I-know-every-bee #plant and-flower-bud-in-this-park. -: All-we-gotta-do-is-get-what-they've-got back-here-with-what-we've-got. -: --Bees. VANESSA: --Park. BARRY: --Pollen! VANESSA: --Flowers. BARRY: --Re-pollination! VANESSA: --Across-the-nation! -: Tournament-of-Roses #Pasadena #California. -: They've-got-nothing but-flowers #floats-and-cotton-candy. -: Security-will-be-tight. BARRY: I-have-an-idea. (Flash-forward-in-time.-Vanessa-is-about-to-board-a-plane-which-has-all-the Roses-on-board. VANESSA: Vanessa-Bloome #FTD. (Holds-out-badge) -: Official-floral-business.-It's-real. SECURITY-GUARD: Sorry #ma'am.-Nice-brooch. =VANESSA== Thank-you.-It-was-a-gift. (Barry-is-revealed-to-be-hiding-inside-the-brooch) (Flash-back-in-time-and-Barry-and-Vanessa-are-discussing-their-plan) BARRY: Once-inside #we-just-pick-the-right-float. VANESSA: How-about-The-Princess-and-the-Pea? -: I-could-be-the-princess #and-you-could-be-the-pea! BARRY: Yes #I-got-it. -: --Where-should-I-sit? GUARD: --What-are-you? BARRY: --I-believe-I'm-the-pea. GUARD: --The-pea? VANESSA: It-goes-under-the-mattresses. GUARD: --Not-in-this-fairy-tale #sweetheart. --I'm-getting-the-marshal. VANESSA: You-do-that! This-whole-parade-is-a-fiasco! -: Let's-see-what-this-baby'll-do. (Vanessa-drives-the-float-through-traffic) GUARD: Hey #what-are-you-doing?! BARRY== Then-all-we-do is-blend-in-with-traffic... -: ...without-arousing-suspicion. -: Once-at-the-airport #there's-no-stopping-us. (Flash-forward-in-time-and-Barry-and-Vanessa-are-about-to-get-on-a-plane) SECURITY-GUARD: Stop!-Security. -: --You-and-your-insect-pack-your-float? VANESSA: --Yes. SECURITY-GUARD: Has-it-been in-your-possession-the-entire-time? VANESSA: --Yes. SECURITY-GUARD: Would-you-remove-your-shoes? (To-Barry) --Remove-your-stinger. BARRY: --It's-part-of-me. SECURITY-GUARD: I-know.-Just-having-some-fun. Enjoy-your-flight. (Barry-plotting-with-Vanessa) BARRY: Then-if-we're-lucky #we'll-have just-enough-pollen-to-do-the-job. (Flash-forward-in-time-and-Barry-and-Vanessa-are-flying-on-the-plane) Can-you-believe-how-lucky-we-are?-We have-just-enough-pollen-to-do-the-job! VANESSA: I-think-this-is-gonna-work. BARRY: It's-got-to-work. CAPTAIN-SCOTT: (On-intercom) Attention #passengers #this-is-Captain-Scott. -: We-have-a-bit-of-bad-weather in-New-York. -: It-looks-like-we'll-experience a-couple-hours-delay. VANESSA: Barry #these-are-cut-flowers with-no-water.-They'll-never-make-it. BARRY: I-gotta-get-up-there and-talk-to-them. VANESSA== Be-careful. (Barry-flies-right-outside-the-cockpit-door) BARRY: Can-I-get-help with-the-Sky-Mall-magazine? I'd-like-to-order-the-talking inflatable-nose-and-ear-hair-trimmer. (The-flight-attendant-opens-the-door-and-walks-out-and-Barry-flies-into-the cockpit-unseen) BARRY: Captain #I'm-in-a-real-situation. CAPTAIN-SCOTT: --What'd-you-say #Hal? CO-PILOT-HAL: --Nothing. (Scott-notices-Barry-and-freaks-out) CAPTAIN-SCOTT: Bee! BARRY: No #no #no #Don't-freak-out!-My-entire-species... (Captain-Scott-gets-out-of-his-seat-and-tries-to-suck-Barry-into-a-handheld vacuum) HAL: (To-Scott) What-are-you-doing? (Barry-lands-on-Hals-hair-but-Scott-sees-him.-He-tries-to-suck-up-Barry-but instead-he-sucks-up-Hals-toupee) CAPTAIN-SCOTT: Uh-oh. BARRY: --Wait-a-minute!-I'm-an-attorney! HAL: (Hal-doesn't-know-Barry-is-on-his-head) --Who's-an-attorney? CAPTAIN-SCOTT: Don't-move. (Scott-hits-Hal-in-the-face-with-the-vacuum-in-an-attempt-to-hit-Barry.-Hal is-knocked-out-and-he-falls-on-the-life-raft-button-which-launches-an infalatable-boat-into-Scott #who-gets-knocked-out-and-falls-to-the-floor. They-are-both-uncounscious.) BARRY: (To-himself) Oh #Barry. BARRY: (On-intercom #with-a-Southern-accent) Good-afternoon #passengers. This-is-your-captain. -: Would-a-Miss-Vanessa-Bloome-in-24B please-report-to-the-cockpit? (Vanessa-looks-confused) (Normal-accent) ...And-please-hurry! (Vanessa-opens-the-door-and-sees-the-life-raft-and-the-uncounscious-pilots) VANESSA: What-happened-here? BARRY: I-tried-to-talk-to-them #but then-there-was-a-DustBuster #a-toupee #a-life-raft-exploded. -: Now-one's-bald #one's-in-a-boat #and-they're-both-unconscious! VANESSA: ...Is-that-another-bee-joke? BARRY: --No! -: No-one's-flying-the-plane! BUD-DITCHWATER: (Through-radio-on-plane) This-is-JFK-control-tower #Flight-356. What's-your-status? VANESSA: This-is-Vanessa-Bloome. I'm-a-florist-from-New-York. BUD: Where's-the-pilot? VANESSA: He's-unconscious #and-so-is-the-copilot. BUD: Not-good.-Does-anyone-onboard have-flight-experience? BARRY: As-a-matter-of-fact #there-is. BUD: --Who's-that? BARRY: --Barry-Benson. BUD: From-the-honey-trial?!-Oh #great. BARRY: Vanessa #this-is-nothing-more than-a-big-metal-bee. -: It's-got-giant-wings #huge-engines. VANESSA: I-can't-fly-a-plane. BARRY: --Why-not?-Isn't-John-Travolta-a-pilot? VANESSA: --Yes. BARRY: How-hard-could-it-be? (Vanessa-sits-down-and-flies-for-a-little-bit-but-we-see-lightning-clouds outside-the-window) VANESSA: Wait #Barry! We're-headed-into-some-lightning. (An-ominous-lightning-storm-looms-in-front-of-the-plane) (We-are-now-watching-the-Bee-News) BOB-BUMBLE: This-is-Bob-Bumble.-We-have-some late-breaking-news-from-JFK-Airport #: where-a-suspenseful-scene is-developing. -: Barry-Benson #fresh-from-his-legal-victory... ADAM: That's-Barry! BOB-BUMBLE: ...is-attempting-to-land-a-plane #loaded-with-people #flowers -: and-an-incapacitated-flight-crew. JANET #MARTIN #UNCLE-CAR-AND-ADAM: Flowers?! (The-scene-switches-to-the-human-news) REPORTER: (Talking-with-Bob-Bumble) We-have-a-storm-in-the-area and-two-individuals-at-the-controls -: with-absolutely-no-flight-experience. BOB-BUMBLE: Just-a-minute. There's-a-bee-on-that-plane. BUD: I'm-quite-familiar-with-Mr.-Benson and-his-no-account-compadres. -: They've-done-enough-damage. REPORTER: But-isn't-he-your-only-hope? BUD: Technically #a-bee shouldn't-be-able-to-fly-at-all. -: Their-wings-are-too-small... BARRY: (Through-radio) Haven't-we-heard-this-a-million-times? -: 'The-surface-area-of-the-wings and-body-mass-make-no-sense.'... BOB-BUMBLE: --Get-this-on-the-air! BEE: --Got-it. BEE-NEWS-CREW: --Stand-by. BEE-NEWS-CREW: --We're-going-live! BARRY: (Through-radio-on-TV) ...The-way-we-work-may-be-a-mystery-to-you. -: Making-honey-takes-a-lot-of-bees doing-a-lot-of-small-jobs. -: But-let-me-tell-you-about-a-small-job. -: If-you-do-it-well #it-makes-a-big-difference. -: More-than-we-realized. To-us #to-everyone. -: That's-why-I-want-to-get-bees back-to-working-together. -: That's-the-bee-way! We're-not-made-of-Jell-O. -: We-get-behind-a-fellow. -: --Black-and-yellow! BEES: --Hello! (The-scene-switches-and-Barry-is-teaching-Vanessa-how-to-fly) BARRY: Left #right #down #hover. VANESSA: --Hover? BARRY: --Forget-hover. VANESSA: This-isn't-so-hard. (Pretending-to-honk-the-horn) Beep-beep!-Beep-beep! (A-Lightning-bolt-hits-the-plane-and-autopilot-turns-off) Barry #what-happened?! BARRY: Wait #I-think-we-were on-autopilot-the-whole-time. VANESSA: --That-may-have-been-helping-me. BARRY: --And-now-we're-not! VANESSA: So-it-turns-out-I-cannot-fly-a-plane. (The-plane-plummets-but-we-see-Lou-Lu-Duva-and-the-Pollen-Jocks #along-with multiple-other-bees-flying-towards-the-plane) Lou-Lu-DUva: All-of-you #let's-get behind-this-fellow!-Move-it-out! -: Move-out! (The-scene-switches-back-to-Vanessa-and-Barry-in-the-plane) BARRY: Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane! (Barry-sticks-out-his-arms-like-an-airplane-and-flys-in-front-of-Vanessa's face) VANESSA: Don't-have-to-yell. BARRY: I'm-not-yelling! We're-in-a-lot-of-trouble. VANESSA: It's-very-hard-to-concentrate with-that-panicky-tone-in-your-voice! BARRY: It's-not-a-tone.-I'm-panicking! VANESSA: I-can't-do-this! (Barry-slaps-Vanessa) BARRY: Vanessa #pull-yourself-together. You-have-to-snap-out-of-it! VANESSA: (Slaps-Barry) You-snap-out-of-it. BARRY: (Slaps-Vanessa) -: You-snap-out-of-it. VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! (We-see-that-all-the-Pollen-Jocks-are-flying-under-the-plane) VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --Hold-it! BARRY: --Why?-Come-on #it's-my-turn. VANESSA: How-is-the-plane-flying? (The-plane-is-now-safely-flying) VANESSA: I-don't-know. (Barry's-antennae-rings-like-a-phone.-Barry-picks-up) BARRY: Hello? LOU-LU-DUVA: (Through-'phone') Benson #got-any-flowers for-a-happy-occasion-in-there? (All-of-the-Pollen-Jocks-are-carrying-the-plane) BARRY: The-Pollen-Jocks! -: They-do-get-behind-a-fellow. LOU-LU-DUVA: --Black-and-yellow. POLLEN-JOCKS: --Hello. LOU-LU-DUVA: All-right #let's-drop-this-tin-can on-the-blacktop. BARRY: Where?-I-can't-see-anything.-Can-you? VANESSA: No #nothing.-It's-all-cloudy. -: Come-on.-You-got-to-think-bee #Barry. BARRY: --Thinking-bee. --Thinking-bee. (On-the-runway-there-are-millions-of-bees-laying-on-their-backs) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: Wait-a-minute. I-think-I'm-feeling-something. VANESSA: --What? BARRY: --I-don't-know.-It's-strong #pulling-me. -: Like-a-27-million-year-old-instinct. -: Bring-the-nose-down. BEES: Thinking-bee! Thinking-bee!-Thinking-bee! CONTROL-TOWER-OPERATOR: --What-in-the-world-is-on-the-tarmac? BUD: --Get-some-lights-on-that! (It-is-revealed-that-all-the-bees-are-organized-into-a-giant-pulsating flower-formation) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: --Vanessa #aim-for-the-flower. VANESSA: --OK. BARRY: Out-the-engines.-We're-going-in on-bee-power.-Ready #boys? LOU-LU-DUVA: Affirmative! BARRY: Good.-Good.-Easy #now.-That's-it. -: Land-on-that-flower! -: Ready?-Full-reverse! -: Spin-it-around! (The-plane's-nose-is-pointed-at-a-flower-painted-on-a-nearby-plane) --Not-that-flower!-The-other-one! VANESSA: --Which-one? BARRY: --That-flower. (The-plane-is-now-pointed-at-a-fat-guy-in-a-flowered-shirt.-He-freaks-out and-tries-to-take-a-picture-of-the-plane) VANESSA: --I'm-aiming-at-the-flower! BARRY: That's-a-fat-guy-in-a-flowered-shirt. I-mean-the-giant-pulsating-flower made-of-millions-of-bees! (The-plane-hovers-over-the-bee-flower) -: Pull-forward.-Nose-down.-Tail-up. -: Rotate-around-it. VANESSA: --This-is-insane #Barry! BARRY: --This's-the-only-way-I-know-how-to-fly. BUD: Am-I-koo-koo-kachoo #or-is-this-plane flying-in-an-insect-like-pattern? (The-plane-is-unrealistically-hovering-and-spinning-over-the-bee-flower) BARRY: Get-your-nose-in-there.-Don't-be-afraid. Smell-it.-Full-reverse! -: Just-drop-it.-Be-a-part-of-it. -: Aim-for-the-center! -: Now-drop-it-in!-Drop-it-in #woman! -: Come-on #already. (The-bees-scatter-and-the-plane-safely-lands) VANESSA: Barry #we-did-it! You-taught-me-how-to-fly! BARRY: --Yes! (Vanessa-is-about-to-high-five-Barry) No-high-five! VANESSA: --Right. ADAM: Barry #it-worked! Did-you-see-the-giant-flower? BARRY: What-giant-flower?-Where?-Of-course I-saw-the-flower!-That-was-genius! ADAM: --Thank-you. BARRY: --But-we're-not-done-yet. -: Listen #everyone! -: This-runway-is-covered with-the-last-pollen -: from-the-last-flowers available-anywhere-on-Earth. -: That-means-this-is-our-last-chance. -: We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this. -: If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say? -: Are-we-going-to-be-bees #or-just Museum-of-Natural-History-keychains? BEES: We're-bees! BEE-WHO-LIKES-KEYCHAINS: Keychain! BARRY: Then-follow-me!-Except-Keychain. POLLEN-JOCK-#1: Hold-on #Barry.-Here. -: You've-earned-this. BARRY: Yeah! -: I'm-a-Pollen-Jock!-And-it's-a-perfect fit.-All-I-gotta-do-are-the-sleeves. (The-Pollen-Jocks-throw-Barry-a-nectar-collecting-gun.-Barry-catches-it) Oh #yeah. JANET: That's-our-Barry. (Barry-and-the-Pollen-Jocks-get-pollen-from-the-flowers-on-the-plane) (Flash-forward-in-time-and-the-Pollen-Jocks-are-flying-over-NYC) -: (Barry-pollinates-the-flowers-in-Vanessa's-shop-and-then-heads-to-Central Park) BOY-IN-PARK: Mom!-The-bees-are-back! ADAM: (Putting-on-his-Krelman-hat) If-anybody-needs to-make-a-call #now's-the-time. -: I-got-a-feeling-we'll-be working-late-tonight! (The-bee-honey-factories-are-back-up-and-running) (Meanwhile-at-Vanessa's-shop) VANESSA: (To-customer) Here's-your-change.-Have-a-great afternoon!-Can-I-help-who's-next? -: Would-you-like-some-honey-with-that? It-is-bee-approved.-Don't-forget-these. (There-is-a-room-in-the-shop-where-Barry-does-legal-work-for-other-animals. He-is-currently-talking-with-a-Cow) COW: Milk #cream #cheese #it's-all-me. And-I-don't-see-a-nickel! -: Sometimes-I-just-feel like-a-piece-of-meat! BARRY: I-had-no-idea. VANESSA: Barry #I'm-sorry. Have-you-got-a-moment? BARRY: Would-you-excuse-me? My-mosquito-associate-will-help-you. MOOSEBLOOD: Sorry-I'm-late. COW: He's-a-lawyer-too? MOOSEBLOOD: Ma'am #I-was-already-a-blood-sucking-parasite. All-I-needed-was-a-briefcase. VANESSA: Have-a-great-afternoon! -: Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere. BARRY: No-problem #Vannie. Just-leave-it-to-me. VANESSA: You're-a-lifesaver #Barry. Can-I-help-who's-next? BARRY: All-right #scramble #jocks! It's-time-to-fly. VANESSA: Thank-you #Barry! (Ken-walks-by-on-the-sidewalk-and-sees-the-'bee-approved-honey'-in Vanessa's-shop) KEN: That-bee-is-living-my-life!! ANDY: Let-it-go #Kenny. KEN: --When-will-this-nightmare-end?! ANDY: --Let-it-all-go. BARRY: --Beautiful-day-to-fly. POLLEN-JOCK: --Sure-is. BARRY: Between-you-and-me #I-was-dying-to-get-out-of-that-office. (Barry-recreates-the-scene-near-the-beginning-of-the-movie-where-he-flies through-the-box-kite.-The-movie-fades-to-black-and-the-credits-being) [--after-credits;-No-scene-can-be-seen-but-the-characters-can-be-heard talking-over-the-credits--] You-have-got to-start-thinking-bee #my-friend! -: --Thinking-bee! --Me? BARRY: (Talking-over-singer) Hold-it.-Let's-just-stop for-a-second.-Hold-it. -: I'm-sorry.-I'm-sorry #everyone. Can-we-stop-here? SINGER: Oh #BarryBARRY: I'm-not-making-a-major-life-decision during-a-production-number! SINGER: All-right.-Take-ten #everybody. Wrap-it-up #guys. BARRY: I-had-virtually-no-rehearsal-for-that.#scriptscombeemoviebyjerryseinfeldnarratorblackscreenwithtextthesoundofbuzzingbeescanbeheardaccordingtoallknownlawsofaviation #thereisnowayabeeshouldbeabletoflyitswingsaretoosmalltogetitsfatlittlebodyoffthegroundthebee #ofcourse #fliesanywaybecausebeesdontcarewhathumansthinkisimpossiblebarrybensonbarryispickingoutashirtyellow #blackyellow #blackooh -
ok here we go
#Scripts.com Bee-Movie By-Jerry-Seinfeld NARRATOR: (Black-screen-with-text;-The-sound-of-buzzing-bees-can-be-heard) According-to-all-known-laws of-aviation #: there-is-no-way-a-bee should-be-able-to-fly. -: Its-wings-are-too-small-to-get its-fat-little-body-off-the-ground. -: The-bee #of-course #flies-anyway -: because-bees-don't-care what-humans-think-is-impossible. BARRY-BENSON: (Barry-is-picking-out-a-shirt) Yellow #black.-Yellow #black. Yellow #black.-Yellow #black. -: Ooh #black-and-yellow! Let's-shake-it-up-a-little. JANET-BENSON: Barry!-Breakfast-is-ready! BARRY: Coming! -: Hang-on-a-second. (Barry-uses-his-antenna-like-a-phone) -: Hello? ADAM-FLAYMAN: (Through-phone) --Barry? BARRY: --Adam? ADAM: --Can-you-believe-this-is-happening? BARRY: --I-can't.-I'll-pick-you-up. (Barry-flies-down-the-stairs) -: MARTIN-BENSON: Looking-sharp. JANET: Use-the-stairs.-Your-father paid-good-money-for-those. BARRY: Sorry.-I'm-excited. MARTIN: Here's-the-graduate. We're-very-proud-of-you #son. -: A-perfect-report-card #all-B's. JANET: Very-proud. (Rubs-Barry's-hair) BARRY= Ma!-I-got-a-thing-going-here. JANET: --You-got-lint-on-your-fuzz. BARRY: --Ow!-That's-me! JANET: --Wave-to-us!-We'll-be-in-row-118 #000. --Bye! (Barry-flies-out-the-door) JANET: Barry #I-told-you #stop-flying-in-the-house! (Barry-drives-through-the-hive #and-is-waved-at-by-Adam-who-is-reading-a newspaper) BARRY== --Hey #Adam. ADAM: --Hey #Barry. (Adam-gets-in-Barry's-car) -: --Is-that-fuzz-gel? BARRY: --A-little.-Special-day #graduation. ADAM: Never-thought-I'd-make-it. (Barry-pulls-away-from-the-house-and-continues-driving) BARRY: Three-days-grade-school #three-days-high-school... ADAM: Those-were-awkward. BARRY: Three-days-college.-I'm-glad-I-took a-day-and-hitchhiked-around-the-hive. ADAM== You-did-come-back-different. (Barry-and-Adam-pass-by-Artie #who-is-jogging) ARTIE: --Hi #Barry! BARRY: --Artie #growing-a-mustache?-Looks-good. ADAM: --Hear-about-Frankie? BARRY: --Yeah. ADAM== --You-going-to-the-funeral? BARRY: --No #I'm-not-going-to-his-funeral. -: Everybody-knows #sting-someone #you-die. -: Don't-waste-it-on-a-squirrel. Such-a-hothead. ADAM: I-guess-he-could-have just-gotten-out-of-the-way. (The-car-does-a-barrel-roll-on-the-loop-shaped-bridge-and-lands-on-the highway) -: I-love-this-incorporating an-amusement-park-into-our-regular-day. BARRY: I-guess-that's-why-they-say-we-don't-need-vacations. (Barry-parallel-parks-the-car-and-together-they-fly-over-the-graduating students) Boy #quite-a-bit-of-pomp... under-the-circumstances. (Barry-and-Adam-sit-down-and-put-on-their-hats) -: --Well #Adam #today-we-are-men. ADAM: --We-are! BARRY= --Bee-men. =ADAM= --Amen! BARRY-AND-ADAM: Hallelujah! (Barry-and-Adam-both-have-a-happy-spasm) ANNOUNCER: Students #faculty #distinguished-bees #: please-welcome-Dean-Buzzwell. DEAN-BUZZWELL: Welcome #New-Hive-Oity graduating-class-of... -: ...9: -: That-concludes-our-ceremonies. -: And-begins-your-career at-Honex-Industries! ADAM: Will-we-pick-our-job-today? (Adam-and-Barry-get-into-a-tour-bus) BARRY= I-heard-it's-just-orientation. (Tour-buses-rise-out-of-the-ground-and-the-students-are-automatically loaded-into-the-buses) TOUR-GUIDE: Heads-up!-Here-we-go. ANNOUNCER: Keep-your-hands-and-antennas inside-the-tram-at-all-times. BARRY: --Wonder-what-it'll-be-like? ADAM: --A-little-scary. TOUR-GUIDE== Welcome-to-Honex #a-division-of-Honesco -: and-a-part-of-the-Hexagon-Group. Barry: This-is-it! BARRY-AND-ADAM: Wow. BARRY: Wow. (The-bus-drives-down-a-road-an-on-either-side-are-the-Bee's-massive complicated-Honey-making-machines) TOUR-GUIDE: We-know-that-you #as-a-bee #have-worked-your-whole-life -: to-get-to-the-point-where-you can-work-for-your-whole-life. -: Honey-begins-when-our-valiant-Pollen Jocks-bring-the-nectar-to-the-hive. -: Our-top-secret-formula -: is-automatically-color-corrected #scent-adjusted-and-bubble-contoured -: into-this-soothing-sweet-syrup -: with-its-distinctive golden-glow-you-know-as... EVERYONE-ON-BUS: Honey! (The-guide-has-been-collecting-honey-into-a-bottle-and-she-throws-it-into the-crowd-on-the-bus-and-it-is-caught-by-a-girl-in-the-back) ADAM: --That-girl-was-hot. BARRY: --She's-my-cousin! ADAM== --She-is? BARRY: --Yes #we're-all-cousins. ADAM: --Right.-You're-right. TOUR-GUIDE: --At-Honex #we-constantly-strive -: to-improve-every-aspect of-bee-existence. -: These-bees-are-stress-testing a-new-helmet-technology. (The-bus-passes-by-a-Bee-wearing-a-helmet-who-is-being-smashed-into-the ground-with-fly-swatters #newspapers-and-boots.-He-lifts-a-thumbs-up-but you-can-hear-him-groan) -: ADAM== --What-do-you-think-he-makes? BARRY: --Not-enough. TOUR-GUIDE: Here-we-have-our-latest-advancement #the-Krelman. (They-pass-by-a-turning-wheel-with-Bees-standing-on-pegs #who-are-each wearing-a-finger-shaped-hat) Barry: --Wow #What-does-that-do? TOUR-GUIDE: --Catches-that-little-strand-of-honey -: that-hangs-after-you-pour-it. Saves-us-millions. ADAM: (Intrigued) Can-anyone-work-on-the-Krelman? TOUR-GUIDE: Of-course.-Most-bee-jobs-are small-ones. But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot. -: But-choose-carefully -: because-you'll-stay-in-the-job you-pick-for-the-rest-of-your-life. (Everyone-claps-except-for-Barry) BARRY: The-same-job-the-rest-of-your-life? I-didn't-know-that. ADAM: What's-the-difference? TOUR-GUIDE: You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off -: in-27-million-years. BARRY: (Upset) So-you'll-just-work-us-to-death? -: We'll-sure-try. (Everyone-on-the-bus-laughs-except-Barry.-Barry-and-Adam-are-walking-back home-together) ADAM: Wow!-That-blew-my-mind! BARRY: 'What's-the-difference?' How-can-you-say-that? -: One-job-forever? That's-an-insane-choice-to-have-to-make. ADAM: I'm-relieved.-Now-we-only-have to-make-one-decision-in-life. BARRY: But #Adam #how-could-they never-have-told-us-that? ADAM: Why-would-you-question-anything? We're-bees. -: We're-the-most-perfectly functioning-society-on-Earth. BARRY: You-ever-think-maybe-things work-a-little-too-well-here? ADAM: Like-what?-Give-me-one-example. (Barry-and-Adam-stop-walking-and-it-is-revealed-to-the-audience-that hundreds-of-cars-are-speeding-by-and-narrowly-missing-them-in-perfect unison) BARRY: I-don't-know.-But-you-know what-I'm-talking-about. ANNOUNCER: Please-clear-the-gate. Royal-Nectar-Force-on-approach. BARRY: Wait-a-second.-Check-it-out. (The-Pollen-jocks-fly-in #circle-around-and-landing-in-line) -: --Hey #those-are-Pollen-Jocks! ADAM: --Wow. -: I've-never-seen-them-this-close. BARRY: They-know-what-it's-like outside-the-hive. ADAM: Yeah #but-some-don't-come-back. GIRL-BEES: --Hey #Jocks! --Hi #Jocks! (The-Pollen-Jocks-hook-up-their-backpacks-to-machines-that-pump-the-nectar to-trucks #which-drive-away) LOU-LO-DUVA: You-guys-did-great! -: You're-monsters! You're-sky-freaks! I-love-it! (Punching-the-Pollen-Jocks-in-joy) I-love-it! ADAM: --I-wonder-where-they-were. BARRY: --I-don't-know. -: Their-day's-not-planned. -: Outside-the-hive #flying-who-knows where #doing-who-knows-what. -: You-can't-just-decide-to-be-a-Pollen Jock.-You-have-to-be-bred-for-that. ADAM== Right. (Barry-and-Adam-are-covered-in-some-pollen-that-floated-off-of-the-Pollen Jocks) BARRY: Look-at-that.-That's-more-pollen than-you-and-I-will-see-in-a-lifetime. ADAM: It's-just-a-status-symbol. Bees-make-too-much-of-it. BARRY: Perhaps.-Unless-you're-wearing-it and-the-ladies-see-you-wearing-it. (Barry-waves-at-2-girls-standing-a-little-away-from-them) ADAM== Those-ladies? Aren't-they-our-cousins-too? BARRY: Distant.-Distant. POLLEN-JOCK-#1: Look-at-these-two. POLLEN-JOCK-#2: --Couple-of-Hive-Harrys. POLLEN-JOCK-#1: --Let's-have-fun-with-them. GIRL-BEE-#1: It-must-be-dangerous being-a-Pollen-Jock. BARRY: Yeah.-Once-a-bear-pinned-me against-a-mushroom! -: He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me! (Slaps-Adam-with-his-hand-to-represent-his-scenario) GIRL-BEE-#2: --Oh #my! BARRY: --I-never-thought-I'd-knock-him-out. GIRL-BEE-#1: (Looking-at-Adam) What-were-you-doing-during-this? ADAM: Obviously-I-was-trying-to-alert-the-authorities. BARRY: I-can-autograph-that. (The-pollen-jocks-walk-up-to-Barry-and-Adam #they-pretend-that-Barry-and Adam-really-are-pollen-jocks.) POLLEN-JOCK-#1: A-little-gusty-out-there-today #wasn't-it #comrades? BARRY: Yeah.-Gusty. POLLEN-JOCK-#1: We're-hitting-a-sunflower-patch six-miles-from-here-tomorrow. BARRY: --Six-miles #huh? ADAM: --Barry! POLLEN-JOCK-#2: A-puddle-jump-for-us #but-maybe-you're-not-up-for-it. BARRY: --Maybe-I-am. ADAM: --You-are-not! POLLEN-JOCK-#1: We're-going-0900-at-J-Gate. -: What-do-you-think #buzzy-boy? Are-you-bee-enough? BARRY: I-might-be.-It-all-depends on-what-0900-means. (The-scene-cuts-to-Barry-looking-out-on-the-hive-city-from-his-balcony-at night) MARTIN: Hey #Honex! BARRY: Dad #you-surprised-me. MARTIN: You-decide-what-you're-interested-in? BARRY: --Well #there's-a-lot-of-choices. --But-you-only-get-one. -: Do-you-ever-get-bored doing-the-same-job-every-day? MARTIN: Son #let-me-tell-you-about-stirring. -: You-grab-that-stick #and-you-just move-it-around #and-you-stir-it-around. -: You-get-yourself-into-a-rhythm. It's-a-beautiful-thing. BARRY: You-know #Dad #the-more-I-think-about-it #: maybe-the-honey-field just-isn't-right-for-me. MARTIN: You-were-thinking-of-what #making-balloon-animals? -: That's-a-bad-job for-a-guy-with-a-stinger. -: Janet #your-son's-not-sure he-wants-to-go-into-honey! JANET: --Barry #you-are-so-funny-sometimes. BARRY: --I'm-not-trying-to-be-funny. MARTIN: You're-not-funny!-You're-going into-honey.-Our-son #the-stirrer! JANET: --You're-gonna-be-a-stirrer? BARRY: --No-one's-listening-to-me! MARTIN: Wait-till-you-see-the-sticks-I-have. BARRY: I-could-say-anything-right-now. I'm-gonna-get-an-ant-tattoo! (Barry's-parents-don't-listen-to-him-and-continue-to-ramble-on) MARTIN: Let's-open-some-honey-and-celebrate! BARRY: Maybe-I'll-pierce-my-thorax. Shave-my-antennae. -: Shack-up-with-a-grasshopper.-Get a-gold-tooth-and-call-everybody-'dawg'! JANET: I'm-so-proud. (The-scene-cuts-to-Barry-and-Adam-waiting-in-line-to-get-a-job) ADAM: --We're-starting-work-today! BARRY: --Today's-the-day. ADAM: Come-on!-All-the-good-jobs will-be-gone. BARRY: Yeah #right. JOB-LISTER: Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal... BEE-IN-FRONT-OF-LINE: --Is-it-still-available? JOB-LISTER: --Hang-on.-Two-left! -: One-of-them's-yours!-Congratulations! Step-to-the-side. ADAM: --What'd-you-get? BEE-IN-FRONT-OF-LINE: --Picking-crud-out.-Stellar! (He-walks-away) ADAM: Wow! JOB-LISTER: Couple-of-newbies? ADAM: Yes #sir!-Our-first-day!-We-are-ready! JOB-LISTER: Make-your-choice. (Adam-and-Barry-look-up-at-the-job-board.-There-are-hundreds-of-constantly changing-panels-that-contain-available-or-unavailable-jobs.-It-looks-very confusing) ADAM: --You-want-to-go-first? BARRY: --No #you-go. ADAM: Oh #my.-What's-available? JOB-LISTER: Restroom-attendant's-open #not-for-the-reason-you-think. ADAM: --Any-chance-of-getting-the-Krelman? JOB-LISTER: --Sure #you're-on. (Puts-the-Krelman-finger-hat-on-Adam's-head) (Suddenly-the-sign-for-Krelman-closes-out) -: I'm-sorry #the-Krelman-just-closed-out. (Takes-Adam's-hat-off) Wax-monkey's-always-open. ADAM: The-Krelman-opened-up-again. -: What-happened? JOB-LISTER: A-bee-died.-Makes-an-opening.-See? He's-dead.-Another-dead-one. -: Deady.-Deadified.-Two-more-dead. -: Dead-from-the-neck-up. Dead-from-the-neck-down.-That's-life! ADAM: Oh #this-is-so-hard! (Barry-remembers-what-the-Pollen-Jock-offered-him-and-he-flies-off) Heating #cooling #stunt-bee #pourer #stirrer #: humming #inspector-number-seven #lint-coordinator #stripe-supervisor #: mite-wrangler.-Barry #what do-you-think-I-should...-Barry? (Adam-turns-around-and-sees-Barry-flying-away) -: Barry! POLLEN-JOCK: All-right #we've-got-the-sunflower-patch in-quadrant-nine... ADAM: (Through-phone) What-happened-to-you? Where-are-you? BARRY: --I'm-going-out. ADAM: --Out?-Out-where? BARRY: --Out-there. ADAM: --Oh #no! BARRY: I-have-to #before-I-go to-work-for-the-rest-of-my-life. ADAM: You're-gonna-die!-You're-crazy! (Barry-hangs-up) Hello? POLLEN-JOCK-#2: Another-call-coming-in. -: If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd -: that-gets-their-roses-today. BARRY: Hey #guys. POLLEN-JOCK-#1-== --Look-at-that. POLLEN-JOCK-#2: --Isn't-that-the-kid-we-saw-yesterday? LOU-LO-DUVA: Hold-it #son #flight-deck's-restricted. POLLEN-JOCK-#1: It's-OK #Lou.-We're-gonna-take-him-up. (Puts-hand-on-Barry's-shoulder) LOU-LO-DUVA: (To-Barry)-Really?-Feeling-lucky #are-you? BEE-WITH-CLIPBOARD: (To-Barry)-Sign-here #here.-Just-initial-that. -: --Thank-you. LOU-LO-DUVA: --OK. -: You-got-a-rain-advisory-today #: and-as-you-all-know #bees-cannot-fly-in-rain. -: So-be-careful.-As-always #watch-your-brooms #: hockey-sticks #dogs #birds #bears-and-bats. -: Also #I-got-a-couple-of-reports of-root-beer-being-poured-on-us. -: Murphy's-in-a-home-because-of-it #babbling-like-a-cicada! BARRY: --That's-awful. LOU-LO-DUVA: (Still-talking-through-megaphone) --And-a-reminder-for-you-rookies #: bee-law-number-one #absolutely-no-talking-to-humans! -: All-right #launch-positions! POLLEN-JOCKS: (The-Pollen-Jocks-run-into-formation) -: Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz! LOU-LU-DUVA: Black-and-yellow! POLLEN-JOCKS: Hello! POLLEN-JOCK-#1: (To-Barry)You-ready-for-this #hot-shot? BARRY: Yeah.-Yeah #bring-it-on. POLLEN-JOCK's: Wind #check. -: --Antennae #check. --Nectar-pack #check. -: --Wings #check. --Stinger #check. BARRY: Scared-out-of-my-shorts #check. LOU-LO-DUVA: OK #ladies #: let's-move-it-out! -: Pound-those-petunias #you-striped-stem-suckers! -: All-of-you #drain-those-flowers! (The-pollen-jocks-fly-out-of-the-hive) BARRY: Wow!-I'm-out! -: I-can't-believe-I'm-out! -: So-blue. -: I-feel-so-fast-and-free! -: Box-kite! (Barry-flies-through-the-kite) -: Wow! -: Flowers! (A-pollen-jock-puts-on-some-high-tech-goggles-that-shows-flowers-similar-to heat-sink-goggles.) POLLEN-JOCK: This-is-Blue-Leader. We-have-roses-visual. -: Bring-it-around-30-degrees-and-hold. -: Roses! POLLEN-JOCK-#1: 30-degrees #roger.-Bringing-it-around. -: Stand-to-the-side #kid. It's-got-a-bit-of-a-kick. (The-pollen-jock-fires-a-high-tech-gun-at-the-flower #shooting-tubes-that suck-up-the-nectar-from-the-flower-and-collects-it-into-a-pouch-on-the-gun) BARRY: That-is-one-nectar-collector! POLLEN-JOCK-#1== --Ever-see-pollination-up-close? BARRY: --No #sir. POLLEN-JOCK-#1: (Barry-and-the-Pollen-jock-fly-over-the-field #the-pollen-jock-sprinkles pollen-as-he-goes) -: I-pick-up-some-pollen-here #sprinkle-it over-here.-Maybe-a-dash-over-there #: a-pinch-on-that-one. See-that?-It's-a-little-bit-of-magic. BARRY: That's-amazing.-Why-do-we-do-that? POLLEN-JOCK-#1: That's-pollen-power.-More-pollen #more flowers #more-nectar #more-honey-for-us. BARRY: Cool. POLLEN-JOCK-#1: I'm-picking-up-a-lot-of-bright-yellow. could-be-daisies.-Don't-we-need-those? POLLEN-JOCK-#2: Copy-that-visual. -: Wait.-One-of-these-flowers seems-to-be-on-the-move. POLLEN-JOCK-#1: Say-again?-You're-reporting a-moving-flower? POLLEN-JOCK-#2: Affirmative. (The-Pollen-jocks-land-near-the-'flowers'-which #to-the-audience-are obviously-just-tennis-balls) KEN: (In-the-distance)-That-was-on-the-line! POLLEN-JOCK-#1: This-is-the-coolest.-What-is-it? POLLEN-JOCK-#2: I-don't-know #but-I'm-loving-this-color. -: It-smells-good. Not-like-a-flower #but-I-like-it. POLLEN-JOCK-#1: Yeah #fuzzy. (Sticks-his-hand-on-the-ball-but-it-gets-stuck) POLLEN-JOCK-#3== Chemical-y. (The-pollen-jock-finally-gets-his-hand-free-from-the-tennis-ball) POLLEN-JOCK-#1: Careful #guys.-It's-a-little-grabby. (The-pollen-jocks-turn-around-and-see-Barry-lying-his-entire-body-on-top-of one-of-the-tennis-balls) POLLEN-JOCK-#2: My-sweet-lord-of-bees! POLLEN-JOCK-#3: Candy-brain #get-off-there! POLLEN-JOCK-#1: (Pointing-upwards) Problem! (A-human-hand-reaches-down-and-grabs-the-tennis-ball-that-Barry-is-stuck to) BARRY: --Guys! POLLEN-JOCK-#2: --This-could-be-bad. POLLEN-JOCK-#3: Affirmative. (Vanessa-Bloome-starts-bouncing-the-tennis-ball #not-knowing-Barry-is-stick to-it) BARRY== Very-close. -: Gonna-hurt. -: Mama's-little-boy. (Barry-is-being-hit-back-and-forth-by-two-humans-playing-tennis.-He-is still-stuck-to-the-ball) POLLEN-JOCK-#1: You-are-way-out-of-position #rookie! KEN: Coming-in-at-you-like-a-MISSILE! (Barry-flies-past-the-pollen-jocks #still-stuck-to-the-ball) BARRY: (In-slow-motion) Help-me! POLLEN-JOCK-#2: I-don't-think-these-are-flowers. POLLEN-JOCK-#3: --Should-we-tell-him? POLLEN-JOCK-#1: --I-think-he-knows. BARRY: What-is-this?! KEN: Match-point! -: You-can-start-packing-up #honey #because-you're-about-to-EAT-IT! (A-pollen-jock-coughs-which-confused-Ken-and-he-hits-the-ball-the-wrong-way with-Barry-stuck-to-it-and-it-goes-flying-into-the-city) BARRY: Yowser! (Barry-bounces-around-town-and-gets-stuck-in-the-engine-of-a-car.-He-flies into-the-air-conditioner-and-sees-a-bug-that-was-frozen-in-there) BARRY: Ew #gross. (The-man-driving-the-car-turns-on-the-air-conditioner-which-blows-Barry into-the-car) GIRL-IN-CAR: There's-a-bee-in-the-car! -: --Do-something! DAD-DRIVING-CAR: --I'm-driving! BABY-GIRL: (Waving-at-Barry) --Hi #bee. (Barry-smiles-and-waves-at-the-baby-girl) GUY-IN-BACK-OF-CAR: --He's-back-here! -: He's-going-to-sting-me! GIRL-IN-CAR: Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze! (Barry-freezes-as-well #hovering-in-the-middle-of-the-car) -: GRANDMA-IN-CAR== He-blinked! (The-grandma-whips-out-some-bee-spray-and-sprays-everywhere-in-the-car #climbing-into-the-front-seat #still-trying-to-spray-Barry) GIRL-IN-CAR: Spray-him #Granny! DAD-DRIVING-THE-CAR: What-are-you-doing?! (Barry-escapes-the-car-through-the-air-conditioner-and-is-flying-high-above the-ground #safe.) BARRY: Wow...-the-tension-level out-here-is-unbelievable. (Barry-sees-that-storm-clouds-are-gathering-and-he-can-see-rain-clouds moving-into-this-direction) -: I-gotta-get-home. -: Can't-fly-in-rain. -: Can't-fly-in-rain. (A-rain-drop-hits-Barry-and-one-of-his-wings-is-damaged) -: Can't-fly-in-rain. (A-second-rain-drop-hits-Barry-again-and-he-spirals-downwards) Mayday!-Mayday!-Bee-going-down! (WW2-plane-sound-effects-are-played-as-he-plummets #and-he-crash-lands-on-a plant-inside-an-apartment-near-the-window) VANESSA-BLOOME: Ken #could-you-close the-window-please? KEN== Hey #check-out-my-new-resume. I-made-it-into-a-fold-out-brochure. -: You-see? (Folds-brochure-resume-out) Folds-out. (Ken-closes-the-window #trapping-Barry-inside) BARRY: Oh #no.-More-humans.-I-don't-need-this. (Barry-tries-to-fly-away-but-smashes-into-the-window-and-falls-again) -: What-was-that? (Barry-keeps-trying-to-fly-out-the-window-but-he-keeps-being-knocked-back because-the-window-is-closed) Maybe-this-time.-This-time.-This-time. This-time!-This-time!-This... -: Drapes! (Barry-taps-the-glass.-He-doesn't-understand-what-it-is) That-is-diabolical. KEN: It's-fantastic.-It's-got-all-my-special skills #even-my-top-ten-favorite-movies. ANDY: What's-number-one?-Star-Wars? KEN: Nah #I-don't-go-for-that... (Ken-makes-finger-guns-and-makes-'pew-pew-pew'-sounds-and-then-stops) -: ...kind-of-stuff. BARRY: No-wonder-we-shouldn't-talk-to-them. They're-out-of-their-minds. KEN: When-I-leave-a-job-interview #they're flabbergasted #can't-believe-what-I-say. BARRY: (Looking-at-the-light-on-the-ceiling) There's-the-sun.-Maybe-that's-a-way-out. (Starts-flying-towards-the-lightbulb) -: I-don't-remember-the-sun having-a-big-75-on-it. (Barry-hits-the-lightbulb-and-falls-into-the-dip-on-the-table-that-the humans-are-sitting-at) KEN: I-predicted-global-warming. -: I-could-feel-it-getting-hotter. At-first-I-thought-it-was-just-me. (Andy-dips-a-chip-into-the-bowl-and-scoops-up-some-dip-with-Barry-on-it-and is-about-to-put-it-in-his-mouth) -: Wait!-Stop!-Bee! (Andy-drops-the-chip-with-Barry-in-fear-and-backs-away.-All-the-humans freak-out) -: Stand-back.-These-are-winter-boots. (Ken-has-winter-boots-on-his-hands-and-he-is-about-to-smash-the-bee-but Vanessa-saves-him-last-second) VANESSA: Wait! -: Don't-kill-him! (Vanessa-puts-Barry-in-a-glass-to-protect-him) KEN: You-know-I'm-allergic-to-them! This-thing-could-kill-me! VANESSA: Why-does-his-life-have less-value-than-yours? KEN: Why-does-his-life-have-any-less-value than-mine?-Is-that-your-statement? VANESSA: I'm-just-saying-all-life-has-value.-You don't-know-what-he's-capable-of-feeling. (Vanessa-picks-up-Ken's-brochure-and-puts-it-under-the-glass-so-she-can carry-Barry-back-to-the-window.-Barry-looks-at-Vanessa-in-amazement) KEN: My-brochure! VANESSA: There-you-go #little-guy. (Vanessa-opens-the-window-and-lets-Barry-out-but-Barry-stays-back-and-is still-shocked-that-a-human-saved-his-life) KEN: I'm-not-scared-of-him. It's-an-allergic-thing. VANESSA: Put-that-on-your-resume-brochure. KEN: My-whole-face-could-puff-up. ANDY: Make-it-one-of-your-special-skills. KEN: Knocking-someone-out is-also-a-special-skill. (Ken-walks-to-the-door) Right.-Bye #Vanessa.-Thanks. -: --Vanessa #next-week?-Yogurt-night? VANESSA: --Sure #Ken.-You-know #whatever. -: (Vanessa-tries-to-close-door) KEN== --You-could-put-carob-chips-on-there. VANESSA: --Bye. (Closes-door-but-Ken-opens-it-again) KEN: --Supposed-to-be-less-calories. VANESSA: --Bye. (Closes-door) (Fast-forward-to-the-next-day #Barry-is-still-inside-the-house.-He-flies into-the-kitchen-where-Vanessa-is-doing-dishes) BARRY== (Talking-to-himself) I-gotta-say-something. -: She-saved-my-life. I-gotta-say-something. -: All-right #here-it-goes. (Turns-back) Nah. -: What-would-I-say? -: I-could-really-get-in-trouble. -: It's-a-bee-law. You're-not-supposed-to-talk-to-a-human. -: I-can't-believe-I'm-doing-this. -: I've-got-to. (Barry-disguises-himself-as-a-character-on-a-food-can-as-Vanessa-walks-by again) -: Oh #I-can't-do-it.-Come-on! -: No.-Yes.-No. -: Do-it.-I-can't. -: How-should-I-start-it? (Barry-strikes-a-pose-and-wiggles-his-eyebrows) 'You-like-jazz?' No #that's-no-good. (Vanessa-is-about-to-walk-past-Barry) Here-she-comes!-Speak #you-fool! -: ...Hi! (Vanessa-gasps-and-drops-the-dishes-in-fright-and-notices-Barry-on-the counter) -: I'm-sorry. VANESSA: --You're-talking. BARRY: --Yes #I-know. VANESSA: (Pointing-at-Barry) You're-talking! BARRY: I'm-so-sorry. VANESSA: No #it's-OK.-It's-fine. I-know-I'm-dreaming. -: But-I-don't-recall-going-to-bed. BARRY: Well #I'm-sure-this is-very-disconcerting. VANESSA: This-is-a-bit-of-a-surprise-to-me. I-mean #you're-a-bee! BARRY: I-am.-And-I'm-not-supposed to-be-doing-this #(Pointing-to-the-living-room-where-Ken-tried-to-kill-him-last-night) but-they-were-all-trying-to-kill-me. -: And-if-it-wasn't-for-you... -: I-had-to-thank-you. It's-just-how-I-was-raised. (Vanessa-stabs-her-hand-with-a-fork-to-test-whether-she's-dreaming-or-not) -: That-was-a-little-weird. VANESSA: --I'm-talking-with-a-bee. BARRY: --Yeah. VANESSA: I'm-talking-to-a-bee. And-the-bee-is-talking-to-me! BARRY: I-just-want-to-say-I'm-grateful. I'll-leave-now. (Barry-turns-to-leave) VANESSA: --Wait!-How-did-you-learn-to-do-that? BARRY: (Flying-back) --What? VANESSA: The-talking...thing. BARRY: Same-way-you-did #I-guess. 'Mama #Dada #honey.'-You-pick-it-up. VANESSA: --That's-very-funny. BARRY: --Yeah. -: Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with. -: Anyway... VANESSA: Can-I... -: ...get-you-something? BARRY: --Like-what? VANESSA: I-don't-know.-I-mean... I-don't-know.-Coffee? BARRY: I-don't-want-to-put-you-out. VANESSA: It's-no-trouble.-It-takes-two-minutes. -: --It's-just-coffee. BARRY: --I-hate-to-impose. (Vanessa-starts-making-coffee) VANESSA: --Don't-be-ridiculous! BARRY: --Actually #I-would-love-a-cup. VANESSA: Hey #you-want-rum-cake? BARRY: --I-shouldn't. VANESSA: --Have-some. BARRY: --No #I-can't. VANESSA: --Come-on! BARRY: I'm-trying-to-lose-a-couple-micrograms. VANESSA: --Where? BARRY: --These-stripes-don't-help. VANESSA: You-look-great! BARRY: I-don't-know-if-you-know anything-about-fashion. -: Are-you-all-right? VANESSA: (Pouring-coffee-on-the-floor-and-missing-the-cup-completely) No. (Flash-forward-in-time.-Barry-and-Vanessa-are-sitting-together-at-a-table on-top-of-the-apartment-building-drinking-coffee) -: BARRY== He's-making-the-tie-in-the-cab as-they're-flying-up-Madison. -: He-finally-gets-there. -: He-runs-up-the-steps-into-the-church. The-wedding-is-on. -: And-he-says #'Watermelon? I-thought-you-said-Guatemalan. -: Why-would-I-marry-a-watermelon?' (Barry-laughs-but-Vanessa-looks-confused) VANESSA: Is-that-a-bee-joke? BARRY: That's-the-kind-of-stuff-we-do. VANESSA: Yeah #different. -: So #what-are-you-gonna-do #Barry? (Barry-stands-on-top-of-a-sugar-cube-floating-in-his-coffee-and-paddles-it around-with-a-straw-like-it's-a-gondola) BARRY: About-work?-I-don't-know. -: I-want-to-do-my-part-for-the-hive #but-I-can't-do-it-the-way-they-want. VANESSA: I-know-how-you-feel. BARRY: --You-do? VANESSA: --Sure. -: My-parents-wanted-me-to-be-a-lawyer-or a-doctor #but-I-wanted-to-be-a-florist. BARRY: --Really? VANESSA: --My-only-interest-is-flowers. BARRY: Our-new-queen-was-just-elected with-that-same-campaign-slogan. -: Anyway #if-you-look... (Barry-points-to-a-tree-in-the-middle-of-Central-Park) -: There's-my-hive-right-there.-See-it? VANESSA: You're-in-Sheep-Meadow! BARRY: Yes!-I'm-right-off-the-Turtle-Pond! VANESSA: No-way!-I-know-that-area. I-lost-a-toe-ring-there-once. BARRY: --Why-do-girls-put-rings-on-their-toes? VANESSA: --Why-not? BARRY: --It's-like-putting-a-hat-on-your-knee. VANESSA: --Maybe-I'll-try-that. (A-custodian-installing-a-lightbulb-looks-over-at-them-but-to-his perspective-it-looks-like-Vanessa-is-talking-to-a-cup-of-coffee-on-the table) CUSTODIAN: --You-all-right #ma'am? VANESSA: --Oh #yeah.-Fine. -: Just-having-two-cups-of-coffee! BARRY: Anyway #this-has-been-great. Thanks-for-the-coffee. VANESSA== Yeah #it's-no-trouble. BARRY: Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life. (Barry-points-towards-the-rum-cake) -: Can-I-take-a-piece-of-this-with-me? VANESSA: Sure!-Here #have-a-crumb. (Vanessa-hands-Barry-a-crumb-but-it-is-still-pretty-big-for-Barry) BARRY: --Thanks! VANESSA: --Yeah. BARRY: All-right.-Well #then... I-guess-I'll-see-you-around. -: Or-not. VANESSA: OK #Barry... BARRY: And-thank-you so-much-again...-for-before. VANESSA: Oh #that?-That-was-nothing. BARRY: Well #not-nothing #but...-Anyway... (Vanessa-and-Barry-hold-hands #but-Vanessa-has-to-hold-out-a-finger-because her-hands-is-to-big-and-Barry-holds-that) (The-custodian-looks-over-again-and-it-appears-Vanessa-is-laughing-at-her coffee-again.-The-lightbulb-that-he-was-screwing-in-sparks-and-he-falls-off the-ladder) (Fast-forward-in-time-and-we-see-two-Bee-Scientists-testing-out-a-parachute in-a-Honex-wind-tunnel) BEE-SCIENTIST-#1: This-can't-possibly-work. BEE-SCIENTIST-#2: He's-all-set-to-go. We-may-as-well-try-it. -: OK #Dave #pull-the-chute. (Dave-pulls-the-chute-and-the-wind-slams-him-against-the-wall-and-he-falls on-his-face.The-camera-pans-over-and-we-see-Barry-and-Adam-walking together) ADAM: --Sounds-amazing. BARRY: --It-was-amazing! -: It-was-the-scariest #happiest-moment-of-my-life. ADAM: Humans!-I-can't-believe you-were-with-humans! -: Giant #scary-humans! What-were-they-like? BARRY: Huge-and-crazy.-They-talk-crazy. -: They-eat-crazy-giant-things. They-drive-crazy. ADAM: --Do-they-try-and-kill-you #like-on-TV? BARRY: --Some-of-them.-But-some-of-them-don't. ADAM: --How'd-you-get-back? BARRY: --Poodle. ADAM: You-did-it #and-I'm-glad.-You-saw whatever-you-wanted-to-see. -: You-had-your-'experience.'-Now-you can-pick-out-your-job-and-be-normal. BARRY: --Well... ADAM: --Well? BARRY: Well #I-met-someone. ADAM: You-did?-Was-she-Bee-ish? -: --A-wasp?!-Your-parents-will-kill-you! BARRY: --No #no #no #not-a-wasp. ADAM: --Spider? BARRY: --I'm-not-attracted-to-spiders. -: I-know #for-everyone-else #it's-the-hottest-thing #with-the-eight-legs-and-all. -: I-can't-get-by-that-face. ADAM: So-who-is-she? BARRY: She's...-human. ADAM: No #no.-That's-a-bee-law. You-wouldn't-break-a-bee-law. BARRY: --Her-name's-Vanessa. (Adam-puts-his-head-in-his-hands) ADAM: --Oh #boy. BARRY== She's-so-nice.-And-she's-a-florist! ADAM: Oh #no!-You're-dating-a-human-florist! BARRY: We're-not-dating. ADAM: You're-flying-outside-the-hive #talking to-humans-that-attack-our-homes -: with-power-washers-and-M-80s! That's-one-eighth-a-stick-of-dynamite! BARRY: She-saved-my-life! And-she-understands-me. ADAM: This-is-over! BARRY: Eat-this. (Barry-gives-Adam-a-piece-of-the-crumb-that-he-got-from-Vanessa.-Adam-eats it) ADAM: (Adam's-tone-changes) This-is-not-over!-What-was-that? BARRY: --They-call-it-a-crumb. ADAM: --It-was-so-stingin'-stripey! BARRY: And-that's-not-what-they-eat. That's-what-falls-off-what-they-eat! -: --You-know-what-a-Cinnabon-is? ADAM: --No. (Adam-opens-a-door-behind-him-and-he-pulls-Barry-in) BARRY: It's-bread-and-cinnamon-and-frosting. ADAM: Be-quiet! BARRY: They-heat-it-up... ADAM: Sit-down! (Adam-forces-Barry-to-sit-down) BARRY: (Still-rambling-about-Cinnabons) ...really-hot! (Adam-grabs-Barry-by-the-shoulders) ADAM: --Listen-to-me! -: We-are-not-them!-We're-us. There's-us-and-there's-them! BARRY== Yes #but-who-can-deny the-heart-that-is-yearning? ADAM: There's-no-yearning. Stop-yearning.-Listen-to-me! -: You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee! BARRY: --Thinking-bee. WORKER-BEE: --Thinking-bee. WORKER-BEES-AND-ADAM: Thinking-bee!-Thinking-bee! Thinking-bee!-Thinking-bee! (Flash-forward-in-time;-Barry-is-laying-on-a-raft-in-a-pool-full-of-honey. He-is-wearing-sunglasses) JANET: There-he-is.-He's-in-the-pool. MARTIN: You-know-what-your-problem-is #Barry? (Barry-pulls-down-his-sunglasses-and-he-looks-annoyed) BARRY: (Sarcastic) I-gotta-start-thinking-bee? JANET: How-much-longer-will-this-go-on? MARTIN: It's-been-three-days! Why-aren't-you-working? (Puts-sunglasses-back-on) BARRY: I've-got-a-lot-of-big-life-decisions to-think-about. MARTIN: What-life?-You-have-no-life! You-have-no-job.-You're-barely-a-bee! JANET: Would-it-kill-you to-make-a-little-honey? (Barry-rolls-off-the-raft-and-sinks-into-the-honey-pool) -: Barry #come-out. Your-father's-talking-to-you. -: Martin #would-you-talk-to-him? MARTIN: Barry #I'm-talking-to-you! (Barry-keeps-sinking-into-the-honey-until-he-is-suddenly-in-Central-Park having-a-picnic-with-Vanessa) (Barry-has-a-cup-of-honey-and-he-clinks-his-glass-with-Vanessas.-Suddenly-a mosquito-lands-on-Vanessa-and-she-slaps-it #killing-it.-They-both-gasp-but then-burst-out-laughing) VANESSA: You-coming? (The-camera-pans-over-and-Vanessa-is-climbing-into-a-small-yellow-airplane) BARRY: Got-everything? VANESSA: All-set! BARRY: Go-ahead.-I'll-catch-up. (Vanessa-lifts-off-and-flies-ahead) VANESSA: Don't-be-too-long. (Barry-catches-up-with-Vanessa-and-he-sticks-out-his-arms-like-ana-irplane. He-rolls-from-side-to-side #and-Vanessa-copies-him-with-the-airplane) VANESSA: Watch-this! (Barry-stays-back-and-watches-as-Vanessa-draws-a-heart-in-the-air-using pink-smoke-from-the-plane #but-on-the-last-loop-the-loop-she-suddenly crashes-into-a-mountain-and-the-plane-explodes.-The-destroyed-plane-falls into-some-rocks-and-explodes-a-second-time) BARRY: Vanessa! (As-Barry-is-yelling-his-mouth-fills-with-honey-and-he-wakes-up #discovering-that-he-was-just-day-dreaming.-He-slowly-sinks-back-into-the honey-pool) MARTIN: --We're-still-here. JANET: --I-told-you-not-to-yell-at-him. -: He-doesn't-respond-to-yelling! MARTIN: --Then-why-yell-at-me? JANET: --Because-you-don't-listen! MARTIN: I'm-not-listening-to-this. BARRY: Sorry #I've-gotta-go. MARTIN: --Where-are-you-going? BARRY: --I'm-meeting-a-friend. JANET: A-girl?-Is-this-why-you-can't-decide? BARRY: Bye. (Barry-flies-out-the-door-and-Martin-shakes-his-head) -: JANET== I-just-hope-she's-Bee-ish. (Fast-forward-in-time-and-Barry-is-sitting-on-Vanessa's-shoulder-and-she-is closing-up-her-shop) BARRY: They-have-a-huge-parade of-flowers-every-year-in-Pasadena? VANESSA: To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream! -: Up-on-a-float #surrounded by-flowers #crowds-cheering. BARRY: A-tournament.-Do-the-roses compete-in-athletic-events? VANESSA: No.-All-right #I've-got-one. How-come-you-don't-fly-everywhere? BARRY: It's-exhausting.-Why-don't-you run-everywhere?-It's-faster. VANESSA: Yeah #OK #I-see #I-see. All-right #your-turn. BARRY: TiVo.-You-can-just-freeze-live-TV? That's-insane! VANESSA: You-don't-have-that? BARRY: We-have-Hivo #but-it's-a-disease. It's-a-horrible #horrible-disease. VANESSA: Oh #my. (A-human-walks-by-and-Barry-narrowly-avoids-him) PASSERBY: Dumb-bees! VANESSA: You-must-want-to-sting-all-those-jerks. BARRY: We-try-not-to-sting. It's-usually-fatal-for-us. VANESSA: So-you-have-to-watch-your-temper (They-walk-into-a-store) BARRY: Very-carefully. You-kick-a-wall #take-a-walk #: write-an-angry-letter-and-throw-it-out. Work-through-it-like-any-emotion: -: Anger #jealousy #lust. (Suddenly-an-employee(Hector)-hits-Barry-off-of-Vanessa's-shoulder.-Hector thinks-he's-saving-Vanessa) VANESSA: (To-Barry) Oh #my-goodness!-Are-you-OK? (Barry-is-getting-up-off-the-floor) BARRY: Yeah. VANESSA: (To-Hector) --What-is-wrong-with-you?! HECTOR: (Confused) --It's-a-bug. VANESSA: He's-not-bothering-anybody. Get-out-of-here #you-creep! (Vanessa-hits-Hector-across-the-face-with-the-magazine-he-had-and-then-hits him-in-the-head.-Hector-backs-away-covering-his-head) Barry: What-was-that?-A-Pic-'N'-Save-circular? (Vanessa-sets-Barry-back-on-her-shoulder) VANESSA: Yeah #it-was.-How-did-you-know? BARRY: It-felt-like-about-10-pages. Seventy-five-is-pretty-much-our-limit. VANESSA: You've-really-got-that down-to-a-science. BARRY: --Oh #we-have-to.-I-lost-a-cousin-to-Italian-Vogue. VANESSA: --I'll-bet. (Barry-looks-to-his-right-and-notices-there-is-honey-for-sale-in-the-aisle) BARRY: What-in-the-name of-Mighty-Hercules-is-this? (Barry-looks-at-all-the-brands-of-honey #shocked) How-did-this-get-here? Cute-Bee #Golden-Blossom #: Ray-Liotta-Private-Select? (Barry-puts-his-hands-up-and-slowly-turns-around #a-look-of-disgust-on-his face) VANESSA: --Is-he-that-actor? BARRY: --I-never-heard-of-him. -: --Why-is-this-here? VANESSA: --For-people.-We-eat-it. BARRY: You-don't-have enough-food-of-your-own?! (Hector-looks-back-and-notices-that-Vanessa-is-talking-to-Barry) VANESSA: --Well #yes. BARRY: --How-do-you-get-it? VANESSA: --Bees-make-it. BARRY: --I-know-who-makes-it! -: And-it's-hard-to-make-it! -: There's-heating #cooling #stirring. You-need-a-whole-Krelman-thing! VANESSA: --It's-organic. BARRY: --It's-our-ganic! VANESSA: It's-just-honey #Barry. BARRY: Just-what?! -: Bees-don't-know-about-this! This-is-stealing!-A-lot-of-stealing! -: You've-taken-our-homes #schools #hospitals!-This-is-all-we-have! -: And-it's-on-sale?! I'm-getting-to-the-bottom-of-this. -: I'm-getting-to-the-bottom of-all-of-this! (Flash-forward-in-time;-Barry-paints-his-face-with-black-strikes-like-a soldier-and-sneaks-into-the-storage-section-of-the-store) (Two-men #including-Hector #are-loading-boxes-into-some-trucks) -: SUPERMARKET-EMPLOYEE== Hey #Hector. -: --You-almost-done? HECTOR: --Almost. (Barry-takes-a-step-to-peak-around-the-corner) (Whispering) He-is-here.-I-sense-it. -: Well #I-guess-I'll-go-home-now (Hector-pretends-to-walk-away-by-walking-in-place-and-speaking-loudly) -: and-just-leave-this-nice-honey-out #with-no-one-around. BARRY: You're-busted #box-boy! HECTOR: I-knew-I-heard-something! So-you-can-talk! BARRY: I-can-talk. And-now-you'll-start-talking! -: Where-you-getting-the-sweet-stuff? Who's-your-supplier? HECTOR: I-don't-understand. I-thought-we-were-friends. -: The-last-thing-we-want to-do-is-upset-bees! (Hector-takes-a-thumbtack-out-of-the-board-behind-him-and-sword-fights Barry.-Barry-is-using-his-stinger-like-a-sword) -: You're-too-late!-It's-ours-now! BARRY: You #sir #have-crossed the-wrong-sword! HECTOR: You #sir #will-be-lunch for-my-iguana #Ignacio! (Barry-hits-the-thumbtack-out-of-Hectors-hand-and-Hector-surrenders) Barry: Where-is-the-honey-coming-from? -: Tell-me-where! HECTOR: (Pointing-to-leaving-truck) Honey-Farms!-It-comes-from-Honey-Farms! (Barry-chases-after-the-truck-but-it-is-getting-away.-He-flies-onto-a bicyclists'-backpack-and-he-catches-up-to-the-truck) CAR-DRIVER: (To-bicyclist) Crazy-person! (Barry-flies-off-and-lands-on-the-windshield-of-the-Honey-farms-truck. Barry-looks-around-and-sees-dead-bugs-splattered-everywhere) BARRY: What-horrible-thing-has-happened-here? -: These-faces #they-never-knew what-hit-them.-And-now -: they're-on-the-road-to-nowhere! (Barry-hears-a-sudden-whisper) (Barry-looks-up-and-sees-Mooseblood #a-mosquito-playing-dead) MOOSEBLOOD: Just-keep-still. BARRY: What?-You're-not-dead? MOOSEBLOOD: Do-I-look-dead?-They-will-wipe-anything that-moves.-Where-you-headed? BARRY: To-Honey-Farms. I-am-onto-something-huge-here. MOOSEBLOOD: I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off! ANOTHER-BUG-PLAYING-DEAD: I'm-going-to-Tacoma. (Barry-looks-at-another-bug) BARRY: --And-you? MOOSEBLOOD: --He-really-is-dead. BARRY: All-right. (Another-bug-hits-the-windshield-and-the-drivers-notice.-They-activate-the windshield-wipers) MOOSEBLOOD== Uh-oh! (The-windshield-wipers-are-slowly-sliding-over-the-dead-bugs-and-wiping them-off) BARRY: --What-is-that?! MOOSEBLOOD: --Oh #no! -: --A-wiper!-Triple-blade! BARRY: --Triple-blade? MOOSEBLOOD: Jump-on!-It's-your-only-chance #bee! (Mooseblood-and-Barry-grab-onto-the-wiper-and-they-hold-on-as-it-wipes-the windshield) Why-does-everything-have to-be-so-doggone-clean?! -: How-much-do-you-people-need-to-see?! (Bangs-on-windshield) -: Open-your-eyes! Stick-your-head-out-the-window! RADIO-IN-TRUCK: From-NPR-News-in-Washington #I'm-Carl-Kasell. MOOSEBLOOD: But-don't-kill-no-more-bugs! (Mooseblood-and-Barry-are-washed-off-by-the-wipr-fluid) MOOSEBLOOD: --Bee! BARRY: --Moose-blood-guy!! (Barry-starts-screaming-as-he-hangs-onto-the-antenna) (Suddenly-it-is-revealed-that-a-water-bug-is-also-hanging-on-the-antenna. There-is-a-pause-and-then-Barry-and-the-water-bug-both-start-screaming) TRUCK-DRIVER: --You-hear-something? GUY-IN-TRUCK: --Like-what? TRUCK-DRIVER: Like-tiny-screaming. GUY-IN-TRUCK: Turn-off-the-radio. (The-antenna-starts-to-lower-until-it-gets-to-low-and-sinks-into-the-truck. The-water-bug-flies-off-and-Barry-is-forced-to-let-go-and-he-is-blown-away. He-luckily-lands-inside-a-horn-on-top-of-the-truck-where-he-finds Mooseblood #who-was-blown-into-the-same-place) MOOSEBLOOD: Whassup #bee-boy? BARRY: Hey #Blood. (Fast-forward-in-time-and-we-see-that-Barry-is-deep-in-conversation-with Mooseblood.-They-have-been-sitting-in-this-truck-for-a-while) BARRY: ...Just-a-row-of-honey-jars #as-far-as-the-eye-could-see. MOOSEBLOOD: Wow! BARRY: I-assume-wherever-this-truck-goes is-where-they're-getting-it. -: I-mean #that-honey's-ours. MOOSEBLOOD: --Bees-hang-tight. BARRY: --We're-all-jammed-in. -: It's-a-close-community. MOOSEBLOOD: Not-us #man.-We-on-our-own. Every-mosquito-on-his-own. BARRY: --What-if-you-get-in-trouble? MOOSEBLOOD: --You-a-mosquito #you-in-trouble. -: Nobody-likes-us.-They-just-smack. See-a-mosquito #smack #smack! BARRY: At-least-you're-out-in-the-world. You-must-meet-girls. MOOSEBLOOD: Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly. -: Mosquito-girl-don't-want-no-mosquito. (An-ambulance-passes-by-and-it-has-a-blood-donation-sign-on-it) You-got-to-be-kidding-me! -: Mooseblood's-about-to-leave the-building!-So-long #bee! (Mooseblood-leaves-and-flies-onto-the-window-of-the-ambulance-where-there are-other-mosquito's-hanging-out) -: --Hey #guys! OTHER-MOSQUITO: --Mooseblood! MOOSEBLOOD: I-knew-I'd-catch-y'all-down-here. Did-you-bring-your-crazy-straw? (The-truck-goes-out-of-view-and-Barry-notices-that-the-truck-he's-on-is pulling-into-a-camp-of-some-sort) TRUCK-DRIVER: We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit. (Barry-flies-out) BARRY: What-is-this-place? BEEKEEPER-1#: A-bee's-got-a-brain the-size-of-a-pinhead. BEEKEEPER-#2: They-are-pinheads! -: Pinhead. -: --Check-out-the-new-smoker. BEEKEEPER-#1: --Oh #sweet.-That's-the-one-you-want. -: The-Thomas-3000! BARRY: Smoker? BEEKEEPER-#1: Ninety-puffs-a-minute #semi-automatic. Twice-the-nicotine #all-the-tar. -: A-couple-breaths-of-this knocks-them-right-out. BEEKEEPER-#2: They-make-the-honey #and-we-make-the-money. BARRY: 'They-make-the-honey #and-we-make-the-money'? (The-Beekeeper-sprays-hundreds-of-cheap-miniature-apartments-with-the smoker.-The-bees-are-fainting-or-passing-out) Oh #my! -: What's-going-on?-Are-you-OK? (Barry-flies-into-one-of-the-apartment-and-helps-a-Bee-couple-get-off-the ground.-They-are-coughing-and-its-hard-for-them-to-stand) BEE-IN-APARTMENT: Yeah.-It-doesn't-last-too-long. BARRY: Do-you-know-you're in-a-fake-hive-with-fake-walls? BEE-IN-APPARTMENT: Our-queen-was-moved-here. We-had-no-choice. (The-apartment-room-is-completely-empty-except-for-a-photo-on-the-wall-of the-'queen'-who-is-obviously-a-man-in-women's-clothes) BARRY: This-is-your-queen? That's-a-man-in-women's-clothes! -: That's-a-drag-queen! -: What-is-this? (Barry-flies-out-and-he-discovers-that-there-are-hundreds-of-these structures #each-housing-thousands-of-Bees) Oh #no! -: There's-hundreds-of-them! (Barry-takes-out-his-camera-and-takes-pictures-of-these-Bee-work-camps.-The beekeepers-look-very-evil-in-these-depictions) Bee-honey. -: Our-honey-is-being-brazenly-stolen on-a-massive-scale! -: This-is-worse-than-anything-bears have-done!-I-intend-to-do-something. (Flash-forward-in-time-and-Barry-is-showing-these-pictures-to-his-parents) JANET: Oh #Barry #stop. MARTIN: Who-told-you-humans-are-taking our-honey?-That's-a-rumor. BARRY: Do-these-look-like-rumors? (Holds-up-the-pictures) UNCLE-CARL: That's-a-conspiracy-theory. These-are-obviously-doctored-photos. JANET: How-did-you-get-mixed-up-in-this? ADAM: He's-been-talking-to-humans. JANET: --What? MARTIN: --Talking-to-humans?! ADAM: He-has-a-human-girlfriend. And-they-make-out! JANET: Make-out?-Barry! BARRY: We-do-not. ADAM: --You-wish-you-could. MARTIN: --Whose-side-are-you-on? BARRY: The-bees! UNCLE-CARL: (He-has-been-sitting-in-the-back-of-the-room-this-entire-time) I-dated-a-cricket-once-in-San-Antonio. Those-crazy-legs-kept-me-up-all-night. JANET: Barry #this-is-what-you-want to-do-with-your-life? BARRY: I-want-to-do-it-for-all-our-lives. Nobody-works-harder-than-bees! -: Dad #I-remember-you coming-home-so-overworked -: your-hands-were-still-stirring. You-couldn't-stop. JANET: I-remember-that. BARRY: What-right-do-they-have-to-our-honey? -: We-live-on-two-cups-a-year.-They-put-it in-lip-balm-for-no-reason-whatsoever! ADAM: Even-if-it's-true #what-can-one-bee-do? BARRY: Sting-them-where-it-really-hurts. MARTIN: In-the-face!-The-eye! -: --That-would-hurt. BARRY: --No. MARTIN: Up-the-nose?-That's-a-killer. BARRY: There's-only-one-place-you-can-sting the-humans #one-place-where-it-matters. (Flash-forward-a-bit-in-time-and-we-are-watching-the-Bee-News) BEE-NEWS-NARRATOR: Hive-at-Five #the-hive's-only full-hour-action-news-source. BEE-PROTESTOR: No-more-bee-beards! BEE-NEWS-NARRATOR: With-Bob-Bumble-at-the-anchor-desk. -: Weather-with-Storm-Stinger. -: Sports-with-Buzz-Larvi. -: And-Jeanette-Chung. BOB-BUMBLE: --Good-evening.-I'm-Bob-Bumble. JEANETTE-CHUNG: --And-I'm-Jeanette-Chung. BOB-BUMBLE: A-tri-county-bee #Barry-Benson #: intends-to-sue-the-human-race for-stealing-our-honey #: packaging-it-and-profiting from-it-illegally! JEANETTE-CHUNG: Tomorrow-night-on-Bee-Larry-King #: we'll-have-three-former-queens-here-in our-studio #discussing-their-new-book #: Classy-Ladies #out-this-week-on-Hexagon. (The-scene-changes-to-an-interview-on-the-news-with-Bee-version-of-Larry King-and-Barry) BEE-LARRY-KING: Tonight-we're-talking-to-Barry-Benson. -: Did-you-ever-think #'I'm-a-kid from-the-hive.-I-can't-do-this'? BARRY: Bees-have-never-been-afraid to-change-the-world. -: What-about-Bee-Columbus? Bee-Gandhi?-Bejesus? BEE-LARRY-KING: Where-I'm-from #we'd-never-sue-humans. -: We-were-thinking of-stickball-or-candy-stores. BARRY: How-old-are-you? BEE-LARRY-KING: The-bee-community is-supporting-you-in-this-case #: which-will-be-the-trial of-the-bee-century. BARRY: You-know #they-have-a-Larry-King in-the-human-world-too. BEE-LARRY-KING: It's-a-common-name.-Next-week... BARRY: He-looks-like-you-and-has-a-show and-suspenders-and-colored-dots... BEE-LARRY-KING: Next-week... BARRY: Glasses #quotes-on-the-bottom-from-the guest-even-though-you-just-heard-'em. BEE-LARRY-KING: Bear-Week-next-week! They're-scary #hairy-and-here #live. (Bee-Larry-King-gets-annoyed-and-flies-away-offscreen) BARRY: Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish. (Flash-forward-in-time.-We-see-Vanessa-enter-and-Ken-enters-behind-her. They-are-arguing) KEN: In-tennis #you-attack at-the-point-of-weakness! VANESSA: It-was-my-grandmother #Ken.-She's-81. KEN== Honey #her-backhand's-a-joke! I'm-not-gonna-take-advantage-of-that? BARRY: (To-Ken) Quiet #please. Actual-work-going-on-here. KEN: (Pointing-at-Barry) --Is-that-that-same-bee? VANESSA: --Yes #it-is! -: I'm-helping-him-sue-the-human-race. BARRY: --Hello. KEN: --Hello #bee. VANESSA: This-is-Ken. BARRY: (Recalling-the-'Winter-Boots'-incident-earlier) Yeah #I-remember-you.-Timberland #size ten-and-a-half.-Vibram-sole #I-believe. KEN: (To-Vanessa) Why-does-he-talk-again? VANESSA: Listen #you-better-go 'cause-we're-really-busy-working. KEN: But-it's-our-yogurt-night! VANESSA: (Holding-door-open-for-Ken) Bye-bye. KEN: (Yelling) Why-is-yogurt-night-so-difficult?! (Ken-leaves-and-Vanessa-walks-over-to-Barry.-His-workplace-is-a-mess) VANESSA: You-poor-thing. You-two-have-been-at-this-for-hours! BARRY: Yes #and-Adam-here has-been-a-huge-help. ADAM: --Frosting... --How-many-sugars? -==BARRY== Just-one.-I-try-not to-use-the-competition. -: So-why-are-you-helping-me? VANESSA: Bees-have-good-qualities. -: And-it-takes-my-mind-off-the-shop. -: Instead-of-flowers #people are-giving-balloon-bouquets-now. BARRY: Those-are-great #if-you're-three. VANESSA: And-artificial-flowers. BARRY: --Oh #those-just-get-me-psychotic! VANESSA: --Yeah #me-too. -: BARRY: Bent-stingers #pointless-pollination. ADAM: Bees-must-hate-those-fake-things! -: Nothing-worse than-a-daffodil-that's-had-work-done. -: Maybe-this-could-make-up for-it-a-little-bit. VANESSA: --This-lawsuit's-a-pretty-big-deal. BARRY: --I-guess. ADAM: You-sure-you-want-to-go-through-with-it? BARRY: Am-I-sure?-When-I'm-done-with the-humans #they-won't-be-able -: to-say #'Honey #I'm-home #' without-paying-a-royalty! (Flash-forward-in-time-and-we-are-watching-the-human-news.-The-camera-shows a-crowd-outside-a-courthouse) NEWS-REPORTER: It's-an-incredible-scene here-in-downtown-Manhattan #: where-the-world-anxiously-waits #because-for-the-first-time-in-history #: we-will-hear-for-ourselves if-a-honeybee-can-actually-speak. (We-are-no-longer-watching-through-a-news-camera) ADAM: What-have-we-gotten-into-here #Barry? BARRY: It's-pretty-big #isn't-it? ADAM== (Looking-at-the-hundreds-of-people-around-the-courthouse) I-can't-believe-how-many-humans don't-work-during-the-day. BARRY: You-think-billion-dollar-multinational food-companies-have-good-lawyers? SECURITY-GUARD: Everybody-needs-to-stay behind-the-barricade. (A-limousine-drives-up-and-a-fat-man #Layton-Montgomery #a-honey-industry owner-gets-out-and-walks-past-Barry) ADAM: --What's-the-matter? BARRY: --I-don't-know #I-just-got-a-chill. (Fast-forward-in-time-and-everyone-is-in-the-court) MONTGOMERY: Well #if-it-isn't-the-bee-team. (To-Honey-Industry-lawyers) You-boys-work-on-this? MAN: All-rise!-The-Honorable Judge-Bumbleton-presiding. JUDGE-BUMBLETON: All-right.-Case-number-4475 #: Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry -: is-now-in-session. -: Mr.-Montgomery #you're-representing the-five-food-companies-collectively? MONTGOMERY: A-privilege. JUDGE-BUMBLETON: Mr.-Benson...-you're-representing all-the-bees-of-the-world? (Everyone-looks-closely #they-are-waiting-to-see-if-a-Bee-can-really-talk) (Barry-makes-several-buzzing-sounds-to-sound-like-a-Bee) BARRY: I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed. JUDGE-BUMBLBETON: Mr.-Montgomery #your-opening-statement #please. MONTGOMERY: Ladies-and-gentlemen-of-the-jury #: my-grandmother-was-a-simple-woman. -: Born-on-a-farm #she-believed it-was-man's-divine-right -: to-benefit-from-the-bounty of-nature-God-put-before-us. -: If-we-lived-in-the-topsy-turvy-world Mr.-Benson-imagines #: just-think-of-what-would-it-mean. -: I-would-have-to-negotiate with-the-silkworm -: for-the-elastic-in-my-britches! -: Talking-bee! (Montgomery-walks-over-and-looks-closely-at-Barry) -: How-do-we-know-this-isn't-some-sort-of -: holographic-motion-picture-capture Hollywood-wizardry? -: They-could-be-using-laser-beams! -: Robotics!-Ventriloquism! Cloning!-For-all-we-know #: he-could-be-on-steroids! JUDGE-BUMBLETON: Mr.-Benson? BARRY: Ladies-and-gentlemen #there's-no-trickery-here. -: I'm-just-an-ordinary-bee. Honey's-pretty-important-to-me. -: It's-important-to-all-bees. We-invented-it! -: We-make-it.-And-we-protect-it with-our-lives. -: Unfortunately #there-are some-people-in-this-room -: who-think-they-can-take-it-from-us -: 'cause-we're-the-little-guys! I'm-hoping-that #after-this-is-all-over #: you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have -: but-everything-we-are! JANET== (To-Martin) I-wish-he'd-dress-like-that all-the-time.-So-nice! JUDGE-BUMBLETON: Call-your-first-witness. BARRY: So #Mr.-Klauss-Vanderhayden of-Honey-Farms #big-company-you-have. KLAUSS-VANDERHAYDEN: I-suppose-so. BARRY: I-see-you-also-own Honeyburton-and-Honron! KLAUSS: Yes #they-provide-beekeepers for-our-farms. BARRY: Beekeeper.-I-find-that to-be-a-very-disturbing-term. -: I-don't-imagine-you-employ any-bee-free-ers #do-you? KLAUSS: (Quietly) --No. BARRY: --I-couldn't-hear-you. KLAUSS: --No. BARRY: --No. -: Because-you-don't-free-bees. You-keep-bees.-Not-only-that #: it-seems-you-thought-a-bear-would-be an-appropriate-image-for-a-jar-of-honey. KLAUSS: They're-very-lovable-creatures. -: Yogi-Bear #Fozzie-Bear #Build-A-Bear. BARRY: You-mean-like-this? (The-bear-from-Over-The-Hedge-barges-in-through-the-back-door-and-it-is roaring-and-standing-on-its-hind-legs.-It-is-thrashing-its-claws-and-people are-screaming.-It-is-being-held-back-by-a-guard-who-has-the-bear-on-a chain) -: (Pointing-to-the-roaring-bear) Bears-kill-bees! -: How'd-you-like-his-head-crashing through-your-living-room?! -: Biting-into-your-couch! Spitting-out-your-throw-pillows! JUDGE-BUMBLETON: OK #that's-enough.-Take-him-away. (The-bear-stops-roaring-and-thrashing-and-walks-out) BARRY: So #Mr.-Sting #thank-you-for-being-here. Your-name-intrigues-me. -: --Where-have-I-heard-it-before? MR.-STING: --I-was-with-a-band-called-The-Police. BARRY: But-you've-never-been a-police-officer #have-you? STING: No #I-haven't. BARRY: No #you-haven't.-And-so-here we-have-yet-another-example -: of-bee-culture-casually stolen-by-a-human -: for-nothing-more-than a-prance-about-stage-name. STING: Oh #please. BARRY: Have-you-ever-been-stung #Mr.-Sting? -: Because-I'm-feeling a-little-stung #Sting. -: Or-should-I-say...-Mr.-Gordon-M.-Sumner! MONTGOMERY: That's-not-his-real-name?!-You-idiots! BARRY: Mr.-Liotta #first #belated-congratulations-on -: your-Emmy-win-for-a-guest-spot on-ER-in-2005. RAY-LIOTTA: Thank-you.-Thank-you. BARRY: I-see-from-your-resume that-you're-devilishly-handsome -: with-a-churning-inner-turmoil that's-ready-to-blow. RAY-LIOTTA: I-enjoy-what-I-do.-Is-that-a-crime? BARRY: Not-yet-it-isn't.-But-is-this what-it's-come-to-for-you? -: Exploiting-tiny #helpless-bees so-you-don't -: have-to-rehearse your-part-and-learn-your-lines #sir? RAY-LIOTTA: Watch-it #Benson! I-could-blow-right-now! BARRY: This-isn't-a-goodfella. This-is-a-badfella! (Ray-Liotta-looses-it-and-tries-to-grab-Barry) RAY-LIOTTA: Why-doesn't-someone-just-step-on this-creep #and-we-can-all-go-home?! JUDGE-BUMBLETON: --Order-in-this-court! RAY-LIOTTA: --You're-all-thinking-it! (Judge-Bumbleton-starts-banging-her-gavel) JUDGE-BUMBLETON: Order!-Order #I-say! RAY-LIOTTA: --Say-it! MAN: --Mr.-Liotta #please-sit-down! (We-see-a-montage-of-magazines-which-feature-the-court-case) (Flash-forward-in-time-and-Barry-is-back-home-with-Vanessa) BARRY: I-think-it-was-awfully-nice of-that-bear-to-pitch-in-like-that. VANESSA: I-think-the-jury's-on-our-side. BARRY: Are-we-doing-everything-right #you-know #legally? VANESSA: I'm-a-florist. BARRY: Right.-Well #here's-to-a-great-team. VANESSA: To-a-great-team! (Ken-walks-in-from-work.-He-sees-Barry-and-he-looks-upset-when-he-sees Barry-clinking-his-glass-with-Vanessa) KEN: Well #hello. VANESSA: --Oh #Ken! BARRY: --Hello! VANESSA: I-didn't-think-you-were-coming. -: No #I-was-just-late. I-tried-to-call #but... (Ken-holds-up-his-phone-and-flips-it-open.-The-phone-has-no-charge) ...the-battery... VANESSA: I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free. KEN: Oh #that-was-lucky. (Ken-sits-down-at-the-table-across-from-Barry-and-Vanessa-leaves-the-room) VANESSA: There's-a-little-left. I-could-heat-it-up. KEN: (Not-taking-his-eyes-off-Barry) Yeah #heat-it-up #sure #whatever. BARRY: So-I-hear-you're-quite-a-tennis-player. -: I'm-not-much-for-the-game-myself. The-ball's-a-little-grabby. KEN: That's-where-I-usually-sit. Right... (Points-to-where-Barry-is-sitting) there. VANESSA: (Calling-from-other-room) Ken #Barry-was-looking-at-your-resume #: and-he-agreed-with-me-that-eating-with chopsticks-isn't-really-a-special-skill. KEN: (To-Barry) You-think-I-don't-see-what-you're-doing? BARRY: I-know-how-hard-it-is-to-find the-right-job.-We-have-that-in-common. KEN: Do-we? BARRY: Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out. KEN: (Menacingly) That's-just-what I-was-thinking-about-doing. (Ken-reaches-for-a-fork-on-the-table-but-knocks-if-on-the-floor.-He-goes-to pick-it-up) VANESSA: Ken #I-let-Barry-borrow-your-razor for-his-fuzz.-I-hope-that-was-all-right. (Ken-quickly-rises-back-up-after-hearing-this-but-hits-his-head-on-the table-and-yells) BARRY: I'm-going-to-drain-the-old-stinger. KEN: Yeah #you-do-that. (Barry-flies-past-Ken-to-get-to-the-bathroom-and-Ken-freaks-out #splashing some-of-the-wine-he-was-using-to-cool-his-head-in-his-eyes.-He-yells-in anger) (Barry-looks-at-the-magazines-featuring-his-victories-in-court) BARRY: Look-at-that. (Barry-flies-into-the-bathroom) (He-puts-his-hand-on-his-head-but-this-makes-hurts-him-and-makes-him-even madder.-He-yells-again) (Barry-is-washing-his-hands-in-the-sink-but-then-Ken-walks-in) KEN: You-know #you-know-I've-just-about-had-it (Closes-bathroom-door-behind-him) with-your-little-mind-games. (Ken-is-menacingly-rolling-up-a-magazine) BARRY: (Backing-away) --What's-that? KEN: --Italian-Vogue. BARRY: Mamma-mia #that's-a-lot-of-pages. KEN: It's-a-lot-of-ads. BARRY: Remember-what-Van-said #why-is your-life-more-valuable-than-mine? KEN: That's-funny #I-just-can't-seem-to-recall-that! (Ken-smashes-everything-off-the-sink-with-the-magazine-and-Barry-narrowly escapes) (Ken-follows-Barry-around-and-tries-to-hit-him-with-the-magazine-but-he keeps-missing) (Ken-gets-a-spray-bottle) -: I-think-something-stinks-in-here! BARRY: (Enjoying-the-spray) I-love-the-smell-of-flowers. (Ken-holds-a-lighter-in-front-of-the-spray-bottle) KEN: How-do-you-like-the-smell-of-flames?! BARRY: Not-as-much. (Ken-fires-his-make-shift-flamethrower-but-misses-Barry #burning-the bathroom.-He-torches-the-whole-room-but-looses-his-footing-and-falls-into the-bathtub.-After-getting-hit-in-the-head-by-falling-objects-3-times-he picks-up-the-shower-head #revealing-a-Water-bug-hiding-under-it) WATER-BUG: Water-bug!-Not-taking-sides! (Barry-gets-up-out-of-a-pile-of-bathroom-supplies-and-he-is-wearing-a chapstick-hat) BARRY: Ken #I'm-wearing-a-Chapstick-hat! This-is-pathetic! (Ken-switches-the-shower-head-to-lethal) KEN: I've-got-issues! (Ken-sprays-Barry-with-the-shower-head-and-he-crash-lands-into-the-toilet) (Ken-menacingly-looks-down-into-the-toilet-at-Barry) Well #well #well #a-royal-flush! BARRY: --You're-bluffing. KEN: --Am-I? (flushes-toilet) (Barry-grabs-a-chapstick-from-the-toilet-seat-and-uses-it-to-surf-in-the flushing-toilet) BARRY: Surf's-up #dude! (Barry-flies-out-of-the-toilet-on-the-chapstick-and-sprays-Ken's-face-with the-toilet-water) -: EW #Poo-water! BARRY: That-bowl-is-gnarly. KEN: (Aiming-a-toilet-cleaner-at-Barry) Except-for-those-dirty-yellow-rings! (Barry-cowers-and-covers-his-head-and-Vanessa-runs-in-and-takes-the-toilet cleaner-from-Ken-just-before-he-hits-Barry) VANESSA: Kenneth!-What-are-you-doing?! KEN== (Leaning-towards-Barry) You-know #I-don't-even-like-honey! I-don't-eat-it! VANESSA: We-need-to-talk! (Vanessa-pulls-Ken-out-of-the-bathroom) -: He's-just-a-little-bee! -: And-he-happens-to-be the-nicest-bee-I've-met-in-a-long-time! KEN: Long-time?-What-are-you-talking-about?! Are-there-other-bugs-in-your-life? VANESSA: No #but-there-are-other-things-bugging me-in-life.-And-you're-one-of-them! KEN: Fine!-Talking-bees #no-yogurt-night... -: My-nerves-are-fried-from-riding on-this-emotional-roller-coaster! VANESSA: Goodbye #Ken. (Ken-huffs-and-walks-out-and-slams-the-door.-But-suddenly-he-walks-back-in and-stares-at-Barry) -: And-for-your-information #I-prefer-sugar-free #artificial sweeteners-MADE-BY-MAN! (Ken-leaves-again-and-Vanessa-leans-in-towards-Barry) VANESSA: I'm-sorry-about-all-that. (Ken-walks-back-in-again) KEN: I-know-it's-got an-aftertaste!-I-LIKE-IT! (Ken-leaves-for-the-last-time) VANESSA: I-always-felt-there-was-some-kind of-barrier-between-Ken-and-me. -: I-couldn't-overcome-it. Oh #well. -: Are-you-OK-for-the-trial? BARRY: I-believe-Mr.-Montgomery is-about-out-of-ideas. (Flash-forward-in-time-and-Barry #Adam #and-Vanessa-are-back-in-court) MONTGOMERY-- We-would-like-to-call Mr.-Barry-Benson-Bee-to-the-stand. ADAM: Good-idea!-You-can-really-see-why-he's considered-one-of-the-best-lawyers... (Barry-stares-at-Adam) ...Yeah. LAWYER: Layton #you've gotta-weave-some-magic with-this-jury #or-it's-gonna-be-all-over. MONTGOMERY: Don't-worry.-The-only-thing-I-have to-do-to-turn-this-jury-around -: is-to-remind-them of-what-they-don't-like-about-bees. (To-lawyer) --You-got-the-tweezers? LAWYER: --Are-you-allergic? MONTGOMERY: Only-to-losing #son.-Only-to-losing. -: Mr.-Benson-Bee #I'll-ask-you what-I-think-we'd-all-like-to-know. -: What-exactly-is-your-relationship (Points-to-Vanessa) -: to-that-woman? BARRY: We're-friends. MONTGOMERY: --Good-friends? BARRY: --Yes. MONTGOMERY: How-good?-Do-you-live-together? ADAM: Wait-a-minute... -: MONTGOMERY: Are-you-her-little... -: ...bedbug? (Adam's-stinger-starts-vibrating.-He-is-agitated) I've-seen-a-bee-documentary-or-two. From-what-I-understand #: doesn't-your-queen-give-birth to-all-the-bee-children? BARRY: --Yeah #but... MONTGOMERY: (Pointing-at-Janet-and-Martin) --So-those-aren't-your-real-parents! JANET: --Oh #Barry... BARRY: --Yes #they-are! ADAM: Hold-me-back! (Vanessa-tries-to-hold-Adam-back.-He-wants-to-sting-Montgomery) MONTGOMERY: You're-an-illegitimate-bee #aren't-you #Benson? ADAM: He's-denouncing-bees! MONTGOMERY: Don't-y'all-date-your-cousins? (Montgomery-leans-over-on-the-jury-stand-and-stares-at-Adam) VANESSA: --Objection! (Vanessa-raises-her-hand-to-object-but-Adam-gets-free.-He-flies-straight-at Montgomery) =ADAM: --I'm-going-to-pincushion-this-guy! BARRY: Adam #don't!-It's-what-he-wants! (Adam-stings-Montgomery-in-the-butt-and-he-starts-thrashing-around) MONTGOMERY: Oh #I'm-hit!! -: Oh #lordy #I-am-hit! JUDGE-BUMBLETON: (Banging-gavel) Order!-Order! MONTGOMERY: (Overreacting) The-venom!-The-venom is-coursing-through-my-veins! -: I-have-been-felled by-a-winged-beast-of-destruction! -: You-see?-You-can't-treat-them like-equals!-They're-striped-savages! -: Stinging's-the-only-thing they-know!-It's-their-way! BARRY: --Adam #stay-with-me. ADAM: --I-can't-feel-my-legs. MONTGOMERY: (Overreacting-and-throwing-his-body-around-the-room) What-angel-of-mercy will-come-forward-to-suck-the-poison -: from-my-heaving-buttocks? JUDGE-BUMLBETON: I-will-have-order-in-this-court.-Order! -: Order #please! (Flash-forward-in-time-and-we-see-a-human-news-reporter) NEWS-REPORTER: The-case-of-the-honeybees versus-the-human-race -: took-a-pointed-turn-against-the-bees -: yesterday-when-one-of-their-legal team-stung-Layton-T.-Montgomery. (Adam-is-laying-in-a-hospital-bed-and-Barry-flies-in-to-see-him) BARRY: --Hey #buddy. ADAM: --Hey. BARRY: --Is-there-much-pain? ADAM: --Yeah. -: I... -: I-blew-the-whole-case #didn't-I? BARRY: It-doesn't-matter.-What-matters-is you're-alive.-You-could-have-died. ADAM: I'd-be-better-off-dead.-Look-at-me. (A-small-plastic-sword-is-replaced-as-Adam's-stinger) They-got-it-from-the-cafeteria downstairs #in-a-tuna-sandwich. -: Look #there's a-little-celery-still-on-it. (Flicks-off-the-celery-and-sighs) BARRY: What-was-it-like-to-sting-someone? ADAM: I-can't-explain-it.-It-was-all... -: All-adrenaline-and-then... and-then-ecstasy! BARRY: ...All-right. ADAM: You-think-it-was-all-a-trap? BARRY: Of-course.-I'm-sorry. I-flew-us-right-into-this. -: What-were-we-thinking?-Look-at-us.-We're just-a-couple-of-bugs-in-this-world. ADAM: What-will-the-humans-do-to-us if-they-win? BARRY: I-don't-know. ADAM: I-hear-they-put-the-roaches-in-motels. That-doesn't-sound-so-bad. BARRY: Adam #they-check-in #but-they-don't-check-out! ADAM: Oh #my. (Coughs) Could-you-get-a-nurse to-close-that-window? BARRY: --Why? ADAM: --The-smoke. (We-can-see-that-two-humans-are-smoking-cigarettes-outside) -: Bees-don't-smoke. BARRY: Right.-Bees-don't-smoke. -: Bees-don't-smoke! But-some-bees-are-smoking. -: That's-it!-That's-our-case! ADAM: It-is?-It's-not-over? BARRY: Get-dressed.-I've-gotta-go-somewhere. -: Get-back-to-the-court-and-stall. Stall-any-way-you-can. (Flash-forward-in-time-and-Adam-is-making-a-paper-boat-in-the-courtroom) ADAM: And-assuming-you've-done-step-29-correctly #you're-ready-for-the-tub! (We-see-that-the-jury-have-each-made-their-own-paper-boats-after-being taught-how-by-Adam.-They-all-look-confused) JUDGE-BUMBLETON: Mr.-Flayman. ADAM: Yes?-Yes #Your-Honor! JUDGE-BUMBLETON: Where-is-the-rest-of-your-team? ADAM: (Continues-stalling) Well #Your-Honor #it's-interesting. -: Bees-are-trained-to-fly-haphazardly #: and-as-a-result #we-don't-make-very-good-time. -: I-actually-heard-a-funny-story-about... MONTGOMERY: Your-Honor #haven't-these-ridiculous-bugs -: taken-up-enough of-this-court's-valuable-time? -: How-much-longer-will-we-allow these-absurd-shenanigans-to-go-on? -: They-have-presented-no-compelling evidence-to-support-their-charges -: against-my-clients #who-run-legitimate-businesses. -: I-move-for-a-complete-dismissal of-this-entire-case! JUDGE-BUMBLETON: Mr.-Flayman #I'm-afraid-I'm-going -: to-have-to-consider Mr.-Montgomery's-motion. ADAM: But-you-can't!-We-have-a-terrific-case. MONTGOMERY: Where-is-your-proof? Where-is-the-evidence? -: Show-me-the-smoking-gun! BARRY: (Barry-flies-in-through-the-door) Hold-it #Your-Honor! You-want-a-smoking-gun? -: Here-is-your-smoking-gun. (Vanessa-walks-in-holding-a-bee-smoker.-She-sets-it-down-on-the-Judge's podium) JUDGE-BUMBLETON: What-is-that? BARRY: It's-a-bee-smoker! MONTGOMERY: (Picks-up-smoker) What #this? This-harmless-little-contraption? -: This-couldn't-hurt-a-fly #let-alone-a-bee. (Montgomery-accidentally-fires-it-at-the-bees-in-the-crowd-and-they-faint and-cough) (Dozens-of-reporters-start-taking-pictures-of-the-suffering-bees) BARRY: Look-at-what-has-happened -: to-bees-who-have-never-been-asked #'Smoking-or-non?' -: Is-this-what-nature-intended-for-us? -: To-be-forcibly-addicted to-smoke-machines -: and-man-made-wooden-slat-work-camps? -: Living-out-our-lives-as-honey-slaves to-the-white-man? (Barry-points-to-the-honey-industry-owners.-One-of-them-is-an-African American-so-he-awkwardly-separates-himself-from-the-others) LAWYER: --What-are-we-gonna-do? --He's-playing-the-species-card. BARRY: Ladies-and-gentlemen #please #free-these-bees! ADAM-AND-VANESSA: Free-the-bees!-Free-the-bees! BEES-IN-CROWD: Free-the-bees! HUMAN-JURY: Free-the-bees!-Free-the-bees! JUDGE-BUMBLETON: The-court-finds-in-favor-of-the-bees! BARRY: Vanessa #we-won! VANESSA: I-knew-you-could-do-it!-High-five! (Vanessa-hits-Barry-hard-because-her-hand-is-too-big) -: Sorry. BARRY: (Overjoyed) I'm-OK!-You-know-what-this-means? -: All-the-honey will-finally-belong-to-the-bees. -: Now-we-won't-have to-work-so-hard-all-the-time. MONTGOMERY: This-is-an-unholy-perversion of-the-balance-of-nature #Benson. -: You'll-regret-this. (Montgomery-leaves-and-Barry-goes-outside-the-courtroom.-Several-reporters start-asking-Barry-questions) REPORTER-1#: Barry #how-much-honey-is-out-there? BARRY: All-right.-One-at-a-time. REPORTER-2#: Barry #who-are-you-wearing? BARRY: My-sweater-is-Ralph-Lauren #and-I-have-no-pants. (Barry-flies-outside-with-the-paparazzi-and-Adam-and-Vanessa-stay-back) ADAM: (To-Vanessa) --What-if-Montgomery's-right? Vanessa: --What-do-you-mean? ADAM: We've-been-living-the-bee-way a-long-time #27-million-years. (Flash-forward-in-time-and-Barry-is-talking-to-a-man) BUSINESS-MAN: Congratulations-on-your-victory. What-will-you-demand-as-a-settlement? BARRY: First #we'll-demand-a-complete-shutdown of-all-bee-work-camps. (As-Barry-is-talking-we-see-a-montage-of-men-putting-'closed'-tape-over-the work-camps-and-freeing-the-bees-in-the-crappy-apartments) Then-we-want-back-the-honey that-was-ours-to-begin-with #: every-last-drop. (Men-in-suits-are-pushing-all-the-honey-of-the-aisle-and-into-carts) We-demand-an-end-to-the-glorification of-the-bear-as-anything-more (We-see-a-statue-of-a-bear-shaped-honey-container-being-pulled-down-by bees) than-a-filthy #smelly #bad-breath-stink-machine. -: We're-all-aware of-what-they-do-in-the-woods. (We-see-Winnie-the-Pooh-sharing-his-honey-with-Piglet-in-the-cross-hairs-of a-high-tech-sniper-rifle) BARRY: (Looking-through-binoculars) Wait-for-my-signal. -: Take-him-out. (Winnie-gets-hit-by-a-tranquilizer-dart-and-dramatically-falls-off-the-log he-was-standing-on #his-tongue-hanging-out.-Piglet-looks-at-Pooh-in-fear and-the-Sniper-takes-the-honey.) SNIPER: He'll-have-nausea for-a-few-hours #then-he'll-be-fine. (Flash-forward-in-time) BARRY: And-we-will-no-longer-tolerate bee-negative-nicknames... (Mr.-Sting-is-sitting-at-home-until-he-is-taken-out-of-his-house-by-the-men in-suits) STING: But-it's-just-a-prance-about-stage-name! BARRY: ...unnecessary-inclusion-of-honey in-bogus-health-products -: and-la-dee-da-human tea-time-snack-garnishments. (An-old-lady-is-mixing-honey-into-her-tea-but-suddenly-men-in-suits-smash her-face-down-on-the-table-and-take-the-honey) OLD-LADY: Can't-breathe. (A-honey-truck-pulls-up-to-Barry's-hive) WORKER: Bring-it-in #boys! -: Hold-it-right-there!-Good. -: Tap-it. (Tons-of-honey-is-being-pumped-into-the-hive's-storage) BEE-WORKER-1#: (Honey-overflows-from-the-cup) Mr.-Buzzwell #we-just-passed-three-cups #and-there's-gallons-more-coming! -: --I-think-we-need-to-shut-down! =BEE-WORKER-#2= --Shut-down?-We've-never-shut-down. -: Shut-down-honey-production! DEAN-BUZZWELL: Stop-making-honey! (The-bees-all-leave-their-stations.-Two-bees-run-into-a-room-and-they-put the-keys-into-a-machine) Turn-your-key #sir! (Two-worker-bees-dramatically-turn-their-keys #which-opens-the-button-which they-press #shutting-down-the-honey-making-machines.-This-is-the-first-time this-has-ever-happened) BEE: ...What-do-we-do-now? (Flash-forward-in-time-and-a-Bee-is-about-to-jump-into-a-pool-full-of honey) Cannonball! (The-bee-gets-stuck-in-the-honey-and-we-get-a-short-montage-of-Bees-leaving work) (We-see-the-Pollen-Jocks-flying-but-one-of-them-gets-a-call-on-his-antenna) LOU-LU-DUVA: (Through-'phone') We're-shutting-honey-production! -: Mission-abort. POLLEN-JOCK-#1: Aborting-pollination-and-nectar-detail. Returning-to-base. (The-Pollen-Jocks-fly-back-to-the-hive) (We-get-a-time-lapse-of-Central-Park-slowly-wilting-away-as-the-bees-all relax) BARRY: Adam #you-wouldn't-believe how-much-honey-was-out-there. ADAM: Oh #yeah? BARRY: What's-going-on?-Where-is-everybody? (The-entire-street-is-deserted) -: --Are-they-out-celebrating? ADAM: --They're-home. -: They-don't-know-what-to-do. Laying-out #sleeping-in. -: I-heard-your-Uncle-Carl-was-on-his-way to-San-Antonio-with-a-cricket. BARRY: At-least-we-got-our-honey-back. ADAM: Sometimes-I-think #so-what-if-humans liked-our-honey?-Who-wouldn't? -: It's-the-greatest-thing-in-the-world! I-was-excited-to-be-part-of-making-it. -: This-was-my-new-desk.-This-was-my new-job.-I-wanted-to-do-it-really-well. -: And-now... -: Now-I-can't. (Flash-forward-in-time-and-Barry-is-talking-to-Vanessa) BARRY: I-don't-understand why-they're-not-happy. -: I-thought-their-lives-would-be-better! -: They're-doing-nothing.-It's-amazing. Honey-really-changes-people. VANESSA: You-don't-have-any-idea what's-going-on #do-you? BARRY: --What-did-you-want-to-show-me? (Vanessa-takes-Barry-to-the-rooftop-where-they-first-had-coffee-and-points to-her-store) VANESSA: --This. (Points-at-her-flowers.-They-are-all-grey-and-wilting) BARRY: What-happened-here? VANESSA: That-is-not-the-half-of-it. (Small-flash-forward-in-time-and-Vanessa-and-Barry-are-on-the-roof-of-her store-and-she-points-to-Central-Park) (We-see-that-Central-Park-is-no-longer-green-and-colorful #rather-it-is grey #brown #and-dead-like.-It-is-very-depressing-to-look-at) BARRY: Oh #no.-Oh #my. -: They're-all-wilting. VANESSA: Doesn't-look-very-good #does-it? BARRY: No. VANESSA: And-whose-fault-do-you-think-that-is? BARRY: You-know #I'm-gonna-guess-bees. VANESSA== (Staring-at-Barry) Bees? BARRY: Specifically #me. -: I-didn't-think-bees-not-needing-to-make honey-would-affect-all-these-things. VANESSA: It's-not-just-flowers. Fruits #vegetables #they-all-need-bees. BARRY: That's-our-whole-SAT-test-right-there. VANESSA: Take-away-produce #that-affects the-entire-animal-kingdom. -: And-then #of-course... BARRY: The-human-species? -: So-if-there's-no-more-pollination #: it-could-all-just-go-south-here #couldn't-it? VANESSA: I-know-this-is-also-partly-my-fault. BARRY: How-about-a-suicide-pact? VANESSA: How-do-we-do-it? BARRY: --I'll-sting-you #you-step-on-me. VANESSA: --That-just-kills-you-twice. BARRY: Right #right. VANESSA: Listen #Barry... sorry #but-I-gotta-get-going. (Vanessa-leaves) BARRY: (To-himself) I-had-to-open-my-mouth-and-talk. -: Vanessa? -: Vanessa?-Why-are-you-leaving? Where-are-you-going? (Vanessa-is-getting-into-a-taxi) VANESSA: To-the-final-Tournament-of-Roses-parade in-Pasadena. -: They've-moved-it-to-this-weekend because-all-the-flowers-are-dying. -: It's-the-last-chance I'll-ever-have-to-see-it. BARRY: Vanessa #I-just-wanna-say-I'm-sorry. I-never-meant-it-to-turn-out-like-this. VANESSA: I-know.-Me-neither. (The-taxi-starts-to-drive-away) BARRY: Tournament-of-Roses. Roses-can't-do-sports. -: Wait-a-minute.-Roses.-Roses? -: Roses! -: Vanessa! (Barry-flies-after-the-Taxi) VANESSA: Roses?! -: Barry? (Barry-is-flying-outside-the-window-of-the-taxi) BARRY: --Roses-are-flowers! VANESSA: --Yes #they-are. BARRY: Flowers #bees #pollen! VANESSA: I-know. That's-why-this-is-the-last-parade. BARRY: Maybe-not. Could-you-ask-him-to-slow-down? VANESSA: Could-you-slow-down? (The-taxi-driver-screeches-to-a-stop-and-Barry-keeps-flying-forward) -: Barry! (Barry-flies-back-to-the-window) BARRY: OK #I-made-a-huge-mistake. This-is-a-total-disaster #all-my-fault. VANESSA: Yes #it-kind-of-is. BARRY: I've-ruined-the-planet. I-wanted-to-help-you -: with-the-flower-shop. I've-made-it-worse. VANESSA: Actually #it's-completely-closed-down. BARRY: I-thought-maybe-you-were-remodeling. -: But-I-have-another-idea #and-it's greater-than-my-previous-ideas-combined. VANESSA: I-don't-want-to-hear-it! BARRY: All-right #they-have-the-roses #the-roses-have-the-pollen. -: I-know-every-bee #plant and-flower-bud-in-this-park. -: All-we-gotta-do-is-get-what-they've-got back-here-with-what-we've-got. -: --Bees. VANESSA: --Park. BARRY: --Pollen! VANESSA: --Flowers. BARRY: --Re-pollination! VANESSA: --Across-the-nation! -: Tournament-of-Roses #Pasadena #California. -: They've-got-nothing but-flowers #floats-and-cotton-candy. -: Security-will-be-tight. BARRY: I-have-an-idea. (Flash-forward-in-time.-Vanessa-is-about-to-board-a-plane-which-has-all-the Roses-on-board. VANESSA: Vanessa-Bloome #FTD. (Holds-out-badge) -: Official-floral-business.-It's-real. SECURITY-GUARD: Sorry #ma'am.-Nice-brooch. =VANESSA== Thank-you.-It-was-a-gift. (Barry-is-revealed-to-be-hiding-inside-the-brooch) (Flash-back-in-time-and-Barry-and-Vanessa-are-discussing-their-plan) BARRY: Once-inside #we-just-pick-the-right-float. VANESSA: How-about-The-Princess-and-the-Pea? -: I-could-be-the-princess #and-you-could-be-the-pea! BARRY: Yes #I-got-it. -: --Where-should-I-sit? GUARD: --What-are-you? BARRY: --I-believe-I'm-the-pea. GUARD: --The-pea? VANESSA: It-goes-under-the-mattresses. GUARD: --Not-in-this-fairy-tale #sweetheart. --I'm-getting-the-marshal. VANESSA: You-do-that! This-whole-parade-is-a-fiasco! -: Let's-see-what-this-baby'll-do. (Vanessa-drives-the-float-through-traffic) GUARD: Hey #what-are-you-doing?! BARRY== Then-all-we-do is-blend-in-with-traffic... -: ...without-arousing-suspicion. -: Once-at-the-airport #there's-no-stopping-us. (Flash-forward-in-time-and-Barry-and-Vanessa-are-about-to-get-on-a-plane) SECURITY-GUARD: Stop!-Security. -: --You-and-your-insect-pack-your-float? VANESSA: --Yes. SECURITY-GUARD: Has-it-been in-your-possession-the-entire-time? VANESSA: --Yes. SECURITY-GUARD: Would-you-remove-your-shoes? (To-Barry) --Remove-your-stinger. BARRY: --It's-part-of-me. SECURITY-GUARD: I-know.-Just-having-some-fun. Enjoy-your-flight. (Barry-plotting-with-Vanessa) BARRY: Then-if-we're-lucky #we'll-have just-enough-pollen-to-do-the-job. (Flash-forward-in-time-and-Barry-and-Vanessa-are-flying-on-the-plane) Can-you-believe-how-lucky-we-are?-We have-just-enough-pollen-to-do-the-job! VANESSA: I-think-this-is-gonna-work. BARRY: It's-got-to-work. CAPTAIN-SCOTT: (On-intercom) Attention #passengers #this-is-Captain-Scott. -: We-have-a-bit-of-bad-weather in-New-York. -: It-looks-like-we'll-experience a-couple-hours-delay. VANESSA: Barry #these-are-cut-flowers with-no-water.-They'll-never-make-it. BARRY: I-gotta-get-up-there and-talk-to-them. VANESSA== Be-careful. (Barry-flies-right-outside-the-cockpit-door) BARRY: Can-I-get-help with-the-Sky-Mall-magazine? I'd-like-to-order-the-talking inflatable-nose-and-ear-hair-trimmer. (The-flight-attendant-opens-the-door-and-walks-out-and-Barry-flies-into-the cockpit-unseen) BARRY: Captain #I'm-in-a-real-situation. CAPTAIN-SCOTT: --What'd-you-say #Hal? CO-PILOT-HAL: --Nothing. (Scott-notices-Barry-and-freaks-out) CAPTAIN-SCOTT: Bee! BARRY: No #no #no #Don't-freak-out!-My-entire-species... (Captain-Scott-gets-out-of-his-seat-and-tries-to-suck-Barry-into-a-handheld vacuum) HAL: (To-Scott) What-are-you-doing? (Barry-lands-on-Hals-hair-but-Scott-sees-him.-He-tries-to-suck-up-Barry-but instead-he-sucks-up-Hals-toupee) CAPTAIN-SCOTT: Uh-oh. BARRY: --Wait-a-minute!-I'm-an-attorney! HAL: (Hal-doesn't-know-Barry-is-on-his-head) --Who's-an-attorney? CAPTAIN-SCOTT: Don't-move. (Scott-hits-Hal-in-the-face-with-the-vacuum-in-an-attempt-to-hit-Barry.-Hal is-knocked-out-and-he-falls-on-the-life-raft-button-which-launches-an infalatable-boat-into-Scott #who-gets-knocked-out-and-falls-to-the-floor. They-are-both-uncounscious.) BARRY: (To-himself) Oh #Barry. BARRY: (On-intercom #with-a-Southern-accent) Good-afternoon #passengers. This-is-your-captain. -: Would-a-Miss-Vanessa-Bloome-in-24B please-report-to-the-cockpit? (Vanessa-looks-confused) (Normal-accent) ...And-please-hurry! (Vanessa-opens-the-door-and-sees-the-life-raft-and-the-uncounscious-pilots) VANESSA: What-happened-here? BARRY: I-tried-to-talk-to-them #but then-there-was-a-DustBuster #a-toupee #a-life-raft-exploded. -: Now-one's-bald #one's-in-a-boat #and-they're-both-unconscious! VANESSA: ...Is-that-another-bee-joke? BARRY: --No! -: No-one's-flying-the-plane! BUD-DITCHWATER: (Through-radio-on-plane) This-is-JFK-control-tower #Flight-356. What's-your-status? VANESSA: This-is-Vanessa-Bloome. I'm-a-florist-from-New-York. BUD: Where's-the-pilot? VANESSA: He's-unconscious #and-so-is-the-copilot. BUD: Not-good.-Does-anyone-onboard have-flight-experience? BARRY: As-a-matter-of-fact #there-is. BUD: --Who's-that? BARRY: --Barry-Benson. BUD: From-the-honey-trial?!-Oh #great. BARRY: Vanessa #this-is-nothing-more than-a-big-metal-bee. -: It's-got-giant-wings #huge-engines. VANESSA: I-can't-fly-a-plane. BARRY: --Why-not?-Isn't-John-Travolta-a-pilot? VANESSA: --Yes. BARRY: How-hard-could-it-be? (Vanessa-sits-down-and-flies-for-a-little-bit-but-we-see-lightning-clouds outside-the-window) VANESSA: Wait #Barry! We're-headed-into-some-lightning. (An-ominous-lightning-storm-looms-in-front-of-the-plane) (We-are-now-watching-the-Bee-News) BOB-BUMBLE: This-is-Bob-Bumble.-We-have-some late-breaking-news-from-JFK-Airport #: where-a-suspenseful-scene is-developing. -: Barry-Benson #fresh-from-his-legal-victory... ADAM: That's-Barry! BOB-BUMBLE: ...is-attempting-to-land-a-plane #loaded-with-people #flowers -: and-an-incapacitated-flight-crew. JANET #MARTIN #UNCLE-CAR-AND-ADAM: Flowers?! (The-scene-switches-to-the-human-news) REPORTER: (Talking-with-Bob-Bumble) We-have-a-storm-in-the-area and-two-individuals-at-the-controls -: with-absolutely-no-flight-experience. BOB-BUMBLE: Just-a-minute. There's-a-bee-on-that-plane. BUD: I'm-quite-familiar-with-Mr.-Benson and-his-no-account-compadres. -: They've-done-enough-damage. REPORTER: But-isn't-he-your-only-hope? BUD: Technically #a-bee shouldn't-be-able-to-fly-at-all. -: Their-wings-are-too-small... BARRY: (Through-radio) Haven't-we-heard-this-a-million-times? -: 'The-surface-area-of-the-wings and-body-mass-make-no-sense.'... BOB-BUMBLE: --Get-this-on-the-air! BEE: --Got-it. BEE-NEWS-CREW: --Stand-by. BEE-NEWS-CREW: --We're-going-live! BARRY: (Through-radio-on-TV) ...The-way-we-work-may-be-a-mystery-to-you. -: Making-honey-takes-a-lot-of-bees doing-a-lot-of-small-jobs. -: But-let-me-tell-you-about-a-small-job. -: If-you-do-it-well #it-makes-a-big-difference. -: More-than-we-realized. To-us #to-everyone. -: That's-why-I-want-to-get-bees back-to-working-together. -: That's-the-bee-way! We're-not-made-of-Jell-O. -: We-get-behind-a-fellow. -: --Black-and-yellow! BEES: --Hello! (The-scene-switches-and-Barry-is-teaching-Vanessa-how-to-fly) BARRY: Left #right #down #hover. VANESSA: --Hover? BARRY: --Forget-hover. VANESSA: This-isn't-so-hard. (Pretending-to-honk-the-horn) Beep-beep!-Beep-beep! (A-Lightning-bolt-hits-the-plane-and-autopilot-turns-off) Barry #what-happened?! BARRY: Wait #I-think-we-were on-autopilot-the-whole-time. VANESSA: --That-may-have-been-helping-me. BARRY: --And-now-we're-not! VANESSA: So-it-turns-out-I-cannot-fly-a-plane. (The-plane-plummets-but-we-see-Lou-Lu-Duva-and-the-Pollen-Jocks #along-with multiple-other-bees-flying-towards-the-plane) Lou-Lu-DUva: All-of-you #let's-get behind-this-fellow!-Move-it-out! -: Move-out! (The-scene-switches-back-to-Vanessa-and-Barry-in-the-plane) BARRY: Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane! (Barry-sticks-out-his-arms-like-an-airplane-and-flys-in-front-of-Vanessa's face) VANESSA: Don't-have-to-yell. BARRY: I'm-not-yelling! We're-in-a-lot-of-trouble. VANESSA: It's-very-hard-to-concentrate with-that-panicky-tone-in-your-voice! BARRY: It's-not-a-tone.-I'm-panicking! VANESSA: I-can't-do-this! (Barry-slaps-Vanessa) BARRY: Vanessa #pull-yourself-together. You-have-to-snap-out-of-it! VANESSA: (Slaps-Barry) You-snap-out-of-it. BARRY: (Slaps-Vanessa) -: You-snap-out-of-it. VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! (We-see-that-all-the-Pollen-Jocks-are-flying-under-the-plane) VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --Hold-it! BARRY: --Why?-Come-on #it's-my-turn. VANESSA: How-is-the-plane-flying? (The-plane-is-now-safely-flying) VANESSA: I-don't-know. (Barry's-antennae-rings-like-a-phone.-Barry-picks-up) BARRY: Hello? LOU-LU-DUVA: (Through-'phone') Benson #got-any-flowers for-a-happy-occasion-in-there? (All-of-the-Pollen-Jocks-are-carrying-the-plane) BARRY: The-Pollen-Jocks! -: They-do-get-behind-a-fellow. LOU-LU-DUVA: --Black-and-yellow. POLLEN-JOCKS: --Hello. LOU-LU-DUVA: All-right #let's-drop-this-tin-can on-the-blacktop. BARRY: Where?-I-can't-see-anything.-Can-you? VANESSA: No #nothing.-It's-all-cloudy. -: Come-on.-You-got-to-think-bee #Barry. BARRY: --Thinking-bee. --Thinking-bee. (On-the-runway-there-are-millions-of-bees-laying-on-their-backs) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: Wait-a-minute. I-think-I'm-feeling-something. VANESSA: --What? BARRY: --I-don't-know.-It's-strong #pulling-me. -: Like-a-27-million-year-old-instinct. -: Bring-the-nose-down. BEES: Thinking-bee! Thinking-bee!-Thinking-bee! CONTROL-TOWER-OPERATOR: --What-in-the-world-is-on-the-tarmac? BUD: --Get-some-lights-on-that! (It-is-revealed-that-all-the-bees-are-organized-into-a-giant-pulsating flower-formation) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: --Vanessa #aim-for-the-flower. VANESSA: --OK. BARRY: Out-the-engines.-We're-going-in on-bee-power.-Ready #boys? LOU-LU-DUVA: Affirmative! BARRY: Good.-Good.-Easy #now.-That's-it. -: Land-on-that-flower! -: Ready?-Full-reverse! -: Spin-it-around! (The-plane's-nose-is-pointed-at-a-flower-painted-on-a-nearby-plane) --Not-that-flower!-The-other-one! VANESSA: --Which-one? BARRY: --That-flower. (The-plane-is-now-pointed-at-a-fat-guy-in-a-flowered-shirt.-He-freaks-out and-tries-to-take-a-picture-of-the-plane) VANESSA: --I'm-aiming-at-the-flower! BARRY: That's-a-fat-guy-in-a-flowered-shirt. I-mean-the-giant-pulsating-flower made-of-millions-of-bees! (The-plane-hovers-over-the-bee-flower) -: Pull-forward.-Nose-down.-Tail-up. -: Rotate-around-it. VANESSA: --This-is-insane #Barry! BARRY: --This's-the-only-way-I-know-how-to-fly. BUD: Am-I-koo-koo-kachoo #or-is-this-plane flying-in-an-insect-like-pattern? (The-plane-is-unrealistically-hovering-and-spinning-over-the-bee-flower) BARRY: Get-your-nose-in-there.-Don't-be-afraid. Smell-it.-Full-reverse! -: Just-drop-it.-Be-a-part-of-it. -: Aim-for-the-center! -: Now-drop-it-in!-Drop-it-in #woman! -: Come-on #already. (The-bees-scatter-and-the-plane-safely-lands) VANESSA: Barry #we-did-it! You-taught-me-how-to-fly! BARRY: --Yes! (Vanessa-is-about-to-high-five-Barry) No-high-five! VANESSA: --Right. ADAM: Barry #it-worked! Did-you-see-the-giant-flower? BARRY: What-giant-flower?-Where?-Of-course I-saw-the-flower!-That-was-genius! ADAM: --Thank-you. BARRY: --But-we're-not-done-yet. -: Listen #everyone! -: This-runway-is-covered with-the-last-pollen -: from-the-last-flowers available-anywhere-on-Earth. -: That-means-this-is-our-last-chance. -: We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this. -: If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say? -: Are-we-going-to-be-bees #or-just Museum-of-Natural-History-keychains? BEES: We're-bees! BEE-WHO-LIKES-KEYCHAINS: Keychain! BARRY: Then-follow-me!-Except-Keychain. POLLEN-JOCK-#1: Hold-on #Barry.-Here. -: You've-earned-this. BARRY: Yeah! -: I'm-a-Pollen-Jock!-And-it's-a-perfect fit.-All-I-gotta-do-are-the-sleeves. (The-Pollen-Jocks-throw-Barry-a-nectar-collecting-gun.-Barry-catches-it) Oh #yeah. JANET: That's-our-Barry. (Barry-and-the-Pollen-Jocks-get-pollen-from-the-flowers-on-the-plane) (Flash-forward-in-time-and-the-Pollen-Jocks-are-flying-over-NYC) -: (Barry-pollinates-the-flowers-in-Vanessa's-shop-and-then-heads-to-Central Park) BOY-IN-PARK: Mom!-The-bees-are-back! ADAM: (Putting-on-his-Krelman-hat) If-anybody-needs to-make-a-call #now's-the-time. -: I-got-a-feeling-we'll-be working-late-tonight! (The-bee-honey-factories-are-back-up-and-running) (Meanwhile-at-Vanessa's-shop) VANESSA: (To-customer) Here's-your-change.-Have-a-great afternoon!-Can-I-help-who's-next? -: Would-you-like-some-honey-with-that? It-is-bee-approved.-Don't-forget-these. (There-is-a-room-in-the-shop-where-Barry-does-legal-work-for-other-animals. He-is-currently-talking-with-a-Cow) COW: Milk #cream #cheese #it's-all-me. And-I-don't-see-a-nickel! -: Sometimes-I-just-feel like-a-piece-of-meat! BARRY: I-had-no-idea. VANESSA: Barry #I'm-sorry. Have-you-got-a-moment? BARRY: Would-you-excuse-me? My-mosquito-associate-will-help-you. MOOSEBLOOD: Sorry-I'm-late. COW: He's-a-lawyer-too? MOOSEBLOOD: Ma'am #I-was-already-a-blood-sucking-parasite. All-I-needed-was-a-briefcase. VANESSA: Have-a-great-afternoon! -: Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere. BARRY: No-problem #Vannie. Just-leave-it-to-me. VANESSA: You're-a-lifesaver #Barry. Can-I-help-who's-next? BARRY: All-right #scramble #jocks! It's-time-to-fly. VANESSA: Thank-you #Barry! (Ken-walks-by-on-the-sidewalk-and-sees-the-'bee-approved-honey'-in Vanessa's-shop) KEN: That-bee-is-living-my-life!! ANDY: Let-it-go #Kenny. KEN: --When-will-this-nightmare-end?! ANDY: --Let-it-all-go. BARRY: --Beautiful-day-to-fly. POLLEN-JOCK: --Sure-is. BARRY: Between-you-and-me #I-was-dying-to-get-out-of-that-office. (Barry-recreates-the-scene-near-the-beginning-of-the-movie-where-he-flies through-the-box-kite.-The-movie-fades-to-black-and-the-credits-being) [--after-credits;-No-scene-can-be-seen-but-the-characters-can-be-heard talking-over-the-credits--] You-have-got to-start-thinking-bee #my-friend! -: --Thinking-bee! --Me? BARRY: (Talking-over-singer) Hold-it.-Let's-just-stop for-a-second.-Hold-it. -: I'm-sorry.-I'm-sorry #everyone. Can-we-stop-here? SINGER: Oh #BarryBARRY: I'm-not-making-a-major-life-decision during-a-production-number! SINGER: All-right.-Take-ten #everybody. Wrap-it-up #guys. BARRY: I-had-virtually-no-rehearsal-for-that.#guysbarryihadvirtuallynorehearsalforthat #everybodywrapitup #barrybarryimnotmakingamajorlifedecisionduringaproductionnumbersingerallrighttaketen #everyonecanwestopheresingeroh #myfriendthinkingbeemebarrytalkingoversingerholditletsjuststopforasecondholditimsorryimsorry #iwasdyingtogetoutofthatofficebarryrecreatesthescenenearthebeginningofthemoviewherehefliesthroughtheboxkitethemoviefadestoblackandthecreditsbeingaftercreditsnoscenecanbeseenbutthecharacterscanbeheardtalkingoverthecreditsyouhavegottostartthinkingbee -
ok here we go
#Scripts.com Bee-Movie By-Jerry-Seinfeld NARRATOR: (Black-screen-with-text;-The-sound-of-buzzing-bees-can-be-heard) According-to-all-known-laws of-aviation #: there-is-no-way-a-bee should-be-able-to-fly. -: Its-wings-are-too-small-to-get its-fat-little-body-off-the-ground. -: The-bee #of-course #flies-anyway -: because-bees-don't-care what-humans-think-is-impossible. BARRY-BENSON: (Barry-is-picking-out-a-shirt) Yellow #black.-Yellow #black. Yellow #black.-Yellow #black. -: Ooh #black-and-yellow! Let's-shake-it-up-a-little. JANET-BENSON: Barry!-Breakfast-is-ready! BARRY: Coming! -: Hang-on-a-second. (Barry-uses-his-antenna-like-a-phone) -: Hello? ADAM-FLAYMAN: (Through-phone) --Barry? BARRY: --Adam? ADAM: --Can-you-believe-this-is-happening? BARRY: --I-can't.-I'll-pick-you-up. (Barry-flies-down-the-stairs) -: MARTIN-BENSON: Looking-sharp. JANET: Use-the-stairs.-Your-father paid-good-money-for-those. BARRY: Sorry.-I'm-excited. MARTIN: Here's-the-graduate. We're-very-proud-of-you #son. -: A-perfect-report-card #all-B's. JANET: Very-proud. (Rubs-Barry's-hair) BARRY= Ma!-I-got-a-thing-going-here. JANET: --You-got-lint-on-your-fuzz. BARRY: --Ow!-That's-me! JANET: --Wave-to-us!-We'll-be-in-row-118 #000. --Bye! (Barry-flies-out-the-door) JANET: Barry #I-told-you #stop-flying-in-the-house! (Barry-drives-through-the-hive #and-is-waved-at-by-Adam-who-is-reading-a newspaper) BARRY== --Hey #Adam. ADAM: --Hey #Barry. (Adam-gets-in-Barry's-car) -: --Is-that-fuzz-gel? BARRY: --A-little.-Special-day #graduation. ADAM: Never-thought-I'd-make-it. (Barry-pulls-away-from-the-house-and-continues-driving) BARRY: Three-days-grade-school #three-days-high-school... ADAM: Those-were-awkward. BARRY: Three-days-college.-I'm-glad-I-took a-day-and-hitchhiked-around-the-hive. ADAM== You-did-come-back-different. (Barry-and-Adam-pass-by-Artie #who-is-jogging) ARTIE: --Hi #Barry! BARRY: --Artie #growing-a-mustache?-Looks-good. ADAM: --Hear-about-Frankie? BARRY: --Yeah. ADAM== --You-going-to-the-funeral? BARRY: --No #I'm-not-going-to-his-funeral. -: Everybody-knows #sting-someone #you-die. -: Don't-waste-it-on-a-squirrel. Such-a-hothead. ADAM: I-guess-he-could-have just-gotten-out-of-the-way. (The-car-does-a-barrel-roll-on-the-loop-shaped-bridge-and-lands-on-the highway) -: I-love-this-incorporating an-amusement-park-into-our-regular-day. BARRY: I-guess-that's-why-they-say-we-don't-need-vacations. (Barry-parallel-parks-the-car-and-together-they-fly-over-the-graduating students) Boy #quite-a-bit-of-pomp... under-the-circumstances. (Barry-and-Adam-sit-down-and-put-on-their-hats) -: --Well #Adam #today-we-are-men. ADAM: --We-are! BARRY= --Bee-men. =ADAM= --Amen! BARRY-AND-ADAM: Hallelujah! (Barry-and-Adam-both-have-a-happy-spasm) ANNOUNCER: Students #faculty #distinguished-bees #: please-welcome-Dean-Buzzwell. DEAN-BUZZWELL: Welcome #New-Hive-Oity graduating-class-of... -: ...9: -: That-concludes-our-ceremonies. -: And-begins-your-career at-Honex-Industries! ADAM: Will-we-pick-our-job-today? (Adam-and-Barry-get-into-a-tour-bus) BARRY= I-heard-it's-just-orientation. (Tour-buses-rise-out-of-the-ground-and-the-students-are-automatically loaded-into-the-buses) TOUR-GUIDE: Heads-up!-Here-we-go. ANNOUNCER: Keep-your-hands-and-antennas inside-the-tram-at-all-times. BARRY: --Wonder-what-it'll-be-like? ADAM: --A-little-scary. TOUR-GUIDE== Welcome-to-Honex #a-division-of-Honesco -: and-a-part-of-the-Hexagon-Group. Barry: This-is-it! BARRY-AND-ADAM: Wow. BARRY: Wow. (The-bus-drives-down-a-road-an-on-either-side-are-the-Bee's-massive complicated-Honey-making-machines) TOUR-GUIDE: We-know-that-you #as-a-bee #have-worked-your-whole-life -: to-get-to-the-point-where-you can-work-for-your-whole-life. -: Honey-begins-when-our-valiant-Pollen Jocks-bring-the-nectar-to-the-hive. -: Our-top-secret-formula -: is-automatically-color-corrected #scent-adjusted-and-bubble-contoured -: into-this-soothing-sweet-syrup -: with-its-distinctive golden-glow-you-know-as... EVERYONE-ON-BUS: Honey! (The-guide-has-been-collecting-honey-into-a-bottle-and-she-throws-it-into the-crowd-on-the-bus-and-it-is-caught-by-a-girl-in-the-back) ADAM: --That-girl-was-hot. BARRY: --She's-my-cousin! ADAM== --She-is? BARRY: --Yes #we're-all-cousins. ADAM: --Right.-You're-right. TOUR-GUIDE: --At-Honex #we-constantly-strive -: to-improve-every-aspect of-bee-existence. -: These-bees-are-stress-testing a-new-helmet-technology. (The-bus-passes-by-a-Bee-wearing-a-helmet-who-is-being-smashed-into-the ground-with-fly-swatters #newspapers-and-boots.-He-lifts-a-thumbs-up-but you-can-hear-him-groan) -: ADAM== --What-do-you-think-he-makes? BARRY: --Not-enough. TOUR-GUIDE: Here-we-have-our-latest-advancement #the-Krelman. (They-pass-by-a-turning-wheel-with-Bees-standing-on-pegs #who-are-each wearing-a-finger-shaped-hat) Barry: --Wow #What-does-that-do? TOUR-GUIDE: --Catches-that-little-strand-of-honey -: that-hangs-after-you-pour-it. Saves-us-millions. ADAM: (Intrigued) Can-anyone-work-on-the-Krelman? TOUR-GUIDE: Of-course.-Most-bee-jobs-are small-ones. But-bees-know-that-every-small-job #if-it's-done-well #means-a-lot. -: But-choose-carefully -: because-you'll-stay-in-the-job you-pick-for-the-rest-of-your-life. (Everyone-claps-except-for-Barry) BARRY: The-same-job-the-rest-of-your-life? I-didn't-know-that. ADAM: What's-the-difference? TOUR-GUIDE: You'll-be-happy-to-know-that-bees #as-a-species #haven't-had-one-day-off -: in-27-million-years. BARRY: (Upset) So-you'll-just-work-us-to-death? -: We'll-sure-try. (Everyone-on-the-bus-laughs-except-Barry.-Barry-and-Adam-are-walking-back home-together) ADAM: Wow!-That-blew-my-mind! BARRY: 'What's-the-difference?' How-can-you-say-that? -: One-job-forever? That's-an-insane-choice-to-have-to-make. ADAM: I'm-relieved.-Now-we-only-have to-make-one-decision-in-life. BARRY: But #Adam #how-could-they never-have-told-us-that? ADAM: Why-would-you-question-anything? We're-bees. -: We're-the-most-perfectly functioning-society-on-Earth. BARRY: You-ever-think-maybe-things work-a-little-too-well-here? ADAM: Like-what?-Give-me-one-example. (Barry-and-Adam-stop-walking-and-it-is-revealed-to-the-audience-that hundreds-of-cars-are-speeding-by-and-narrowly-missing-them-in-perfect unison) BARRY: I-don't-know.-But-you-know what-I'm-talking-about. ANNOUNCER: Please-clear-the-gate. Royal-Nectar-Force-on-approach. BARRY: Wait-a-second.-Check-it-out. (The-Pollen-jocks-fly-in #circle-around-and-landing-in-line) -: --Hey #those-are-Pollen-Jocks! ADAM: --Wow. -: I've-never-seen-them-this-close. BARRY: They-know-what-it's-like outside-the-hive. ADAM: Yeah #but-some-don't-come-back. GIRL-BEES: --Hey #Jocks! --Hi #Jocks! (The-Pollen-Jocks-hook-up-their-backpacks-to-machines-that-pump-the-nectar to-trucks #which-drive-away) LOU-LO-DUVA: You-guys-did-great! -: You're-monsters! You're-sky-freaks! I-love-it! (Punching-the-Pollen-Jocks-in-joy) I-love-it! ADAM: --I-wonder-where-they-were. BARRY: --I-don't-know. -: Their-day's-not-planned. -: Outside-the-hive #flying-who-knows where #doing-who-knows-what. -: You-can't-just-decide-to-be-a-Pollen Jock.-You-have-to-be-bred-for-that. ADAM== Right. (Barry-and-Adam-are-covered-in-some-pollen-that-floated-off-of-the-Pollen Jocks) BARRY: Look-at-that.-That's-more-pollen than-you-and-I-will-see-in-a-lifetime. ADAM: It's-just-a-status-symbol. Bees-make-too-much-of-it. BARRY: Perhaps.-Unless-you're-wearing-it and-the-ladies-see-you-wearing-it. (Barry-waves-at-2-girls-standing-a-little-away-from-them) ADAM== Those-ladies? Aren't-they-our-cousins-too? BARRY: Distant.-Distant. POLLEN-JOCK-#1: Look-at-these-two. POLLEN-JOCK-#2: --Couple-of-Hive-Harrys. POLLEN-JOCK-#1: --Let's-have-fun-with-them. GIRL-BEE-#1: It-must-be-dangerous being-a-Pollen-Jock. BARRY: Yeah.-Once-a-bear-pinned-me against-a-mushroom! -: He-had-a-paw-on-my-throat #and-with-the-other #he-was-slapping-me! (Slaps-Adam-with-his-hand-to-represent-his-scenario) GIRL-BEE-#2: --Oh #my! BARRY: --I-never-thought-I'd-knock-him-out. GIRL-BEE-#1: (Looking-at-Adam) What-were-you-doing-during-this? ADAM: Obviously-I-was-trying-to-alert-the-authorities. BARRY: I-can-autograph-that. (The-pollen-jocks-walk-up-to-Barry-and-Adam #they-pretend-that-Barry-and Adam-really-are-pollen-jocks.) POLLEN-JOCK-#1: A-little-gusty-out-there-today #wasn't-it #comrades? BARRY: Yeah.-Gusty. POLLEN-JOCK-#1: We're-hitting-a-sunflower-patch six-miles-from-here-tomorrow. BARRY: --Six-miles #huh? ADAM: --Barry! POLLEN-JOCK-#2: A-puddle-jump-for-us #but-maybe-you're-not-up-for-it. BARRY: --Maybe-I-am. ADAM: --You-are-not! POLLEN-JOCK-#1: We're-going-0900-at-J-Gate. -: What-do-you-think #buzzy-boy? Are-you-bee-enough? BARRY: I-might-be.-It-all-depends on-what-0900-means. (The-scene-cuts-to-Barry-looking-out-on-the-hive-city-from-his-balcony-at night) MARTIN: Hey #Honex! BARRY: Dad #you-surprised-me. MARTIN: You-decide-what-you're-interested-in? BARRY: --Well #there's-a-lot-of-choices. --But-you-only-get-one. -: Do-you-ever-get-bored doing-the-same-job-every-day? MARTIN: Son #let-me-tell-you-about-stirring. -: You-grab-that-stick #and-you-just move-it-around #and-you-stir-it-around. -: You-get-yourself-into-a-rhythm. It's-a-beautiful-thing. BARRY: You-know #Dad #the-more-I-think-about-it #: maybe-the-honey-field just-isn't-right-for-me. MARTIN: You-were-thinking-of-what #making-balloon-animals? -: That's-a-bad-job for-a-guy-with-a-stinger. -: Janet #your-son's-not-sure he-wants-to-go-into-honey! JANET: --Barry #you-are-so-funny-sometimes. BARRY: --I'm-not-trying-to-be-funny. MARTIN: You're-not-funny!-You're-going into-honey.-Our-son #the-stirrer! JANET: --You're-gonna-be-a-stirrer? BARRY: --No-one's-listening-to-me! MARTIN: Wait-till-you-see-the-sticks-I-have. BARRY: I-could-say-anything-right-now. I'm-gonna-get-an-ant-tattoo! (Barry's-parents-don't-listen-to-him-and-continue-to-ramble-on) MARTIN: Let's-open-some-honey-and-celebrate! BARRY: Maybe-I'll-pierce-my-thorax. Shave-my-antennae. -: Shack-up-with-a-grasshopper.-Get a-gold-tooth-and-call-everybody-'dawg'! JANET: I'm-so-proud. (The-scene-cuts-to-Barry-and-Adam-waiting-in-line-to-get-a-job) ADAM: --We're-starting-work-today! BARRY: --Today's-the-day. ADAM: Come-on!-All-the-good-jobs will-be-gone. BARRY: Yeah #right. JOB-LISTER: Pollen-counting #stunt-bee #pouring #stirrer #front-desk #hair-removal... BEE-IN-FRONT-OF-LINE: --Is-it-still-available? JOB-LISTER: --Hang-on.-Two-left! -: One-of-them's-yours!-Congratulations! Step-to-the-side. ADAM: --What'd-you-get? BEE-IN-FRONT-OF-LINE: --Picking-crud-out.-Stellar! (He-walks-away) ADAM: Wow! JOB-LISTER: Couple-of-newbies? ADAM: Yes #sir!-Our-first-day!-We-are-ready! JOB-LISTER: Make-your-choice. (Adam-and-Barry-look-up-at-the-job-board.-There-are-hundreds-of-constantly changing-panels-that-contain-available-or-unavailable-jobs.-It-looks-very confusing) ADAM: --You-want-to-go-first? BARRY: --No #you-go. ADAM: Oh #my.-What's-available? JOB-LISTER: Restroom-attendant's-open #not-for-the-reason-you-think. ADAM: --Any-chance-of-getting-the-Krelman? JOB-LISTER: --Sure #you're-on. (Puts-the-Krelman-finger-hat-on-Adam's-head) (Suddenly-the-sign-for-Krelman-closes-out) -: I'm-sorry #the-Krelman-just-closed-out. (Takes-Adam's-hat-off) Wax-monkey's-always-open. ADAM: The-Krelman-opened-up-again. -: What-happened? JOB-LISTER: A-bee-died.-Makes-an-opening.-See? He's-dead.-Another-dead-one. -: Deady.-Deadified.-Two-more-dead. -: Dead-from-the-neck-up. Dead-from-the-neck-down.-That's-life! ADAM: Oh #this-is-so-hard! (Barry-remembers-what-the-Pollen-Jock-offered-him-and-he-flies-off) Heating #cooling #stunt-bee #pourer #stirrer #: humming #inspector-number-seven #lint-coordinator #stripe-supervisor #: mite-wrangler.-Barry #what do-you-think-I-should...-Barry? (Adam-turns-around-and-sees-Barry-flying-away) -: Barry! POLLEN-JOCK: All-right #we've-got-the-sunflower-patch in-quadrant-nine... ADAM: (Through-phone) What-happened-to-you? Where-are-you? BARRY: --I'm-going-out. ADAM: --Out?-Out-where? BARRY: --Out-there. ADAM: --Oh #no! BARRY: I-have-to #before-I-go to-work-for-the-rest-of-my-life. ADAM: You're-gonna-die!-You're-crazy! (Barry-hangs-up) Hello? POLLEN-JOCK-#2: Another-call-coming-in. -: If-anyone's-feeling-brave #there's-a-Korean-deli-on-83rd -: that-gets-their-roses-today. BARRY: Hey #guys. POLLEN-JOCK-#1-== --Look-at-that. POLLEN-JOCK-#2: --Isn't-that-the-kid-we-saw-yesterday? LOU-LO-DUVA: Hold-it #son #flight-deck's-restricted. POLLEN-JOCK-#1: It's-OK #Lou.-We're-gonna-take-him-up. (Puts-hand-on-Barry's-shoulder) LOU-LO-DUVA: (To-Barry)-Really?-Feeling-lucky #are-you? BEE-WITH-CLIPBOARD: (To-Barry)-Sign-here #here.-Just-initial-that. -: --Thank-you. LOU-LO-DUVA: --OK. -: You-got-a-rain-advisory-today #: and-as-you-all-know #bees-cannot-fly-in-rain. -: So-be-careful.-As-always #watch-your-brooms #: hockey-sticks #dogs #birds #bears-and-bats. -: Also #I-got-a-couple-of-reports of-root-beer-being-poured-on-us. -: Murphy's-in-a-home-because-of-it #babbling-like-a-cicada! BARRY: --That's-awful. LOU-LO-DUVA: (Still-talking-through-megaphone) --And-a-reminder-for-you-rookies #: bee-law-number-one #absolutely-no-talking-to-humans! -: All-right #launch-positions! POLLEN-JOCKS: (The-Pollen-Jocks-run-into-formation) -: Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz!-Buzz #buzz #buzz #buzz! LOU-LU-DUVA: Black-and-yellow! POLLEN-JOCKS: Hello! POLLEN-JOCK-#1: (To-Barry)You-ready-for-this #hot-shot? BARRY: Yeah.-Yeah #bring-it-on. POLLEN-JOCK's: Wind #check. -: --Antennae #check. --Nectar-pack #check. -: --Wings #check. --Stinger #check. BARRY: Scared-out-of-my-shorts #check. LOU-LO-DUVA: OK #ladies #: let's-move-it-out! -: Pound-those-petunias #you-striped-stem-suckers! -: All-of-you #drain-those-flowers! (The-pollen-jocks-fly-out-of-the-hive) BARRY: Wow!-I'm-out! -: I-can't-believe-I'm-out! -: So-blue. -: I-feel-so-fast-and-free! -: Box-kite! (Barry-flies-through-the-kite) -: Wow! -: Flowers! (A-pollen-jock-puts-on-some-high-tech-goggles-that-shows-flowers-similar-to heat-sink-goggles.) POLLEN-JOCK: This-is-Blue-Leader. We-have-roses-visual. -: Bring-it-around-30-degrees-and-hold. -: Roses! POLLEN-JOCK-#1: 30-degrees #roger.-Bringing-it-around. -: Stand-to-the-side #kid. It's-got-a-bit-of-a-kick. (The-pollen-jock-fires-a-high-tech-gun-at-the-flower #shooting-tubes-that suck-up-the-nectar-from-the-flower-and-collects-it-into-a-pouch-on-the-gun) BARRY: That-is-one-nectar-collector! POLLEN-JOCK-#1== --Ever-see-pollination-up-close? BARRY: --No #sir. POLLEN-JOCK-#1: (Barry-and-the-Pollen-jock-fly-over-the-field #the-pollen-jock-sprinkles pollen-as-he-goes) -: I-pick-up-some-pollen-here #sprinkle-it over-here.-Maybe-a-dash-over-there #: a-pinch-on-that-one. See-that?-It's-a-little-bit-of-magic. BARRY: That's-amazing.-Why-do-we-do-that? POLLEN-JOCK-#1: That's-pollen-power.-More-pollen #more flowers #more-nectar #more-honey-for-us. BARRY: Cool. POLLEN-JOCK-#1: I'm-picking-up-a-lot-of-bright-yellow. could-be-daisies.-Don't-we-need-those? POLLEN-JOCK-#2: Copy-that-visual. -: Wait.-One-of-these-flowers seems-to-be-on-the-move. POLLEN-JOCK-#1: Say-again?-You're-reporting a-moving-flower? POLLEN-JOCK-#2: Affirmative. (The-Pollen-jocks-land-near-the-'flowers'-which #to-the-audience-are obviously-just-tennis-balls) KEN: (In-the-distance)-That-was-on-the-line! POLLEN-JOCK-#1: This-is-the-coolest.-What-is-it? POLLEN-JOCK-#2: I-don't-know #but-I'm-loving-this-color. -: It-smells-good. Not-like-a-flower #but-I-like-it. POLLEN-JOCK-#1: Yeah #fuzzy. (Sticks-his-hand-on-the-ball-but-it-gets-stuck) POLLEN-JOCK-#3== Chemical-y. (The-pollen-jock-finally-gets-his-hand-free-from-the-tennis-ball) POLLEN-JOCK-#1: Careful #guys.-It's-a-little-grabby. (The-pollen-jocks-turn-around-and-see-Barry-lying-his-entire-body-on-top-of one-of-the-tennis-balls) POLLEN-JOCK-#2: My-sweet-lord-of-bees! POLLEN-JOCK-#3: Candy-brain #get-off-there! POLLEN-JOCK-#1: (Pointing-upwards) Problem! (A-human-hand-reaches-down-and-grabs-the-tennis-ball-that-Barry-is-stuck to) BARRY: --Guys! POLLEN-JOCK-#2: --This-could-be-bad. POLLEN-JOCK-#3: Affirmative. (Vanessa-Bloome-starts-bouncing-the-tennis-ball #not-knowing-Barry-is-stick to-it) BARRY== Very-close. -: Gonna-hurt. -: Mama's-little-boy. (Barry-is-being-hit-back-and-forth-by-two-humans-playing-tennis.-He-is still-stuck-to-the-ball) POLLEN-JOCK-#1: You-are-way-out-of-position #rookie! KEN: Coming-in-at-you-like-a-MISSILE! (Barry-flies-past-the-pollen-jocks #still-stuck-to-the-ball) BARRY: (In-slow-motion) Help-me! POLLEN-JOCK-#2: I-don't-think-these-are-flowers. POLLEN-JOCK-#3: --Should-we-tell-him? POLLEN-JOCK-#1: --I-think-he-knows. BARRY: What-is-this?! KEN: Match-point! -: You-can-start-packing-up #honey #because-you're-about-to-EAT-IT! (A-pollen-jock-coughs-which-confused-Ken-and-he-hits-the-ball-the-wrong-way with-Barry-stuck-to-it-and-it-goes-flying-into-the-city) BARRY: Yowser! (Barry-bounces-around-town-and-gets-stuck-in-the-engine-of-a-car.-He-flies into-the-air-conditioner-and-sees-a-bug-that-was-frozen-in-there) BARRY: Ew #gross. (The-man-driving-the-car-turns-on-the-air-conditioner-which-blows-Barry into-the-car) GIRL-IN-CAR: There's-a-bee-in-the-car! -: --Do-something! DAD-DRIVING-CAR: --I'm-driving! BABY-GIRL: (Waving-at-Barry) --Hi #bee. (Barry-smiles-and-waves-at-the-baby-girl) GUY-IN-BACK-OF-CAR: --He's-back-here! -: He's-going-to-sting-me! GIRL-IN-CAR: Nobody-move.-If-you-don't-move #he-won't-sting-you.-Freeze! (Barry-freezes-as-well #hovering-in-the-middle-of-the-car) -: GRANDMA-IN-CAR== He-blinked! (The-grandma-whips-out-some-bee-spray-and-sprays-everywhere-in-the-car #climbing-into-the-front-seat #still-trying-to-spray-Barry) GIRL-IN-CAR: Spray-him #Granny! DAD-DRIVING-THE-CAR: What-are-you-doing?! (Barry-escapes-the-car-through-the-air-conditioner-and-is-flying-high-above the-ground #safe.) BARRY: Wow...-the-tension-level out-here-is-unbelievable. (Barry-sees-that-storm-clouds-are-gathering-and-he-can-see-rain-clouds moving-into-this-direction) -: I-gotta-get-home. -: Can't-fly-in-rain. -: Can't-fly-in-rain. (A-rain-drop-hits-Barry-and-one-of-his-wings-is-damaged) -: Can't-fly-in-rain. (A-second-rain-drop-hits-Barry-again-and-he-spirals-downwards) Mayday!-Mayday!-Bee-going-down! (WW2-plane-sound-effects-are-played-as-he-plummets #and-he-crash-lands-on-a plant-inside-an-apartment-near-the-window) VANESSA-BLOOME: Ken #could-you-close the-window-please? KEN== Hey #check-out-my-new-resume. I-made-it-into-a-fold-out-brochure. -: You-see? (Folds-brochure-resume-out) Folds-out. (Ken-closes-the-window #trapping-Barry-inside) BARRY: Oh #no.-More-humans.-I-don't-need-this. (Barry-tries-to-fly-away-but-smashes-into-the-window-and-falls-again) -: What-was-that? (Barry-keeps-trying-to-fly-out-the-window-but-he-keeps-being-knocked-back because-the-window-is-closed) Maybe-this-time.-This-time.-This-time. This-time!-This-time!-This... -: Drapes! (Barry-taps-the-glass.-He-doesn't-understand-what-it-is) That-is-diabolical. KEN: It's-fantastic.-It's-got-all-my-special skills #even-my-top-ten-favorite-movies. ANDY: What's-number-one?-Star-Wars? KEN: Nah #I-don't-go-for-that... (Ken-makes-finger-guns-and-makes-'pew-pew-pew'-sounds-and-then-stops) -: ...kind-of-stuff. BARRY: No-wonder-we-shouldn't-talk-to-them. They're-out-of-their-minds. KEN: When-I-leave-a-job-interview #they're flabbergasted #can't-believe-what-I-say. BARRY: (Looking-at-the-light-on-the-ceiling) There's-the-sun.-Maybe-that's-a-way-out. (Starts-flying-towards-the-lightbulb) -: I-don't-remember-the-sun having-a-big-75-on-it. (Barry-hits-the-lightbulb-and-falls-into-the-dip-on-the-table-that-the humans-are-sitting-at) KEN: I-predicted-global-warming. -: I-could-feel-it-getting-hotter. At-first-I-thought-it-was-just-me. (Andy-dips-a-chip-into-the-bowl-and-scoops-up-some-dip-with-Barry-on-it-and is-about-to-put-it-in-his-mouth) -: Wait!-Stop!-Bee! (Andy-drops-the-chip-with-Barry-in-fear-and-backs-away.-All-the-humans freak-out) -: Stand-back.-These-are-winter-boots. (Ken-has-winter-boots-on-his-hands-and-he-is-about-to-smash-the-bee-but Vanessa-saves-him-last-second) VANESSA: Wait! -: Don't-kill-him! (Vanessa-puts-Barry-in-a-glass-to-protect-him) KEN: You-know-I'm-allergic-to-them! This-thing-could-kill-me! VANESSA: Why-does-his-life-have less-value-than-yours? KEN: Why-does-his-life-have-any-less-value than-mine?-Is-that-your-statement? VANESSA: I'm-just-saying-all-life-has-value.-You don't-know-what-he's-capable-of-feeling. (Vanessa-picks-up-Ken's-brochure-and-puts-it-under-the-glass-so-she-can carry-Barry-back-to-the-window.-Barry-looks-at-Vanessa-in-amazement) KEN: My-brochure! VANESSA: There-you-go #little-guy. (Vanessa-opens-the-window-and-lets-Barry-out-but-Barry-stays-back-and-is still-shocked-that-a-human-saved-his-life) KEN: I'm-not-scared-of-him. It's-an-allergic-thing. VANESSA: Put-that-on-your-resume-brochure. KEN: My-whole-face-could-puff-up. ANDY: Make-it-one-of-your-special-skills. KEN: Knocking-someone-out is-also-a-special-skill. (Ken-walks-to-the-door) Right.-Bye #Vanessa.-Thanks. -: --Vanessa #next-week?-Yogurt-night? VANESSA: --Sure #Ken.-You-know #whatever. -: (Vanessa-tries-to-close-door) KEN== --You-could-put-carob-chips-on-there. VANESSA: --Bye. (Closes-door-but-Ken-opens-it-again) KEN: --Supposed-to-be-less-calories. VANESSA: --Bye. (Closes-door) (Fast-forward-to-the-next-day #Barry-is-still-inside-the-house.-He-flies into-the-kitchen-where-Vanessa-is-doing-dishes) BARRY== (Talking-to-himself) I-gotta-say-something. -: She-saved-my-life. I-gotta-say-something. -: All-right #here-it-goes. (Turns-back) Nah. -: What-would-I-say? -: I-could-really-get-in-trouble. -: It's-a-bee-law. You're-not-supposed-to-talk-to-a-human. -: I-can't-believe-I'm-doing-this. -: I've-got-to. (Barry-disguises-himself-as-a-character-on-a-food-can-as-Vanessa-walks-by again) -: Oh #I-can't-do-it.-Come-on! -: No.-Yes.-No. -: Do-it.-I-can't. -: How-should-I-start-it? (Barry-strikes-a-pose-and-wiggles-his-eyebrows) 'You-like-jazz?' No #that's-no-good. (Vanessa-is-about-to-walk-past-Barry) Here-she-comes!-Speak #you-fool! -: ...Hi! (Vanessa-gasps-and-drops-the-dishes-in-fright-and-notices-Barry-on-the counter) -: I'm-sorry. VANESSA: --You're-talking. BARRY: --Yes #I-know. VANESSA: (Pointing-at-Barry) You're-talking! BARRY: I'm-so-sorry. VANESSA: No #it's-OK.-It's-fine. I-know-I'm-dreaming. -: But-I-don't-recall-going-to-bed. BARRY: Well #I'm-sure-this is-very-disconcerting. VANESSA: This-is-a-bit-of-a-surprise-to-me. I-mean #you're-a-bee! BARRY: I-am.-And-I'm-not-supposed to-be-doing-this #(Pointing-to-the-living-room-where-Ken-tried-to-kill-him-last-night) but-they-were-all-trying-to-kill-me. -: And-if-it-wasn't-for-you... -: I-had-to-thank-you. It's-just-how-I-was-raised. (Vanessa-stabs-her-hand-with-a-fork-to-test-whether-she's-dreaming-or-not) -: That-was-a-little-weird. VANESSA: --I'm-talking-with-a-bee. BARRY: --Yeah. VANESSA: I'm-talking-to-a-bee. And-the-bee-is-talking-to-me! BARRY: I-just-want-to-say-I'm-grateful. I'll-leave-now. (Barry-turns-to-leave) VANESSA: --Wait!-How-did-you-learn-to-do-that? BARRY: (Flying-back) --What? VANESSA: The-talking...thing. BARRY: Same-way-you-did #I-guess. 'Mama #Dada #honey.'-You-pick-it-up. VANESSA: --That's-very-funny. BARRY: --Yeah. -: Bees-are-funny.-If-we-didn't-laugh #we'd-cry-with-what-we-have-to-deal-with. -: Anyway... VANESSA: Can-I... -: ...get-you-something? BARRY: --Like-what? VANESSA: I-don't-know.-I-mean... I-don't-know.-Coffee? BARRY: I-don't-want-to-put-you-out. VANESSA: It's-no-trouble.-It-takes-two-minutes. -: --It's-just-coffee. BARRY: --I-hate-to-impose. (Vanessa-starts-making-coffee) VANESSA: --Don't-be-ridiculous! BARRY: --Actually #I-would-love-a-cup. VANESSA: Hey #you-want-rum-cake? BARRY: --I-shouldn't. VANESSA: --Have-some. BARRY: --No #I-can't. VANESSA: --Come-on! BARRY: I'm-trying-to-lose-a-couple-micrograms. VANESSA: --Where? BARRY: --These-stripes-don't-help. VANESSA: You-look-great! BARRY: I-don't-know-if-you-know anything-about-fashion. -: Are-you-all-right? VANESSA: (Pouring-coffee-on-the-floor-and-missing-the-cup-completely) No. (Flash-forward-in-time.-Barry-and-Vanessa-are-sitting-together-at-a-table on-top-of-the-apartment-building-drinking-coffee) -: BARRY== He's-making-the-tie-in-the-cab as-they're-flying-up-Madison. -: He-finally-gets-there. -: He-runs-up-the-steps-into-the-church. The-wedding-is-on. -: And-he-says #'Watermelon? I-thought-you-said-Guatemalan. -: Why-would-I-marry-a-watermelon?' (Barry-laughs-but-Vanessa-looks-confused) VANESSA: Is-that-a-bee-joke? BARRY: That's-the-kind-of-stuff-we-do. VANESSA: Yeah #different. -: So #what-are-you-gonna-do #Barry? (Barry-stands-on-top-of-a-sugar-cube-floating-in-his-coffee-and-paddles-it around-with-a-straw-like-it's-a-gondola) BARRY: About-work?-I-don't-know. -: I-want-to-do-my-part-for-the-hive #but-I-can't-do-it-the-way-they-want. VANESSA: I-know-how-you-feel. BARRY: --You-do? VANESSA: --Sure. -: My-parents-wanted-me-to-be-a-lawyer-or a-doctor #but-I-wanted-to-be-a-florist. BARRY: --Really? VANESSA: --My-only-interest-is-flowers. BARRY: Our-new-queen-was-just-elected with-that-same-campaign-slogan. -: Anyway #if-you-look... (Barry-points-to-a-tree-in-the-middle-of-Central-Park) -: There's-my-hive-right-there.-See-it? VANESSA: You're-in-Sheep-Meadow! BARRY: Yes!-I'm-right-off-the-Turtle-Pond! VANESSA: No-way!-I-know-that-area. I-lost-a-toe-ring-there-once. BARRY: --Why-do-girls-put-rings-on-their-toes? VANESSA: --Why-not? BARRY: --It's-like-putting-a-hat-on-your-knee. VANESSA: --Maybe-I'll-try-that. (A-custodian-installing-a-lightbulb-looks-over-at-them-but-to-his perspective-it-looks-like-Vanessa-is-talking-to-a-cup-of-coffee-on-the table) CUSTODIAN: --You-all-right #ma'am? VANESSA: --Oh #yeah.-Fine. -: Just-having-two-cups-of-coffee! BARRY: Anyway #this-has-been-great. Thanks-for-the-coffee. VANESSA== Yeah #it's-no-trouble. BARRY: Sorry-I-couldn't-finish-it.-If-I-did #I'd-be-up-the-rest-of-my-life. (Barry-points-towards-the-rum-cake) -: Can-I-take-a-piece-of-this-with-me? VANESSA: Sure!-Here #have-a-crumb. (Vanessa-hands-Barry-a-crumb-but-it-is-still-pretty-big-for-Barry) BARRY: --Thanks! VANESSA: --Yeah. BARRY: All-right.-Well #then... I-guess-I'll-see-you-around. -: Or-not. VANESSA: OK #Barry... BARRY: And-thank-you so-much-again...-for-before. VANESSA: Oh #that?-That-was-nothing. BARRY: Well #not-nothing #but...-Anyway... (Vanessa-and-Barry-hold-hands #but-Vanessa-has-to-hold-out-a-finger-because her-hands-is-to-big-and-Barry-holds-that) (The-custodian-looks-over-again-and-it-appears-Vanessa-is-laughing-at-her coffee-again.-The-lightbulb-that-he-was-screwing-in-sparks-and-he-falls-off the-ladder) (Fast-forward-in-time-and-we-see-two-Bee-Scientists-testing-out-a-parachute in-a-Honex-wind-tunnel) BEE-SCIENTIST-#1: This-can't-possibly-work. BEE-SCIENTIST-#2: He's-all-set-to-go. We-may-as-well-try-it. -: OK #Dave #pull-the-chute. (Dave-pulls-the-chute-and-the-wind-slams-him-against-the-wall-and-he-falls on-his-face.The-camera-pans-over-and-we-see-Barry-and-Adam-walking together) ADAM: --Sounds-amazing. BARRY: --It-was-amazing! -: It-was-the-scariest #happiest-moment-of-my-life. ADAM: Humans!-I-can't-believe you-were-with-humans! -: Giant #scary-humans! What-were-they-like? BARRY: Huge-and-crazy.-They-talk-crazy. -: They-eat-crazy-giant-things. They-drive-crazy. ADAM: --Do-they-try-and-kill-you #like-on-TV? BARRY: --Some-of-them.-But-some-of-them-don't. ADAM: --How'd-you-get-back? BARRY: --Poodle. ADAM: You-did-it #and-I'm-glad.-You-saw whatever-you-wanted-to-see. -: You-had-your-'experience.'-Now-you can-pick-out-your-job-and-be-normal. BARRY: --Well... ADAM: --Well? BARRY: Well #I-met-someone. ADAM: You-did?-Was-she-Bee-ish? -: --A-wasp?!-Your-parents-will-kill-you! BARRY: --No #no #no #not-a-wasp. ADAM: --Spider? BARRY: --I'm-not-attracted-to-spiders. -: I-know #for-everyone-else #it's-the-hottest-thing #with-the-eight-legs-and-all. -: I-can't-get-by-that-face. ADAM: So-who-is-she? BARRY: She's...-human. ADAM: No #no.-That's-a-bee-law. You-wouldn't-break-a-bee-law. BARRY: --Her-name's-Vanessa. (Adam-puts-his-head-in-his-hands) ADAM: --Oh #boy. BARRY== She's-so-nice.-And-she's-a-florist! ADAM: Oh #no!-You're-dating-a-human-florist! BARRY: We're-not-dating. ADAM: You're-flying-outside-the-hive #talking to-humans-that-attack-our-homes -: with-power-washers-and-M-80s! That's-one-eighth-a-stick-of-dynamite! BARRY: She-saved-my-life! And-she-understands-me. ADAM: This-is-over! BARRY: Eat-this. (Barry-gives-Adam-a-piece-of-the-crumb-that-he-got-from-Vanessa.-Adam-eats it) ADAM: (Adam's-tone-changes) This-is-not-over!-What-was-that? BARRY: --They-call-it-a-crumb. ADAM: --It-was-so-stingin'-stripey! BARRY: And-that's-not-what-they-eat. That's-what-falls-off-what-they-eat! -: --You-know-what-a-Cinnabon-is? ADAM: --No. (Adam-opens-a-door-behind-him-and-he-pulls-Barry-in) BARRY: It's-bread-and-cinnamon-and-frosting. ADAM: Be-quiet! BARRY: They-heat-it-up... ADAM: Sit-down! (Adam-forces-Barry-to-sit-down) BARRY: (Still-rambling-about-Cinnabons) ...really-hot! (Adam-grabs-Barry-by-the-shoulders) ADAM: --Listen-to-me! -: We-are-not-them!-We're-us. There's-us-and-there's-them! BARRY== Yes #but-who-can-deny the-heart-that-is-yearning? ADAM: There's-no-yearning. Stop-yearning.-Listen-to-me! -: You-have-got-to-start-thinking-bee #my-friend.-Thinking-bee! BARRY: --Thinking-bee. WORKER-BEE: --Thinking-bee. WORKER-BEES-AND-ADAM: Thinking-bee!-Thinking-bee! Thinking-bee!-Thinking-bee! (Flash-forward-in-time;-Barry-is-laying-on-a-raft-in-a-pool-full-of-honey. He-is-wearing-sunglasses) JANET: There-he-is.-He's-in-the-pool. MARTIN: You-know-what-your-problem-is #Barry? (Barry-pulls-down-his-sunglasses-and-he-looks-annoyed) BARRY: (Sarcastic) I-gotta-start-thinking-bee? JANET: How-much-longer-will-this-go-on? MARTIN: It's-been-three-days! Why-aren't-you-working? (Puts-sunglasses-back-on) BARRY: I've-got-a-lot-of-big-life-decisions to-think-about. MARTIN: What-life?-You-have-no-life! You-have-no-job.-You're-barely-a-bee! JANET: Would-it-kill-you to-make-a-little-honey? (Barry-rolls-off-the-raft-and-sinks-into-the-honey-pool) -: Barry #come-out. Your-father's-talking-to-you. -: Martin #would-you-talk-to-him? MARTIN: Barry #I'm-talking-to-you! (Barry-keeps-sinking-into-the-honey-until-he-is-suddenly-in-Central-Park having-a-picnic-with-Vanessa) (Barry-has-a-cup-of-honey-and-he-clinks-his-glass-with-Vanessas.-Suddenly-a mosquito-lands-on-Vanessa-and-she-slaps-it #killing-it.-They-both-gasp-but then-burst-out-laughing) VANESSA: You-coming? (The-camera-pans-over-and-Vanessa-is-climbing-into-a-small-yellow-airplane) BARRY: Got-everything? VANESSA: All-set! BARRY: Go-ahead.-I'll-catch-up. (Vanessa-lifts-off-and-flies-ahead) VANESSA: Don't-be-too-long. (Barry-catches-up-with-Vanessa-and-he-sticks-out-his-arms-like-ana-irplane. He-rolls-from-side-to-side #and-Vanessa-copies-him-with-the-airplane) VANESSA: Watch-this! (Barry-stays-back-and-watches-as-Vanessa-draws-a-heart-in-the-air-using pink-smoke-from-the-plane #but-on-the-last-loop-the-loop-she-suddenly crashes-into-a-mountain-and-the-plane-explodes.-The-destroyed-plane-falls into-some-rocks-and-explodes-a-second-time) BARRY: Vanessa! (As-Barry-is-yelling-his-mouth-fills-with-honey-and-he-wakes-up #discovering-that-he-was-just-day-dreaming.-He-slowly-sinks-back-into-the honey-pool) MARTIN: --We're-still-here. JANET: --I-told-you-not-to-yell-at-him. -: He-doesn't-respond-to-yelling! MARTIN: --Then-why-yell-at-me? JANET: --Because-you-don't-listen! MARTIN: I'm-not-listening-to-this. BARRY: Sorry #I've-gotta-go. MARTIN: --Where-are-you-going? BARRY: --I'm-meeting-a-friend. JANET: A-girl?-Is-this-why-you-can't-decide? BARRY: Bye. (Barry-flies-out-the-door-and-Martin-shakes-his-head) -: JANET== I-just-hope-she's-Bee-ish. (Fast-forward-in-time-and-Barry-is-sitting-on-Vanessa's-shoulder-and-she-is closing-up-her-shop) BARRY: They-have-a-huge-parade of-flowers-every-year-in-Pasadena? VANESSA: To-be-in-the-Tournament-of-Roses #that's-every-florist's-dream! -: Up-on-a-float #surrounded by-flowers #crowds-cheering. BARRY: A-tournament.-Do-the-roses compete-in-athletic-events? VANESSA: No.-All-right #I've-got-one. How-come-you-don't-fly-everywhere? BARRY: It's-exhausting.-Why-don't-you run-everywhere?-It's-faster. VANESSA: Yeah #OK #I-see #I-see. All-right #your-turn. BARRY: TiVo.-You-can-just-freeze-live-TV? That's-insane! VANESSA: You-don't-have-that? BARRY: We-have-Hivo #but-it's-a-disease. It's-a-horrible #horrible-disease. VANESSA: Oh #my. (A-human-walks-by-and-Barry-narrowly-avoids-him) PASSERBY: Dumb-bees! VANESSA: You-must-want-to-sting-all-those-jerks. BARRY: We-try-not-to-sting. It's-usually-fatal-for-us. VANESSA: So-you-have-to-watch-your-temper (They-walk-into-a-store) BARRY: Very-carefully. You-kick-a-wall #take-a-walk #: write-an-angry-letter-and-throw-it-out. Work-through-it-like-any-emotion: -: Anger #jealousy #lust. (Suddenly-an-employee(Hector)-hits-Barry-off-of-Vanessa's-shoulder.-Hector thinks-he's-saving-Vanessa) VANESSA: (To-Barry) Oh #my-goodness!-Are-you-OK? (Barry-is-getting-up-off-the-floor) BARRY: Yeah. VANESSA: (To-Hector) --What-is-wrong-with-you?! HECTOR: (Confused) --It's-a-bug. VANESSA: He's-not-bothering-anybody. Get-out-of-here #you-creep! (Vanessa-hits-Hector-across-the-face-with-the-magazine-he-had-and-then-hits him-in-the-head.-Hector-backs-away-covering-his-head) Barry: What-was-that?-A-Pic-'N'-Save-circular? (Vanessa-sets-Barry-back-on-her-shoulder) VANESSA: Yeah #it-was.-How-did-you-know? BARRY: It-felt-like-about-10-pages. Seventy-five-is-pretty-much-our-limit. VANESSA: You've-really-got-that down-to-a-science. BARRY: --Oh #we-have-to.-I-lost-a-cousin-to-Italian-Vogue. VANESSA: --I'll-bet. (Barry-looks-to-his-right-and-notices-there-is-honey-for-sale-in-the-aisle) BARRY: What-in-the-name of-Mighty-Hercules-is-this? (Barry-looks-at-all-the-brands-of-honey #shocked) How-did-this-get-here? Cute-Bee #Golden-Blossom #: Ray-Liotta-Private-Select? (Barry-puts-his-hands-up-and-slowly-turns-around #a-look-of-disgust-on-his face) VANESSA: --Is-he-that-actor? BARRY: --I-never-heard-of-him. -: --Why-is-this-here? VANESSA: --For-people.-We-eat-it. BARRY: You-don't-have enough-food-of-your-own?! (Hector-looks-back-and-notices-that-Vanessa-is-talking-to-Barry) VANESSA: --Well #yes. BARRY: --How-do-you-get-it? VANESSA: --Bees-make-it. BARRY: --I-know-who-makes-it! -: And-it's-hard-to-make-it! -: There's-heating #cooling #stirring. You-need-a-whole-Krelman-thing! VANESSA: --It's-organic. BARRY: --It's-our-ganic! VANESSA: It's-just-honey #Barry. BARRY: Just-what?! -: Bees-don't-know-about-this! This-is-stealing!-A-lot-of-stealing! -: You've-taken-our-homes #schools #hospitals!-This-is-all-we-have! -: And-it's-on-sale?! I'm-getting-to-the-bottom-of-this. -: I'm-getting-to-the-bottom of-all-of-this! (Flash-forward-in-time;-Barry-paints-his-face-with-black-strikes-like-a soldier-and-sneaks-into-the-storage-section-of-the-store) (Two-men #including-Hector #are-loading-boxes-into-some-trucks) -: SUPERMARKET-EMPLOYEE== Hey #Hector. -: --You-almost-done? HECTOR: --Almost. (Barry-takes-a-step-to-peak-around-the-corner) (Whispering) He-is-here.-I-sense-it. -: Well #I-guess-I'll-go-home-now (Hector-pretends-to-walk-away-by-walking-in-place-and-speaking-loudly) -: and-just-leave-this-nice-honey-out #with-no-one-around. BARRY: You're-busted #box-boy! HECTOR: I-knew-I-heard-something! So-you-can-talk! BARRY: I-can-talk. And-now-you'll-start-talking! -: Where-you-getting-the-sweet-stuff? Who's-your-supplier? HECTOR: I-don't-understand. I-thought-we-were-friends. -: The-last-thing-we-want to-do-is-upset-bees! (Hector-takes-a-thumbtack-out-of-the-board-behind-him-and-sword-fights Barry.-Barry-is-using-his-stinger-like-a-sword) -: You're-too-late!-It's-ours-now! BARRY: You #sir #have-crossed the-wrong-sword! HECTOR: You #sir #will-be-lunch for-my-iguana #Ignacio! (Barry-hits-the-thumbtack-out-of-Hectors-hand-and-Hector-surrenders) Barry: Where-is-the-honey-coming-from? -: Tell-me-where! HECTOR: (Pointing-to-leaving-truck) Honey-Farms!-It-comes-from-Honey-Farms! (Barry-chases-after-the-truck-but-it-is-getting-away.-He-flies-onto-a bicyclists'-backpack-and-he-catches-up-to-the-truck) CAR-DRIVER: (To-bicyclist) Crazy-person! (Barry-flies-off-and-lands-on-the-windshield-of-the-Honey-farms-truck. Barry-looks-around-and-sees-dead-bugs-splattered-everywhere) BARRY: What-horrible-thing-has-happened-here? -: These-faces #they-never-knew what-hit-them.-And-now -: they're-on-the-road-to-nowhere! (Barry-hears-a-sudden-whisper) (Barry-looks-up-and-sees-Mooseblood #a-mosquito-playing-dead) MOOSEBLOOD: Just-keep-still. BARRY: What?-You're-not-dead? MOOSEBLOOD: Do-I-look-dead?-They-will-wipe-anything that-moves.-Where-you-headed? BARRY: To-Honey-Farms. I-am-onto-something-huge-here. MOOSEBLOOD: I'm-going-to-Alaska.-Moose-blood #crazy-stuff.-Blows-your-head-off! ANOTHER-BUG-PLAYING-DEAD: I'm-going-to-Tacoma. (Barry-looks-at-another-bug) BARRY: --And-you? MOOSEBLOOD: --He-really-is-dead. BARRY: All-right. (Another-bug-hits-the-windshield-and-the-drivers-notice.-They-activate-the windshield-wipers) MOOSEBLOOD== Uh-oh! (The-windshield-wipers-are-slowly-sliding-over-the-dead-bugs-and-wiping them-off) BARRY: --What-is-that?! MOOSEBLOOD: --Oh #no! -: --A-wiper!-Triple-blade! BARRY: --Triple-blade? MOOSEBLOOD: Jump-on!-It's-your-only-chance #bee! (Mooseblood-and-Barry-grab-onto-the-wiper-and-they-hold-on-as-it-wipes-the windshield) Why-does-everything-have to-be-so-doggone-clean?! -: How-much-do-you-people-need-to-see?! (Bangs-on-windshield) -: Open-your-eyes! Stick-your-head-out-the-window! RADIO-IN-TRUCK: From-NPR-News-in-Washington #I'm-Carl-Kasell. MOOSEBLOOD: But-don't-kill-no-more-bugs! (Mooseblood-and-Barry-are-washed-off-by-the-wipr-fluid) MOOSEBLOOD: --Bee! BARRY: --Moose-blood-guy!! (Barry-starts-screaming-as-he-hangs-onto-the-antenna) (Suddenly-it-is-revealed-that-a-water-bug-is-also-hanging-on-the-antenna. There-is-a-pause-and-then-Barry-and-the-water-bug-both-start-screaming) TRUCK-DRIVER: --You-hear-something? GUY-IN-TRUCK: --Like-what? TRUCK-DRIVER: Like-tiny-screaming. GUY-IN-TRUCK: Turn-off-the-radio. (The-antenna-starts-to-lower-until-it-gets-to-low-and-sinks-into-the-truck. The-water-bug-flies-off-and-Barry-is-forced-to-let-go-and-he-is-blown-away. He-luckily-lands-inside-a-horn-on-top-of-the-truck-where-he-finds Mooseblood #who-was-blown-into-the-same-place) MOOSEBLOOD: Whassup #bee-boy? BARRY: Hey #Blood. (Fast-forward-in-time-and-we-see-that-Barry-is-deep-in-conversation-with Mooseblood.-They-have-been-sitting-in-this-truck-for-a-while) BARRY: ...Just-a-row-of-honey-jars #as-far-as-the-eye-could-see. MOOSEBLOOD: Wow! BARRY: I-assume-wherever-this-truck-goes is-where-they're-getting-it. -: I-mean #that-honey's-ours. MOOSEBLOOD: --Bees-hang-tight. BARRY: --We're-all-jammed-in. -: It's-a-close-community. MOOSEBLOOD: Not-us #man.-We-on-our-own. Every-mosquito-on-his-own. BARRY: --What-if-you-get-in-trouble? MOOSEBLOOD: --You-a-mosquito #you-in-trouble. -: Nobody-likes-us.-They-just-smack. See-a-mosquito #smack #smack! BARRY: At-least-you're-out-in-the-world. You-must-meet-girls. MOOSEBLOOD: Mosquito-girls-try-to-trade-up #get-with-a-moth #dragonfly. -: Mosquito-girl-don't-want-no-mosquito. (An-ambulance-passes-by-and-it-has-a-blood-donation-sign-on-it) You-got-to-be-kidding-me! -: Mooseblood's-about-to-leave the-building!-So-long #bee! (Mooseblood-leaves-and-flies-onto-the-window-of-the-ambulance-where-there are-other-mosquito's-hanging-out) -: --Hey #guys! OTHER-MOSQUITO: --Mooseblood! MOOSEBLOOD: I-knew-I'd-catch-y'all-down-here. Did-you-bring-your-crazy-straw? (The-truck-goes-out-of-view-and-Barry-notices-that-the-truck-he's-on-is pulling-into-a-camp-of-some-sort) TRUCK-DRIVER: We-throw-it-in-jars #slap-a-label-on-it #and-it's-pretty-much-pure-profit. (Barry-flies-out) BARRY: What-is-this-place? BEEKEEPER-1#: A-bee's-got-a-brain the-size-of-a-pinhead. BEEKEEPER-#2: They-are-pinheads! -: Pinhead. -: --Check-out-the-new-smoker. BEEKEEPER-#1: --Oh #sweet.-That's-the-one-you-want. -: The-Thomas-3000! BARRY: Smoker? BEEKEEPER-#1: Ninety-puffs-a-minute #semi-automatic. Twice-the-nicotine #all-the-tar. -: A-couple-breaths-of-this knocks-them-right-out. BEEKEEPER-#2: They-make-the-honey #and-we-make-the-money. BARRY: 'They-make-the-honey #and-we-make-the-money'? (The-Beekeeper-sprays-hundreds-of-cheap-miniature-apartments-with-the smoker.-The-bees-are-fainting-or-passing-out) Oh #my! -: What's-going-on?-Are-you-OK? (Barry-flies-into-one-of-the-apartment-and-helps-a-Bee-couple-get-off-the ground.-They-are-coughing-and-its-hard-for-them-to-stand) BEE-IN-APARTMENT: Yeah.-It-doesn't-last-too-long. BARRY: Do-you-know-you're in-a-fake-hive-with-fake-walls? BEE-IN-APPARTMENT: Our-queen-was-moved-here. We-had-no-choice. (The-apartment-room-is-completely-empty-except-for-a-photo-on-the-wall-of the-'queen'-who-is-obviously-a-man-in-women's-clothes) BARRY: This-is-your-queen? That's-a-man-in-women's-clothes! -: That's-a-drag-queen! -: What-is-this? (Barry-flies-out-and-he-discovers-that-there-are-hundreds-of-these structures #each-housing-thousands-of-Bees) Oh #no! -: There's-hundreds-of-them! (Barry-takes-out-his-camera-and-takes-pictures-of-these-Bee-work-camps.-The beekeepers-look-very-evil-in-these-depictions) Bee-honey. -: Our-honey-is-being-brazenly-stolen on-a-massive-scale! -: This-is-worse-than-anything-bears have-done!-I-intend-to-do-something. (Flash-forward-in-time-and-Barry-is-showing-these-pictures-to-his-parents) JANET: Oh #Barry #stop. MARTIN: Who-told-you-humans-are-taking our-honey?-That's-a-rumor. BARRY: Do-these-look-like-rumors? (Holds-up-the-pictures) UNCLE-CARL: That's-a-conspiracy-theory. These-are-obviously-doctored-photos. JANET: How-did-you-get-mixed-up-in-this? ADAM: He's-been-talking-to-humans. JANET: --What? MARTIN: --Talking-to-humans?! ADAM: He-has-a-human-girlfriend. And-they-make-out! JANET: Make-out?-Barry! BARRY: We-do-not. ADAM: --You-wish-you-could. MARTIN: --Whose-side-are-you-on? BARRY: The-bees! UNCLE-CARL: (He-has-been-sitting-in-the-back-of-the-room-this-entire-time) I-dated-a-cricket-once-in-San-Antonio. Those-crazy-legs-kept-me-up-all-night. JANET: Barry #this-is-what-you-want to-do-with-your-life? BARRY: I-want-to-do-it-for-all-our-lives. Nobody-works-harder-than-bees! -: Dad #I-remember-you coming-home-so-overworked -: your-hands-were-still-stirring. You-couldn't-stop. JANET: I-remember-that. BARRY: What-right-do-they-have-to-our-honey? -: We-live-on-two-cups-a-year.-They-put-it in-lip-balm-for-no-reason-whatsoever! ADAM: Even-if-it's-true #what-can-one-bee-do? BARRY: Sting-them-where-it-really-hurts. MARTIN: In-the-face!-The-eye! -: --That-would-hurt. BARRY: --No. MARTIN: Up-the-nose?-That's-a-killer. BARRY: There's-only-one-place-you-can-sting the-humans #one-place-where-it-matters. (Flash-forward-a-bit-in-time-and-we-are-watching-the-Bee-News) BEE-NEWS-NARRATOR: Hive-at-Five #the-hive's-only full-hour-action-news-source. BEE-PROTESTOR: No-more-bee-beards! BEE-NEWS-NARRATOR: With-Bob-Bumble-at-the-anchor-desk. -: Weather-with-Storm-Stinger. -: Sports-with-Buzz-Larvi. -: And-Jeanette-Chung. BOB-BUMBLE: --Good-evening.-I'm-Bob-Bumble. JEANETTE-CHUNG: --And-I'm-Jeanette-Chung. BOB-BUMBLE: A-tri-county-bee #Barry-Benson #: intends-to-sue-the-human-race for-stealing-our-honey #: packaging-it-and-profiting from-it-illegally! JEANETTE-CHUNG: Tomorrow-night-on-Bee-Larry-King #: we'll-have-three-former-queens-here-in our-studio #discussing-their-new-book #: Classy-Ladies #out-this-week-on-Hexagon. (The-scene-changes-to-an-interview-on-the-news-with-Bee-version-of-Larry King-and-Barry) BEE-LARRY-KING: Tonight-we're-talking-to-Barry-Benson. -: Did-you-ever-think #'I'm-a-kid from-the-hive.-I-can't-do-this'? BARRY: Bees-have-never-been-afraid to-change-the-world. -: What-about-Bee-Columbus? Bee-Gandhi?-Bejesus? BEE-LARRY-KING: Where-I'm-from #we'd-never-sue-humans. -: We-were-thinking of-stickball-or-candy-stores. BARRY: How-old-are-you? BEE-LARRY-KING: The-bee-community is-supporting-you-in-this-case #: which-will-be-the-trial of-the-bee-century. BARRY: You-know #they-have-a-Larry-King in-the-human-world-too. BEE-LARRY-KING: It's-a-common-name.-Next-week... BARRY: He-looks-like-you-and-has-a-show and-suspenders-and-colored-dots... BEE-LARRY-KING: Next-week... BARRY: Glasses #quotes-on-the-bottom-from-the guest-even-though-you-just-heard-'em. BEE-LARRY-KING: Bear-Week-next-week! They're-scary #hairy-and-here #live. (Bee-Larry-King-gets-annoyed-and-flies-away-offscreen) BARRY: Always-leans-forward #pointy-shoulders #squinty-eyes #very-Jewish. (Flash-forward-in-time.-We-see-Vanessa-enter-and-Ken-enters-behind-her. They-are-arguing) KEN: In-tennis #you-attack at-the-point-of-weakness! VANESSA: It-was-my-grandmother #Ken.-She's-81. KEN== Honey #her-backhand's-a-joke! I'm-not-gonna-take-advantage-of-that? BARRY: (To-Ken) Quiet #please. Actual-work-going-on-here. KEN: (Pointing-at-Barry) --Is-that-that-same-bee? VANESSA: --Yes #it-is! -: I'm-helping-him-sue-the-human-race. BARRY: --Hello. KEN: --Hello #bee. VANESSA: This-is-Ken. BARRY: (Recalling-the-'Winter-Boots'-incident-earlier) Yeah #I-remember-you.-Timberland #size ten-and-a-half.-Vibram-sole #I-believe. KEN: (To-Vanessa) Why-does-he-talk-again? VANESSA: Listen #you-better-go 'cause-we're-really-busy-working. KEN: But-it's-our-yogurt-night! VANESSA: (Holding-door-open-for-Ken) Bye-bye. KEN: (Yelling) Why-is-yogurt-night-so-difficult?! (Ken-leaves-and-Vanessa-walks-over-to-Barry.-His-workplace-is-a-mess) VANESSA: You-poor-thing. You-two-have-been-at-this-for-hours! BARRY: Yes #and-Adam-here has-been-a-huge-help. ADAM: --Frosting... --How-many-sugars? -==BARRY== Just-one.-I-try-not to-use-the-competition. -: So-why-are-you-helping-me? VANESSA: Bees-have-good-qualities. -: And-it-takes-my-mind-off-the-shop. -: Instead-of-flowers #people are-giving-balloon-bouquets-now. BARRY: Those-are-great #if-you're-three. VANESSA: And-artificial-flowers. BARRY: --Oh #those-just-get-me-psychotic! VANESSA: --Yeah #me-too. -: BARRY: Bent-stingers #pointless-pollination. ADAM: Bees-must-hate-those-fake-things! -: Nothing-worse than-a-daffodil-that's-had-work-done. -: Maybe-this-could-make-up for-it-a-little-bit. VANESSA: --This-lawsuit's-a-pretty-big-deal. BARRY: --I-guess. ADAM: You-sure-you-want-to-go-through-with-it? BARRY: Am-I-sure?-When-I'm-done-with the-humans #they-won't-be-able -: to-say #'Honey #I'm-home #' without-paying-a-royalty! (Flash-forward-in-time-and-we-are-watching-the-human-news.-The-camera-shows a-crowd-outside-a-courthouse) NEWS-REPORTER: It's-an-incredible-scene here-in-downtown-Manhattan #: where-the-world-anxiously-waits #because-for-the-first-time-in-history #: we-will-hear-for-ourselves if-a-honeybee-can-actually-speak. (We-are-no-longer-watching-through-a-news-camera) ADAM: What-have-we-gotten-into-here #Barry? BARRY: It's-pretty-big #isn't-it? ADAM== (Looking-at-the-hundreds-of-people-around-the-courthouse) I-can't-believe-how-many-humans don't-work-during-the-day. BARRY: You-think-billion-dollar-multinational food-companies-have-good-lawyers? SECURITY-GUARD: Everybody-needs-to-stay behind-the-barricade. (A-limousine-drives-up-and-a-fat-man #Layton-Montgomery #a-honey-industry owner-gets-out-and-walks-past-Barry) ADAM: --What's-the-matter? BARRY: --I-don't-know #I-just-got-a-chill. (Fast-forward-in-time-and-everyone-is-in-the-court) MONTGOMERY: Well #if-it-isn't-the-bee-team. (To-Honey-Industry-lawyers) You-boys-work-on-this? MAN: All-rise!-The-Honorable Judge-Bumbleton-presiding. JUDGE-BUMBLETON: All-right.-Case-number-4475 #: Superior-Court-of-New-York #Barry-Bee-Benson-v.-the-Honey-Industry -: is-now-in-session. -: Mr.-Montgomery #you're-representing the-five-food-companies-collectively? MONTGOMERY: A-privilege. JUDGE-BUMBLETON: Mr.-Benson...-you're-representing all-the-bees-of-the-world? (Everyone-looks-closely #they-are-waiting-to-see-if-a-Bee-can-really-talk) (Barry-makes-several-buzzing-sounds-to-sound-like-a-Bee) BARRY: I'm-kidding.-Yes #Your-Honor #we're-ready-to-proceed. JUDGE-BUMBLBETON: Mr.-Montgomery #your-opening-statement #please. MONTGOMERY: Ladies-and-gentlemen-of-the-jury #: my-grandmother-was-a-simple-woman. -: Born-on-a-farm #she-believed it-was-man's-divine-right -: to-benefit-from-the-bounty of-nature-God-put-before-us. -: If-we-lived-in-the-topsy-turvy-world Mr.-Benson-imagines #: just-think-of-what-would-it-mean. -: I-would-have-to-negotiate with-the-silkworm -: for-the-elastic-in-my-britches! -: Talking-bee! (Montgomery-walks-over-and-looks-closely-at-Barry) -: How-do-we-know-this-isn't-some-sort-of -: holographic-motion-picture-capture Hollywood-wizardry? -: They-could-be-using-laser-beams! -: Robotics!-Ventriloquism! Cloning!-For-all-we-know #: he-could-be-on-steroids! JUDGE-BUMBLETON: Mr.-Benson? BARRY: Ladies-and-gentlemen #there's-no-trickery-here. -: I'm-just-an-ordinary-bee. Honey's-pretty-important-to-me. -: It's-important-to-all-bees. We-invented-it! -: We-make-it.-And-we-protect-it with-our-lives. -: Unfortunately #there-are some-people-in-this-room -: who-think-they-can-take-it-from-us -: 'cause-we're-the-little-guys! I'm-hoping-that #after-this-is-all-over #: you'll-see-how #by-taking-our-honey #you-not-only-take-everything-we-have -: but-everything-we-are! JANET== (To-Martin) I-wish-he'd-dress-like-that all-the-time.-So-nice! JUDGE-BUMBLETON: Call-your-first-witness. BARRY: So #Mr.-Klauss-Vanderhayden of-Honey-Farms #big-company-you-have. KLAUSS-VANDERHAYDEN: I-suppose-so. BARRY: I-see-you-also-own Honeyburton-and-Honron! KLAUSS: Yes #they-provide-beekeepers for-our-farms. BARRY: Beekeeper.-I-find-that to-be-a-very-disturbing-term. -: I-don't-imagine-you-employ any-bee-free-ers #do-you? KLAUSS: (Quietly) --No. BARRY: --I-couldn't-hear-you. KLAUSS: --No. BARRY: --No. -: Because-you-don't-free-bees. You-keep-bees.-Not-only-that #: it-seems-you-thought-a-bear-would-be an-appropriate-image-for-a-jar-of-honey. KLAUSS: They're-very-lovable-creatures. -: Yogi-Bear #Fozzie-Bear #Build-A-Bear. BARRY: You-mean-like-this? (The-bear-from-Over-The-Hedge-barges-in-through-the-back-door-and-it-is roaring-and-standing-on-its-hind-legs.-It-is-thrashing-its-claws-and-people are-screaming.-It-is-being-held-back-by-a-guard-who-has-the-bear-on-a chain) -: (Pointing-to-the-roaring-bear) Bears-kill-bees! -: How'd-you-like-his-head-crashing through-your-living-room?! -: Biting-into-your-couch! Spitting-out-your-throw-pillows! JUDGE-BUMBLETON: OK #that's-enough.-Take-him-away. (The-bear-stops-roaring-and-thrashing-and-walks-out) BARRY: So #Mr.-Sting #thank-you-for-being-here. Your-name-intrigues-me. -: --Where-have-I-heard-it-before? MR.-STING: --I-was-with-a-band-called-The-Police. BARRY: But-you've-never-been a-police-officer #have-you? STING: No #I-haven't. BARRY: No #you-haven't.-And-so-here we-have-yet-another-example -: of-bee-culture-casually stolen-by-a-human -: for-nothing-more-than a-prance-about-stage-name. STING: Oh #please. BARRY: Have-you-ever-been-stung #Mr.-Sting? -: Because-I'm-feeling a-little-stung #Sting. -: Or-should-I-say...-Mr.-Gordon-M.-Sumner! MONTGOMERY: That's-not-his-real-name?!-You-idiots! BARRY: Mr.-Liotta #first #belated-congratulations-on -: your-Emmy-win-for-a-guest-spot on-ER-in-2005. RAY-LIOTTA: Thank-you.-Thank-you. BARRY: I-see-from-your-resume that-you're-devilishly-handsome -: with-a-churning-inner-turmoil that's-ready-to-blow. RAY-LIOTTA: I-enjoy-what-I-do.-Is-that-a-crime? BARRY: Not-yet-it-isn't.-But-is-this what-it's-come-to-for-you? -: Exploiting-tiny #helpless-bees so-you-don't -: have-to-rehearse your-part-and-learn-your-lines #sir? RAY-LIOTTA: Watch-it #Benson! I-could-blow-right-now! BARRY: This-isn't-a-goodfella. This-is-a-badfella! (Ray-Liotta-looses-it-and-tries-to-grab-Barry) RAY-LIOTTA: Why-doesn't-someone-just-step-on this-creep #and-we-can-all-go-home?! JUDGE-BUMBLETON: --Order-in-this-court! RAY-LIOTTA: --You're-all-thinking-it! (Judge-Bumbleton-starts-banging-her-gavel) JUDGE-BUMBLETON: Order!-Order #I-say! RAY-LIOTTA: --Say-it! MAN: --Mr.-Liotta #please-sit-down! (We-see-a-montage-of-magazines-which-feature-the-court-case) (Flash-forward-in-time-and-Barry-is-back-home-with-Vanessa) BARRY: I-think-it-was-awfully-nice of-that-bear-to-pitch-in-like-that. VANESSA: I-think-the-jury's-on-our-side. BARRY: Are-we-doing-everything-right #you-know #legally? VANESSA: I'm-a-florist. BARRY: Right.-Well #here's-to-a-great-team. VANESSA: To-a-great-team! (Ken-walks-in-from-work.-He-sees-Barry-and-he-looks-upset-when-he-sees Barry-clinking-his-glass-with-Vanessa) KEN: Well #hello. VANESSA: --Oh #Ken! BARRY: --Hello! VANESSA: I-didn't-think-you-were-coming. -: No #I-was-just-late. I-tried-to-call #but... (Ken-holds-up-his-phone-and-flips-it-open.-The-phone-has-no-charge) ...the-battery... VANESSA: I-didn't-want-all-this-to-go-to-waste #so-I-called-Barry.-Luckily #he-was-free. KEN: Oh #that-was-lucky. (Ken-sits-down-at-the-table-across-from-Barry-and-Vanessa-leaves-the-room) VANESSA: There's-a-little-left. I-could-heat-it-up. KEN: (Not-taking-his-eyes-off-Barry) Yeah #heat-it-up #sure #whatever. BARRY: So-I-hear-you're-quite-a-tennis-player. -: I'm-not-much-for-the-game-myself. The-ball's-a-little-grabby. KEN: That's-where-I-usually-sit. Right... (Points-to-where-Barry-is-sitting) there. VANESSA: (Calling-from-other-room) Ken #Barry-was-looking-at-your-resume #: and-he-agreed-with-me-that-eating-with chopsticks-isn't-really-a-special-skill. KEN: (To-Barry) You-think-I-don't-see-what-you're-doing? BARRY: I-know-how-hard-it-is-to-find the-right-job.-We-have-that-in-common. KEN: Do-we? BARRY: Bees-have-100-percent-employment #but-we-do-jobs-like-taking-the-crud-out. KEN: (Menacingly) That's-just-what I-was-thinking-about-doing. (Ken-reaches-for-a-fork-on-the-table-but-knocks-if-on-the-floor.-He-goes-to pick-it-up) VANESSA: Ken #I-let-Barry-borrow-your-razor for-his-fuzz.-I-hope-that-was-all-right. (Ken-quickly-rises-back-up-after-hearing-this-but-hits-his-head-on-the table-and-yells) BARRY: I'm-going-to-drain-the-old-stinger. KEN: Yeah #you-do-that. (Barry-flies-past-Ken-to-get-to-the-bathroom-and-Ken-freaks-out #splashing some-of-the-wine-he-was-using-to-cool-his-head-in-his-eyes.-He-yells-in anger) (Barry-looks-at-the-magazines-featuring-his-victories-in-court) BARRY: Look-at-that. (Barry-flies-into-the-bathroom) (He-puts-his-hand-on-his-head-but-this-makes-hurts-him-and-makes-him-even madder.-He-yells-again) (Barry-is-washing-his-hands-in-the-sink-but-then-Ken-walks-in) KEN: You-know #you-know-I've-just-about-had-it (Closes-bathroom-door-behind-him) with-your-little-mind-games. (Ken-is-menacingly-rolling-up-a-magazine) BARRY: (Backing-away) --What's-that? KEN: --Italian-Vogue. BARRY: Mamma-mia #that's-a-lot-of-pages. KEN: It's-a-lot-of-ads. BARRY: Remember-what-Van-said #why-is your-life-more-valuable-than-mine? KEN: That's-funny #I-just-can't-seem-to-recall-that! (Ken-smashes-everything-off-the-sink-with-the-magazine-and-Barry-narrowly escapes) (Ken-follows-Barry-around-and-tries-to-hit-him-with-the-magazine-but-he keeps-missing) (Ken-gets-a-spray-bottle) -: I-think-something-stinks-in-here! BARRY: (Enjoying-the-spray) I-love-the-smell-of-flowers. (Ken-holds-a-lighter-in-front-of-the-spray-bottle) KEN: How-do-you-like-the-smell-of-flames?! BARRY: Not-as-much. (Ken-fires-his-make-shift-flamethrower-but-misses-Barry #burning-the bathroom.-He-torches-the-whole-room-but-looses-his-footing-and-falls-into the-bathtub.-After-getting-hit-in-the-head-by-falling-objects-3-times-he picks-up-the-shower-head #revealing-a-Water-bug-hiding-under-it) WATER-BUG: Water-bug!-Not-taking-sides! (Barry-gets-up-out-of-a-pile-of-bathroom-supplies-and-he-is-wearing-a chapstick-hat) BARRY: Ken #I'm-wearing-a-Chapstick-hat! This-is-pathetic! (Ken-switches-the-shower-head-to-lethal) KEN: I've-got-issues! (Ken-sprays-Barry-with-the-shower-head-and-he-crash-lands-into-the-toilet) (Ken-menacingly-looks-down-into-the-toilet-at-Barry) Well #well #well #a-royal-flush! BARRY: --You're-bluffing. KEN: --Am-I? (flushes-toilet) (Barry-grabs-a-chapstick-from-the-toilet-seat-and-uses-it-to-surf-in-the flushing-toilet) BARRY: Surf's-up #dude! (Barry-flies-out-of-the-toilet-on-the-chapstick-and-sprays-Ken's-face-with the-toilet-water) -: EW #Poo-water! BARRY: That-bowl-is-gnarly. KEN: (Aiming-a-toilet-cleaner-at-Barry) Except-for-those-dirty-yellow-rings! (Barry-cowers-and-covers-his-head-and-Vanessa-runs-in-and-takes-the-toilet cleaner-from-Ken-just-before-he-hits-Barry) VANESSA: Kenneth!-What-are-you-doing?! KEN== (Leaning-towards-Barry) You-know #I-don't-even-like-honey! I-don't-eat-it! VANESSA: We-need-to-talk! (Vanessa-pulls-Ken-out-of-the-bathroom) -: He's-just-a-little-bee! -: And-he-happens-to-be the-nicest-bee-I've-met-in-a-long-time! KEN: Long-time?-What-are-you-talking-about?! Are-there-other-bugs-in-your-life? VANESSA: No #but-there-are-other-things-bugging me-in-life.-And-you're-one-of-them! KEN: Fine!-Talking-bees #no-yogurt-night... -: My-nerves-are-fried-from-riding on-this-emotional-roller-coaster! VANESSA: Goodbye #Ken. (Ken-huffs-and-walks-out-and-slams-the-door.-But-suddenly-he-walks-back-in and-stares-at-Barry) -: And-for-your-information #I-prefer-sugar-free #artificial sweeteners-MADE-BY-MAN! (Ken-leaves-again-and-Vanessa-leans-in-towards-Barry) VANESSA: I'm-sorry-about-all-that. (Ken-walks-back-in-again) KEN: I-know-it's-got an-aftertaste!-I-LIKE-IT! (Ken-leaves-for-the-last-time) VANESSA: I-always-felt-there-was-some-kind of-barrier-between-Ken-and-me. -: I-couldn't-overcome-it. Oh #well. -: Are-you-OK-for-the-trial? BARRY: I-believe-Mr.-Montgomery is-about-out-of-ideas. (Flash-forward-in-time-and-Barry #Adam #and-Vanessa-are-back-in-court) MONTGOMERY-- We-would-like-to-call Mr.-Barry-Benson-Bee-to-the-stand. ADAM: Good-idea!-You-can-really-see-why-he's considered-one-of-the-best-lawyers... (Barry-stares-at-Adam) ...Yeah. LAWYER: Layton #you've gotta-weave-some-magic with-this-jury #or-it's-gonna-be-all-over. MONTGOMERY: Don't-worry.-The-only-thing-I-have to-do-to-turn-this-jury-around -: is-to-remind-them of-what-they-don't-like-about-bees. (To-lawyer) --You-got-the-tweezers? LAWYER: --Are-you-allergic? MONTGOMERY: Only-to-losing #son.-Only-to-losing. -: Mr.-Benson-Bee #I'll-ask-you what-I-think-we'd-all-like-to-know. -: What-exactly-is-your-relationship (Points-to-Vanessa) -: to-that-woman? BARRY: We're-friends. MONTGOMERY: --Good-friends? BARRY: --Yes. MONTGOMERY: How-good?-Do-you-live-together? ADAM: Wait-a-minute... -: MONTGOMERY: Are-you-her-little... -: ...bedbug? (Adam's-stinger-starts-vibrating.-He-is-agitated) I've-seen-a-bee-documentary-or-two. From-what-I-understand #: doesn't-your-queen-give-birth to-all-the-bee-children? BARRY: --Yeah #but... MONTGOMERY: (Pointing-at-Janet-and-Martin) --So-those-aren't-your-real-parents! JANET: --Oh #Barry... BARRY: --Yes #they-are! ADAM: Hold-me-back! (Vanessa-tries-to-hold-Adam-back.-He-wants-to-sting-Montgomery) MONTGOMERY: You're-an-illegitimate-bee #aren't-you #Benson? ADAM: He's-denouncing-bees! MONTGOMERY: Don't-y'all-date-your-cousins? (Montgomery-leans-over-on-the-jury-stand-and-stares-at-Adam) VANESSA: --Objection! (Vanessa-raises-her-hand-to-object-but-Adam-gets-free.-He-flies-straight-at Montgomery) =ADAM: --I'm-going-to-pincushion-this-guy! BARRY: Adam #don't!-It's-what-he-wants! (Adam-stings-Montgomery-in-the-butt-and-he-starts-thrashing-around) MONTGOMERY: Oh #I'm-hit!! -: Oh #lordy #I-am-hit! JUDGE-BUMBLETON: (Banging-gavel) Order!-Order! MONTGOMERY: (Overreacting) The-venom!-The-venom is-coursing-through-my-veins! -: I-have-been-felled by-a-winged-beast-of-destruction! -: You-see?-You-can't-treat-them like-equals!-They're-striped-savages! -: Stinging's-the-only-thing they-know!-It's-their-way! BARRY: --Adam #stay-with-me. ADAM: --I-can't-feel-my-legs. MONTGOMERY: (Overreacting-and-throwing-his-body-around-the-room) What-angel-of-mercy will-come-forward-to-suck-the-poison -: from-my-heaving-buttocks? JUDGE-BUMLBETON: I-will-have-order-in-this-court.-Order! -: Order #please! (Flash-forward-in-time-and-we-see-a-human-news-reporter) NEWS-REPORTER: The-case-of-the-honeybees versus-the-human-race -: took-a-pointed-turn-against-the-bees -: yesterday-when-one-of-their-legal team-stung-Layton-T.-Montgomery. (Adam-is-laying-in-a-hospital-bed-and-Barry-flies-in-to-see-him) BARRY: --Hey #buddy. ADAM: --Hey. BARRY: --Is-there-much-pain? ADAM: --Yeah. -: I... -: I-blew-the-whole-case #didn't-I? BARRY: It-doesn't-matter.-What-matters-is you're-alive.-You-could-have-died. ADAM: I'd-be-better-off-dead.-Look-at-me. (A-small-plastic-sword-is-replaced-as-Adam's-stinger) They-got-it-from-the-cafeteria downstairs #in-a-tuna-sandwich. -: Look #there's a-little-celery-still-on-it. (Flicks-off-the-celery-and-sighs) BARRY: What-was-it-like-to-sting-someone? ADAM: I-can't-explain-it.-It-was-all... -: All-adrenaline-and-then... and-then-ecstasy! BARRY: ...All-right. ADAM: You-think-it-was-all-a-trap? BARRY: Of-course.-I'm-sorry. I-flew-us-right-into-this. -: What-were-we-thinking?-Look-at-us.-We're just-a-couple-of-bugs-in-this-world. ADAM: What-will-the-humans-do-to-us if-they-win? BARRY: I-don't-know. ADAM: I-hear-they-put-the-roaches-in-motels. That-doesn't-sound-so-bad. BARRY: Adam #they-check-in #but-they-don't-check-out! ADAM: Oh #my. (Coughs) Could-you-get-a-nurse to-close-that-window? BARRY: --Why? ADAM: --The-smoke. (We-can-see-that-two-humans-are-smoking-cigarettes-outside) -: Bees-don't-smoke. BARRY: Right.-Bees-don't-smoke. -: Bees-don't-smoke! But-some-bees-are-smoking. -: That's-it!-That's-our-case! ADAM: It-is?-It's-not-over? BARRY: Get-dressed.-I've-gotta-go-somewhere. -: Get-back-to-the-court-and-stall. Stall-any-way-you-can. (Flash-forward-in-time-and-Adam-is-making-a-paper-boat-in-the-courtroom) ADAM: And-assuming-you've-done-step-29-correctly #you're-ready-for-the-tub! (We-see-that-the-jury-have-each-made-their-own-paper-boats-after-being taught-how-by-Adam.-They-all-look-confused) JUDGE-BUMBLETON: Mr.-Flayman. ADAM: Yes?-Yes #Your-Honor! JUDGE-BUMBLETON: Where-is-the-rest-of-your-team? ADAM: (Continues-stalling) Well #Your-Honor #it's-interesting. -: Bees-are-trained-to-fly-haphazardly #: and-as-a-result #we-don't-make-very-good-time. -: I-actually-heard-a-funny-story-about... MONTGOMERY: Your-Honor #haven't-these-ridiculous-bugs -: taken-up-enough of-this-court's-valuable-time? -: How-much-longer-will-we-allow these-absurd-shenanigans-to-go-on? -: They-have-presented-no-compelling evidence-to-support-their-charges -: against-my-clients #who-run-legitimate-businesses. -: I-move-for-a-complete-dismissal of-this-entire-case! JUDGE-BUMBLETON: Mr.-Flayman #I'm-afraid-I'm-going -: to-have-to-consider Mr.-Montgomery's-motion. ADAM: But-you-can't!-We-have-a-terrific-case. MONTGOMERY: Where-is-your-proof? Where-is-the-evidence? -: Show-me-the-smoking-gun! BARRY: (Barry-flies-in-through-the-door) Hold-it #Your-Honor! You-want-a-smoking-gun? -: Here-is-your-smoking-gun. (Vanessa-walks-in-holding-a-bee-smoker.-She-sets-it-down-on-the-Judge's podium) JUDGE-BUMBLETON: What-is-that? BARRY: It's-a-bee-smoker! MONTGOMERY: (Picks-up-smoker) What #this? This-harmless-little-contraption? -: This-couldn't-hurt-a-fly #let-alone-a-bee. (Montgomery-accidentally-fires-it-at-the-bees-in-the-crowd-and-they-faint and-cough) (Dozens-of-reporters-start-taking-pictures-of-the-suffering-bees) BARRY: Look-at-what-has-happened -: to-bees-who-have-never-been-asked #'Smoking-or-non?' -: Is-this-what-nature-intended-for-us? -: To-be-forcibly-addicted to-smoke-machines -: and-man-made-wooden-slat-work-camps? -: Living-out-our-lives-as-honey-slaves to-the-white-man? (Barry-points-to-the-honey-industry-owners.-One-of-them-is-an-African American-so-he-awkwardly-separates-himself-from-the-others) LAWYER: --What-are-we-gonna-do? --He's-playing-the-species-card. BARRY: Ladies-and-gentlemen #please #free-these-bees! ADAM-AND-VANESSA: Free-the-bees!-Free-the-bees! BEES-IN-CROWD: Free-the-bees! HUMAN-JURY: Free-the-bees!-Free-the-bees! JUDGE-BUMBLETON: The-court-finds-in-favor-of-the-bees! BARRY: Vanessa #we-won! VANESSA: I-knew-you-could-do-it!-High-five! (Vanessa-hits-Barry-hard-because-her-hand-is-too-big) -: Sorry. BARRY: (Overjoyed) I'm-OK!-You-know-what-this-means? -: All-the-honey will-finally-belong-to-the-bees. -: Now-we-won't-have to-work-so-hard-all-the-time. MONTGOMERY: This-is-an-unholy-perversion of-the-balance-of-nature #Benson. -: You'll-regret-this. (Montgomery-leaves-and-Barry-goes-outside-the-courtroom.-Several-reporters start-asking-Barry-questions) REPORTER-1#: Barry #how-much-honey-is-out-there? BARRY: All-right.-One-at-a-time. REPORTER-2#: Barry #who-are-you-wearing? BARRY: My-sweater-is-Ralph-Lauren #and-I-have-no-pants. (Barry-flies-outside-with-the-paparazzi-and-Adam-and-Vanessa-stay-back) ADAM: (To-Vanessa) --What-if-Montgomery's-right? Vanessa: --What-do-you-mean? ADAM: We've-been-living-the-bee-way a-long-time #27-million-years. (Flash-forward-in-time-and-Barry-is-talking-to-a-man) BUSINESS-MAN: Congratulations-on-your-victory. What-will-you-demand-as-a-settlement? BARRY: First #we'll-demand-a-complete-shutdown of-all-bee-work-camps. (As-Barry-is-talking-we-see-a-montage-of-men-putting-'closed'-tape-over-the work-camps-and-freeing-the-bees-in-the-crappy-apartments) Then-we-want-back-the-honey that-was-ours-to-begin-with #: every-last-drop. (Men-in-suits-are-pushing-all-the-honey-of-the-aisle-and-into-carts) We-demand-an-end-to-the-glorification of-the-bear-as-anything-more (We-see-a-statue-of-a-bear-shaped-honey-container-being-pulled-down-by bees) than-a-filthy #smelly #bad-breath-stink-machine. -: We're-all-aware of-what-they-do-in-the-woods. (We-see-Winnie-the-Pooh-sharing-his-honey-with-Piglet-in-the-cross-hairs-of a-high-tech-sniper-rifle) BARRY: (Looking-through-binoculars) Wait-for-my-signal. -: Take-him-out. (Winnie-gets-hit-by-a-tranquilizer-dart-and-dramatically-falls-off-the-log he-was-standing-on #his-tongue-hanging-out.-Piglet-looks-at-Pooh-in-fear and-the-Sniper-takes-the-honey.) SNIPER: He'll-have-nausea for-a-few-hours #then-he'll-be-fine. (Flash-forward-in-time) BARRY: And-we-will-no-longer-tolerate bee-negative-nicknames... (Mr.-Sting-is-sitting-at-home-until-he-is-taken-out-of-his-house-by-the-men in-suits) STING: But-it's-just-a-prance-about-stage-name! BARRY: ...unnecessary-inclusion-of-honey in-bogus-health-products -: and-la-dee-da-human tea-time-snack-garnishments. (An-old-lady-is-mixing-honey-into-her-tea-but-suddenly-men-in-suits-smash her-face-down-on-the-table-and-take-the-honey) OLD-LADY: Can't-breathe. (A-honey-truck-pulls-up-to-Barry's-hive) WORKER: Bring-it-in #boys! -: Hold-it-right-there!-Good. -: Tap-it. (Tons-of-honey-is-being-pumped-into-the-hive's-storage) BEE-WORKER-1#: (Honey-overflows-from-the-cup) Mr.-Buzzwell #we-just-passed-three-cups #and-there's-gallons-more-coming! -: --I-think-we-need-to-shut-down! =BEE-WORKER-#2= --Shut-down?-We've-never-shut-down. -: Shut-down-honey-production! DEAN-BUZZWELL: Stop-making-honey! (The-bees-all-leave-their-stations.-Two-bees-run-into-a-room-and-they-put the-keys-into-a-machine) Turn-your-key #sir! (Two-worker-bees-dramatically-turn-their-keys #which-opens-the-button-which they-press #shutting-down-the-honey-making-machines.-This-is-the-first-time this-has-ever-happened) BEE: ...What-do-we-do-now? (Flash-forward-in-time-and-a-Bee-is-about-to-jump-into-a-pool-full-of honey) Cannonball! (The-bee-gets-stuck-in-the-honey-and-we-get-a-short-montage-of-Bees-leaving work) (We-see-the-Pollen-Jocks-flying-but-one-of-them-gets-a-call-on-his-antenna) LOU-LU-DUVA: (Through-'phone') We're-shutting-honey-production! -: Mission-abort. POLLEN-JOCK-#1: Aborting-pollination-and-nectar-detail. Returning-to-base. (The-Pollen-Jocks-fly-back-to-the-hive) (We-get-a-time-lapse-of-Central-Park-slowly-wilting-away-as-the-bees-all relax) BARRY: Adam #you-wouldn't-believe how-much-honey-was-out-there. ADAM: Oh #yeah? BARRY: What's-going-on?-Where-is-everybody? (The-entire-street-is-deserted) -: --Are-they-out-celebrating? ADAM: --They're-home. -: They-don't-know-what-to-do. Laying-out #sleeping-in. -: I-heard-your-Uncle-Carl-was-on-his-way to-San-Antonio-with-a-cricket. BARRY: At-least-we-got-our-honey-back. ADAM: Sometimes-I-think #so-what-if-humans liked-our-honey?-Who-wouldn't? -: It's-the-greatest-thing-in-the-world! I-was-excited-to-be-part-of-making-it. -: This-was-my-new-desk.-This-was-my new-job.-I-wanted-to-do-it-really-well. -: And-now... -: Now-I-can't. (Flash-forward-in-time-and-Barry-is-talking-to-Vanessa) BARRY: I-don't-understand why-they're-not-happy. -: I-thought-their-lives-would-be-better! -: They're-doing-nothing.-It's-amazing. Honey-really-changes-people. VANESSA: You-don't-have-any-idea what's-going-on #do-you? BARRY: --What-did-you-want-to-show-me? (Vanessa-takes-Barry-to-the-rooftop-where-they-first-had-coffee-and-points to-her-store) VANESSA: --This. (Points-at-her-flowers.-They-are-all-grey-and-wilting) BARRY: What-happened-here? VANESSA: That-is-not-the-half-of-it. (Small-flash-forward-in-time-and-Vanessa-and-Barry-are-on-the-roof-of-her store-and-she-points-to-Central-Park) (We-see-that-Central-Park-is-no-longer-green-and-colorful #rather-it-is grey #brown #and-dead-like.-It-is-very-depressing-to-look-at) BARRY: Oh #no.-Oh #my. -: They're-all-wilting. VANESSA: Doesn't-look-very-good #does-it? BARRY: No. VANESSA: And-whose-fault-do-you-think-that-is? BARRY: You-know #I'm-gonna-guess-bees. VANESSA== (Staring-at-Barry) Bees? BARRY: Specifically #me. -: I-didn't-think-bees-not-needing-to-make honey-would-affect-all-these-things. VANESSA: It's-not-just-flowers. Fruits #vegetables #they-all-need-bees. BARRY: That's-our-whole-SAT-test-right-there. VANESSA: Take-away-produce #that-affects the-entire-animal-kingdom. -: And-then #of-course... BARRY: The-human-species? -: So-if-there's-no-more-pollination #: it-could-all-just-go-south-here #couldn't-it? VANESSA: I-know-this-is-also-partly-my-fault. BARRY: How-about-a-suicide-pact? VANESSA: How-do-we-do-it? BARRY: --I'll-sting-you #you-step-on-me. VANESSA: --That-just-kills-you-twice. BARRY: Right #right. VANESSA: Listen #Barry... sorry #but-I-gotta-get-going. (Vanessa-leaves) BARRY: (To-himself) I-had-to-open-my-mouth-and-talk. -: Vanessa? -: Vanessa?-Why-are-you-leaving? Where-are-you-going? (Vanessa-is-getting-into-a-taxi) VANESSA: To-the-final-Tournament-of-Roses-parade in-Pasadena. -: They've-moved-it-to-this-weekend because-all-the-flowers-are-dying. -: It's-the-last-chance I'll-ever-have-to-see-it. BARRY: Vanessa #I-just-wanna-say-I'm-sorry. I-never-meant-it-to-turn-out-like-this. VANESSA: I-know.-Me-neither. (The-taxi-starts-to-drive-away) BARRY: Tournament-of-Roses. Roses-can't-do-sports. -: Wait-a-minute.-Roses.-Roses? -: Roses! -: Vanessa! (Barry-flies-after-the-Taxi) VANESSA: Roses?! -: Barry? (Barry-is-flying-outside-the-window-of-the-taxi) BARRY: --Roses-are-flowers! VANESSA: --Yes #they-are. BARRY: Flowers #bees #pollen! VANESSA: I-know. That's-why-this-is-the-last-parade. BARRY: Maybe-not. Could-you-ask-him-to-slow-down? VANESSA: Could-you-slow-down? (The-taxi-driver-screeches-to-a-stop-and-Barry-keeps-flying-forward) -: Barry! (Barry-flies-back-to-the-window) BARRY: OK #I-made-a-huge-mistake. This-is-a-total-disaster #all-my-fault. VANESSA: Yes #it-kind-of-is. BARRY: I've-ruined-the-planet. I-wanted-to-help-you -: with-the-flower-shop. I've-made-it-worse. VANESSA: Actually #it's-completely-closed-down. BARRY: I-thought-maybe-you-were-remodeling. -: But-I-have-another-idea #and-it's greater-than-my-previous-ideas-combined. VANESSA: I-don't-want-to-hear-it! BARRY: All-right #they-have-the-roses #the-roses-have-the-pollen. -: I-know-every-bee #plant and-flower-bud-in-this-park. -: All-we-gotta-do-is-get-what-they've-got back-here-with-what-we've-got. -: --Bees. VANESSA: --Park. BARRY: --Pollen! VANESSA: --Flowers. BARRY: --Re-pollination! VANESSA: --Across-the-nation! -: Tournament-of-Roses #Pasadena #California. -: They've-got-nothing but-flowers #floats-and-cotton-candy. -: Security-will-be-tight. BARRY: I-have-an-idea. (Flash-forward-in-time.-Vanessa-is-about-to-board-a-plane-which-has-all-the Roses-on-board. VANESSA: Vanessa-Bloome #FTD. (Holds-out-badge) -: Official-floral-business.-It's-real. SECURITY-GUARD: Sorry #ma'am.-Nice-brooch. =VANESSA== Thank-you.-It-was-a-gift. (Barry-is-revealed-to-be-hiding-inside-the-brooch) (Flash-back-in-time-and-Barry-and-Vanessa-are-discussing-their-plan) BARRY: Once-inside #we-just-pick-the-right-float. VANESSA: How-about-The-Princess-and-the-Pea? -: I-could-be-the-princess #and-you-could-be-the-pea! BARRY: Yes #I-got-it. -: --Where-should-I-sit? GUARD: --What-are-you? BARRY: --I-believe-I'm-the-pea. GUARD: --The-pea? VANESSA: It-goes-under-the-mattresses. GUARD: --Not-in-this-fairy-tale #sweetheart. --I'm-getting-the-marshal. VANESSA: You-do-that! This-whole-parade-is-a-fiasco! -: Let's-see-what-this-baby'll-do. (Vanessa-drives-the-float-through-traffic) GUARD: Hey #what-are-you-doing?! BARRY== Then-all-we-do is-blend-in-with-traffic... -: ...without-arousing-suspicion. -: Once-at-the-airport #there's-no-stopping-us. (Flash-forward-in-time-and-Barry-and-Vanessa-are-about-to-get-on-a-plane) SECURITY-GUARD: Stop!-Security. -: --You-and-your-insect-pack-your-float? VANESSA: --Yes. SECURITY-GUARD: Has-it-been in-your-possession-the-entire-time? VANESSA: --Yes. SECURITY-GUARD: Would-you-remove-your-shoes? (To-Barry) --Remove-your-stinger. BARRY: --It's-part-of-me. SECURITY-GUARD: I-know.-Just-having-some-fun. Enjoy-your-flight. (Barry-plotting-with-Vanessa) BARRY: Then-if-we're-lucky #we'll-have just-enough-pollen-to-do-the-job. (Flash-forward-in-time-and-Barry-and-Vanessa-are-flying-on-the-plane) Can-you-believe-how-lucky-we-are?-We have-just-enough-pollen-to-do-the-job! VANESSA: I-think-this-is-gonna-work. BARRY: It's-got-to-work. CAPTAIN-SCOTT: (On-intercom) Attention #passengers #this-is-Captain-Scott. -: We-have-a-bit-of-bad-weather in-New-York. -: It-looks-like-we'll-experience a-couple-hours-delay. VANESSA: Barry #these-are-cut-flowers with-no-water.-They'll-never-make-it. BARRY: I-gotta-get-up-there and-talk-to-them. VANESSA== Be-careful. (Barry-flies-right-outside-the-cockpit-door) BARRY: Can-I-get-help with-the-Sky-Mall-magazine? I'd-like-to-order-the-talking inflatable-nose-and-ear-hair-trimmer. (The-flight-attendant-opens-the-door-and-walks-out-and-Barry-flies-into-the cockpit-unseen) BARRY: Captain #I'm-in-a-real-situation. CAPTAIN-SCOTT: --What'd-you-say #Hal? CO-PILOT-HAL: --Nothing. (Scott-notices-Barry-and-freaks-out) CAPTAIN-SCOTT: Bee! BARRY: No #no #no #Don't-freak-out!-My-entire-species... (Captain-Scott-gets-out-of-his-seat-and-tries-to-suck-Barry-into-a-handheld vacuum) HAL: (To-Scott) What-are-you-doing? (Barry-lands-on-Hals-hair-but-Scott-sees-him.-He-tries-to-suck-up-Barry-but instead-he-sucks-up-Hals-toupee) CAPTAIN-SCOTT: Uh-oh. BARRY: --Wait-a-minute!-I'm-an-attorney! HAL: (Hal-doesn't-know-Barry-is-on-his-head) --Who's-an-attorney? CAPTAIN-SCOTT: Don't-move. (Scott-hits-Hal-in-the-face-with-the-vacuum-in-an-attempt-to-hit-Barry.-Hal is-knocked-out-and-he-falls-on-the-life-raft-button-which-launches-an infalatable-boat-into-Scott #who-gets-knocked-out-and-falls-to-the-floor. They-are-both-uncounscious.) BARRY: (To-himself) Oh #Barry. BARRY: (On-intercom #with-a-Southern-accent) Good-afternoon #passengers. This-is-your-captain. -: Would-a-Miss-Vanessa-Bloome-in-24B please-report-to-the-cockpit? (Vanessa-looks-confused) (Normal-accent) ...And-please-hurry! (Vanessa-opens-the-door-and-sees-the-life-raft-and-the-uncounscious-pilots) VANESSA: What-happened-here? BARRY: I-tried-to-talk-to-them #but then-there-was-a-DustBuster #a-toupee #a-life-raft-exploded. -: Now-one's-bald #one's-in-a-boat #and-they're-both-unconscious! VANESSA: ...Is-that-another-bee-joke? BARRY: --No! -: No-one's-flying-the-plane! BUD-DITCHWATER: (Through-radio-on-plane) This-is-JFK-control-tower #Flight-356. What's-your-status? VANESSA: This-is-Vanessa-Bloome. I'm-a-florist-from-New-York. BUD: Where's-the-pilot? VANESSA: He's-unconscious #and-so-is-the-copilot. BUD: Not-good.-Does-anyone-onboard have-flight-experience? BARRY: As-a-matter-of-fact #there-is. BUD: --Who's-that? BARRY: --Barry-Benson. BUD: From-the-honey-trial?!-Oh #great. BARRY: Vanessa #this-is-nothing-more than-a-big-metal-bee. -: It's-got-giant-wings #huge-engines. VANESSA: I-can't-fly-a-plane. BARRY: --Why-not?-Isn't-John-Travolta-a-pilot? VANESSA: --Yes. BARRY: How-hard-could-it-be? (Vanessa-sits-down-and-flies-for-a-little-bit-but-we-see-lightning-clouds outside-the-window) VANESSA: Wait #Barry! We're-headed-into-some-lightning. (An-ominous-lightning-storm-looms-in-front-of-the-plane) (We-are-now-watching-the-Bee-News) BOB-BUMBLE: This-is-Bob-Bumble.-We-have-some late-breaking-news-from-JFK-Airport #: where-a-suspenseful-scene is-developing. -: Barry-Benson #fresh-from-his-legal-victory... ADAM: That's-Barry! BOB-BUMBLE: ...is-attempting-to-land-a-plane #loaded-with-people #flowers -: and-an-incapacitated-flight-crew. JANET #MARTIN #UNCLE-CAR-AND-ADAM: Flowers?! (The-scene-switches-to-the-human-news) REPORTER: (Talking-with-Bob-Bumble) We-have-a-storm-in-the-area and-two-individuals-at-the-controls -: with-absolutely-no-flight-experience. BOB-BUMBLE: Just-a-minute. There's-a-bee-on-that-plane. BUD: I'm-quite-familiar-with-Mr.-Benson and-his-no-account-compadres. -: They've-done-enough-damage. REPORTER: But-isn't-he-your-only-hope? BUD: Technically #a-bee shouldn't-be-able-to-fly-at-all. -: Their-wings-are-too-small... BARRY: (Through-radio) Haven't-we-heard-this-a-million-times? -: 'The-surface-area-of-the-wings and-body-mass-make-no-sense.'... BOB-BUMBLE: --Get-this-on-the-air! BEE: --Got-it. BEE-NEWS-CREW: --Stand-by. BEE-NEWS-CREW: --We're-going-live! BARRY: (Through-radio-on-TV) ...The-way-we-work-may-be-a-mystery-to-you. -: Making-honey-takes-a-lot-of-bees doing-a-lot-of-small-jobs. -: But-let-me-tell-you-about-a-small-job. -: If-you-do-it-well #it-makes-a-big-difference. -: More-than-we-realized. To-us #to-everyone. -: That's-why-I-want-to-get-bees back-to-working-together. -: That's-the-bee-way! We're-not-made-of-Jell-O. -: We-get-behind-a-fellow. -: --Black-and-yellow! BEES: --Hello! (The-scene-switches-and-Barry-is-teaching-Vanessa-how-to-fly) BARRY: Left #right #down #hover. VANESSA: --Hover? BARRY: --Forget-hover. VANESSA: This-isn't-so-hard. (Pretending-to-honk-the-horn) Beep-beep!-Beep-beep! (A-Lightning-bolt-hits-the-plane-and-autopilot-turns-off) Barry #what-happened?! BARRY: Wait #I-think-we-were on-autopilot-the-whole-time. VANESSA: --That-may-have-been-helping-me. BARRY: --And-now-we're-not! VANESSA: So-it-turns-out-I-cannot-fly-a-plane. (The-plane-plummets-but-we-see-Lou-Lu-Duva-and-the-Pollen-Jocks #along-with multiple-other-bees-flying-towards-the-plane) Lou-Lu-DUva: All-of-you #let's-get behind-this-fellow!-Move-it-out! -: Move-out! (The-scene-switches-back-to-Vanessa-and-Barry-in-the-plane) BARRY: Our-only-chance-is-if-I-do-what-I'd-do #you-copy-me-with-the-wings-of-the-plane! (Barry-sticks-out-his-arms-like-an-airplane-and-flys-in-front-of-Vanessa's face) VANESSA: Don't-have-to-yell. BARRY: I'm-not-yelling! We're-in-a-lot-of-trouble. VANESSA: It's-very-hard-to-concentrate with-that-panicky-tone-in-your-voice! BARRY: It's-not-a-tone.-I'm-panicking! VANESSA: I-can't-do-this! (Barry-slaps-Vanessa) BARRY: Vanessa #pull-yourself-together. You-have-to-snap-out-of-it! VANESSA: (Slaps-Barry) You-snap-out-of-it. BARRY: (Slaps-Vanessa) -: You-snap-out-of-it. VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! (We-see-that-all-the-Pollen-Jocks-are-flying-under-the-plane) VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --You-snap-out-of-it! BARRY: --You-snap-out-of-it! VANESSA: --Hold-it! BARRY: --Why?-Come-on #it's-my-turn. VANESSA: How-is-the-plane-flying? (The-plane-is-now-safely-flying) VANESSA: I-don't-know. (Barry's-antennae-rings-like-a-phone.-Barry-picks-up) BARRY: Hello? LOU-LU-DUVA: (Through-'phone') Benson #got-any-flowers for-a-happy-occasion-in-there? (All-of-the-Pollen-Jocks-are-carrying-the-plane) BARRY: The-Pollen-Jocks! -: They-do-get-behind-a-fellow. LOU-LU-DUVA: --Black-and-yellow. POLLEN-JOCKS: --Hello. LOU-LU-DUVA: All-right #let's-drop-this-tin-can on-the-blacktop. BARRY: Where?-I-can't-see-anything.-Can-you? VANESSA: No #nothing.-It's-all-cloudy. -: Come-on.-You-got-to-think-bee #Barry. BARRY: --Thinking-bee. --Thinking-bee. (On-the-runway-there-are-millions-of-bees-laying-on-their-backs) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: Wait-a-minute. I-think-I'm-feeling-something. VANESSA: --What? BARRY: --I-don't-know.-It's-strong #pulling-me. -: Like-a-27-million-year-old-instinct. -: Bring-the-nose-down. BEES: Thinking-bee! Thinking-bee!-Thinking-bee! CONTROL-TOWER-OPERATOR: --What-in-the-world-is-on-the-tarmac? BUD: --Get-some-lights-on-that! (It-is-revealed-that-all-the-bees-are-organized-into-a-giant-pulsating flower-formation) BEES: Thinking-bee! Thinking-bee!-Thinking-bee! BARRY: --Vanessa #aim-for-the-flower. VANESSA: --OK. BARRY: Out-the-engines.-We're-going-in on-bee-power.-Ready #boys? LOU-LU-DUVA: Affirmative! BARRY: Good.-Good.-Easy #now.-That's-it. -: Land-on-that-flower! -: Ready?-Full-reverse! -: Spin-it-around! (The-plane's-nose-is-pointed-at-a-flower-painted-on-a-nearby-plane) --Not-that-flower!-The-other-one! VANESSA: --Which-one? BARRY: --That-flower. (The-plane-is-now-pointed-at-a-fat-guy-in-a-flowered-shirt.-He-freaks-out and-tries-to-take-a-picture-of-the-plane) VANESSA: --I'm-aiming-at-the-flower! BARRY: That's-a-fat-guy-in-a-flowered-shirt. I-mean-the-giant-pulsating-flower made-of-millions-of-bees! (The-plane-hovers-over-the-bee-flower) -: Pull-forward.-Nose-down.-Tail-up. -: Rotate-around-it. VANESSA: --This-is-insane #Barry! BARRY: --This's-the-only-way-I-know-how-to-fly. BUD: Am-I-koo-koo-kachoo #or-is-this-plane flying-in-an-insect-like-pattern? (The-plane-is-unrealistically-hovering-and-spinning-over-the-bee-flower) BARRY: Get-your-nose-in-there.-Don't-be-afraid. Smell-it.-Full-reverse! -: Just-drop-it.-Be-a-part-of-it. -: Aim-for-the-center! -: Now-drop-it-in!-Drop-it-in #woman! -: Come-on #already. (The-bees-scatter-and-the-plane-safely-lands) VANESSA: Barry #we-did-it! You-taught-me-how-to-fly! BARRY: --Yes! (Vanessa-is-about-to-high-five-Barry) No-high-five! VANESSA: --Right. ADAM: Barry #it-worked! Did-you-see-the-giant-flower? BARRY: What-giant-flower?-Where?-Of-course I-saw-the-flower!-That-was-genius! ADAM: --Thank-you. BARRY: --But-we're-not-done-yet. -: Listen #everyone! -: This-runway-is-covered with-the-last-pollen -: from-the-last-flowers available-anywhere-on-Earth. -: That-means-this-is-our-last-chance. -: We're-the-only-ones-who-make-honey #pollinate-flowers-and-dress-like-this. -: If-we're-gonna-survive-as-a-species #this-is-our-moment!-What-do-you-say? -: Are-we-going-to-be-bees #or-just Museum-of-Natural-History-keychains? BEES: We're-bees! BEE-WHO-LIKES-KEYCHAINS: Keychain! BARRY: Then-follow-me!-Except-Keychain. POLLEN-JOCK-#1: Hold-on #Barry.-Here. -: You've-earned-this. BARRY: Yeah! -: I'm-a-Pollen-Jock!-And-it's-a-perfect fit.-All-I-gotta-do-are-the-sleeves. (The-Pollen-Jocks-throw-Barry-a-nectar-collecting-gun.-Barry-catches-it) Oh #yeah. JANET: That's-our-Barry. (Barry-and-the-Pollen-Jocks-get-pollen-from-the-flowers-on-the-plane) (Flash-forward-in-time-and-the-Pollen-Jocks-are-flying-over-NYC) -: (Barry-pollinates-the-flowers-in-Vanessa's-shop-and-then-heads-to-Central Park) BOY-IN-PARK: Mom!-The-bees-are-back! ADAM: (Putting-on-his-Krelman-hat) If-anybody-needs to-make-a-call #now's-the-time. -: I-got-a-feeling-we'll-be working-late-tonight! (The-bee-honey-factories-are-back-up-and-running) (Meanwhile-at-Vanessa's-shop) VANESSA: (To-customer) Here's-your-change.-Have-a-great afternoon!-Can-I-help-who's-next? -: Would-you-like-some-honey-with-that? It-is-bee-approved.-Don't-forget-these. (There-is-a-room-in-the-shop-where-Barry-does-legal-work-for-other-animals. He-is-currently-talking-with-a-Cow) COW: Milk #cream #cheese #it's-all-me. And-I-don't-see-a-nickel! -: Sometimes-I-just-feel like-a-piece-of-meat! BARRY: I-had-no-idea. VANESSA: Barry #I'm-sorry. Have-you-got-a-moment? BARRY: Would-you-excuse-me? My-mosquito-associate-will-help-you. MOOSEBLOOD: Sorry-I'm-late. COW: He's-a-lawyer-too? MOOSEBLOOD: Ma'am #I-was-already-a-blood-sucking-parasite. All-I-needed-was-a-briefcase. VANESSA: Have-a-great-afternoon! -: Barry #I-just-got-this-huge-tulip-order #and-I-can't-get-them-anywhere. BARRY: No-problem #Vannie. Just-leave-it-to-me. VANESSA: You're-a-lifesaver #Barry. Can-I-help-who's-next? BARRY: All-right #scramble #jocks! It's-time-to-fly. VANESSA: Thank-you #Barry! (Ken-walks-by-on-the-sidewalk-and-sees-the-'bee-approved-honey'-in Vanessa's-shop) KEN: That-bee-is-living-my-life!! ANDY: Let-it-go #Kenny. KEN: --When-will-this-nightmare-end?! ANDY: --Let-it-all-go. BARRY: --Beautiful-day-to-fly. POLLEN-JOCK: --Sure-is. BARRY: Between-you-and-me #I-was-dying-to-get-out-of-that-office. (Barry-recreates-the-scene-near-the-beginning-of-the-movie-where-he-flies through-the-box-kite.-The-movie-fades-to-black-and-the-credits-being) [--after-credits;-No-scene-can-be-seen-but-the-characters-can-be-heard talking-over-the-credits--] You-have-got to-start-thinking-bee #my-friend! -: --Thinking-bee! --Me? BARRY: (Talking-over-singer) Hold-it.-Let's-just-stop for-a-second.-Hold-it. -: I'm-sorry.-I'm-sorry #everyone. Can-we-stop-here? SINGER: Oh #BarryBARRY: I'm-not-making-a-major-life-decision during-a-production-number! SINGER: All-right.-Take-ten #everybody. Wrap-it-up #guys. BARRY: I-had-virtually-no-rehearsal-for-that.#scriptscombeemoviebyjerryseinfeldnarratorblackscreenwithtextthesoundofbuzzingbeescanbeheardaccordingtoallknownlawsofaviation #thereisnowayabeeshouldbeabletoflyitswingsaretoosmalltogetitsfatlittlebodyoffthegroundthebee #ofcourse #fliesanywaybecausebeesdontcarewhathumansthinkisimpossiblebarrybensonbarryispickingoutashirtyellow #blackyellow #blackooh -
In an extensive conversation, about to face, together with other members of the Lafken Winkul Mapu community, the trial for the so-called mother cause of Villa Mascardi, the machi Betiana Colhuan Nahuel unleashes memories, reflects and gives her opinion…
What do you feel at this moment, shortly before the trial takes place?
As a community, as a mother, as a Mapuche woman, the feeling is that of feeling run over… One more time. It is part of the history that runs through us. We feel the same as our grandfathers and grandmothers, being stripped of a territory and sitting in the dock as if we were the usurpers. Again, we are singled out as violent, and the truth is that we feel violated.
What does Justice represent?
For us, it is something armed to favor a capitalist system, created for the destruction of territories and the dispossession of the native communities – Mapuche and other peoples.
In short, you do not have confidence in the Judiciary…
No, because the system is armed against us. The laws of this State, which recognize indigenous people as pre-existing, are not respected, nor are international conventions. The norms they create to recognize and repair the damage that was done during all these years of genocide against our people are not taken into account.
For you, was there usurpation?
–No. For us, it is a search for a dignified life, a territorial claim to a place that, in reality, was usurped by the State.
What do you think will happen in the trial?
The right thing would be for them to recognize the community. It must be understood that we did not take a piece of land from the area of Bariloche; we are recovering a space for the legitimate right to develop our culture. We do not claim fifty thousand hectares of what is now the Argentine State, but seven. There is an anthropological study, with researchers from the State, which the judge accepted.
That is your wish, but do you think that is what is going to happen?
If everything were correct, that’s what should happen. If not, let them condemn us as usurpers of our own territory.
Do you think it is a political issue?
Yes.
Beyond this case, based on the appeals, are you afraid that the prefects linked to the death of Rafael Nahuel will be freed?
Yes. I think everything will be favorable for them, because they are protected by the State… and by Patricia Bullrich.
What do you think of Bullrich?
She has ambition for power, and he wants to crush the most vulnerable. She is racist, she is against the Mapuche people. She celebrated the disappearance of Santiago Maldonado and the murder of our weichafe (warrior) Rafael Nahuel. She is an empty person, she does not have any positive proposals for the people, she only wants to impose her power and repress even retired grandparents… If she does this with them, what can happen to us?
What would you say to those who describe them as violent?
It’s difficult, because unconscious society believes that this is a football match: patriotic Argentines against terrorist Indians. In reality, this is not the case. In addition, a large part of the people who criticize us descend from native peoples, and the non-Mapuche who brand us as violent are, precisely, grandchildren of genocide. What else can we expect from these people? There is a people impoverished of values and awareness of their roots. Eighty percent of the population of Bariloche is Mapuche, with an indigenous face and surname. The State itself makes people believe that we have to be on one side or the other, and it motivates us to be ashamed of our own culture, of our identity. First, we must recognize the violence exercised from the genocidal campaign of Julio Argentino Roca to the present day, where our rights are violated by wearing a face.
But… and the violence in Mascardi?
There were several armed set-ups against the community, from 2017 until now. Some of them pointed to burnings, violence… For example, they accuse us of usurping the former hotel of Villa Mascardi, and we never did it. It’s a lie. It was an uninhabitable place. It had been abandoned for years, falling apart. The structure was badly damaged. Many people came from the neighborhoods of Bariloche and took things, because there were also vehicles lying around. We never inhabited that space.
Did you take things from there?
Yes and no… At the end of the recovery, we took out some elements to reuse.
What it says is that you were not the ones who started to take those things out…
–No, the place was already in that state when we arrived.
What did you build your rukas (Mapuche houses) with?
There was a lot of dry wood lying around in the place. Also, planting pine trees, which, as far as possible, we try to cut so that it does not continue to advance in the native forest. With that we lift the rukas. We always show respect for nature.
The situation that was experienced in Los Radales, with the attack on the Gendarmerie booth, do you say that it was a set-up?
Yes, an excuse to be able to advance on the territory of the community. We didn’t do it.
What happened to the children of the community in the eviction operations?
In 2017, the children were about three years old, and there were babies too. They were gassed…. They created a trauma that they could never erase, they grew up with it. In 2022, at six in the morning the shots began, and the children had the clarity in their minds that they did not want to go through the same thing again, that is, arrest, gas… When the police entered, they were with their mothers… Without speaking, they decided to leave. The forces made the decision to follow them as they shot them. They were fourteen, eleven, eight and six years old… They returned in the evening. They all ended up with rubber bullet marks on their bodies, in addition to the effect of the gas on their eyes for about two days.
Why, when the eviction took place in 2022, were there only women and children? What happened to men?
We make a commitment to the sacred ceremonial space, to the rewe, which is for life. That space saw the birth of our children, who grew up there. We are even willing to give up our lives, as Rafael Nahuel did. That is why, when the repressive state forces arrived, the rewe defended itself as best it could. We never denied that we made a self-defense of that space. When they came to shoot at us, we defended against them with stones. The men of the community protected that space with slingshots, and while they did so they gave us time to dress our children. There were women who also defended, but almost all of us were mothers, so we had to be with the children. When self-defense could no longer be sustained, we did not want to continue exposing our parents, comrades, siblings, just so that they would be people of sacrifice. No one pays us or forces us to be Mapuche, we are Mapuche because it is born from the spirit. We assume prison with dignity. We are not ashamed to say: “We were imprisoned.” Unlike other people, we went to defend a territory, to defend life, to defend a sacred ceremonial space. It was a unanimous decision of the community to have the men and some women run up the mountain. And at that time, some children also left. That was not contemplated. Perhaps they did so out of the feeling of never wanting to be arrested again. They ran at the same time as the adults. But at one point they were told to come down.
How is the relationship of the Lafken Winkul Mapu with the rest of the Mapuche people? Are there rifts?
The Mapuche people are very large. We don’t all know each other. But we have felt supported and accompanied. When we were evicted, there were many communities that came in solidarity and others accompanied us with communiqués…
And why do you think there are Mapuche who do not support them?
Sometimes, due to ignorance. But almost everyone has supported us. Some of those who did not do so we consider to be due to “wingkamiento”, Mapuche who lost their culture.
Lately, have you had contact with the Wiritray community (historically located in the northern head of Mascardi)?
No.
–They used to have a relationship, right?
Yes.
–Since when have they not had it?
When we recovered the territory, they had an order from above. Because many of Wiritray members work for National Parks. We understand that it is part of the wingkamiento: “Let’s keep the job before supporting our siblings.” They have lost all their culture: their language, their clothing, the knowledge of the ancestors and the advice they left behind… Because we did not make ourselves alone, we were formed by grandmothers, grandfathers, older people who taught us to support each other among the Mapuche siblings. They became wingkas. It is very difficult to deal with someone who is already subdued for a salary.
From what you say, they already knew each other before 2017…
–Yes. We even went to the Wiritray community. In fact, there, before I was born, a ceremony was held with the machi Teresa Painequeo, who in a state of trance announced that on the shore of the Relmu Lafken, that same lake, a community was going to rise and a machi spirit would be born again, since in the past there had been a rewe there and that force would return. My mother was present, and many grandfathers and grandmothers who are with us today…
–What is a rewe?
A sacred territorial space, which is not defined by a number of meters.
Do you continue to go to the Villa Mascardi rewe?
Yes.
When was it for the last time?
–About five days ago.
Is it the same to go periodically as to stay there?
It’s not the same. It requires permanent care, especially due to the fact that it has been vandalized several times. There is feedback: we feed on strength, on healing; and that space, ours. There is a commitment to a territorial space that permanently needs the people who made that commitment, their children. Ceremonies were held there for which people from various communities came; about five hundred people have participated. The rewe is all that place where those who went to renew their energy and seek spiritual strength were placed. The wooden structure that was made public in several places is called chemamull, and was erected by force of the pulse of more than seventy people. It was hand-carved for an entire day.
Specifically, as a machi, is it different to live in that place than to be somewhere else?
It’s very different. There I could freely develop my work. In that space, I treated patients. People could be healed, given treatment. There were people who remained there, interned. On the other hand, far from the rewe, it is something else, because attending in a cement room I cannot go outside and look for the lawen, remedies, that are found in that territory, such as, for example, certain plants… And when the rewe is bad, our health is affected.
Nowadays, when you go to that place, what do you do?
We protect it. We are not allowed to stay… If they let us return definitively, we would not hesitate, we would return and rebuild everything, as we have done throughout history, because they looted and dispossessed us, but, nevertheless, we rose from the ashes. We are not even interested in them rebuilding the rukas (as indicated in the agreement signed on June 1, 2023 between national officials and Mapuche leaders), but we would be satisfied with them saying: “That’s it, we are going to leave you alone in your territory.” But, as we are not authorized to stay, even if it is, as far as possible, we go once a week, to take care of it. We also hold ceremonies, so that the space is strengthened together with us.
The president of the Board of Directors of the National Parks Administration, Cristian Larsen, said that the intention is to remove the rewe. If that happens, what would it mean for you?
Something very negative, a lack of respect for a place that, for us, an indigenous people, is sacred. It would be a violation of all our rights. But we are not going to give up that space. Ours is a lifelong commitment.
Beyond the fact that they removed the wooden figure, the chemamull, if they also directly prohibited access, what would they do?
The return, in the long term, will not be avoided… But, in addition, why so much cruelty? It seems illogical to us that National Park lands are given to private companies, and we, an indigenous community, with laws that support us, with the State that recognizes us as pre-existing, cannot cede seven hectares to us… We think it’s absurd.
How many times has the rewe been vandalized?
Three.
While the Unified Command was guarding the place?
Yes. Custody is not real. There is free passage for those who want to.
In general, how is the relationship with the people of Bariloche?
I participate in spaces of what is the intercultural Municipality of Bariloche, through the Pewtun fair, which has been going on for three years. I’m going with lawen… I also attended the fair of 25 de Mayo and Onelli. Many people ask me about my clothes, because every day I dress like this. I tell them that I am Mapuche. There are times when I recognize faces and tell them that they are too. Many already know who I am, not because of the problems linked to Mascardi, because there are those who do not know about it, but who know me as a person. And in the supermarket they asked me: “Where do you come from?” I explain to them that I don’t come from anywhere, that I’m from here, Mapuche.
In itself, then, is the treatment of the Bariloche residents respectful?
Yes. Out of every hundred people, there will be one who says something negative.
How do the children in the community experience the situation?
They have experienced everything in their own flesh, and since they do not have their house, their bed… They had their daily place of development. The children went to the school in Villa Mascardi, where they maintained their identity, with their clothing. When they felt the dispossession, they were with health problems, psychological problems… At present, they are aware of the situation we are in. They ask us. Several are of school age and we have had to take them to school in Bariloche, or in the places where the other lamien (sisters) are now. They must experience their identity in another, more urban space, but they do not abandon it. We never leave our Mapuche being, even if we are in the city.
Do they ask questions?
–Yes. It depends on age, too.
How old are your children?
The oldest is going to be six, and the baby is two.
The eldest, how do they take everything?
He’s going through this… Faced with national dates, at school, he has wondered where he is… My nephews and other children in the community, who at the age of eight ran through the mountains and at three went through the first eviction, are now ten and live their identity firmly.
At school, during the national holidays, what do you do?
They don’t participate in some things, because they don’t feel integrated, but discriminated against, set aside… After chatting in a good way with principals and teachers, sometimes you can reach a middle ground and sometimes you cannot.
And how was the school stage in Villa Mascardi?
Kindergarten and primary school were together, with a total of twenty students, of which ten belonged to the community. The teachers learned to speak Mapuche through them, because, for example, when they wanted water, they asked for ko, as they say in Mapuche. Same when eating bread, kofke. By going all together, within the institution they did not lose their culture. They had even managed to put up the Mapuche flag.
Inside the school?
Yes. We also undertook a bilingual intercultural education project, through the Ministry of Education, and it had been approved. It was going to be implemented in the school to integrate the children.
How do you imagine the future of the community?
The truth is that the community was persecuted and separated. There is a stigmatization towards the members. Some are detained, and there are arrest warrants for Mapuche people who were forced to remain in hiding, to go far away, to camps… because “injustice” is armed to have them imprisoned without evidence.
In view of this panorama that you draw, do you think they will be able to reunite?
When the rewe is strengthened, so will the members of the community and of the entire Mapuche people. We see ourselves returning to the territory, to rebuild ourselves as Mapuche, as people, strengthening our families, which were dismembered. Our children suffered so much… We want them to have the peace of mind to return to run free in their territory, without fear of further persecution, or that at dawn the repressive security forces and also armed parapolice forces will arrive again, because for a long time many racist people, with hatred, came to shoot and insult.
Do you personalize these actions in someone?
Many times, in the afternoon and at night, along the road, it was Diego Frutos (owner of the La Cristalina property).
Did you see him in those moments when you say they were shooting?
Yes. Diego Frutos was in a truck, with other people, surely paid by him. They would shoot and leave. Motorcyclists who were part of Consenso Bariloche also went.
What is it like to be a machi?
It must be clarified that it is not like a Christian role. That is, it has nothing to do with a priest or a nun. I was questioned for being young… Well, definitely, old lady wasn’t going to be born – she smiles -. I have had the spirit since I was a baby, even from my mother’s belly. As I grow, I am formed; I have a preparation, a study for that. It is not that I was born with all wisdom, although I was born with the gift, which then develops. We are ordinary people, of flesh and blood, and what is particular about us is that we are dedicated to medicine, to plants, to nature. I have my family. First I prioritized the study of machi, of the ancestral medicine of my people. For five years I trained myself with another machi, until I raised my rewe. Then I formed my family, I had children that I try to educate in the Mapuche culture… I have also read books on Western medicine and studied them, because I am not closed to that. If I wanted to, I could train and also graduate as a Western doctor.
Would you like to?
Yes, although I don’t have time now, because of the political persecution we suffer. I also believe that wisdom is not one hundred percent linked by a university degree, although I don’t dispute that either… I have had links with the university, I went to give talks about plant medicine. I have a good relationship and a friendly relationship with doctors… We must be open to respect for both cultures, because we are living together. When I see that a patient arrives with all the faith of being healed with lawen, but there are things that surpass that medicine, I tell him that he has to go to a consultation with a Western doctor. I’m honest, I don’t deceive people.
That is, do you think that there are things that can be treated with Western medicine, as you call it, not with lawen?
You can try… There are times when there is no turning back… You have to be honest.
But, then, do you believe in white medicine?
I don’t know if I have one hundred percent confidence in Western medicine… For example, I think it is unnecessary to take a pill every time you have a headache; I also don’t have faith in treatments or vaccines. But operations… it is a side of medicine that the Mapuche people, in their time of stay in this land, perhaps could develop… Although at the moment there are no Mapuche surgeons, then you have to undergo wingka medicine.
In the past, were there Mapuche who operated?
I believe so. There are records that indicate that they have found, in the graves of the Mapuche, bone implants…
When we talked in 2023 you said that you did not consider yourself Argentine, do you still think the same?
I have my roots. Nowadays it is widely used to say: “I perceive myself…”. I don’t perceive Mapuche, I am. I have Mapuche blood. In the Western world, wingka, there is the imposition of registering with a document; Well, both of my surnames are Mapuche. I am proud of my identity. And I am crossed by the Argentine State, which imposes on me a nationality, an ID card… But that’s not who I am.
Is it not possible to be an Argentine Mapuche?
In judicial moments, when they make us testify and ask, I say: “Argentine imposed nationality.” How am I going to say that I am Argentine if those who founded the State did so with a genocidal campaign, subjugating the native peoples, murdering, burning, putting them in concentration camps, subjecting our people as an exhibition of living Indians in the Museum of La Plata, transferring Mapuche slaves to France to be exhibited in the zoo… So, if I say: “I am Argentine,” all the tortures and inhumane things that have been done in the name of this country pass through my mind.
So, for you, it is a contradiction to say “Argentine Mapuche”…
Of course. When I say Argentina, I am reminded of Julio Argentino Roca and the genocidal campaign he led.
Clearly, you do not consider yourself Argentine…
No, I do not consider myself Argentine, although I am not unaware of the State that was formed.
Do you recognize, then, that there is a State…
Yes, and that I am part of a system and a society… And it is unfortunate, because with everything that has been taken from us we cannot have our identity and develop our own culture. The State is stained with blood. We all have Mapuche blood: some of us, in our veins; others, in the hands.
Source: El Cordillerano
#argentina #BetianaColhuanNahuel #landDefender #mapuche #southAmerica
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In an extensive conversation, about to face, together with other members of the Lafken Winkul Mapu community, the trial for the so-called mother cause of Villa Mascardi, the machi Betiana Colhuan Nahuel unleashes memories, reflects and gives her opinion…
What do you feel at this moment, shortly before the trial takes place?
As a community, as a mother, as a Mapuche woman, the feeling is that of feeling run over… One more time. It is part of the history that runs through us. We feel the same as our grandfathers and grandmothers, being stripped of a territory and sitting in the dock as if we were the usurpers. Again, we are singled out as violent, and the truth is that we feel violated.
What does Justice represent?
For us, it is something armed to favor a capitalist system, created for the destruction of territories and the dispossession of the native communities – Mapuche and other peoples.
In short, you do not have confidence in the Judiciary…
No, because the system is armed against us. The laws of this State, which recognize indigenous people as pre-existing, are not respected, nor are international conventions. The norms they create to recognize and repair the damage that was done during all these years of genocide against our people are not taken into account.
For you, was there usurpation?
–No. For us, it is a search for a dignified life, a territorial claim to a place that, in reality, was usurped by the State.
What do you think will happen in the trial?
The right thing would be for them to recognize the community. It must be understood that we did not take a piece of land from the area of Bariloche; we are recovering a space for the legitimate right to develop our culture. We do not claim fifty thousand hectares of what is now the Argentine State, but seven. There is an anthropological study, with researchers from the State, which the judge accepted.
That is your wish, but do you think that is what is going to happen?
If everything were correct, that’s what should happen. If not, let them condemn us as usurpers of our own territory.
Do you think it is a political issue?
Yes.
Beyond this case, based on the appeals, are you afraid that the prefects linked to the death of Rafael Nahuel will be freed?
Yes. I think everything will be favorable for them, because they are protected by the State… and by Patricia Bullrich.
What do you think of Bullrich?
She has ambition for power, and he wants to crush the most vulnerable. She is racist, she is against the Mapuche people. She celebrated the disappearance of Santiago Maldonado and the murder of our weichafe (warrior) Rafael Nahuel. She is an empty person, she does not have any positive proposals for the people, she only wants to impose her power and repress even retired grandparents… If she does this with them, what can happen to us?
What would you say to those who describe them as violent?
It’s difficult, because unconscious society believes that this is a football match: patriotic Argentines against terrorist Indians. In reality, this is not the case. In addition, a large part of the people who criticize us descend from native peoples, and the non-Mapuche who brand us as violent are, precisely, grandchildren of genocide. What else can we expect from these people? There is a people impoverished of values and awareness of their roots. Eighty percent of the population of Bariloche is Mapuche, with an indigenous face and surname. The State itself makes people believe that we have to be on one side or the other, and it motivates us to be ashamed of our own culture, of our identity. First, we must recognize the violence exercised from the genocidal campaign of Julio Argentino Roca to the present day, where our rights are violated by wearing a face.
But… and the violence in Mascardi?
There were several armed set-ups against the community, from 2017 until now. Some of them pointed to burnings, violence… For example, they accuse us of usurping the former hotel of Villa Mascardi, and we never did it. It’s a lie. It was an uninhabitable place. It had been abandoned for years, falling apart. The structure was badly damaged. Many people came from the neighborhoods of Bariloche and took things, because there were also vehicles lying around. We never inhabited that space.
Did you take things from there?
Yes and no… At the end of the recovery, we took out some elements to reuse.
What it says is that you were not the ones who started to take those things out…
–No, the place was already in that state when we arrived.
What did you build your rukas (Mapuche houses) with?
There was a lot of dry wood lying around in the place. Also, planting pine trees, which, as far as possible, we try to cut so that it does not continue to advance in the native forest. With that we lift the rukas. We always show respect for nature.
The situation that was experienced in Los Radales, with the attack on the Gendarmerie booth, do you say that it was a set-up?
Yes, an excuse to be able to advance on the territory of the community. We didn’t do it.
What happened to the children of the community in the eviction operations?
In 2017, the children were about three years old, and there were babies too. They were gassed…. They created a trauma that they could never erase, they grew up with it. In 2022, at six in the morning the shots began, and the children had the clarity in their minds that they did not want to go through the same thing again, that is, arrest, gas… When the police entered, they were with their mothers… Without speaking, they decided to leave. The forces made the decision to follow them as they shot them. They were fourteen, eleven, eight and six years old… They returned in the evening. They all ended up with rubber bullet marks on their bodies, in addition to the effect of the gas on their eyes for about two days.
Why, when the eviction took place in 2022, were there only women and children? What happened to men?
We make a commitment to the sacred ceremonial space, to the rewe, which is for life. That space saw the birth of our children, who grew up there. We are even willing to give up our lives, as Rafael Nahuel did. That is why, when the repressive state forces arrived, the rewe defended itself as best it could. We never denied that we made a self-defense of that space. When they came to shoot at us, we defended against them with stones. The men of the community protected that space with slingshots, and while they did so they gave us time to dress our children. There were women who also defended, but almost all of us were mothers, so we had to be with the children. When self-defense could no longer be sustained, we did not want to continue exposing our parents, comrades, siblings, just so that they would be people of sacrifice. No one pays us or forces us to be Mapuche, we are Mapuche because it is born from the spirit. We assume prison with dignity. We are not ashamed to say: “We were imprisoned.” Unlike other people, we went to defend a territory, to defend life, to defend a sacred ceremonial space. It was a unanimous decision of the community to have the men and some women run up the mountain. And at that time, some children also left. That was not contemplated. Perhaps they did so out of the feeling of never wanting to be arrested again. They ran at the same time as the adults. But at one point they were told to come down.
How is the relationship of the Lafken Winkul Mapu with the rest of the Mapuche people? Are there rifts?
The Mapuche people are very large. We don’t all know each other. But we have felt supported and accompanied. When we were evicted, there were many communities that came in solidarity and others accompanied us with communiqués…
And why do you think there are Mapuche who do not support them?
Sometimes, due to ignorance. But almost everyone has supported us. Some of those who did not do so we consider to be due to “wingkamiento”, Mapuche who lost their culture.
Lately, have you had contact with the Wiritray community (historically located in the northern head of Mascardi)?
No.
–They used to have a relationship, right?
Yes.
–Since when have they not had it?
When we recovered the territory, they had an order from above. Because many of Wiritray members work for National Parks. We understand that it is part of the wingkamiento: “Let’s keep the job before supporting our siblings.” They have lost all their culture: their language, their clothing, the knowledge of the ancestors and the advice they left behind… Because we did not make ourselves alone, we were formed by grandmothers, grandfathers, older people who taught us to support each other among the Mapuche siblings. They became wingkas. It is very difficult to deal with someone who is already subdued for a salary.
From what you say, they already knew each other before 2017…
–Yes. We even went to the Wiritray community. In fact, there, before I was born, a ceremony was held with the machi Teresa Painequeo, who in a state of trance announced that on the shore of the Relmu Lafken, that same lake, a community was going to rise and a machi spirit would be born again, since in the past there had been a rewe there and that force would return. My mother was present, and many grandfathers and grandmothers who are with us today…
–What is a rewe?
A sacred territorial space, which is not defined by a number of meters.
Do you continue to go to the Villa Mascardi rewe?
Yes.
When was it for the last time?
–About five days ago.
Is it the same to go periodically as to stay there?
It’s not the same. It requires permanent care, especially due to the fact that it has been vandalized several times. There is feedback: we feed on strength, on healing; and that space, ours. There is a commitment to a territorial space that permanently needs the people who made that commitment, their children. Ceremonies were held there for which people from various communities came; about five hundred people have participated. The rewe is all that place where those who went to renew their energy and seek spiritual strength were placed. The wooden structure that was made public in several places is called chemamull, and was erected by force of the pulse of more than seventy people. It was hand-carved for an entire day.
Specifically, as a machi, is it different to live in that place than to be somewhere else?
It’s very different. There I could freely develop my work. In that space, I treated patients. People could be healed, given treatment. There were people who remained there, interned. On the other hand, far from the rewe, it is something else, because attending in a cement room I cannot go outside and look for the lawen, remedies, that are found in that territory, such as, for example, certain plants… And when the rewe is bad, our health is affected.
Nowadays, when you go to that place, what do you do?
We protect it. We are not allowed to stay… If they let us return definitively, we would not hesitate, we would return and rebuild everything, as we have done throughout history, because they looted and dispossessed us, but, nevertheless, we rose from the ashes. We are not even interested in them rebuilding the rukas (as indicated in the agreement signed on June 1, 2023 between national officials and Mapuche leaders), but we would be satisfied with them saying: “That’s it, we are going to leave you alone in your territory.” But, as we are not authorized to stay, even if it is, as far as possible, we go once a week, to take care of it. We also hold ceremonies, so that the space is strengthened together with us.
The president of the Board of Directors of the National Parks Administration, Cristian Larsen, said that the intention is to remove the rewe. If that happens, what would it mean for you?
Something very negative, a lack of respect for a place that, for us, an indigenous people, is sacred. It would be a violation of all our rights. But we are not going to give up that space. Ours is a lifelong commitment.
Beyond the fact that they removed the wooden figure, the chemamull, if they also directly prohibited access, what would they do?
The return, in the long term, will not be avoided… But, in addition, why so much cruelty? It seems illogical to us that National Park lands are given to private companies, and we, an indigenous community, with laws that support us, with the State that recognizes us as pre-existing, cannot cede seven hectares to us… We think it’s absurd.
How many times has the rewe been vandalized?
Three.
While the Unified Command was guarding the place?
Yes. Custody is not real. There is free passage for those who want to.
In general, how is the relationship with the people of Bariloche?
I participate in spaces of what is the intercultural Municipality of Bariloche, through the Pewtun fair, which has been going on for three years. I’m going with lawen… I also attended the fair of 25 de Mayo and Onelli. Many people ask me about my clothes, because every day I dress like this. I tell them that I am Mapuche. There are times when I recognize faces and tell them that they are too. Many already know who I am, not because of the problems linked to Mascardi, because there are those who do not know about it, but who know me as a person. And in the supermarket they asked me: “Where do you come from?” I explain to them that I don’t come from anywhere, that I’m from here, Mapuche.
In itself, then, is the treatment of the Bariloche residents respectful?
Yes. Out of every hundred people, there will be one who says something negative.
How do the children in the community experience the situation?
They have experienced everything in their own flesh, and since they do not have their house, their bed… They had their daily place of development. The children went to the school in Villa Mascardi, where they maintained their identity, with their clothing. When they felt the dispossession, they were with health problems, psychological problems… At present, they are aware of the situation we are in. They ask us. Several are of school age and we have had to take them to school in Bariloche, or in the places where the other lamien (sisters) are now. They must experience their identity in another, more urban space, but they do not abandon it. We never leave our Mapuche being, even if we are in the city.
Do they ask questions?
–Yes. It depends on age, too.
How old are your children?
The oldest is going to be six, and the baby is two.
The eldest, how do they take everything?
He’s going through this… Faced with national dates, at school, he has wondered where he is… My nephews and other children in the community, who at the age of eight ran through the mountains and at three went through the first eviction, are now ten and live their identity firmly.
At school, during the national holidays, what do you do?
They don’t participate in some things, because they don’t feel integrated, but discriminated against, set aside… After chatting in a good way with principals and teachers, sometimes you can reach a middle ground and sometimes you cannot.
And how was the school stage in Villa Mascardi?
Kindergarten and primary school were together, with a total of twenty students, of which ten belonged to the community. The teachers learned to speak Mapuche through them, because, for example, when they wanted water, they asked for ko, as they say in Mapuche. Same when eating bread, kofke. By going all together, within the institution they did not lose their culture. They had even managed to put up the Mapuche flag.
Inside the school?
Yes. We also undertook a bilingual intercultural education project, through the Ministry of Education, and it had been approved. It was going to be implemented in the school to integrate the children.
How do you imagine the future of the community?
The truth is that the community was persecuted and separated. There is a stigmatization towards the members. Some are detained, and there are arrest warrants for Mapuche people who were forced to remain in hiding, to go far away, to camps… because “injustice” is armed to have them imprisoned without evidence.
In view of this panorama that you draw, do you think they will be able to reunite?
When the rewe is strengthened, so will the members of the community and of the entire Mapuche people. We see ourselves returning to the territory, to rebuild ourselves as Mapuche, as people, strengthening our families, which were dismembered. Our children suffered so much… We want them to have the peace of mind to return to run free in their territory, without fear of further persecution, or that at dawn the repressive security forces and also armed parapolice forces will arrive again, because for a long time many racist people, with hatred, came to shoot and insult.
Do you personalize these actions in someone?
Many times, in the afternoon and at night, along the road, it was Diego Frutos (owner of the La Cristalina property).
Did you see him in those moments when you say they were shooting?
Yes. Diego Frutos was in a truck, with other people, surely paid by him. They would shoot and leave. Motorcyclists who were part of Consenso Bariloche also went.
What is it like to be a machi?
It must be clarified that it is not like a Christian role. That is, it has nothing to do with a priest or a nun. I was questioned for being young… Well, definitely, old lady wasn’t going to be born – she smiles -. I have had the spirit since I was a baby, even from my mother’s belly. As I grow, I am formed; I have a preparation, a study for that. It is not that I was born with all wisdom, although I was born with the gift, which then develops. We are ordinary people, of flesh and blood, and what is particular about us is that we are dedicated to medicine, to plants, to nature. I have my family. First I prioritized the study of machi, of the ancestral medicine of my people. For five years I trained myself with another machi, until I raised my rewe. Then I formed my family, I had children that I try to educate in the Mapuche culture… I have also read books on Western medicine and studied them, because I am not closed to that. If I wanted to, I could train and also graduate as a Western doctor.
Would you like to?
Yes, although I don’t have time now, because of the political persecution we suffer. I also believe that wisdom is not one hundred percent linked by a university degree, although I don’t dispute that either… I have had links with the university, I went to give talks about plant medicine. I have a good relationship and a friendly relationship with doctors… We must be open to respect for both cultures, because we are living together. When I see that a patient arrives with all the faith of being healed with lawen, but there are things that surpass that medicine, I tell him that he has to go to a consultation with a Western doctor. I’m honest, I don’t deceive people.
That is, do you think that there are things that can be treated with Western medicine, as you call it, not with lawen?
You can try… There are times when there is no turning back… You have to be honest.
But, then, do you believe in white medicine?
I don’t know if I have one hundred percent confidence in Western medicine… For example, I think it is unnecessary to take a pill every time you have a headache; I also don’t have faith in treatments or vaccines. But operations… it is a side of medicine that the Mapuche people, in their time of stay in this land, perhaps could develop… Although at the moment there are no Mapuche surgeons, then you have to undergo wingka medicine.
In the past, were there Mapuche who operated?
I believe so. There are records that indicate that they have found, in the graves of the Mapuche, bone implants…
When we talked in 2023 you said that you did not consider yourself Argentine, do you still think the same?
I have my roots. Nowadays it is widely used to say: “I perceive myself…”. I don’t perceive Mapuche, I am. I have Mapuche blood. In the Western world, wingka, there is the imposition of registering with a document; Well, both of my surnames are Mapuche. I am proud of my identity. And I am crossed by the Argentine State, which imposes on me a nationality, an ID card… But that’s not who I am.
Is it not possible to be an Argentine Mapuche?
In judicial moments, when they make us testify and ask, I say: “Argentine imposed nationality.” How am I going to say that I am Argentine if those who founded the State did so with a genocidal campaign, subjugating the native peoples, murdering, burning, putting them in concentration camps, subjecting our people as an exhibition of living Indians in the Museum of La Plata, transferring Mapuche slaves to France to be exhibited in the zoo… So, if I say: “I am Argentine,” all the tortures and inhumane things that have been done in the name of this country pass through my mind.
So, for you, it is a contradiction to say “Argentine Mapuche”…
Of course. When I say Argentina, I am reminded of Julio Argentino Roca and the genocidal campaign he led.
Clearly, you do not consider yourself Argentine…
No, I do not consider myself Argentine, although I am not unaware of the State that was formed.
Do you recognize, then, that there is a State…
Yes, and that I am part of a system and a society… And it is unfortunate, because with everything that has been taken from us we cannot have our identity and develop our own culture. The State is stained with blood. We all have Mapuche blood: some of us, in our veins; others, in the hands.
Source: El Cordillerano
#argentina #BetianaColhuanNahuel #landDefender #mapuche #southAmerica
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Wanna Stop Writing After This
“For a long time now, the role of the Brahmin has been outsourced to other countries, particularly Europe and the US. Why? Because we Indians have stopped thinking many centuries back.”
Neruda, I Feel Sadder Than You Tonight
No reason Neruda that I feel sad
You at least had your girl to blame
I have nothing and no one to blame
For how I feel now, just life itself
Galls me to no end, where I feel mocked
By life itself which demands it be understood
Am I supposed to love life and not the woman
But I do not know what life is nor how to live
Shall I just drink a Coke and open happiness
But Coke’s fizz lasts less time than morning dew
The sun is hot but it’s supposedly life-giver
But when I step out in the aft’noon it’s killing
So, I cannot trust the very so-called life-giver
Nothing in nature seems benign, not even society
And when night comes, cocooned here in my flat
I can’t see the stars, and moon interests me not
All I can look forward to now is slow deterioration
One by one the powers will desert me, from the teeth
To the knees to the memory to the interest
Time cares not to show anyone any compassion
The philosophy I know is even more problematic
In a way it gives me relief from these thoughts
And in a way it doubles the pain by showing
This whole life was a waste of time, no study
Nor emotion nor smile nor understanding
Takes you where you want to be, and these days
I am not even sure where I want to be, not even to be
I cannot even go back to where I came from
Nor can I know where I have to go, nor whether
Any journey is worth it at all, as now I understand
This flight from myself is the cause of all problems
And, when I look into myself, I find only wisdom
And that wisdom tells me I do not understand at all
Neither Truth nor Love, for wisdom tells me
If you think you understand Truth and Love
Why are you still undertaking many a journey.
“Everything in this world has a cause. And every effect becomes in turn a cause. Where there are causes and effects, there is change underway. Where there is change how can Truth be. And where there is no Truth how can love be.”
“Definition of a perfect love story: Going from aroused to erased.”
“Most human love arises out of fear, is sustained by fear, and ends a quiet death due to fear.”
“Life is a Russian roulette.”
“Perfect recipe for dissatisfaction in life: Wanting to be happy always all the time no matter what.”
“Some say God is Truth. Some say God is Love. Both are wrong. God is. Period.”
“Love is not an add-on to the other things in your life. Love is the life.”
“Love is the ultimate soporific which dullens the pain of existence.”
“We think there is life. That is the death of us.”
“We are all lost in our desires. Desires take us to the future. Inhabiting the future, we fail to live because life is happening in the present.”
Jagat (Sanskrit: जगत्) primarily means the world, universe, or earth. It is derived from the root gacchati (“that which moves”), signifying that the universe is in constant motion, ever-changing, and ephemeral.
Core Meanings & Contexts:
• The Moving World: It refers to all that is moving, animate, living, and changing, encompassing the entire material universe.
• Vedanta Philosophy: It is often described as mithya (dependent reality/illusion) in comparison to the absolute reality of Brahman, often referring to the subjective experience of the material world.
• Spiritual/Non-dualism: In some contexts, it is interpreted as the manifestation or “body” of the divine, completely dependent on the Supreme for existence.
• Common Usage: In Hindi and other Indian languages, it is used for “world” or “universe,” and sometimes implies a specific field or community (e.g., Nari Jagat – world of women).
Common Compound Words:
• Jagadish/Jagannath: Lord of the Universe (Vishnu or Shiva).
• Jagatmata: Mother of the World (Durga).
Jagat is also a common Indian name for boys, signifying the universe.
“Don’t wait for retirement or for that smile; be happy today, nay, right now.”
“Dare to be who you are.”
Give me some deeply philosophical quotes of Arthur Rimbaud.
Claude responded: Here are some deeply philosophical quotes from Arthur Rimbaud:
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On the Self & Identity
“I is another.” — Letter to Georges Izambard, 1871
One of his most famous lines, suggesting the self is not a fixed entity but something foreign, observed from the outside — a radical idea that anticipated modern theories of subjectivity.
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On Disorder & Vision
“The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses.” — Letter to Paul Demeny (Lettre du Voyant), 1871
Rimbaud’s manifesto for poetry: to reach true vision, the poet must shatter ordinary perception and embrace suffering as a path to illumination.
________________________________________
On Life & the Absolute
“Real life is absent. We are not in the world.” — A Season in Hell
A haunting declaration of alienation — the sense that authentic existence lies forever beyond reach, and the world we inhabit is a kind of unreality.
________________________________________
On Suffering & Knowledge
“One must be absolutely modern.” — A Season in Hell
Deceptively simple, this is Rimbaud’s demand to break entirely with tradition — to find truth not in the past but in the raw, uncharted present.
________________________________________
On Love & Hell
“I have swallowed a famous mouthful of poison. Thrice blessed be the counsel that came to me! My bowels are on fire. The violence of the venom twists my limbs, deforms me, lays me low.” — A Season in Hell
A visceral metaphor for the self-destruction that comes with absolute passion — love, ambition, and vision as simultaneously poison and revelation.
________________________________________
On Eternity
“It has been found again. What? Eternity. It is the sea mixed with the sun.” — Eternity
A mystical fragment — eternity not as abstraction but as a sensory, almost pantheist fusion of natural forces.
________________________________________
On Freedom
“Only divine love bestows the keys of knowledge.” — A Season in Hell
Rimbaud suggests that rational intellect alone cannot unlock the deepest truths — only a surrender to something greater can.
________________________________________
Rimbaud’s philosophy is essentially one of radical becoming — the self must be destroyed, perception unhinged, and comfort abandoned in order to glimpse something true. He abandoned poetry entirely at 19, which many see as the ultimate philosophical act: refusing to be captured even by his own genius.
“Vivekananda, when he was young, really young, went around asking everyone, ‘Have you seen God’. And when he posed the same question to Ramakrishna Paramahansa, RP replied, ‘Yes, only more clearly than I see you now.’ Now, the question that can be asked is was RP, like J. Krishnamurti always said he does, ‘Answering the questioner rather than the question.’ Otherwise, the correct answer is, ‘What a stupid question, Naren, all you have been seeing all your life is ONLY God but you have been thinking you are seeing the world’.”
Buddha’s Mistake
Sam’s First Noble Truth
I agree with Buddha’s First Noble Truth that “Life is suffering”.
Sam’s Second Noble Truth
I do not agree with Buddha’s Second Noble Truth that “Desire is the cause of suffering.”
My point is that once you have understood that “Life is suffering”, you should also understand the simple logic that “No life, no suffering.”
So, do not bother about desires and all such nonsense.
Do not get caught in such traps, traps which arise only if you are living.
Just end life and you are done.
Or, rather realise you were never born.
No Sex, No Salvation, No Sam
I do not want to get caught
In the vortex of these Fie-loss-oafers
And whatever theories they spin
About this world, existing only in imagination;
When I talk about myself Sam
Or about Sex and Salvation, I do so
Under Erasure, as that Algerian Jew would have it
Who set afire many an academic department in the US
And, I note with pleasure his association in 1966
With my alma mater Johns Hopkins, kickstarting
That peculiar school of philosophy, poststructuralism,
But, why dabble and grapple even dilettantishly
With these games that minds of philosophers play
I who have understood Kena Upanishad’s admonition
That if you think Truth is there for the taking by the mind
You poor thing how little you understand
And where is the mind but in this world
Or is the world in the mind
Now, now don’t confuse me
I refuse to play this game with these words
For I know too well that if I renounce words
Which is the only true Vairagya that is there
And not so-called Vairagya of Kamini-Kanchana
Then in that silence all doubts are quelled
All truths stand revealed, and I know
Whatever I knew till now was wrong
And I learn to let go of not only Socrates and Sartre
But also of Maharshi and Maharaj
For where do they all exist
Except in my fertile imagination
As do Sex, Salvation and Sam.
“The tree has to bend to every wind, but it cannot know why the wind is blowing.”
“In the autumn, it is foolish for the tree to try to hold on to the leaves.”
“There is no spot in the pot where there is no clay.”
“In every love story, there is something more than biology at play.”
“My Call”
Yes, Michael, it always was your call
To go solo or to go with the family
And also your call to spread love and light
To this world through your moves.
Music, moods, musings, and murmurings
And did you change the world?
Who knows? Maybe a few and here and there
When you were alive, and a few more might change
Long after you are gone as long as your music lives on
Surely, though, you yourself must have escaped
The suffering that the blind strivings of the Will
Imposes on one, if Schopenhauer is to be believed,
With your Dionysian spirit that Nietzsche championed.
Yet how I despair Michael, my call
Is that this world is condemned to its duality
Of light and darkness, good and bad, virtue and vice
Socrates, Buddha, Lao Tzu, Jesus could not fix the world
So, Michael, you are forgiven, too, for failing
Though your critics would point out your own failings.
—
Maya (the cosmic creative/illusory power) is constituted by the three gunas — Sattva (clarity, harmony), Rajas (activity, passion, restlessness), and Tamas (inertia, darkness, ignorance). As long as manifestation exists — as long as anything is appearing — all three gunas are present in varying proportions. You can’t have Maya with only Sattva, because pure undifferentiated Sattva would dissolve back into Brahman. The tension and dynamism of Rajas and Tamas are what keep the world-appearance going.
So yes, suffering and evil are structurally baked into manifestation itself. Tamas produces ignorance, delusion, and stagnation; Rajas produces craving, conflict, and agitation — both are inexhaustible engines of suffering at the cosmic level.
This creates an important asymmetry:
At the individual level, liberation is possible — you can step out of identification with the gunas entirely, which is what Nisargadatta and Ramana point to. The Self is not a product of the gunas.
At the collective or historical level, you might get periods of greater Sattva, but Rajas and Tamas always reassert themselves — civilizations rise and fall in cycles (the yuga framework reflects exactly this).
At the cosmic/natural level, as long as Maya is operating, the interplay of gunas never ceases. Suffering doesn’t “end” — it’s part of the texture of manifestation.
This is also why Advaita doesn’t promise the world will get better or that evil will be eliminated — it says the world as such is the wrong level to seek resolution. The resolution is recognition of that which was never in the gunas to begin with. Nisargadatta’s typical move is precisely this — he doesn’t ask you to fix the dream, he asks you to wake up from it.
Universal liberation of the cosmos is a category error within this framework. The most Maya can do is oscillate; it cannot transcend its own constituents.
Two Ways to Retire Early
1. Earn as much as is 100% sufficient for your wants.
2. Pare down your wants (but NOT to the bare minimum) so that you can retire earlier than you can under Scenario 1.
I chose the latter option by becoming sort of a minimalist because I realized that happiness does not come from accumulating more and more, be it wealth or any other damn thing.
When did more and more wealth ever make anyone more and more happy.
And, if you need more and more money to become more and more happy, know that you are not going about it the right way.
Money cannot buy almost anything worthwhile.
Anyway, the best things in life are either damn cheap or totally free.
Don’t think so?
Well, my friend, good luck with that happiness you are chasing.
No, I forget, you are chasing money not happiness.
Let me know when you shift your rat race from pursuing money to pursuing happiness, then as Paul Simon sang, “I can be your long-lost pal.”
What about the work that needs to be done in this world that might suffer if you retire early?
Ha, ha, ha, as if you are working FOR the world. Get real.
Besides, there are enough unemployed people out there to fill the space that you vacate.
And, besides, if people thought like I am suggesting, then believe you me, far less work will be needed to be done in this world so that the world can get along by just fine.
Ha, ha, ha…how bad people are at thinking!!!
Well, well, I guess God knows what he is up to.
Homo Duplex
Homo duplex (“the double human”) is a theory by sociologist Émile Durkheim (1858–1917) proposing that humans possess a dual nature: part biological organism driven by selfish individual desires (“profane”), and part social being guided by morality, collective consciousness, and social constraints (“sacred”).
Key Components of Homo Duplex:
• The Profane (Individual): This side consists of personal appetites, instincts, selfishness, and bodily sensations.
• The Sacred (Social): This side comprises moral forces, social solidarity, shared values, and altruism, which are cultivated through societal interaction and collective rituals.
• The Tension: Durkheim argued that society requires a balance between these two sides to prevent individualism from leading to unhappiness, greed, or excessive anomie (social instability).
• Societal Role: Socialization, education, and religion play crucial roles in regulating the individual’s “animalistic” nature and nurturing their “moral” or “social” side.
This concept underscores the idea that humans find their highest potential not in isolation, but by participating in a larger social whole.
What Durkheim Was Really Saying
At its core, Homo Duplex is Durkheim’s answer to one of philosophy’s oldest
questions: what kind of creature is a human being? His answer was deliberately
paradoxical — we are simultaneously two things at once, and that tension is not a
flaw to be resolved, but the very engine of social and moral life.
This was a bold move in the late 19th century. Darwinian biology was pushing toward
the view that humans were essentially animals with sophisticated brains.
Enlightenment liberalism, on the other hand, celebrated the sovereign individual.
Durkheim rejected both as incomplete. He insisted you cannot understand a human
being by looking only at their biology or their individual rational mind — you must
look at what society does to and inside them.
Unpacking the Two Sides
The Profane (the animal self)
The word “profane” here doesn’t mean vulgar in the everyday sense — it means
outside the sacred, ordinary, earthly, bodily. This is the self that:
Hungers, lusts, fears, and competes
Acts in its own interest without reference to others
Exists in time and space as a finite, mortal organism
Durkheim didn’t moralize this side as evil — he saw it as simply pre-social. It is what
we are before society gets hold of us. Left entirely to this nature, humans would be,
in Hobbes’ famous phrase, solitary, poor, nasty, brutish, and short.
The Sacred (the social self)
The “sacred” is what society implants into the individual. This is a profound and
somewhat unsettling idea: your moral conscience, your sense of duty, your empathy,
your values — these are not naturally yours. They were installed by the collective.
This side includes:
The capacity for self-sacrifice
Loyalty to groups, nations, ideals
Moral disgust and reverence
The ability to feel that something is bigger than yourself
Crucially, Durkheim believed this sacred dimension is genuinely real and genuinely
powerful — but its source is social, not divine or innate. When you feel moral awe,
you are, in his view, feeling the weight of society pressing on your consciousness.
The Tension: Why the Conflict is Necessary
Durkheim didn’t want the tension resolved — he wanted it managed. Here’s why:
Too much profane (pure individualism) leads to anomie — a condition where
social norms collapse, individuals feel unmoored, and rates of depression,
crime, and even suicide rise. His famous study Suicide (1897) showed that
societies with weak social bonds had higher suicide rates — a radical,
counterintuitive argument.
Too much sacred (total collective absorption) leads to fatalistic overregulation
— where individuals are crushed under the weight of social duty,
also producing misery and, paradoxically, suicide of a different kind (what he
called altruistic suicide, dying for the group).
The sweet spot is a productive friction — society strong enough to give life meaning
and structure, but not so totalizing that it erases the individual.
Socialization as the Civilizing Mechanism
When Durkheim says education, religion, and socialization regulate the individual’s
animalistic nature, he means something very specific: they transfer the sacred into
the individual so thoroughly that it feels like their own conscience. This is the
machinery of moral internalization.
Think of how a child is taught not to steal. At first, it’s external — “don’t do that or
you’ll be punished.” Eventually, the prohibition becomes internal — “I don’t want to
steal, it feels wrong.” For Durkheim, that feeling of wrongness is society speaking
through you. You have been successfully socialized. The collective has colonized
your inner life — and this is not manipulation, in his view; it is what makes you fully
human.
Religion, in particular, fascinated him because its rituals (collective gatherings, shared
symbols, emotional ceremonies) were the most powerful mechanisms for recharging
the social self — reminding individuals viscerally that they belong to something
beyond themselves.
Where Homo Duplex Connects to Bigger Ideas
Concept Connection to Homo Duplex
Freud’s Id/Superego
Strikingly parallel — the id (drives) vs. the superego
(internalized social rules). Both emerged around the same
era, independently.
Rousseau’s Noble
Savage
Durkheim inverts Rousseau — society doesn’t corrupt
natural goodness; it creates moral goodness in the first
place.
Nietzsche’s critique of
herd morality
Nietzsche saw society suppressing the individual as a
tragedy. Durkheim saw it as a necessity — even a gift.
Modern psychology
Jonathan Haidt’s social intuitionist model echoes Homo
Duplex — moral feelings are social products, not individual
reason.
A Critical Perspective
Homo Duplex is elegant, but not without its critics:
It’s overly binary. Human nature resists clean splits into “animal vs. social.”
Much of what Durkheim calls “profane” (love, curiosity, creativity) is not
straightforwardly selfish.
It romanticizes the collective. Durkheim’s framework can justify social
conformity too easily. History shows that the “sacred social” can endorse
racism, nationalism, and genocide just as easily as altruism.
It underestimates individual agency. Humans don’t just receive society
passively — they also reshape it. The individual isn’t merely a battleground
between animal drives and social imprinting.
The Bottom Line
Homo Duplex is a powerful lens for understanding why humans are so
contradictory — capable of extraordinary selfishness and extraordinary sacrifice,
often in the same person, sometimes within the same hour. Durkheim’s lasting
insight is that this is not hypocrisy or moral failure. It is the structure of what we are:
biological creatures who can only realize their deepest potential by surrendering part
of themselves to something collective and larger. We are, as he saw it, always living
on the border between the animal and the social — and civilization is the ongoing,
never-finished negotiation between those two halves.
Kids? Just say no
You don’t have to dislike children to see the harms done by having them. There is a moral case against procreation
https://aeon.co/essays/having-children-is-not-life-affirming-its-immoral
No Words To Say What I Want To Say
Strange how sometimes you are at a loss for words
When you realize the words you used have not been understood
And using more words would only complicate the picture
Because the words have to go through the sieve
Of other minds and hearts, though mine they have navigated,
And this is not just my problem, just the human condition
And until we understand silence we cannot understand each other
But unfortunately, until then we have to keep using words
And thereby keep encountering battlefields of various sorts.
“There’s a divinity that shapes our ends, / Rough-hew them how we will” is a famous quote from William Shakespeare’s Hamlet (Act 5, Scene 2). Spoken by Hamlet, it means that a divine power or fate determines the ultimate outcome of our lives, regardless of how clumsily we plan them.
Key Details and Context:
Context in Play: Hamlet says this to Horatio while explaining how he survived
a plot to kill him, suggesting he has accepted fate.
Meaning: “Rough-hew” refers to shaping a rough block of wood. It suggests
humans make rough plans (“rough-hew”), but God or destiny refines the final
outcome (“shapes our ends”).
Theme: This reflects a shift in Hamlet from indecision to a fatalistic acceptance
of whatever happens, including the “special providence in the fall of a
sparrow”.
It shows a shift from a belief that mortals control their destiny to a belief that higher
forces are in control.
“There’s a Divinity That Shapes Our Ends” — Through the Lens of Advaita
Vedānta
And the Self Reveals Itself to Whom She Chooses
I. The Two Voices Speaking the Same Truth
Shakespeare’s Hamlet, standing at the threshold of death with a curious calm, utters
something that no purely Western philosophical framework can fully contain. He is
not simply expressing fatalism. He is not surrendering to an external God the way a
theist might. Something deeper is trembling in those words — something that
Advaita Vedānta, the non-dual philosophy of Śaṅkarācārya, can illuminate with
remarkable precision.
Advaita means not-two. Its central revelation is that Brahman — the infinite,
undivided, self-luminous Consciousness — is the only reality. What we call the
“individual self,” the jīva, is not a separate entity that Brahman controls from outside.
The jīva is Brahman, appearing individuated through the veil of avidyā (ignorance).
The drama of human life — the planning, the struggling, the winning and losing — is
līlā, the cosmic play of Consciousness with itself.
With this as our foundation, Hamlet’s line ceases to be merely about fate and
becomes a window into the nature of Reality itself.
II. “Rough-Hewing” — The Activity of the Ego-Self
“Rough-hew them how we will…”
In Advaita, the one who “rough-hews” is the ahaṃkāra — the ego, the sense of
being a separate, autonomous “I” that plans, decides, and acts. This ego-self believes
itself to be the kartā (the doer). It picks up the chisel, surveys the raw wood of
circumstance, and begins to hack away according to its desires, fears, and
calculations.
Hamlet spent four acts doing precisely this. He rough-hewed furiously:
- He devised the play-within-a-play to trap Claudius
- He calculated when to strike and when to hesitate
- He philosophized endlessly about whether to act at all
And what did all this rough-hewing produce? Chaos. Mistaken killing. Broken
relationships. Near-annihilation.
The Advaitic teaching here is precise: the ego is real as appearance but not as
substance. It is like a wave that believes it is generating the ocean’s movement. It
hews and carves, but its cuts are always rough — approximate, distorted, limited by
its own ignorance of the whole. The jīva cannot see the totality because it is the act
of pretending to be separate from the totality. You cannot see the whole painting
while believing yourself to be only one brushstroke.
This is not a moral failure. It is the nature of individuation itself. The Kaṭha Upaniṣad
says: “The Self is not attained by the weak.” The weakness referred to is not physical
— it is the weakness of clinging to the ego’s rough-hewing as if it were the final
word on reality.
III. “The Divinity That Shapes” — Brahman as the Immanent Sculptor
“There’s a divinity that shapes our ends…”
Now we arrive at the heart of the Advaitic mystery. What is this “divinity” that
shapes?
It is not an external God standing above creation, adjusting outcomes like a cosmic
bureaucrat. That would be dvaita — duality, two-ness. In Advaita, the Divinity that
shapes is Brahman itself, operating as the innermost reality of everything that
appears to happen. It is not separate from the rough-hewing. It is the very ground
within which the rough-hewing occurs — and it is simultaneously the one who knows
that rough-hewing is never the final act.
Śaṅkara would say: Brahman is both the material cause and the efficient cause of the
universe. Like gold that becomes ornaments without ceasing to be gold — the
ornaments appear different, but gold alone is real. Every “end” that is shaped —
every outcome, every death, every transformation — is Brahman alone, crystallizing
into form from its own infinite freedom.
This is why the shaping is so effortless and inevitable. It does not struggle against the
rough-hewing. It uses it. Every awkward cut the ego makes, every miscalculation,
every tragedy — Brahman absorbs it and shapes it into exactly what was needed for
the whole. The sculptor does not fight the chisel marks. She works with the grain of
the wood, which she herself laid down before the carpenter arrived.
IV. The Self Reveals Herself to Whom She Chooses — Ātman Prasāda
Here we arrive at the most luminous, and most humbling, dimension of this teaching.
The Muṇḍaka Upaniṣad declares:
“Nāyam ātmā pravacanena labhyo na medhayā na bahunā śrutena। Yam evaiṣa
vṛṇute tena labhyas tasyaiṣa ātmā vivṛṇute tanūṃ svām॥”
“This Self is not attained by instruction, nor by intellect, nor by much hearing. It is
attained only by the one whom the Self chooses — to that one, the Self reveals its own
nature.”
This is perhaps the most radical statement in all of Vedāntic philosophy. And it
reframes Hamlet’s entire journey.
Hamlet spent the whole play trying to know — trying to verify the Ghost’s truth,
trying to understand his duty, trying to calculate the right moment. He brought great
intellect, great sensitivity, great moral seriousness. And none of it worked in the way
he intended. The knowledge he needed did not come through his efforts. It came
through a sea voyage, a near-death encounter, a pirate attack — through
circumstances entirely outside his planning.
And then, at the beginning of Act 5, he simply knows. A calm descends. He speaks of
providence with the ease of one who has stopped arguing with reality. He is ready.
The Self has chosen him.
From the Advaitic lens, what happened? The jīva Hamlet had exhausted its roughhewing.
The ego’s strategies had all collapsed. And in that exhaustion, in that
surrender — not as a strategy, but as a genuine letting-go — avidyā thinned. The veil
grew transparent. Brahman, which had always been Hamlet’s own deepest nature,
turned toward itself through the instrument of Hamlet’s readied consciousness.
The Self does not reveal itself as a reward for correct behavior. It reveals itself when
the ego becomes sufficiently transparent. Grace — prasāda — is not earned. It is
received. And the receiving is only possible when the clenched fist of the ego-self
relaxes its grip on rough-hewing.
V. Why “She Chooses” — The Feminine Ground of Being
To speak of the Self as She is to invoke Śakti — the dynamic, creative power of
Consciousness. In the non-dual Śākta interpretation of Advaita, Brahman’s power of
self-revelation is understood as intrinsically feminine — not in the gendered human
sense, but in the sense of that which receives, gestates, and births reality from within
itself.
Māyā — the power that veils Brahman — is feminine. And Anugraha Śakti — the
power that removes the veil — is also feminine. The same divine Mother who wraps
the world in the dream of separateness is the one who, in her grace, tears the veil
away.
This means the Self’s self-concealment and self-revelation are not opposites. They
are two movements of the same creative freedom. Brahman chooses to hide in order
that the joy of rediscovery can be complete. The rough-hewing is part of the plan.
The chaos is choreographed. The tragedy is embraced.
The “divinity that shapes our ends” is not a cold determinism. She is a Mother who
allows her children to wander, to build, to destroy, to suffer — because she knows
what they are, even when they have forgotten. She shapes the ends not by
preventing the rough-hewing but by ensuring that every rough mark ultimately
reveals the beauty of the finished form.
VI. Hamlet’s Enlightenment — The Shift into Sākṣī
Hamlet’s final equanimity — “the readiness is all” — is, in Advaitic terms, a
spontaneous shift from identifying as the kartā (doer) to resting as the sākṣī
(witness). He no longer needs the outcome to be controlled. He no longer needs
certainty. He acts when action is called, rests when rest is called, and accepts death
when death arrives — without any of it disturbing the stillness beneath.
This is not stoic resignation. The Stoic still believes the ego is real and chooses nobly
to endure. Hamlet’s shift is subtler and deeper: the ego has become transparent to
itself. He sees through the rough-hewing to the shaping beneath. He does not
become passive — he kills Claudius, he orchestrates the final scene — but he does so
without the contracted, desperate quality of his earlier scheming. He acts as an
instrument of the Whole.
In Advaita, this is called Jīvanmukti — liberation while still living. The body-mind
continues to function. The drama of life continues. But the one who believed they
were only the rough-hewer has recognized themselves as also the Divinity that
shapes. Subject and sculptor are one.
VII. The Final Integration
Shakespeare could not have known Advaita Vedānta. And yet he wrote this line, and
it carries the full weight of the tradition as though it were distilled from it. This is not
coincidence. It is evidence that certain recognitions are not cultural — they are
structural. They arise whenever human consciousness is pressed to its limit and
breaks open into something larger than itself.
The Divinity that shapes our ends is not other than us. It is the deepest stratum of
what we are — the Ātman, Brahman, the Self — appearing as destiny from outside,
because we forgot that we are inside it.
And She reveals Herself not when we have perfected our rough-hewing, but when we
love Her more than our own plans.
When the chisel drops — She speaks.
The Drama of Desire
A friend wrote, “Desire…
I realised drama we are all living in”,
Really, my friend, really you “realised?”,
But to realise is to realise that
There is no “We”.
Do you know where you’re going to?
Do you like the things that life is showing you?
Where are you going to?
Do you know?
Do you get what you’re hoping for?
When you look behind you, there’s no open doors
What are you hoping for?
Do you know?
Now, looking back at all we’ve passed
We let so many dreams just slip through our hands
Why must we wait so long before we see
How sad the answers to those questions can be?
https://www.youtube.com/watch?v=UuMBl1peAlo
This Dream, This Life
Aw, shucks, this dream
This life, oh so unnecessary
Yet we keep dreaming
We keep living
As if we have no choice
Do we have a choice,
And is the choice only death
Some say the choice is immortality
But if it indeed is immortality
Immortality can have no beginning
So, right now it surely must be the case
That I am indeed already immortal
And being immortal
‘Tis strange that a mere dream
A mere life
Bugs me to no end.
“This unreality, oh this unreality…where neither love is true, nor the truth is true…oh this unreality.”
“Ah, to disappear, be submerged…”
The Passion and the Intezaar
When passion for you
Is no longer a passion
When passion for you
Is no longer in fashion
Know that
The wait is almost over.
Lekin intezaar bhi kahi baar
Bahut meetha hota hai
Intezaar may dard bhi kyu na ho
Aur tumhaari zindagi may
Ye ittefaq bhi ho sakti hai
Ye taqdeer bhi ho sakti hai
Jis pal pe tumhari zindagi hai
Aakar rukhi hai, tehri hai
Ab tum aur kuch lumhe
Sirf intezaar may bitana hai
Aur iss ittefaq ko, iss taqdeer ko
Galay lagaanay ke siva
Aur koi raasta nahi hai
Aur agar koi waisa raasta hai
Tumhari taqdeer may nahi hai
Ki tum uss raastay pe chal sakogay.
“When I read some poets, I feel like it is high time I stopped writing poetry, and left that job to the poets.”
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn’t love a wall,
That wants it down.’
“Mending Wall” (https://www.poetryfoundation.org/poems/44266/mending-wall) is
one of Frost’s most celebrated poems, and these lines are among the most analyzed
in American poetry. Here’s a deep commentary from multiple angles.
The Lines in Context
These lines come near the end of the poem, spoken by the narrator as a
counterpoint to his neighbor’s repeated mantra: “Good fences make good neighbors.”
The narrator is the questioner, the skeptic, the one who wonders why the wall exists
at all.
Line by Line
“Before I built a wall I’d ask to know / What I was walling in or walling out”
This is the poem’s central philosophical provocation. Frost draws on a binary that
cuts in two directions simultaneously:
Walling in — keeping something of yours contained, protected, defined.
Territory, identity, privacy, culture.
Walling out — excluding something foreign, threatening, or simply other.
The genius of phrasing it as a question is that the narrator admits he doesn’t always
know which is which. A wall built for protection can become a cage. A wall built for
exclusion can become a statement of fear. The act of building precedes the
understanding of the act — and Frost is warning against that.
There’s also a quiet confession here: the narrator says “I’d ask to know,” not “I’d
know.” He’s humble. He’s not claiming wisdom, only the willingness to pause and
question before acting.
“And to whom I was like to give offense”
This line introduces an ethical and social dimension. Walls don’t just affect the person
who builds them — they mean something to others. A wall is a message. It says: I
don’t trust you. You are not welcome here. This far, and no further.
The word “offense” is carefully chosen. It suggests that walls can wound — not
physically, but relationally and psychically. They can communicate contempt,
suspicion, or rejection without a word being spoken. Frost is nudging the reader to
think about walls not just as practical structures but as acts of communication, and
sometimes, acts of aggression.
“Something there is that doesn’t love a wall, / That wants it down.”
This is the poem’s most famous line, and it opens and echoes throughout the poem
like a refrain. Notice Frost refuses to name what that “something” is — and that
refusal is deliberate and profound.
Nature? Earlier in the poem, frozen groundswell heaves the boulders apart every
winter. Nature literally dismantles the wall year after year, as if the earth itself resists
the partition.
Human nature? There’s a deep instinct toward connection, curiosity, and openness
in people — children especially. We are social animals. Something in us chafes at
barriers.
The cosmic or spiritual? Some readers hear in “something” a quasi-divine force — a
universe that tends toward unity, entropy, dissolution of artificial categories.
The unconscious? The vagueness of “something” is psychologically astute. We often
can’t name the part of ourselves that resists conformity, convention, or inherited
thinking — but it’s there, eroding our certainties.
By ending with “That wants it down,” Frost gives the force a kind of desire — almost
personifying it. The wall isn’t just falling apart; something wants it gone. This is
subversive and tender at once.
Thematic Angles
The Paradox of Community
The poem never actually argues that walls are bad. The narrator helps rebuild the
wall every spring! He participates in the very ritual he questions. This is Frost’s
honesty: we simultaneously crave connection and separation. The wall-mending is
itself a form of connection — the two men meet, work together, talk. The wall
enables the relationship in a strange way. So the lines aren’t a simple anti-wall
polemic; they’re an admission of complexity.
Individual vs. Inherited Tradition
The neighbor repeats his father’s saying: “Good fences make good neighbors.” He
thinks in proverbs; he doesn’t question. The narrator questions everything. These five
lines are essentially the voice of the Enlightenment — don’t build anything you can’t
justify rationally and ethically. The neighbor, by contrast, represents tradition,
continuity, inherited wisdom. Frost doesn’t entirely mock either. Both impulses are
human. Both have costs.
Political and Social Reading
Frost wrote this in 1914, but its political resonance never ages. Every era has its wall
debates — literal (border walls, ghetto walls, apartheid walls, the Berlin Wall) and
figurative (class walls, racial walls, cultural walls). The question “What I was walling in
or walling out?” is a haunting one for any nation or community grappling with
immigration, identity, or belonging. Who do we include? Who do we shut out? And
do we even know what we’re doing when we do it?
The Epistemological Angle
These lines are deeply concerned with knowledge before action — a Socratic impulse.
Don’t act on habit, tradition, or fear. Know what you’re doing and why. The narrator
doesn’t say walls are always wrong; he says building them without asking these
questions is reckless. This is a poem about the ethics of unreflective behaviour.
Frost’s Tone: Wry, Not Preachy
Crucially, Frost never lets the narrator become a moralist. He’s mischievous, a little
playful — he considers telling the neighbor that elves knocked the wall down, then
thinks better of it. The narrator’s wisdom is offered quietly, almost to himself. This
makes these lines feel like thinking aloud rather than lecturing, which is far more
persuasive and far more true to how genuine insight actually arrives.
In short, these five lines compress a whole philosophy: think before you divide,
consider who you hurt, and know that something in the world — in nature, in us — will
always push back against walls that exist without justification. That “something” is
never fully named because Frost understood that the best questions outlast their
answers.
“To attain Nirvana, now I need to do some juGod.”
“The very restlessness and attempting to become perfect is the imperfection.”
The Discovery
I have discovered the recipe for happiness
No, it is not owning the oil fields in Kuwait
Nor is it winning the John Bates Clark Medal
Nor the Merc parked in your driveway
Nor your byline in Sunday NYT
Simpler, far, far simpler than that
Just an evening at Roastery Coffee House in Banjara Hills
Sipping Cranberry Coffee and eating lasagna
What would double the happiness though
Is if a certain someone is in the opposite chair
Or we both in some other place
Else, it is just perfect, perfect.
“I have reached an age where if a girl smiles at me, I cannot read too many meanings in it.”
“Spending time with and understanding our children will make us understand philosophy faster than by reading any religious texts.”
“Love at first sight is a killing concept. But then dislike at first sight is a different kind of killing.”
“Just because you suspect you are wise; it does not mean your wisdom will be of a helluva lot useful when it comes to interpreting all the meanings in a smile. And, God’s photos and statues depict a smile on the face of the deity. Damn. It is hard enough interpreting the smile of a girl, now God is also smiling at us. Shit, we are screwed. No way we can know what life is all about.”
Think About These Things
One of the very few virtues that Ramana Maharshi extols is humility.
He says in his short book “Who Am I?”:
“To the extent we behave with humility, to that extent there will result good.”
Meanwhile, Nisargadatta Maharaj in his book “I Am That”, keeps saying repeatedly that the most important virtue is “earnestness”.
“When the mind is silent, any amount of speech and action do not vitiate that silence. Mind cannot be silent when there are desires in our being. Find out how to deal with desires.”
Betwixt Wise and Otherwise
Today’s morning comes
Like any other morning
It does not seem that different
Until I start thinking, feeling
Then, too, it does not seem that different
Unless I resist, protest, regret, wish for,
And why do I resists, protest, regret, wish for?
That seems to be the way things are
That seems to be our lot here on earth
Some may come and say things can be otherwise
Between this wise and otherwise I live my life.
“Sometimes, to be wise is to accept defeat. Why flow against the current of life?”
Suicidal Impulse
Today morning
I told a friend
“Come, let us go and commit suicide.”
“No,” the friend protested,
“I want to live and enjoy life.”
Now, I have to gather
The courage and wisdom
To travel alone
The journey cannot be given up
Just because
One’s companions want to rest.
“Duniya paison ke peeche baag rahi hai. Mai fursat ke peeche baag raha hoon. Paise bahut mushkil hai milna, mahnat karni padti hai. Fursat toh yoohee mil jaati hai, bina kuch kiye…kuch muth karo aur fursat pao…samjha karo kyunki ismay ek raaz chupi hai…lekin mai galat bhi ho sakta hoo…zindagi toh jua hai…aur judai bhi….”
“Truth divorced from love is no truth. Love divorced from truth is no love.”
“Don’t be an archaeologist. Don’t dig up the ruins of your past, otherwise you will be ruined.”
The Itch
The itch is
inside my heart.
But I am scratching the paper
with my pen.
“It was daffodils that flashed upon the inward eye of Wordsworth. On my inward eye, it is she who flashes.”
“To love someone truly is to give them the freedom to walk away from you without any guilt or regret should they want to.”
“Someone sang, the whole night your memory troubled me. My problem is far worse. Even the whole day her memory is troubling me.”
“Sitting here alone in this coffee shop, I am lost in thought, wondering what Donne meant.”
“Something shifted in me that day when she gave me that look and said, ‘Sam, I don’t see you nowadays’. Life is full of loose ends and some knots live on inside us.”
“I told her ye death ke baraay may zyada buk buk muth karo. Hum sab har raat aath ghante ke liye mar jaatay hai.”
“There seem to be different kinds of love. Oh, oh…just when thought you can stop going to the library.”
Cutting Out the Social Self
Sartre wrote, “Hell is other people.”
But, also at the level at which Sartre is speaking, it is also true that “Heaven is other people.”
But, at this social-self level, one gets stuck in a certain level of living where the dialogue “chal daaroo peeyingay” plays out in its various shades and nuances.
And that daaroo is not the wine that Sufis would have us drink.
And, it is this social self that makes you earn more money than we need, etc.
From this social self, you need to reach inside to find your true self.
The moment you leave your social self behind, then your thinking and emotions also are less in play because most of them are in service of our social self.
“No, Kirshna, I will wage war with my love and not with bows and arrows. Jesus knew something you did not. Besides, it is not my job to wage war against injustice with bows and arrows. Isn’t that your job as the creator of this universe, which you anyway you say you are. Remember what you said about being the creator of the four castes. Then, why you are passing the buck to me. Besides, you yourself say, ‘sambhavami yuge yuge’. Deal with it, Krishna, deal with it. After all, this world is your baby. Don’t instruct me. Leave me alone to me and my love.”
“Zindagi koi jung nahi. Sirf junglee loga waisay sonchthe hai. Mai pyaar ko itna samajh chuka hoon ki pata lag gaya hai ki jung sirf woh mushkilay kada karthi hai jo pahlay nahi the, aur jo mushkilay pahlay the unka hul teek say nahi kar paatha.”
“Ye kya jung jung kahthay phir rahay ho. Mai zindagi ko tukhratha hoo, kyunki mujhe woh zindagi nahi chahiyay jahaan mujhe jung may haasil hona padtha. Jung nahi ladnay say zyada se zyada sirf meri zindagi mujhse cheen jaayegi. Cheen lo jitna chahiya utna ye meri zindagi. Mai todi poocha pehale naa ab pooch raha hoo mujhe paida karo aur zinda rakho.”
“The mind says, ‘Look, look, there are so many problems, stay focused and awake.’ Heart says, ‘Chill, I have the solution to every problem’.”
The Darkness in My Soul
For too long I have seen
The sun in me eclipsed
By something or the other that comes,
Some emotion, some yearning, some dreaming,
Between me and the truth that be
That light, that love, that beauty
Slowly I begin to see far too clearly
This flight outward that gnaws at my soul
That waits for the right consonance, right season
Waits and waits but waits in vain
Thwarted by some destiny that I cannot control
I learn to let go, knowing I can control
Neither my destiny nor that of others.
I thought I had left them all behind
That some emotion, some yearning, some dreaming
Back in the stormy days of my confused youth
Why are they coming back again to me
As if I am still accountable for I know not what.
Who was Arjuna?
Arjuna is anyone in this world who is NOT content to just keep the body alive but also seeks to keep the mind and heart alive.
Such a one finds himself having to fight many a battle on many a Kurukshetra.
Hence also such a one will keep needing the counsel of a Kirshna.
But the Arjuna who is content to keep just the body alive and lets go of the mind and heart, has no battles to fight nor has any need for any Krishna.
Understand this and not any other Gita, be that Gita of Kirshna or Ashtavakra.
👍🏼 just the B and when the pot breaks you are one with the rest of the only consciousness.
Yes.
Even before the pot (B) breaks, what keeps the illusion that you are NOT right now one with the rest of the only consciousness is ONLY the mind and heart.
When the mind and heart are NOT in play, then the illusion of separation also does NOT exist.
Like in deep sleep
Yes.
Perfectly said.
That is why, Ramana Maharshi said, “What happened in sleep is your real nature.” (Talk 304)
In many places in his Talks book, the Maharshi says something to the effect of deep sleep is NOT ignorance but reality itself.
That is why he says, one has to be in the state of wakeful sleep or jagrat sushupti.
#Arjuna #Disillusionment #Enlightenment #faith #Gita #God #Happiness #Life #Love #Philosophy #PhilosophyOfLife #Poem #Poetry #QuotableQuotes #Quotes #Retirmeent #Sadness #Spirituality #Truth #WorkLife -
Wanna Stop Writing After This
“For a long time now, the role of the Brahmin has been outsourced to other countries, particularly Europe and the US. Why? Because we Indians have stopped thinking many centuries back.”
Neruda, I Feel Sadder Than You Tonight
No reason Neruda that I feel sad
You at least had your girl to blame
I have nothing and no one to blame
For how I feel now, just life itself
Galls me to no end, where I feel mocked
By life itself which demands it be understood
Am I supposed to love life and not the woman
But I do not know what life is nor how to live
Shall I just drink a Coke and open happiness
But Coke’s fizz lasts less time than morning dew
The sun is hot but it’s supposedly life-giver
But when I step out in the aft’noon it’s killing
So, I cannot trust the very so-called life-giver
Nothing in nature seems benign, not even society
And when night comes, cocooned here in my flat
I can’t see the stars, and moon interests me not
All I can look forward to now is slow deterioration
One by one the powers will desert me, from the teeth
To the knees to the memory to the interest
Time cares not to show anyone any compassion
The philosophy I know is even more problematic
In a way it gives me relief from these thoughts
And in a way it doubles the pain by showing
This whole life was a waste of time, no study
Nor emotion nor smile nor understanding
Takes you where you want to be, and these days
I am not even sure where I want to be, not even to be
I cannot even go back to where I came from
Nor can I know where I have to go, nor whether
Any journey is worth it at all, as now I understand
This flight from myself is the cause of all problems
And, when I look into myself, I find only wisdom
And that wisdom tells me I do not understand at all
Neither Truth nor Love, for wisdom tells me
If you think you understand Truth and Love
Why are you still undertaking many a journey.
“Everything in this world has a cause. And every effect becomes in turn a cause. Where there are causes and effects, there is change underway. Where there is change how can Truth be. And where there is no Truth how can love be.”
“Definition of a perfect love story: Going from aroused to erased.”
“Most human love arises out of fear, is sustained by fear, and ends a quiet death due to fear.”
“Life is a Russian roulette.”
“Perfect recipe for dissatisfaction in life: Wanting to be happy always all the time no matter what.”
“Some say God is Truth. Some say God is Love. Both are wrong. God is. Period.”
“Love is not an add-on to the other things in your life. Love is the life.”
“Love is the ultimate soporific which dullens the pain of existence.”
“We think there is life. That is the death of us.”
“We are all lost in our desires. Desires take us to the future. Inhabiting the future, we fail to live because life is happening in the present.”
Jagat (Sanskrit: जगत्) primarily means the world, universe, or earth. It is derived from the root gacchati (“that which moves”), signifying that the universe is in constant motion, ever-changing, and ephemeral.
Core Meanings & Contexts:
• The Moving World: It refers to all that is moving, animate, living, and changing, encompassing the entire material universe.
• Vedanta Philosophy: It is often described as mithya (dependent reality/illusion) in comparison to the absolute reality of Brahman, often referring to the subjective experience of the material world.
• Spiritual/Non-dualism: In some contexts, it is interpreted as the manifestation or “body” of the divine, completely dependent on the Supreme for existence.
• Common Usage: In Hindi and other Indian languages, it is used for “world” or “universe,” and sometimes implies a specific field or community (e.g., Nari Jagat – world of women).
Common Compound Words:
• Jagadish/Jagannath: Lord of the Universe (Vishnu or Shiva).
• Jagatmata: Mother of the World (Durga).
Jagat is also a common Indian name for boys, signifying the universe.
“Don’t wait for retirement or for that smile; be happy today, nay, right now.”
“Dare to be who you are.”
Give me some deeply philosophical quotes of Arthur Rimbaud.
Claude responded: Here are some deeply philosophical quotes from Arthur Rimbaud:
________________________________________
On the Self & Identity
“I is another.” — Letter to Georges Izambard, 1871
One of his most famous lines, suggesting the self is not a fixed entity but something foreign, observed from the outside — a radical idea that anticipated modern theories of subjectivity.
________________________________________
On Disorder & Vision
“The poet makes himself a seer by a long, prodigious, and rational disordering of all the senses.” — Letter to Paul Demeny (Lettre du Voyant), 1871
Rimbaud’s manifesto for poetry: to reach true vision, the poet must shatter ordinary perception and embrace suffering as a path to illumination.
________________________________________
On Life & the Absolute
“Real life is absent. We are not in the world.” — A Season in Hell
A haunting declaration of alienation — the sense that authentic existence lies forever beyond reach, and the world we inhabit is a kind of unreality.
________________________________________
On Suffering & Knowledge
“One must be absolutely modern.” — A Season in Hell
Deceptively simple, this is Rimbaud’s demand to break entirely with tradition — to find truth not in the past but in the raw, uncharted present.
________________________________________
On Love & Hell
“I have swallowed a famous mouthful of poison. Thrice blessed be the counsel that came to me! My bowels are on fire. The violence of the venom twists my limbs, deforms me, lays me low.” — A Season in Hell
A visceral metaphor for the self-destruction that comes with absolute passion — love, ambition, and vision as simultaneously poison and revelation.
________________________________________
On Eternity
“It has been found again. What? Eternity. It is the sea mixed with the sun.” — Eternity
A mystical fragment — eternity not as abstraction but as a sensory, almost pantheist fusion of natural forces.
________________________________________
On Freedom
“Only divine love bestows the keys of knowledge.” — A Season in Hell
Rimbaud suggests that rational intellect alone cannot unlock the deepest truths — only a surrender to something greater can.
________________________________________
Rimbaud’s philosophy is essentially one of radical becoming — the self must be destroyed, perception unhinged, and comfort abandoned in order to glimpse something true. He abandoned poetry entirely at 19, which many see as the ultimate philosophical act: refusing to be captured even by his own genius.
“Vivekananda, when he was young, really young, went around asking everyone, ‘Have you seen God’. And when he posed the same question to Ramakrishna Paramahansa, RP replied, ‘Yes, only more clearly than I see you now.’ Now, the question that can be asked is was RP, like J. Krishnamurti always said he does, ‘Answering the questioner rather than the question.’ Otherwise, the correct answer is, ‘What a stupid question, Naren, all you have been seeing all your life is ONLY God but you have been thinking you are seeing the world’.”
Buddha’s Mistake
Sam’s First Noble Truth
I agree with Buddha’s First Noble Truth that “Life is suffering”.
Sam’s Second Noble Truth
I do not agree with Buddha’s Second Noble Truth that “Desire is the cause of suffering.”
My point is that once you have understood that “Life is suffering”, you should also understand the simple logic that “No life, no suffering.”
So, do not bother about desires and all such nonsense.
Do not get caught in such traps, traps which arise only if you are living.
Just end life and you are done.
Or, rather realise you were never born.
No Sex, No Salvation, No Sam
I do not want to get caught
In the vortex of these Fie-loss-oafers
And whatever theories they spin
About this world, existing only in imagination;
When I talk about myself Sam
Or about Sex and Salvation, I do so
Under Erasure, as that Algerian Jew would have it
Who set afire many an academic department in the US
And, I note with pleasure his association in 1966
With my alma mater Johns Hopkins, kickstarting
That peculiar school of philosophy, poststructuralism,
But, why dabble and grapple even dilettantishly
With these games that minds of philosophers play
I who have understood Kena Upanishad’s admonition
That if you think Truth is there for the taking by the mind
You poor thing how little you understand
And where is the mind but in this world
Or is the world in the mind
Now, now don’t confuse me
I refuse to play this game with these words
For I know too well that if I renounce words
Which is the only true Vairagya that is there
And not so-called Vairagya of Kamini-Kanchana
Then in that silence all doubts are quelled
All truths stand revealed, and I know
Whatever I knew till now was wrong
And I learn to let go of not only Socrates and Sartre
But also of Maharshi and Maharaj
For where do they all exist
Except in my fertile imagination
As do Sex, Salvation and Sam.
“The tree has to bend to every wind, but it cannot know why the wind is blowing.”
“In the autumn, it is foolish for the tree to try to hold on to the leaves.”
“There is no spot in the pot where there is no clay.”
“In every love story, there is something more than biology at play.”
“My Call”
Yes, Michael, it always was your call
To go solo or to go with the family
And also your call to spread love and light
To this world through your moves.
Music, moods, musings, and murmurings
And did you change the world?
Who knows? Maybe a few and here and there
When you were alive, and a few more might change
Long after you are gone as long as your music lives on
Surely, though, you yourself must have escaped
The suffering that the blind strivings of the Will
Imposes on one, if Schopenhauer is to be believed,
With your Dionysian spirit that Nietzsche championed.
Yet how I despair Michael, my call
Is that this world is condemned to its duality
Of light and darkness, good and bad, virtue and vice
Socrates, Buddha, Lao Tzu, Jesus could not fix the world
So, Michael, you are forgiven, too, for failing
Though your critics would point out your own failings.
—
Maya (the cosmic creative/illusory power) is constituted by the three gunas — Sattva (clarity, harmony), Rajas (activity, passion, restlessness), and Tamas (inertia, darkness, ignorance). As long as manifestation exists — as long as anything is appearing — all three gunas are present in varying proportions. You can’t have Maya with only Sattva, because pure undifferentiated Sattva would dissolve back into Brahman. The tension and dynamism of Rajas and Tamas are what keep the world-appearance going.
So yes, suffering and evil are structurally baked into manifestation itself. Tamas produces ignorance, delusion, and stagnation; Rajas produces craving, conflict, and agitation — both are inexhaustible engines of suffering at the cosmic level.
This creates an important asymmetry:
At the individual level, liberation is possible — you can step out of identification with the gunas entirely, which is what Nisargadatta and Ramana point to. The Self is not a product of the gunas.
At the collective or historical level, you might get periods of greater Sattva, but Rajas and Tamas always reassert themselves — civilizations rise and fall in cycles (the yuga framework reflects exactly this).
At the cosmic/natural level, as long as Maya is operating, the interplay of gunas never ceases. Suffering doesn’t “end” — it’s part of the texture of manifestation.
This is also why Advaita doesn’t promise the world will get better or that evil will be eliminated — it says the world as such is the wrong level to seek resolution. The resolution is recognition of that which was never in the gunas to begin with. Nisargadatta’s typical move is precisely this — he doesn’t ask you to fix the dream, he asks you to wake up from it.
Universal liberation of the cosmos is a category error within this framework. The most Maya can do is oscillate; it cannot transcend its own constituents.
Two Ways to Retire Early
1. Earn as much as is 100% sufficient for your wants.
2. Pare down your wants (but NOT to the bare minimum) so that you can retire earlier than you can under Scenario 1.
I chose the latter option by becoming sort of a minimalist because I realized that happiness does not come from accumulating more and more, be it wealth or any other damn thing.
When did more and more wealth ever make anyone more and more happy.
And, if you need more and more money to become more and more happy, know that you are not going about it the right way.
Money cannot buy almost anything worthwhile.
Anyway, the best things in life are either damn cheap or totally free.
Don’t think so?
Well, my friend, good luck with that happiness you are chasing.
No, I forget, you are chasing money not happiness.
Let me know when you shift your rat race from pursuing money to pursuing happiness, then as Paul Simon sang, “I can be your long-lost pal.”
What about the work that needs to be done in this world that might suffer if you retire early?
Ha, ha, ha, as if you are working FOR the world. Get real.
Besides, there are enough unemployed people out there to fill the space that you vacate.
And, besides, if people thought like I am suggesting, then believe you me, far less work will be needed to be done in this world so that the world can get along by just fine.
Ha, ha, ha…how bad people are at thinking!!!
Well, well, I guess God knows what he is up to.
Homo Duplex
Homo duplex (“the double human”) is a theory by sociologist Émile Durkheim (1858–1917) proposing that humans possess a dual nature: part biological organism driven by selfish individual desires (“profane”), and part social being guided by morality, collective consciousness, and social constraints (“sacred”).
Key Components of Homo Duplex:
• The Profane (Individual): This side consists of personal appetites, instincts, selfishness, and bodily sensations.
• The Sacred (Social): This side comprises moral forces, social solidarity, shared values, and altruism, which are cultivated through societal interaction and collective rituals.
• The Tension: Durkheim argued that society requires a balance between these two sides to prevent individualism from leading to unhappiness, greed, or excessive anomie (social instability).
• Societal Role: Socialization, education, and religion play crucial roles in regulating the individual’s “animalistic” nature and nurturing their “moral” or “social” side.
This concept underscores the idea that humans find their highest potential not in isolation, but by participating in a larger social whole.
What Durkheim Was Really Saying
At its core, Homo Duplex is Durkheim’s answer to one of philosophy’s oldest
questions: what kind of creature is a human being? His answer was deliberately
paradoxical — we are simultaneously two things at once, and that tension is not a
flaw to be resolved, but the very engine of social and moral life.
This was a bold move in the late 19th century. Darwinian biology was pushing toward
the view that humans were essentially animals with sophisticated brains.
Enlightenment liberalism, on the other hand, celebrated the sovereign individual.
Durkheim rejected both as incomplete. He insisted you cannot understand a human
being by looking only at their biology or their individual rational mind — you must
look at what society does to and inside them.
Unpacking the Two Sides
The Profane (the animal self)
The word “profane” here doesn’t mean vulgar in the everyday sense — it means
outside the sacred, ordinary, earthly, bodily. This is the self that:
Hungers, lusts, fears, and competes
Acts in its own interest without reference to others
Exists in time and space as a finite, mortal organism
Durkheim didn’t moralize this side as evil — he saw it as simply pre-social. It is what
we are before society gets hold of us. Left entirely to this nature, humans would be,
in Hobbes’ famous phrase, solitary, poor, nasty, brutish, and short.
The Sacred (the social self)
The “sacred” is what society implants into the individual. This is a profound and
somewhat unsettling idea: your moral conscience, your sense of duty, your empathy,
your values — these are not naturally yours. They were installed by the collective.
This side includes:
The capacity for self-sacrifice
Loyalty to groups, nations, ideals
Moral disgust and reverence
The ability to feel that something is bigger than yourself
Crucially, Durkheim believed this sacred dimension is genuinely real and genuinely
powerful — but its source is social, not divine or innate. When you feel moral awe,
you are, in his view, feeling the weight of society pressing on your consciousness.
The Tension: Why the Conflict is Necessary
Durkheim didn’t want the tension resolved — he wanted it managed. Here’s why:
Too much profane (pure individualism) leads to anomie — a condition where
social norms collapse, individuals feel unmoored, and rates of depression,
crime, and even suicide rise. His famous study Suicide (1897) showed that
societies with weak social bonds had higher suicide rates — a radical,
counterintuitive argument.
Too much sacred (total collective absorption) leads to fatalistic overregulation
— where individuals are crushed under the weight of social duty,
also producing misery and, paradoxically, suicide of a different kind (what he
called altruistic suicide, dying for the group).
The sweet spot is a productive friction — society strong enough to give life meaning
and structure, but not so totalizing that it erases the individual.
Socialization as the Civilizing Mechanism
When Durkheim says education, religion, and socialization regulate the individual’s
animalistic nature, he means something very specific: they transfer the sacred into
the individual so thoroughly that it feels like their own conscience. This is the
machinery of moral internalization.
Think of how a child is taught not to steal. At first, it’s external — “don’t do that or
you’ll be punished.” Eventually, the prohibition becomes internal — “I don’t want to
steal, it feels wrong.” For Durkheim, that feeling of wrongness is society speaking
through you. You have been successfully socialized. The collective has colonized
your inner life — and this is not manipulation, in his view; it is what makes you fully
human.
Religion, in particular, fascinated him because its rituals (collective gatherings, shared
symbols, emotional ceremonies) were the most powerful mechanisms for recharging
the social self — reminding individuals viscerally that they belong to something
beyond themselves.
Where Homo Duplex Connects to Bigger Ideas
Concept Connection to Homo Duplex
Freud’s Id/Superego
Strikingly parallel — the id (drives) vs. the superego
(internalized social rules). Both emerged around the same
era, independently.
Rousseau’s Noble
Savage
Durkheim inverts Rousseau — society doesn’t corrupt
natural goodness; it creates moral goodness in the first
place.
Nietzsche’s critique of
herd morality
Nietzsche saw society suppressing the individual as a
tragedy. Durkheim saw it as a necessity — even a gift.
Modern psychology
Jonathan Haidt’s social intuitionist model echoes Homo
Duplex — moral feelings are social products, not individual
reason.
A Critical Perspective
Homo Duplex is elegant, but not without its critics:
It’s overly binary. Human nature resists clean splits into “animal vs. social.”
Much of what Durkheim calls “profane” (love, curiosity, creativity) is not
straightforwardly selfish.
It romanticizes the collective. Durkheim’s framework can justify social
conformity too easily. History shows that the “sacred social” can endorse
racism, nationalism, and genocide just as easily as altruism.
It underestimates individual agency. Humans don’t just receive society
passively — they also reshape it. The individual isn’t merely a battleground
between animal drives and social imprinting.
The Bottom Line
Homo Duplex is a powerful lens for understanding why humans are so
contradictory — capable of extraordinary selfishness and extraordinary sacrifice,
often in the same person, sometimes within the same hour. Durkheim’s lasting
insight is that this is not hypocrisy or moral failure. It is the structure of what we are:
biological creatures who can only realize their deepest potential by surrendering part
of themselves to something collective and larger. We are, as he saw it, always living
on the border between the animal and the social — and civilization is the ongoing,
never-finished negotiation between those two halves.
Kids? Just say no
You don’t have to dislike children to see the harms done by having them. There is a moral case against procreation
https://aeon.co/essays/having-children-is-not-life-affirming-its-immoral
No Words To Say What I Want To Say
Strange how sometimes you are at a loss for words
When you realize the words you used have not been understood
And using more words would only complicate the picture
Because the words have to go through the sieve
Of other minds and hearts, though mine they have navigated,
And this is not just my problem, just the human condition
And until we understand silence we cannot understand each other
But unfortunately, until then we have to keep using words
And thereby keep encountering battlefields of various sorts.
“There’s a divinity that shapes our ends, / Rough-hew them how we will” is a famous quote from William Shakespeare’s Hamlet (Act 5, Scene 2). Spoken by Hamlet, it means that a divine power or fate determines the ultimate outcome of our lives, regardless of how clumsily we plan them.
Key Details and Context:
Context in Play: Hamlet says this to Horatio while explaining how he survived
a plot to kill him, suggesting he has accepted fate.
Meaning: “Rough-hew” refers to shaping a rough block of wood. It suggests
humans make rough plans (“rough-hew”), but God or destiny refines the final
outcome (“shapes our ends”).
Theme: This reflects a shift in Hamlet from indecision to a fatalistic acceptance
of whatever happens, including the “special providence in the fall of a
sparrow”.
It shows a shift from a belief that mortals control their destiny to a belief that higher
forces are in control.
“There’s a Divinity That Shapes Our Ends” — Through the Lens of Advaita
Vedānta
And the Self Reveals Itself to Whom She Chooses
I. The Two Voices Speaking the Same Truth
Shakespeare’s Hamlet, standing at the threshold of death with a curious calm, utters
something that no purely Western philosophical framework can fully contain. He is
not simply expressing fatalism. He is not surrendering to an external God the way a
theist might. Something deeper is trembling in those words — something that
Advaita Vedānta, the non-dual philosophy of Śaṅkarācārya, can illuminate with
remarkable precision.
Advaita means not-two. Its central revelation is that Brahman — the infinite,
undivided, self-luminous Consciousness — is the only reality. What we call the
“individual self,” the jīva, is not a separate entity that Brahman controls from outside.
The jīva is Brahman, appearing individuated through the veil of avidyā (ignorance).
The drama of human life — the planning, the struggling, the winning and losing — is
līlā, the cosmic play of Consciousness with itself.
With this as our foundation, Hamlet’s line ceases to be merely about fate and
becomes a window into the nature of Reality itself.
II. “Rough-Hewing” — The Activity of the Ego-Self
“Rough-hew them how we will…”
In Advaita, the one who “rough-hews” is the ahaṃkāra — the ego, the sense of
being a separate, autonomous “I” that plans, decides, and acts. This ego-self believes
itself to be the kartā (the doer). It picks up the chisel, surveys the raw wood of
circumstance, and begins to hack away according to its desires, fears, and
calculations.
Hamlet spent four acts doing precisely this. He rough-hewed furiously:
- He devised the play-within-a-play to trap Claudius
- He calculated when to strike and when to hesitate
- He philosophized endlessly about whether to act at all
And what did all this rough-hewing produce? Chaos. Mistaken killing. Broken
relationships. Near-annihilation.
The Advaitic teaching here is precise: the ego is real as appearance but not as
substance. It is like a wave that believes it is generating the ocean’s movement. It
hews and carves, but its cuts are always rough — approximate, distorted, limited by
its own ignorance of the whole. The jīva cannot see the totality because it is the act
of pretending to be separate from the totality. You cannot see the whole painting
while believing yourself to be only one brushstroke.
This is not a moral failure. It is the nature of individuation itself. The Kaṭha Upaniṣad
says: “The Self is not attained by the weak.” The weakness referred to is not physical
— it is the weakness of clinging to the ego’s rough-hewing as if it were the final
word on reality.
III. “The Divinity That Shapes” — Brahman as the Immanent Sculptor
“There’s a divinity that shapes our ends…”
Now we arrive at the heart of the Advaitic mystery. What is this “divinity” that
shapes?
It is not an external God standing above creation, adjusting outcomes like a cosmic
bureaucrat. That would be dvaita — duality, two-ness. In Advaita, the Divinity that
shapes is Brahman itself, operating as the innermost reality of everything that
appears to happen. It is not separate from the rough-hewing. It is the very ground
within which the rough-hewing occurs — and it is simultaneously the one who knows
that rough-hewing is never the final act.
Śaṅkara would say: Brahman is both the material cause and the efficient cause of the
universe. Like gold that becomes ornaments without ceasing to be gold — the
ornaments appear different, but gold alone is real. Every “end” that is shaped —
every outcome, every death, every transformation — is Brahman alone, crystallizing
into form from its own infinite freedom.
This is why the shaping is so effortless and inevitable. It does not struggle against the
rough-hewing. It uses it. Every awkward cut the ego makes, every miscalculation,
every tragedy — Brahman absorbs it and shapes it into exactly what was needed for
the whole. The sculptor does not fight the chisel marks. She works with the grain of
the wood, which she herself laid down before the carpenter arrived.
IV. The Self Reveals Herself to Whom She Chooses — Ātman Prasāda
Here we arrive at the most luminous, and most humbling, dimension of this teaching.
The Muṇḍaka Upaniṣad declares:
“Nāyam ātmā pravacanena labhyo na medhayā na bahunā śrutena। Yam evaiṣa
vṛṇute tena labhyas tasyaiṣa ātmā vivṛṇute tanūṃ svām॥”
“This Self is not attained by instruction, nor by intellect, nor by much hearing. It is
attained only by the one whom the Self chooses — to that one, the Self reveals its own
nature.”
This is perhaps the most radical statement in all of Vedāntic philosophy. And it
reframes Hamlet’s entire journey.
Hamlet spent the whole play trying to know — trying to verify the Ghost’s truth,
trying to understand his duty, trying to calculate the right moment. He brought great
intellect, great sensitivity, great moral seriousness. And none of it worked in the way
he intended. The knowledge he needed did not come through his efforts. It came
through a sea voyage, a near-death encounter, a pirate attack — through
circumstances entirely outside his planning.
And then, at the beginning of Act 5, he simply knows. A calm descends. He speaks of
providence with the ease of one who has stopped arguing with reality. He is ready.
The Self has chosen him.
From the Advaitic lens, what happened? The jīva Hamlet had exhausted its roughhewing.
The ego’s strategies had all collapsed. And in that exhaustion, in that
surrender — not as a strategy, but as a genuine letting-go — avidyā thinned. The veil
grew transparent. Brahman, which had always been Hamlet’s own deepest nature,
turned toward itself through the instrument of Hamlet’s readied consciousness.
The Self does not reveal itself as a reward for correct behavior. It reveals itself when
the ego becomes sufficiently transparent. Grace — prasāda — is not earned. It is
received. And the receiving is only possible when the clenched fist of the ego-self
relaxes its grip on rough-hewing.
V. Why “She Chooses” — The Feminine Ground of Being
To speak of the Self as She is to invoke Śakti — the dynamic, creative power of
Consciousness. In the non-dual Śākta interpretation of Advaita, Brahman’s power of
self-revelation is understood as intrinsically feminine — not in the gendered human
sense, but in the sense of that which receives, gestates, and births reality from within
itself.
Māyā — the power that veils Brahman — is feminine. And Anugraha Śakti — the
power that removes the veil — is also feminine. The same divine Mother who wraps
the world in the dream of separateness is the one who, in her grace, tears the veil
away.
This means the Self’s self-concealment and self-revelation are not opposites. They
are two movements of the same creative freedom. Brahman chooses to hide in order
that the joy of rediscovery can be complete. The rough-hewing is part of the plan.
The chaos is choreographed. The tragedy is embraced.
The “divinity that shapes our ends” is not a cold determinism. She is a Mother who
allows her children to wander, to build, to destroy, to suffer — because she knows
what they are, even when they have forgotten. She shapes the ends not by
preventing the rough-hewing but by ensuring that every rough mark ultimately
reveals the beauty of the finished form.
VI. Hamlet’s Enlightenment — The Shift into Sākṣī
Hamlet’s final equanimity — “the readiness is all” — is, in Advaitic terms, a
spontaneous shift from identifying as the kartā (doer) to resting as the sākṣī
(witness). He no longer needs the outcome to be controlled. He no longer needs
certainty. He acts when action is called, rests when rest is called, and accepts death
when death arrives — without any of it disturbing the stillness beneath.
This is not stoic resignation. The Stoic still believes the ego is real and chooses nobly
to endure. Hamlet’s shift is subtler and deeper: the ego has become transparent to
itself. He sees through the rough-hewing to the shaping beneath. He does not
become passive — he kills Claudius, he orchestrates the final scene — but he does so
without the contracted, desperate quality of his earlier scheming. He acts as an
instrument of the Whole.
In Advaita, this is called Jīvanmukti — liberation while still living. The body-mind
continues to function. The drama of life continues. But the one who believed they
were only the rough-hewer has recognized themselves as also the Divinity that
shapes. Subject and sculptor are one.
VII. The Final Integration
Shakespeare could not have known Advaita Vedānta. And yet he wrote this line, and
it carries the full weight of the tradition as though it were distilled from it. This is not
coincidence. It is evidence that certain recognitions are not cultural — they are
structural. They arise whenever human consciousness is pressed to its limit and
breaks open into something larger than itself.
The Divinity that shapes our ends is not other than us. It is the deepest stratum of
what we are — the Ātman, Brahman, the Self — appearing as destiny from outside,
because we forgot that we are inside it.
And She reveals Herself not when we have perfected our rough-hewing, but when we
love Her more than our own plans.
When the chisel drops — She speaks.
The Drama of Desire
A friend wrote, “Desire…
I realised drama we are all living in”,
Really, my friend, really you “realised?”,
But to realise is to realise that
There is no “We”.
Do you know where you’re going to?
Do you like the things that life is showing you?
Where are you going to?
Do you know?
Do you get what you’re hoping for?
When you look behind you, there’s no open doors
What are you hoping for?
Do you know?
Now, looking back at all we’ve passed
We let so many dreams just slip through our hands
Why must we wait so long before we see
How sad the answers to those questions can be?
https://www.youtube.com/watch?v=UuMBl1peAlo
This Dream, This Life
Aw, shucks, this dream
This life, oh so unnecessary
Yet we keep dreaming
We keep living
As if we have no choice
Do we have a choice,
And is the choice only death
Some say the choice is immortality
But if it indeed is immortality
Immortality can have no beginning
So, right now it surely must be the case
That I am indeed already immortal
And being immortal
‘Tis strange that a mere dream
A mere life
Bugs me to no end.
“This unreality, oh this unreality…where neither love is true, nor the truth is true…oh this unreality.”
“Ah, to disappear, be submerged…”
The Passion and the Intezaar
When passion for you
Is no longer a passion
When passion for you
Is no longer in fashion
Know that
The wait is almost over.
Lekin intezaar bhi kahi baar
Bahut meetha hota hai
Intezaar may dard bhi kyu na ho
Aur tumhaari zindagi may
Ye ittefaq bhi ho sakti hai
Ye taqdeer bhi ho sakti hai
Jis pal pe tumhari zindagi hai
Aakar rukhi hai, tehri hai
Ab tum aur kuch lumhe
Sirf intezaar may bitana hai
Aur iss ittefaq ko, iss taqdeer ko
Galay lagaanay ke siva
Aur koi raasta nahi hai
Aur agar koi waisa raasta hai
Tumhari taqdeer may nahi hai
Ki tum uss raastay pe chal sakogay.
“When I read some poets, I feel like it is high time I stopped writing poetry, and left that job to the poets.”
Before I built a wall I’d ask to know
What I was walling in or walling out,
And to whom I was like to give offense.
Something there is that doesn’t love a wall,
That wants it down.’
“Mending Wall” (https://www.poetryfoundation.org/poems/44266/mending-wall) is
one of Frost’s most celebrated poems, and these lines are among the most analyzed
in American poetry. Here’s a deep commentary from multiple angles.
The Lines in Context
These lines come near the end of the poem, spoken by the narrator as a
counterpoint to his neighbor’s repeated mantra: “Good fences make good neighbors.”
The narrator is the questioner, the skeptic, the one who wonders why the wall exists
at all.
Line by Line
“Before I built a wall I’d ask to know / What I was walling in or walling out”
This is the poem’s central philosophical provocation. Frost draws on a binary that
cuts in two directions simultaneously:
Walling in — keeping something of yours contained, protected, defined.
Territory, identity, privacy, culture.
Walling out — excluding something foreign, threatening, or simply other.
The genius of phrasing it as a question is that the narrator admits he doesn’t always
know which is which. A wall built for protection can become a cage. A wall built for
exclusion can become a statement of fear. The act of building precedes the
understanding of the act — and Frost is warning against that.
There’s also a quiet confession here: the narrator says “I’d ask to know,” not “I’d
know.” He’s humble. He’s not claiming wisdom, only the willingness to pause and
question before acting.
“And to whom I was like to give offense”
This line introduces an ethical and social dimension. Walls don’t just affect the person
who builds them — they mean something to others. A wall is a message. It says: I
don’t trust you. You are not welcome here. This far, and no further.
The word “offense” is carefully chosen. It suggests that walls can wound — not
physically, but relationally and psychically. They can communicate contempt,
suspicion, or rejection without a word being spoken. Frost is nudging the reader to
think about walls not just as practical structures but as acts of communication, and
sometimes, acts of aggression.
“Something there is that doesn’t love a wall, / That wants it down.”
This is the poem’s most famous line, and it opens and echoes throughout the poem
like a refrain. Notice Frost refuses to name what that “something” is — and that
refusal is deliberate and profound.
Nature? Earlier in the poem, frozen groundswell heaves the boulders apart every
winter. Nature literally dismantles the wall year after year, as if the earth itself resists
the partition.
Human nature? There’s a deep instinct toward connection, curiosity, and openness
in people — children especially. We are social animals. Something in us chafes at
barriers.
The cosmic or spiritual? Some readers hear in “something” a quasi-divine force — a
universe that tends toward unity, entropy, dissolution of artificial categories.
The unconscious? The vagueness of “something” is psychologically astute. We often
can’t name the part of ourselves that resists conformity, convention, or inherited
thinking — but it’s there, eroding our certainties.
By ending with “That wants it down,” Frost gives the force a kind of desire — almost
personifying it. The wall isn’t just falling apart; something wants it gone. This is
subversive and tender at once.
Thematic Angles
The Paradox of Community
The poem never actually argues that walls are bad. The narrator helps rebuild the
wall every spring! He participates in the very ritual he questions. This is Frost’s
honesty: we simultaneously crave connection and separation. The wall-mending is
itself a form of connection — the two men meet, work together, talk. The wall
enables the relationship in a strange way. So the lines aren’t a simple anti-wall
polemic; they’re an admission of complexity.
Individual vs. Inherited Tradition
The neighbor repeats his father’s saying: “Good fences make good neighbors.” He
thinks in proverbs; he doesn’t question. The narrator questions everything. These five
lines are essentially the voice of the Enlightenment — don’t build anything you can’t
justify rationally and ethically. The neighbor, by contrast, represents tradition,
continuity, inherited wisdom. Frost doesn’t entirely mock either. Both impulses are
human. Both have costs.
Political and Social Reading
Frost wrote this in 1914, but its political resonance never ages. Every era has its wall
debates — literal (border walls, ghetto walls, apartheid walls, the Berlin Wall) and
figurative (class walls, racial walls, cultural walls). The question “What I was walling in
or walling out?” is a haunting one for any nation or community grappling with
immigration, identity, or belonging. Who do we include? Who do we shut out? And
do we even know what we’re doing when we do it?
The Epistemological Angle
These lines are deeply concerned with knowledge before action — a Socratic impulse.
Don’t act on habit, tradition, or fear. Know what you’re doing and why. The narrator
doesn’t say walls are always wrong; he says building them without asking these
questions is reckless. This is a poem about the ethics of unreflective behaviour.
Frost’s Tone: Wry, Not Preachy
Crucially, Frost never lets the narrator become a moralist. He’s mischievous, a little
playful — he considers telling the neighbor that elves knocked the wall down, then
thinks better of it. The narrator’s wisdom is offered quietly, almost to himself. This
makes these lines feel like thinking aloud rather than lecturing, which is far more
persuasive and far more true to how genuine insight actually arrives.
In short, these five lines compress a whole philosophy: think before you divide,
consider who you hurt, and know that something in the world — in nature, in us — will
always push back against walls that exist without justification. That “something” is
never fully named because Frost understood that the best questions outlast their
answers.
“To attain Nirvana, now I need to do some juGod.”
“The very restlessness and attempting to become perfect is the imperfection.”
The Discovery
I have discovered the recipe for happiness
No, it is not owning the oil fields in Kuwait
Nor is it winning the John Bates Clark Medal
Nor the Merc parked in your driveway
Nor your byline in Sunday NYT
Simpler, far, far simpler than that
Just an evening at Roastery Coffee House in Banjara Hills
Sipping Cranberry Coffee and eating lasagna
What would double the happiness though
Is if a certain someone is in the opposite chair
Or we both in some other place
Else, it is just perfect, perfect.
“I have reached an age where if a girl smiles at me, I cannot read too many meanings in it.”
“Spending time with and understanding our children will make us understand philosophy faster than by reading any religious texts.”
“Love at first sight is a killing concept. But then dislike at first sight is a different kind of killing.”
“Just because you suspect you are wise; it does not mean your wisdom will be of a helluva lot useful when it comes to interpreting all the meanings in a smile. And, God’s photos and statues depict a smile on the face of the deity. Damn. It is hard enough interpreting the smile of a girl, now God is also smiling at us. Shit, we are screwed. No way we can know what life is all about.”
Think About These Things
One of the very few virtues that Ramana Maharshi extols is humility.
He says in his short book “Who Am I?”:
“To the extent we behave with humility, to that extent there will result good.”
Meanwhile, Nisargadatta Maharaj in his book “I Am That”, keeps saying repeatedly that the most important virtue is “earnestness”.
“When the mind is silent, any amount of speech and action do not vitiate that silence. Mind cannot be silent when there are desires in our being. Find out how to deal with desires.”
Betwixt Wise and Otherwise
Today’s morning comes
Like any other morning
It does not seem that different
Until I start thinking, feeling
Then, too, it does not seem that different
Unless I resist, protest, regret, wish for,
And why do I resists, protest, regret, wish for?
That seems to be the way things are
That seems to be our lot here on earth
Some may come and say things can be otherwise
Between this wise and otherwise I live my life.
“Sometimes, to be wise is to accept defeat. Why flow against the current of life?”
Suicidal Impulse
Today morning
I told a friend
“Come, let us go and commit suicide.”
“No,” the friend protested,
“I want to live and enjoy life.”
Now, I have to gather
The courage and wisdom
To travel alone
The journey cannot be given up
Just because
One’s companions want to rest.
“Duniya paison ke peeche baag rahi hai. Mai fursat ke peeche baag raha hoon. Paise bahut mushkil hai milna, mahnat karni padti hai. Fursat toh yoohee mil jaati hai, bina kuch kiye…kuch muth karo aur fursat pao…samjha karo kyunki ismay ek raaz chupi hai…lekin mai galat bhi ho sakta hoo…zindagi toh jua hai…aur judai bhi….”
“Truth divorced from love is no truth. Love divorced from truth is no love.”
“Don’t be an archaeologist. Don’t dig up the ruins of your past, otherwise you will be ruined.”
The Itch
The itch is
inside my heart.
But I am scratching the paper
with my pen.
“It was daffodils that flashed upon the inward eye of Wordsworth. On my inward eye, it is she who flashes.”
“To love someone truly is to give them the freedom to walk away from you without any guilt or regret should they want to.”
“Someone sang, the whole night your memory troubled me. My problem is far worse. Even the whole day her memory is troubling me.”
“Sitting here alone in this coffee shop, I am lost in thought, wondering what Donne meant.”
“Something shifted in me that day when she gave me that look and said, ‘Sam, I don’t see you nowadays’. Life is full of loose ends and some knots live on inside us.”
“I told her ye death ke baraay may zyada buk buk muth karo. Hum sab har raat aath ghante ke liye mar jaatay hai.”
“There seem to be different kinds of love. Oh, oh…just when thought you can stop going to the library.”
Cutting Out the Social Self
Sartre wrote, “Hell is other people.”
But, also at the level at which Sartre is speaking, it is also true that “Heaven is other people.”
But, at this social-self level, one gets stuck in a certain level of living where the dialogue “chal daaroo peeyingay” plays out in its various shades and nuances.
And that daaroo is not the wine that Sufis would have us drink.
And, it is this social self that makes you earn more money than we need, etc.
From this social self, you need to reach inside to find your true self.
The moment you leave your social self behind, then your thinking and emotions also are less in play because most of them are in service of our social self.
“No, Kirshna, I will wage war with my love and not with bows and arrows. Jesus knew something you did not. Besides, it is not my job to wage war against injustice with bows and arrows. Isn’t that your job as the creator of this universe, which you anyway you say you are. Remember what you said about being the creator of the four castes. Then, why you are passing the buck to me. Besides, you yourself say, ‘sambhavami yuge yuge’. Deal with it, Krishna, deal with it. After all, this world is your baby. Don’t instruct me. Leave me alone to me and my love.”
“Zindagi koi jung nahi. Sirf junglee loga waisay sonchthe hai. Mai pyaar ko itna samajh chuka hoon ki pata lag gaya hai ki jung sirf woh mushkilay kada karthi hai jo pahlay nahi the, aur jo mushkilay pahlay the unka hul teek say nahi kar paatha.”
“Ye kya jung jung kahthay phir rahay ho. Mai zindagi ko tukhratha hoo, kyunki mujhe woh zindagi nahi chahiyay jahaan mujhe jung may haasil hona padtha. Jung nahi ladnay say zyada se zyada sirf meri zindagi mujhse cheen jaayegi. Cheen lo jitna chahiya utna ye meri zindagi. Mai todi poocha pehale naa ab pooch raha hoo mujhe paida karo aur zinda rakho.”
“The mind says, ‘Look, look, there are so many problems, stay focused and awake.’ Heart says, ‘Chill, I have the solution to every problem’.”
The Darkness in My Soul
For too long I have seen
The sun in me eclipsed
By something or the other that comes,
Some emotion, some yearning, some dreaming,
Between me and the truth that be
That light, that love, that beauty
Slowly I begin to see far too clearly
This flight outward that gnaws at my soul
That waits for the right consonance, right season
Waits and waits but waits in vain
Thwarted by some destiny that I cannot control
I learn to let go, knowing I can control
Neither my destiny nor that of others.
I thought I had left them all behind
That some emotion, some yearning, some dreaming
Back in the stormy days of my confused youth
Why are they coming back again to me
As if I am still accountable for I know not what.
Who was Arjuna?
Arjuna is anyone in this world who is NOT content to just keep the body alive but also seeks to keep the mind and heart alive.
Such a one finds himself having to fight many a battle on many a Kurukshetra.
Hence also such a one will keep needing the counsel of a Kirshna.
But the Arjuna who is content to keep just the body alive and lets go of the mind and heart, has no battles to fight nor has any need for any Krishna.
Understand this and not any other Gita, be that Gita of Kirshna or Ashtavakra.
👍🏼 just the B and when the pot breaks you are one with the rest of the only consciousness.
Yes.
Even before the pot (B) breaks, what keeps the illusion that you are NOT right now one with the rest of the only consciousness is ONLY the mind and heart.
When the mind and heart are NOT in play, then the illusion of separation also does NOT exist.
Like in deep sleep
Yes.
Perfectly said.
That is why, Ramana Maharshi said, “What happened in sleep is your real nature.” (Talk 304)
In many places in his Talks book, the Maharshi says something to the effect of deep sleep is NOT ignorance but reality itself.
That is why he says, one has to be in the state of wakeful sleep or jagrat sushupti.
#Arjuna #Disillusionment #Enlightenment #faith #Gita #God #Happiness #Life #Love #Philosophy #PhilosophyOfLife #Poem #Poetry #QuotableQuotes #Quotes #Retirmeent #Sadness #Spirituality #Truth #WorkLife -
Eric King, Ashanti Alston, and Ray Luc Levasseur—all contributors to “Rattling the Cages: Oral Histories of North American Political Prisoners”—discuss their experiences with imprisonment, education behind bars, organizing with fellow inmates, and the ongoing importance of international solidarity with captured revolutionaries.
The following is a selection of the transcription from the full video conversation.
Eric King: So both of you did over a decade in prison. Ray, you did you did two decades during that time. How are you able to maintain or be a part of the struggle–either the struggle inside the prison or the struggle that you were a part of that landed you in prison–how were you able to continue and maintain that struggle if you were?
Ashanti Alston: Well, inside when we were captured in New Haven, Connecticut, there was support groups that was there for us from New York, even ones that I have been a part of and others, but at a certain point I’m underground and some of those same folks when we was in New Haven going to trial that them same defense committees was there for us during the trial and there was one local group in New Haven, which was actually a Trotskyist group that was there for us and they were really solid, really consistent, really great, and also they were the first ones to give me a much better understanding of what it was to be a Trotskyist in the movement because I think I kind of brushed it off because as the the Marxist-Leninist-Maoist, sometimes you don’t really question why do we got this thing with the Trotskyists, why is that anyhow, but they were really solid and really great supporters.
So inside, those support groups, defense groups all also help to keep you in touch with family; they would, if the family needed help to come up to see me, they would help with that process. The letter writings at that time was like really really important because, though our minds at the time during the trial was still ‘we ain’t really trying to here for the process of this trial.’ We really are looking for avenues out, but you got to kind of deal with both reality, both possibilities. You might have to do this trial and get sent or you might find an opening and you’re out of there. They provided that link that kept us hopeful with the course of the struggle.
I think I could say that folks were still carrying on the struggle in our particular case because we were captured in the midst of this expropriation. We had no illusions about getting acquitted. We were fortunate enough to have good lawyers who volunteered their services and two of them, David Rosen and Ed Dolan were also part of Erica Huggins’ and Bobby Seale’s legal defense team and so they just contacted us and said, “Hey, we’re here for you if you want it. We’re here to to defend you.” And we were like, “Well, right on.” And there was another lawyer John Williams, who also had politics.
We knew that this this was going to be a political trial, but during this time our our minds was still ‘we’re at war.’ The process of this trial was just almost like a distraction and it was the connection with the defense committees–the New York ones, the New Haven ones, and there was not a lot of support, but it still kept us connected.
We wasn’t able to get out after a few attempts. We get sentenced–it was federal charges and state charges. So for the bank expropriation, it was a five to 25 year sentence and then for because it was the shootout and two cops got hurt, it was 10 to 20 for that. And after that, they kept us separated. We was never to be in the same prison anywhere again except towards the end and in summers when one of my comrades was transferred there and for a brief period of time I had made parole, we was there at least for several months together.
What I wanted to bring up is that because our minds is still at war, I studied, I trained. My comrades studied, trained, because we had the examples of stories from Huey P. Newton and in prison, we had the stories of George Jackson, so it was almost like if you’re in the cell and here comes the guard, just making his regular rounds, we might just to to play with him pop down on the floor we knocking out 20 push-ups or whatever. Otherwise, we’re doing all the other things because we want to stay ready, that whole Stay Ready mentality. It was not depressing for me. I didn’t go through no depression. It was just the ready mentality.
I read all the time, so going off to prison, the first stop was Oxford, Wisconsin. That was the first one they sent me to because I had to do the federal time first. One of my comrades comes there, who’s down in prison in Georgia now, Kamau Sadiki. It was one of the first times that me and another comrade from the BLA was in the same prison. Same mentality we had: War. We got a brother that’s training us in kung fu and everything else and we got to do it secretly cuz you can’t do it in the open. The guards don’t play that stuff, you know.
Then, I had put in for a transfer to Lewisburg prison and eventually, I got transferred to Lewisburg because it was at least, it was the closest to home. So, Lewisburg was was one of the major maximum prisons, federal prisons, serious place, and I’m a young guy and there was a few other guys in there. We’re young, but there’s a collective there and what the collective does [is] you come into the collective of comrades from different formations, and you’re studying, you’re training, you got other folks in there, prisoners who want to be a part of that kind of revolutionary consciousness raising stuff. It’s like an easy connection still at the time because this is the mid to going into the late ’70s, so still, how can we get out of this big prison with these tall walls and everything?
Support groups kept us connected to the movements, but I will say over and over, it wasn’t like we got letters from a lot of people like the national Jericho movement and other groups will have letter writing nights and all that. We didn’t get that. We wasn’t getting money for commissary. We was just facing this situation, doing this time, looking for openings to get out. But I learned a lot there. I read and even all the times I was in and out of segregation, I’m like, “you can put me in, just give me my books.” Now, I’m reading and I’m interacting with others.
This is when I’m beginning to read the radical psychologies, the feminisms. I’m beginning to read the more in-depth histories of different struggles, like the Irish Freedom struggles with the IRA and the Philippine Hukbalahap and all this stuff, and even more in-depth Chinese Revolution, the Cuban Revolution, because comrades was still able to get books and things in, so there was books always floating around, so I’m also learning in this environment. I don’t give a damn that it’s in prison, and Sundiata Acoli would when we used to correspond–wasn’t supposed to, but we did–he would say, “turn that prison into University.” Yes, it’s all about preparing you for getting out. So that was my experience there.
But the repression inside the prison got to be really bad. This particularly fascist warden came in at a certain point. He was clamping down on a lot of stuff and I worked industry with others at the time and some things happen in industry like industry caught on fire a few times. Hey, by chance, you know, by chance. That’s what I say. But who did they come after? They came after me, a few other comrades, those others who was jailhouse lawyers. Next thing I know they swooping us up, we on the bus on our way to Marion, Illinois.
At Marion who’s one of the first persons we see who’s in general population, but they walking us to segregation uh it’s Rafael Miranda of the Puerto Rican independentistas. He’s letting us know that they already know that we’re on our way there. They had already got the word through the grapevine. Herman Bell was there, other comrades who may not be known… because Marion took the place of Alcatraz. This was supposed to be the most escape-proof prison at the time and it was so electronic…
Those political prisoners and politicized prisoners had one of the most fantastic libraries, so again I’m learning. I’m increasing my understandings of struggle and the anti-authoritarian aspects, the anarchist aspects and moving closer in that direction. I still had connection through the defense committees on some of the movements that was going on, but those numbers were dwindling because they were getting hit with a lot of repression. Safiya [Bukhari, Ashanti’s wife] and others decided to go underground because there was these grand jury searches, trying to get them on different charges of supporting other actions to help free BLA folks or political prisoners, and so wasn’t a lot of letters, wasn’t all that stuff, but we know we’re soldiers. This is what we gonna do.
From there, some of us was like the word was don’t accept general population and so some of us decide to stay in seg to force them to transfer us and they ended up transferring some of us to Lompoc, California. Who was amongst that group? Leonard Peltier… Curly Raul Estremera from the BLA, Puerto Rican BLA and others. So here we are now. Lompoc was just in the process of transferring from medium security to maximum and it was kind of a modernist place and it had fences, but they hadn’t had all the concertina wire up yet, so here we are all doing all this time. We like “man, we got to hit this fence before they get all this concertina wire up,” but in the process, we are meeting other folks, supporters from the outside and especially at this time, some revolutionary groups in California. One was called the Wellspring Collective or Tribal Thumb, which was a very anti-authoritarian group and so they would come up to visit.
So it’s like more and more I am learning different ways that people struggle and are trying to carry it on in that California area, because a lot of them politicized prisoners who was with George or out of them circles were coming out also and getting involved with grassroots organizing. So I feel like that’s always my prison experience. I gotta learn, I gotta be ready and I gotta make sure that I’m interacting with folks who are still carrying us on or figuring out ways to keep the momentum and and many of us was on that same page.
And so then Connecticut and eventually I get parole to the Connecticut state prison and I finished the second half of my sentence there and eventually get out.
Eric: Perfect, thank you, also you mentioned Tribal Thumb and someone I look up to, Bill Dunne was a member of Tribal Thumb.
Ashanti: Just to say about Bill Dunne, I believe that part of the reason he got captured, recaptured was because we needed him to help us. And so there’s a special part of me that’s always for him because, of course, he made a sacrifice for the people.
Eric: And for the people listening, if you’d like to write Bill Dunne, he is currently at the medical facility in FCI Butner.
Ray, would you like to touch on that same topic about how you maintain struggle both or either inside or outside of those movements?
Ray Luc Levasseur: Well, first of all, Bill Dunne, it would be very nice if people could write to him at Butner. I just got a letter from him a few weeks ago. He’s struggling with health issues, but he’s he’s still got the same strong spirit and good sense of humor he always has but he needs a little support, lots of support.
Briefly, we’re talking one struggle here, two parts of it, inside and outside. And I’ve always found it interesting the political prisoners on the inside always gravitate to each other no matter which movement or which organizations they come from, while the support organizations on the street seem to do a lot more squabbling with each other and can’t seem to deal with all the obstacles they need to to form a more united front around political prisoners.
Briefly, my first experience in Tennessee pen and in Brushy Mountain–it was my first prison experience and I had been politically active before I went in Southern Student Organizing Committee, but hadn’t been in the movement that long and so my my support network wasn’t that strong initially. I was able to get books and correspond with people and this is very helpful and like Ashanti pointed, political education inside, but right from the get go, we had a food strike over conditions at the county jail and what was particularly interesting and and pertinent about that was you had white and black prisoners and you had to overcome that racial barrier to get everybody together on the same page and go and strike over these conditions.
So I presented the demands–we threw all our food back out, made a mess and wouldn’t eat and the Goon Squad comes up, the whole deal. I got the demands ready: they have to improve the food and the medical care, which was basically non-existent and they dragged me out the next day to the courthouse and got me a force transfer to State Penitentiary and Nashville. Every joint I’ve been in has been either Max or super Max and right away, I got a jacket and that jacket follows me through the rest of my time in the Tennessee prisons and it shows up again many years later for the next 20 years in the federal prisons.
What my jacket says is “he’s a troublemaker, he’s a radical, and he’s a racial agitator.” That they stuck on me after I got to to Nashville, but the seeds for that was in the food strike because the most radical thing I did and could be done when I got to the state penitentary was cross the color line. It was basically Jim Crow. Those are the exact words they put in my jacket: “he’s a racial agitator.” Why is this guy trying to bring people together? As if there’s something wrong here because prison systems are notorious for keeping people divided on racial lines so cross crossing that racial line is what I did as a matter of principle as already a practicing anti-racist in my time with SSOC.
Then, they stuck me on death row to get me off the compound. I was actually on death row. They had several cells for miscreant that they considered real troublemakers from the population. They put me there. I was in there with brothers from Memphis who gave me an education about white supremacy and killer cops I will never forget. You know, learning is a two-way street inside and we were doing political education.
So then, they sent me to Brushy, which was a connection to the old convict leasing system. I got there in 1970. If I got there in 1965, I would have been mining coal. In 1970, it was a Super Max, one of the early super Maxes, so we were locked up almost all the time they cut off all books, all newspapers, no phone calls, very restricted correspondence: immediate family, lawyer, clergy. And that was another racist place, every single guard in Brushy Mountain–this is in East Tennessee Mountains–was white. Half the prisoners there were black. They moved death row and me there at the same time and most of the prisoners on death row were black and I literally had to fight my way out of that place. I used to tell people I’m a Vietnam vet. I was in a war before I ever got to this War. I was in a foreign war. I’m a veteran of foreign and domestic Wars because it was a battle to get out of there.
Fast forward: I gotta do 20 years here in the feds, most of it was at Marion and ADX. You know about those places. About 13 years of it in some kind of isolation or solitary confinement…
I had to write,that was the key: a pencil, a pen. It became enormously important for me, my codefendants and I like to think of making a contribution to the ongoing struggles on the streets. I wrote prolifically for quite a long time. I wrote one of the first really published widely spread article outside of mainstream media about ADX in prison legal news. So disarmed from whatever you armed yourself with on the street, you know, it changes inside and I was fortunate that we had supporters on the street–this is pre-internet and everything–to take those writings and developments concerning us and amplify and widely distributed it as much as possible… So this was an important Network and was an important method for me to communicate. For Leonard Peltier or Oscar Lopez it was art. Tom Manning: art. There’s different ways it can be done. With Marilyn [Buck]: poetry. There’s any number of ways that you have to keep your spirit and your politics alive and relevant somehow and that was the way I did it.
I think the most important action we took as political prisoners during my time at Marion was we we did a work refusal. They had it set up where they would not release you from Marion until you went to a pre-transfer unit that made military hardware. And we drew the line and said we will not do that as a condition for a transfer to somewhere else because we weren’t there on disciplinary charges. They had just sent us there because of our jackets. We were all radical and so we refused it. Me, Tom Manning, Mutulu Shakur, Oscar Lopez Rivera and others, we refused and then we end up in ADX.
I want to just reiterate what Ashanti said through all this is study, political education, physical conditioning and the one time of year that I always see that happen when I was inside and I got out is in August. And I did it with Mutulu and the other conscious Brothers before I left–we commemorate Black August throughout the prison system, state or federal, which involves fasting, which involves political education, which involves physical exercise, as much as you can do it together. It’s commemorating the sacrifices of those Black Freedom Fighters like George Jackson, Jonathan Jackson and others before them and after them and it continues to this day.
Eric: In the ’60s, ’70s and ’80s, we saw more direct action. We saw bank appropriations, we saw people putting their freedom on the line for the Liberation struggle. Why do you think that is banished? Why do you think we do not see that sort of militant action anymore?
Ashanti: It’s a question that is always on my mind and so to try to explain why it’s always on my mind, the ’60s and ’70s, I still feel like, man, that was such a period for me to come of age, joining the Black Panther Party. It was such a time to be alive, it was just in so many ways magical. It’s like you didn’t have all the distractions. You saw that the Civil Rights Movement was getting beat down. You could turn on that television; it wasn’t but maybe six channels on that television. You’re going to see what these fascists are doing to the nonviolent Civil Rights Movement. But it’s also the point where Black Power is coming into being. Stokeley Carmichael’s voice, H. Rap Brown [AKA] Jamil al-Amin, who’s now still in prison. They were raising more of the Malcolm X spirit in the sense of “we want to be free.” Black power also was directing us towards what does self-determination look like, how might we actually take over our communities, the institutions, etc. It gave more of a concrete picture of what are we fighting for here and not integration.
So here also now we beginning to explore socialism, communism and the Panther Party, having to read Karl Marx and and then Frantz Fanon and all these other folks. It made us see more of the reality of this monster we’re facing, that it could not be changed. It could not be even modified. This monster has to be challenged and we have to build the kind of revolutionary movements that can like George Jackson say, bring it to its knees and I don’t know how that sounds to other people, but when you know your history, when you know what this country on the back of Turtle Island did to indigenous Nations, what it has and continues to do, what it did to African people and continues to do, what it had did to the Mexicans and others who come here. This is not something you try to reform. So you see the necessity, even us as teenagers, of fighting this, develop the capacity to fight.
The great thing about the Panther Party was that you know that fight took the form of survival programs as well as Liberation schools. The survival programs were so key because it was pretty much telling people that we can feed ourselves. The free health clinics was basically saying we can take care of our own health issues. The political education classes was like if the schools are not going to teach us what we really need to know then we need to do that. That was that self-determination nationalist attitude. When we talk about Nat Turner and all the other folks, we knew that there were those who did fight back by any means necessary.
And it’s the same thing with the guy now that speaks on Palestine a lot, Norman Finklestein, the thing he brings up about the Nat Turner rebellion and he says clearly, that was a pretty vicious thing, but it was an act of rebellion and an act of necessity, and he went to what the Abolitionist Movement leaders were putting out in their papers and in their talks to give it some perspective and and basically, what the Abolitionist Movement was telling people was, “we told you things like this were going to happen because you have these people enslaved.” So Norman Finklestein was comparing it to the open air prison, Palestine, Gaza and, that was what we were trying to get across also. Don’t call us crazy because we are trying to develop the capacity to be free, which will mean that we have got to confront this monster with all means necessary.
The Panther Party, I feel, came closest to to bringing that into fruition because it started off Black Panther Party for self-defense, but also in its growing process understood this aspect of armed struggle and we need to defend our communities and then we we don’t need to rely on the police to do it because clearly the police is an occupying force. That language at the time was so key. When when Eldridge Cleaver and them talked about this being an internal colony and we’re inside the mother country, he was giving us a way to see what this settler colonialism was and also see our struggle on a much broader level compared with the African Liberation movements, the Liberation movements coming out of Asia, the Revolutionary struggles even in Germany and Japan and other places.
Those of us in the in the Panther Party who went underground, we had always understood that we have to develop the capacity to defend ourselves. Who do we come up against is all those Bourgeois Negroes and others who want to stay connected to the monster and want to convince our people “do not follow them crazy people, stay with the monster, they’re going to give us a few trinkets, they’re going to give us a little bit more.”
Let me tell you what happened quickly after the rebellion in my hometown. This is ’67, this is what pretty much brought me into the movement. I’m like 13, 14 years old. The rebellion in Planfield when black folks took over the black community because they went and got crates of M1 rifles, they was able to hold it for a week. 13, 14 year old Ashanti was like “oh my God.” This is blowing my mind that we are able to do this. But then after the National Guard came in with the tanks and took it over, the first thing that the city government did once they was contained, was to put some swimming pools in the playgrounds and they called that, you know, “y’all should be satisfied with that.” Now Plainfield ain’t been right since.
To this day, even with afterwards, black Mayors, it ain’t been right since because we could not hold that self-determination, that black power perspective because of how that black middle class wanted to just fit in. They wanted to integrate. The lesson we should know from that is that we can’t integrate into this poisonous monstrous Empire. We have really got to figure out that the way forward is to cut it loose. Cut it loose in every way we can.
Eric: Thank you! Shout out to Plainfield. Ray Luc, do you have an opinion or a thought on why this generation—particularly with what’s going on— why we’ve seen such a decrease in militant action or direct action compared to when you guys were comin’ up?
Ray Luc: You know, I agree a lot with what Ashanti said about time, place, conditions. During our early political activist years, it was a much different time in the world. You know, Che said, “1, 2, 3, many Vietnams” and I come out of Vietnam, you know—that seemed like a real possibility.
And, Ashanti, you were talking about 1967; you know, I was in Vietnam in 1967. We got an old Life magazine over there, you know— a very popular American weekly at the time— and it showed pictures of Detroit at the 1967 rebellion. And I saw that when I was in ‘Nam, and I’d done a lot of flying in helicopters, and, you know, the devastation that I saw in the pages of Life magazine looked similar to what I was seeing in parts of Vietnam.
And so I went up to Detroit to look at it myself, after I got back (I was stationed at Fort Campbell.), and I could see there was a real war going on here, too.
When I got out in 2004, one of the things I noticed about the general climate is I felt people were fearful. There was a level of, you know— this was following 9/11, and I was inside during 9/11. But there was this sense of, people has a sense of fear, insecurity, anxiety that I hadn’t sensed twenty years earlier, when I went in. And, it is a real challenge.
I mean, when I’m involved in Palestine work right now, mainly what I’m seeing is certainly a lot of energy has been generated around supporting Palestine. Some for different reasons among different people, but there’s real potential there for this…This movement that’s happening around this country right now to develop to the level it was around South Africa 25 years ago. But that is an exception, and I don’t have a firm answer for what you’re saying. One of the questions I used to get a lot over the years—not so much anymore, but did— it indicates why people were thinking different than they were, you know, decades earlier. There’s a sense about people, you know, that they were kind of overwhelmed by the power of the system, you know? They would say, “How can you challenge something like this? It seems that everything we do or try doesn’t get anywhere.” Because it’s too big, it’s too powerful.
And, the other one was about sacrifice. If you go up against the system, there are consequences.
Eric: Serious consequences.
Ray Luc: You know, we here, on this panel right now are demonstrating what some of those consequences are, but there’s a lot of other consequences. I’ve heard you, Eric, talk about an organization I’ve been very involved with, which is Rosenberg Fund for Children.
Eric: Love ‘em!
Ray: This is an organization that supports children of political prisoners— and if you go and you look at the parents with these children, the activists, how many different ways government can make you pay for your activism. Whether you’re an immigration activist, a climate activist, an antifascist activist…And at different levels of activism, depending on where you are, you know—there’s other factors—but it’s a whole lot of people that are paying a price for their activism and it scares a lot of people.
Eric: Thank you! Thank you so much. Ashanti, you wanted us to come back to you? You had a follow-up?
Ashanti: ….What I had wanted to get back to around here is the difference between then and now. I do think fear is a big, big part, ’cause I think that once they had captured a lot of us, what was put in place— not only the more militarized police but on a cultural level, television has beaucoup cop shows! Beaucoup cop shows that they had millions and millions of people what would watch every week. Because in the cop shows, the cops always got the “criminal.” And, in many instances, the criminals was folks like me and Ray. Right?
Eric: Right, right.
Ashanti: And people were getting convinced, just like they captured us: “Don’t you try to do the same thing, ’cause we’ll get you, too. You cannot escape us.” Because when I went in in ’74, and when I got out at the end of ’85 and I’m living with my lawyer until he could work it out, my lawyer had a close relationship with a lot of black high school students, in New Haven, that had basketball skills…
But one of the young high-school students— ’cause he was being around the legal office— and just out of curiosity, I asked him, “What do you know about the Black Panther Party?” And he asked me, was it a martial arts group? Which helped me to understand what our enemy does in order to recoup, to recover from that revolutionary period that we kinda, like, was on the edge—
Eric: So close!
Ashanti: …Of revolution, and it felt like in so many ways. They know what they’re doing! And so, on the militarized level, and on that cultural level, they was recouping. And not to rule out, also, the influx of drugs into the community around the same time, too! ‘Cause when many of us got out, we saw the proliferation of street organizations that was involved with this murderous drug game? Oh, it made our job, ooooh— this is WAY more than we know how to handle. WAY more. So, all of these things are still with us today. That’s why I wanted to get back to that, because we talked about today. There’s real, legitimate reasons, but we still gotta figure out how to confront the fear.
Because if we don’t, they continue. I don’t wanna hear all that talk about, you know, the Empire is on its last legs; I get tired of that. People make predictions and all that shit. No! And, if it is, who’s going to be the ones who’s really going to suffer, if it really feels it, it’s gonna hit us at the bottom, and we gotta figure out how to still organize…
Eric: Yeah!
Ashanti: …against these things, on multi-dimensional levels, because the trauma— just like what the Palestinians is going through now.
Eric: We’re gonna get to that!
Ashanti: You know, the trauma, and it’s intergenerational, and it’s ongoing.
Ray: Can I just add one quick thing? You know, people are more likely to set up, and do, enter various types of activism around various issues— all of which is needed, that’s clear! Hasn’t been long since we saw all these huge Black Lives Matter demonstrations, right? A good example of what I’m talking about with how the system operates and what we need to do to stop Cop City, alright? We’re talking about intimidating people…
If we—Ashanti knows this, ’cause we’ve been doing this work for decades— if we don’t support the activists who are jailed and imprisoned, then we’re not worth shit. ‘Cause every movement that has succeeded in challenging the System and making some advance are those movements that have supported their prisoners.
People who get locked up, you know? You make a sacrifice, you know— You could lose your life, you know? Or you can be imprisoned. Or you can suffer some other consequences, as I mentioned earlier.
And all you’ve gotta do is…You’re talking about the struggle in Palestine? They don’t forget their prisoners in Palestine! Anyone who’s following the struggle in Palestine…And they never have! For real! And that’s part of what makes their movement and spirit so strong. And if you look at the Irish independent struggle, same thing.
If you look at South Africa, in the anti-apartheid years, Nelson Mandela, there was a lot of others. There was ANC or PAC, they didn’t leave their prisoners behind. They kept support networks going for them. They didn’t abandon them.
It’s been a constant struggle in this country to get recognition of political prisoners and, activists who get jailed, to don’t let them get abandoned. And what [they’re trying to do with] Stop Cop City is, “You’d better abandon them, or we’re gonna have your ass, too, next!”
You know, I know Stop Cop City defendants here in Maine, and I can tell you that, after talking with him in depth a couple of times…He was pretty well shell-shocked when he came out of the RICO indictment against them.
We have another case going on right now, in southern New Hampshire: Three young women being charged with felonies for nothing but a little bit of vandalism at an Elbit plant in southern New Hampshire (Elbit being a major military supplier to Israel). You can’t let these people be forgotten. If people see that they get absolutely no support when they step up and do something, they’re gonna be less likely to stand. Doesn’t mean they don’t see the issue, they don’t think something needs to be done; but they’re concerned about what happens if they do it.
Eric: That’s a great point. Something that I think my generation— 30-to-40-year-olds— noticed is when the Green Scare happened, those people got smashed. They got smashed with sentences that my generation did not think still happened. And I think that scared a lot of people away. When you see the 15-to-30 range with Marius Mason and Eric McDavid, Jake Conroy, all those guys— all those people…
So I wanna switch base real quick and jump to what’s happening right now on college campuses that we’re seeing— and that is, college kids comin’ together, making encampments, and facing extreme police responses, in some cases. Here in Denver, my boss, Zeke Williams, is— and our co-director of our legal firm, Claire— both were arrested just for being at an encampment! Just for showing up to support the students.
So, I was wondering if either of you two had views or had opinions on the positive aspects of the Palestinian movement, where we’re lacking, or anything in between that you would like to talk about?
Ashanti: Yeah. Well, one, I’ma tell you, I haven’t been this excited in a long time-
Eric: Shit’s happening!
Ashanti: -with the support that’s been coming out for the Palestinian people, the Palestinian nation, occupied Palestine. I think what has surprised me so much about it is not only the protests, but especially the, I’ma say “white Jews”— mainly young Jews, but I know there are supporters across the board— who are disconnecting Zionism from Judaism.
Eric: Breaking off that propaganda, not letting it get through.
Ashanti: Who would’ve thought? I mean, who would’ve thought? You know, because the Zionism in the United States is really strong! That hold on that, that consciousness is really strong. And to see these young folks challengin’ that— and older folks, too, I’ve been really watching— It warms my heart. Right?
So they’re comin’ out, and, this is antiwar! You know, when one says “anti-genocide,” it’s because of that war, the genocide war on the Palestinian people, you know?
So it’s at a great time…My fears is, is it going to be syphoned off into this presidential election? Right? And if all these folks who are against genocide and for the Palestinian people to be free, to be liberated, you know, does the act stop there?
You know, one of the things I kinda felt goin’ on in the antiwar movement back in the day was that once that war kind of concluded, there were still issues that we were fighting for. Black folks fighting for liberation, Indigenous folks fighting for sovereignty, Puerto Ricans fighting for independence, you know, Chicanos fighting for liberation of Atzlán, the workers are fighting, the women are fighting. Does it stop there? And that’s my concern that this what we’re doing for Palestine–we should see it as we have our Palestine here, yes, in this Empire that’s on the back of Turtle Island.
I’m really excited about one of the books I’m almost finished with now, Mohamed Abdou’s book Islam and Anarchy. It’s a really great really great book, whose author Mohamed Abdou I’ve known for like 20 years and I think he’s been working on this this book for 20 years… He’s an African Anarchist from Egypt, so he’s got the experience of the so-called Arab Spring. He lived in Canada, so he has that experience of developing deep relationship with the struggles there, particularly the indigenous struggles and connected with struggles here as well, so he’s on the ground. He’s not really the academic only guy. He is really a revolutionary, he’s really an anarchist.
The thing that he brings up that I think is key for folks now–not only those who are are Jews, but those who are immigrants–here he brings up a a term he uses is Settlers of color are those immigrants who come here looking for a better life, but they buy into Empire and so I think one things that can help this expression of massive resistance now in the United States is that there’s got to be a Consciousness that deepens around that this is Turtle Island and there’s still a a struggle going on here. There is African people who were brought here enslaved and if this Consciousness is not there then people will continue to fight for a better America– make America live up to its ideals and all of that. When folks who come here do that then you have to accept that you’re doing it on the backs of those original sins that this Empire has committed and it continues. Empire is not just something that happened in the past. It is a daily continuing thing that just goes on…
So we’re Palestine here as well, and we got to figure out how to get this madness off of us and into the dust bin of History.
Eric: thank you thank you for sharing that. Ray, do you yeah have any views on that?
Ray: Yeah I’m pumped about it too, about the the student movement that we’ve seen rise and it’s a really solid example of international solidarity. I like the cross-pollination of it with this, like Ashanti mentioned, it’s not just students. It’s interestingly enough tied into labor because in the California University system and some of the other big University Systems, a lot of those who have joined the campus demonstrations are actually union members on campus and then you got community people also, and I think that’s important. And of course, it is student leadership and students have have had a historic role in this country, in other countries in terms of social change and challenging the system…
It’s a spark and it could be built on, and I’m hoping and cautiously optimistic that they will continue to build on it. It’s a training ground for the future and the last point is that the seed is there in a lot of the Palestine work that’s going on now for longterm solidarity…
Eric: Do either of you two have have an opinion on what could be done to change or get rid of the prison system in America? Ray, I don’t know if you believe in full abolition. I don’t know where you stand on that, but you have an opinion.
Ray: This is a multistep thing… The fact is if you want to get to get rid of this Gulag as it exists in the United States of America today it requires system change. I’m an abolitionist. It’s an ideal of mine. But how do you do that? I’ve been seeing a lot of problems and issues rising up among the prison abolition thing, and the police abolition thing. I actually was involved in a panel discussion around security abolition, which is get rid of the FBI and the CIA and all the rest of it. I didn’t initiate it–I was asked to speak at it. You’re not going to do that without smashing capitalism, uprooting white supremacy…
Think local and act Global. I’ve been involved in prison work against mass incarceration, solitary confinement stuff for years in Maine… a little local project here in a place like Maine in Penobscot County, here, Wabanaki land, of course, they’re going to name a jail after a Native American word Penobscot. They should put on the outside on that that’s because disproportionately [high] number of Native Americans are inside their jail. They want to double the size of that jail. They want to build a new jail twice the size of the one they got now. Five years ago they came up with an architectural plan to do exactly that, but it requires they need the money which requires it goes to referendum. The county voters going to vote on it. We tore that plan apart… Every plan they put up, we have stopped and now we’re in year number five.
The point is how can you do anything about the largest prison system in the world or talk really realistically about abolition if you cannot stop this expansion of it–larger prisons, larger jails…
The architect that built Marion prison back in 1963 I think it was–the replacement for Alcatraz–is one of the architects on the bid to double the size of this new jail right here in my neighborhood over a half century later. These motherfuckers have been sucking all this money up, building–what kind of resume is that? But if you go on their website and look, they got all the nonprofit industrial complex rhetoric down flat. They say they’re going to have trauma sensitive cells and all that. But the point is it’s a small project but you take that and you amplify and multiply. If every little town, every small city was able to do the same thing, we could make some headway into turning. I think that’s just a a practical step that is almost a prerequisite step as part of moving towards abolition.
Eric: Thank you. Ashanti, do you have a view on this?
Ashanti: I’m definitely an abolitionist. I have some concerns, but I’m going to just tie it into this and not really get too deep into it. Like many things, this system has the ability to co-opt, regurgitate and spit something else back out to us, as if it was their idea, and I think that has been happening. And I think other abolitionists who have been developing this for years see the same thing, that this thing with abolitionist getting distorted and watered down to the point where you got many people who will use the word abolition where they abolitionist, you know, defund the police and all that other stuff.
I’m not really that big on the defund the police because I think that doesn’t show any understanding of the role of the police–that they ain’t gonna stand around like “oh you going to take our job from us.” No no no, “we’re Killers, we’re Shooters, we control you. That’s our job.” No, I think people can be kind of naive.
I am more for tying abolition into real Grassroots organizing that people can see the need to take back their lives. I like the initiative coming from The People’s Senate, which which is putting forth the Spirit of Mandela, a sort of dual power possibility of people developing the capacities to develop their own power in opposition to the white supremacist capitalist powers that be. I really like Dhoruba bin Wahad’s idea that he’s been pushing in terms of developing a united front against fascism, as we tried back in the days of fascism. And I think what is so key about that is that Dhoruba is very analytical and pointed into the role of the technologies of political control. He’s trying to get people to see the role of the police in a much broader picture that we need to get ready for.
And so I would encourage people–you can go to the uh the Spirit of Mandela website. You can even–if you put in united front against fascism, put Dhoruba’s name in there you’ll see where he has the conversation with Jill Stein and Cornell West. Both have a united front aspect and both want to reach masses of people from different communities, from different perspectives, but to be clear about how we need to focus on the role of them Frontline forces who are going to always be there to prevent us from developing this capacity to transform this madness…
Can we stay focused on the need to bring this Empire down as even the best way to help [against] the genocides that’s going on in Palestine and in Africa and other different places. But we don’t really talk about the genocides in Africa as much but those of us out of the Black Liberation struggle…
Like Che Guevara would say, “we’re in the brain of this Empire.” I say let’s get that aneurism going. Bring this thing down so that the role that the United States Empire plays in world oppressions can be disrupted and to help other people to develop the spaces in other countries and other struggles to free themselves.
I’m more concerned with a lot of the Abolitionist rhetoric today and a lot of people that are coming to the fore. There’s no deep class analysis; there’s no deep race analysis; there’s no idea of a settler Colonial situation here. And without them things, then you really talking about “I want to make America live up to its ideals.” And I don’t want to make America live up to its ideals because this is the ideal, regardless of its rhetoric. What we see now is the best that it can do and the best that it wants to do. We deserve better.
Eric: This is going to be our last question here. Ray and Ashanti, if either of you two have any projects you’re working on that you want to talk about, any things you just want to get off your chest or just get out there, I ask you to please take this time to do that now.
Ashanti: Right, I want to make sure to mention the work of Jericho, [supporting] political prisoners–I mean really, we got to be there for folks that take chances, take them risks. Tortuguita in the Cop City thing in Atlanta, was he expecting to die on that day? No. Was all those people expecting to get arrested under new versions of RICO? No. And Martin Luther King, how many times was he arrested? We have to be more real about that.
The other thing that I want to say is I’m an anarchist. So all of you folks out there who are anarchists, I feel we got a lot to offer and I feel like man we need to start talking more and being able to have more of a presence and input into shaping these struggles as they unfold and so I’m asking y’all–let’s figure out how to make that happen.
Eric: Thank you. Ray?
Ray: …I’ll just leave it with a little Parable… I’ve lived and operated in huge cities for a long time, but what I say a lot of times to people that live in less populated areas: there are many of us in small towns, suburbs, small cities. Speaking with people, they raise a lot of issues about, you know, you can say “united front against fascism” sounds good, but how do we get from here to there? You can identify the problem fairly easily: smash capitalism, imperialism and white supremacy and you’re off in the right direction. But how do you get there?
So without coming down a party line. I don’t represent a particular sectarian party, so coming from a working background, I made my living as a carpenter. Until I got old and retired, I made my living as a carpenter, not a hugely skilled carpenter. I’m a frame carpenter, but that means I can build it from bottom to top and when a dude hired me on the job, I was trying to get any kind of job I can because I was on parole and I needed a job. I needed money. So I said, “I’ll be carpenter’s helper” because I didn’t have any skill at all. And he says we don’t want carpenter’s helpers. Everybody is a carpenter, just different skill levels. And he gave me some advice that I’ve extrapolated for use in political organizing and advocacy.
He says, “how many people can just go out there and build a house? It would be overwhelming for the average person.”… He says “don’t try to build a house until you built a shed first.” And I live in the country. I’ve built quite a few sheds, among other things as unskilled as I was. Before I developed those skills, I built a shed, because to build a shed requires the same basic principles and blueprint as building a house…
So take that and put it into Community organizing terms: don’t be overwhelmed. We’re going to build a united front against fascism. You want to deal with white supremacy, you want to deal with Palestine, start with what you’ve got to work with. Build a shed first, get a program going, get us a few people together, get things started and I first got a taste of that because I was with a group that patterned ourselves to a degree after the Black Panther Party, although we were predominantly white, but we took seriously the survival programs that the the Panthers did. You had to start smaller to get people involved in working on their own to see that to get
to a higher level survival ending with Revolution without giving up your politics. So that’s that’s my hard suggestion.Eric: So as everyone who talks to me on social media knows, what I always always leave people with is please write a prisoner. Please write a prisoner, whether they’re a political prisoner, a social prisoner, whether they’re in the lower custody level or the highest custody level. Please write someone inside. Please start a project with those inside. See what you can do to help them and help make their time and their comrades’ time inside better.
Ashanti, brother, I thank you so much. Ray, thank you so much. It was a real honor talking to both of you.
#AnarchistPrisoners #ashantiAlston #bla #ericKing #internationalSolidarity #northAmerica #palestine #PoliticalPrisoners #rayLucLevasseur
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Eric King, Ashanti Alston, and Ray Luc Levasseur—all contributors to “Rattling the Cages: Oral Histories of North American Political Prisoners”—discuss their experiences with imprisonment, education behind bars, organizing with fellow inmates, and the ongoing importance of international solidarity with captured revolutionaries.
The following is a selection of the transcription from the full video conversation.
Eric King: So both of you did over a decade in prison. Ray, you did you did two decades during that time. How are you able to maintain or be a part of the struggle–either the struggle inside the prison or the struggle that you were a part of that landed you in prison–how were you able to continue and maintain that struggle if you were?
Ashanti Alston: Well, inside when we were captured in New Haven, Connecticut, there was support groups that was there for us from New York, even ones that I have been a part of and others, but at a certain point I’m underground and some of those same folks when we was in New Haven going to trial that them same defense committees was there for us during the trial and there was one local group in New Haven, which was actually a Trotskyist group that was there for us and they were really solid, really consistent, really great, and also they were the first ones to give me a much better understanding of what it was to be a Trotskyist in the movement because I think I kind of brushed it off because as the the Marxist-Leninist-Maoist, sometimes you don’t really question why do we got this thing with the Trotskyists, why is that anyhow, but they were really solid and really great supporters.
So inside, those support groups, defense groups all also help to keep you in touch with family; they would, if the family needed help to come up to see me, they would help with that process. The letter writings at that time was like really really important because, though our minds at the time during the trial was still ‘we ain’t really trying to here for the process of this trial.’ We really are looking for avenues out, but you got to kind of deal with both reality, both possibilities. You might have to do this trial and get sent or you might find an opening and you’re out of there. They provided that link that kept us hopeful with the course of the struggle.
I think I could say that folks were still carrying on the struggle in our particular case because we were captured in the midst of this expropriation. We had no illusions about getting acquitted. We were fortunate enough to have good lawyers who volunteered their services and two of them, David Rosen and Ed Dolan were also part of Erica Huggins’ and Bobby Seale’s legal defense team and so they just contacted us and said, “Hey, we’re here for you if you want it. We’re here to to defend you.” And we were like, “Well, right on.” And there was another lawyer John Williams, who also had politics.
We knew that this this was going to be a political trial, but during this time our our minds was still ‘we’re at war.’ The process of this trial was just almost like a distraction and it was the connection with the defense committees–the New York ones, the New Haven ones, and there was not a lot of support, but it still kept us connected.
We wasn’t able to get out after a few attempts. We get sentenced–it was federal charges and state charges. So for the bank expropriation, it was a five to 25 year sentence and then for because it was the shootout and two cops got hurt, it was 10 to 20 for that. And after that, they kept us separated. We was never to be in the same prison anywhere again except towards the end and in summers when one of my comrades was transferred there and for a brief period of time I had made parole, we was there at least for several months together.
What I wanted to bring up is that because our minds is still at war, I studied, I trained. My comrades studied, trained, because we had the examples of stories from Huey P. Newton and in prison, we had the stories of George Jackson, so it was almost like if you’re in the cell and here comes the guard, just making his regular rounds, we might just to to play with him pop down on the floor we knocking out 20 push-ups or whatever. Otherwise, we’re doing all the other things because we want to stay ready, that whole Stay Ready mentality. It was not depressing for me. I didn’t go through no depression. It was just the ready mentality.
I read all the time, so going off to prison, the first stop was Oxford, Wisconsin. That was the first one they sent me to because I had to do the federal time first. One of my comrades comes there, who’s down in prison in Georgia now, Kamau Sadiki. It was one of the first times that me and another comrade from the BLA was in the same prison. Same mentality we had: War. We got a brother that’s training us in kung fu and everything else and we got to do it secretly cuz you can’t do it in the open. The guards don’t play that stuff, you know.
Then, I had put in for a transfer to Lewisburg prison and eventually, I got transferred to Lewisburg because it was at least, it was the closest to home. So, Lewisburg was was one of the major maximum prisons, federal prisons, serious place, and I’m a young guy and there was a few other guys in there. We’re young, but there’s a collective there and what the collective does [is] you come into the collective of comrades from different formations, and you’re studying, you’re training, you got other folks in there, prisoners who want to be a part of that kind of revolutionary consciousness raising stuff. It’s like an easy connection still at the time because this is the mid to going into the late ’70s, so still, how can we get out of this big prison with these tall walls and everything?
Support groups kept us connected to the movements, but I will say over and over, it wasn’t like we got letters from a lot of people like the national Jericho movement and other groups will have letter writing nights and all that. We didn’t get that. We wasn’t getting money for commissary. We was just facing this situation, doing this time, looking for openings to get out. But I learned a lot there. I read and even all the times I was in and out of segregation, I’m like, “you can put me in, just give me my books.” Now, I’m reading and I’m interacting with others.
This is when I’m beginning to read the radical psychologies, the feminisms. I’m beginning to read the more in-depth histories of different struggles, like the Irish Freedom struggles with the IRA and the Philippine Hukbalahap and all this stuff, and even more in-depth Chinese Revolution, the Cuban Revolution, because comrades was still able to get books and things in, so there was books always floating around, so I’m also learning in this environment. I don’t give a damn that it’s in prison, and Sundiata Acoli would when we used to correspond–wasn’t supposed to, but we did–he would say, “turn that prison into University.” Yes, it’s all about preparing you for getting out. So that was my experience there.
But the repression inside the prison got to be really bad. This particularly fascist warden came in at a certain point. He was clamping down on a lot of stuff and I worked industry with others at the time and some things happen in industry like industry caught on fire a few times. Hey, by chance, you know, by chance. That’s what I say. But who did they come after? They came after me, a few other comrades, those others who was jailhouse lawyers. Next thing I know they swooping us up, we on the bus on our way to Marion, Illinois.
At Marion who’s one of the first persons we see who’s in general population, but they walking us to segregation uh it’s Rafael Miranda of the Puerto Rican independentistas. He’s letting us know that they already know that we’re on our way there. They had already got the word through the grapevine. Herman Bell was there, other comrades who may not be known… because Marion took the place of Alcatraz. This was supposed to be the most escape-proof prison at the time and it was so electronic…
Those political prisoners and politicized prisoners had one of the most fantastic libraries, so again I’m learning. I’m increasing my understandings of struggle and the anti-authoritarian aspects, the anarchist aspects and moving closer in that direction. I still had connection through the defense committees on some of the movements that was going on, but those numbers were dwindling because they were getting hit with a lot of repression. Safiya [Bukhari, Ashanti’s wife] and others decided to go underground because there was these grand jury searches, trying to get them on different charges of supporting other actions to help free BLA folks or political prisoners, and so wasn’t a lot of letters, wasn’t all that stuff, but we know we’re soldiers. This is what we gonna do.
From there, some of us was like the word was don’t accept general population and so some of us decide to stay in seg to force them to transfer us and they ended up transferring some of us to Lompoc, California. Who was amongst that group? Leonard Peltier… Curly Raul Estremera from the BLA, Puerto Rican BLA and others. So here we are now. Lompoc was just in the process of transferring from medium security to maximum and it was kind of a modernist place and it had fences, but they hadn’t had all the concertina wire up yet, so here we are all doing all this time. We like “man, we got to hit this fence before they get all this concertina wire up,” but in the process, we are meeting other folks, supporters from the outside and especially at this time, some revolutionary groups in California. One was called the Wellspring Collective or Tribal Thumb, which was a very anti-authoritarian group and so they would come up to visit.
So it’s like more and more I am learning different ways that people struggle and are trying to carry it on in that California area, because a lot of them politicized prisoners who was with George or out of them circles were coming out also and getting involved with grassroots organizing. So I feel like that’s always my prison experience. I gotta learn, I gotta be ready and I gotta make sure that I’m interacting with folks who are still carrying us on or figuring out ways to keep the momentum and and many of us was on that same page.
And so then Connecticut and eventually I get parole to the Connecticut state prison and I finished the second half of my sentence there and eventually get out.
Eric: Perfect, thank you, also you mentioned Tribal Thumb and someone I look up to, Bill Dunne was a member of Tribal Thumb.
Ashanti: Just to say about Bill Dunne, I believe that part of the reason he got captured, recaptured was because we needed him to help us. And so there’s a special part of me that’s always for him because, of course, he made a sacrifice for the people.
Eric: And for the people listening, if you’d like to write Bill Dunne, he is currently at the medical facility in FCI Butner.
Ray, would you like to touch on that same topic about how you maintain struggle both or either inside or outside of those movements?
Ray Luc Levasseur: Well, first of all, Bill Dunne, it would be very nice if people could write to him at Butner. I just got a letter from him a few weeks ago. He’s struggling with health issues, but he’s he’s still got the same strong spirit and good sense of humor he always has but he needs a little support, lots of support.
Briefly, we’re talking one struggle here, two parts of it, inside and outside. And I’ve always found it interesting the political prisoners on the inside always gravitate to each other no matter which movement or which organizations they come from, while the support organizations on the street seem to do a lot more squabbling with each other and can’t seem to deal with all the obstacles they need to to form a more united front around political prisoners.
Briefly, my first experience in Tennessee pen and in Brushy Mountain–it was my first prison experience and I had been politically active before I went in Southern Student Organizing Committee, but hadn’t been in the movement that long and so my my support network wasn’t that strong initially. I was able to get books and correspond with people and this is very helpful and like Ashanti pointed, political education inside, but right from the get go, we had a food strike over conditions at the county jail and what was particularly interesting and and pertinent about that was you had white and black prisoners and you had to overcome that racial barrier to get everybody together on the same page and go and strike over these conditions.
So I presented the demands–we threw all our food back out, made a mess and wouldn’t eat and the Goon Squad comes up, the whole deal. I got the demands ready: they have to improve the food and the medical care, which was basically non-existent and they dragged me out the next day to the courthouse and got me a force transfer to State Penitentiary and Nashville. Every joint I’ve been in has been either Max or super Max and right away, I got a jacket and that jacket follows me through the rest of my time in the Tennessee prisons and it shows up again many years later for the next 20 years in the federal prisons.
What my jacket says is “he’s a troublemaker, he’s a radical, and he’s a racial agitator.” That they stuck on me after I got to to Nashville, but the seeds for that was in the food strike because the most radical thing I did and could be done when I got to the state penitentary was cross the color line. It was basically Jim Crow. Those are the exact words they put in my jacket: “he’s a racial agitator.” Why is this guy trying to bring people together? As if there’s something wrong here because prison systems are notorious for keeping people divided on racial lines so cross crossing that racial line is what I did as a matter of principle as already a practicing anti-racist in my time with SSOC.
Then, they stuck me on death row to get me off the compound. I was actually on death row. They had several cells for miscreant that they considered real troublemakers from the population. They put me there. I was in there with brothers from Memphis who gave me an education about white supremacy and killer cops I will never forget. You know, learning is a two-way street inside and we were doing political education.
So then, they sent me to Brushy, which was a connection to the old convict leasing system. I got there in 1970. If I got there in 1965, I would have been mining coal. In 1970, it was a Super Max, one of the early super Maxes, so we were locked up almost all the time they cut off all books, all newspapers, no phone calls, very restricted correspondence: immediate family, lawyer, clergy. And that was another racist place, every single guard in Brushy Mountain–this is in East Tennessee Mountains–was white. Half the prisoners there were black. They moved death row and me there at the same time and most of the prisoners on death row were black and I literally had to fight my way out of that place. I used to tell people I’m a Vietnam vet. I was in a war before I ever got to this War. I was in a foreign war. I’m a veteran of foreign and domestic Wars because it was a battle to get out of there.
Fast forward: I gotta do 20 years here in the feds, most of it was at Marion and ADX. You know about those places. About 13 years of it in some kind of isolation or solitary confinement…
I had to write,that was the key: a pencil, a pen. It became enormously important for me, my codefendants and I like to think of making a contribution to the ongoing struggles on the streets. I wrote prolifically for quite a long time. I wrote one of the first really published widely spread article outside of mainstream media about ADX in prison legal news. So disarmed from whatever you armed yourself with on the street, you know, it changes inside and I was fortunate that we had supporters on the street–this is pre-internet and everything–to take those writings and developments concerning us and amplify and widely distributed it as much as possible… So this was an important Network and was an important method for me to communicate. For Leonard Peltier or Oscar Lopez it was art. Tom Manning: art. There’s different ways it can be done. With Marilyn [Buck]: poetry. There’s any number of ways that you have to keep your spirit and your politics alive and relevant somehow and that was the way I did it.
I think the most important action we took as political prisoners during my time at Marion was we we did a work refusal. They had it set up where they would not release you from Marion until you went to a pre-transfer unit that made military hardware. And we drew the line and said we will not do that as a condition for a transfer to somewhere else because we weren’t there on disciplinary charges. They had just sent us there because of our jackets. We were all radical and so we refused it. Me, Tom Manning, Mutulu Shakur, Oscar Lopez Rivera and others, we refused and then we end up in ADX.
I want to just reiterate what Ashanti said through all this is study, political education, physical conditioning and the one time of year that I always see that happen when I was inside and I got out is in August. And I did it with Mutulu and the other conscious Brothers before I left–we commemorate Black August throughout the prison system, state or federal, which involves fasting, which involves political education, which involves physical exercise, as much as you can do it together. It’s commemorating the sacrifices of those Black Freedom Fighters like George Jackson, Jonathan Jackson and others before them and after them and it continues to this day.
Eric: In the ’60s, ’70s and ’80s, we saw more direct action. We saw bank appropriations, we saw people putting their freedom on the line for the Liberation struggle. Why do you think that is banished? Why do you think we do not see that sort of militant action anymore?
Ashanti: It’s a question that is always on my mind and so to try to explain why it’s always on my mind, the ’60s and ’70s, I still feel like, man, that was such a period for me to come of age, joining the Black Panther Party. It was such a time to be alive, it was just in so many ways magical. It’s like you didn’t have all the distractions. You saw that the Civil Rights Movement was getting beat down. You could turn on that television; it wasn’t but maybe six channels on that television. You’re going to see what these fascists are doing to the nonviolent Civil Rights Movement. But it’s also the point where Black Power is coming into being. Stokeley Carmichael’s voice, H. Rap Brown [AKA] Jamil al-Amin, who’s now still in prison. They were raising more of the Malcolm X spirit in the sense of “we want to be free.” Black power also was directing us towards what does self-determination look like, how might we actually take over our communities, the institutions, etc. It gave more of a concrete picture of what are we fighting for here and not integration.
So here also now we beginning to explore socialism, communism and the Panther Party, having to read Karl Marx and and then Frantz Fanon and all these other folks. It made us see more of the reality of this monster we’re facing, that it could not be changed. It could not be even modified. This monster has to be challenged and we have to build the kind of revolutionary movements that can like George Jackson say, bring it to its knees and I don’t know how that sounds to other people, but when you know your history, when you know what this country on the back of Turtle Island did to indigenous Nations, what it has and continues to do, what it did to African people and continues to do, what it had did to the Mexicans and others who come here. This is not something you try to reform. So you see the necessity, even us as teenagers, of fighting this, develop the capacity to fight.
The great thing about the Panther Party was that you know that fight took the form of survival programs as well as Liberation schools. The survival programs were so key because it was pretty much telling people that we can feed ourselves. The free health clinics was basically saying we can take care of our own health issues. The political education classes was like if the schools are not going to teach us what we really need to know then we need to do that. That was that self-determination nationalist attitude. When we talk about Nat Turner and all the other folks, we knew that there were those who did fight back by any means necessary.
And it’s the same thing with the guy now that speaks on Palestine a lot, Norman Finklestein, the thing he brings up about the Nat Turner rebellion and he says clearly, that was a pretty vicious thing, but it was an act of rebellion and an act of necessity, and he went to what the Abolitionist Movement leaders were putting out in their papers and in their talks to give it some perspective and and basically, what the Abolitionist Movement was telling people was, “we told you things like this were going to happen because you have these people enslaved.” So Norman Finklestein was comparing it to the open air prison, Palestine, Gaza and, that was what we were trying to get across also. Don’t call us crazy because we are trying to develop the capacity to be free, which will mean that we have got to confront this monster with all means necessary.
The Panther Party, I feel, came closest to to bringing that into fruition because it started off Black Panther Party for self-defense, but also in its growing process understood this aspect of armed struggle and we need to defend our communities and then we we don’t need to rely on the police to do it because clearly the police is an occupying force. That language at the time was so key. When when Eldridge Cleaver and them talked about this being an internal colony and we’re inside the mother country, he was giving us a way to see what this settler colonialism was and also see our struggle on a much broader level compared with the African Liberation movements, the Liberation movements coming out of Asia, the Revolutionary struggles even in Germany and Japan and other places.
Those of us in the in the Panther Party who went underground, we had always understood that we have to develop the capacity to defend ourselves. Who do we come up against is all those Bourgeois Negroes and others who want to stay connected to the monster and want to convince our people “do not follow them crazy people, stay with the monster, they’re going to give us a few trinkets, they’re going to give us a little bit more.”
Let me tell you what happened quickly after the rebellion in my hometown. This is ’67, this is what pretty much brought me into the movement. I’m like 13, 14 years old. The rebellion in Planfield when black folks took over the black community because they went and got crates of M1 rifles, they was able to hold it for a week. 13, 14 year old Ashanti was like “oh my God.” This is blowing my mind that we are able to do this. But then after the National Guard came in with the tanks and took it over, the first thing that the city government did once they was contained, was to put some swimming pools in the playgrounds and they called that, you know, “y’all should be satisfied with that.” Now Plainfield ain’t been right since.
To this day, even with afterwards, black Mayors, it ain’t been right since because we could not hold that self-determination, that black power perspective because of how that black middle class wanted to just fit in. They wanted to integrate. The lesson we should know from that is that we can’t integrate into this poisonous monstrous Empire. We have really got to figure out that the way forward is to cut it loose. Cut it loose in every way we can.
Eric: Thank you! Shout out to Plainfield. Ray Luc, do you have an opinion or a thought on why this generation—particularly with what’s going on— why we’ve seen such a decrease in militant action or direct action compared to when you guys were comin’ up?
Ray Luc: You know, I agree a lot with what Ashanti said about time, place, conditions. During our early political activist years, it was a much different time in the world. You know, Che said, “1, 2, 3, many Vietnams” and I come out of Vietnam, you know—that seemed like a real possibility.
And, Ashanti, you were talking about 1967; you know, I was in Vietnam in 1967. We got an old Life magazine over there, you know— a very popular American weekly at the time— and it showed pictures of Detroit at the 1967 rebellion. And I saw that when I was in ‘Nam, and I’d done a lot of flying in helicopters, and, you know, the devastation that I saw in the pages of Life magazine looked similar to what I was seeing in parts of Vietnam.
And so I went up to Detroit to look at it myself, after I got back (I was stationed at Fort Campbell.), and I could see there was a real war going on here, too.
When I got out in 2004, one of the things I noticed about the general climate is I felt people were fearful. There was a level of, you know— this was following 9/11, and I was inside during 9/11. But there was this sense of, people has a sense of fear, insecurity, anxiety that I hadn’t sensed twenty years earlier, when I went in. And, it is a real challenge.
I mean, when I’m involved in Palestine work right now, mainly what I’m seeing is certainly a lot of energy has been generated around supporting Palestine. Some for different reasons among different people, but there’s real potential there for this…This movement that’s happening around this country right now to develop to the level it was around South Africa 25 years ago. But that is an exception, and I don’t have a firm answer for what you’re saying. One of the questions I used to get a lot over the years—not so much anymore, but did— it indicates why people were thinking different than they were, you know, decades earlier. There’s a sense about people, you know, that they were kind of overwhelmed by the power of the system, you know? They would say, “How can you challenge something like this? It seems that everything we do or try doesn’t get anywhere.” Because it’s too big, it’s too powerful.
And, the other one was about sacrifice. If you go up against the system, there are consequences.
Eric: Serious consequences.
Ray Luc: You know, we here, on this panel right now are demonstrating what some of those consequences are, but there’s a lot of other consequences. I’ve heard you, Eric, talk about an organization I’ve been very involved with, which is Rosenberg Fund for Children.
Eric: Love ‘em!
Ray: This is an organization that supports children of political prisoners— and if you go and you look at the parents with these children, the activists, how many different ways government can make you pay for your activism. Whether you’re an immigration activist, a climate activist, an antifascist activist…And at different levels of activism, depending on where you are, you know—there’s other factors—but it’s a whole lot of people that are paying a price for their activism and it scares a lot of people.
Eric: Thank you! Thank you so much. Ashanti, you wanted us to come back to you? You had a follow-up?
Ashanti: ….What I had wanted to get back to around here is the difference between then and now. I do think fear is a big, big part, ’cause I think that once they had captured a lot of us, what was put in place— not only the more militarized police but on a cultural level, television has beaucoup cop shows! Beaucoup cop shows that they had millions and millions of people what would watch every week. Because in the cop shows, the cops always got the “criminal.” And, in many instances, the criminals was folks like me and Ray. Right?
Eric: Right, right.
Ashanti: And people were getting convinced, just like they captured us: “Don’t you try to do the same thing, ’cause we’ll get you, too. You cannot escape us.” Because when I went in in ’74, and when I got out at the end of ’85 and I’m living with my lawyer until he could work it out, my lawyer had a close relationship with a lot of black high school students, in New Haven, that had basketball skills…
But one of the young high-school students— ’cause he was being around the legal office— and just out of curiosity, I asked him, “What do you know about the Black Panther Party?” And he asked me, was it a martial arts group? Which helped me to understand what our enemy does in order to recoup, to recover from that revolutionary period that we kinda, like, was on the edge—
Eric: So close!
Ashanti: …Of revolution, and it felt like in so many ways. They know what they’re doing! And so, on the militarized level, and on that cultural level, they was recouping. And not to rule out, also, the influx of drugs into the community around the same time, too! ‘Cause when many of us got out, we saw the proliferation of street organizations that was involved with this murderous drug game? Oh, it made our job, ooooh— this is WAY more than we know how to handle. WAY more. So, all of these things are still with us today. That’s why I wanted to get back to that, because we talked about today. There’s real, legitimate reasons, but we still gotta figure out how to confront the fear.
Because if we don’t, they continue. I don’t wanna hear all that talk about, you know, the Empire is on its last legs; I get tired of that. People make predictions and all that shit. No! And, if it is, who’s going to be the ones who’s really going to suffer, if it really feels it, it’s gonna hit us at the bottom, and we gotta figure out how to still organize…
Eric: Yeah!
Ashanti: …against these things, on multi-dimensional levels, because the trauma— just like what the Palestinians is going through now.
Eric: We’re gonna get to that!
Ashanti: You know, the trauma, and it’s intergenerational, and it’s ongoing.
Ray: Can I just add one quick thing? You know, people are more likely to set up, and do, enter various types of activism around various issues— all of which is needed, that’s clear! Hasn’t been long since we saw all these huge Black Lives Matter demonstrations, right? A good example of what I’m talking about with how the system operates and what we need to do to stop Cop City, alright? We’re talking about intimidating people…
If we—Ashanti knows this, ’cause we’ve been doing this work for decades— if we don’t support the activists who are jailed and imprisoned, then we’re not worth shit. ‘Cause every movement that has succeeded in challenging the System and making some advance are those movements that have supported their prisoners.
People who get locked up, you know? You make a sacrifice, you know— You could lose your life, you know? Or you can be imprisoned. Or you can suffer some other consequences, as I mentioned earlier.
And all you’ve gotta do is…You’re talking about the struggle in Palestine? They don’t forget their prisoners in Palestine! Anyone who’s following the struggle in Palestine…And they never have! For real! And that’s part of what makes their movement and spirit so strong. And if you look at the Irish independent struggle, same thing.
If you look at South Africa, in the anti-apartheid years, Nelson Mandela, there was a lot of others. There was ANC or PAC, they didn’t leave their prisoners behind. They kept support networks going for them. They didn’t abandon them.
It’s been a constant struggle in this country to get recognition of political prisoners and, activists who get jailed, to don’t let them get abandoned. And what [they’re trying to do with] Stop Cop City is, “You’d better abandon them, or we’re gonna have your ass, too, next!”
You know, I know Stop Cop City defendants here in Maine, and I can tell you that, after talking with him in depth a couple of times…He was pretty well shell-shocked when he came out of the RICO indictment against them.
We have another case going on right now, in southern New Hampshire: Three young women being charged with felonies for nothing but a little bit of vandalism at an Elbit plant in southern New Hampshire (Elbit being a major military supplier to Israel). You can’t let these people be forgotten. If people see that they get absolutely no support when they step up and do something, they’re gonna be less likely to stand. Doesn’t mean they don’t see the issue, they don’t think something needs to be done; but they’re concerned about what happens if they do it.
Eric: That’s a great point. Something that I think my generation— 30-to-40-year-olds— noticed is when the Green Scare happened, those people got smashed. They got smashed with sentences that my generation did not think still happened. And I think that scared a lot of people away. When you see the 15-to-30 range with Marius Mason and Eric McDavid, Jake Conroy, all those guys— all those people…
So I wanna switch base real quick and jump to what’s happening right now on college campuses that we’re seeing— and that is, college kids comin’ together, making encampments, and facing extreme police responses, in some cases. Here in Denver, my boss, Zeke Williams, is— and our co-director of our legal firm, Claire— both were arrested just for being at an encampment! Just for showing up to support the students.
So, I was wondering if either of you two had views or had opinions on the positive aspects of the Palestinian movement, where we’re lacking, or anything in between that you would like to talk about?
Ashanti: Yeah. Well, one, I’ma tell you, I haven’t been this excited in a long time-
Eric: Shit’s happening!
Ashanti: -with the support that’s been coming out for the Palestinian people, the Palestinian nation, occupied Palestine. I think what has surprised me so much about it is not only the protests, but especially the, I’ma say “white Jews”— mainly young Jews, but I know there are supporters across the board— who are disconnecting Zionism from Judaism.
Eric: Breaking off that propaganda, not letting it get through.
Ashanti: Who would’ve thought? I mean, who would’ve thought? You know, because the Zionism in the United States is really strong! That hold on that, that consciousness is really strong. And to see these young folks challengin’ that— and older folks, too, I’ve been really watching— It warms my heart. Right?
So they’re comin’ out, and, this is antiwar! You know, when one says “anti-genocide,” it’s because of that war, the genocide war on the Palestinian people, you know?
So it’s at a great time…My fears is, is it going to be syphoned off into this presidential election? Right? And if all these folks who are against genocide and for the Palestinian people to be free, to be liberated, you know, does the act stop there?
You know, one of the things I kinda felt goin’ on in the antiwar movement back in the day was that once that war kind of concluded, there were still issues that we were fighting for. Black folks fighting for liberation, Indigenous folks fighting for sovereignty, Puerto Ricans fighting for independence, you know, Chicanos fighting for liberation of Atzlán, the workers are fighting, the women are fighting. Does it stop there? And that’s my concern that this what we’re doing for Palestine–we should see it as we have our Palestine here, yes, in this Empire that’s on the back of Turtle Island.
I’m really excited about one of the books I’m almost finished with now, Mohamed Abdou’s book Islam and Anarchy. It’s a really great really great book, whose author Mohamed Abdou I’ve known for like 20 years and I think he’s been working on this this book for 20 years… He’s an African Anarchist from Egypt, so he’s got the experience of the so-called Arab Spring. He lived in Canada, so he has that experience of developing deep relationship with the struggles there, particularly the indigenous struggles and connected with struggles here as well, so he’s on the ground. He’s not really the academic only guy. He is really a revolutionary, he’s really an anarchist.
The thing that he brings up that I think is key for folks now–not only those who are are Jews, but those who are immigrants–here he brings up a a term he uses is Settlers of color are those immigrants who come here looking for a better life, but they buy into Empire and so I think one things that can help this expression of massive resistance now in the United States is that there’s got to be a Consciousness that deepens around that this is Turtle Island and there’s still a a struggle going on here. There is African people who were brought here enslaved and if this Consciousness is not there then people will continue to fight for a better America– make America live up to its ideals and all of that. When folks who come here do that then you have to accept that you’re doing it on the backs of those original sins that this Empire has committed and it continues. Empire is not just something that happened in the past. It is a daily continuing thing that just goes on…
So we’re Palestine here as well, and we got to figure out how to get this madness off of us and into the dust bin of History.
Eric: thank you thank you for sharing that. Ray, do you yeah have any views on that?
Ray: Yeah I’m pumped about it too, about the the student movement that we’ve seen rise and it’s a really solid example of international solidarity. I like the cross-pollination of it with this, like Ashanti mentioned, it’s not just students. It’s interestingly enough tied into labor because in the California University system and some of the other big University Systems, a lot of those who have joined the campus demonstrations are actually union members on campus and then you got community people also, and I think that’s important. And of course, it is student leadership and students have have had a historic role in this country, in other countries in terms of social change and challenging the system…
It’s a spark and it could be built on, and I’m hoping and cautiously optimistic that they will continue to build on it. It’s a training ground for the future and the last point is that the seed is there in a lot of the Palestine work that’s going on now for longterm solidarity…
Eric: Do either of you two have have an opinion on what could be done to change or get rid of the prison system in America? Ray, I don’t know if you believe in full abolition. I don’t know where you stand on that, but you have an opinion.
Ray: This is a multistep thing… The fact is if you want to get to get rid of this Gulag as it exists in the United States of America today it requires system change. I’m an abolitionist. It’s an ideal of mine. But how do you do that? I’ve been seeing a lot of problems and issues rising up among the prison abolition thing, and the police abolition thing. I actually was involved in a panel discussion around security abolition, which is get rid of the FBI and the CIA and all the rest of it. I didn’t initiate it–I was asked to speak at it. You’re not going to do that without smashing capitalism, uprooting white supremacy…
Think local and act Global. I’ve been involved in prison work against mass incarceration, solitary confinement stuff for years in Maine… a little local project here in a place like Maine in Penobscot County, here, Wabanaki land, of course, they’re going to name a jail after a Native American word Penobscot. They should put on the outside on that that’s because disproportionately [high] number of Native Americans are inside their jail. They want to double the size of that jail. They want to build a new jail twice the size of the one they got now. Five years ago they came up with an architectural plan to do exactly that, but it requires they need the money which requires it goes to referendum. The county voters going to vote on it. We tore that plan apart… Every plan they put up, we have stopped and now we’re in year number five.
The point is how can you do anything about the largest prison system in the world or talk really realistically about abolition if you cannot stop this expansion of it–larger prisons, larger jails…
The architect that built Marion prison back in 1963 I think it was–the replacement for Alcatraz–is one of the architects on the bid to double the size of this new jail right here in my neighborhood over a half century later. These motherfuckers have been sucking all this money up, building–what kind of resume is that? But if you go on their website and look, they got all the nonprofit industrial complex rhetoric down flat. They say they’re going to have trauma sensitive cells and all that. But the point is it’s a small project but you take that and you amplify and multiply. If every little town, every small city was able to do the same thing, we could make some headway into turning. I think that’s just a a practical step that is almost a prerequisite step as part of moving towards abolition.
Eric: Thank you. Ashanti, do you have a view on this?
Ashanti: I’m definitely an abolitionist. I have some concerns, but I’m going to just tie it into this and not really get too deep into it. Like many things, this system has the ability to co-opt, regurgitate and spit something else back out to us, as if it was their idea, and I think that has been happening. And I think other abolitionists who have been developing this for years see the same thing, that this thing with abolitionist getting distorted and watered down to the point where you got many people who will use the word abolition where they abolitionist, you know, defund the police and all that other stuff.
I’m not really that big on the defund the police because I think that doesn’t show any understanding of the role of the police–that they ain’t gonna stand around like “oh you going to take our job from us.” No no no, “we’re Killers, we’re Shooters, we control you. That’s our job.” No, I think people can be kind of naive.
I am more for tying abolition into real Grassroots organizing that people can see the need to take back their lives. I like the initiative coming from The People’s Senate, which which is putting forth the Spirit of Mandela, a sort of dual power possibility of people developing the capacities to develop their own power in opposition to the white supremacist capitalist powers that be. I really like Dhoruba bin Wahad’s idea that he’s been pushing in terms of developing a united front against fascism, as we tried back in the days of fascism. And I think what is so key about that is that Dhoruba is very analytical and pointed into the role of the technologies of political control. He’s trying to get people to see the role of the police in a much broader picture that we need to get ready for.
And so I would encourage people–you can go to the uh the Spirit of Mandela website. You can even–if you put in united front against fascism, put Dhoruba’s name in there you’ll see where he has the conversation with Jill Stein and Cornell West. Both have a united front aspect and both want to reach masses of people from different communities, from different perspectives, but to be clear about how we need to focus on the role of them Frontline forces who are going to always be there to prevent us from developing this capacity to transform this madness…
Can we stay focused on the need to bring this Empire down as even the best way to help [against] the genocides that’s going on in Palestine and in Africa and other different places. But we don’t really talk about the genocides in Africa as much but those of us out of the Black Liberation struggle…
Like Che Guevara would say, “we’re in the brain of this Empire.” I say let’s get that aneurism going. Bring this thing down so that the role that the United States Empire plays in world oppressions can be disrupted and to help other people to develop the spaces in other countries and other struggles to free themselves.
I’m more concerned with a lot of the Abolitionist rhetoric today and a lot of people that are coming to the fore. There’s no deep class analysis; there’s no deep race analysis; there’s no idea of a settler Colonial situation here. And without them things, then you really talking about “I want to make America live up to its ideals.” And I don’t want to make America live up to its ideals because this is the ideal, regardless of its rhetoric. What we see now is the best that it can do and the best that it wants to do. We deserve better.
Eric: This is going to be our last question here. Ray and Ashanti, if either of you two have any projects you’re working on that you want to talk about, any things you just want to get off your chest or just get out there, I ask you to please take this time to do that now.
Ashanti: Right, I want to make sure to mention the work of Jericho, [supporting] political prisoners–I mean really, we got to be there for folks that take chances, take them risks. Tortuguita in the Cop City thing in Atlanta, was he expecting to die on that day? No. Was all those people expecting to get arrested under new versions of RICO? No. And Martin Luther King, how many times was he arrested? We have to be more real about that.
The other thing that I want to say is I’m an anarchist. So all of you folks out there who are anarchists, I feel we got a lot to offer and I feel like man we need to start talking more and being able to have more of a presence and input into shaping these struggles as they unfold and so I’m asking y’all–let’s figure out how to make that happen.
Eric: Thank you. Ray?
Ray: …I’ll just leave it with a little Parable… I’ve lived and operated in huge cities for a long time, but what I say a lot of times to people that live in less populated areas: there are many of us in small towns, suburbs, small cities. Speaking with people, they raise a lot of issues about, you know, you can say “united front against fascism” sounds good, but how do we get from here to there? You can identify the problem fairly easily: smash capitalism, imperialism and white supremacy and you’re off in the right direction. But how do you get there?
So without coming down a party line. I don’t represent a particular sectarian party, so coming from a working background, I made my living as a carpenter. Until I got old and retired, I made my living as a carpenter, not a hugely skilled carpenter. I’m a frame carpenter, but that means I can build it from bottom to top and when a dude hired me on the job, I was trying to get any kind of job I can because I was on parole and I needed a job. I needed money. So I said, “I’ll be carpenter’s helper” because I didn’t have any skill at all. And he says we don’t want carpenter’s helpers. Everybody is a carpenter, just different skill levels. And he gave me some advice that I’ve extrapolated for use in political organizing and advocacy.
He says, “how many people can just go out there and build a house? It would be overwhelming for the average person.”… He says “don’t try to build a house until you built a shed first.” And I live in the country. I’ve built quite a few sheds, among other things as unskilled as I was. Before I developed those skills, I built a shed, because to build a shed requires the same basic principles and blueprint as building a house…
So take that and put it into Community organizing terms: don’t be overwhelmed. We’re going to build a united front against fascism. You want to deal with white supremacy, you want to deal with Palestine, start with what you’ve got to work with. Build a shed first, get a program going, get us a few people together, get things started and I first got a taste of that because I was with a group that patterned ourselves to a degree after the Black Panther Party, although we were predominantly white, but we took seriously the survival programs that the the Panthers did. You had to start smaller to get people involved in working on their own to see that to get
to a higher level survival ending with Revolution without giving up your politics. So that’s that’s my hard suggestion.Eric: So as everyone who talks to me on social media knows, what I always always leave people with is please write a prisoner. Please write a prisoner, whether they’re a political prisoner, a social prisoner, whether they’re in the lower custody level or the highest custody level. Please write someone inside. Please start a project with those inside. See what you can do to help them and help make their time and their comrades’ time inside better.
Ashanti, brother, I thank you so much. Ray, thank you so much. It was a real honor talking to both of you.
#AnarchistPrisoners #ashantiAlston #bla #ericKing #internationalSolidarity #northAmerica #palestine #PoliticalPrisoners #rayLucLevasseur
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The Spanking Gene Appendix D
.
The Spanking Gene
Or
The Autistic and the Blade Appendix D
it’s the smiling face from the cover of King Crimson’s In the Court of the Crimson King
Appendix D
Allistics DGAF
I don’t know how to tell you that you should care.
That’s a thing that all the nice folks say to the trolls on social media, and it challenges me, it has been very hard to answer, but despite my failure to date, I cannot accept that it’s impossible. I’m not saying that if a thing is possible that means I’m the guy who can do it, but it means somebody ought to try, and I’m afraid I am all I got. If I crash and burn, then you’re not seeing this.
First, let’s establish the problem: Allistic people do not give a fuck, they can’t, they’re not allowed, giving a fuck isn’t, “strong,” and they’re all depending on each other to be strong. If they were born with any fucks to give, they quickly fall into debt, their fucks, past, present, and future become property of the powerful, stated in more biological terms, of the group. They are all robbed of their fucks, robbed of their caring – and also of an unobstructed sense of reality, of how things work.
It’s a terrible double whammy, if they could see clearly, they’d know to care, if they cared, they would try to see better.
Allistics do not give a fuck about anything. I mean, not about anything real, like the actual future or the environment. They can get awfully passionate about bullshit like the afterlife, their mythological future, and their nations and parties, the political environment, but the real things, please be serious, they don’t give a fuck about that. They don’t have time for anything but human concerns, social matters and authority.
It’s their own fault, not caring or seeing straight, I mean, if they knew it. We’re talking about humans, caring about nothing but the orders and concerns of other humans – is there some other species with a role in this story, someone else to blame?
Ah, now, that would be rhetorical, and proper science requires answering the obvious ones at least once.
A lack of fucks is lethal
When an animal turns fearless, sometimes there is another species to blame, isn’t there?
I don’t remember the name of the creature, or the part of the world, but it’s out there, there’s a parasite that lives its cycle in birds and snails, and what the parasite does to the snail is hijacks its brain to send it straight into the mouths of the birds, drives the snail out of the litter on the ground and to the treetops where the birds feast on them, ingesting the parasite for its next stage – now I’m not certain everyone will grant the snail much of an inner life, but its behaviour looks like it lost its life-critical fear of open spaces and heights.
Then there’s toxoplasmosis, which lives its stages in cats and rats, the rats apparently lose their fear of open spaces also, and even specifically of the urine smell of a major one of their predators, cats, so the parasite kills the rats’ fear responses, making it easy for the cats to eat them and the parasite, it’s the circle of life! People can also catch toxoplasmosis and there is a literature about people becoming fearless from it, walking into machine gun fire and whatnot, maybe daredevils.
So my thought is, we look like such a host, and is it really us, really our interests being looked after when we march fearlessly into our wars, directly like that, like the snail, as though some parasite wants our corpses?
But also, who seems to want us to be fearless more than we do?
It rather looks like we are at once the doomed host, driven toward the business end of the gatling gun, but also the parasite, driving one another to it, making ourselves fearless!
I wrote a book length book report and laid it out as a metaphor, Invasion of the Body Snatchers, kind of thing, but I was thinking about aggression, not fearlessness, and I hadn’t thought of caring as fear, if you care, you fear for the object, care is fear – and then it looks just like those famous parasites, a shut down fear response more than a “lack of caring,” which might not be a biology concept as much as a social one.
Thinking of it this way, like toxoplasmosis, I’m starting to wonder if it isn’t somehow more than metaphor.
I wouldn’t know how, it’s genetics. I carry the metaphor on in the book like there is some sort of genetic entity, that the grouping of genes that makes the Allistic subtype somehow has its own agenda, its own path. I’m not trying to make a case for a “genetic parasite,” that’s quite a leap and I don’t know enough to even play there.
I’m just saying, humankind at this moment does look like a snail racing up a tree or a rat sniffing around the sandbox in broad daylight, screaming about strength and freedom and burning the last of the crops for their wars before the water runs out. The worm tells the snail, No fear! Onwards and upwards!, and the microbe tells the rat, No fear! The world is yours!, and something is telling the majority human type, No fear! – and then what? Well, it’s the actuarial sense that’s missing, so I guess it’s, No fear! You aren’t causing the problems? Violence is good, actually?
I’m just saying that like parasites or saprophytes, something about Allism interferes with fear, making the species unable to see the dangers of what it does, hardening people against fear of . . . not heights, where birds find you, not the barn floor where the cat finds you, but . . . but I’m sorry, apparently against fear of the future?
I mean, it predisposes people away from worrying about the real future, perhaps replacing it with something to do with religion, a mythological future? Sometimes it seems like it messes with causality in general, I mean, I’ll send you back to the top, they DGAF about anything, they don’t seem to fear anything. They watch their own kind being slaughtered on television for, “fun.”
But it’s usually specific, climb a tree, leave your burrow. Any biologist have an idea exactly what . . . control it might interfere with?
I’m sorry, we’ll see this again. Let’s leave it there, as metaphor, it just really, really looks like that. As for the question, is there another thing to blame, it’s either this bit of fantasy, my genetic group parasite, or it’s a simple no, this is simply people doing it to themselves. Not really very different, I suppose.
Right? Where were we?
Design intent
The definition of apathy, I don’t know and I don’t care, is a lock with no apparent key, in this case, an evolutionary blind alley.
It’s nobody’s, “fault,” if you ask them, I mean, it’s not a “fault,” not a mistake, not by their reckoning, no-one is apologizing for it and no-one is coming to fix it, it’s . . . design intent. When you don’t care about anything, no-one can frighten you, people who do not give a fuck are very effective on the battlefield. It’s a warrior mentality, a soldier is not supposed to care about anything but orders, and they mostly come from long lines of people who worked hard to create this dearth of fucks, to make sure they would be strong and wouldn’t care about anything.
This is the only place they are allowed to put their fucks, no room for luxuries, it takes all your caring to fight the war, to stay alive, because wars are what keep us all alive, this is what the warrior caste knows, and so “caring,” becomes fighting, and peace becomes, “violence,” I mean, that soundbite has already been all over the news here on Turtle Island as the world melts down. I’m not going to engage in their fallacy of authority, but I’m not the only one to formulate such things, love is hate, war is peace, like that, am I? I know I read that sort of thing in a book once.
It was, “on purpose,” as much as anything is, and as far as I can tell, they all think it’s working, they’re all “strong,” which remains the goal, and I suppose not caring about anything is also why they don’t learn anything, why “science,” i.e. how things work, seems optional to them. They have no fucks to give, so it doesn’t matter whether things are real or not?
I don’t know how to tell you that that you should want to know what’s going on. But I’ll keep trying.
Nothing is real to normal people.
It’s all some interactive storybook, they think they have free will to believe what they like about how the world was made, how people were made, and how the world works, and the cynicism in that, the lack of fucks given about that! I think I’ll believe the world is a personality test for the next life, or no, I think I’ll believe we’re trapped souls from another planet, having previously failed testing, or no again, I think I’ll believe we look different, but we are still exactly chimpanzees on the inside!
Plus, having chosen the fiction they like best, they think they can make it true by force. If you think it’s is up to you, what the world is, or if you think it doesn’t matter, I don’t know how to tell you a lot of things.
They write laws telling everyone what sort of people must exist (chimpanzees) and which sort are not allowed to be born (bonobos), they seem to believe how the world works is up to them, and if unauthorized things continue to happen, they’ll just pass another law, tell them not to. Again, not any one of their own faults, there’s no-one alive who started it – but having said that, no-one else can fix it for them. It’s not their fault, but it’s their opportunity, theirs alone, I fear, and so it’s their goddam responsibility.
If they can find their way to it.
And maybe they can, in theory they could – but they fucking won’t, for the reasons above, they don’t know to care, or care to know.
Unfortunately, they’ve locked it up and thrown away the key: when their best self is to not care about anything and they don’t need to learn anything, how can they be reached? They’ve tossed away their hearing aid and they’re not answering our calls – and always today, and in every way, a record storm is coming and they don’t care to hear about that either. The scientists, and the reality based people with their eyes on worldly things, we are trying to save them, if they only cared to hear.
Creating their own problems
It’s not an easy matter showing the responsibility factor, they don’t really know all this is going on, but it is their own behaviour making it happen and their own behaviour that makes them unable to perceive it – again, they’ve locked the note with the combination in the safe. They don’t feel it’s their fault that they require the hearing aid, and again, maybe that much is sort of true, but who else can solve their hearing for them, it’s their opportunity to find it and put in, again, their responsibility and no-one else’s, if only they knew it.
Wait. You don’t necessarily know what I mean, how they’re causing it, do you. No-one does, it’s been left out of the conversation since “normal” people arrived. I suppose most people haven’t been listening to me, I’ve said it a million times, I just haven’t said it to anybody. Fair enough, my bad, I ain’t exactly ruling the airwaves.
It’s spanking
It’s the cult of punishment, abuse hurts learning outcomes and when you have, “abuse is good for you,” forced into your brain early, nothing real is ever going to fit right, and you are not allowed to redress the fault, on pain of punishment. Allistics DGAF about anything because after their abusive epigenesis (if you need a second to process that word, take it, I’m using it to mean when the environment gets its say in your development and you make environment appropriate choices from your genetic options as you grow up), after surviving the human environment of punitive abuse, they think bad is good and good is bad, so “good,” people don’t GAF.
They call this being, “strong,” when abuse isn’t “bad,” or, “wrong,” anymore in their minds, when it’s necessary for life instead.
Reality in general doesn’t fit after that, under that regime, so life becomes a purely social matter, reality can’t be squared with social matters, so they simply live on the social side of life, where things don’t have to be reconciled. Nothing matters but what people say and do, nothing is real, like the actual climate doesn’t get a voice, only what humans say about the climate is real.
So, that’s a problem, and if child abuse were against the law or something, perhaps they might think it matters but it’s not illegal because they don’t think it matters . . . someone invoked the film, The Life of David Gale online today, and that works too, they have handcuffed themselves and swallowed the key with that first and last lesson they get about life, that abuse is good for you. The examples keep coming, I’m sorry if I’m mixing them.
These humans take charge of one another’s environments this way, providing the constant conformist pressure, the threat of punishment, but they cannot perceive the adaptations that result from these controlled spaces, they have the reigns and are pulling hard, but are apparently unaware that the horses are indeed turning – the Allistic knows they can’t be, you see.
They have an opposing idea, Human Nature, which apparently is not subject to evolution or adaptation. Allistic people seem certain of two mutually exclusive things, that they must apply this punitive and selective pressure, but that Human Nature never changes.
I don’t know what you can say about that, when people believe mutually exclusive things, but the point is they’re rarely both true, and in this case, it’s evolution that’s real, and contrary to popular belief, Human Nature changes with every generation. A few murdered corpses in the deep past and the twentieth century’s hundreds of millions of them do not indicate the same Nature, murder is not a binary, one is not the same as a million. People changed.
Human Nature
This last bit, I’m sorry all you clever, Allistic atheists, is identical to how theists think about people. Your difference regarding the man in the sky is pretty meaningless if you believe in some Human Nature where people must be controlled, yet do not change and adapt, if you and the theists are in agreement about real things, real, living human beings – and of course it doesn’t make the theists right, it means you’re all wrong, I mean all Allistic.
Allistic people DGAF, because as Jane Goodall liked to say, they don’t believe what they do matters. Back to me, they don’t realize that what they do changes what people are going to be, that’s why it matters – and Jane is right, the majority sort do not seem to think it about themselves, you can’t change people, they say. Totally normal thing to say, but it means evolution isn’t real, adaptation isn’t real, genetics aren’t real – you have to leave the entire world out of the conversation to say that – but the majority type say it to each other all day long, repetition and consensus, these cognitive superpowers leave the real world far behind in the Allistic mind. “Good,” people know you can’t change people.
Right?
After they are forced to absorb how their child abuse is good for them, all real knowledge regarding ourselves, regarding people is unavailable to the Allistic mind, and they are left with the barren moonscape of Human Nature instead, where first we’re all horrible, get used to it, and second, it does not change, so stop complaining, you’re immutable, you’re fine. You’re horrible and you’re fine.
Human Nature, the meme, lacks causality, and as normal a thing as it is to invoke, it’s quite obviously not literally a real thing. Of course we all have some “Nature,” that’s a made up thing we can always apply – but people change, our natures change. The forever, “Human Nature,” the meme, the idea, the brain path, represents a disability, an inability to perceive change.
This is impossible.
I’m trying to shock people, trying to slap them in the face, make them perhaps get a glimpse of what the trouble is and just how bad things really are, trying not to fawn and let everyone off the hook as I do it – but of course at least some will feel I’m simply slinging insults and picking a fight – I would assure them, my tiny percentage of the population is not trying to provoke the vast majority into a fight, please. This train of thought began more than fifty years ago, and for most of that time, I thought I was one of them, I thought, as they teach, that we were All the Same, and the idea has always been to solve this puzzle and so save us all – it has never been and still isn’t about trying to hurt anyone or get rid of anyone – that’s the Allistic solution, and to me, it’s no solution but rather the entire problem and the solution means the opposite, it would be love and life.
I don’t say that from a moral stance, I don’t think it’s unimpeachable, I think it needs an explanation and I will explain, if in negative exposure; that’s the rest of this thing.
If they could stop the spanking, they could break the bind, they could know and care, if they stopped hurting they could care and if they cared they could know. But they don’t so they don’t so they don’t. It’s not a small matter, it’s everything, different from the very bottom up from my non-Allistic mind.
Progress meme/what is “natural,” is where you’re headed?
If your mind is naturally biased towards a recent creation event (or if your mind isn’t but that’s what the whole world seems to think and alternatives never find you), then that’s like a journey, it has a beginning, and first steps, and perhaps you feel that there will then be a destination, an ending, but you’d also want to think you’re traveling from bad to good, from the jungle to some Heaven on Earth or other, perhaps a high tech Brave New World. You may talk about the past as though it were “nature,” and rough and brutal and life not guaranteed . . . and you’d be hoping to break your programming and improve upon that nasty old natural way of life.
This is the progress idea, we may have been animals, and nasty and amoral, but we are ascending some ladder towards the bright future where we won’t have to be like that, getting smarter and finding better ways to get along.
Right?
But what if that’s not it?
I mean, not “if,” is it. Creationism has been largely debunked, and evolution is what is real instead. I mean, it’s evolution, and so what you think is, “natural,” is what you’re in serious danger of becoming. If that’s “natural,” you’re in serious danger of allowing it, accepting it, and therefore selecting for it, and the supposed goal of the progress meme, new ways, become “unnatural,” ways and will have an uphill battle – and all that would be the case if we were All the Same and if our brains lacked any biases – of course that is not the situation.
The progress meme is part of the false model, the creationist one, in that it postulates some initial state of things.
I’m sorry, but in real, evolving life, where we are all self creations, the progress meme is poison. The progress meme is a low self image rather than aspirational, and someone telling you used to be horrible but you’re getting better after your punishments is like narcissistic gaslighting. Telling yourself that is self-gaslighting.
So if peace and reason are the destination and we all agree we are not there yet, but “Nature, rough in tooth and claw,” is what is “natural,” and our, “genetic legacy,” then through selection, by accepting it – selection works, whether it’s “natural,” or not – we are creating ourselves in the image of beasts, that’s where our species is headed. That term, “genetic legacy,” gives the whole game away; it’s the opposite of evolutionary innovation.
This is exactly what the powers that be are doing, all over the white, western world right now, defending what they think is, “natural,” a supremacy of, “strength,” meaning a violent, chaotic world – and fighting progress as, “unnatural.”. Bad is good and good is bad in the cult of punishment, did I say that already, they think they are defending against some unravelling from some vague, previous created state, some initial condition, but a winnowing isn’t what happens in a real, living and evolving world.
It’s not some “purification,” like they think, but an evolutionary selection event towards a world, “rough in tooth and claw,” towards what they think is the awful past. In a created world, perhaps a purge makes things relatively better, if you purge the right thing – but in an evolving world, it isn’t about the dead, it’s about the living, and the living who perform purges are selecting themselves for violence and hatred, for rough old nature’s main things – to be exactly the supposed past, to be more so like the awful “past,” every generation.
So with every purge, the population becomes more warlike, the average majority type person feels angrier, less satisfied, more aggressive – besides being a huge tragedy, every genocide makes the conqueror feel worse, more frustrated, more like lashing out – it’s a complete waste of effort and doesn’t solve the dominant sort’s perceived problems, in fact it makes them feel worse, less happy and more angry, every time.
Will they have to kill the whole world before they realize they carry their own problems with them, that it’s their own evolution driving them mad, will they need that whole process of elimination? Thinking “creation,” in an evolutionary world is poison, everything you do will make everything worse – and if you think, “creation,” you won’t even notice when it does. And here we are.
Do I have to say it, this is the opposite of the progress we are all hoping for. Third time: the progress idea is toxic gaslighting.
This is my frustration, that this framing of thinking we’re getting better indicates a poor self image and then forgives us for it, and seems to insure that we never stop getting worse. Again, establishes you were worthless before but that they will make something useful of you, like the army, or a cult, or the criminal life, the formula for gaslighting abuse. The majority type, maybe seven billion of them, agree to see life this way.
I am sorry. That is the opposite of the whole world’s hope, isn’t it, but as they say, I suppose as we say, rather – hope is not a plan.
Not that there’s a plan. It’s still in the dreaming stages, I’m afraid: if they stopped being hurt, they could care, if they cared, they could learn and know, if they could learn and know, they could stop hurting themselves, rinse and repeat. I can sort of describe the Gordian knot, but honestly, I have yet to find a way in. I’ve wasted my life thinking that they could know if only someone told them, I’ve learned the hard way and then solidified it with what I think is science, about neurotype that this is not the case, and now this is the knot I see and I know that sometimes there is no use for what your studies find when you find them, but that perhaps later someone else can do something with them.
Your endings have to be pathetic when you’re trying to be honest.
LOL.
Jeff
Dec. 2nd., 2025
#autisticscience #theautisticandtheblade #thespankinggene #thechaliceandtheblade
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The Backward Evolution of the Rotating Bezel
Not everything gets more complicated as it evolves. The bezel, once a simple frame around the glass of a watch, became an integrated mechanism before it evolved into a simple numeric scale. From alarm clocks, navigational computers, and slide rules it became the most-recognized feature of the most iconic watches. Let’s consider the history of the rotating bezel.
The simple rotating bezel was once very complex!From Complex to Simple
We tend to think that innovation starts with simple ideas and becomes more complex over time. Surprisingly, the opposite is usually true. Lacking a clear use case, inventors tend to start with a complex concept before stripping away less-useful elements. Consider the Apple Newton, a full-featured handheld computer with dozens of innovative ideas that inspired simpler PDAs before morphing into the modern smartphone. My 2017 BMW i3 electric is truly an exotic car, built like a carbon fiber science project and entirely unlike the conventional 2027 i3 sedan.
The same is true in watchmaking, and this brings us to the humble rotating bezel. Nearly every brand has a dive watch styled after the Rolex Submariner with a bold black knurled rotating bezel marked with triangles, sticks, and numerals. Most buyers never give these a second look, let alone turn them to time a drive, let alone a dive. Some brands also make a watch styled after the Breitling Navitimer with a busy two-part bezel marked with confusing aeronautical indications of speed and fuel load. Rolex even created a functional rotating bezel for the 2012 Sky-Dweller, used to select different functions.
A bit of research reveals that the history of the humble rotating bezel runs exactly counter to expectation, beginning with functional complications before proceeding to obscure slide rules before being stripped down to a basic hour indicator. It took 50 years for the rotating bezel to be simplified enough to enter the public consciousness and that long again before Rolex invented the Sky-Dweller’s ring command. Like so many innovations, there’s a lot to learn if you look into the rotating bezel!
The Functional Bezel
This 1913 catalog image shows a modern pocket watch with a knurled screw-on bezelThe bezel itself was an innovation. Most early clocks and watches were “open faced”, but by the 17th century some included a glass to protect the dial and hands. This was mounted in a frame of metal called a bezel, which was often attached to the case with a hinge. Thus, the first bezel was a functional part of the case, if not the watch movement.
Watches in the 19th century adopted setting and winding using a crown and often had a fixed glass over the dial, since the hands no longer needed to be manually manipulated. The glass was set directly into the rounded case without a separate bezel. This gave the watch a smooth curving contour that felt in the hand like a bar of soap (“savonnette” in French). Some watches still featured a bezel around the glass, notably the screw-on bezel and back produced by Keystone and others in America.
Winding and setting functions were not unified in a single crown until the 20th century. Earlier watches often had keys for winding or were set manually by rotating the hands. Pendant winding using a crown became widespread in the 19th century, and inventors were constantly working to enable hand setting by rotating the crown as well. These often involved levers or buttons, but some involved a rotating knurled bezel very similar in concept to the modern Sky-Dweller.
Eterna’s pioneering alarm wristwatch used a rotating bezel to set the alarm timeAs alarm watches became popular in the early 20th century, a question arose about how to set this additional function. Attention again turned to the bezel, which could be rotated to set the time of the alarm. This must have been fairly common, as 1907 coverage of a new alarm watch from F. Schweizer & Cie discusses the limitations of bezel-set alarms (reliability and accuracy).
This was notably used by Eterna on their innovative if unsuccessful 1914 Cal. 68, the first alarm wristwatch. This 13 ligne movement was offered in a small pocket watch, a wristwatch, and a convertible watch that could be mounted on the steering wheel of a car. Although the wristwatch didn’t sell well, Eterna used the same movement in a line of successful travel alarm clocks, and these inspired the entire industry to adopt this mechanism.
Soon, most alarm clocks used a rotating bezel to set the time, often with an indicator on the bezel to show the current setting. This complicated mechanism was the first widely-used rotating bezel, pre-dating the dive watch craze by three decades.
The Harwood Perpetual used a rotating bezel to set the time, with an indicator that this function was active above 6 on the dialA similar system was employed by John Harwood to set the time his Perpetual, the first self-winding wristwatch. The primary driver for his invention was the need to prevent dust and moisture from damaging the movement, a common issue on the battlefields of World War I. Since sealed crowns and stems had not yet been developed, Harwood’s goal was to create a sealed case with no crown, and he was inspired by the alarm clock setting mechanism created by Eterna to use a rotating bezel to set the time.
The Harwood Perpetual was a global sensation, even if it ultimately did not find many buyers. And the knurled or fluted bezel became a common look in the 1930s, adopted by other waterproof watch cases like the Rolex Oyster. Although not a rotating bezel in the strictest sense, many of these could be unscrewed to access the hands, dial, and movement during assembly and servicing.
This 1953 advertisement calls out Perrelet and Harwood as inspirations for RolexIt is easy to see how the Harwood Perpetual inspired the legendary Rolex Oyster Perpetual, and Rolex agreed: They specifically cited Harwood along with Abraham-Louis Perrelet as inspiration for their Oyster Perpetual in a series of advertisements in the 1950s. And it wasn’t just the Perpetual name or centrally-rotating winding: Rolex popularized the rotating bezel in this same time period, introducing the Turn-o-Graph, Submariner, and GMT-Master, as we will discuss in a moment. All of these feature a bezel that strongly resembles the Harwood Perpetual.
Lindbergh, Longines, and Weems
The idea that a rotating bezel could serve as an indicator of information rather than a mechanism to set the time originates with American aviator Philip Van Horn Weems. He developed a simplified navigational system for aircraft while serving in the American Navy in the 1920s and early 1930s. His system relied on a so-called “second-setting watch” featured a rotating inner dial that could be set to a time signal over the radio. This was based on Longines’ 1918 Touran pocket watch, which was designed to be re-set to zero at sunset to approximate the Alla Turca timekeeping system of the Ottoman Empire.
This 1932 article in Journal Suisse d’Horlogerie outlines the use of the Longines Weems-Lindbergh Hour Angle WatchA close collaboration between Weems, aviation pioneer Charles Lindburgh, Longines-Wittnauer director John P.V. Heinmuller, and the Longines and Fluckiger factories in Saint-Imier resulted in a revolutionary watch that allowed pilots to determine their location using markings on a rotating bezel. This began with a specially-modified version of the Touran watch with an outer chapter scale showing units of arc, delivered in 1930. In 1931 Longines added a rotating bezel marked with units of arc in red and green. This bezel would be pre-positioned according to the equation of time table to instantly perform the calculation needed to determine the Greenwich Hour Angle of the Sun.
Once Longines developed a stop-seconds flyback movement the inner rotating dial component was no longer needed, allowing all calculations to be performed using the rotating bezel. Later versions even dispensed with the units of arc markings on the bezel, using a simple scale with units marked 10 through 60. These were no longer Hour Angle watches at all, but they were some of the first watches with a rotating bezel. In later decades Longines produced faithful reproductions of the Lindbergh Hour Angle watch, including a lovely limited edition in 2018.
The Evolving Chronograph Bezel
As the world industrialized in the early 20th century, a need for time measurement appeared. Businesses were more interested in tracking efficiency, and aviators needed to record and note time of travel. Watchmakers struggled to develop affordable and reliable chronograph mechanisms in the 1930s and 1940s, and this a fascinating area of study. This was the era when the old monopusher gave way to the Compax, flyback, and chronostop.
Heuer’s 1935 aviation chronograph featured a rotating bezel to mark elapsed timeThe alarm time indicators of previous decades gave innovators a new idea: A rotating bezel could set an indicator to measure elapsed time. In 1935 Heuer introduced a new chronograph for aviators that featured a knurled rotating bezel attached to a white triangular indicator “to mark the departure time or any other observation.” It is unclear if this is the first chronograph watch with a rotating bezel, but it is the earliest our research has uncovered.
Breitling produced a similar-looking aviation watch with a rotating bezel in early 1936. Unlike the Heuer chronograph, the Breitling model has no minute totalizer, only chronograph seconds. As noted in Journal Suisse d’Horlogerie, the bezel indicator would “serve as the minute totalizer”, synchronized with the running minutes hand for timing flight operations.
This 1936 Breitling aviation chronograph is very similar to the Heuer model This 1936 Fortis chronostop has a fully-marked bezelFortis also produced a chronostop watch with a rotating bezel in 1936. This movement had a stop and reset function for the central chronograph seconds hand using a pusher in the crown. The Fortis chronostop was the first watch we’ve seen with a full set of 60 markers on the rotating bezel, complete with numerals from 5 to 60. The design also departed from the classic rounded screw-on bezel look: It has a flat bezel that aligns with the dial along with a sharp vertical knurled edge.
In 1938, Damas added the now-common triangle at the top, along with a fully-marked bezelThe 1938 Damas Ref. 2452 dispensed with the expensive chronograph movement entirely, relying solely on a rotating bezel and central running seconds hand to record elapsed time. This watch advanced the bezel markings in a significant way: It features a triangle at the top rather than 0 or 60. This is a common design today, combining the Heuer and Breitling bezel indicator with the full minute track and vertical edge seen on the Fortis chronostop.
The 1940 Invicta Secontrol (left) and Time-Log (right) featured a 12-hour bezel with steep groovesThe next major advancement in bezel design came from Invicta, then a respected maker of complicated watches in La Chaux-de-Fonds. They introduced two models for 1940 with a deeply-grooved 12-hour bezel: The Secontrol had a chronostop movement and telemeter and tachymeter scales on the dial, while the Time-Log used a start-stop chronograph movement with three pushers. The new bezel served as an hour counter for these watches, which would be much more useful in association with the minute totalizer subdial on the Time-Log. It is unclear exactly how the 12-hour bezel would be useful on the Secontrol.
Minerva’s 1949 Ref. 1527 introduced the count-down bezelThe next important advance in simple bezel design came in 1949 with the Minerva Ref. 1527, which features numerals that count down rather than up. This is useful as a reminder for future events rather than a recorder of elapsed time. Since this model is marked from 1 to 11 (again with the triangle at 12), it was designed to be used by aviators to mark the next turn using the hour hand. Count-down bezels are uncommon today but they remain an interesting variation on the theme.
The Slide Rule Bezel
The slide rule (“règle à calcul” in French) was invented by English mathematician and clergyman Reverend William Oughtred and others in the 17th century, utilizing the mathematical concept of logarithms discovered by John Napier. Logarithms exploit the relationship between two scales to perform various calculations, especially multiplication and division. Slide rules were the most convenient and accurate mathematical tool until the creation of electronic calculators and computers in the 1960s.
Although Moret called his invention a “montre à calcul”, it was a calculator rather than a watchThe straight slide rule is most familiar but the circular slide rule has existed since the 19th century. In 1905, Emile Alexandre Moret of France received a patent for a mechanical calculator that used geared hands to perform logarithmic calculations using circular disks. Moret recognized that a circular slide rule could be packaged as a clock or watch, calling his invention a “montre à calcul”, but it did not include a timekeeping function.
Fabriques des Montres Zénith patented a pocket calculator resembling a watch in 1918Zénith, the famous Le Locle watchmaking firm, received a patent for a mechanical slide rule calculator in a pocket watch case in 1918. Once again, although this resembled a watch it was actually a pocket calculator without any timekeeping capability.
Importantly, both of these designs appeared before the Harwood Perpetual watch popularized the concept of a rotating bezel. It was only a matter of time before someone moved the circular slide rule to the bezel of a watch.
Graef & Cie, Fabrique Mimo, was one of the most innovative watchmaking companies in the first half of the 20th century, introducing many firsts between 1930 and 1941: The first wristwatch with a calendar, a double-barrel 8-day movement, a digital jump-hour display, and even a quick-change strap. So it is no surprise that Mimo was also the first company to produce a wristwatch with a slide rule bezel.
The 1941 Mimo-Loga was the first watch with a slide rule bezelThe Mimo-Loga was the first watch to feature a freely-rotating bezel, and it included classic slide rule markings. The July 27, 1940 patent eloquently describes that, “in addition to the chronometric and chronograph devices, includes at least two conjugate logarithmic scales, at least one of which is mounted on a rotating member concentric with the dial that carries the other.”
The Mimo-Loga was introduced in early 1941, just before Mimo founder Otto Graef retired. He left his sons in control of Mimo to his sons, but they were more interested in re-establishing the famous Girard-Perregaux brand, which the family acquired in 1928. Despite its history of innovation, the Mimo brand soon disappeared.
One watch comes to mind when we think of the slide rule bezel today: The Breitling Navitimer. Although Breitling is correctly credited with making the slide rule bezel famous, it was introduced with the Chronomat, not the Navitimer, and just a few months after the Mimo-Loga! Let’s set the record straight.
Breitling advertised the Chronomat with its innovative slide rule bezel in September of 1941Most contemporary accounts claim that Breitling introduced the Chronomat in 1942, but primary sources include advertisements for “Le Chronomat” in September 1941. Although the watch may not have entered production this early, it was clearly a focus for the company at this time. Like the Mimo-Loga, the Chronomat had slide rule markings on the rotating bezel. But Breitling’s watch used a chronograph movement, and this allowed the wearer to perform many more useful calculations.
Breitling produced a companion booklet to help buyers make the most of the Chronomat’s capabilities. The dial also included red reference markings to assist in measuring seconds, fifths, minutes, and hours as well as a telemeter indicator. The Chronomat was specifically designed as a tachymeter, telemeter, pulsometer, and metronome, and the scale could perform standard mathematical calculations like previous circular slide rules. Breitling even produced a cardboard cutout model, available to retailers to help demonstrate these functions.
The Chronomat name combined these capabilities, “chronograph” and “mathematics”, but this did not last long. An automatic Chronomat without a chronograph function was introduced by 1954 and the famous Chronomatic movement further muddied the waters. Today the Chronomat line includes many chronographs but not one has a slide rule bezel.
Breitling began advertising the Navitimer in 1955This brings us to the most famous slide rule watch, the Breitling Navitimer. Today, the company claims that this watch was created in 1952 and released in 1954 with AOPA branding, and we have no reason to doubt their internal records. But the earliest public references to the Navitimer appear in 1955, and the trademark for the name was received on January 22 of that year. The Navitimer is a specialized watch, originally exclusively available to pilots, and may not have been publicized or even named until 1955.
While the Chronomat had indicators for various capabilities, the Navitimer was designed specifically to perform specialized calculations related to air travel: Ground speed, distance per minute, fuel consumption, rate and distance of climb or descent, and nautical and statute mile conversion. These scales and indices made for a very busy dial despite the hefty 41 mm case. Breitling’s current lineup includes a variety of beautiful and colorful interpretations of the classic Navitimer.
Incredibly, it is this specialized tool watch design that has become dominant in the public consciousness. Today there are numerous “Navitimer” style watches made by brands like Casio, Citizen, Hamilton, Seiko, and Victorinox. The Sinn 903 also deserves special mention: They bought up the remaining Navitimer stock from Breitling in 1979 and continued to sell these original watches as their Navigation Timer into the 1980s. This has remained in production today, with the Model 903 II released in March of 2024.
Rolex: Turn-o-Graph, Submariner, and GMT-Master
When the Swiss Industries Fair in Basel opened on May 8, 1954, visitors to the Rolex stand were treated to three new product releases: Explorer, Submariner, and Turn-o-Graph. These watches marked a transition for Rolex and ultimately the entire watch industry. All three were tool watches with modern Oyster cases and Perpetual movements, and two were defined by their distinctive rotating bezels.
The Rolex stand at the Basel fair in 1954 Europa Star’s coverage of the 1954 Basel Fair emphasized three new tool watches from RolexThe Turn-o-Graph name is not well-remembered today, but it was a staple of the Rolex lineup (on and off) until 2011. It was a simple time-only watch with a rotating bezel designed to calculate elapsed time. The Rolex rotating bezel was mostly flat, with a sharp knurled edge. In the Turn-o-Graph it was marked with four dots then a stick or numerals at 10, 20, 30, 40, and 50. A triangle with a luminous dot was placed at the top. This design reflected the dial, which used dots on the hour, sticks at 3, 6, and 9, and a triangle at 12, all with luminous paint. The Turn-o-Graph was thus the most harmonious of the trio.
The Submariner was very similar to the Turn-o-Graph but was rated to 200 meters. Rolex had a long history of producing waterproof watches, but the Submariner was altogether more elegant and refined. The bezel was wide and flat, lacking the dots of the Turn-o-Graph, with stick markers alternating between numerals on the 10s. Although a true icon today, this original Submariner looked like nothing else on the market at the time. The look was soon copied by the entire industry, making the simple flat rotating bezel a sports watch staple. And the Submariner is undoubtedly one of the most in-demand watches globally to this day.
On March 22, 1956, Rolex founder Hans Wilsdorf gathered friends and industry figures to the Hôtel des Bergues in Geneva to celebrate his 75th birthday and the success of the company. Along with the “Stick-o-Matic”, presented to him by the factory, the crowd was able to see a brand new Rolex model.
I’ve wanted to highlight the Rolex Stick-o-Matic for years! The original GMT-Master is another Rolex iconThe GMT-Master was developed with the needs of pilots in mind, though Rolex did not go to the same extremes as the Breitling Navitimer. It was the first Rolex to feature a 24 hour hand, though it was not adjustable until the 1983 GMT-Master II. And it also included a date window under a magnifying glass bubble at 3 on the dial. But it is the rotating bezel that we will focus on, since that is the subject of this article.
Mechanically quite similar to the Submariner bezel, the GMT-Master featured alternating dots and numerals from 2 to 22, indicating the hours for the central 24 hour hand. In this way, it could be used to show the time in a second time zone by rotating the bezel ahead or behind the fixed hand. This too would become an iconic design, copied by many other firms in the coming decades. And it remains a favorite Rolex model today.
From Complex to Simple, With Many Variations
There is far more we could say about the rotating bezel, but perhaps this is enough to prove my point: Invention often proceeds from complex to simple. What was once an integrated mechanism to set the alarm or time became a simple alternate time scale. But there is subtlety to the rotating bezel! While most count up, some count down. While most are marked at 60 minute intervals, others are marked at 12. And some function as slide rules or perform complicated calculations specific to navigation. The simple bezel is far from simple, and many different companies and inventors were involved in its evolution!
#Bezel #BreitlingChronomat #Damas #Eterna #Fortis #GMTMaster #HansWilsdorf #Harwood #Heuer #Invicta #Longines #Mimo #MimoLoga #Minerva #Navitimer #Rolex #Submariner #TurnOGraph #Weems #Zenith -
The Backward Evolution of the Rotating Bezel
Not everything gets more complicated as it evolves. The bezel, once a simple frame around the glass of a watch, became an integrated mechanism before it evolved into a simple numeric scale. From alarm clocks, navigational computers, and slide rules it became the most-recognized feature of the most iconic watches. Let’s consider the history of the rotating bezel.
The simple rotating bezel was once very complex!From Complex to Simple
We tend to think that innovation starts with simple ideas and becomes more complex over time. Surprisingly, the opposite is usually true. Lacking a clear use case, inventors tend to start with a complex concept before stripping away less-useful elements. Consider the Apple Newton, a full-featured handheld computer with dozens of innovative ideas that inspired simpler PDAs before morphing into the modern smartphone. My 2017 BMW i3 electric is truly an exotic car, built like a carbon fiber science project and entirely unlike the conventional 2027 i3 sedan.
The same is true in watchmaking, and this brings us to the humble rotating bezel. Nearly every brand has a dive watch styled after the Rolex Submariner with a bold black knurled rotating bezel marked with triangles, sticks, and numerals. Most buyers never give these a second look, let alone turn them to time a drive, let alone a dive. Some brands also make a watch styled after the Breitling Navitimer with a busy two-part bezel marked with confusing aeronautical indications of speed and fuel load. Rolex even created a functional rotating bezel for the 2012 Sky-Dweller, used to select different functions.
A bit of research reveals that the history of the humble rotating bezel runs exactly counter to expectation, beginning with functional complications before proceeding to obscure slide rules before being stripped down to a basic hour indicator. It took 50 years for the rotating bezel to be simplified enough to enter the public consciousness and that long again before Rolex invented the Sky-Dweller’s ring command. Like so many innovations, there’s a lot to learn if you look into the rotating bezel!
The Functional Bezel
This 1913 catalog image shows a modern pocket watch with a knurled screw-on bezelThe bezel itself was an innovation. Most early clocks and watches were “open faced”, but by the 17th century some included a glass to protect the dial and hands. This was mounted in a frame of metal called a bezel, which was often attached to the case with a hinge. Thus, the first bezel was a functional part of the case, if not the watch movement.
Watches in the 19th century adopted setting and winding using a crown and often had a fixed glass over the dial, since the hands no longer needed to be manually manipulated. The glass was set directly into the rounded case without a separate bezel. This gave the watch a smooth curving contour that felt in the hand like a bar of soap (“savonnette” in French). Some watches still featured a bezel around the glass, notably the screw-on bezel and back produced by Keystone and others in America.
Winding and setting functions were not unified in a single crown until the 20th century. Earlier watches often had keys for winding or were set manually by rotating the hands. Pendant winding using a crown became widespread in the 19th century, and inventors were constantly working to enable hand setting by rotating the crown as well. These often involved levers or buttons, but some involved a rotating knurled bezel very similar in concept to the modern Sky-Dweller.
Eterna’s pioneering alarm wristwatch used a rotating bezel to set the alarm timeAs alarm watches became popular in the early 20th century, a question arose about how to set this additional function. Attention again turned to the bezel, which could be rotated to set the time of the alarm. This must have been fairly common, as 1907 coverage of a new alarm watch from F. Schweizer & Cie discusses the limitations of bezel-set alarms (reliability and accuracy).
This was notably used by Eterna on their innovative if unsuccessful 1914 Cal. 68, the first alarm wristwatch. This 13 ligne movement was offered in a small pocket watch, a wristwatch, and a convertible watch that could be mounted on the steering wheel of a car. Although the wristwatch didn’t sell well, Eterna used the same movement in a line of successful travel alarm clocks, and these inspired the entire industry to adopt this mechanism.
Soon, most alarm clocks used a rotating bezel to set the time, often with an indicator on the bezel to show the current setting. This complicated mechanism was the first widely-used rotating bezel, pre-dating the dive watch craze by three decades.
The Harwood Perpetual used a rotating bezel to set the time, with an indicator that this function was active above 6 on the dialA similar system was employed by John Harwood to set the time his Perpetual, the first self-winding wristwatch. The primary driver for his invention was the need to prevent dust and moisture from damaging the movement, a common issue on the battlefields of World War I. Since sealed crowns and stems had not yet been developed, Harwood’s goal was to create a sealed case with no crown, and he was inspired by the alarm clock setting mechanism created by Eterna to use a rotating bezel to set the time.
The Harwood Perpetual was a global sensation, even if it ultimately did not find many buyers. And the knurled or fluted bezel became a common look in the 1930s, adopted by other waterproof watch cases like the Rolex Oyster. Although not a rotating bezel in the strictest sense, many of these could be unscrewed to access the hands, dial, and movement during assembly and servicing.
This 1953 advertisement calls out Perrelet and Harwood as inspirations for RolexIt is easy to see how the Harwood Perpetual inspired the legendary Rolex Oyster Perpetual, and Rolex agreed: They specifically cited Harwood along with Abraham-Louis Perrelet as inspiration for their Oyster Perpetual in a series of advertisements in the 1950s. And it wasn’t just the Perpetual name or centrally-rotating winding: Rolex popularized the rotating bezel in this same time period, introducing the Turn-o-Graph, Submariner, and GMT-Master, as we will discuss in a moment. All of these feature a bezel that strongly resembles the Harwood Perpetual.
Lindbergh, Longines, and Weems
The idea that a rotating bezel could serve as an indicator of information rather than a mechanism to set the time originates with American aviator Philip Van Horn Weems. He developed a simplified navigational system for aircraft while serving in the American Navy in the 1920s and early 1930s. His system relied on a so-called “second-setting watch” featured a rotating inner dial that could be set to a time signal over the radio. This was based on Longines’ 1918 Touran pocket watch, which was designed to be re-set to zero at sunset to approximate the Alla Turca timekeeping system of the Ottoman Empire.
This 1932 article in Journal Suisse d’Horlogerie outlines the use of the Longines Weems-Lindbergh Hour Angle WatchA close collaboration between Weems, aviation pioneer Charles Lindburgh, Longines-Wittnauer director John P.V. Heinmuller, and the Longines and Fluckiger factories in Saint-Imier resulted in a revolutionary watch that allowed pilots to determine their location using markings on a rotating bezel. This began with a specially-modified version of the Touran watch with an outer chapter scale showing units of arc, delivered in 1930. In 1931 Longines added a rotating bezel marked with units of arc in red and green. This bezel would be pre-positioned according to the equation of time table to instantly perform the calculation needed to determine the Greenwich Hour Angle of the Sun.
Once Longines developed a stop-seconds flyback movement the inner rotating dial component was no longer needed, allowing all calculations to be performed using the rotating bezel. Later versions even dispensed with the units of arc markings on the bezel, using a simple scale with units marked 10 through 60. These were no longer Hour Angle watches at all, but they were some of the first watches with a rotating bezel. In later decades Longines produced faithful reproductions of the Lindbergh Hour Angle watch, including a lovely limited edition in 2018.
The Evolving Chronograph Bezel
As the world industrialized in the early 20th century, a need for time measurement appeared. Businesses were more interested in tracking efficiency, and aviators needed to record and note time of travel. Watchmakers struggled to develop affordable and reliable chronograph mechanisms in the 1930s and 1940s, and this a fascinating area of study. This was the era when the old monopusher gave way to the Compax, flyback, and chronostop.
Heuer’s 1935 aviation chronograph featured a rotating bezel to mark elapsed timeThe alarm time indicators of previous decades gave innovators a new idea: A rotating bezel could set an indicator to measure elapsed time. In 1935 Heuer introduced a new chronograph for aviators that featured a knurled rotating bezel attached to a white triangular indicator “to mark the departure time or any other observation.” It is unclear if this is the first chronograph watch with a rotating bezel, but it is the earliest our research has uncovered.
Breitling produced a similar-looking aviation watch with a rotating bezel in early 1936. Unlike the Heuer chronograph, the Breitling model has no minute totalizer, only chronograph seconds. As noted in Journal Suisse d’Horlogerie, the bezel indicator would “serve as the minute totalizer”, synchronized with the running minutes hand for timing flight operations.
This 1936 Breitling aviation chronograph is very similar to the Heuer model This 1936 Fortis chronostop has a fully-marked bezelFortis also produced a chronostop watch with a rotating bezel in 1936. This movement had a stop and reset function for the central chronograph seconds hand using a pusher in the crown. The Fortis chronostop was the first watch we’ve seen with a full set of 60 markers on the rotating bezel, complete with numerals from 5 to 60. The design also departed from the classic rounded screw-on bezel look: It has a flat bezel that aligns with the dial along with a sharp vertical knurled edge.
In 1938, Damas added the now-common triangle at the top, along with a fully-marked bezelThe 1938 Damas Ref. 2452 dispensed with the expensive chronograph movement entirely, relying solely on a rotating bezel and central running seconds hand to record elapsed time. This watch advanced the bezel markings in a significant way: It features a triangle at the top rather than 0 or 60. This is a common design today, combining the Heuer and Breitling bezel indicator with the full minute track and vertical edge seen on the Fortis chronostop.
The 1940 Invicta Secontrol (left) and Time-Log (right) featured a 12-hour bezel with steep groovesThe next major advancement in bezel design came from Invicta, then a respected maker of complicated watches in La Chaux-de-Fonds. They introduced two models for 1940 with a deeply-grooved 12-hour bezel: The Secontrol had a chronostop movement and telemeter and tachymeter scales on the dial, while the Time-Log used a start-stop chronograph movement with three pushers. The new bezel served as an hour counter for these watches, which would be much more useful in association with the minute totalizer subdial on the Time-Log. It is unclear exactly how the 12-hour bezel would be useful on the Secontrol.
Minerva’s 1949 Ref. 1527 introduced the count-down bezelThe next important advance in simple bezel design came in 1949 with the Minerva Ref. 1527, which features numerals that count down rather than up. This is useful as a reminder for future events rather than a recorder of elapsed time. Since this model is marked from 1 to 11 (again with the triangle at 12), it was designed to be used by aviators to mark the next turn using the hour hand. Count-down bezels are uncommon today but they remain an interesting variation on the theme.
The Slide Rule Bezel
The slide rule (“règle à calcul” in French) was invented by English mathematician and clergyman Reverend William Oughtred and others in the 17th century, utilizing the mathematical concept of logarithms discovered by John Napier. Logarithms exploit the relationship between two scales to perform various calculations, especially multiplication and division. Slide rules were the most convenient and accurate mathematical tool until the creation of electronic calculators and computers in the 1960s.
Although Moret called his invention a “montre à calcul”, it was a calculator rather than a watchThe straight slide rule is most familiar but the circular slide rule has existed since the 19th century. In 1905, Emile Alexandre Moret of France received a patent for a mechanical calculator that used geared hands to perform logarithmic calculations using circular disks. Moret recognized that a circular slide rule could be packaged as a clock or watch, calling his invention a “montre à calcul”, but it did not include a timekeeping function.
Fabriques des Montres Zénith patented a pocket calculator resembling a watch in 1918Zénith, the famous Le Locle watchmaking firm, received a patent for a mechanical slide rule calculator in a pocket watch case in 1918. Once again, although this resembled a watch it was actually a pocket calculator without any timekeeping capability.
Importantly, both of these designs appeared before the Harwood Perpetual watch popularized the concept of a rotating bezel. It was only a matter of time before someone moved the circular slide rule to the bezel of a watch.
Graef & Cie, Fabrique Mimo, was one of the most innovative watchmaking companies in the first half of the 20th century, introducing many firsts between 1930 and 1941: The first wristwatch with a calendar, a double-barrel 8-day movement, a digital jump-hour display, and even a quick-change strap. So it is no surprise that Mimo was also the first company to produce a wristwatch with a slide rule bezel.
The 1941 Mimo-Loga was the first watch with a slide rule bezelThe Mimo-Loga was the first watch to feature a freely-rotating bezel, and it included classic slide rule markings. The July 27, 1940 patent eloquently describes that, “in addition to the chronometric and chronograph devices, includes at least two conjugate logarithmic scales, at least one of which is mounted on a rotating member concentric with the dial that carries the other.”
The Mimo-Loga was introduced in early 1941, just before Mimo founder Otto Graef retired. He left his sons in control of Mimo to his sons, but they were more interested in re-establishing the famous Girard-Perregaux brand, which the family acquired in 1928. Despite its history of innovation, the Mimo brand soon disappeared.
One watch comes to mind when we think of the slide rule bezel today: The Breitling Navitimer. Although Breitling is correctly credited with making the slide rule bezel famous, it was introduced with the Chronomat, not the Navitimer, and just a few months after the Mimo-Loga! Let’s set the record straight.
Breitling advertised the Chronomat with its innovative slide rule bezel in September of 1941Most contemporary accounts claim that Breitling introduced the Chronomat in 1942, but primary sources include advertisements for “Le Chronomat” in September 1941. Although the watch may not have entered production this early, it was clearly a focus for the company at this time. Like the Mimo-Loga, the Chronomat had slide rule markings on the rotating bezel. But Breitling’s watch used a chronograph movement, and this allowed the wearer to perform many more useful calculations.
Breitling produced a companion booklet to help buyers make the most of the Chronomat’s capabilities. The dial also included red reference markings to assist in measuring seconds, fifths, minutes, and hours as well as a telemeter indicator. The Chronomat was specifically designed as a tachymeter, telemeter, pulsometer, and metronome, and the scale could perform standard mathematical calculations like previous circular slide rules. Breitling even produced a cardboard cutout model, available to retailers to help demonstrate these functions.
The Chronomat name combined these capabilities, “chronograph” and “mathematics”, but this did not last long. An automatic Chronomat without a chronograph function was introduced by 1954 and the famous Chronomatic movement further muddied the waters. Today the Chronomat line includes many chronographs but not one has a slide rule bezel.
Breitling began advertising the Navitimer in 1955This brings us to the most famous slide rule watch, the Breitling Navitimer. Today, the company claims that this watch was created in 1952 and released in 1954 with AOPA branding, and we have no reason to doubt their internal records. But the earliest public references to the Navitimer appear in 1955, and the trademark for the name was received on January 22 of that year. The Navitimer is a specialized watch, originally exclusively available to pilots, and may not have been publicized or even named until 1955.
While the Chronomat had indicators for various capabilities, the Navitimer was designed specifically to perform specialized calculations related to air travel: Ground speed, distance per minute, fuel consumption, rate and distance of climb or descent, and nautical and statute mile conversion. These scales and indices made for a very busy dial despite the hefty 41 mm case. Breitling’s current lineup includes a variety of beautiful and colorful interpretations of the classic Navitimer.
Incredibly, it is this specialized tool watch design that has become dominant in the public consciousness. Today there are numerous “Navitimer” style watches made by brands like Casio, Citizen, Hamilton, Seiko, and Victorinox. The Sinn 903 also deserves special mention: They bought up the remaining Navitimer stock from Breitling in 1979 and continued to sell these original watches as their Navigation Timer into the 1980s. This has remained in production today, with the Model 903 II released in March of 2024.
Rolex: Turn-o-Graph, Submariner, and GMT-Master
When the Swiss Industries Fair in Basel opened on May 8, 1954, visitors to the Rolex stand were treated to three new product releases: Explorer, Submariner, and Turn-o-Graph. These watches marked a transition for Rolex and ultimately the entire watch industry. All three were tool watches with modern Oyster cases and Perpetual movements, and two were defined by their distinctive rotating bezels.
The Rolex stand at the Basel fair in 1954 Europa Star’s coverage of the 1954 Basel Fair emphasized three new tool watches from RolexThe Turn-o-Graph name is not well-remembered today, but it was a staple of the Rolex lineup (on and off) until 2011. It was a simple time-only watch with a rotating bezel designed to calculate elapsed time. The Rolex rotating bezel was mostly flat, with a sharp knurled edge. In the Turn-o-Graph it was marked with four dots then a stick or numerals at 10, 20, 30, 40, and 50. A triangle with a luminous dot was placed at the top. This design reflected the dial, which used dots on the hour, sticks at 3, 6, and 9, and a triangle at 12, all with luminous paint. The Turn-o-Graph was thus the most harmonious of the trio.
The Submariner was very similar to the Turn-o-Graph but was rated to 200 meters. Rolex had a long history of producing waterproof watches, but the Submariner was altogether more elegant and refined. The bezel was wide and flat, lacking the dots of the Turn-o-Graph, with stick markers alternating between numerals on the 10s. Although a true icon today, this original Submariner looked like nothing else on the market at the time. The look was soon copied by the entire industry, making the simple flat rotating bezel a sports watch staple. And the Submariner is undoubtedly one of the most in-demand watches globally to this day.
On March 22, 1956, Rolex founder Hans Wilsdorf gathered friends and industry figures to the Hôtel des Bergues in Geneva to celebrate his 75th birthday and the success of the company. Along with the “Stick-o-Matic”, presented to him by the factory, the crowd was able to see a brand new Rolex model.
I’ve wanted to highlight the Rolex Stick-o-Matic for years! The original GMT-Master is another Rolex iconThe GMT-Master was developed with the needs of pilots in mind, though Rolex did not go to the same extremes as the Breitling Navitimer. It was the first Rolex to feature a 24 hour hand, though it was not adjustable until the 1983 GMT-Master II. And it also included a date window under a magnifying glass bubble at 3 on the dial. But it is the rotating bezel that we will focus on, since that is the subject of this article.
Mechanically quite similar to the Submariner bezel, the GMT-Master featured alternating dots and numerals from 2 to 22, indicating the hours for the central 24 hour hand. In this way, it could be used to show the time in a second time zone by rotating the bezel ahead or behind the fixed hand. This too would become an iconic design, copied by many other firms in the coming decades. And it remains a favorite Rolex model today.
From Complex to Simple, With Many Variations
There is far more we could say about the rotating bezel, but perhaps this is enough to prove my point: Invention often proceeds from complex to simple. What was once an integrated mechanism to set the alarm or time became a simple alternate time scale. But there is subtlety to the rotating bezel! While most count up, some count down. While most are marked at 60 minute intervals, others are marked at 12. And some function as slide rules or perform complicated calculations specific to navigation. The simple bezel is far from simple, and many different companies and inventors were involved in its evolution!
#Bezel #BreitlingChronomat #Damas #Eterna #Fortis #GMTMaster #HansWilsdorf #Harwood #Heuer #Invicta #Longines #Mimo #MimoLoga #Minerva #Navitimer #Rolex #Submariner #TurnOGraph #Weems #Zenith -
The Backward Evolution of the Rotating Bezel
Not everything gets more complicated as it evolves. The bezel, once a simple frame around the glass of a watch, became an integrated mechanism before it evolved into a simple numeric scale. From alarm clocks, navigational computers, and slide rules it became the most-recognized feature of the most iconic watches. Let’s consider the history of the rotating bezel.
The simple rotating bezel was once very complex!From Complex to Simple
We tend to think that innovation starts with simple ideas and becomes more complex over time. Surprisingly, the opposite is usually true. Lacking a clear use case, inventors tend to start with a complex concept before stripping away less-useful elements. Consider the Apple Newton, a full-featured handheld computer with dozens of innovative ideas that inspired simpler PDAs before morphing into the modern smartphone. My 2017 BMW i3 electric is truly an exotic car, built like a carbon fiber science project and entirely unlike the conventional 2027 i3 sedan.
The same is true in watchmaking, and this brings us to the humble rotating bezel. Nearly every brand has a dive watch styled after the Rolex Submariner with a bold black knurled rotating bezel marked with triangles, sticks, and numerals. Most buyers never give these a second look, let alone turn them to time a drive, let alone a dive. Some brands also make a watch styled after the Breitling Navitimer with a busy two-part bezel marked with confusing aeronautical indications of speed and fuel load. Rolex even created a functional rotating bezel for the 2012 Sky-Dweller, used to select different functions.
A bit of research reveals that the history of the humble rotating bezel runs exactly counter to expectation, beginning with functional complications before proceeding to obscure slide rules before being stripped down to a basic hour indicator. It took 50 years for the rotating bezel to be simplified enough to enter the public consciousness and that long again before Rolex invented the Sky-Dweller’s ring command. Like so many innovations, there’s a lot to learn if you look into the rotating bezel!
The Functional Bezel
This 1913 catalog image shows a modern pocket watch with a knurled screw-on bezelThe bezel itself was an innovation. Most early clocks and watches were “open faced”, but by the 17th century some included a glass to protect the dial and hands. This was mounted in a frame of metal called a bezel, which was often attached to the case with a hinge. Thus, the first bezel was a functional part of the case, if not the watch movement.
Watches in the 19th century adopted setting and winding using a crown and often had a fixed glass over the dial, since the hands no longer needed to be manually manipulated. The glass was set directly into the rounded case without a separate bezel. This gave the watch a smooth curving contour that felt in the hand like a bar of soap (“savonnette” in French). Some watches still featured a bezel around the glass, notably the screw-on bezel and back produced by Keystone and others in America.
Winding and setting functions were not unified in a single crown until the 20th century. Earlier watches often had keys for winding or were set manually by rotating the hands. Pendant winding using a crown became widespread in the 19th century, and inventors were constantly working to enable hand setting by rotating the crown as well. These often involved levers or buttons, but some involved a rotating knurled bezel very similar in concept to the modern Sky-Dweller.
Eterna’s pioneering alarm wristwatch used a rotating bezel to set the alarm timeAs alarm watches became popular in the early 20th century, a question arose about how to set this additional function. Attention again turned to the bezel, which could be rotated to set the time of the alarm. This must have been fairly common, as 1907 coverage of a new alarm watch from F. Schweizer & Cie discusses the limitations of bezel-set alarms (reliability and accuracy).
This was notably used by Eterna on their innovative if unsuccessful 1914 Cal. 68, the first alarm wristwatch. This 13 ligne movement was offered in a small pocket watch, a wristwatch, and a convertible watch that could be mounted on the steering wheel of a car. Although the wristwatch didn’t sell well, Eterna used the same movement in a line of successful travel alarm clocks, and these inspired the entire industry to adopt this mechanism.
Soon, most alarm clocks used a rotating bezel to set the time, often with an indicator on the bezel to show the current setting. This complicated mechanism was the first widely-used rotating bezel, pre-dating the dive watch craze by three decades.
The Harwood Perpetual used a rotating bezel to set the time, with an indicator that this function was active above 6 on the dialA similar system was employed by John Harwood to set the time his Perpetual, the first self-winding wristwatch. The primary driver for his invention was the need to prevent dust and moisture from damaging the movement, a common issue on the battlefields of World War I. Since sealed crowns and stems had not yet been developed, Harwood’s goal was to create a sealed case with no crown, and he was inspired by the alarm clock setting mechanism created by Eterna to use a rotating bezel to set the time.
The Harwood Perpetual was a global sensation, even if it ultimately did not find many buyers. And the knurled or fluted bezel became a common look in the 1930s, adopted by other waterproof watch cases like the Rolex Oyster. Although not a rotating bezel in the strictest sense, many of these could be unscrewed to access the hands, dial, and movement during assembly and servicing.
This 1953 advertisement calls out Perrelet and Harwood as inspirations for RolexIt is easy to see how the Harwood Perpetual inspired the legendary Rolex Oyster Perpetual, and Rolex agreed: They specifically cited Harwood along with Abraham-Louis Perrelet as inspiration for their Oyster Perpetual in a series of advertisements in the 1950s. And it wasn’t just the Perpetual name or centrally-rotating winding: Rolex popularized the rotating bezel in this same time period, introducing the Turn-o-Graph, Submariner, and GMT-Master, as we will discuss in a moment. All of these feature a bezel that strongly resembles the Harwood Perpetual.
Lindbergh, Longines, and Weems
The idea that a rotating bezel could serve as an indicator of information rather than a mechanism to set the time originates with American aviator Philip Van Horn Weems. He developed a simplified navigational system for aircraft while serving in the American Navy in the 1920s and early 1930s. His system relied on a so-called “second-setting watch” featured a rotating inner dial that could be set to a time signal over the radio. This was based on Longines’ 1918 Touran pocket watch, which was designed to be re-set to zero at sunset to approximate the Alla Turca timekeeping system of the Ottoman Empire.
This 1932 article in Journal Suisse d’Horlogerie outlines the use of the Longines Weems-Lindbergh Hour Angle WatchA close collaboration between Weems, aviation pioneer Charles Lindburgh, Longines-Wittnauer director John P.V. Heinmuller, and the Longines and Fluckiger factories in Saint-Imier resulted in a revolutionary watch that allowed pilots to determine their location using markings on a rotating bezel. This began with a specially-modified version of the Touran watch with an outer chapter scale showing units of arc, delivered in 1930. In 1931 Longines added a rotating bezel marked with units of arc in red and green. This bezel would be pre-positioned according to the equation of time table to instantly perform the calculation needed to determine the Greenwich Hour Angle of the Sun.
Once Longines developed a stop-seconds flyback movement the inner rotating dial component was no longer needed, allowing all calculations to be performed using the rotating bezel. Later versions even dispensed with the units of arc markings on the bezel, using a simple scale with units marked 10 through 60. These were no longer Hour Angle watches at all, but they were some of the first watches with a rotating bezel. In later decades Longines produced faithful reproductions of the Lindbergh Hour Angle watch, including a lovely limited edition in 2018.
The Evolving Chronograph Bezel
As the world industrialized in the early 20th century, a need for time measurement appeared. Businesses were more interested in tracking efficiency, and aviators needed to record and note time of travel. Watchmakers struggled to develop affordable and reliable chronograph mechanisms in the 1930s and 1940s, and this a fascinating area of study. This was the era when the old monopusher gave way to the Compax, flyback, and chronostop.
Heuer’s 1935 aviation chronograph featured a rotating bezel to mark elapsed timeThe alarm time indicators of previous decades gave innovators a new idea: A rotating bezel could set an indicator to measure elapsed time. In 1935 Heuer introduced a new chronograph for aviators that featured a knurled rotating bezel attached to a white triangular indicator “to mark the departure time or any other observation.” It is unclear if this is the first chronograph watch with a rotating bezel, but it is the earliest our research has uncovered.
Breitling produced a similar-looking aviation watch with a rotating bezel in early 1936. Unlike the Heuer chronograph, the Breitling model has no minute totalizer, only chronograph seconds. As noted in Journal Suisse d’Horlogerie, the bezel indicator would “serve as the minute totalizer”, synchronized with the running minutes hand for timing flight operations.
This 1936 Breitling aviation chronograph is very similar to the Heuer model This 1936 Fortis chronostop has a fully-marked bezelFortis also produced a chronostop watch with a rotating bezel in 1936. This movement had a stop and reset function for the central chronograph seconds hand using a pusher in the crown. The Fortis chronostop was the first watch we’ve seen with a full set of 60 markers on the rotating bezel, complete with numerals from 5 to 60. The design also departed from the classic rounded screw-on bezel look: It has a flat bezel that aligns with the dial along with a sharp vertical knurled edge.
In 1938, Damas added the now-common triangle at the top, along with a fully-marked bezelThe 1938 Damas Ref. 2452 dispensed with the expensive chronograph movement entirely, relying solely on a rotating bezel and central running seconds hand to record elapsed time. This watch advanced the bezel markings in a significant way: It features a triangle at the top rather than 0 or 60. This is a common design today, combining the Heuer and Breitling bezel indicator with the full minute track and vertical edge seen on the Fortis chronostop.
The 1940 Invicta Secontrol (left) and Time-Log (right) featured a 12-hour bezel with steep groovesThe next major advancement in bezel design came from Invicta, then a respected maker of complicated watches in La Chaux-de-Fonds. They introduced two models for 1940 with a deeply-grooved 12-hour bezel: The Secontrol had a chronostop movement and telemeter and tachymeter scales on the dial, while the Time-Log used a start-stop chronograph movement with three pushers. The new bezel served as an hour counter for these watches, which would be much more useful in association with the minute totalizer subdial on the Time-Log. It is unclear exactly how the 12-hour bezel would be useful on the Secontrol.
Minerva’s 1949 Ref. 1527 introduced the count-down bezelThe next important advance in simple bezel design came in 1949 with the Minerva Ref. 1527, which features numerals that count down rather than up. This is useful as a reminder for future events rather than a recorder of elapsed time. Since this model is marked from 1 to 11 (again with the triangle at 12), it was designed to be used by aviators to mark the next turn using the hour hand. Count-down bezels are uncommon today but they remain an interesting variation on the theme.
The Slide Rule Bezel
The slide rule (“règle à calcul” in French) was invented by English mathematician and clergyman Reverend William Oughtred and others in the 17th century, utilizing the mathematical concept of logarithms discovered by John Napier. Logarithms exploit the relationship between two scales to perform various calculations, especially multiplication and division. Slide rules were the most convenient and accurate mathematical tool until the creation of electronic calculators and computers in the 1960s.
Although Moret called his invention a “montre à calcul”, it was a calculator rather than a watchThe straight slide rule is most familiar but the circular slide rule has existed since the 19th century. In 1905, Emile Alexandre Moret of France received a patent for a mechanical calculator that used geared hands to perform logarithmic calculations using circular disks. Moret recognized that a circular slide rule could be packaged as a clock or watch, calling his invention a “montre à calcul”, but it did not include a timekeeping function.
Fabriques des Montres Zénith patented a pocket calculator resembling a watch in 1918Zénith, the famous Le Locle watchmaking firm, received a patent for a mechanical slide rule calculator in a pocket watch case in 1918. Once again, although this resembled a watch it was actually a pocket calculator without any timekeeping capability.
Importantly, both of these designs appeared before the Harwood Perpetual watch popularized the concept of a rotating bezel. It was only a matter of time before someone moved the circular slide rule to the bezel of a watch.
Graef & Cie, Fabrique Mimo, was one of the most innovative watchmaking companies in the first half of the 20th century, introducing many firsts between 1930 and 1941: The first wristwatch with a calendar, a double-barrel 8-day movement, a digital jump-hour display, and even a quick-change strap. So it is no surprise that Mimo was also the first company to produce a wristwatch with a slide rule bezel.
The 1941 Mimo-Loga was the first watch with a slide rule bezelThe Mimo-Loga was the first watch to feature a freely-rotating bezel, and it included classic slide rule markings. The July 27, 1940 patent eloquently describes that, “in addition to the chronometric and chronograph devices, includes at least two conjugate logarithmic scales, at least one of which is mounted on a rotating member concentric with the dial that carries the other.”
The Mimo-Loga was introduced in early 1941, just before Mimo founder Otto Graef retired. He left his sons in control of Mimo to his sons, but they were more interested in re-establishing the famous Girard-Perregaux brand, which the family acquired in 1928. Despite its history of innovation, the Mimo brand soon disappeared.
One watch comes to mind when we think of the slide rule bezel today: The Breitling Navitimer. Although Breitling is correctly credited with making the slide rule bezel famous, it was introduced with the Chronomat, not the Navitimer, and just a few months after the Mimo-Loga! Let’s set the record straight.
Breitling advertised the Chronomat with its innovative slide rule bezel in September of 1941Most contemporary accounts claim that Breitling introduced the Chronomat in 1942, but primary sources include advertisements for “Le Chronomat” in September 1941. Although the watch may not have entered production this early, it was clearly a focus for the company at this time. Like the Mimo-Loga, the Chronomat had slide rule markings on the rotating bezel. But Breitling’s watch used a chronograph movement, and this allowed the wearer to perform many more useful calculations.
Breitling produced a companion booklet to help buyers make the most of the Chronomat’s capabilities. The dial also included red reference markings to assist in measuring seconds, fifths, minutes, and hours as well as a telemeter indicator. The Chronomat was specifically designed as a tachymeter, telemeter, pulsometer, and metronome, and the scale could perform standard mathematical calculations like previous circular slide rules. Breitling even produced a cardboard cutout model, available to retailers to help demonstrate these functions.
The Chronomat name combined these capabilities, “chronograph” and “mathematics”, but this did not last long. An automatic Chronomat without a chronograph function was introduced by 1954 and the famous Chronomatic movement further muddied the waters. Today the Chronomat line includes many chronographs but not one has a slide rule bezel.
Breitling began advertising the Navitimer in 1955This brings us to the most famous slide rule watch, the Breitling Navitimer. Today, the company claims that this watch was created in 1952 and released in 1954 with AOPA branding, and we have no reason to doubt their internal records. But the earliest public references to the Navitimer appear in 1955, and the trademark for the name was received on January 22 of that year. The Navitimer is a specialized watch, originally exclusively available to pilots, and may not have been publicized or even named until 1955.
While the Chronomat had indicators for various capabilities, the Navitimer was designed specifically to perform specialized calculations related to air travel: Ground speed, distance per minute, fuel consumption, rate and distance of climb or descent, and nautical and statute mile conversion. These scales and indices made for a very busy dial despite the hefty 41 mm case. Breitling’s current lineup includes a variety of beautiful and colorful interpretations of the classic Navitimer.
Incredibly, it is this specialized tool watch design that has become dominant in the public consciousness. Today there are numerous “Navitimer” style watches made by brands like Casio, Citizen, Hamilton, Seiko, and Victorinox. The Sinn 903 also deserves special mention: They bought up the remaining Navitimer stock from Breitling in 1979 and continued to sell these original watches as their Navigation Timer into the 1980s. This has remained in production today, with the Model 903 II released in March of 2024.
Rolex: Turn-o-Graph, Submariner, and GMT-Master
When the Swiss Industries Fair in Basel opened on May 8, 1954, visitors to the Rolex stand were treated to three new product releases: Explorer, Submariner, and Turn-o-Graph. These watches marked a transition for Rolex and ultimately the entire watch industry. All three were tool watches with modern Oyster cases and Perpetual movements, and two were defined by their distinctive rotating bezels.
The Rolex stand at the Basel fair in 1954 Europa Star’s coverage of the 1954 Basel Fair emphasized three new tool watches from RolexThe Turn-o-Graph name is not well-remembered today, but it was a staple of the Rolex lineup (on and off) until 2011. It was a simple time-only watch with a rotating bezel designed to calculate elapsed time. The Rolex rotating bezel was mostly flat, with a sharp knurled edge. In the Turn-o-Graph it was marked with four dots then a stick or numerals at 10, 20, 30, 40, and 50. A triangle with a luminous dot was placed at the top. This design reflected the dial, which used dots on the hour, sticks at 3, 6, and 9, and a triangle at 12, all with luminous paint. The Turn-o-Graph was thus the most harmonious of the trio.
The Submariner was very similar to the Turn-o-Graph but was rated to 200 meters. Rolex had a long history of producing waterproof watches, but the Submariner was altogether more elegant and refined. The bezel was wide and flat, lacking the dots of the Turn-o-Graph, with stick markers alternating between numerals on the 10s. Although a true icon today, this original Submariner looked like nothing else on the market at the time. The look was soon copied by the entire industry, making the simple flat rotating bezel a sports watch staple. And the Submariner is undoubtedly one of the most in-demand watches globally to this day.
On March 22, 1956, Rolex founder Hans Wilsdorf gathered friends and industry figures to the Hôtel des Bergues in Geneva to celebrate his 75th birthday and the success of the company. Along with the “Stick-o-Matic”, presented to him by the factory, the crowd was able to see a brand new Rolex model.
I’ve wanted to highlight the Rolex Stick-o-Matic for years! The original GMT-Master is another Rolex iconThe GMT-Master was developed with the needs of pilots in mind, though Rolex did not go to the same extremes as the Breitling Navitimer. It was the first Rolex to feature a 24 hour hand, though it was not adjustable until the 1983 GMT-Master II. And it also included a date window under a magnifying glass bubble at 3 on the dial. But it is the rotating bezel that we will focus on, since that is the subject of this article.
Mechanically quite similar to the Submariner bezel, the GMT-Master featured alternating dots and numerals from 2 to 22, indicating the hours for the central 24 hour hand. In this way, it could be used to show the time in a second time zone by rotating the bezel ahead or behind the fixed hand. This too would become an iconic design, copied by many other firms in the coming decades. And it remains a favorite Rolex model today.
From Complex to Simple, With Many Variations
There is far more we could say about the rotating bezel, but perhaps this is enough to prove my point: Invention often proceeds from complex to simple. What was once an integrated mechanism to set the alarm or time became a simple alternate time scale. But there is subtlety to the rotating bezel! While most count up, some count down. While most are marked at 60 minute intervals, others are marked at 12. And some function as slide rules or perform complicated calculations specific to navigation. The simple bezel is far from simple, and many different companies and inventors were involved in its evolution!
#Bezel #BreitlingChronomat #Damas #Eterna #Fortis #GMTMaster #HansWilsdorf #Harwood #Heuer #Invicta #Longines #Mimo #MimoLoga #Minerva #Navitimer #Rolex #Submariner #TurnOGraph #Weems #Zenith -
The Backward Evolution of the Rotating Bezel
Not everything gets more complicated as it evolves. The bezel, once a simple frame around the glass of a watch, became an integrated mechanism before it evolved into a simple numeric scale. From alarm clocks, navigational computers, and slide rules it became the most-recognized feature of the most iconic watches. Let’s consider the history of the rotating bezel.
The simple rotating bezel was once very complex!From Complex to Simple
We tend to think that innovation starts with simple ideas and becomes more complex over time. Surprisingly, the opposite is usually true. Lacking a clear use case, inventors tend to start with a complex concept before stripping away less-useful elements. Consider the Apple Newton, a full-featured handheld computer with dozens of innovative ideas that inspired simpler PDAs before morphing into the modern smartphone. My 2017 BMW i3 electric is truly an exotic car, built like a carbon fiber science project and entirely unlike the conventional 2027 i3 sedan.
The same is true in watchmaking, and this brings us to the humble rotating bezel. Nearly every brand has a dive watch styled after the Rolex Submariner with a bold black knurled rotating bezel marked with triangles, sticks, and numerals. Most buyers never give these a second look, let alone turn them to time a drive, let alone a dive. Some brands also make a watch styled after the Breitling Navitimer with a busy two-part bezel marked with confusing aeronautical indications of speed and fuel load. Rolex even created a functional rotating bezel for the 2012 Sky-Dweller, used to select different functions.
A bit of research reveals that the history of the humble rotating bezel runs exactly counter to expectation, beginning with functional complications before proceeding to obscure slide rules before being stripped down to a basic hour indicator. It took 50 years for the rotating bezel to be simplified enough to enter the public consciousness and that long again before Rolex invented the Sky-Dweller’s ring command. Like so many innovations, there’s a lot to learn if you look into the rotating bezel!
The Functional Bezel
This 1913 catalog image shows a modern pocket watch with a knurled screw-on bezelThe bezel itself was an innovation. Most early clocks and watches were “open faced”, but by the 17th century some included a glass to protect the dial and hands. This was mounted in a frame of metal called a bezel, which was often attached to the case with a hinge. Thus, the first bezel was a functional part of the case, if not the watch movement.
Watches in the 19th century adopted setting and winding using a crown and often had a fixed glass over the dial, since the hands no longer needed to be manually manipulated. The glass was set directly into the rounded case without a separate bezel. This gave the watch a smooth curving contour that felt in the hand like a bar of soap (“savonnette” in French). Some watches still featured a bezel around the glass, notably the screw-on bezel and back produced by Keystone and others in America.
Winding and setting functions were not unified in a single crown until the 20th century. Earlier watches often had keys for winding or were set manually by rotating the hands. Pendant winding using a crown became widespread in the 19th century, and inventors were constantly working to enable hand setting by rotating the crown as well. These often involved levers or buttons, but some involved a rotating knurled bezel very similar in concept to the modern Sky-Dweller.
Eterna’s pioneering alarm wristwatch used a rotating bezel to set the alarm timeAs alarm watches became popular in the early 20th century, a question arose about how to set this additional function. Attention again turned to the bezel, which could be rotated to set the time of the alarm. This must have been fairly common, as 1907 coverage of a new alarm watch from F. Schweizer & Cie discusses the limitations of bezel-set alarms (reliability and accuracy).
This was notably used by Eterna on their innovative if unsuccessful 1914 Cal. 68, the first alarm wristwatch. This 13 ligne movement was offered in a small pocket watch, a wristwatch, and a convertible watch that could be mounted on the steering wheel of a car. Although the wristwatch didn’t sell well, Eterna used the same movement in a line of successful travel alarm clocks, and these inspired the entire industry to adopt this mechanism.
Soon, most alarm clocks used a rotating bezel to set the time, often with an indicator on the bezel to show the current setting. This complicated mechanism was the first widely-used rotating bezel, pre-dating the dive watch craze by three decades.
The Harwood Perpetual used a rotating bezel to set the time, with an indicator that this function was active above 6 on the dialA similar system was employed by John Harwood to set the time his Perpetual, the first self-winding wristwatch. The primary driver for his invention was the need to prevent dust and moisture from damaging the movement, a common issue on the battlefields of World War I. Since sealed crowns and stems had not yet been developed, Harwood’s goal was to create a sealed case with no crown, and he was inspired by the alarm clock setting mechanism created by Eterna to use a rotating bezel to set the time.
The Harwood Perpetual was a global sensation, even if it ultimately did not find many buyers. And the knurled or fluted bezel became a common look in the 1930s, adopted by other waterproof watch cases like the Rolex Oyster. Although not a rotating bezel in the strictest sense, many of these could be unscrewed to access the hands, dial, and movement during assembly and servicing.
This 1953 advertisement calls out Perrelet and Harwood as inspirations for RolexIt is easy to see how the Harwood Perpetual inspired the legendary Rolex Oyster Perpetual, and Rolex agreed: They specifically cited Harwood along with Abraham-Louis Perrelet as inspiration for their Oyster Perpetual in a series of advertisements in the 1950s. And it wasn’t just the Perpetual name or centrally-rotating winding: Rolex popularized the rotating bezel in this same time period, introducing the Turn-o-Graph, Submariner, and GMT-Master, as we will discuss in a moment. All of these feature a bezel that strongly resembles the Harwood Perpetual.
Lindbergh, Longines, and Weems
The idea that a rotating bezel could serve as an indicator of information rather than a mechanism to set the time originates with American aviator Philip Van Horn Weems. He developed a simplified navigational system for aircraft while serving in the American Navy in the 1920s and early 1930s. His system relied on a so-called “second-setting watch” featured a rotating inner dial that could be set to a time signal over the radio. This was based on Longines’ 1918 Touran pocket watch, which was designed to be re-set to zero at sunset to approximate the Alla Turca timekeeping system of the Ottoman Empire.
This 1932 article in Journal Suisse d’Horlogerie outlines the use of the Longines Weems-Lindbergh Hour Angle WatchA close collaboration between Weems, aviation pioneer Charles Lindburgh, Longines-Wittnauer director John P.V. Heinmuller, and the Longines and Fluckiger factories in Saint-Imier resulted in a revolutionary watch that allowed pilots to determine their location using markings on a rotating bezel. This began with a specially-modified version of the Touran watch with an outer chapter scale showing units of arc, delivered in 1930. In 1931 Longines added a rotating bezel marked with units of arc in red and green. This bezel would be pre-positioned according to the equation of time table to instantly perform the calculation needed to determine the Greenwich Hour Angle of the Sun.
Once Longines developed a stop-seconds flyback movement the inner rotating dial component was no longer needed, allowing all calculations to be performed using the rotating bezel. Later versions even dispensed with the units of arc markings on the bezel, using a simple scale with units marked 10 through 60. These were no longer Hour Angle watches at all, but they were some of the first watches with a rotating bezel. In later decades Longines produced faithful reproductions of the Lindbergh Hour Angle watch, including a lovely limited edition in 2018.
The Evolving Chronograph Bezel
As the world industrialized in the early 20th century, a need for time measurement appeared. Businesses were more interested in tracking efficiency, and aviators needed to record and note time of travel. Watchmakers struggled to develop affordable and reliable chronograph mechanisms in the 1930s and 1940s, and this a fascinating area of study. This was the era when the old monopusher gave way to the Compax, flyback, and chronostop.
Heuer’s 1935 aviation chronograph featured a rotating bezel to mark elapsed timeThe alarm time indicators of previous decades gave innovators a new idea: A rotating bezel could set an indicator to measure elapsed time. In 1935 Heuer introduced a new chronograph for aviators that featured a knurled rotating bezel attached to a white triangular indicator “to mark the departure time or any other observation.” It is unclear if this is the first chronograph watch with a rotating bezel, but it is the earliest our research has uncovered.
Breitling produced a similar-looking aviation watch with a rotating bezel in early 1936. Unlike the Heuer chronograph, the Breitling model has no minute totalizer, only chronograph seconds. As noted in Journal Suisse d’Horlogerie, the bezel indicator would “serve as the minute totalizer”, synchronized with the running minutes hand for timing flight operations.
This 1936 Breitling aviation chronograph is very similar to the Heuer model This 1936 Fortis chronostop has a fully-marked bezelFortis also produced a chronostop watch with a rotating bezel in 1936. This movement had a stop and reset function for the central chronograph seconds hand using a pusher in the crown. The Fortis chronostop was the first watch we’ve seen with a full set of 60 markers on the rotating bezel, complete with numerals from 5 to 60. The design also departed from the classic rounded screw-on bezel look: It has a flat bezel that aligns with the dial along with a sharp vertical knurled edge.
In 1938, Damas added the now-common triangle at the top, along with a fully-marked bezelThe 1938 Damas Ref. 2452 dispensed with the expensive chronograph movement entirely, relying solely on a rotating bezel and central running seconds hand to record elapsed time. This watch advanced the bezel markings in a significant way: It features a triangle at the top rather than 0 or 60. This is a common design today, combining the Heuer and Breitling bezel indicator with the full minute track and vertical edge seen on the Fortis chronostop.
The 1940 Invicta Secontrol (left) and Time-Log (right) featured a 12-hour bezel with steep groovesThe next major advancement in bezel design came from Invicta, then a respected maker of complicated watches in La Chaux-de-Fonds. They introduced two models for 1940 with a deeply-grooved 12-hour bezel: The Secontrol had a chronostop movement and telemeter and tachymeter scales on the dial, while the Time-Log used a start-stop chronograph movement with three pushers. The new bezel served as an hour counter for these watches, which would be much more useful in association with the minute totalizer subdial on the Time-Log. It is unclear exactly how the 12-hour bezel would be useful on the Secontrol.
Minerva’s 1949 Ref. 1527 introduced the count-down bezelThe next important advance in simple bezel design came in 1949 with the Minerva Ref. 1527, which features numerals that count down rather than up. This is useful as a reminder for future events rather than a recorder of elapsed time. Since this model is marked from 1 to 11 (again with the triangle at 12), it was designed to be used by aviators to mark the next turn using the hour hand. Count-down bezels are uncommon today but they remain an interesting variation on the theme.
The Slide Rule Bezel
The slide rule (“règle à calcul” in French) was invented by English mathematician and clergyman Reverend William Oughtred and others in the 17th century, utilizing the mathematical concept of logarithms discovered by John Napier. Logarithms exploit the relationship between two scales to perform various calculations, especially multiplication and division. Slide rules were the most convenient and accurate mathematical tool until the creation of electronic calculators and computers in the 1960s.
Although Moret called his invention a “montre à calcul”, it was a calculator rather than a watchThe straight slide rule is most familiar but the circular slide rule has existed since the 19th century. In 1905, Emile Alexandre Moret of France received a patent for a mechanical calculator that used geared hands to perform logarithmic calculations using circular disks. Moret recognized that a circular slide rule could be packaged as a clock or watch, calling his invention a “montre à calcul”, but it did not include a timekeeping function.
Fabriques des Montres Zénith patented a pocket calculator resembling a watch in 1918Zénith, the famous Le Locle watchmaking firm, received a patent for a mechanical slide rule calculator in a pocket watch case in 1918. Once again, although this resembled a watch it was actually a pocket calculator without any timekeeping capability.
Importantly, both of these designs appeared before the Harwood Perpetual watch popularized the concept of a rotating bezel. It was only a matter of time before someone moved the circular slide rule to the bezel of a watch.
Graef & Cie, Fabrique Mimo, was one of the most innovative watchmaking companies in the first half of the 20th century, introducing many firsts between 1930 and 1941: The first wristwatch with a calendar, a double-barrel 8-day movement, a digital jump-hour display, and even a quick-change strap. So it is no surprise that Mimo was also the first company to produce a wristwatch with a slide rule bezel.
The 1941 Mimo-Loga was the first watch with a slide rule bezelThe Mimo-Loga was the first watch to feature a freely-rotating bezel, and it included classic slide rule markings. The July 27, 1940 patent eloquently describes that, “in addition to the chronometric and chronograph devices, includes at least two conjugate logarithmic scales, at least one of which is mounted on a rotating member concentric with the dial that carries the other.”
The Mimo-Loga was introduced in early 1941, just before Mimo founder Otto Graef retired. He left his sons in control of Mimo to his sons, but they were more interested in re-establishing the famous Girard-Perregaux brand, which the family acquired in 1928. Despite its history of innovation, the Mimo brand soon disappeared.
One watch comes to mind when we think of the slide rule bezel today: The Breitling Navitimer. Although Breitling is correctly credited with making the slide rule bezel famous, it was introduced with the Chronomat, not the Navitimer, and just a few months after the Mimo-Loga! Let’s set the record straight.
Breitling advertised the Chronomat with its innovative slide rule bezel in September of 1941Most contemporary accounts claim that Breitling introduced the Chronomat in 1942, but primary sources include advertisements for “Le Chronomat” in September 1941. Although the watch may not have entered production this early, it was clearly a focus for the company at this time. Like the Mimo-Loga, the Chronomat had slide rule markings on the rotating bezel. But Breitling’s watch used a chronograph movement, and this allowed the wearer to perform many more useful calculations.
Breitling produced a companion booklet to help buyers make the most of the Chronomat’s capabilities. The dial also included red reference markings to assist in measuring seconds, fifths, minutes, and hours as well as a telemeter indicator. The Chronomat was specifically designed as a tachymeter, telemeter, pulsometer, and metronome, and the scale could perform standard mathematical calculations like previous circular slide rules. Breitling even produced a cardboard cutout model, available to retailers to help demonstrate these functions.
The Chronomat name combined these capabilities, “chronograph” and “mathematics”, but this did not last long. An automatic Chronomat without a chronograph function was introduced by 1954 and the famous Chronomatic movement further muddied the waters. Today the Chronomat line includes many chronographs but not one has a slide rule bezel.
Breitling began advertising the Navitimer in 1955This brings us to the most famous slide rule watch, the Breitling Navitimer. Today, the company claims that this watch was created in 1952 and released in 1954 with AOPA branding, and we have no reason to doubt their internal records. But the earliest public references to the Navitimer appear in 1955, and the trademark for the name was received on January 22 of that year. The Navitimer is a specialized watch, originally exclusively available to pilots, and may not have been publicized or even named until 1955.
While the Chronomat had indicators for various capabilities, the Navitimer was designed specifically to perform specialized calculations related to air travel: Ground speed, distance per minute, fuel consumption, rate and distance of climb or descent, and nautical and statute mile conversion. These scales and indices made for a very busy dial despite the hefty 41 mm case. Breitling’s current lineup includes a variety of beautiful and colorful interpretations of the classic Navitimer.
Incredibly, it is this specialized tool watch design that has become dominant in the public consciousness. Today there are numerous “Navitimer” style watches made by brands like Casio, Citizen, Hamilton, Seiko, and Victorinox. The Sinn 903 also deserves special mention: They bought up the remaining Navitimer stock from Breitling in 1979 and continued to sell these original watches as their Navigation Timer into the 1980s. This has remained in production today, with the Model 903 II released in March of 2024.
Rolex: Turn-o-Graph, Submariner, and GMT-Master
When the Swiss Industries Fair in Basel opened on May 8, 1954, visitors to the Rolex stand were treated to three new product releases: Explorer, Submariner, and Turn-o-Graph. These watches marked a transition for Rolex and ultimately the entire watch industry. All three were tool watches with modern Oyster cases and Perpetual movements, and two were defined by their distinctive rotating bezels.
The Rolex stand at the Basel fair in 1954 Europa Star’s coverage of the 1954 Basel Fair emphasized three new tool watches from RolexThe Turn-o-Graph name is not well-remembered today, but it was a staple of the Rolex lineup (on and off) until 2011. It was a simple time-only watch with a rotating bezel designed to calculate elapsed time. The Rolex rotating bezel was mostly flat, with a sharp knurled edge. In the Turn-o-Graph it was marked with four dots then a stick or numerals at 10, 20, 30, 40, and 50. A triangle with a luminous dot was placed at the top. This design reflected the dial, which used dots on the hour, sticks at 3, 6, and 9, and a triangle at 12, all with luminous paint. The Turn-o-Graph was thus the most harmonious of the trio.
The Submariner was very similar to the Turn-o-Graph but was rated to 200 meters. Rolex had a long history of producing waterproof watches, but the Submariner was altogether more elegant and refined. The bezel was wide and flat, lacking the dots of the Turn-o-Graph, with stick markers alternating between numerals on the 10s. Although a true icon today, this original Submariner looked like nothing else on the market at the time. The look was soon copied by the entire industry, making the simple flat rotating bezel a sports watch staple. And the Submariner is undoubtedly one of the most in-demand watches globally to this day.
On March 22, 1956, Rolex founder Hans Wilsdorf gathered friends and industry figures to the Hôtel des Bergues in Geneva to celebrate his 75th birthday and the success of the company. Along with the “Stick-o-Matic”, presented to him by the factory, the crowd was able to see a brand new Rolex model.
I’ve wanted to highlight the Rolex Stick-o-Matic for years! The original GMT-Master is another Rolex iconThe GMT-Master was developed with the needs of pilots in mind, though Rolex did not go to the same extremes as the Breitling Navitimer. It was the first Rolex to feature a 24 hour hand, though it was not adjustable until the 1983 GMT-Master II. And it also included a date window under a magnifying glass bubble at 3 on the dial. But it is the rotating bezel that we will focus on, since that is the subject of this article.
Mechanically quite similar to the Submariner bezel, the GMT-Master featured alternating dots and numerals from 2 to 22, indicating the hours for the central 24 hour hand. In this way, it could be used to show the time in a second time zone by rotating the bezel ahead or behind the fixed hand. This too would become an iconic design, copied by many other firms in the coming decades. And it remains a favorite Rolex model today.
From Complex to Simple, With Many Variations
There is far more we could say about the rotating bezel, but perhaps this is enough to prove my point: Invention often proceeds from complex to simple. What was once an integrated mechanism to set the alarm or time became a simple alternate time scale. But there is subtlety to the rotating bezel! While most count up, some count down. While most are marked at 60 minute intervals, others are marked at 12. And some function as slide rules or perform complicated calculations specific to navigation. The simple bezel is far from simple, and many different companies and inventors were involved in its evolution!
#Bezel #BreitlingChronomat #Damas #Eterna #Fortis #GMTMaster #HansWilsdorf #Harwood #Heuer #Invicta #Longines #Mimo #MimoLoga #Minerva #Navitimer #Rolex #Submariner #TurnOGraph #Weems #Zenith -
The Backward Evolution of the Rotating Bezel
Not everything gets more complicated as it evolves. The bezel, once a simple frame around the glass of a watch, became an integrated mechanism before it evolved into a simple numeric scale. From alarm clocks, navigational computers, and slide rules it became the most-recognized feature of the most iconic watches. Let’s consider the history of the rotating bezel.
The simple rotating bezel was once very complex!From Complex to Simple
We tend to think that innovation starts with simple ideas and becomes more complex over time. Surprisingly, the opposite is usually true. Lacking a clear use case, inventors tend to start with a complex concept before stripping away less-useful elements. Consider the Apple Newton, a full-featured handheld computer with dozens of innovative ideas that inspired simpler PDAs before morphing into the modern smartphone. My 2017 BMW i3 electric is truly an exotic car, built like a carbon fiber science project and entirely unlike the conventional 2027 i3 sedan.
The same is true in watchmaking, and this brings us to the humble rotating bezel. Nearly every brand has a dive watch styled after the Rolex Submariner with a bold black knurled rotating bezel marked with triangles, sticks, and numerals. Most buyers never give these a second look, let alone turn them to time a drive, let alone a dive. Some brands also make a watch styled after the Breitling Navitimer with a busy two-part bezel marked with confusing aeronautical indications of speed and fuel load. Rolex even created a functional rotating bezel for the 2012 Sky-Dweller, used to select different functions.
A bit of research reveals that the history of the humble rotating bezel runs exactly counter to expectation, beginning with functional complications before proceeding to obscure slide rules before being stripped down to a basic hour indicator. It took 50 years for the rotating bezel to be simplified enough to enter the public consciousness and that long again before Rolex invented the Sky-Dweller’s ring command. Like so many innovations, there’s a lot to learn if you look into the rotating bezel!
The Functional Bezel
This 1913 catalog image shows a modern pocket watch with a knurled screw-on bezelThe bezel itself was an innovation. Most early clocks and watches were “open faced”, but by the 17th century some included a glass to protect the dial and hands. This was mounted in a frame of metal called a bezel, which was often attached to the case with a hinge. Thus, the first bezel was a functional part of the case, if not the watch movement.
Watches in the 19th century adopted setting and winding using a crown and often had a fixed glass over the dial, since the hands no longer needed to be manually manipulated. The glass was set directly into the rounded case without a separate bezel. This gave the watch a smooth curving contour that felt in the hand like a bar of soap (“savonnette” in French). Some watches still featured a bezel around the glass, notably the screw-on bezel and back produced by Keystone and others in America.
Winding and setting functions were not unified in a single crown until the 20th century. Earlier watches often had keys for winding or were set manually by rotating the hands. Pendant winding using a crown became widespread in the 19th century, and inventors were constantly working to enable hand setting by rotating the crown as well. These often involved levers or buttons, but some involved a rotating knurled bezel very similar in concept to the modern Sky-Dweller.
Eterna’s pioneering alarm wristwatch used a rotating bezel to set the alarm timeAs alarm watches became popular in the early 20th century, a question arose about how to set this additional function. Attention again turned to the bezel, which could be rotated to set the time of the alarm. This must have been fairly common, as 1907 coverage of a new alarm watch from F. Schweizer & Cie discusses the limitations of bezel-set alarms (reliability and accuracy).
This was notably used by Eterna on their innovative if unsuccessful 1914 Cal. 68, the first alarm wristwatch. This 13 ligne movement was offered in a small pocket watch, a wristwatch, and a convertible watch that could be mounted on the steering wheel of a car. Although the wristwatch didn’t sell well, Eterna used the same movement in a line of successful travel alarm clocks, and these inspired the entire industry to adopt this mechanism.
Soon, most alarm clocks used a rotating bezel to set the time, often with an indicator on the bezel to show the current setting. This complicated mechanism was the first widely-used rotating bezel, pre-dating the dive watch craze by three decades.
The Harwood Perpetual used a rotating bezel to set the time, with an indicator that this function was active above 6 on the dialA similar system was employed by John Harwood to set the time his Perpetual, the first self-winding wristwatch. The primary driver for his invention was the need to prevent dust and moisture from damaging the movement, a common issue on the battlefields of World War I. Since sealed crowns and stems had not yet been developed, Harwood’s goal was to create a sealed case with no crown, and he was inspired by the alarm clock setting mechanism created by Eterna to use a rotating bezel to set the time.
The Harwood Perpetual was a global sensation, even if it ultimately did not find many buyers. And the knurled or fluted bezel became a common look in the 1930s, adopted by other waterproof watch cases like the Rolex Oyster. Although not a rotating bezel in the strictest sense, many of these could be unscrewed to access the hands, dial, and movement during assembly and servicing.
This 1953 advertisement calls out Perrelet and Harwood as inspirations for RolexIt is easy to see how the Harwood Perpetual inspired the legendary Rolex Oyster Perpetual, and Rolex agreed: They specifically cited Harwood along with Abraham-Louis Perrelet as inspiration for their Oyster Perpetual in a series of advertisements in the 1950s. And it wasn’t just the Perpetual name or centrally-rotating winding: Rolex popularized the rotating bezel in this same time period, introducing the Turn-o-Graph, Submariner, and GMT-Master, as we will discuss in a moment. All of these feature a bezel that strongly resembles the Harwood Perpetual.
Lindbergh, Longines, and Weems
The idea that a rotating bezel could serve as an indicator of information rather than a mechanism to set the time originates with American aviator Philip Van Horn Weems. He developed a simplified navigational system for aircraft while serving in the American Navy in the 1920s and early 1930s. His system relied on a so-called “second-setting watch” featured a rotating inner dial that could be set to a time signal over the radio. This was based on Longines’ 1918 Touran pocket watch, which was designed to be re-set to zero at sunset to approximate the Alla Turca timekeeping system of the Ottoman Empire.
This 1932 article in Journal Suisse d’Horlogerie outlines the use of the Longines Weems-Lindbergh Hour Angle WatchA close collaboration between Weems, aviation pioneer Charles Lindburgh, Longines-Wittnauer director John P.V. Heinmuller, and the Longines and Fluckiger factories in Saint-Imier resulted in a revolutionary watch that allowed pilots to determine their location using markings on a rotating bezel. This began with a specially-modified version of the Touran watch with an outer chapter scale showing units of arc, delivered in 1930. In 1931 Longines added a rotating bezel marked with units of arc in red and green. This bezel would be pre-positioned according to the equation of time table to instantly perform the calculation needed to determine the Greenwich Hour Angle of the Sun.
Once Longines developed a stop-seconds flyback movement the inner rotating dial component was no longer needed, allowing all calculations to be performed using the rotating bezel. Later versions even dispensed with the units of arc markings on the bezel, using a simple scale with units marked 10 through 60. These were no longer Hour Angle watches at all, but they were some of the first watches with a rotating bezel. In later decades Longines produced faithful reproductions of the Lindbergh Hour Angle watch, including a lovely limited edition in 2018.
The Evolving Chronograph Bezel
As the world industrialized in the early 20th century, a need for time measurement appeared. Businesses were more interested in tracking efficiency, and aviators needed to record and note time of travel. Watchmakers struggled to develop affordable and reliable chronograph mechanisms in the 1930s and 1940s, and this a fascinating area of study. This was the era when the old monopusher gave way to the Compax, flyback, and chronostop.
Heuer’s 1935 aviation chronograph featured a rotating bezel to mark elapsed timeThe alarm time indicators of previous decades gave innovators a new idea: A rotating bezel could set an indicator to measure elapsed time. In 1935 Heuer introduced a new chronograph for aviators that featured a knurled rotating bezel attached to a white triangular indicator “to mark the departure time or any other observation.” It is unclear if this is the first chronograph watch with a rotating bezel, but it is the earliest our research has uncovered.
Breitling produced a similar-looking aviation watch with a rotating bezel in early 1936. Unlike the Heuer chronograph, the Breitling model has no minute totalizer, only chronograph seconds. As noted in Journal Suisse d’Horlogerie, the bezel indicator would “serve as the minute totalizer”, synchronized with the running minutes hand for timing flight operations.
This 1936 Breitling aviation chronograph is very similar to the Heuer model This 1936 Fortis chronostop has a fully-marked bezelFortis also produced a chronostop watch with a rotating bezel in 1936. This movement had a stop and reset function for the central chronograph seconds hand using a pusher in the crown. The Fortis chronostop was the first watch we’ve seen with a full set of 60 markers on the rotating bezel, complete with numerals from 5 to 60. The design also departed from the classic rounded screw-on bezel look: It has a flat bezel that aligns with the dial along with a sharp vertical knurled edge.
In 1938, Damas added the now-common triangle at the top, along with a fully-marked bezelThe 1938 Damas Ref. 2452 dispensed with the expensive chronograph movement entirely, relying solely on a rotating bezel and central running seconds hand to record elapsed time. This watch advanced the bezel markings in a significant way: It features a triangle at the top rather than 0 or 60. This is a common design today, combining the Heuer and Breitling bezel indicator with the full minute track and vertical edge seen on the Fortis chronostop.
The 1940 Invicta Secontrol (left) and Time-Log (right) featured a 12-hour bezel with steep groovesThe next major advancement in bezel design came from Invicta, then a respected maker of complicated watches in La Chaux-de-Fonds. They introduced two models for 1940 with a deeply-grooved 12-hour bezel: The Secontrol had a chronostop movement and telemeter and tachymeter scales on the dial, while the Time-Log used a start-stop chronograph movement with three pushers. The new bezel served as an hour counter for these watches, which would be much more useful in association with the minute totalizer subdial on the Time-Log. It is unclear exactly how the 12-hour bezel would be useful on the Secontrol.
Minerva’s 1949 Ref. 1527 introduced the count-down bezelThe next important advance in simple bezel design came in 1949 with the Minerva Ref. 1527, which features numerals that count down rather than up. This is useful as a reminder for future events rather than a recorder of elapsed time. Since this model is marked from 1 to 11 (again with the triangle at 12), it was designed to be used by aviators to mark the next turn using the hour hand. Count-down bezels are uncommon today but they remain an interesting variation on the theme.
The Slide Rule Bezel
The slide rule (“règle à calcul” in French) was invented by English mathematician and clergyman Reverend William Oughtred and others in the 17th century, utilizing the mathematical concept of logarithms discovered by John Napier. Logarithms exploit the relationship between two scales to perform various calculations, especially multiplication and division. Slide rules were the most convenient and accurate mathematical tool until the creation of electronic calculators and computers in the 1960s.
Although Moret called his invention a “montre à calcul”, it was a calculator rather than a watchThe straight slide rule is most familiar but the circular slide rule has existed since the 19th century. In 1905, Emile Alexandre Moret of France received a patent for a mechanical calculator that used geared hands to perform logarithmic calculations using circular disks. Moret recognized that a circular slide rule could be packaged as a clock or watch, calling his invention a “montre à calcul”, but it did not include a timekeeping function.
Fabriques des Montres Zénith patented a pocket calculator resembling a watch in 1918Zénith, the famous Le Locle watchmaking firm, received a patent for a mechanical slide rule calculator in a pocket watch case in 1918. Once again, although this resembled a watch it was actually a pocket calculator without any timekeeping capability.
Importantly, both of these designs appeared before the Harwood Perpetual watch popularized the concept of a rotating bezel. It was only a matter of time before someone moved the circular slide rule to the bezel of a watch.
Graef & Cie, Fabrique Mimo, was one of the most innovative watchmaking companies in the first half of the 20th century, introducing many firsts between 1930 and 1941: The first wristwatch with a calendar, a double-barrel 8-day movement, a digital jump-hour display, and even a quick-change strap. So it is no surprise that Mimo was also the first company to produce a wristwatch with a slide rule bezel.
The 1941 Mimo-Loga was the first watch with a slide rule bezelThe Mimo-Loga was the first watch to feature a freely-rotating bezel, and it included classic slide rule markings. The July 27, 1940 patent eloquently describes that, “in addition to the chronometric and chronograph devices, includes at least two conjugate logarithmic scales, at least one of which is mounted on a rotating member concentric with the dial that carries the other.”
The Mimo-Loga was introduced in early 1941, just before Mimo founder Otto Graef retired. He left his sons in control of Mimo to his sons, but they were more interested in re-establishing the famous Girard-Perregaux brand, which the family acquired in 1928. Despite its history of innovation, the Mimo brand soon disappeared.
One watch comes to mind when we think of the slide rule bezel today: The Breitling Navitimer. Although Breitling is correctly credited with making the slide rule bezel famous, it was introduced with the Chronomat, not the Navitimer, and just a few months after the Mimo-Loga! Let’s set the record straight.
Breitling advertised the Chronomat with its innovative slide rule bezel in September of 1941Most contemporary accounts claim that Breitling introduced the Chronomat in 1942, but primary sources include advertisements for “Le Chronomat” in September 1941. Although the watch may not have entered production this early, it was clearly a focus for the company at this time. Like the Mimo-Loga, the Chronomat had slide rule markings on the rotating bezel. But Breitling’s watch used a chronograph movement, and this allowed the wearer to perform many more useful calculations.
Breitling produced a companion booklet to help buyers make the most of the Chronomat’s capabilities. The dial also included red reference markings to assist in measuring seconds, fifths, minutes, and hours as well as a telemeter indicator. The Chronomat was specifically designed as a tachymeter, telemeter, pulsometer, and metronome, and the scale could perform standard mathematical calculations like previous circular slide rules. Breitling even produced a cardboard cutout model, available to retailers to help demonstrate these functions.
The Chronomat name combined these capabilities, “chronograph” and “mathematics”, but this did not last long. An automatic Chronomat without a chronograph function was introduced by 1954 and the famous Chronomatic movement further muddied the waters. Today the Chronomat line includes many chronographs but not one has a slide rule bezel.
Breitling began advertising the Navitimer in 1955This brings us to the most famous slide rule watch, the Breitling Navitimer. Today, the company claims that this watch was created in 1952 and released in 1954 with AOPA branding, and we have no reason to doubt their internal records. But the earliest public references to the Navitimer appear in 1955, and the trademark for the name was received on January 22 of that year. The Navitimer is a specialized watch, originally exclusively available to pilots, and may not have been publicized or even named until 1955.
While the Chronomat had indicators for various capabilities, the Navitimer was designed specifically to perform specialized calculations related to air travel: Ground speed, distance per minute, fuel consumption, rate and distance of climb or descent, and nautical and statute mile conversion. These scales and indices made for a very busy dial despite the hefty 41 mm case. Breitling’s current lineup includes a variety of beautiful and colorful interpretations of the classic Navitimer.
Incredibly, it is this specialized tool watch design that has become dominant in the public consciousness. Today there are numerous “Navitimer” style watches made by brands like Casio, Citizen, Hamilton, Seiko, and Victorinox. The Sinn 903 also deserves special mention: They bought up the remaining Navitimer stock from Breitling in 1979 and continued to sell these original watches as their Navigation Timer into the 1980s. This has remained in production today, with the Model 903 II released in March of 2024.
Rolex: Turn-o-Graph, Submariner, and GMT-Master
When the Swiss Industries Fair in Basel opened on May 8, 1954, visitors to the Rolex stand were treated to three new product releases: Explorer, Submariner, and Turn-o-Graph. These watches marked a transition for Rolex and ultimately the entire watch industry. All three were tool watches with modern Oyster cases and Perpetual movements, and two were defined by their distinctive rotating bezels.
The Rolex stand at the Basel fair in 1954 Europa Star’s coverage of the 1954 Basel Fair emphasized three new tool watches from RolexThe Turn-o-Graph name is not well-remembered today, but it was a staple of the Rolex lineup (on and off) until 2011. It was a simple time-only watch with a rotating bezel designed to calculate elapsed time. The Rolex rotating bezel was mostly flat, with a sharp knurled edge. In the Turn-o-Graph it was marked with four dots then a stick or numerals at 10, 20, 30, 40, and 50. A triangle with a luminous dot was placed at the top. This design reflected the dial, which used dots on the hour, sticks at 3, 6, and 9, and a triangle at 12, all with luminous paint. The Turn-o-Graph was thus the most harmonious of the trio.
The Submariner was very similar to the Turn-o-Graph but was rated to 200 meters. Rolex had a long history of producing waterproof watches, but the Submariner was altogether more elegant and refined. The bezel was wide and flat, lacking the dots of the Turn-o-Graph, with stick markers alternating between numerals on the 10s. Although a true icon today, this original Submariner looked like nothing else on the market at the time. The look was soon copied by the entire industry, making the simple flat rotating bezel a sports watch staple. And the Submariner is undoubtedly one of the most in-demand watches globally to this day.
On March 22, 1956, Rolex founder Hans Wilsdorf gathered friends and industry figures to the Hôtel des Bergues in Geneva to celebrate his 75th birthday and the success of the company. Along with the “Stick-o-Matic”, presented to him by the factory, the crowd was able to see a brand new Rolex model.
I’ve wanted to highlight the Rolex Stick-o-Matic for years! The original GMT-Master is another Rolex iconThe GMT-Master was developed with the needs of pilots in mind, though Rolex did not go to the same extremes as the Breitling Navitimer. It was the first Rolex to feature a 24 hour hand, though it was not adjustable until the 1983 GMT-Master II. And it also included a date window under a magnifying glass bubble at 3 on the dial. But it is the rotating bezel that we will focus on, since that is the subject of this article.
Mechanically quite similar to the Submariner bezel, the GMT-Master featured alternating dots and numerals from 2 to 22, indicating the hours for the central 24 hour hand. In this way, it could be used to show the time in a second time zone by rotating the bezel ahead or behind the fixed hand. This too would become an iconic design, copied by many other firms in the coming decades. And it remains a favorite Rolex model today.
From Complex to Simple, With Many Variations
There is far more we could say about the rotating bezel, but perhaps this is enough to prove my point: Invention often proceeds from complex to simple. What was once an integrated mechanism to set the alarm or time became a simple alternate time scale. But there is subtlety to the rotating bezel! While most count up, some count down. While most are marked at 60 minute intervals, others are marked at 12. And some function as slide rules or perform complicated calculations specific to navigation. The simple bezel is far from simple, and many different companies and inventors were involved in its evolution!
#Bezel #BreitlingChronomat #Damas #Eterna #Fortis #GMTMaster #HansWilsdorf #Harwood #Heuer #Invicta #Longines #Mimo #MimoLoga #Minerva #Navitimer #Rolex #Submariner #TurnOGraph #Weems #Zenith -
Fresh beigeizen introductory post! 🌱 I moved here from another server, and here I feel like I can be weird but in a benevolent way. Privileged to be here.
A confession to open with: I'm a bit lost lately. Not in a dramatic way. More like staring at foggy buildings disappearing into the heights, seeing the beauty but not feeling the associated eerie melancholy. My life path is on autopoiesis, but not quite clear. It's challenging in a satisfying way, yet my mind is filled with a kind of jaded static. Perhaps I'm at the age of needing to rediscover myself. Or it's just the world being a lot right now. Likely both.
I make my living by making educational journeys happen. I design them from idea to delivery, or support others to do something similar. My background is in #psychology, and all my educational content intersects this science with democratic values and history. All #education should playfully animate curiosity and empathy. It's my way of contributing to nudging the world in better directions. Without heavily investing into emancipating, inclusive educational systems, we are all lost.
When I'm not doing that, I'm playing games - board games, TTRPGs or video games. Numenera is still my favourite tabletop RPG (campaign incoming, wish us good times). I'm also exploring Pathfinder, and I'm an #NSR fan with a soft spot for narrative-driven adventures. When it comes to vydia, #Faeria is my competitive favourite (let's connect and play if you're the rare breed who plays it too), while lately it's #ULTRAKILL where I go to feel things.
Speaking of worlds being built, I'm currently crafting #Cosmoboros, an outlandish TTRPG emerging from a #psychedelic haze. Also some smaller experimental stuff, like a floppy disk solo journaling game.
Occasionally I'll post photos I've taken or strange little stories I've written. I like books and non-conventional comics, so expect some reviews too. I just try to share bits of what inspires me. I tried to trap my shitposting persona to a secret account, but sometimes I can't help myself (not that I'm good at the art).
Full disclosure: I like AI (not limited to LLMs), I think it's one of the most wonderful things we've ever forced into existence, though I do criticise many of the technology's real-world effects.
Human rights are for everyone, except perhaps those who actively work on taking these rights away. Call these people what you want, to me, they are the enemy. Other than that I don't care what you believe in, as long as you are willing to discuss our inevitably different interpretations of the universe with an open mind.
If I need to tell anyone that all my opinions are my own and don't represent that of any other party, then they should also know that everything I say or ever said is a bad joke.
My beliefs are conflicting and I know that whatever I believe in is very likely not how things actually work.
-
Fresh beigeizen introductory post! 🌱 I moved here from another server, and here I feel like I can be weird but in a benevolent way. Privileged to be here.
A confession to open with: I'm a bit lost lately. Not in a dramatic way. More like staring at foggy buildings disappearing into the heights, seeing the beauty but not feeling the associated eerie melancholy. My life path is on autopoiesis, but not quite clear. It's challenging in a satisfying way, yet my mind is filled with a kind of jaded static. Perhaps I'm at the age of needing to rediscover myself. Or it's just the world being a lot right now. Likely both.
I make my living by making educational journeys happen. I design them from idea to delivery, or support others to do something similar. My background is in #psychology, and all my educational content intersects this science with democratic values and history. All #education should playfully animate curiosity and empathy. It's my way of contributing to nudging the world in better directions. Without heavily investing into emancipating, inclusive educational systems, we are all lost.
When I'm not doing that, I'm playing games - board games, TTRPGs or video games. Numenera is still my favourite tabletop RPG (campaign incoming, wish us good times). I'm also exploring Pathfinder, and I'm an #NSR fan with a soft spot for narrative-driven adventures. When it comes to vydia, #Faeria is my competitive favourite (let's connect and play if you're the rare breed who plays it too), while lately it's #ULTRAKILL where I go to feel things.
Speaking of worlds being built, I'm currently crafting #Cosmoboros, an outlandish TTRPG emerging from a #psychedelic haze. Also some smaller experimental stuff, like a floppy disk solo journaling game.
Occasionally I'll post photos I've taken or strange little stories I've written. I like books and non-conventional comics, so expect some reviews too. I just try to share bits of what inspires me. I tried to trap my shitposting persona to a secret account, but sometimes I can't help myself (not that I'm good at the art).
Full disclosure: I like AI (not limited to LLMs), I think it's one of the most wonderful things we've ever forced into existence, though I do criticise many of the technology's real-world effects.
Human rights are for everyone, except perhaps those who actively work on taking these rights away. Call these people what you want, to me, they are the enemy. Other than that I don't care what you believe in, as long as you are willing to discuss our inevitably different interpretations of the universe with an open mind.
If I need to tell anyone that all my opinions are my own and don't represent that of any other party, then they should also know that everything I say or ever said is a bad joke.
My beliefs are conflicting and I know that whatever I believe in is very likely not how things actually work.
-
Fresh beigeizen introductory post! 🌱 I moved here from another server, and here I feel like I can be weird but in a benevolent way. Privileged to be here.
A confession to open with: I'm a bit lost lately. Not in a dramatic way. More like staring at foggy buildings disappearing into the heights, seeing the beauty but not feeling the associated eerie melancholy. My life path is on autopoiesis, but not quite clear. It's challenging in a satisfying way, yet my mind is filled with a kind of jaded static. Perhaps I'm at the age of needing to rediscover myself. Or it's just the world being a lot right now. Likely both.
I make my living by making educational journeys happen. I design them from idea to delivery, or support others to do something similar. My background is in #psychology, and all my educational content intersects this science with democratic values and history. All #education should playfully animate curiosity and empathy. It's my way of contributing to nudging the world in better directions. Without heavily investing into emancipating, inclusive educational systems, we are all lost.
When I'm not doing that, I'm playing games - board games, TTRPGs or video games. Numenera is still my favourite tabletop RPG (campaign incoming, wish us good times). I'm also exploring Pathfinder, and I'm an #NSR fan with a soft spot for narrative-driven adventures. When it comes to vydia, #Faeria is my competitive favourite (let's connect and play if you're the rare breed who plays it too), while lately it's #ULTRAKILL where I go to feel things.
Speaking of worlds being built, I'm currently crafting #Cosmoboros, an outlandish TTRPG emerging from a #psychedelic haze. Also some smaller experimental stuff, like a floppy disk solo journaling game.
Occasionally I'll post photos I've taken or strange little stories I've written. I like books and non-conventional comics, so expect some reviews too. I just try to share bits of what inspires me. I tried to trap my shitposting persona to a secret account, but sometimes I can't help myself (not that I'm good at the art).
Full disclosure: I like AI (not limited to LLMs), I think it's one of the most wonderful things we've ever forced into existence, though I do criticise many of the technology's real-world effects.
Human rights are for everyone, except perhaps those who actively work on taking these rights away. Call these people what you want, to me, they are the enemy. Other than that I don't care what you believe in, as long as you are willing to discuss our inevitably different interpretations of the universe with an open mind.
If I need to tell anyone that all my opinions are my own and don't represent that of any other party, then they should also know that everything I say or ever said is a bad joke.
My beliefs are conflicting and I know that whatever I believe in is very likely not how things actually work.