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#john-carpenter — Public Fediverse posts

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  1. #Cine

    Ellos viven, John Carpenter, 1988

    Esta genial producción del director estadounidense John Carpenter es una verdadera obra de culto que mezcla la ciencia ficción con una fuerte crítica social llena de acción. La historia sigue a John Nada, interpretado de forma excelente por el luchador profesional Roddy Piper, un hombre común y sin empleo que llega a la ciudad de Los Ángeles buscando una oportunidad de trabajo en la construcción. La verdadera aventura arranca cuando Nada encuentra por accidente una caja llena de lentes de sol muy particulares en una iglesia comunitaria y, al ponérselos por primera vez, descubre con asombro que el mundo real está completamente dominado por una raza de extraterrestres con rostros de calavera que viven camuflados entre la clase alta y los políticos de la sociedad.

    La película se vuelve sumamente divertida y memorable por la forma en que estos lentes le permiten al protagonista ver la cruda realidad del entorno urbano en un marcado color blanco y negro. Al mirar a través de los cristales, los anuncios espectaculares de viajes, las revistas de moda y los billetes pierden sus imágenes bonitas para mostrar sus verdaderos mensajes ocultos de control social con palabras directas como Obedece, Consume, No cuestiones a la autoridad, Cásate y multiplícate o Ve la televisión. Con un ritmo muy ágil que incluye una de las peleas a golpes más largas y famosas de la historia del cine junto al actor Keith David, la obra funciona como una metáfora perfecta y muy amigable sobre cómo la publicidad masiva y el consumo desmedido pueden adormecer la mente humana, resultando una opción ideal para pasar una gran tarde de entretenimiento mientras reflexionamos sobre la soberanía de nuestros propios pensamientos.

    — A. Eldritch, Periodista, Locutor, podcaster y bloger del fediverso

    Alt text via @altbot y @TeLoDescribot

    #Cine #TheyLive #JohnCarpenter #CienciaFiccion #Accion #CriticaSocial #Pelicula #Ochentas

  2. #Cine

    Ellos viven, John Carpenter, 1988

    Esta genial producción del director estadounidense John Carpenter es una verdadera obra de culto que mezcla la ciencia ficción con una fuerte crítica social llena de acción. La historia sigue a John Nada, interpretado de forma excelente por el luchador profesional Roddy Piper, un hombre común y sin empleo que llega a la ciudad de Los Ángeles buscando una oportunidad de trabajo en la construcción. La verdadera aventura arranca cuando Nada encuentra por accidente una caja llena de lentes de sol muy particulares en una iglesia comunitaria y, al ponérselos por primera vez, descubre con asombro que el mundo real está completamente dominado por una raza de extraterrestres con rostros de calavera que viven camuflados entre la clase alta y los políticos de la sociedad.

    La película se vuelve sumamente divertida y memorable por la forma en que estos lentes le permiten al protagonista ver la cruda realidad del entorno urbano en un marcado color blanco y negro. Al mirar a través de los cristales, los anuncios espectaculares de viajes, las revistas de moda y los billetes pierden sus imágenes bonitas para mostrar sus verdaderos mensajes ocultos de control social con palabras directas como Obedece, Consume, No cuestiones a la autoridad, Cásate y multiplícate o Ve la televisión. Con un ritmo muy ágil que incluye una de las peleas a golpes más largas y famosas de la historia del cine junto al actor Keith David, la obra funciona como una metáfora perfecta y muy amigable sobre cómo la publicidad masiva y el consumo desmedido pueden adormecer la mente humana, resultando una opción ideal para pasar una gran tarde de entretenimiento mientras reflexionamos sobre la soberanía de nuestros propios pensamientos.

    — A. Eldritch, Periodista, Locutor, podcaster y bloger del fediverso

    Alt text via @altbot y @TeLoDescribot

    #Cine #TheyLive #JohnCarpenter #CienciaFiccion #Accion #CriticaSocial #Pelicula #Ochentas

  3. At 78, the king of horror and sci-fi movies is as much of a rebel as ever. He talks about creativity, compromise (he’s not a fan) and how he became addicted to moviemaking In 2024, John Carpenter had… #culture #horror #johncarpenter

    theguardian.com/lifeandstyle/2

    Posted into FLIPBOARD EXCHANGE FEED 🗞️ @flipboard-exchange-feed-Econopass

  4. ‘Everything I know about evil I learned in that small town’: John Carpenter on terrifying the world with Halloween, The Thing and The Fog: theguardian.com/lifeandstyle/2

    'Then there’s They Live, from 1988, which seems to have taken on a life of its own. The story concerns a homeless worker (played by wrestler “Rowdy” Roddy Piper) who discovers some sunglasses that reveal subliminal propaganda messages beneath every advert, magazine and piece of packaging he sees: “Obey”, “Marry and Reproduce”, “Stay Asleep”. Even the dollar bills secretly say: “This is your God.” The glasses also reveal the aliens who walk among us undetected, controlling humanity.

    Not exactly subtle, and They Live is by no means his best film (Piper is no Kurt Russell), but it has become part of the culture, endlessly mimicked, turned into memes and even co-opted into a successful clothing brand by the graphic artist Shepard Fairey – the ultimate irony, perhaps. Just last week, pranksters doctored billboards for Meta’s AI glasses They-Live-style, revealing Kylie Jenner to be an alien and the ad’s subliminal slogan to be “We’re always watching”.

    Carpenter was specifically targeting the Reagan era in They Live, he says, the hyperconsumerism, but also the inequality – contrasting Piper’s homeless community with the affluent heights of 80s Los Angeles. “It’s a documentary, and it didn’t end. It’s still going on now, even worse.” He stops himself. “You’ll get me ranting here, and that’s not a good thing.” But, almost needless to say, he’s depressed by the state of his country. “Things are bad here. I guess you guys realise that over there?”

    Žižek, the Slovenian philosopher, called They Live “one of the forgotten masterpieces of the Hollywood left” in his 2012 documentary The Pervert’s Guide to Ideology, which saw the film as a metaphor for not just consumerism but ideology as a whole: “When you put the glasses on, you see dictatorship in democracy. It’s the invisible order which sustains your apparent freedom.”

    “I don’t know if I’d go that far,” says Carpenter (he has never heard of Žižek, and asks me to send him the clip). “It’s actually democracy under pressure from the dictator. I’m a real sucker for American values. There’s a lot of people like me and we’re constantly fighting, but we’re doing it within the system. I vote. That’s the only power I have. I’m not a rich guy like these guys. And I keep believing that we’ll fight them off one day. We’re all going to be like Roddy Piper, we’re going to give ’em the finger at the end there.”'

    #JohnCarpenter #TheyLive #SlavojZizek #film #video #philosophy

  5. ‘Everything I know about evil I learned in that small town’: John Carpenter on terrifying the world with Halloween, The Thing and The Fog: theguardian.com/lifeandstyle/2

    'Then there’s They Live, from 1988, which seems to have taken on a life of its own. The story concerns a homeless worker (played by wrestler “Rowdy” Roddy Piper) who discovers some sunglasses that reveal subliminal propaganda messages beneath every advert, magazine and piece of packaging he sees: “Obey”, “Marry and Reproduce”, “Stay Asleep”. Even the dollar bills secretly say: “This is your God.” The glasses also reveal the aliens who walk among us undetected, controlling humanity.

    Not exactly subtle, and They Live is by no means his best film (Piper is no Kurt Russell), but it has become part of the culture, endlessly mimicked, turned into memes and even co-opted into a successful clothing brand by the graphic artist Shepard Fairey – the ultimate irony, perhaps. Just last week, pranksters doctored billboards for Meta’s AI glasses They-Live-style, revealing Kylie Jenner to be an alien and the ad’s subliminal slogan to be “We’re always watching”.

    Carpenter was specifically targeting the Reagan era in They Live, he says, the hyperconsumerism, but also the inequality – contrasting Piper’s homeless community with the affluent heights of 80s Los Angeles. “It’s a documentary, and it didn’t end. It’s still going on now, even worse.” He stops himself. “You’ll get me ranting here, and that’s not a good thing.” But, almost needless to say, he’s depressed by the state of his country. “Things are bad here. I guess you guys realise that over there?”

    Žižek, the Slovenian philosopher, called They Live “one of the forgotten masterpieces of the Hollywood left” in his 2012 documentary The Pervert’s Guide to Ideology, which saw the film as a metaphor for not just consumerism but ideology as a whole: “When you put the glasses on, you see dictatorship in democracy. It’s the invisible order which sustains your apparent freedom.”

    “I don’t know if I’d go that far,” says Carpenter (he has never heard of Žižek, and asks me to send him the clip). “It’s actually democracy under pressure from the dictator. I’m a real sucker for American values. There’s a lot of people like me and we’re constantly fighting, but we’re doing it within the system. I vote. That’s the only power I have. I’m not a rich guy like these guys. And I keep believing that we’ll fight them off one day. We’re all going to be like Roddy Piper, we’re going to give ’em the finger at the end there.”'

    #JohnCarpenter #TheyLive #SlavojZizek #film #video #philosophy

  6. ‘Everything I know about evil I learned in that small town’: John Carpenter on terrifying the world with Halloween, The Thing and The Fog
    By Steve Rose

    At 78, the king of horror and sci-fi movies is as much of a rebel as ever. He talks about creativity, compromise (he’s not a fan) and how he became addicted to moviemaking

    theguardian.com/lifeandstyle/2

    #JohnCarpenter #Film #Culture #HorrorTV #USpolitics #Music #TheGuardian #SteveRose

  7. Movie TV Tech Geeks #Horror #TheThing #JohnCarpenter Over 40 Years Later, Horror Still Hasn’t Topped This Movie's Perfect Ending dlvr.it/TTbd3m

  8. Londres : une contre-publicité trolle Meta dans un brillant hommage à They Live dlvr.it/TTb7nd #TheyLive #JohnCarpenter

  9. Londres : une contre-publicité trolle Meta dans un brillant hommage à They Live dlvr.it/TTb7nd #TheyLive #JohnCarpenter

  10. The commander and doctor from John Carpenter's "The Thing" (1982) were in "The Terminal Man" (1974), which is a rather not-exciting movie, not even a very decent argument for the Butlerian Jihad compared to its contemporaries. Yes, that one guy had a bad outcome, but humanity at large wasn't threatened.
    #JohnCarpenter #TheThing #film #ButlerianJihad

  11. 45 years ago today, "Escape from New York," directed by #JohnCarpenter and starring #KurtRussell and Donald Pleasence, premieres in the US.

  12. "Death has come to your little town, Sheriff."

    All shot using real figures, lighting, miniatures and a couple of dish cloths for the sheets on the washing line.

    #michaelmyers #halloween #horror #horrormovies #photography #miniaturephotography #miniatures #johncarpenter #creativephotography

  13. "Death has come to your little town, Sheriff."

    All shot using real figures, lighting, miniatures and a couple of dish cloths for the sheets on the washing line.

    #michaelmyers #halloween #horror #horrormovies #photography #miniaturephotography #miniatures #johncarpenter #creativephotography

  14. It’s my birthday in a couple days

    It's weird coming up on the 250'th for the nation and realizing you're going to outlive it. Not that I want to, just that with technofeudaleveragist pseudarchy quickly replacing our capitalism flavored democratic republic I don't see the powers that be being the same people for very long. I think the billionaires won. I think they own us. I'm not going easy though. Watched John Carpenter's "They Live" last night. First time seeing it, fantastic film starting 'Rowdy' Roddy Piper as Nada, our […]

    snowebell.cc/its-my-birthday-i

  15. It’s my birthday in a couple days

    It's weird coming up on the 250'th for the nation and realizing you're going to outlive it. Not that I want to, just that with technofeudaleveragist pseudarchy quickly replacing our capitalism flavored democratic republic I don't see the powers that be being the same people for very long. I think the billionaires won. I think they own us. I'm not going easy though. Watched John Carpenter's "They Live" last night. First time seeing it, fantastic film starting 'Rowdy' Roddy Piper as Nada, our […]

    snowebell.cc/its-my-birthday-i

  16. Movie TV Tech Geeks #BooksandComicsNews #JohnCarpenter #Horror John Carpenter Officially Reveals Release Date for Next Big Project Ahead of Horror Return dlvr.it/TTFylT

  17. Today is #DisclosureDay

    now I’ve cracked out a blue flanny watching a #JohnCarpenter classic, #TheyLive 🕶️👽

  18. Today is #DisclosureDay

    now I’ve cracked out a blue flanny watching a #JohnCarpenter classic, #TheyLive 🕶️👽

  19. Movie TV Tech Geeks #MovieFeatures #TheyLive #JohnCarpenter #SciFi 3 Decades Later, John Carpenter's Masterclass Thriller Still Hits Like a Punch to the Gut dlvr.it/TT6JYf

  20. Movie TV Tech Geeks #MovieNews #JohnCarpenter #EscapeFromNewYork Zack Snyder's New Remake Sets Streaming Coming Back for John Carpenter's Best Sci-Fi Movie dlvr.it/TSxt33

  21. ZACK SNYDER RELEVA A JOHN CARPENTER EN EL REMAKE DE "1997: RESCATE EN NUEVA YORK".
    Hay proyectos que parecen condenados a permanecer eternamente en desarrollo. El remake de 1997: Rescate en Nueva York es uno de ellos. Durante décadas, distintos nombres han intentado sacar adelante una nueva versión del clásico de ciencia ficción y acción de 1981 sin que ninguna de esas iniciativas llegara a materializarse...
    nuevoimagenesdeactualidad.blog
    #cine #cinema #zacksnyder #johncarpenter

  22. A primeros de agosto el genio John Carpenter, de 78 años, lanzará de seguido un cómic y un disco que hizo a la vez, dos proyectos que se acompañan y se retroalimentan.

    El tono de Cathedral será, por supuesto, dramáticamente oscuro, y para muestra el sencillo introductorio, Lord of the Underground, que adapta en sus visuales la novela gracias al hacer de Antwan R. Johnson, y, cuya mayor sorpresa es calzar a las atmósferas arquetípicas de Carpenter guitarras que bordean el metal, seguro que gracias a la colaboración de sus músicos de confianza, Daniel Davies y Cody Carpenter (su retoño).

    Nada de asustarse: el resultado es mucho más asequible de lo que parece. Hay en el tema una esencia de single de grupos góticos centroeuropeos de los que aparecen en las playlists importantes, no tanto de los que tocan en salas. De hecho, en Mayhem tampoco habría desentonado.

    Lo destacable es que exista, que traiga un nuevo Carpenter siendo tan evidente la raíz del clásico y que converse con una obra en otro formato, cuya idea, de ambas, proviene de un sueño de su autor. Yo lo llamaría pesadilla. Tan primordiales son los POV.
    youtube.com/watch?v=Vj89q66nANs
    #popazo #music #musica #nowplaying #pop #album #johncarpenter #disco #single #singles #sencillo #song #songs #terror #horror #cathedral #comic #graphicnovel #electronic #electronica #synth #synthpop #rockmusic #rock #metal #soundtrack

  23. It's a rainy Memorial Day Weekend here, so I've picked out some trilogies for you to enjoy during your 3-Day weekend in this episode of the #VideoStore Podcast. #JohnCarpenter #LotR #nerdlyfe videostorepodcast.com/p/trilog

  24. cimentati con l'horror, basti pensare al maestro #JohnCarpenter), è già una dichiarazione di poetica: non La Mummia, ma "la mummia di Cronin", un atto deliberato di riappropriazione autoriale di un archetipo ormai logoro fino a sconfinare nella parodia.

    E qui sta l'aspetto più stimolante dell'operazione, secondo me. #Cronin prende uno dei cliché più "mummificati" (è il caso di dirlo!) dell'immaginario horror e lo svuota dall'interno: la mummia non è più l'altro esotico che risorge
    2/13

  25. cimentati con l'horror, basti pensare al maestro #JohnCarpenter), è già una dichiarazione di poetica: non La Mummia, ma "la mummia di Cronin", un atto deliberato di riappropriazione autoriale di un archetipo ormai logoro fino a sconfinare nella parodia.

    E qui sta l'aspetto più stimolante dell'operazione, secondo me. #Cronin prende uno dei cliché più "mummificati" (è il caso di dirlo!) dell'immaginario horror e lo svuota dall'interno: la mummia non è più l'altro esotico che risorge
    2/13

  26. Love me. Love me right. You Betta #SaintJust What happens when members of the brilliant #Algiers discover #80s #synth #pop and #EBM, as well as #JohnCarpenter soundtracks, and blend them together? What a blast! You’ve got my attention. #music #industrial #postpunk #electronic youtu.be/5F7LurnwI9s

    Saint Just - "You Betta"