#napalm-death — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #napalm-death, aggregated by home.social.
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Jour reprise de taf'
Jour colère.
Musique.
Melvins + Napalm Death ensemble -
Tossing Coins Into The Fountain Of Fuckhttps://melvinsofficial.bandcamp.com/track/tossing-coins-into-the-fountain-of-fuck
#Music
#PouetRadio
#Sludge
#Grind
#Metal
#Melvins
#NapalmDeath -
Napalm Death's Shane Embury goes in depth on Melvins collaboration
https://www.treblezine.com/napalm-deaths-shane-embury-goes-in-depth-on-melvins-collaboration/
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An interesting listen, more Melvins sounding than ND but still pretty decent.
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Jugendträume besser spät erfüllen als nie: Heute konnte ich endlich einmal #BarneyGreenway von #NapalmDeath persönlich treffen und interviewen.
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Napalm Death - Live Corruption - 1992
#Music #AlbumSuggestions #NowPlaying #NowListening
#NapalmDeath #LiveCorruption -
Save the date: Am 18.4. organisiert mein Verein #MetalStormConcerts die 5. Ausgabe des Festivals #MetalStormOverLuzern" im Kulturzentrum Südpol, #Luzern, u.a. mit #NapalmDeath, #Monstrosity, 1914. Mit diesen Bands werde ich auch zwischen den Sets Live-Talks führen. www.metalstorm.ch/2026/01/20/m...
METAL STORM OVER LUZERN – CHAP... -
No/Más – No Peace Review By Grin ReaperDC deathgrind ensemble No/Más formed almost a decade ago, pumping out a split, two EPs, and a full-length between 2017 and 2022. Four years later, No/Más assails 2026 from the jump, touring with Exhumed and Oxygen Destroyer as well as crackin’ skulls with their sophomore effort, No Peace. Stylistically similar to their debut Consume/Deny/Repent, No Peace offers listeners twenty-two minutes of throat-punching, toe-stomping aural hooliganism that’s as charming as it is confrontational. Does No/Más’ boisterous, acerbic approach leave listeners with a tolerance for their hijinks, or will they leave No Peace thinking, ‘no thanks?’
While No Peace manifests many upgrades from their (admittedly good) debut, the biggest win might be that No/Más firmly institutes their identity. The change isn’t drastic, and No Peace is a natural progression from Consume/Deny/Repent, but the sophisticated onslaught supplied on this sophomore sweep oozes with sneering confidence. Following in the footsteps of Nails, No/Más balances grindcore, death metal, and hardcore/crust tendencies with playful intelligence, weaving together Full of Hell’s caustic bite, Napalm Death’s thuggish simplicity, and Jungle Rot’s warped melodicism into a densely packed third of an hour. And if those touchstones aren’t enough, No/Más unleashes Sepultura-informed grooves and a slow leak of Pro-Pain into their secret sauce. Not to fret, though, because despite all the influences, No Peace presents as a unified vision, and one that will rouse languid listeners into a frothing fancy.
No/Más’ instrumentation on No Peace sets a high bar with energetic performances, snapping necks with whiplash-inducing riffs and a license to thrill. Joe Vasta’s bass bounces and chugs with in-your-face rumbles throughout No Peace (“Abolition,” “Cycle of Sacrifice”), wielding a thick, surly tone that’ll rabbit punch you into head-banging if you’re standing still. Drummer Henry Everitt wallops the skins hard enough to rattle your ear bones, battering with furious fills (“Abolition”) and dropping to half-time backbeats (“No Peace”) as songs demand. It’s not all about the beatdowns, though, as No/Más injects a welcome helping of melody into No Peace. John Letzkus’ guitar slices through the faff to drench the album in a satisfyingly saturated buzz (“Act of Killing,” “Spineless”), though he also takes the reins and dazzles with efficient, arpeggiated leads (“Leech”) that I wish appeared more. Vocalist Roger Rivadeneira rounds out the quartet, shouting, growling, and screeching in a varied attack that demonstrates a willingness to experiment that was largely absent from Consume/Deny/Repent. In total, No/Más fires on all cylinders throughout No Peace, and never gives you a moment to come up for air.
With only twenty-two minutes on tap, No/Más leaves no room for inessential slop. And besides the half-minute intro flush with wall-of-sound static and indistinct yelling, they wildly succeed. As you’d expect from any decent grindy endeavor, no song pushes past its distilled essence, staying just long enough to rip and bludgeon before getting the fuck out of the way for the next track to exact its toll. No song eclipses the three-minute mark, and each exudes a rabid savagery that seethes with conviction. Additionally, No Peace sounds great—sure, the dynamic range scores low, but it’s exactly how this brand of overstimulating ass-kicking should sound. It’s well-mixed, abrasive, and highlights the rhythm section without sacrificing the sparse six-string fortitude. I wish there were a few more songs like “Leech,” partly because No/Más excels with the tunefulness, but also because I think it would address the biggest opportunity with No Peace—the compact composition allows little room for songs to establish unique flavors, leaving them to sometimes blur together. In the end, though, this is only a minor quibble, and there are many great moments to appreciate.
No/Más hasn’t redefined the DNA of deathgrind with No Peace, but they have contributed a worthy addition to its annals. Corrosive, pummeling bangers streamlined with minimal frills sum up to a blistering platter I’ve quite enjoyed. While I haven’t had the pleasure of seeing No/Más live, this crew boasts the hallmarks of a band that whips a crowd into a frenzy and ends with a broken bone or missing tooth. With twelve tracks running so lean, No Peace is helplessly easy to spin again and again. If they keep pumping out tunes this good, I can’t wait for what comes next. No más? No. Más.
Rating: Very Good!
#2026 #35 #AmericanMetal #DeathMetal #Deathgrind #Exhumed #FullOfHell #Grindcore #JungleRot #Mar26 #Nails #NapalmDeath #NoPeace #NoMas #NoMas #OxygenDestroyer #ProPain #RedefiningDarknessRecords #Review #Reviews #Sepultura
DR: 5 | Format Reviewed: 320 kbps mp3
Label: Redefining Darkness Records
Websites: Bandcamp | Facebook
Releases Worldwide: March 13th, 2026 -
New post: Gig Review: Napalm Death / Whiplash / Varukers / Dopelord – Slay, Glasgow (25th February 2026) https://moshville.co.uk/reviews/gig-review/2026/02/gig-review-napalm-death-whiplash-varukers-dopelord-slay-glasgow-25th-february-2026/ #Dopelord #NapalmDeath #Varukers #Whiplash
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Melvins & Napalm Death - Tossing Coins into the Fountain of Fuck
Slightly bizarre, however good.
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Melvins + Napalm Death ensemble ! Plus besoin de choisir si tu préfères ton papa ou ta maman !
Tossing Coins Into The Fountain Of Fuck
( album Savage Imperial Death March par Melvins + Napalm Death , sortie prévue en avril 2026)
https://melvinsofficial.bandcamp.com/track/tossing-coins-into-the-fountain-of-fuck
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The Melvins & Napalm Death Form Hybrid Band For “Savage Imperial Death March”
The Melvins and Napalm Death join forces for Savage Imperial Death March (April 10, Ipecac Recordings), a true collaboration – not a split, but a new album featuring members of both bands.
The album shares its name with the bands’ Savage Imperial Death March tours from 2016 and 2025, but marks their first full-length studio collaboration under the moniker.
Yesterday, the first track from the album, “Tossing Coins Into The Fountain Of Fuck,” premiered with Jose Mangin on SiriusXM’s Liquid Metal.
The album was recorded at the Melvins’ Los Angeles studio, with Buzz Osborne (vocals/guitar) and Dale Crover (drums) joined by Napalm Death’s Barney Greenway (vocals), Shane Embury (bass), and John Cooke (guitar).
“I have loved the Melvins forever and their outlook on music,” Embury explains. “A chance to make an album of eclectic musical madness with them was truly an honour and a whole lot of fun, which surely is the whole point! Let’s do another one soon.”
“Napalm Death are one of my favorite bands ever,” Osborne says. “It was an absolute pleasure and a dream come true to do this collaboration with them. We wrote songs together. I would write a riff and we would learn it and record it right there. They wrote stuff and we would learn it immediately as well. It was truly a 50/50 partnership.”
“Funny how life turns out sometimes… collecting hard-to-find Melvins 7-inches on Bleecker Street in 1989 and then touring twice and doing an album with them within the following 35 years,” Greenway adds. “Had a great time with it all, and nice to work with fellow travellers in the Melvins who also couldn’t care about pandering to ‘demographics.’ I felt myself almost babbling lyrically during the recording, and that alone made for very fun recording times.”
Savage Imperial Death March pre-orders are available now https://themelvins.lnk.to/savage
https://youtu.be/keJ3HDQgYDw?si=dS3eLGnizYp-oOUY
#DOOM #GRINDCORE #GRUNGE #MELVINS #METAL #MUSIC #NAPALMDEATH #NEWS #SLUDGE #STONER