#staugustine — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #staugustine, aggregated by home.social.
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St Augustine’s Priory students celebrate A-level success – EALING.NEWS – The Voice of Ealing’s 7 towns
Students at St Augustine’s Priory, an independent Catholic girls’ school in Ealing, are celebrating a strong set of…
#London #Britain #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Ealing #A-levels #StAugustine'sPriory
https://www.europesays.com/gbr/london/11989/ -
“There are no shortcuts to any place worth going”*…
Two figures related to the art of astronomy from a manuscript of the Ars notoria (NLI Ms. Yah. Var. 34), ca. 1550–1600. Each contains subordinate figures to be contemplated — while reciting accompanying prayers (orations) — in a prescribed sequence over time and with respect to the cardinal directions — Source.As Anne Lawrence-Mathers explains, centuries before Neo instantly mastered Kung Fu in The Matrix, and AI emerged promising quick command of any subject to any of us, medieval scholars found a shortcut to years of difficult study: a magical manuscript that promised to fast-track advanced learning. Anne Lawrence-Mathers investigates the Ars notoria, its supposed powers, and the demonic influence it had upon some users…
Mastering the full range of subjects taught in medieval universities normally required many years of hard and expensive study. From the thirteenth century on, however, an anonymous work known as the Ars notoria promised, through diagrams, incantations, and arcane rituals, to rapidly transmit to scholars the total knowledge of anything they might need. Condemned by church authorities, the fifty-six extant manuscripts nevertheless testify to the seductiveness of that offer.
Its complex diagrams were at the center of its appeal. Unlike diagrams in other magical texts, those in Ars notoria do not illustrate what the text is seeking to communicate. Nor do they act as models to be replicated in three-dimensional form as pieces of magical equipment. Instead, they supposedly work almost in the same way as religious icons. That is, faithful possession and use of them can offer direct contact with powerful and benign supernatural forces — and ultimately even with God. The diagrams themselves are the route to magic and consist of arrangements of symbolic and geometric forms, patterns, and symbols, interspersed with “words”, which are frequently unintelligible combinations of letters.3 Practitioners who opened their minds to receive and imprint these labyrinthine images, while reciting complex verbal formulae and strings of mysterious, almost unpronounceable words and names, are engaging in a significant act of trust.
Several factors made the Ars notoria fundamentally different from other magical texts. First, this is not a text in conflict with the church. In fact, the rituals framing and shaping usage of the images are presented as extremely pious, and the texts to be recited are identified as prayers. The alien words, names, and characters are explained as coming from ancient languages such as Greek, Hebrew, and “Chaldean”, and are claimed to preserve both the names of angels and words used to communicate with them. Second, the advantages offered are relatively virtuous: contact with spiritual beings and full knowledge of the subjects taught in medieval universities. Such claims cut little ice with thirteenth-century theologians, however, who saw clear links to things condemned as superstitious and demonic by St Augustine, despite the text’s assertion that it contains wisdom revealed to King Solomon.
St Thomas Aquinas was worried enough by the Ars notoria to name and condemn it specifically in his Summa theologiae — one of the most authoritative summaries of Christian teaching. He dealt with the very serious issue of superstition in Book Two, Part 2 — Question 96 is effectively devoted to the Ars notoria. Aquinas’ conclusion is wholly negative: the “art” is both “unlawful and futile”. It is futile because it cannot deliver what it promises. Still more seriously, its “signs” are neither understood by humans (like ordinary words and letters) nor sent by God (as sacraments are), and thus are precisely the type of thing that lures humans into contact and compact with demons.
That may seem a conclusive case for the rejection of the Ars notoria, especially as Aquinas’ objections were echoed by other major theologians. However, the number of surviving medieval copies of the work, and the fact that it was copied and owned in religious institutions until the end of the medieval period, show that the church ultimately had neither the interest nor ability to stamp it out. Moreover, it was translated in the early modern period and also went into print, demonstrating an ongoing — and more widespread — interest…
[Professor Lawrence-Mathers explains how the Ars notoria was used…]
… For some users, the rituals were so powerful that they seemed demonic. One of these was Brother John, an early fourteenth-century monk of the abbey of Morigny, near Étampes. John’s account of his introduction to the text, his powerful attraction to it, and the terrifying experiences he underwent while using it, was given in several chapters of John’s own, visionary work, the early fourteenth century Liber florum celestis doctrine.6
The great attraction of the Ars notoria for John was its promise of quick access to advanced scholarly knowledge. He recounts his continuing wish to study, and how he was lent a copy of a book of necromancy by “a certain cleric”. He copied much of it and wanted more. This led to an encounter with a “medical expert” from Lombardy, who informed John that what he needed was the Ars notoria, and that a copy of it was to be found within the walls of the school (at Orléans) where John had been sent. These details provide important evidence of the liminal status of works of ritual magic. They were recognised as dangerous, and were far from being officially approved, and yet were well known, owned and recommended by educated individuals, including monks and clerics.
For John, the Ars notoria was dangerous not in some abstract way, but very directly. He confesses that it struck him at first as beautiful and holy, and seemed to offer miraculous gifts rather than demonic temptations. It became apparent, however, that the book was utterly deceptive, a work of the Devil, a “sick pleasure” that was actually fatally poisonous to the soul, not only to the body…
Medieval “technology”: “Artificial Intelligence– Ars Notoria and the Promise of Instant Knowledge,” from @publicdomainrev.bsky.social.
Pair with: “The Cost of Seamlessness” from @taotuner.bsky.social, and “Experience vs. Efficiency: Why the Human Still Matters in Learning,” from @lnddave.bsky.social.
Also a (vaguely) apposite, but (very) amusing (in a macabre kind of way) report on a piece of OpenAI’s handiwork: “US government map of Africa mislabels every country at global conference.”
* Beverly Sills
###
As we do the work, we might recall that it was on this date in 1965 that Frank Herbert’s Dune was published.
Herbert published a three-part serial Dune World in the monthly Analog, from December 1963 to February 1964. The serial was accompanied by several illustrations that were not published again. After an interval of a year, he published the much slower-paced five-part The Prophet of Dune in the January–May 1965 issues. The first serial became “Book One: Dune” in the final published Dune novel, and the second serial was divided into “Book Two: Muad’dib” and “Book Three: The Prophet”. The serialized version was expanded, reworked, and submitted to more than twenty publishers, each of whom rejected it. The novel, Dune, was finally accepted and published in August 1965 by Chilton Books, a printing house better known for publishing auto repair manuals. Sterling Lanier, an editor at Chilton, had seen Herbert’s manuscript and had urged his company to take a risk in publishing the book. However, the first printing, priced at $5.95 (equivalent to $60.79 in 2025), did not sell well and was poorly received by critics as being atypical of science fiction at the time. Chilton considered the publication of Dune a write-off and Lanier was fired. Over the course of time, the book gained critical acclaim, and its popularity spread by word-of-mouth to allow Herbert to start working full time on developing the sequels to Dune, elements of which were already written alongside Dune.
– source
Herbert died in 1986; his son Brian Herbert and author Kevin J. Anderson continued the series in over a dozen additional novels since 1999. Among them was Dune: The Butlerian Jihad, a prequel which chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius.
First-edition cover (source) #AI #ArsNotoria #artificialIntelligence #ButlerianJihad #culture #Dune #FrankHerbert #history #literature #philosophy #religion #SaintAugustine #Science #ScienceFiction #StAugustine #Technology -
“There are no shortcuts to any place worth going”*…
Two figures related to the art of astronomy from a manuscript of the Ars notoria (NLI Ms. Yah. Var. 34), ca. 1550–1600. Each contains subordinate figures to be contemplated — while reciting accompanying prayers (orations) — in a prescribed sequence over time and with respect to the cardinal directions — Source.As Anne Lawrence-Mathers explains, centuries before Neo instantly mastered Kung Fu in The Matrix, and AI emerged promising quick command of any subject to any of us, medieval scholars found a shortcut to years of difficult study: a magical manuscript that promised to fast-track advanced learning. Anne Lawrence-Mathers investigates the Ars notoria, its supposed powers, and the demonic influence it had upon some users…
Mastering the full range of subjects taught in medieval universities normally required many years of hard and expensive study. From the thirteenth century on, however, an anonymous work known as the Ars notoria promised, through diagrams, incantations, and arcane rituals, to rapidly transmit to scholars the total knowledge of anything they might need. Condemned by church authorities, the fifty-six extant manuscripts nevertheless testify to the seductiveness of that offer.
Its complex diagrams were at the center of its appeal. Unlike diagrams in other magical texts, those in Ars notoria do not illustrate what the text is seeking to communicate. Nor do they act as models to be replicated in three-dimensional form as pieces of magical equipment. Instead, they supposedly work almost in the same way as religious icons. That is, faithful possession and use of them can offer direct contact with powerful and benign supernatural forces — and ultimately even with God. The diagrams themselves are the route to magic and consist of arrangements of symbolic and geometric forms, patterns, and symbols, interspersed with “words”, which are frequently unintelligible combinations of letters.3 Practitioners who opened their minds to receive and imprint these labyrinthine images, while reciting complex verbal formulae and strings of mysterious, almost unpronounceable words and names, are engaging in a significant act of trust.
Several factors made the Ars notoria fundamentally different from other magical texts. First, this is not a text in conflict with the church. In fact, the rituals framing and shaping usage of the images are presented as extremely pious, and the texts to be recited are identified as prayers. The alien words, names, and characters are explained as coming from ancient languages such as Greek, Hebrew, and “Chaldean”, and are claimed to preserve both the names of angels and words used to communicate with them. Second, the advantages offered are relatively virtuous: contact with spiritual beings and full knowledge of the subjects taught in medieval universities. Such claims cut little ice with thirteenth-century theologians, however, who saw clear links to things condemned as superstitious and demonic by St Augustine, despite the text’s assertion that it contains wisdom revealed to King Solomon.
St Thomas Aquinas was worried enough by the Ars notoria to name and condemn it specifically in his Summa theologiae — one of the most authoritative summaries of Christian teaching. He dealt with the very serious issue of superstition in Book Two, Part 2 — Question 96 is effectively devoted to the Ars notoria. Aquinas’ conclusion is wholly negative: the “art” is both “unlawful and futile”. It is futile because it cannot deliver what it promises. Still more seriously, its “signs” are neither understood by humans (like ordinary words and letters) nor sent by God (as sacraments are), and thus are precisely the type of thing that lures humans into contact and compact with demons.
That may seem a conclusive case for the rejection of the Ars notoria, especially as Aquinas’ objections were echoed by other major theologians. However, the number of surviving medieval copies of the work, and the fact that it was copied and owned in religious institutions until the end of the medieval period, show that the church ultimately had neither the interest nor ability to stamp it out. Moreover, it was translated in the early modern period and also went into print, demonstrating an ongoing — and more widespread — interest…
[Professor Lawrence-Mathers explains how the Ars notoria was used…]
… For some users, the rituals were so powerful that they seemed demonic. One of these was Brother John, an early fourteenth-century monk of the abbey of Morigny, near Étampes. John’s account of his introduction to the text, his powerful attraction to it, and the terrifying experiences he underwent while using it, was given in several chapters of John’s own, visionary work, the early fourteenth century Liber florum celestis doctrine.6
The great attraction of the Ars notoria for John was its promise of quick access to advanced scholarly knowledge. He recounts his continuing wish to study, and how he was lent a copy of a book of necromancy by “a certain cleric”. He copied much of it and wanted more. This led to an encounter with a “medical expert” from Lombardy, who informed John that what he needed was the Ars notoria, and that a copy of it was to be found within the walls of the school (at Orléans) where John had been sent. These details provide important evidence of the liminal status of works of ritual magic. They were recognised as dangerous, and were far from being officially approved, and yet were well known, owned and recommended by educated individuals, including monks and clerics.
For John, the Ars notoria was dangerous not in some abstract way, but very directly. He confesses that it struck him at first as beautiful and holy, and seemed to offer miraculous gifts rather than demonic temptations. It became apparent, however, that the book was utterly deceptive, a work of the Devil, a “sick pleasure” that was actually fatally poisonous to the soul, not only to the body…
Medieval “technology”: “Artificial Intelligence– Ars Notoria and the Promise of Instant Knowledge,” from @publicdomainrev.bsky.social.
Pair with: “The Cost of Seamlessness” from @taotuner.bsky.social, and “Experience vs. Efficiency: Why the Human Still Matters in Learning,” from @lnddave.bsky.social.
Also a (vaguely) apposite, but (very) amusing (in a macabre kind of way) report on a piece of OpenAI’s handiwork: “US government map of Africa mislabels every country at global conference.”
* Beverly Sills
###
As we do the work, we might recall that it was on this date in 1965 that Frank Herbert’s Dune was published.
Herbert published a three-part serial Dune World in the monthly Analog, from December 1963 to February 1964. The serial was accompanied by several illustrations that were not published again. After an interval of a year, he published the much slower-paced five-part The Prophet of Dune in the January–May 1965 issues. The first serial became “Book One: Dune” in the final published Dune novel, and the second serial was divided into “Book Two: Muad’dib” and “Book Three: The Prophet”. The serialized version was expanded, reworked, and submitted to more than twenty publishers, each of whom rejected it. The novel, Dune, was finally accepted and published in August 1965 by Chilton Books, a printing house better known for publishing auto repair manuals. Sterling Lanier, an editor at Chilton, had seen Herbert’s manuscript and had urged his company to take a risk in publishing the book. However, the first printing, priced at $5.95 (equivalent to $60.79 in 2025), did not sell well and was poorly received by critics as being atypical of science fiction at the time. Chilton considered the publication of Dune a write-off and Lanier was fired. Over the course of time, the book gained critical acclaim, and its popularity spread by word-of-mouth to allow Herbert to start working full time on developing the sequels to Dune, elements of which were already written alongside Dune.
– source
Herbert died in 1986; his son Brian Herbert and author Kevin J. Anderson continued the series in over a dozen additional novels since 1999. Among them was Dune: The Butlerian Jihad, a prequel which chronicles the fictional Butlerian Jihad, a crusade by the last free humans in the universe against the thinking machines, a violent and dominating force led by the sentient computer Omnius.
First-edition cover (source) #AI #ArsNotoria #artificialIntelligence #ButlerianJihad #culture #Dune #FrankHerbert #history #literature #philosophy #religion #SaintAugustine #Science #ScienceFiction #StAugustine #Technology -
https://www.europesays.com/britain/69942/ A mother lost her son in a workplace accident at BAE Systems. Now homeless, she still doesn’t know what killed him #BAE #BAESystems #Florida #StAugustine
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Two Views on Just War https://www.byteseu.com/2131895/ #AiWarfareEthics #CatholicJustWarTheory #Conflicts #JustWar #LuisLugo #LuisLugo's'OutdatedOrObsolete?' #MagnificaHumanitas #Pacifism #PopeLeo #RandallSmith #RandallSmith's'JustWarReflections' #RobertRoyal'sWar:JustAndUnjust #StAugustine #StThomasAquinas #StThomasAquinasJustWarInANutshell #War
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‘What’s up, Saquon?’: Eagles running back sends messages to 7-year-old St. Augustine boy injured in e-bike crash https://www.rawchili.com/nfl/923616/ #eagles #Football #NFL #Philadelphia #PhiladelphiaEagles #PhiladelphiaEagles #StAugustine #StJohnsCounty
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Old Ponce de Leon Hotel (built by Henry Flagler in 1888). Now Flagler College.
St. Augustine, FL
#architecture #photography #bw #blackandwhite #BWPhotography #SaintAugustine #StAugustine #Florida
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Old Ponce de Leon Hotel (built by Henry Flagler in 1888). Now Flagler College.
St. Augustine, FL
#architecture #photography #bw #blackandwhite #BWPhotography #SaintAugustine #StAugustine #Florida
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St. Augustine dining landmark weighs closure after 27 years https://www.diningandcooking.com/2682980/st-augustine-dining-landmark-weighs-closure-after-27-years/ #AmiciItalianRestaurant #dining #JennUnderhill #StAugustine
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Casa Monica Hotel
St. Augustine, FL#architecture #photography #bw #blackandwhite #BWPhotography #StAugustine #Florida
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Casa Monica Hotel
St. Augustine, FL#architecture #photography #bw #blackandwhite #BWPhotography #StAugustine #Florida
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"Ghosts of Matanzas". Taken almost exactly eight years ago on the First Coast...I wonder if they still enjoy the flutter of King Philip's banner in the heavy breeze of what los conquistadores dubbed "Florida"...
#art #photography #sky #clouds #cloudscape #history #Florida #StAugustine #summer #flag
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"Ghosts of Matanzas". Taken almost exactly eight years ago on the First Coast...I wonder if they still enjoy the flutter of King Philip's banner in the heavy breeze of what los conquistadores dubbed "Florida"...
#art #photography #sky #clouds #cloudscape #history #Florida #StAugustine #summer #flag
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Quote of the day, 9 June: John, Teresa, and Leo XIV
On that glad night
in secret, for no one saw me,
nor did I look at anything
with no other light or guide
than the one that burned in my heart.
— Saint John of the CrossToday while beseeching our Lord to speak for me because I wasn’t able to think of anything to say nor did I know how to begin to carry out this obedience, there came to my mind what I shall now speak about, that which will provide us with a basis to begin with. It is that we consider our soul to be like a castle made entirely out of a diamond or of very clear crystal, in which there are many rooms, just as in heaven there are many dwelling places (cf. Jn 14:2).
— Saint Teresa of AvilaI would like to mention two prominent figures from this country who have enriched the life of the Church and the spiritual journey of many for five centuries, even beyond the borders of Spain. I am referring to John of the Cross and Teresa of Ávila, whose passion for the divine Mystery brought them together as friends. Their mysticism is one of “open eyes,” that is, not detached from history, but rather penetrating to the root of issues and the heart of reality.
In particular, upon interpreting the transformations and weathering the tensions that make our age so dark, we can find it helpful to consider the theme of night, so dear to Saint John of the Cross, whose Jubilee Year we are celebrating. Paradoxically, in his thirst for light, he learned to appreciate darkness — the “happy night” (The Dark Night of the Soul, st. 3) — as the time when the soul is freed from what it presumed to know and possess. Even today, what most frightens us, what in many people triggers the darkness of reason and the violence of emotions, is the unknown, before which we may feel overwhelmed by a sense of being lost without a map, as if we have lost our bearings. This is why, even in public life, we need men and women who can perceive light in the darkness: a new beginning, like the dawn of a truth that as yet blinds us, but which — if we trust and find peace — will gently lead us toward itself. “O night that guided! O night more lovely than the dawn! O night that brought together Beloved and beloved, beloved transformed in the Beloved!” (Dark Night, st. 5).
Our age, seemingly shaken by terrible imbalances and conflicts, cries out from its depths for peace, for a new understanding of the human person and its inviolable dignity, for a civilization of love (cf. Magnifica Humanitas, 186).
Saint Teresa describes this same process using the image of the interior castle. As one moves from room to room toward the innermost chamber — that is, toward one’s own heart, the sanctuary of truth — the space enlarges, the mind opens, challenges are overcome, tensions dissipate, others find their place, and the universe becomes a home. This is not an escape into the self, but a radical openness to the Totus Alius et Semper Novus [totally different and always new] achieved when we return to ourselves. This dimension of the human person is the reason why religious freedom and freedom of conscience must be protected.
Today, the temptation to gain popularity by fanning the flames of polarization seems to have grown rather than diminished, and human dignity continues to be violated. This is why we need culture, interiority, and free quality education; we need transcendence. And yet, even in these dark nights, men and women who are faithful to the truth have been driven to advance from one room to another until justice and peace embrace in their conscience. It is through their freedom that we learn to be free.
Pope Leo XIV
Address, Meeting with the Authorities, Civil Society, and the Diplomatic Corps (excerpt)
6 June 2026, MadridTeresa of Avila, St 1985, The Collected Works of St. Teresa of Avila, Kavanaugh, K & Rodriguez, O (trans.), ICS Publications, Washington DC.
Pope Leo XIV 2026, ‘Meeting with the authorities, civil society and the diplomatic corps: address of the Holy Father’, The Holy See, 6 June, viewed 7 June 2026, https://www.vatican.va/content/leo-xiv/en/speeches/2026/giugno/documents/20260606-spagna-autorita.html.
Featured image: Stunning view of Bamburgh Castle reflecting on the tranquil beach at sunset, surrounded by a golden horizon. Image credit: Ray Bilcliff / Pexels.com
#conversion #garden #StAugustine #StTeresaOfAvila #tears -
https://www.europesays.com/ie/?p=524231 Pope to Augustinians in Spain: Communion and unity are a message to the world #ApostolicJourney #BreakingNews #BreakingNews #FeaturedNews #FeaturedNews #Headlines #LatestNews #LatestNews #MainNews #MainNews #News #PopeLeoXIV #Spain #StAugustine #TopStories #TopStories #World #WorldNews #WorldNews
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Pope to Augustinians in Spain: Communion and unity are a message to the world https://www.byteseu.com/2086826/ #ApostolicJourney #PopeLeoXiv #Spain #StAugustine
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Pope Leo plays tennis religiously as part of an Augustinian devotion to sports and spirituality
Pairs, FranceAP When Pope Leo XIV was elected last year and it emerged that he was a tennis…
#Tennis #News #AugustinianProvinceofStThomasofVillanova #Augustinians #CastelGandolfo #JannikSinner #MarinCilic #MonsignorEdgardIvánRimaycunaInga #PopeLeoXIV #RevRobHagan #RuleofStAugustine #StAugustine
https://www.europesays.com/tennis/14638/ -
Get Outside with Sports, Fitness, and Plenty of Fun This Summer https://www.byteseu.com/2035322/ #BridgeOfLions #CastilloDeSanMarcos #FishingTournaments #HistoricArchitecture #PilatesYoga #Sports #StAugustine #VilanoBeach
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https://www.europesays.com/africa/218854/ Pope Leo XIV in Algeria: ‘I am here among you as a pilgrim of peace’ #Africa #Algeria #ApostolicTrip #CatholicChurch #Christianity #Islam #MostRead #peace #PopeLeo #PopeLeoInAfrica #PopeLeoXIV #StAugustine #WAR
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https://www.europesays.com/africa/218823/ In the Footsteps of St. Augustine #Algeria #Augustinians #Hippo #MostRead #PopeLeoXIV #StAugustine #TopStories
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https://www.europesays.com/africa/212084/ Pope at Audience: Africa journey was a message of peace in times of war #Algeria #angola #ApostolicJourney #Cameroon #EquatorialGuinea #peace #PopeLeoXIV #StAugustine #WAR
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🔐 Cyber Tip: Have a cyber insurance policy as part of risk management.
Insurance does not replace security, but it can reduce financial impact after an incident. Review coverage and requirements annually.
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Florida zoo captures adorable moment when a newborn baby sloth meets his dad
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🔐 Cyber Tip: Limit admin rights. Not every employee needs elevated access.
The more admin accounts you have, the bigger your risk. Apply least privilege and review permissions regularly.
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https://www.europesays.com/africa/194034/ Pope Leo XIV in Algeria walks in footsteps of his spiritual father, St. Augustine #Algeria #annaba #ArchaeologicalRuins #EarlyChristianity #Hippo #NorthAfrica #PapalVisit #PopeLeoXIV #SpiritualFather #StAugustine
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Artificial intelligence is changing fast. In 2025, many small and midsize businesses were still focused on chatbots, content generation, and prompt-based tools. In 2026, the conversation is moving in a more practical direction. Business owners are now asking a better question: can AI do the work, not just talk about it?
That shift is what many experts now describe as agentic AI. #AgenticAI #Jacksonville #PalmCoast #StAugustine #Zevonix
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🔐 Cyber Tip: Monitor software for end of life dates. Upgrade in time.
Unsupported software no longer receives security patches, making it an easy target for attackers. Stay ahead and plan upgrades early.
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https://www.europesays.com/africa/191649/ Pope Leo XIV in Algeria: Where there is conflict the Church brings reconciliation #Algeria #ApostolicJourney #CatholicChurch #Hippo #PopeLeo #PopeLeoXIV #StAugustine #vatican
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https://www.europesays.com/africa/189370/ Archbishop Lhernould: Pope’s Algeria visit invited us to fraternity, a remedy for peace #Africa #Algeria #ApostolicJourney #interview #StAugustine
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https://www.europesays.com/africa/188741/ Pope Leo visits Hippo archeological site in Annaba, Algeria #Africa #Algeria #ApostolicJourney #PopeLeoXIV #StAugustine
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https://www.europesays.com/africa/188553/ ‘Son of Augustine’: Pope Leo XIV retraces St Augustine’s steps in Algeria #Algeria #PapalVisit #StAugustine
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🔐 Cyber Tip: Enable biometric logins on mobile devices.
Fingerprint or facial recognition adds an extra layer of protection if your device is lost or stolen.
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Well, one night of Widespread Panic at St Augustine and I can safely say that Nick Johnson is legit. Killer Friday night rager, adventurousness with a little roughness, to be sure. His sound fits in perfectly, almost a middle ground between Houser and Herring. He knew how to hit the peak in Space Wrangler and that's my litmus.
Looking forward to two more!
Man, I love this venue and vibe. Make a point to get there some day!
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How many runways can you see for Northeast Florida Regional airport in St Augustine area (USA) ? : The answer is on https://www.bigorre.org/aero/meteo/ksgj/en #northeastfloridaregionalairport #airport #staugustine #usa #ksgj #ust #aviation #avgeek vl
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The Sacred and the Street: St. Augustine’s Before It Closes
The news broke at the end of last month that St Augustine’s Church in Cork would be closing later this year. Despite walking past there hundreds of times while out walking I’ve only been in there a couple of times. I happened to call in ab...
https://inphotos.org/2026/03/03/the-sacred-and-the-street-st-augustines-before-it-closes/
#Architecture #church #Cork #doorway #GrandParade #interior #Ireland #Photo #Photography #StAugustine'sChurch #StreetPhotography
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How many runways can you see for Northeast Florida Regional airport in St Augustine area (USA) ? : The answer is on https://www.bigorre.org/aero/meteo/ksgj/en #northeastfloridaregionalairport #airport #staugustine #usa #ksgj #ust #aviation #avgeek vl
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Who is up for something colorful for their evening?
✨🎆🎇💜View of the St. Augustine FL Lighthouse with a sky filled with colorful fireworks.
(1/2)
#Art #StAugustineFL #Lighthouse #StAugustine #Florida #DigitalArt #Fireworks #Night #CreativeToots #MarkOnArt
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Poverty Electronics – INTENT: Experimental Music In Solidarity With Baltimore Protesters
#Baltimore #Darkwave #Electronic #PostPunk #SynthPop #blacklivesmatter #drone #dub #electroacoustic #experimental #glitchhop #grind #hiphop #noise #techno #StAugustine
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://povertyelectronics.bandcamp.com/album/intent-experimental-music-in-solidarity-with-baltimore-protesters -
How many runways can you see for Northeast Florida Regional airport in St Augustine area (USA) ? : The answer is on https://www.bigorre.org/aero/meteo/ksgj/en #northeastfloridaregionalairport #airport #staugustine #usa #ksgj #ust #aviation #avgeek vl
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A photograph from st. augustine florida in black and whtie. #florida #staugustine #beach #beachtravel #blackandwhitephotograph #Buyintoart #homedecor #homedecorating #interiordecor #travel Please refer to link for info and pricing buff.ly/3YD3EEt
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A photograph from st. augustine florida in black and whtie. #florida #staugustine #beach #beachtravel #blackandwhitephotograph #Buyintoart #homedecor #homedecorating #interiordecor #travel Please refer to link for info and pricing buff.ly/3YD3EEt
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datewithdeath vs. Steve Flato – Yielding Wren (feat. Vanessa Rossetto) (DPFA Remix)
#Electronic #dub #electroacoustic #experimental #fieldrecording #folklore #hiphop #memory #microtonal #musiqueconcrète #poetry #techno #StAugustine
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://povertyelectronics.bandcamp.com/album/yielding-wren-feat-vanessa-rossetto-dpfa-remix -
How many runways can you see for Northeast Florida Regional airport in St Augustine area (USA) ? : The answer is on https://www.bigorre.org/aero/meteo/ksgj/en #staugustine #usa #northeastfloridaregionalairport #ksgj #ust #airport #aviation #avgeek vl
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datewithdeath & dvdv – meltingpot
#Berlin #Electronic #Florida #bass #dream #dub #dvdv #electroacoustic #ethereal #experimental #hiphop #techno #StAugustine
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://povertyelectronics.bandcamp.com/album/meltingpot -
How many runways do you see for Northeast Florida Regional airport in St Augustine area (USA) ? : The answer is on https://www.bigorre.org/aero/meteo/ksgj/en #staugustine #usa #northeastfloridaregionalairport #ksgj #ust #airport #aviation #avgeek vl