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#sineadoconnor — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #sineadoconnor, aggregated by home.social.

  1. On 6 September 1990: 7th MTV Video Music Awards: #SineadOConnor wins.

  2. Here’s Kris Kristofferson and Sinéad O'Connor/Shuhada' Sadaqat‘s duet of “Help Me Make It Through The Night” (youtu.be/_5i_vF7DRA0?si=yjsdtn) Kristofferson was one of the few people to publicly support O’Connor after she rightfully and bravely criticized the Catholic Church on SNL
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  3. Here’s Kris Kristofferson and Sinéad O'Connor/Shuhada' Sadaqat‘s duet of “Help Me Make It Through The Night” (youtu.be/_5i_vF7DRA0?si=yjsdtn) Kristofferson was one of the few people to publicly support O’Connor after she rightfully and bravely criticized the Catholic Church on SNL
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  4. Here’s Kris Kristofferson and Sinéad O'Connor/Shuhada' Sadaqat‘s duet of “Help Me Make It Through The Night” (youtu.be/_5i_vF7DRA0?si=yjsdtn) Kristofferson was one of the few people to publicly support O’Connor after she rightfully and bravely criticized the Catholic Church on SNL
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  5. Here’s Kris Kristofferson and Sinéad O'Connor/Shuhada' Sadaqat‘s duet of “Help Me Make It Through The Night” (youtu.be/_5i_vF7DRA0?si=yjsdtn) Kristofferson was one of the few people to publicly support O’Connor after she rightfully and bravely criticized the Catholic Church on SNL
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  6. Here’s Kris Kristofferson and Sinéad O'Connor/Shuhada' Sadaqat‘s duet of “Help Me Make It Through The Night” (youtu.be/_5i_vF7DRA0?si=yjsdtn) Kristofferson was one of the few people to publicly support O’Connor after she rightfully and bravely criticized the Catholic Church on SNL
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  7. ICYMI: There’s a really wonderful 2022 documentary about Sinéad O'Connor/Shuhada' Sadaqat called “Nothing Compares”. You can watch it on Sh*wtime/Param*unt+ and for free here (ok.ru/video/4137632270984)
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  8. ICYMI: There’s a really wonderful 2022 documentary about Sinéad O'Connor/Shuhada' Sadaqat called “Nothing Compares”. You can watch it on Sh*wtime/Param*unt+ and for free here (ok.ru/video/4137632270984)
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  9. ICYMI: There’s a really wonderful 2022 documentary about Sinéad O'Connor/Shuhada' Sadaqat called “Nothing Compares”. You can watch it on Sh*wtime/Param*unt+ and for free here (ok.ru/video/4137632270984)
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  10. ICYMI: There’s a really wonderful 2022 documentary about Sinéad O'Connor/Shuhada' Sadaqat called “Nothing Compares”. You can watch it on Sh*wtime/Param*unt+ and for free here (ok.ru/video/4137632270984)
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  11. ICYMI: There’s a really wonderful 2022 documentary about Sinéad O'Connor/Shuhada' Sadaqat called “Nothing Compares”. You can watch it on Sh*wtime/Param*unt+ and for free here (ok.ru/video/4137632270984)
    #RetroView #StPatricksDay #WomensHistoryMonth #SineadOConnor #ShuhadaSadaqat

  12. For #TuneTuesday, we're looking for songs you love but don't / can't bear to listen to.

    For me, that song is Scorn Not His Simplicity, by Sinead O'Connor (Shuhada' Sadaqat).

    It is so beautifully sung, pointing to a larger story of heartbreak beyond the beautiful lyrics. And I almost never listen to it. Just the thought of it is too much sometimes.

    song.link/y/8IGpKdRieog

    #SineadOConnor #ShuhadaSadaqat #LoveYouLoveYouNot

  13. For #TuneTuesday, we're looking for songs you love but don't / can't bear to listen to.

    For me, that song is Scorn Not His Simplicity, by Sinead O'Connor (Shuhada' Sadaqat).

    It is so beautifully sung, pointing to a larger story of heartbreak beyond the beautiful lyrics. And I almost never listen to it. Just the thought of it is too much sometimes.

    song.link/y/8IGpKdRieog

    #SineadOConnor #ShuhadaSadaqat #LoveYouLoveYouNot

  14. For #TuneTuesday, we're looking for songs you love but don't / can't bear to listen to.

    For me, that song is Scorn Not His Simplicity, by Sinead O'Connor (Shuhada' Sadaqat).

    It is so beautifully sung, pointing to a larger story of heartbreak beyond the beautiful lyrics. And I almost never listen to it. Just the thought of it is too much sometimes.

    song.link/y/8IGpKdRieog

    #SineadOConnor #ShuhadaSadaqat #LoveYouLoveYouNot

  15. For #TuneTuesday, we're looking for songs you love but don't / can't bear to listen to.

    For me, that song is Scorn Not His Simplicity, by Sinead O'Connor (Shuhada' Sadaqat).

    It is so beautifully sung, pointing to a larger story of heartbreak beyond the beautiful lyrics. And I almost never listen to it. Just the thought of it is too much sometimes.

    song.link/y/8IGpKdRieog

    #SineadOConnor #ShuhadaSadaqat #LoveYouLoveYouNot

  16. For #TuneTuesday, we're looking for songs you love but don't / can't bear to listen to.

    For me, that song is Scorn Not His Simplicity, by Sinead O'Connor (Shuhada' Sadaqat).

    It is so beautifully sung, pointing to a larger story of heartbreak beyond the beautiful lyrics. And I almost never listen to it. Just the thought of it is too much sometimes.

    song.link/y/8IGpKdRieog

    #SineadOConnor #ShuhadaSadaqat #LoveYouLoveYouNot

  17. Troy
    In my mind this is the song that Sinead O'Connor should best be remembered for. Realize that there are only two instruments at work here. Her guitar ... and her VOICE!

    #nowplaying #nowhearthis #randomplay #music #mixtape #simsongs #listenup #sineadoconnor #sinead #troy #hervoice #livemusic

    youtu.be/u_tJAVgZX0c?si=OZbvEK

  18. #30DaySongChallenge Day 23: An artist whose voice you love

    #Heroine, from the soundtrack to #Captive - #TheEdge of #U2, with #SineadOConnor. This is the first Sinead O'Connor / #ShuhadaSadaqat song I ever heard. I was completely mesmerized by her haunting voice!

    youtube.com/watch?v=cx9GnbfjAs

    #80sMusic #RIPSineadOConnor #HauntingVoices

  19. #30DaySongChallenge Day 23: An artist whose voice you love

    #Heroine, from the soundtrack to #Captive - #TheEdge of #U2, with #SineadOConnor. This is the first Sinead O'Connor / #ShuhadaSadaqat song I ever heard. I was completely mesmerized by her haunting voice!

    youtube.com/watch?v=cx9GnbfjAs

    #80sMusic #RIPSineadOConnor #HauntingVoices

  20. #30DaySongChallenge Day 23: An artist whose voice you love

    #Heroine, from the soundtrack to #Captive - #TheEdge of #U2, with #SineadOConnor. This is the first Sinead O'Connor / #ShuhadaSadaqat song I ever heard. I was completely mesmerized by her haunting voice!

    youtube.com/watch?v=cx9GnbfjAs

    #80sMusic #RIPSineadOConnor #HauntingVoices

  21. #30DaySongChallenge Day 23: An artist whose voice you love

    #Heroine, from the soundtrack to #Captive - #TheEdge of #U2, with #SineadOConnor. This is the first Sinead O'Connor / #ShuhadaSadaqat song I ever heard. I was completely mesmerized by her haunting voice!

    youtube.com/watch?v=cx9GnbfjAs

    #80sMusic #RIPSineadOConnor #HauntingVoices

  22. #30DaySongChallenge Day 23: An artist whose voice you love

    #Heroine, from the soundtrack to #Captive - #TheEdge of #U2, with #SineadOConnor. This is the first Sinead O'Connor / #ShuhadaSadaqat song I ever heard. I was completely mesmerized by her haunting voice!

    youtube.com/watch?v=cx9GnbfjAs

    #80sMusic #RIPSineadOConnor #HauntingVoices

  23. A Sense of Doubt blog post #3702 - "These are Dangerous Days" - SoD Reprint of #1460 from 2019 - a mix and one song - "Black Boys on Mopeds" - Sinéad O'Connor - Music Monday for 2504.07. sensedoubt.blogspot.com/2025/0 #Dangerous #stateofthehatenation #HandsOffProtests #SineadOConnor

  24. The Blood of Eden

    "My grip is surely slipping
    I think I've lost my hold
    Yes, I think I've lost my hold
    I cannot get insurance anymore
    They don't take credit, only gold
    Is that a dagger or a crucifix I see
    You hold so tightly in your hand
    And all the while the distance grows
    Between you and me, I do not understand..."

    youtube.com/watch?v=3XhDGkg8Sp
    #PeterGabriel #ShuhadaSadaqat #SineadOConnor #FridayNightMusicVideos #TheBloodofEden #90sMusic #Duet #PowerPop

  25. The Blood of Eden

    "My grip is surely slipping
    I think I've lost my hold
    Yes, I think I've lost my hold
    I cannot get insurance anymore
    They don't take credit, only gold
    Is that a dagger or a crucifix I see
    You hold so tightly in your hand
    And all the while the distance grows
    Between you and me, I do not understand..."

    youtube.com/watch?v=3XhDGkg8Sp
    #PeterGabriel #ShuhadaSadaqat #SineadOConnor #FridayNightMusicVideos #TheBloodofEden #90sMusic #Duet #PowerPop

  26. The Blood of Eden

    "My grip is surely slipping
    I think I've lost my hold
    Yes, I think I've lost my hold
    I cannot get insurance anymore
    They don't take credit, only gold
    Is that a dagger or a crucifix I see
    You hold so tightly in your hand
    And all the while the distance grows
    Between you and me, I do not understand..."

    youtube.com/watch?v=3XhDGkg8Sp
    #PeterGabriel #ShuhadaSadaqat #SineadOConnor #FridayNightMusicVideos #TheBloodofEden #90sMusic #Duet #PowerPop

  27. The Blood of Eden

    "My grip is surely slipping
    I think I've lost my hold
    Yes, I think I've lost my hold
    I cannot get insurance anymore
    They don't take credit, only gold
    Is that a dagger or a crucifix I see
    You hold so tightly in your hand
    And all the while the distance grows
    Between you and me, I do not understand..."

    youtube.com/watch?v=3XhDGkg8Sp
    #PeterGabriel #ShuhadaSadaqat #SineadOConnor #FridayNightMusicVideos #TheBloodofEden #90sMusic #Duet #PowerPop

  28. The Blood of Eden

    "My grip is surely slipping
    I think I've lost my hold
    Yes, I think I've lost my hold
    I cannot get insurance anymore
    They don't take credit, only gold
    Is that a dagger or a crucifix I see
    You hold so tightly in your hand
    And all the while the distance grows
    Between you and me, I do not understand..."

    youtube.com/watch?v=3XhDGkg8Sp
    #PeterGabriel #ShuhadaSadaqat #SineadOConnor #FridayNightMusicVideos #TheBloodofEden #90sMusic #Duet #PowerPop

  29. Sinéad O’Connor, The Lion and the Cobra, 1987 on Chrysalis / Ensign

    This was Sinéad’s debut album and is still just astonishingly great. The spoken word intro in gaelic by Enya before “Never Get Old” is Psalm 91:

    For He will give His angels charge over thee, To keep thee in all thy ways.

    They shall bear thee upon their hands, Lest thou dash thy foot against a stone.

    Thou shalt tread upon the lion and asp; The young lion and the serpent shalt thou trample […]

    #1980s #1987 #BeverlyCoinJewel #BeverlyMA #Chrysalis #Ensign #SinéadOConnor #vinyl #vinylcollection #vinylfinds

    wp.me/p4tTZ-6HM

  30. As randomly chosen by survey* on Mastodon, our next spotlight is on number 973 on The List, submitted by yours truly (i.e., buffyleigh).

    As I sadly so often end up doing, I often don’t catch up on an artist’s discography until after they’ve left us. And while the circumstances are sad, it can be a really beautiful experience to discover new favorite albums that I didn’t even know existed when the artist was with us. This album is one such discovery – Shuhada’ Sadaqat’s (a.k.a. Sinéad O’Connor’s) album of reggae covers.

    I generally stay away from covers, especially if they’re done in the same style as the originals. But I think this entire album is so tastefully and beautifully done, Sadaqat’s respect for the material is so obvious. Introduced to reggae in her early London days via a friend who collected all the records that were on the Jamaican charts, and then becoming a fly on the wall of a record shop owned and frequented by old Jamaicans,** Sadaqat connected deeply with the Rastafari community, seeing parallels between their struggles and those of the Irish people, as well as how she approached her own beliefs. As she wrote in the liner notes:

    Thanks first and foremost to the great men who wrote and performed these songs and whose inspiration has kept me nourished with strength at times when I might otherwise have lost faith in myself. These men were part of a battle fought for self esteem and for the freeing of God from religion. As such, they are my heroes, my teachers, my masters, my priests, my prophets, my guides and my godfathers. And I could never in a million words or years, express the love and gratitude I feel toward them, for the truth and rights which they benevolently taught through music and which raised God from the dead in the soul of a little Irish Catholic woman. Nor could I express the influence they have had on my own singing and songwriting. The originals of these songs can never be bettered, and so all I can hope in recording them, is to honour the composers and pass on their teachings…

    Throw Down Your Arms was recorded in Jamaica and was produced by the amazing duo Sly & Robbie (i.e., Sly Dunbar and Robbie Shakespeare), who also played drums and bass on the album. Nearly half of the album is Burning Spear covers,*** the others covers of The Abyssinians, Junior Byles, Devon Irons, Israel Vibration, Peter Tosh, and Buju Banton, ending with Bob Marley & The Wailers’ “War” (which she had previously covered in the infamous 1992 Saturday Night Live performance). Sadaqat personally payed for the majority of the record herself and donated 10% of the profits to Rasta elders in Jamaica.

    A physical copy of the album is a bit hard to track down but, if you can, try to get the double-disc version – the second disc is a really fantastic dub version of the album, which I tend to prefer. A Youtube link to the dub version is also below, hopefully it works for you.

    Happy listening and, Shuhada’ Sadaqat, may you rest in peace.

    *The survey choices that led to this spotlight were “If you walk with Jesus”, “He’s gonna save your soul”, “You gotta keep the devil”, and “Way down in the hole”, following the earlier survey that had “When you walk through the garden”, “You gotta watch your back”, “Well, I beg your pardon”, and “Walk the straight and narrow track”. The fourth phrase was the winning selection, so the survey result was translated as picking the fourth album in The List with one of the phrase’s words in the title, the matching word here being “down”.
    **See the chapter called “A Lesson or Two” in her memoir, Rememberings (which I highly recommend), published under the name Sinéad O’Connor.
    ***5 of the 12 songs are from Burning Spear. If you haven’t already, check out our earlier spotlight on Burning Spear’s Marcus Garvey, an album I actually discovered via Throw Down Your Arms (because I’m always doing these things backwards, lol).

    https://1001otheralbums.com/2024/08/21/sinead-oconnor-throw-down-your-arms-2005-ireland/

    #1001OtherAlbums #2000s #BobMarley #BujuBanton #BurningSpear #covers #DevonIrons #dub #IsraelVibration #JuniorByles #PeterTosh #reggae #ShuhadaSadaqat #SineadOConnor #TheAbyssinians

  31. As randomly chosen by survey* on Mastodon, our next spotlight is on number 973 on The List, submitted by yours truly (i.e., buffyleigh).

    As I sadly so often end up doing, I often don’t catch up on an artist’s discography until after they’ve left us. And while the circumstances are sad, it can be a really beautiful experience to discover new favorite albums that I didn’t even know existed when the artist was with us. This album is one such discovery – Shuhada’ Sadaqat’s (a.k.a. Sinéad O’Connor’s) album of reggae covers.

    I generally stay away from covers, especially if they’re done in the same style as the originals. But I think this entire album is so tastefully and beautifully done, Sadaqat’s respect for the material is so obvious. Introduced to reggae in her early London days via a friend who collected all the records that were on the Jamaican charts, and then becoming a fly on the wall of a record shop owned and frequented by old Jamaicans,** Sadaqat connected deeply with the Rastafari community, seeing parallels between their struggles and those of the Irish people, as well as how she approached her own beliefs. As she wrote in the liner notes:

    Thanks first and foremost to the great men who wrote and performed these songs and whose inspiration has kept me nourished with strength at times when I might otherwise have lost faith in myself. These men were part of a battle fought for self esteem and for the freeing of God from religion. As such, they are my heroes, my teachers, my masters, my priests, my prophets, my guides and my godfathers. And I could never in a million words or years, express the love and gratitude I feel toward them, for the truth and rights which they benevolently taught through music and which raised God from the dead in the soul of a little Irish Catholic woman. Nor could I express the influence they have had on my own singing and songwriting. The originals of these songs can never be bettered, and so all I can hope in recording them, is to honour the composers and pass on their teachings…

    Throw Down Your Arms was recorded in Jamaica and was produced by the amazing duo Sly & Robbie (i.e., Sly Dunbar and Robbie Shakespeare), who also played drums and bass on the album. Nearly half of the album is Burning Spear covers,*** the others covers of The Abyssinians, Junior Byles, Devon Irons, Israel Vibration, Peter Tosh, and Buju Banton, ending with Bob Marley & The Wailers’ “War” (which she had previously covered in the infamous 1992 Saturday Night Live performance). Sadaqat personally paid for the majority of the record herself and donated 10% of the profits to Rasta elders in Jamaica.

    A physical copy of the album is a bit hard to track down but, if you can, try to get the double-disc version – the second disc is a really fantastic dub version of the album, which I tend to prefer. A Youtube link to the dub version is also below, hopefully it works for you.

    Happy listening and, Shuhada’ Sadaqat, may you rest in peace.

    *The survey choices that led to this spotlight were “If you walk with Jesus”, “He’s gonna save your soul”, “You gotta keep the devil”, and “Way down in the hole”, following the earlier survey that had “When you walk through the garden”, “You gotta watch your back”, “Well, I beg your pardon”, and “Walk the straight and narrow track”. The fourth phrase was the winning selection, so the survey result was translated as picking the fourth album in The List with one of the phrase’s words in the title, the matching word here being “down”.
    **See the chapter called “A Lesson or Two” in her memoir, Rememberings (which I highly recommend), published under the name Sinéad O’Connor.
    ***5 of the 12 songs are from Burning Spear. If you haven’t already, check out our earlier spotlight on Burning Spear’s Marcus Garvey, an album I actually discovered via Throw Down Your Arms (because I’m always doing these things backwards, lol).

    https://1001otheralbums.com/2024/08/21/sinead-oconnor-throw-down-your-arms-2005-ireland/

    #1001OtherAlbums #2000s #BobMarley #BujuBanton #BurningSpear #covers #DevonIrons #dub #IsraelVibration #JuniorByles #PeterTosh #reggae #ShuhadaSadaqat #SineadOConnor #TheAbyssinians

  32. As randomly chosen by survey* on Mastodon, our next spotlight is on number 973 on The List, submitted by yours truly (i.e., buffyleigh).

    As I sadly so often end up doing, I often don’t catch up on an artist’s discography until after they’ve left us. And while the circumstances are sad, it can be a really beautiful experience to discover new favorite albums that I didn’t even know existed when the artist was with us. This album is one such discovery – Shuhada’ Sadaqat’s (a.k.a. Sinéad O’Connor’s) album of reggae covers.

    I generally stay away from covers, especially if they’re done in the same style as the originals. But I think this entire album is so tastefully and beautifully done, Sadaqat’s respect for the material is so obvious. Introduced to reggae in her early London days via a friend who collected all the records that were on the Jamaican charts, and then becoming a fly on the wall of a record shop owned and frequented by old Jamaicans,** Sadaqat connected deeply with the Rastafari community, seeing parallels between their struggles and those of the Irish people, as well as how she approached her own beliefs. As she wrote in the liner notes:

    Thanks first and foremost to the great men who wrote and performed these songs and whose inspiration has kept me nourished with strength at times when I might otherwise have lost faith in myself. These men were part of a battle fought for self esteem and for the freeing of God from religion. As such, they are my heroes, my teachers, my masters, my priests, my prophets, my guides and my godfathers. And I could never in a million words or years, express the love and gratitude I feel toward them, for the truth and rights which they benevolently taught through music and which raised God from the dead in the soul of a little Irish Catholic woman. Nor could I express the influence they have had on my own singing and songwriting. The originals of these songs can never be bettered, and so all I can hope in recording them, is to honour the composers and pass on their teachings…

    Throw Down Your Arms was recorded in Jamaica and was produced by the amazing duo Sly & Robbie (i.e., Sly Dunbar and Robbie Shakespeare), who also played drums and bass on the album. Nearly half of the album is Burning Spear covers,*** the others covers of The Abyssinians, Junior Byles, Devon Irons, Israel Vibration, Peter Tosh, and Buju Banton, ending with Bob Marley & The Wailers’ “War” (which she had previously covered in the infamous 1992 Saturday Night Live performance). Sadaqat personally payed for the majority of the record herself and donated 10% of the profits to Rasta elders in Jamaica.

    A physical copy of the album is a bit hard to track down but, if you can, try to get the double-disc version – the second disc is a really fantastic dub version of the album, which I tend to prefer. A Youtube link to the dub version is also below, hopefully it works for you.

    Happy listening and, Shuhada’ Sadaqat, may you rest in peace.

    *The survey choices that led to this spotlight were “If you walk with Jesus”, “He’s gonna save your soul”, “You gotta keep the devil”, and “Way down in the hole”, following the earlier survey that had “When you walk through the garden”, “You gotta watch your back”, “Well, I beg your pardon”, and “Walk the straight and narrow track”. The fourth phrase was the winning selection, so the survey result was translated as picking the fourth album in The List with one of the phrase’s words in the title, the matching word here being “down”.
    **See the chapter called “A Lesson or Two” in her memoir, Rememberings (which I highly recommend), published under the name Sinéad O’Connor.
    ***5 of the 12 songs are from Burning Spear. If you haven’t already, check out our earlier spotlight on Burning Spear’s Marcus Garvey, an album I actually discovered via Throw Down Your Arms (because I’m always doing these things backwards, lol).

    https://1001otheralbums.com/2024/08/21/sinead-oconnor-throw-down-your-arms-2005-ireland/

    #1001OtherAlbums #2000s #BobMarley #BujuBanton #BurningSpear #covers #DevonIrons #dub #IsraelVibration #JuniorByles #PeterTosh #reggae #ShuhadaSadaqat #SineadOConnor #TheAbyssinians

  33. As randomly chosen by survey* on Mastodon, our next spotlight is on number 973 on The List, submitted by yours truly (i.e., buffyleigh).

    As I sadly so often end up doing, I often don’t catch up on an artist’s discography until after they’ve left us. And while the circumstances are sad, it can be a really beautiful experience to discover new favorite albums that I didn’t even know existed when the artist was with us. This album is one such discovery – Shuhada’ Sadaqat’s (a.k.a. Sinéad O’Connor’s) album of reggae covers.

    I generally stay away from covers, especially if they’re done in the same style as the originals. But I think this entire album is so tastefully and beautifully done, Sadaqat’s respect for the material is so obvious. Introduced to reggae in her early London days via a friend who collected all the records that were on the Jamaican charts, and then becoming a fly on the wall of a record shop owned and frequented by old Jamaicans,** Sadaqat connected deeply with the Rastafari community, seeing parallels between their struggles and those of the Irish people, as well as how she approached her own beliefs. As she wrote in the liner notes:

    Thanks first and foremost to the great men who wrote and performed these songs and whose inspiration has kept me nourished with strength at times when I might otherwise have lost faith in myself. These men were part of a battle fought for self esteem and for the freeing of God from religion. As such, they are my heroes, my teachers, my masters, my priests, my prophets, my guides and my godfathers. And I could never in a million words or years, express the love and gratitude I feel toward them, for the truth and rights which they benevolently taught through music and which raised God from the dead in the soul of a little Irish Catholic woman. Nor could I express the influence they have had on my own singing and songwriting. The originals of these songs can never be bettered, and so all I can hope in recording them, is to honour the composers and pass on their teachings…

    Throw Down Your Arms was recorded in Jamaica and was produced by the amazing duo Sly & Robbie (i.e., Sly Dunbar and Robbie Shakespeare), who also played drums and bass on the album. Nearly half of the album is Burning Spear covers,*** the others covers of The Abyssinians, Junior Byles, Devon Irons, Israel Vibration, Peter Tosh, and Buju Banton, ending with Bob Marley & The Wailers’ “War” (which she had previously covered in the infamous 1992 Saturday Night Live performance). Sadaqat personally paid for the majority of the record herself and donated 10% of the profits to Rasta elders in Jamaica.

    A physical copy of the album is a bit hard to track down but, if you can, try to get the double-disc version – the second disc is a really fantastic dub version of the album, which I tend to prefer. A Youtube link to the dub version is also below, hopefully it works for you.

    Happy listening and, Shuhada’ Sadaqat, may you rest in peace.

    *The survey choices that led to this spotlight were “If you walk with Jesus”, “He’s gonna save your soul”, “You gotta keep the devil”, and “Way down in the hole”, following the earlier survey that had “When you walk through the garden”, “You gotta watch your back”, “Well, I beg your pardon”, and “Walk the straight and narrow track”. The fourth phrase was the winning selection, so the survey result was translated as picking the fourth album in The List with one of the phrase’s words in the title, the matching word here being “down”.
    **See the chapter called “A Lesson or Two” in her memoir, Rememberings (which I highly recommend), published under the name Sinéad O’Connor.
    ***5 of the 12 songs are from Burning Spear. If you haven’t already, check out our earlier spotlight on Burning Spear’s Marcus Garvey, an album I actually discovered via Throw Down Your Arms (because I’m always doing these things backwards, lol).

    https://1001otheralbums.com/2024/08/21/sinead-oconnor-throw-down-your-arms-2005-ireland/

    #1001OtherAlbums #2000s #BobMarley #BujuBanton #BurningSpear #covers #DevonIrons #dub #IsraelVibration #JuniorByles #PeterTosh #reggae #ShuhadaSadaqat #SineadOConnor #TheAbyssinians

  34. As randomly chosen by survey* on Mastodon, our next spotlight is on number 973 on The List, submitted by yours truly (i.e., buffyleigh).

    As I sadly so often end up doing, I often don’t catch up on an artist’s discography until after they’ve left us. And while the circumstances are sad, it can be a really beautiful experience to discover new favorite albums that I didn’t even know existed when the artist was with us. This album is one such discovery – Shuhada’ Sadaqat’s (a.k.a. Sinéad O’Connor’s) album of reggae covers.

    I generally stay away from covers, especially if they’re done in the same style as the originals. But I think this entire album is so tastefully and beautifully done, Sadaqat’s respect for the material is so obvious. Introduced to reggae in her early London days via a friend who collected all the records that were on the Jamaican charts, and then becoming a fly on the wall of a record shop owned and frequented by old Jamaicans,** Sadaqat connected deeply with the Rastafari community, seeing parallels between their struggles and those of the Irish people, as well as how she approached her own beliefs. As she wrote in the liner notes:

    Thanks first and foremost to the great men who wrote and performed these songs and whose inspiration has kept me nourished with strength at times when I might otherwise have lost faith in myself. These men were part of a battle fought for self esteem and for the freeing of God from religion. As such, they are my heroes, my teachers, my masters, my priests, my prophets, my guides and my godfathers. And I could never in a million words or years, express the love and gratitude I feel toward them, for the truth and rights which they benevolently taught through music and which raised God from the dead in the soul of a little Irish Catholic woman. Nor could I express the influence they have had on my own singing and songwriting. The originals of these songs can never be bettered, and so all I can hope in recording them, is to honour the composers and pass on their teachings…

    Throw Down Your Arms was recorded in Jamaica and was produced by the amazing duo Sly & Robbie (i.e., Sly Dunbar and Robbie Shakespeare), who also played drums and bass on the album. Nearly half of the album is Burning Spear covers,*** the others covers of The Abyssinians, Junior Byles, Devon Irons, Israel Vibration, Peter Tosh, and Buju Banton, ending with Bob Marley & The Wailers’ “War” (which she had previously covered in the infamous 1992 Saturday Night Live performance). Sadaqat personally payed for the majority of the record herself and donated 10% of the profits to Rasta elders in Jamaica.

    A physical copy of the album is a bit hard to track down but, if you can, try to get the double-disc version – the second disc is a really fantastic dub version of the album, which I tend to prefer. A Youtube link to the dub version is also below, hopefully it works for you.

    Happy listening and, Shuhada’ Sadaqat, may you rest in peace.

    *The survey choices that led to this spotlight were “If you walk with Jesus”, “He’s gonna save your soul”, “You gotta keep the devil”, and “Way down in the hole”, following the earlier survey that had “When you walk through the garden”, “You gotta watch your back”, “Well, I beg your pardon”, and “Walk the straight and narrow track”. The fourth phrase was the winning selection, so the survey result was translated as picking the fourth album in The List with one of the phrase’s words in the title, the matching word here being “down”.
    **See the chapter called “A Lesson or Two” in her memoir, Rememberings (which I highly recommend), published under the name Sinéad O’Connor.
    ***5 of the 12 songs are from Burning Spear. If you haven’t already, check out our earlier spotlight on Burning Spear’s Marcus Garvey, an album I actually discovered via Throw Down Your Arms (because I’m always doing these things backwards, lol).

    https://1001otheralbums.com/2024/08/21/sinead-oconnor-throw-down-your-arms-2005-ireland/

    #1001OtherAlbums #2000s #BobMarley #BujuBanton #BurningSpear #covers #DevonIrons #dub #IsraelVibration #JuniorByles #PeterTosh #reggae #ShuhadaSadaqat #SineadOConnor #TheAbyssinians