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#hauntology — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #hauntology, aggregated by home.social.

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  1. Recensioni ✍️

    👤 Marta Salogni & Stefano Pilia 📈 16 👥 1K
    🔗 Phren 7️⃣.5️⃣
    📅 2-10-2026
    🏠 2026 (Maple death)
    #️⃣ Avantgarde Experimental Hauntology

    Chitarra, processi modulari e nastri magnetici per una prima, riuscita [...]

    a cura di Peppe Trotta

    #Ondarock #MusicianSky #MusicSky #Music

    Phren - Album by Marta Salogni...

  2. "The modern Anglophone novel is arguably even more plagued by Bernhardism, perhaps because Thomas Bernhard’s ranting seems so naturally attuned to a world of polarised politics, conspiracy theories and social isolation, in which atomised individuals can yell into the cloud on whatever platform best reflects (or clashes with) their ideological preferences."

    Written as a single sentence, Adam Ouston’s Mine is a novel under the influence
    "The majority of the novel is dedicated to an inventive retelling of the creation of the Mount Lyell mine and the horrific mistreatment of the natural world and the workers at the behest of industry and government. Mine explicitly connects this historical event with ongoing Tasmanian corruption and cronyism. It suggests that the state’s institutions are run by the second-rate failsons and faildaughters of a squattocracy, inept at doing anything other than maintaining their own wealth and standing." >>
    theconversation.com/written-as
    #writing #books #Anglophone #Bernhardism #Australia #Individualism #colonialisation #inequality #dispossession #hauntology #mining #extractivism #EnvironmentalDevastation #SettlerSociety #SocialAtomism #AtomisedIndividuals #belonging #CommonGood #agora #parrhesia

  3. 𝘓𝘪𝘴𝘵𝘦𝘯. 𝘋𝘰 𝘺𝘰𝘶 𝘩𝘦𝘢𝘳 𝘪𝘵? 𝘐𝘵'𝘴 𝘨𝘦𝘵𝘵𝘪𝘯𝘨 𝘤𝘭𝘰𝘴𝘦𝘳...

    New single "Spectre" OUT NOW for #BandcampFriday 👻

    debisco.bandcamp.com/track/spe

    #dubstep #ukdubstep #hauntology

  4. And here's our final session debrief for tomorrow's Writing the Occult: Time & Place - the grand finale, the one that will close the day. No pressure or anything, Dan Lockton.

    Dan will tell us how we’re haunted by visions of the future. Yep, it’s one for the hauntologists among you. Professor of Design & Imagination at Norwich University of the Arts, Dan’s work aims to help people & communities imagine and explore possible futures in an age of climate crisis.

    🧵⬇️

    #hauntology #haunting #horror

  5. That Cab Never Took a Fare

    #Escada #MargarethaLey #Hauntology uneasy.in/ce7fbbc

    The most famous thing about this view in 1992 is the thing the photographer left just outside the frame.

  6. Escada Kept Drawing Carriages

    #Escada #MargarethaLey #Hauntology uneasy.in/15b4569

    The shops get a byline and the women get nothing. That anonymity is doing a lot of work now.

  7. Dated Off a Number Plate

    #AvonGorgeHotel #Bristol #Hauntology uneasy.in/2a85312

    A board with a phone number and a misspelling on it is now the most complete document of the works I can find.

  8. Opening Spring 1990

    #GailElliott #Escada #Hauntology uneasy.in/cc787a6

    The directory that was built to tell you where to go now tells you where things used to be.

  9. Boards of Canada – “Inferno”

    BoC‘s first new album in thirteen years is as enriching and musically compelling as the mythology that surrounds…
    #Canada #ambient #Bandcamp #BoardsOfCanada #Electronic #hauntology #idm #Inferno #Records #WarpRecords
    europesays.com/canada/114481/

  10. The rave future died, got compressed into memes, respawned as nightcore cosplay, and now sells out rooms full of kids dancing through the ruins of their own timelines. Not nostalgia. More like landfill becoming a commons with bass. Fisher would’ve winced, then taken notes.

    theguardian.com/music/2026/jun #hauntology

  11. How modern electronic music got trapped by the capitalism, and why its future is only beginning.
    (my thoughts)

    There are people who say that electronic music has run its course by now, and that just as every possible technique on the guitar has been explored, so too has everything that could be tweaked on a synth been tweaked; so, according to them, electronic music has reached a dead end and nothing new will come of it, only endless nostalgia cycle.

    But I think they’re wrong, not only because electronic music hasn’t developed specifically in terms of its content (it's still remains a very abstract "genre" most of the times, especially compared to prog. rock or classical music, for example), but also because the market has imposed such a huge restrictions on production that people, it seems, have forgotten how to think without them. When it comes to electronic music, these restrictions are as follows. About 50 years ago, subtractive synthesis took over the entire market because of it synths then became cheaper, more compact, and faster, which led to many technologies being completely forgotten and many concepts remaining unrealized. For example, in the USSR, almost all films made before the 1970s used the ANS optical synthesizer, which generates sound from light beams, and the sound produced by such instruments differs from that of digital or analog synthesizers, even though it may be a wave of the same type. It sounds unique even compared to today. But because the market required an industry to be created and market required only these types of technologies that could be put into mass production, all this diversity was discarded. Today, we could start studying all of this anew, but we don't. And it seems we're stuck in an endless loop of simulacra and “nostalgia.”

    Also, there are some people saying that neural networks "democratize" art. In reality, they don’t, because democratizing art means making its best examples accessible for the masses to absorb and be understood in its complexity. So, while some say that neural networks "democratize art", others complain that everything sounds monotonous and boring. But in essence, digitization, the shift to DAWs, and the ease of music creation represent a past wave of “democratization” that, by lowering the barrier to entry, has already made a lot of things uniform.

    About 30 years ago, even within the same genre different songs were created by different people using different instruments under different conditions; it was recorded and processed in different ways, resulting in greater diversity. At the same time, the very limitations of the past pushed people to think and act creatively with what they already had.

    In short, it’s incorrect to say that electronic music has reached its limit and realized its full potential. It has simply reached its market limit. In reality, there’s such a vast field for growth!

    #ElectronicMusic #SynthHistory #Enshittification #LateCapitalism #CapitalistRealism #Creativity #Resistance #Hauntology #Simulacra

  12. Really enjoying this "deep, atmospheric journey back to the mid-2000s London scene" rinse.fm/episodes/eclecticist- via #RinseFM re: #Burial #hauntology et al.

  13. #NowPlaying
    Today I appear to be listening to albums that in some way evoke the British countryside, whether real or imagined.
    Suppose I should also cue up Holst and Vaughan Williams.

    #prog #ambient #soundtrack #hauntology #electronic #classical

  14. Für meinen Blogbeitrag der Woche habe ich meine Drohung wahr gemacht: Fisher, Derrida, Stirner und hellenistische #Philosophie „spuken“ gemeinsam in diesem #Essay:

    Die erschöpfte Moderne und ihre Liebe zur Antike

    Wer heute durch Buchhandlungen, Podcasts oder soziale Medien streift, begegnet der Antike beinahe überall. Marcus Aurelius zirkuliert als Kalenderweisheit auf Instagram, Seneca taucht in Unternehmer-Newslettern auf, und stoische Gelassenheit gilt im Tech-Milieu inzwischen fast als obligatorische mentale Grundausstattung. Besonders Autoren wie Ryan Holiday haben aus der antiken Philosophie eine global vermarktbare Orientierungstechnik gemacht: Philosophie als Instrument zur Selbstdisziplinierung in einer beschleunigten Welt.

    Der britische Kulturtheoretiker Mark Fisher beschrieb diesen Zustand mit dem Begriff der „Hauntology“. Gemeint ist eine Kultur, die von den Geistern verlorener Zukunftsmöglichkeiten verfolgt wird.

    epicmind.ch/die-erschoepfte-mo

    #Selbstoptimierung #Stoa #SiliconValley #Zeitdiagnose #Hauntology

  15. For the people always on the look out for new strange music:
    here is my track of the day #TOTD
    Inter 3 – Faint Whispers in the Noise
    from the #album #Hauntology by #feinstruktur
    feinstruktur.bandcamp.com/trac
    #Bandcamp #experimental #ambient

  16. W polskim krajobrazie wszędzie czają się duchy przeszłości. Zwykle ubrane są w modernistyczną architekturę. Pogardzane, zaniedbane, albo co gorsza upiększane na bezgustną modłę. Często są to wciąż czynne ośrodki wypoczynkowe, tak jak ten w Skarżysku-Kamiennej. Ich rozpiż w wielu budzi obrzydzenie. A we mnie głównie nostalgię i jakąś dziwną tęsknotę za przyszłością, która miała nastać, ale nigdy nie nadeszła.

    #SkarzyskoKamienna #Polska #Poland
    #Architecture #modernizm #modernism
    #duchologia #hauntology #history
    #trip #guide

  17. Free download codes:

    SPIRITFLESH - UNKNOWN SIGNALS

    "An experimental electronic album exploring analog transmissions, noise, and memory through ambient, lo-fi, and synth-driven soundscapes."

    getmusic.fm/l/HFTXMH

    #ambient #electronic #experimental #electronica #downtempo #darkwave #lofi #synthpop #hauntology #minimalsynth #music

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