#aphextwin — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #aphextwin, aggregated by home.social.
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‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles
By Daniel Dylan WrayTheir eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for
#Artanddesign #Culture #Design #Graphicdesign #Sheffield #AphexTwin #Music #TheGuardian #DanielDylanWray
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‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles
By Daniel Dylan WrayTheir eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for
#Artanddesign #Culture #Design #Graphicdesign #Sheffield #AphexTwin #Music #TheGuardian #DanielDylanWray
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‘We didn’t care what the client wanted!’: Sheffield’s Designers Republic on their art for Aphex Twin, Pulp … and Pringles
By Daniel Dylan WrayTheir eye-popping designs burst out of Sheffield in 1986, making them the toast of the music scene. Founder Ian Anderson reveals why some fans think his art is worth remortgaging the house for
#Artanddesign #Culture #Design #Graphicdesign #Sheffield #AphexTwin #Music #TheGuardian #DanielDylanWray
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #textuumusic #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #textuumusic #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #textuumusic #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #textuumusic #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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🎵 Aphex Twin - Didgeridoo 🎵
Un classique acid-house de 1992, conçu pour "achever" les raves en Cornouailles. Paradoxalement, ce titre ne contient aucun didgeridoo : Richard D. James a passé trois jours à créer un drone électronique pour imiter l'instrument . Sorti sur le label R&S, il reste un incontournable de la techno expérimentale. ⚡
#music #textuumusic #AphexTwin #AcidHouse #Techno #R&SRecords #IDM
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If These Trees Could Talk – The Hidden Hand Review By KilljoyIf These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?
By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.
If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.
The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.
Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
Releases Worldwide: July 10th, 2026 -
If These Trees Could Talk – The Hidden Hand Review By KilljoyIf These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?
By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.
If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.
The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.
Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
Releases Worldwide: July 10th, 2026 -
If These Trees Could Talk – The Hidden Hand Review By KilljoyIf These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?
By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.
If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.
The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.
Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
Releases Worldwide: July 10th, 2026 -
If These Trees Could Talk – The Hidden Hand Review By KilljoyIf These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?
By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.
If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.
The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.
Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
Releases Worldwide: July 10th, 2026 -
If These Trees Could Talk – The Hidden Hand Review By KilljoyIf These Trees Could Talk strikes me as a mildly ironic name for an instrumental group. But, then again, post-rock has the potential to be one of the most expressive musical genres when done correctly. This grove in Akron, Ohio, has been mostly silent for the last ten years since 2016’s The Bones of a Dying World, aside from a lone single in 2024. This probably explains why, despite their popularity, I was unfamiliar with If These Trees Could Talk until now, as I only developed a fondness for post-rock a few years ago. The Hidden Hand marks their second full-length with Metal Blade Records and fourth overall. How fruitful has the last decade been?
By and large, The Hidden Hand will not shock anyone with an affinity for post-rock of the instrumental persuasion. It is primarily constructed using crystalline notes and reverb-drenched chords, fluctuating between light and dark in a manner akin to pg.lost. Like We Lost the Sea, If These Trees Could Talk summon vivid soundscapes that encompass a wide variety of emotions and moods. Though this isn’t a huge sonic departure from their prior work, there are a few minor twists. The Hidden Hand sporadically borrows smidgens of bulky guitar tone from Russian Circles and Pelican, and there is even an unexpected cover of Aphex Twin’s “Flim” at the tail end of the album.
If These Trees Could Talk endeavors to wring the most from handfuls of simple tunes. This approach works well in some instances. The most notable of these is “Blurry Creatures,” featuring a recurring choral chant around which the multi-guitar lines coil like ivy on a trellis. “Moon Machine” is less successful as it stretches two alternating passages across 8 minutes, feeling fatiguing and formulaic. I enjoy The Hidden Hand more when the focus is on spinning poignant melodies (“Sea of Glass,” “Silence Between Mountains, Pts. 1 and 2”), but this does not happen as much as on former records. Instead, a heavier reliance on reverb at times feels antithetical to the desired atmosphere (“Moon Machine,” “Metanoia,” “Silence Between Mountains, Pt. 2”). Furthermore, the final track “Endlessly Connected” begins with soft, interwoven guitar strands that never get the chance to grow into something substantial.
The Hidden Hand is not composed in a way that appears to have considered the whole. Compared with the fluidity of prior albums, it’s more of a motley collection of tracks. This isn’t a bad thing in and of itself, but less overall synergy means less staying power in this case. “Metanoia” and “Flim” stick out in particular. The former leans into perky prog rock, and the latter, while a faithful cover, would have fit better in a setting such as Stardew Valley. Additionally, the percussion seems to have lost much of the free-flowing flair that helped foster the unity of The Bones of a Dying World. In The Hidden Hand, it mainly consists of standard rock beats dressed with syncopation, resulting in a more generic feeling across the board.
Ultimately, The Hidden Hand is not as convincing a comeback as I would have hoped. For whatever reason, some of the magic has disappeared in the last ten years. Given that this was my first experience with If These Trees Could Talk, I can say with certainty that this is not because of pent-up or unrealistic expectations. Their prior magnificence can still be heard in the likes of “Silence Between Mountains, Pt. 2” and “Blurry Creatures,” but, even so, The Hidden Hand likely won’t change anyone’s mind about whether they like instrumental-only music. While for me, The Hidden Hand isn’t worth the opportunity cost when craving post-rock, I’m grateful to have been introduced to The Bones of a Dying World, and I look forward to spending more time with that one.
Rating: 2.5/5.0
#25 #2026 #AmericanMetal #AphexTwin #IfTheseTreesCouldTalk #InstrumentalMetal #Jul26 #MetalBladeRecords #Pelican #pgLost #PostRock #PostMetal #Review #Reviews #RussianCircles #TheHiddenHand #WeLostTheSea
DR: 7 | Format Reviewed: 256 kbps mp3
Label: Metal Blade Records
Websites: ifthesetreescouldtalk.bandcamp.com | facebook.com/treescouldtalk
Releases Worldwide: July 10th, 2026 -
#MusiQuinta com tema "te deixa feliz":
Depende muito do humor que eu tô qual tipo de música vai me deixar feliz. Então pensei numa que faz isso independente do humor, ou quase: #3 de Aphex Twin.
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#MusiQuinta com tema "te deixa feliz":
Depende muito do humor que eu tô qual tipo de música vai me deixar feliz. Então pensei numa que faz isso independente do humor, ou quase: #3 de Aphex Twin.
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#MusiQuinta com tema "te deixa feliz":
Depende muito do humor que eu tô qual tipo de música vai me deixar feliz. Então pensei numa que faz isso independente do humor, ou quase: #3 de Aphex Twin.
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#MusiQuinta com tema "te deixa feliz":
Depende muito do humor que eu tô qual tipo de música vai me deixar feliz. Então pensei numa que faz isso independente do humor, ou quase: #3 de Aphex Twin.
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#MusiQuinta com tema "te deixa feliz":
Depende muito do humor que eu tô qual tipo de música vai me deixar feliz. Então pensei numa que faz isso independente do humor, ou quase: #3 de Aphex Twin.
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🔴 LIVE NOW ON VORTEX
📻 Vortex Shadow 🌑 (New wave, synthwave, cold wave, goth)
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🎵 Aphex Twin - Come To Daddy (Pappy Mix)▶️ Écouter / Listen : VorteX [Radio]
https://lesonduvortex.net💬 Join us on Discord:
https://discord.gg/d82hJZBeDE -
discovered "my head is empty" and can't stop listening, especially the song "a way out", this solo reminds of SAW#2 from Aphex Twin!
#myheadisempty #ambient #aphextwin -
discovered "my head is empty" and can't stop listening, especially the song "a way out", this solo reminds of SAW#2 from Aphex Twin!
#myheadisempty #ambient #aphextwin -
I like that Aphex Twin has a gentle, ambient side to him as well as the noise terror
There is balance. -
I like that Aphex Twin has a gentle, ambient side to him as well as the noise terror
There is balance. -
I like that Aphex Twin has a gentle, ambient side to him as well as the noise terror
There is balance. -
I like that Aphex Twin has a gentle, ambient side to him as well as the noise terror
There is balance. -
I like that Aphex Twin has a gentle, ambient side to him as well as the noise terror
There is balance. -
A Review of Selected Ambient Works Vol. II
I am never sure how to discuss Aphex Twin with friends and acquaintances. Any time anyone would discuss their favorite albums, the music most important to them, I could list several of Aphex Twin's albums and many of his songs among the most important things I've ever heard. His work is unlike anything else on the radio or even adjacent to mainstream radio. Despite the influence he has had on modern music, nothing I've heard in the past twenty years can imitate his work. Aphex Twin is a […]https://jpeti.blog/2026/06/28/a-review-of-selected-ambient-works-vol-ii/
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In this episode you'll learn
• How Aphex Twin transformed electronic music
• The balance between chaos and mathematical structure
• Why his rhythmic programming remains revolutionary
• The role of custom technology in his creative process
#AphexTwin
#RichardDJames
#IDM
youtu.be/LE6AluXmN4A
Aphex Twin: The Architecture o... -
I don’t think it will surprise anyone that this album (common nickname SAW2) is near the top of my all-time favorite things in any medium, and obviously it’s widely acclaimed as a like at least a high-9s/10 sort of genius record of its type and lives up to the hype as one of those just generational, like changed all of music into before and after kind of works. I just mean no one could call it underrated and I’m not gonna try
what I do wanna recommend, as usual, is it really rises to another level when you crank it up very loud, and think of it as a very particular sort of atmospheric noise music, for very deep listening at serious volume
#AphexTwin– Selected Ambient Works Volume II
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I don’t think it will surprise anyone that this album (common nickname SAW2) is near the top of my all-time favorite things in any medium, and obviously it’s widely acclaimed as a like at least a high-9s/10 sort of genius record of its type and lives up to the hype as one of those just generational, like changed all of music into before and after kind of works. I just mean no one could call it underrated and I’m not gonna try
what I do wanna recommend, as usual, is it really rises to another level when you crank it up very loud, and think of it as a very particular sort of atmospheric noise music, for very deep listening at serious volume
#AphexTwin– Selected Ambient Works Volume II
-
I don’t think it will surprise anyone that this album (common nickname SAW2) is near the top of my all-time favorite things in any medium, and obviously it’s widely acclaimed as a like at least a high-9s/10 sort of genius record of its type and lives up to the hype as one of those just generational, like changed all of music into before and after kind of works. I just mean no one could call it underrated and I’m not gonna try
what I do wanna recommend, as usual, is it really rises to another level when you crank it up very loud, and think of it as a very particular sort of atmospheric noise music, for very deep listening at serious volume
#AphexTwin– Selected Ambient Works Volume II
-
I don’t think it will surprise anyone that this album (common nickname SAW2) is near the top of my all-time favorite things in any medium, and obviously it’s widely acclaimed as a like at least a high-9s/10 sort of genius record of its type and lives up to the hype as one of those just generational, like changed all of music into before and after kind of works. I just mean no one could call it underrated and I’m not gonna try
what I do wanna recommend, as usual, is it really rises to another level when you crank it up very loud, and think of it as a very particular sort of atmospheric noise music, for very deep listening at serious volume
#AphexTwin– Selected Ambient Works Volume II
-
I don’t think it will surprise anyone that this album (common nickname SAW2) is near the top of my all-time favorite things in any medium, and obviously it’s widely acclaimed as a like at least a high-9s/10 sort of genius record of its type and lives up to the hype as one of those just generational, like changed all of music into before and after kind of works. I just mean no one could call it underrated and I’m not gonna try
what I do wanna recommend, as usual, is it really rises to another level when you crank it up very loud, and think of it as a very particular sort of atmospheric noise music, for very deep listening at serious volume
#AphexTwin– Selected Ambient Works Volume II
-
Expert Knob Twiddlers - Still one of my fave feel good tracks after all this time (30 years)...
Mike Paradinas & Richard D. James aka µ-Ziq & Aphex Twin are offering you to enjoy:
Mr. Frosty (1996)
https://www.youtube.com/watch?v=gAaBbFmCWoE -
Expert Knob Twiddlers - Still one of my fave feel good tracks after all this time (30 years)...
Mike Paradinas & Richard D. James aka µ-Ziq & Aphex Twin are offering you to enjoy:
Mr. Frosty (1996)
https://www.youtube.com/watch?v=gAaBbFmCWoE
