#tangerinedream — Public Fediverse posts

The Ocean – Solaris Review

Sady, it’s been a while since we’ve really heard an incredible The Ocean record. While 2023’s Holocene wasn’t…
#NewsBeep #News #US #USA #UnitedStates #UnitedStatesOfAmerica #Music #2026 #3.0 #Entertainment #GermanMetal #GreenCarnation #PelagicRecords #Post-Metal #ProgressiveMetal #review #reviews #Sep26 #Sludge #Solaris #TangerineDream #TheOcean
https://www.newsbeep.com/us/863819/

Sady, it’s been a while since we’ve really heard an incredible The Ocean record. While 2023’s Holocene wasn’t shit by any means, it was nothing like the run the band has had since 2013’s Pelagial. I’ve never been so captivated by a selection of consequential albums—only recently with the Green Carnation trilogy.1 Drifting away from the epochs, The Ocean sets off to the stars with this year’s Solaris. Not only are we heading up instead of staying below, but many of the band’s recent lineup has also moved on to their next stars and adventures. In particular, Loïc Rossetti’s voice is no longer with us, replaced by the duo Enrico Tiberi and Lane Shi. Along with spacey effects and instrumental vibes, these two bring a completely new dynamic to the band’s sound. If one were to assume Solaris marks the beginning of a new era, how will it fare compared to previous ones? Or does “51°28′30″ S, 73°6′11″ W” really represent the “Last Hope”?

Based on Stanisław Lem’s book of the same title, this new record is a mindfuck of emotion and unexplainable contradictions, much like the heartbreaking story that takes us to a research station above the surface of the water planet Solaris. Its black waters are assumed sentient, but what the crew experiences from this ocean sends them into a tailspin of fear and mental breakdown. The key work and atmosphere of Solaris work perfectly, thanks in large part to the contributions of the legendary Thorsten Quaeschning (Tangerine Dream). But where this psychological thriller takes us, one can only guess.

Smack dab in the middle of Berlin at Pelagic Records, “52°30’11” N, 13°26’12” E” begins our journey with gentle vibraphone, acoustic guitars, and our introduction to Tiberi. Then, the course is set in “Departure Song,” as our hero sets off to help the broken crew. The vibraphone and bass bleed into its introduction before distortion hits and the male/female combo soars. As it progresses through aggressive passages and impressive, forceful wailing from Shi, its cherry on top is the shared vocal structures of another classic The Ocean chorus. While this track is one of the best on the album, the follow-up, “Light Pollution,” is the weirdness that permeates through the scratching needle from here until the end. Female swoons haunt the track as the spacey effects drown out the stars and blot the sun. Harsh male vocals surface as we near the angry planet, while swirling transitions promise the uncertainty ahead. When it all crumbles, a nasty, sludgy trot rises to the surface to end it all.

As the album progresses, the intensity does as well—much like Pelagial all those years ago. As the unexplainable figures appear above and below, the frustration and confusion (for our characters and ourselves) increase until it erupts in “Belligerence.” It unleashes absolute chaos. Up to now, Tiberi’s vox were the only ones to rasp and scream, but now, Shi returns the favor. Trapped in the metallic confines that protect one from the frozen expanse, Tiberi and Shi do battle, dragging knuckles, nails, and teeth down every corridor. When the triplet attack arrives, the necks of any longtime The Ocean fan awaken. “Ultima Esperanza” pushes this concept to its breaking point, with moments of recollection, understanding, and hopelessness. As we near the emotional climax of overwhelm, loss, and pain, there’s really nothing to do but wave and fall.

While the book’s concept flows throughout with its unique The Ocean interpretation, some things plague Solaris. “Simulacra,” “Belligerence,” and “Ultima Esperanza” represent forty of the album’s seventy minutes—which is a lot. The seventeen-minute “Simulacra” is the biggest culprit, which is a shame because it showcases a lot of great, classic The Ocean vibes and its haunting importance to the concept. The two closing numbers match the story’s theme well,2 but their exclusive industrial approach stands out mightily. Many will complain about the vocals. They are so different from what fans are used to that it’s impossible to ignore. But their stellar performances cannot be dismissed. It’s just completely different than what we’re used to with the band. After numerous spins, I finally understand this album, and it gives the score a slight nudge. It’s different, but fans will find something to enjoy here.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: theocean.bandcamp.com | facebook.com/theoceancollective
Releases Worldwide: September 25th, 2026

Sady, it’s been a while since we’ve really heard an incredible The Ocean record. While 2023’s Holocene wasn’t shit by any means, it was nothing like the run the band has had since 2013’s Pelagial. I’ve never been so captivated by a selection of consequential albums—only recently with the Green Carnation trilogy.1 Drifting away from the epochs, The Ocean sets off to the stars with this year’s Solaris. Not only are we heading up instead of staying below, but many of the band’s recent lineup has also moved on to their next stars and adventures. In particular, Loïc Rossetti’s voice is no longer with us, replaced by the duo Enrico Tiberi and Lane Shi. Along with spacey effects and instrumental vibes, these two bring a completely new dynamic to the band’s sound. If one were to assume Solaris marks the beginning of a new era, how will it fare compared to previous ones? Or does “51°28′30″ S, 73°6′11″ W” really represent the “Last Hope”?

Based on Stanisław Lem’s book of the same title, this new record is a mindfuck of emotion and unexplainable contradictions, much like the heartbreaking story that takes us to a research station above the surface of the water planet Solaris. Its black waters are assumed sentient, but what the crew experiences from this ocean sends them into a tailspin of fear and mental breakdown. The key work and atmosphere of Solaris work perfectly, thanks in large part to the contributions of the legendary Thorsten Quaeschning (Tangerine Dream). But where this psychological thriller takes us, one can only guess.

Smack dab in the middle of Berlin at Pelagic Records, “52°30’11” N, 13°26’12” E” begins our journey with gentle vibraphone, acoustic guitars, and our introduction to Tiberi. Then, the course is set in “Departure Song,” as our hero sets off to help the broken crew. The vibraphone and bass bleed into its introduction before distortion hits and the male/female combo soars. As it progresses through aggressive passages and impressive, forceful wailing from Shi, its cherry on top is the shared vocal structures of another classic The Ocean chorus. While this track is one of the best on the album, the follow-up, “Light Pollution,” is the weirdness that permeates through the scratching needle from here until the end. Female swoons haunt the track as the spacey effects drown out the stars and blot the sun. Harsh male vocals surface as we near the angry planet, while swirling transitions promise the uncertainty ahead. When it all crumbles, a nasty, sludgy trot rises to the surface to end it all.

As the album progresses, the intensity does as well—much like Pelagial all those years ago. As the unexplainable figures appear above and below, the frustration and confusion (for our characters and ourselves) increase until it erupts in “Belligerence.” It unleashes absolute chaos. Up to now, Tiberi’s vox were the only ones to rasp and scream, but now, Shi returns the favor. Trapped in the metallic confines that protect one from the frozen expanse, Tiberi and Shi do battle, dragging knuckles, nails, and teeth down every corridor. When the triplet attack arrives, the necks of any longtime The Ocean fan awaken. “Ultima Esperanza” pushes this concept to its breaking point, with moments of recollection, understanding, and hopelessness. As we near the emotional climax of overwhelm, loss, and pain, there’s really nothing to do but wave and fall.

While the book’s concept flows throughout with its unique The Ocean interpretation, some things plague Solaris. “Simulacra,” “Belligerence,” and “Ultima Esperanza” represent forty of the album’s seventy minutes—which is a lot. The seventeen-minute “Simulacra” is the biggest culprit, which is a shame because it showcases a lot of great, classic The Ocean vibes and its haunting importance to the concept. The two closing numbers match the story’s theme well,2 but their exclusive industrial approach stands out mightily. Many will complain about the vocals. They are so different from what fans are used to that it’s impossible to ignore. But their stellar performances cannot be dismissed. It’s just completely different than what we’re used to with the band. After numerous spins, I finally understand this album, and it gives the score a slight nudge. It’s different, but fans will find something to enjoy here.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: theocean.bandcamp.com | facebook.com/theoceancollective
Releases Worldwide: September 25th, 2026

Sady, it’s been a while since we’ve really heard an incredible The Ocean record. While 2023’s Holocene wasn’t shit by any means, it was nothing like the run the band has had since 2013’s Pelagial. I’ve never been so captivated by a selection of consequential albums—only recently with the Green Carnation trilogy.1 Drifting away from the epochs, The Ocean sets off to the stars with this year’s Solaris. Not only are we heading up instead of staying below, but many of the band’s recent lineup has also moved on to their next stars and adventures. In particular, Loïc Rossetti’s voice is no longer with us, replaced by the duo Enrico Tiberi and Lane Shi. Along with spacey effects and instrumental vibes, these two bring a completely new dynamic to the band’s sound. If one were to assume Solaris marks the beginning of a new era, how will it fare compared to previous ones? Or does “51°28′30″ S, 73°6′11″ W” really represent the “Last Hope”?

Based on Stanisław Lem’s book of the same title, this new record is a mindfuck of emotion and unexplainable contradictions, much like the heartbreaking story that takes us to a research station above the surface of the water planet Solaris. Its black waters are assumed sentient, but what the crew experiences from this ocean sends them into a tailspin of fear and mental breakdown. The key work and atmosphere of Solaris work perfectly, thanks in large part to the contributions of the legendary Thorsten Quaeschning (Tangerine Dream). But where this psychological thriller takes us, one can only guess.

Smack dab in the middle of Berlin at Pelagic Records, “52°30’11” N, 13°26’12” E” begins our journey with gentle vibraphone, acoustic guitars, and our introduction to Tiberi. Then, the course is set in “Departure Song,” as our hero sets off to help the broken crew. The vibraphone and bass bleed into its introduction before distortion hits and the male/female combo soars. As it progresses through aggressive passages and impressive, forceful wailing from Shi, its cherry on top is the shared vocal structures of another classic The Ocean chorus. While this track is one of the best on the album, the follow-up, “Light Pollution,” is the weirdness that permeates through the scratching needle from here until the end. Female swoons haunt the track as the spacey effects drown out the stars and blot the sun. Harsh male vocals surface as we near the angry planet, while swirling transitions promise the uncertainty ahead. When it all crumbles, a nasty, sludgy trot rises to the surface to end it all.

As the album progresses, the intensity does as well—much like Pelagial all those years ago. As the unexplainable figures appear above and below, the frustration and confusion (for our characters and ourselves) increase until it erupts in “Belligerence.” It unleashes absolute chaos. Up to now, Tiberi’s vox were the only ones to rasp and scream, but now, Shi returns the favor. Trapped in the metallic confines that protect one from the frozen expanse, Tiberi and Shi do battle, dragging knuckles, nails, and teeth down every corridor. When the triplet attack arrives, the necks of any longtime The Ocean fan awaken. “Ultima Esperanza” pushes this concept to its breaking point, with moments of recollection, understanding, and hopelessness. As we near the emotional climax of overwhelm, loss, and pain, there’s really nothing to do but wave and fall.

While the book’s concept flows throughout with its unique The Ocean interpretation, some things plague Solaris. “Simulacra,” “Belligerence,” and “Ultima Esperanza” represent forty of the album’s seventy minutes—which is a lot. The seventeen-minute “Simulacra” is the biggest culprit, which is a shame because it showcases a lot of great, classic The Ocean vibes and its haunting importance to the concept. The two closing numbers match the story’s theme well,2 but their exclusive industrial approach stands out mightily. Many will complain about the vocals. They are so different from what fans are used to that it’s impossible to ignore. But their stellar performances cannot be dismissed. It’s just completely different than what we’re used to with the band. After numerous spins, I finally understand this album, and it gives the score a slight nudge. It’s different, but fans will find something to enjoy here.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: theocean.bandcamp.com | facebook.com/theoceancollective
Releases Worldwide: September 25th, 2026

Sady, it’s been a while since we’ve really heard an incredible The Ocean record. While 2023’s Holocene wasn’t shit by any means, it was nothing like the run the band has had since 2013’s Pelagial. I’ve never been so captivated by a selection of consequential albums—only recently with the Green Carnation trilogy.1 Drifting away from the epochs, The Ocean sets off to the stars with this year’s Solaris. Not only are we heading up instead of staying below, but many of the band’s recent lineup has also moved on to their next stars and adventures. In particular, Loïc Rossetti’s voice is no longer with us, replaced by the duo Enrico Tiberi and Lane Shi. Along with spacey effects and instrumental vibes, these two bring a completely new dynamic to the band’s sound. If one were to assume Solaris marks the beginning of a new era, how will it fare compared to previous ones? Or does “51°28′30″ S, 73°6′11″ W” really represent the “Last Hope”?

Based on Stanisław Lem’s book of the same title, this new record is a mindfuck of emotion and unexplainable contradictions, much like the heartbreaking story that takes us to a research station above the surface of the water planet Solaris. Its black waters are assumed sentient, but what the crew experiences from this ocean sends them into a tailspin of fear and mental breakdown. The key work and atmosphere of Solaris work perfectly, thanks in large part to the contributions of the legendary Thorsten Quaeschning (Tangerine Dream). But where this psychological thriller takes us, one can only guess.

Smack dab in the middle of Berlin at Pelagic Records, “52°30’11” N, 13°26’12” E” begins our journey with gentle vibraphone, acoustic guitars, and our introduction to Tiberi. Then, the course is set in “Departure Song,” as our hero sets off to help the broken crew. The vibraphone and bass bleed into its introduction before distortion hits and the male/female combo soars. As it progresses through aggressive passages and impressive, forceful wailing from Shi, its cherry on top is the shared vocal structures of another classic The Ocean chorus. While this track is one of the best on the album, the follow-up, “Light Pollution,” is the weirdness that permeates through the scratching needle from here until the end. Female swoons haunt the track as the spacey effects drown out the stars and blot the sun. Harsh male vocals surface as we near the angry planet, while swirling transitions promise the uncertainty ahead. When it all crumbles, a nasty, sludgy trot rises to the surface to end it all.

As the album progresses, the intensity does as well—much like Pelagial all those years ago. As the unexplainable figures appear above and below, the frustration and confusion (for our characters and ourselves) increase until it erupts in “Belligerence.” It unleashes absolute chaos. Up to now, Tiberi’s vox were the only ones to rasp and scream, but now, Shi returns the favor. Trapped in the metallic confines that protect one from the frozen expanse, Tiberi and Shi do battle, dragging knuckles, nails, and teeth down every corridor. When the triplet attack arrives, the necks of any longtime The Ocean fan awaken. “Ultima Esperanza” pushes this concept to its breaking point, with moments of recollection, understanding, and hopelessness. As we near the emotional climax of overwhelm, loss, and pain, there’s really nothing to do but wave and fall.

While the book’s concept flows throughout with its unique The Ocean interpretation, some things plague Solaris. “Simulacra,” “Belligerence,” and “Ultima Esperanza” represent forty of the album’s seventy minutes—which is a lot. The seventeen-minute “Simulacra” is the biggest culprit, which is a shame because it showcases a lot of great, classic The Ocean vibes and its haunting importance to the concept. The two closing numbers match the story’s theme well,2 but their exclusive industrial approach stands out mightily. Many will complain about the vocals. They are so different from what fans are used to that it’s impossible to ignore. But their stellar performances cannot be dismissed. It’s just completely different than what we’re used to with the band. After numerous spins, I finally understand this album, and it gives the score a slight nudge. It’s different, but fans will find something to enjoy here.

Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Pelagic Records
Websites: theocean.bandcamp.com | facebook.com/theoceancollective
Releases Worldwide: September 25th, 2026

Berlin School in the USA. - Heute für 'nen 10er bei Andrä in Essen ergattert.

#music #musik #tangerinedream #berlinschool #electronicmusic #elektronischemusik

Berlin School in the USA. - Heute für 'nen 10er bei Andrä in Essen ergattert.

#music #musik #tangerinedream #berlinschool #electronicmusic #elektronischemusik

Berlin School in the USA. - Heute für 'nen 10er bei Andrä in Essen ergattert.

#music #musik #tangerinedream #berlinschool #electronicmusic #elektronischemusik

The Moog That Would Not Stay in Tune

Tangerine Dream’s Phaedra is remembered as one of the records that established the sequencer-driven language later associated with the...

#TangerineDream #Phaedra #Moog #BerlinSchool

lumlux-art.com/art-stream/t...

The Moog That Would Not Stay i...

#808day eh? here is one of my fav uses of the 808 in a live setting. #tangerinedream #electronic
https://www.youtube.com/watch?v=RnV8O-AgyTM

This morning's #workout #music is from Tobias Freund & Max Loderbauer doing an extended improvisation in the tradition of Klaus Schulze or early #TangerineDream.
Makes me wish and I had a set up like this and glad I don't have a set up like this at the same time. Great stuff.

https://youtu.be/1BQwug6tcgQ
#KosmischeMusik #ElectronicMusic #Improvisation #ModularSynths #KettleBells #BodyWeightTraining #wellness

Looks like they were part of this project...will check out later
https://arjunamusic-records.bandcamp.com/album/kave
#bandcamp

This morning's #workout #music is from Tobias Freund & Max Loderbauer doing an extended improvisation in the tradition of Klaus Schulze or early #TangerineDream.
Makes me wish and I had a set up like this and glad I don't have a set up like this at the same time. Great stuff.

https://youtu.be/1BQwug6tcgQ
#KosmischeMusik #ElectronicMusic #Improvisation #ModularSynths #KettleBells #BodyWeightTraining #wellness

Looks like they were part of this project...will check out later
https://arjunamusic-records.bandcamp.com/album/kave
#bandcamp

This morning's #workout #music is from Tobias Freund & Max Loderbauer doing an extended improvisation in the tradition of Klaus Schulze or early #TangerineDream.
Makes me wish and I had a set up like this and glad I don't have a set up like this at the same time. Great stuff.

https://youtu.be/1BQwug6tcgQ
#KosmischeMusik #ElectronicMusic #Improvisation #ModularSynths #KettleBells #BodyWeightTraining #wellness

Looks like they were part of this project...will check out later
https://arjunamusic-records.bandcamp.com/album/kave
#bandcamp

This morning's #workout #music is from Tobias Freund & Max Loderbauer doing an extended improvisation in the tradition of Klaus Schulze or early #TangerineDream.
Makes me wish and I had a set up like this and glad I don't have a set up like this at the same time. Great stuff.

https://youtu.be/1BQwug6tcgQ
#KosmischeMusik #ElectronicMusic #Improvisation #ModularSynths #KettleBells #BodyWeightTraining #wellness

Looks like they were part of this project...will check out later
https://arjunamusic-records.bandcamp.com/album/kave
#bandcamp

Free download codes:

Echo Vocation - Mutable Vol. 1

"Spacious guitar lines trace paths across expansive synth-infused canvases."

https://getmusic.fm/l/zJs645

#electronic #downtempo #krautrock #ambientguitar #avantprog #tangerinedream #music

Free download codes:

Echo Vocation - Mutable Vol. 1

"Spacious guitar lines trace paths across expansive synth-infused canvases."

https://getmusic.fm/l/zJs645

#electronic #downtempo #krautrock #ambientguitar #avantprog #tangerinedream #music

Free download codes:

Echo Vocation - Mutable Vol. 1

"Spacious guitar lines trace paths across expansive synth-infused canvases."

https://getmusic.fm/l/zJs645

#electronic #downtempo #krautrock #ambientguitar #avantprog #tangerinedream #music

Oooh! "Force Majeure" is one of the few Tangerine Dream albums I don't own!

@AoB_Motomasa
@Kumabear

#ForceMajeure #TangerineDream

Oooh! "Force Majeure" is one of the few Tangerine Dream albums I don't own!

@AoB_Motomasa
@Kumabear

#ForceMajeure #TangerineDream

Oooh! "Force Majeure" is one of the few Tangerine Dream albums I don't own!

@AoB_Motomasa
@Kumabear

#ForceMajeure #TangerineDream

Oooh! "Force Majeure" is one of the few Tangerine Dream albums I don't own!

@AoB_Motomasa
@Kumabear

#ForceMajeure #TangerineDream

#NowPlaying https://youtu.be/CbIeRTgg3So Hyperborea by #TangerineDream

#NowPlaying https://youtu.be/CbIeRTgg3So Hyperborea by #TangerineDream

#NowPlaying https://youtu.be/CbIeRTgg3So Hyperborea by #TangerineDream

In der Hafenstadt #Reutlingen veranstaltet das Team vom #FranzK ein zweiwöchiges Festival mit Hochkarätern und Neuentdeckungen. Wir geben den Überblick übers Programm und verlosen Tickets.

https://www.gig-blog.net/2026/07/03/vorschau-und-ticketverlosung-hafensounds-festival-vom-23-07-bis-01-08-in-reutlingen/

#Festival #HafensoundsFestival #Hafensounds #Verlosung #Selig #TangerineDream

In der Hafenstadt #Reutlingen veranstaltet das Team vom #FranzK ein zweiwöchiges Festival mit Hochkarätern und Neuentdeckungen. Wir geben den Überblick übers Programm und verlosen Tickets.

https://www.gig-blog.net/2026/07/03/vorschau-und-ticketverlosung-hafensounds-festival-vom-23-07-bis-01-08-in-reutlingen/

#Festival #HafensoundsFestival #Hafensounds #Verlosung #Selig #TangerineDream

In der Hafenstadt #Reutlingen veranstaltet das Team vom #FranzK ein zweiwöchiges Festival mit Hochkarätern und Neuentdeckungen. Wir geben den Überblick übers Programm und verlosen Tickets.

https://www.gig-blog.net/2026/07/03/vorschau-und-ticketverlosung-hafensounds-festival-vom-23-07-bis-01-08-in-reutlingen/

#Festival #HafensoundsFestival #Hafensounds #Verlosung #Selig #TangerineDream

https://www.europesays.com/be-nl/94738/ Mortiis – Ghosts Of Europa #albumrecensie #Amusement #BE #België #Belgium #DepecheMode #electro #Entertainment #GermanElectro #GhostsOfEuropa #mortiis #Music #Muziek #NineInchNails #ProphecyProductions #review #TangerineDream #ZwareMetalen

https://www.europesays.com/nl/252562/ Mortiis – Ghosts Of Europa #albumrecensie #Amusement #DepecheMode #Dutch #electro #Entertainment #GermanElectro #GhostsOfEuropa #mortiis #Music #Muziek #Nederland #Nederlanden #Nederlands #Netherlands #NineInchNails #NL #ProphecyProductions #review #TangerineDream #ZwareMetalen

TNO – Trianguloidal
#Alternative #JeanMichelJarre #Vangelis #genesis #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/trianguloidal

TNO – Trianguloidal
#Alternative #JeanMichelJarre #Vangelis #genesis #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/trianguloidal

TNO – Trianguloidal
#Alternative #JeanMichelJarre #Vangelis #genesis #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/trianguloidal

TNO – Trianguloidal
#Alternative #JeanMichelJarre #Vangelis #genesis #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/trianguloidal

TNO – Metonymy
#Alternative #JeanMichelJarre #MikeOldfield #Vangelis #VintageSynths #genesis #progressive #synth1 #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/metonymy

TNO – Metonymy
#Alternative #JeanMichelJarre #MikeOldfield #Vangelis #VintageSynths #genesis #progressive #synth1 #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/metonymy

TNO – Metonymy
#Alternative #JeanMichelJarre #MikeOldfield #Vangelis #VintageSynths #genesis #progressive #synth1 #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/metonymy

TNO – Metonymy
#Alternative #JeanMichelJarre #MikeOldfield #Vangelis #VintageSynths #genesis #progressive #synth1 #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/metonymy

TNO – Etheration
#70s #Alternative #MikeOldfield #Vangelis #VintageSynths #instrumental #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/etheration

TNO – Etheration
#70s #Alternative #MikeOldfield #Vangelis #VintageSynths #instrumental #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/etheration

TNO – Etheration
#70s #Alternative #MikeOldfield #Vangelis #VintageSynths #instrumental #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/etheration

TNO – Etheration
#70s #Alternative #MikeOldfield #Vangelis #VintageSynths #instrumental #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/etheration

TNO – Zwitterion
#70s #Alternative #Electronic #JeanMichelJarre #Vangelis #VintageSynths #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/zwitterion

TNO – Zwitterion
#70s #Alternative #Electronic #JeanMichelJarre #Vangelis #VintageSynths #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/zwitterion

TNO – Zwitterion
#70s #Alternative #Electronic #JeanMichelJarre #Vangelis #VintageSynths #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/zwitterion

TNO – Zwitterion
#70s #Alternative #Electronic #JeanMichelJarre #Vangelis #VintageSynths #progressive #tangerinedream #Lille
CC BY-NC-ND (#CreativeCommons Attribution Non Commercial No Derivatives) #ccmusic
https://tno1.bandcamp.com/album/zwitterion

The bit that you skip #165: Tangerine Dream – Charly The Kid

I have no defined idea of when the Tangerine Dream reappraisal began. When GTA V was released in 2013, Tangerine Dream were an integral part of the atmospheric music, along Woody Jackson, Oh No, and The Alchemist. The dynamic score was integral to the game’s success, and you can still find youtube channels with extended versions recorded in-game for those of us who love to lose ourselves for hours on majestic cinematic scores.

I suspect the newfound cult status of Michael Mann’s Thief was a consequence of GTA V’s success. After all, GTA V always took inspiration from Mann’s movies. Vice City, GTA IV, and GTA V have bank jobs, and the presence of hockey masks is no coincidence. Thief is a great film and originally was going to be today’s post, but I thought about another Tangerine Dream movie that needs some reappraisal.

Firestarter stars Drew Barrymore, David Keith, George C. Scott, and Martin Sheen, and it’s an adaptation of a novel by Stephen King. Directed by Mark L. Lester, it almost feels like a test run for Commando. I mean it! Kidnapping of a loved one, slightly diabolical acting from the two villains (George C. Scott and Martin Sheen), and a pyromaniac’s daydream with the fiery ending of The Shop, the secret agency that caused all the trouble.

Stephen King was notoriously vocal about hating the adaptation, and Roger Ebert was miffed by it. As an 80s film, it’s what it says on the tin, expect no more. Book purists will side with King, though. Since I grew up with films like this, I’m more partial to the adaptation. Feels breezier without the usual King tangents that extend his books to door-stopping length. I still read him, but, you know.

Tangerine Dream’s soundtrack is heartfelt. It does go into heavy 80s territory from time to time, especially on the wonderful Crystal Voice. I’m recommending Charly the Kid. It has that smouldering crescendo Tangerine Dreams so well, where a sense of wonder and dread are interlocked. You could almost place vocals on it, but it doesn’t need them. A beautiful track for a character with a terrifying, world-ending power.

-Sam J. Valdés López

https://www.youtube.com/watch?v=cY2tdkoxi50

The bit that you skip #165: Tangerine Dream – Charly The Kid

I have no defined idea of when the Tangerine Dream reappraisal began. When GTA V was released in 2013, Tangerine Dream were an integral part of the atmospheric music, along Woody Jackson, Oh No, and The Alchemist. The dynamic score was integral to the game’s success, and you can still find youtube channels with extended versions recorded in-game for those of us who love to lose ourselves for hours on majestic cinematic scores.

I suspect the newfound cult status of Michael Mann’s Thief was a consequence of GTA V’s success. After all, GTA V always took inspiration from Mann’s movies. Vice City, GTA IV, and GTA V have bank jobs, and the presence of hockey masks is no coincidence. Thief is a great film and originally was going to be today’s post, but I thought about another Tangerine Dream movie that needs some reappraisal.

Firestarter stars Drew Barrymore, David Keith, George C. Scott, and Martin Sheen, and it’s an adaptation of a novel by Stephen King. Directed by Mark L. Lester, it almost feels like a test run for Commando. I mean it! Kidnapping of a loved one, slightly diabolical acting from the two villains (George C. Scott and Martin Sheen), and a pyromaniac’s daydream with the fiery ending of The Shop, the secret agency that caused all the trouble.

Stephen King was notoriously vocal about hating the adaptation, and Roger Ebert was miffed by it. As an 80s film, it’s what it says on the tin, expect no more. Book purists will side with King, though. Since I grew up with films like this, I’m more partial to the adaptation. Feels breezier without the usual King tangents that extend his books to door-stopping length. I still read him, but, you know.

Tangerine Dream’s soundtrack is heartfelt. It does go into heavy 80s territory from time to time, especially on the wonderful Crystal Voice. I’m recommending Charly the Kid. It has that smouldering crescendo Tangerine Dreams so well, where a sense of wonder and dread are interlocked. You could almost place vocals on it, but it doesn’t need them. A beautiful track for a character with a terrifying, world-ending power.

-Sam J. Valdés López

https://www.youtube.com/watch?v=cY2tdkoxi50

CD-Review - TANGERINE DREAM - 50 Years Of Phaedra - At The Barbican
https://hooked-on-music.de/review/cd-review-tangerine-dream-50-years-of-phaedra-at-the-barbican/16609
#cd #review #tangerinedream #50yearsofphaedra #atthebarbican

#ReinhardLakomy - der Mann, der das Ost-Berlin-Konzert von #TangerineDream möglich machte: https://medienhoelle.podigee.io/28-die-medienholle-dokument-003
„#Lacky - Der Elektronik-Pionier“ - ein Tondokument von Jörg Wagner

#DDR #ElektronischeMusik #Synthesizer #Geschichte #DT64 #MonikaEhrhardLakomy

#ReinhardLakomy - der Mann, der das Ost-Berlin-Konzert von #TangerineDream möglich machte: https://medienhoelle.podigee.io/28-die-medienholle-dokument-003
„#Lacky - Der Elektronik-Pionier“ - ein Tondokument von Jörg Wagner

#DDR #ElektronischeMusik #Synthesizer #Geschichte #DT64 #MonikaEhrhardLakomy

#ReinhardLakomy - der Mann, der das Ost-Berlin-Konzert von #TangerineDream möglich machte: https://medienhoelle.podigee.io/28-die-medienholle-dokument-003
„#Lacky - Der Elektronik-Pionier“ - ein Tondokument von Jörg Wagner

#DDR #ElektronischeMusik #Synthesizer #Geschichte #DT64 #MonikaEhrhardLakomy

#ReinhardLakomy - der Mann, der das Ost-Berlin-Konzert von #TangerineDream möglich machte: https://medienhoelle.podigee.io/28-die-medienholle-dokument-003
„#Lacky - Der Elektronik-Pionier“ - ein Tondokument von Jörg Wagner

#DDR #ElektronischeMusik #Synthesizer #Geschichte #DT64 #MonikaEhrhardLakomy

This morning's #workout #music is from Jean Michel Jarre doing a live performance of his landmark album Oxygene. Back in the late #70s and early #80s my friends and I were very into the #ElectronicMusic scene. I was a particular fan of #TangerineDream and #KlausSchulze and #Kraftwerk. Some of my friends tried to get me into Jarre and #Tomita but they never clicked for me. After reading an article recently on this album and its influence on #ambientTechno I thought I would give it another go. Meh. Still sits there flat and doesn't do anything for me for the most part. Some moments (particularly around 45 minutes in), but on the whole it just isn't my thing. YMMV

https://youtu.be/H9UzNh_2TXk
#Pop #Synths #KettleBells

This morning's #workout #music is from Jean Michel Jarre doing a live performance of his landmark album Oxygene. Back in the late #70s and early #80s my friends and I were very into the #ElectronicMusic scene. I was a particular fan of #TangerineDream and #KlausSchulze and #Kraftwerk. Some of my friends tried to get me into Jarre and #Tomita but they never clicked for me. After reading an article recently on this album and its influence on #ambientTechno I thought I would give it another go. Meh. Still sits there flat and doesn't do anything for me for the most part. Some moments (particularly around 45 minutes in), but on the whole it just isn't my thing. YMMV

https://youtu.be/H9UzNh_2TXk
#Pop #Synths #KettleBells

This morning's #workout #music is from Jean Michel Jarre doing a live performance of his landmark album Oxygene. Back in the late #70s and early #80s my friends and I were very into the #ElectronicMusic scene. I was a particular fan of #TangerineDream and #KlausSchulze and #Kraftwerk. Some of my friends tried to get me into Jarre and #Tomita but they never clicked for me. After reading an article recently on this album and its influence on #ambientTechno I thought I would give it another go. Meh. Still sits there flat and doesn't do anything for me for the most part. Some moments (particularly around 45 minutes in), but on the whole it just isn't my thing. YMMV

https://youtu.be/H9UzNh_2TXk
#Pop #Synths #KettleBells

This morning's #workout #music is from Jean Michel Jarre doing a live performance of his landmark album Oxygene. Back in the late #70s and early #80s my friends and I were very into the #ElectronicMusic scene. I was a particular fan of #TangerineDream and #KlausSchulze and #Kraftwerk. Some of my friends tried to get me into Jarre and #Tomita but they never clicked for me. After reading an article recently on this album and its influence on #ambientTechno I thought I would give it another go. Meh. Still sits there flat and doesn't do anything for me for the most part. Some moments (particularly around 45 minutes in), but on the whole it just isn't my thing. YMMV

https://youtu.be/H9UzNh_2TXk
#Pop #Synths #KettleBells

🔴 LIVE NOW ON VORTEX
📻 Vortex WaveSpiral 🌀 (Post Punk & Classical New Wave)
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🎵 Tangerine Dream - Dolphin Dance

▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net

💬 Join us on Discord:
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#VortexWave #TangerineDream #Electronic #Ambient #70s

New #review today: "#EdgarFroese, #ChristopherFranke, and #PeterBaumann may not be associated with #TangerineDream any longer, but the current incarnation of the ground convened at The Barbican in London on 7 October 2024 to pay homage to the classic album." #ExposeOnline #ElectronicMusic http://expose.org/index.php/articles/display/tangerine-dream-50-years-of-phaedra-at-the-barbican-2.html

New #review today: "#EdgarFroese, #ChristopherFranke, and #PeterBaumann may not be associated with #TangerineDream any longer, but the current incarnation of the ground convened at The Barbican in London on 7 October 2024 to pay homage to the classic album." #ExposeOnline #ElectronicMusic http://expose.org/index.php/articles/display/tangerine-dream-50-years-of-phaedra-at-the-barbican-2.html

New #review today: "#EdgarFroese, #ChristopherFranke, and #PeterBaumann may not be associated with #TangerineDream any longer, but the current incarnation of the ground convened at The Barbican in London on 7 October 2024 to pay homage to the classic album." #ExposeOnline #ElectronicMusic http://expose.org/index.php/articles/display/tangerine-dream-50-years-of-phaedra-at-the-barbican-2.html