#prodigy — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #prodigy, aggregated by home.social.
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You've got to hand it to #vimeo
https://vimeo.com/144850907
#prodigy -
Music experts: please tell me that I hear it right:
https://www.youtube.com/watch?v=M0BWZ9r8SHM
Damabiah: Irminsul, le pillier du monde - Original Mix
sounds like a copy of The Prodigy: ClimbatizeSame tonality, similar rythm. Do you hear, too?
But this is not even mentioned in the credits or otherwise.
#music #prodigy #damabiah #theprodigy #climbatize #tracks #songs
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@mklopez
I find this a rather weird take by CBR.I’ll concede that *Prodigy*, due to its STEM-forward educational emphasis for family viewing, was absolutely the best show in the new era in working in science concepts.
That said, saying that *Prodigy* recapured episodic television in the style of TNG is completely bizarre.
Did CBR even watch the second season?
*Prodigy* was the most intensely and successfully serialized of all the shows. It had a very strict arc in each of its two seasons. It even tightly landed a complex timey-wimey multiverse story locking back into detail from the earliest episodes — something that’s rarely achieved in science fiction.
What made *Prodigy* stand out was the serialization that worked. Part of this was the discipline imposed by the long forward preparation demanded by the process of animation. Another part was the 20 episode seasons that enabled the show to breathe, the science and character stories to take the forefront while always moving the broader arcs.
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„Firestarter“ in Düsseldorf: The Prodigy kommen für ein Konzert
Wie beim Auftritt vor zweienhalb Jahren ist es wieder der November, den sich Sänger Maxim Reality und Keyboarder…
#Duesseldorf #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Düsseldorf #20Konzerts #Auftritt #Briten #Flint #Germany #Keith #Konzert #Nordrhein-Westfalen #Prodigy #Tod
https://www.europesays.com/de/939430/ -
Wenn man schon mal durch einen Tunnel geht, muss man einfach den Firestarter von The Prodigy auspacken. 🔥🐜
Eine kleine Hommage an Keith Flint. 🤘Ich wünsche euch einen schönen Tag mit einem Lächeln im Gesicht. 🤡
📸: 04•2026 F.loki
#hamburg #alterelbtunnel #prodigy #firestarter #Floki_FunnyMoments
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Prodigy is at its essence: adaptability and persistent, positive obsession. Without persistence, what remains is an enthusiasm of the moment. Without adaptability, what remains may be channeled into destructive fanaticism. Without positive obsession, there is nothing at all.
-- Octavia E. Butler (Parable of the Sower)⬆ #Wisdom #Quotes #OctaviaEButler #Adaptability #Fanaticism #Persistence #Prodigy
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if you are #depressed #depression maybe a first good step would be to delete all #music with #evil and #negative #lyrics
like the sound of #3doorsdown but those lyrics can not subscribe
"Drug I take gonna wake my fear right now I’m passing away onto the better life I’m passing away onto the better" https://www.youtube.com/watch?v=cmBB2vStNR4(it's actually one of the milder examples... #prodigy is singing about #suicide and yes the #singer is now dead, #suicide)
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XL USS #Protostar has arrived! #StarTrek #Prodigy #Fanhome
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A dad posted his 5-year-old's paintings online. He never imagined a response this big.
https://web.brid.gy/r/https://www.upworthy.com/5-years-olds-paintings-go-viral-on-reddit-ex1
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Let' start the year 2026 with some great music!
Prodigy - Firestarter
Released in 1997 on their third studio album "The Fat Of The Land".
#musicfromthe90ies #postpunk #breakbeat #prodigy #firestarter
https://www.youtube.com/watch?v=wmin5WkOuPw&list=RDwmin5WkOuPw&start_radio=1
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Somebody spilled Prodigy all over my Public Enemy. And I dig it. #music #hiphop #edm #prodigy #PublicEnemy
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🇺🇦 #NowPlaying on #KEXP's #VarietyMix
Pete Rock feat. Raekwon, Prodigy & Ghostface Killah:
🎵 The Game -
Between Insomnia and Firestarter we got a glimpse of our terrifying future world in the 21st Century.
Of confusion and fear, but also some fucking good beats.
Now both these leads are dead, and their works here seem timeless.
I hope people of 2995CE will still listen. -
China’s DeepSeek R1 AI Excels but Censorship Sparks Security Risks China's DeepSeek R1 AI model excels in reasoning and coding, outperforming Western rivals cost-effectively, but generates in...
#ChinaRevolutionUpdate #GenAIPro #AI #security #vulnerabilities #China's #AI #prodigy #Chinese #AI #censorship
Origin | Interest | Match -
https://www.fogolf.com/1096840/%f0%9f%8e%a5-one-swing-one-smile-%f0%9f%98%8a-golfgirl-golf-golfer-golfnetwork-golfswing-golflife-golftips/ 🎥 One Swing… One Smile 😊 #golfgirl #golf #golfer #golfnetwork #golfswing #golflife #golftips #FutureGolfPro #GirlFocus #GirlGolf #GirlPower #GirlsGolfToo #Golf #GolfGirl #GolfGirlGolf #GolfGirlVideos #GolfGirlVlog #GolfGirlYouTube #GolfKids #GolfPro #GolfProdigy #GolfRange #GolfShorts #GolfSwing #GolfTips #GolfVideo #GolfViral #GolfVital #golfer #Golfgirl #golfing #golflife #golfnetwork #golfswing #golftips #JuniorGolf #KidsGolf #prodigy #smile #Swing #SwingLikeAGirl
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A dad posted his 5-year-old's paintings online and got a way bigger response than he expected
https://web.brid.gy/r/https://www.upworthy.com/5-year-old-incredible-painter-ex1
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Happy FriYay party people! Check out the VOD and hit that dono link to Gaza Kitchens Against Famine! 🇵🇸✊
#freepalestine #freegaza #charity #charitystream #dubstep #of #openformat #trap #melodic #100gecs #haywyre #marshmello #prodigy #vinniepaz #hiphop #djmix #vod #djset #djvideo
https://soundcloud.com/uninoize/spinning-for-palestine-bass -
Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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#Music #Clip #Message by #TheProdigy
🗨️ "Cut down the #Bankers" 💬 💼 💰 🏨 💲 💩
💿 #Audio Clip
The #Prodigy - #Firestarter - World's On Fire (Live)⛔ #Banks ➡️ #fuel / fund
➡️ Wars 💣 ✈️ # ⛔ 🏦 :dislike: 💼⛔ #Bank / #State ➡️ make #profit / #support
💰 ➡️ #War ⛔ 🏦 dislike: 💼#Banks are all #political
ALL connected to #UKPol / #USPol etc -
#Music #Clip #Message by #TheProdigy
🗨️ "Cut down the #Bankers" 💬 💼 💰 🏨 💲 💩
💿 #Audio Clip
The #Prodigy - #Firestarter - World's On Fire (Live)⛔ #Banks ➡️ #fuel / fund
➡️ Wars 💣 ✈️ # ⛔ 🏦 :dislike: 💼⛔ #Bank / #State ➡️ make #profit / #support
💰 ➡️ #War ⛔ 🏦 dislike: 💼#Banks are all #political
ALL connected to #UKPol / #USPol etc -
[LangExtract](https://developers.googleblog.com/en/introducing-langextract-a-gemini-powered-information-extraction-library/) has got me curious, but I don't get what makes it different from a [spacy-llm/prodigy](https://prodi.gy/docs/large-language-models) setup. Is it just that I am spared the effort of chunking long input and/or constructing output JSON from entities and offsets by writing the corresponding python code myself?...
Ah, one more difference is that langextract is #OpenSource whereas prodigy is not (?). (On the other hand, prodigy has a better integration with a correction+training workflow.)
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The Alchemist Confirms That New Mobb Deep Album Is Finished
The Alchemist recently took to X (formerly Twitter) to deliver a brief but long-awaited update on the status…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #Havoc #hiphopnews #mobbdeep #posthumous #Prodigy #TheAlchemist
https://www.newsbeep.com/us/57486/ -
The Alchemist Confirms That New Mobb Deep Album Is Finished
The Alchemist recently took to X (formerly Twitter) to deliver a brief but long-awaited update on the status…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #Entertainment #Havoc #hiphopnews #mobbdeep #posthumous #Prodigy #TheAlchemist
https://www.newsbeep.com/us/57486/ -
The Alchemist Confirms That New Mobb Deep Album Is Finished
The Alchemist recently took to X (formerly Twitter) to deliver a brief but long-awaited update on the status…
#NewsBeep #News #Music #CA #Canada #Entertainment #Havoc #hiphopnews #mobbdeep #posthumous #Prodigy #TheAlchemist
https://www.newsbeep.com/ca/44163/ -
It was raucous and brilliant, not only were we surrounded by flares and lasers but we were offered cocaine and possibly a foursome.
The Keith Flint tribute was cathartic, many of us in that field have lost friends to suicide. -
It was raucous and brilliant, not only were we surrounded by flares and lasers but we were offered cocaine and possibly a foursome.
The Keith Flint tribute was cathartic, many of us in that field have lost friends to suicide. -
It was raucous and brilliant, not only were we surrounded by flares and lasers but we were offered cocaine and possibly a foursome.
The Keith Flint tribute was cathartic, many of us in that field have lost friends to suicide. -
It was raucous and brilliant, not only were we surrounded by flares and lasers but we were offered cocaine and possibly a foursome.
The Keith Flint tribute was cathartic, many of us in that field have lost friends to suicide. -
It was raucous and brilliant, not only were we surrounded by flares and lasers but we were offered cocaine and possibly a foursome.
The Keith Flint tribute was cathartic, many of us in that field have lost friends to suicide. -
https://www.europesays.com/uk/226064/ BBC fans all say incredible act ‘saved Glastonbury’ – and it’s not Rod | TV & Radio | Showbiz & TV #BBC #Entertainment #Glasto #Glasto2025 #GlastoFestival #Glastonbury2025 #GlastonburyFestival #GlastonburyFestival2025 #GlastonburyFestivalLineUp #KeithFlint #OliviaRodrigo #prodigy #RodStewart #TheProdigy #UK #UnitedKingdom
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Prodigy’s weather service circa 1988 (from Les Briney)
#RetroTech #DigitalNostalgia #OldSchoolTech #TechThrowback #1980sTech #ProdigyOnline #Prodigy
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I was reading a story today about #theoldnet and how if you leave an “&” symbol at the end of an #email , it means you want the recipient to reply back. Does anyone remember this or still do this today? I don’t recall that being a thing or maybe it was and I didn’t notice. Gonna tag below with adjacent words in hopes of response.
#aol #bbs #vintagecomputing #retro #retrotech @ActionRetro #dialup #486 #windows95 #prodigy #netscape #icq #compuserve #angelfire #geocities #irc
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CW: " The truest essence of humanity lies in the fight for each other's dignity. " ⭐⭐💖⭐⭐
#Humanity needs to #Fight #Together
for #EachOther's #Dignity 💖CREDITS ⭐⭐⭐⭐⭐
1- #JessieGender voice #quote
2- #FreeSchool video re-edit of The Prodigy - Invaders Must Die#Wisdom #Quotes #Mini #Music #Remix #Prodigy
#Humanism + #Autism #Caring for #People#Climate #Change #GretaThunberg #ClimateJusticeNow
#PeaceAndLove #Peace #Greta #Peace Not #War on Caring People but #Love #Respect #Defend #EachOther
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Heute ist #Weltbodentag!
Böden spielen im #Klimasystem eine zentrale Rolle: Sie speichern Wasser, Kohlenstoff und Nährstoffe. Im #Amazonas-Regenwald ist diese Speicherfunktion der Böden durch zunehmende Landnutzung und #Trockenheit bedroht.
Das BMBF-Projekt #PRODIGY untersucht, wie die Widerstandsfähigkeit der Böden in der Amazonasregion gestärkt und damit die Speicherfunktion erhalten werden kann.
https://www.fona.de/de/weltbodentag-forschung-der-boeden-zum-schutz-des-amazonas-regenwald -
Путь разметки данных для NER: от Open Source до Prodigy
Распознавание именованных сущностей (Named Entity Recognition, NER) — это одна из самых востребованных задач в обработке естественного языка (NLP). Чтобы создать качественную модель для NER, требуется тщательно размеченная обучающая выборка, а процесс её создания может занять много времени и ресурсов. В этой статье я расскажу о своём пути разметки данных, начиная с использования Open Source инструментов и переходя к Prodigy, профессиональному инструменту для создания обучающих наборов данных.
https://habr.com/ru/articles/857338/
#Машинное_обучение #named_entity_recognition #annotation_processing #prodigy #artificial_intelligence #искусственный_интеллект #spacy #natural_language_processing
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"... The Bell Riots, the Cochrane Warp Test..." Star Trek Prodigy is bringing me back into a fandom happy place: stand-alone stories, fun characters, deep-cuts, easter eggs that make me laugh, continuity service, not destruction, Dee Bradley Baker, Captain Janeway. I'm here for it!
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Star Trek: Prodigy Season 2 begins on July 1, 2024, on Netflix!!
Can't wait!
https://www.inverse.com/entertainment/netflix-star-trek-prodigy-season-2-release-date-binge
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Sexta dos amigos: A Gameline.
https://retropolis.com.br/2024/01/12/sexta-dos-amigos-a-gameline/
#MundoRetro #AOL #Apple #AppleLink #atari #BellSouth #BillMeister #Commodore #CompuServe #CVC #Delphi #Download #EUA #Gameline #Genie #IBM #IbmPc #InterLink #JimKimsey #Jogos #Macintosh #MarcSerif #PCLink #Prodigy #QLink #servio #SteveCase #TheSource #VCS2600
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#Voidfall #boardgame #painting #Minis is over with the #Harbinger . #J2S #Figurine I tried to keep the most Orange\Red\Blue scheme from the game while listening to #Prodigy 😇 .
Now time to clean up the table and set up the intro scénario !! -
@Mopsi the #protostar from #prodigy had an extremely small crew, and appears to only have 2 or 3 decks.
the USS Archer in the first episode of #SNW had a complement of 3, which was odd because it appears to have a decent sized saucer section.
The #peregrine attack fighters had a complement of 1 and many of the maquis ships were repurposed starfleet had held 4 or 5 people.
