#electronicdancemusic — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #electronicdancemusic, aggregated by home.social.
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#Introduction as I'm #newhere and just moved over from @[email protected]
This is my first experience with Sharkey, so pls don't mind me fucking tings up once in a while.
#disclaimers
Probably needless to say on this instance, but:
If you're transphobic, a transmisogynist, or respectlessly deadname trans-people to satisfy your unicellular lowlife … fuck off right here, thank you.
#datasheet
I'm a #neuroqueer #transfem PhD #catgirl researcher in music sociology (qualitative social research but also a bit of quantitative). My research interests (among others) are #clubculture , #electronicdancemusic , #queerstudies / #transstudies / #genderstudies and I'm certified #nerdy on my field of research, still doing cultural work here and there. Apart from wasting time on paid work, I try to focus exclusively on my PhD and queer/trans* community work.
Reading theory gets me excited, reading manuals doesn't. Love/hate THT, SMD, µC. I'm #aroace but interested in certain kinks … also gladly providing tlc for lab gear, vintage studio electronics, synths, drum machines, obsolete media.
Hmm … what else? I do #HRT and occasionally waste time keeping hosted FOSS software up & running. Albeit having a graphic design background I prefer shells to GUIs, had my first CCC meetup at #34c3 and, unsurprisingly, I dislike Big Tech/platform/surveillance capitalism. I'm genuinely and diagnosed autistic, small talk isn't my cup of tea but, hmu on bespoke topics and you'll get properly infodumped … hehe.
v01 06/2026 -
Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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Modder – Destroying Ourselves for a Place in the Sun Review
By Grin Reaper
Blending sludge metal and electronica make for fascinating bedfellows, and that’s exactly what instrumental outfit Modder brings to the table with Destroying Ourselves for a Place in the Sun. I don’t recall encountering this genre combo before, but the unlikely pairing fits together in compelling and novel ways. Destroying Ourselves for a Place in the Sun is one part early Mastodon and one part The Prodigy, and it works better in practice than I’d ever expect it to on paper. Both styles embrace the bottom end, and in a live setting, I imagine Modder is unapologetically crushing. But it takes more than novelty to guarantee a grand time, so let’s dig in and see what goodies this Belgian quintet serves up.1
Though third outing Destroying Ourselves for a Place in the Sun unites sludge and dance, it wasn’t always so, as Modder has evolved with each release. On their self-titled debut, Modder trod the well-worn doom path with low-end crunch and abundant fuzz, recalling Sleep and Electric Wizard. Sophomore album The Great Liberation Through Hearing injected quicker paces and subdued attitudes, delivering a rich variety of textures that plays like Inter Arma sans vocals. Destroying Ourselves for a Place in the Sun continues the evolution of Modder’s sound, this time embracing dance-ready pulses and electronic trappings that occasionally approach Fear Factory’s Remanufacture (“Chaoism”). It’s a direction hinted at on The Great Liberation Through Hearing, but here Modder triumphs in fully fleshing it out.
On Destroying Ourselves for a Place in the Sun, Modder succeeds in evoking an assortment of influences while maintaining the band’s distinct identity. From the Korn-fed intro of “Stone Eternal” to the Gojira-glazed grooves of “In the Sun,” the album packs a broad range of sounds into its forty-two minutes. Each one of the album’s six tracks brings unerringly heavy riffs. “Mather” begins with a Prodigy-induced flourish, then drops into a disgustingly dense lurch that shakes the room like a herd of mammoths tromping past. Guitars, bass, and electronics weave an intricate tapestry, with melodies and countermelodies coalescing into grooves thicker than a bowl of oatmeal (“Stone Eternal,” “Mutant Body Double”). The drumming flits and hammers, with actual and programmed drums enabling quick shifts between sludge and breakbeat (“Chaoism”). This five-piece flaunts chops, and they pack them into an easily digestible package.
Even if Modder’s latest is a barrel of fun, its imperfections hold it back from greener pastures. For starters, the mix is distractingly crowded. I suspect the goal was to create a concussive bombshell that rattles listeners to the core. While effective on that front, there are times when the sludgy crunch warps into over-compressed artifacts (“Stone Eternal,” “Mather”). This may be a challenge with the merger of styles, where the electronic elements don’t require the auditory depth needed to express the timbre of acoustic drums or bass. Instead, the music gets rammed through the aural equivalent of Fat Man’s Squeeze, coming out the other side flat and jarring. Another issue with Destroying Ourselves for a Place in the Sun is immediacy. Both sludge and dance emanate a hypnotic sheen onto their styles, whether through towering, droning riffs or persistent electro-throbs. This makes great music for focusing on other tasks, but rarely did I stay engaged for an entire listen. If the goal is to surpass the novelty of instrumental electrosludge, something more is needed. As it is, Modder has strung together fun moments without enough cohesion. If you remove one of the songs or reorder them, the end result doesn’t change substantially, indicating that the whole is no greater than the sum of its parts.
Destroying Ourselves for a Place in the Sun is a study in cross-genre pollination that bears fruit worth sampling, but won’t sustain you for long. I really like the idea of what Modder has concocted, but the album would have benefited from further refinement. A more dynamic mix would immediately boost listenability, and upping their songwriting game could help push their brand of electrosludge past the point of novelty and into territory with more active engagement and longevity. Modder oozes potential, but there’s ultimately not enough on Destroying Ourselves for a Place in the Sun to keep me coming back.
Rating: Mixed
DR: 5 | Format Reviewed: 320 kpbs mp3
Label: Consouling Sounds / Lay Bare Recordings
Websites: Bandcamp | Facebook
Releases Worldwide: October 3rd, 2025#25 #2025 #BelgiumMetal #ConSoulingSounds #ConsoulingSoundsRecords #DestroyingOurselvesForAPlaceInTheSun #ElectricWizard #ElectronicDanceMusic #ElectronicMetal #Electronica #ElectronicaMetal #Electrosludge #FearFactory #Gojira #InstrumentalMetal #InterArma #Korn #LayBareRecordings #Mastodon #Modder #Oct25 #Prodigy #Psychedelic #Review #Reviews #Sleep #Sludge #SludgeMetal #TheProdigy
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To mark Cascada’s two-decade legacy, Steve Aoki steps in with a high-energy remix of their evergreen hit “Everytime We Touch.”
https://retroworldnews.com/steve-aoki-reimagines-cascadas-classic-everytime-we-touch-with-a-turbocharged-remix/#SteveAoki #Cascada #EverytimeWeTouch #Remix #Turbocharged #DanceMusic #EDM #MusicInnovation #MusicCollaboration #ElectronicDanceMusic #MusicRemix #PartyAnthem #ClubHit #NewMusic #MusicProduction #DJLife #HitRemix #SoundReimagined #MusicLovers #DanceFloor #music
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Sebastian Ingrosso’s much-anticipated rework of Celine Dion’s beloved track, ‘A New Day’ Has Come. In this new release, Ingrosso flips Dion’s 2002 ballad into an electrifying dance anthem that radiates positivity and energy.
https://retroworldnews.com/swedish-house-mafias-ingrosso-delivers-high-energy-reboot-of-celine-dions-a-new-day/#SwedishHouseMafia #Ingrosso #CelineDion #ANewDay #HighEnergyMusic #DanceRemix #EDM #MusicCollaboration #HouseMusic #PopRemix #MusicInnovation #FestivalVibes #ElectronicDanceMusic #MusicIndustry #NewMusicRelease #DJLife #LivePerformance #music
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Sebastian Ingrosso’s much-anticipated rework of Celine Dion’s beloved track, ‘A New Day’ Has Come. In this new release, Ingrosso flips Dion’s 2002 ballad into an electrifying dance anthem that radiates positivity and energy.
https://retroworldnews.com/swedish-house-mafias-ingrosso-delivers-high-energy-reboot-of-celine-dions-a-new-day/#SwedishHouseMafia #Ingrosso #CelineDion #ANewDay #HighEnergyMusic #DanceRemix #EDM #MusicCollaboration #HouseMusic #PopRemix #MusicInnovation #FestivalVibes #ElectronicDanceMusic #MusicIndustry #NewMusicRelease #DJLife #LivePerformance #music
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Fans already had a taste of “Freedom” in Alesso’s sets at Ultra Music Festival, EDC Las Vegas, and more recently, the World DJ Festival—giving the single serious buzz even before its release.
https://retroworldnews.com/alesso-sentinel-ignite-dance-floors-with-high-energy-anthem-freedom/#Alesso #Sentinel #FreedomAnthem #DanceFloorVibes #HighEnergyMusic #EDMCommunity #MusicCollaboration #FestivalAnthem #DanceMusicLovers #ElectronicDanceMusic #PartyPlaylist #MusicInnovation #LiveDJSet #ClubCulture #FeelTheBeat #DanceToFreedom #MusicInspiration #music
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Getting a bit hot 'round here
https://www.youtube.com/watch?v=RsdT1i3Q26g
#music #electronicmusic #edm #dance #dancemusic #electronicdancemusic #SavantCore #savant #release #flstudio2025 #flstudio #projectshowcase #dubstep #drumstep #ukgarage #house #basshouse #basshousemusic #housemusic #complextro #electro
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Released via Dim Mak, the track blends Linney’s intense, emotionally charged vocals with Luke’s signature throwback electro sound, creating a high-octane anthem that feels ready to erupt.
https://retroworldnews.com/laidback-luke-and-linney-ignite-the-scene-with-fiery-new-track-gasoline/#LaidbackLuke #Linney #GasolineTrack #NewMusicRelease #DanceMusic #EDMCommunity #MusicCollaboration #FieryBeats #MusicInnovation #ElectronicDanceMusic #HitSingle #MusicIndustry #SoundtrackOfTheSummer #MusicLovers #FestivalVibes #ChartToppers #MusicPromotion #ArtistSpotlight #music
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Don Diablo teams up with Nelly Furtado for their feel-good single “Doing Nothin’,” a track that celebrates the beauty of unplanned moments and carefree days.
https://retroworldnews.com/don-diablo-and-nelly-furtado-capture-summer-vibes-with-doing-nothin/#DonDiablo #NellyFurtado #DoingNothin #SummerVibes #MusicCollaboration #DanceMusic #FeelGoodMusic #ChillBeats #NewMusicRelease #PopMusic #ElectronicDanceMusic #SummerAnthem #MusicLovers #HitSingle #VibeWithUs #FeelTheBeat #GoodVibesOnly #MusicInspiration #SongOfTheSummer #ListenNow #music
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ASTOR is turning heads once again with his electrifying new single “Poison,” released on his own label, ASTOR Records. This track signals a powerful new chapter in the rising electronic producer’s journey.
https://retroworldnews.com/astor-unleashes-poison-a-dark-emotional-dance-anthem-that-hits-hard/#ASTOR #Poison #DanceAnthem #EmotionalMusic #DarkBeats #MusicRelease #NewMusic2023 #DanceVibes #HitSingle #MusicIndustry #ElectronicDanceMusic #EDMCommunity #MusicLovers #FeelTheBeat #DanceFloor #MusicPromotion #SoundtrackOfLife #EmotionalJourney #Music
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#GermanTrance // #DJDobbo #MCBanks b2b #MCSimpson - The Telapathics // #2025
#year2025 #Trance #Music #TranceMusic #HardTrance #HardTranceMusic #electronicmusic #electronicdancemusic #EDM #DJSet #mixset @music @electronicmusic
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Levity and NITTI team up for their electrifying debut collaboration, “Like This,” blending trap elements with dynamic basslines to create an unforgettable anthem.
https://retroworldnews.com/levity-and-nitti-unleash-high-energy-bass-anthem-like-this-to-energize-dance-floors/#Levity #NITTI #LikeThis #DanceAnthem #HighEnergy #BassMusic #EDM #DanceFloor #MusicRelease #PartyVibes #ClubMusic #ElectronicDanceMusic #NewMusic #DJLife #FestivalVibes #SoundtrackToLife #MusicLovers #DanceCommunity #FeelTheBeat #EnergizeYourSoul #electronicmusic #dancemusic #music #edm
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John Summit returns with “Light Years,” a pulsating new single featuring singer-songwriter Inéz, out now via his Experts Only label. This electrifying track delivers an infectious groove, primed to set dancefloors ablaze.
https://retroworldnews.com/john-summit-ignites-the-dancefloor-with-high-energy-anthem-light-years/#JohnSummit #DancefloorAnthem #LightYears #HighEnergyMusic #EDM #DanceMusic #MusicProducer #FestivalVibes #HouseMusic #DJLife #PartyAnthem #ElectronicDanceMusic #MusicLovers #NewMusicRelease #ClubMusic #VibrantBeats #DanceCulture #MusicCommunity #music
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Love and destruction become inseparable in “Deadly Valentine,” the electrifying new collaboration from Layton Giordani and Bart Skils.
https://retroworldnews.com/layton-giordani-and-bart-skils-unleash-deadly-valentine-a-techno-love-letter-with-a-dark-twist/#LaytonGiordani #BartSkils #DeadlyValentine #TechnoMusic #MusicRelease #DarkTwist #ElectronicDanceMusic #EDM #TechnoLovers #MusicCollaboration #NewMusic #UndergroundTechno #DanceFloor #MusicProduction #DJLife #SoundtrackToLife #ValentineVibes #LoveAndMusic #TechnoCommunity #MusicInnovation #music
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The best house tracks have a way of taking you on a journey, and Dom Dolla’s new release, “Dreamin”, is like a first-class pass to another world.
https://retroworldnews.com/dive-into-the-hypnotic-world-of-dreamin-dom-dolla-dayas-ultimate-house-anthem/#Dreamin #DomDolla #Daya #HouseMusic #UltimateAnthem #HypnoticBeats #DanceVibes #MusicLovers #EDM #PartyPlaylist #FeelGoodMusic #SummerAnthem #ClubHit #ElectronicDanceMusic #VibeCheck #MusicCollaboration #NewRelease #HitSingle #DanceFloor #MusicMagic #music
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Jessica Audiffred is back and better than ever with her latest explosive single, “Around The World (La La La),” a thrilling collaboration with the talented SampliFire.
https://retroworldnews.com/jessica-audiffred-samplifire-unleash-electrifying-anthem-around-the-world-la-la-la/#JessicaAudiffred #SampliFire #AroundTheWorld #LaLaLa #ElectrifyingAnthem #NewMusicRelease #DanceMusic #EDM #MusicCollaboration #PartyVibes #MusicIndustry #HitSingle #FestivalAnthem #SoundtrackOfTheSummer #MusicLovers #InspiringArtists #GlobalBeats #ElectronicDanceMusic #MusicInnovation #ChartToppers
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Tra:Fo - #LIVE #DJSet @ #HabitatFestival #2018 - #drumandbass
#TraFo #TractiveForce #dnb #drumnbass #drumandbassmusic #year2018 #ElectronicMusic #Electronic #ElectronicDanceMusic #DanceMusic #EDM
#Music #Habitat #Festival #DJMix #MixSet@[email protected] @[email protected] @electronicmusic @[email protected]
@[email protected]
@dnb -
Armin van Buuren and Omnia have teamed up to deliver “Love,” a track that bridges the gap between architectural grandeur and the electrifying energy of a midnight festival.
https://retroworldnews.com/armin-van-buuren-and-omnia-unite-for-love-a-transcendent-anthem-for-the-dancefloor/#ArminVanBuuren #Omnia #LoveAnthem #DancefloorVibes #TranceMusic #EDMCommunity #MusicCollaboration #FestivalSeason #ElectronicDanceMusic #DJLife #MusicLovers #Transcendence #PartyTime #DanceMusic #LiveDJ #FeelTheBeat #UnityThroughMusic #SoundOfLove #EpicAnthem #RaveCulture #music #edm
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Oliver Heldens is making waves with his latest release, “I Want Your Love,” a techno-driven anthem crafted in collaboration with DIØN and Funk Tribu.
https://retroworldnews.com/oliver-heldens-dion-and-funk-tribu-join-forces-for-new-techno-hit-i-want-your-love/#OliverHeldens #DIØN #FunkTribu #IWantYourLove #TechnoMusic #NewRelease #DanceMusic #ElectronicDanceMusic #MusicCollaboration #HouseMusic #DJLife #MusicProducers #FestivalVibes #ClubAnthem #MusicIndustry #HitSingle #SoundOfTheFuture #MusicLovers #PartyPlaylist #DanceFloor #music
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HI-LO and ZHU have teamed up for the techno anthem “Afraid To Live,” daring listeners to face their deepest fears. The track pulls you into the dark heart of the techno scene, where the relentless beat and the repeated question, “Are you afraid to live?”
https://retroworldnews.com/hi-lo-and-zhu-unleash-epic-techno-anthem-afraid-to-live-a-must-hear-track/#HILO #ZHU #AfraidToLive #TechnoAnthem #MustHearTrack #EpicMusic #ElectronicDanceMusic #DanceVibes #MusicRelease #NewMusic #SoundtrackOfLife #ClubAnthem #MusicLovers #EDMCommunity #VibeWithUs #FeelTheBeat #PartyMusic
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Tiësto and Afrojack, two of the biggest names in EDM, have joined forces for an electrifying new track titled “Light It Up.”
https://retroworldnews.com/experience-the-thrill-of-tiesto-and-afrojacks-new-edm-anthem-light-it-up/#Tiësto #Afrojack #LightItUp #EDM #NewMusic #DanceAnthem #MusicFestival #ElectronicDanceMusic #PartyVibes #DJLife #MusicLovers #ClubAnthem #EDMCommunity #FestivalSeason #DanceMusic #HitSingle #MusicCollaboration #SoundtrackOfSummer #FeelTheBeat #RaveCulture #music #electronicmusic
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The renowned producers have teamed up to create a dance anthem that’s both classic and refreshingly new. Guetta’s signature production features shimmering synths that rise skyward, while Heldens adds his unique flair with a vibrant bassline.
https://retroworldnews.com/david-guetta-and-oliver-heldens-release-new-single-chills-feel-my-love/#DavidGuetta #OliverHeldens #ChillsFeelMyLove #NewMusic #ElectronicDanceMusic #MusicCollaboration #EDM #MusicRelease #DJLife #MusicProducers #ClubBangers #DanceFloorHits #MusicIndustry #CollaborationGoals #EDMCommunity #EDM #music
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#Sy & #Unknown #HardcoreAnthems #Oldskool #HappyHardcore #UKHardcore #htid #HardcoreTillIDie #Raver #Ravers #Hardcore #HardcoreHeaven #HardcoreMusic #Music #ElectronicMusic #ElectronicDanceMusic
#FastElectronicDanceMusic #DanceMusic #EDM #Electronic #Dance #Ravenation #RavenationClub #DJ #RaversReunited #BTID #Bounce #BounceHeaven #SlamminVinyl mixed by #DJSy & #DJUnknown #Mixset #DJSet -
#BenCritic #B2B #Esline & #MCEnergy
#Event #recorded #live @ #Ravers #Reunited #TheEmporium #CentenaryFestival #2022
www.raversreunited.co.uk
#RaversReunited #HappyHardcore #UKHardcore #htid #HardcoreTillIDie #Raver #Hardcore #HardcoreMusic #Music #ElectronicMusic #ElectronicDanceMusic #DanceMusic #EDM #Electronic #Dance #HardDance #Emporium #EventRecordedLive #RecordedLive #DJBenCritic & #DJEsline #Ravenation #Club #RavenationClub #MC #DJ #DJSet #DJMix #DJMixset
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The #RaggaTwins Crew With Guests #Starz And #Deeza - #PyroRadio #KeepItPyro #StarzAndDeeza #TheRaggaTwins #March 18th #2019 #mixset #dnb #drumandbass #drumnbass #music #dancemusic #electronicmusic #electronicdancemusic #RavenationClub #Ravenation #Rave #Junglist #MC #MCs #DJ
