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  1. Shacks On The Air anyone?

    There has been an explosion of “On The Air” programs lately. I think SOTA (Summits On The Air) may have kick started the trend. To my mind SOTA remains the purest and best of them all. Although there are many drive-up summits, many others require strenuous effort to reach the “activation zone” on foot. Unfortunately, here in southern Ontario, we have very few high elevation points. Some peaks over 500 meters (1600 feet) can be found, but without the required “prominence” to qualify for the SOTA program. I visited one of the few SOTA peaks in my area once. It was hard to see why it was classified as a peak. The activation zone was a section of flat road. SOTA forbids activating from inside a vehicle so all an activator has to do is park at the side of the road, get out and play radio at the roadside. Piff!

    Woof Woof

    Some friends and I enjoy a leisurely CW rag chew once a week. We have one thing in common – mourning the loss of once-loved canine friends. At the end of every session we sign off with “woof”. So when I think of the World Wide Flora and Fauna program (WWFF) my mind interprets that as “Woof-Woof”.

    WWFF is very popular in Europe and to a lesser extent in North America. If you hear a station signing off with “73 44” you will know it is a WWFF QSO in which 44 contacts are required to activate a park. Some of the “Woof-Woof” program rules are quite strict. If you are operating from inside multiple parks you can only claim one for your activation, unlike POTA where one set of contacts can qualify for multiple activations in the right location. SSB participants in xOTA programs greatly outnumber CW operators so, although getting 44 contacts by phone may be relatively easy, getting the same QSO count by CW is sometimes more challenging. Fortunately, QSO counts for operating sessions are cumulative so you can return to the same park as many times as is necessary to validate an activation.

    POTA

    From humble beginnings the Parks On The Air program has exploded to become a formidable force in amateur radio. Every day there are multiple parks being activated around the world. The required QSO count to qualify an activation is 10. Ten is much more attainable than 44, but even so, there are days when even that number is a challenge. For those of us who like to handicap our operations by using QRP, a day of poor propagation conditions can bury our signals in the noise. I have participated in POTA for the last few years and have had very few outings in which I experienced a “busted activation”, i.e. made fewer than 10 contacts. Some operators avoid busted activations by making HT to HT VHF simplex contacts with other hams in their group. If you think that’s a good idea there is a way to make every POTA session an effortless success regardless of propagation conditions.

    In days gone by the local indigenous hunters would drive herds of buffalo over a cliff where young braves would finish the kill. The hunt provided food for a whole winter. During one hunt a young brave was crushed by a falling buffalo and suffered the injury that gave this Alberta park its name.

    POTA was predicated on the idea that fewer rules makes for better participation. That’s a good premise and has worked well making POTA the “elephant outside the room”. On the downside, even the few rules that are in place are not enforced. When I made the suggestion that a Park to Park contact should mean a contact between two different parks, POTA management politely suggested I should forget about it and just enjoy my own operations.

    I read one account of an “activation” completed within 100 feet (30m) of a park boundary. That is valid for trails, but not for actual parks. I know that particular park and it does not qualify for the 100 feet rule. Generally, an operator and all their equipment must be completely within a park’s boundary. But perhaps, if that rule doesn’t work for you, “forget about it” and enjoy yourself.

    The Drive-Thru activation

    Unlike SOTA, POTA does not forbid operating from inside a vehicle. This has led to something variously called “Parking Lots On The Air (PLOTA)” or “Drive-Thru” activations. Mea Culpa; I have been guilty of this several times but I try to avoid drive-thru activations except in winter. In winter, brave Canadians don’t even button up our Mackinaws until it gets to 100 below, and we stir our coffee with our thumbs. It is only out of respect for our radio equipment that we would even consider operating from inside the comfort of a vehicle when the howling wind is blowing the snow horizontally and the mercury in the thermometer is frozen solid.

    Kakabeka Falls, northern Ontario, the “Niagara of the North”.
    If you gotta moment during your PLOTA activation, step outta the car and take a look.

    In summer many of us prefer to enjoy a hike or visit some of the spectacular scenery in our parks before or after a radio session. But for some diehard POTA activators, the name of the game is contacts – lots of ’em – then drive on to the next park where once again its eyes down, antennas up; no time to get out of the car. We each enjoy our hobby in our own way.

    All the other OTAs

    There are so many OTA programs these days it’s getting out of hand. How about TOTA? Did you think it means Towers On The Air? You are correct. But it also means Toilets On The Air. How about that; you can play radio while attending to your bodily functions. I know of one ham who takes his Handy-Talkie into the shower so he doesn’t miss any calls from his buddies; SHOTA anyone? TOTA also means Tiles On The Air. A Tile is a Maidenhead subsquare about 5km by 7km.

    I am surprised nobody has thought of What 3 Words On The Air (W3WOTA?, WWWOTA?). W3W is a ridiculous (my opinion) method of dividing the world up into small squares each designated by three unique words. A lot of words are needed to identify all the world’s locations so some very rare and unusual words are employed. The English language is pronounced very differently around the world, and even within the United States. I met a very interesting fella who proudly came from “the South” once. He explained that the words “pin” and “pen” are pronounced exactly the same where he came from. Imagine trying to battle poor propagation conditions while interpreting a strange dialect relaying a rare and unusual word. When I posted on this topic some time ago I received a comment that W3W is universally accepted by emergency responders and we should just get used to it. Yay, let’s all get used to confusion and damn the torpedoes.

    The spectacular Athabasca Glacier along Icefields Parkway, Alberta. Maybe worth stepping out of the car to take a look. It is possible to hike right up to the base of the glacier, or take a specially-equipped bus ride out on the ice.

    Don’t laugh please

    Try not to titter when I introduce the next OTA. It is called HEMA and stands for “Humps Excluding Marilyns”. I believe it is a European program but I haven’t come across it on this side of the Atlantic. My first reaction was to wonder why Marilyn’s humps were excluded. I am sure HEMA has attracted a lot of jokes but it is actually a serious program. A “hump” is a summit with at least a 100 meter prominence, while a “marilyn” is a summit with at least a 150 meter prominence. So a hump excluding marilyns is a summit with a prominence between 100 and 150 meters. Robert Ripley might have made a TV episode about this one.

    I’m OOTA here

    I have become involved with one of the new OTAs and have filed my first couple of logs. It is called “Out On The Air (OOTA)“. As “the seasons go round and round and the painted ponies go up and down” (Joni Mitchell) the carousel of time begins to take its toll and I have less energy than I used to have. Just a few winters ago I would strap on snowshoes and haul a sled full of radio equipment across the deep and crisp and even white landscape to do an outdoor winter activation. No more. Maybe less inclination to join the OTA rat race too. Now I am content to set up in the sunshine and enjoy just being outdoors with my radio, and maybe a newly built antenna. If I make a few contacts I am satisfied. The great thing about OOTA is that there is really only one rule – just get out of the shack and make at least one contact. That’s just fine with me. If you do a POTA or “Woof Woof” activation, or you activate a hump that wasn’t Marilyn’s that counts too. Softly, softly, catchee monkey; relax, breathe; soak up the summer sun; enjoy life, it doesn’t last forever.

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    #AmateurRadio #CW #OutdoorOps #POTA
  2. I'm going to be brave today and attempt to make a loaf of gluten free bread. 1st time. I'm inspired by my mother in-law who brought over the saddest, heaviest, shortest loaf of #gf bread yesterday. I toasted it and it was steaming and bubbling coming out of the toaster. It didn't even brown or get crispy. 😆 I threw it away (with her permission). Surely I can do better than that.

    #food #bread #Ankarsrum

  3. *I am a woman but prefer men's clothing. I am also totally blind, so pictures can't help me.*
    I found some lovely places in New Jersey where chamber music is performed! The most promising seems to be Parlance Chamber Concerts in ridgewood. There are also some places in Montclair and Morristown, and some early music societies in Paramus and Hackensack, though that is a little different. I must research the New Jersey Symphony Chamber Players and the Chamber Music Society of North Jersey as well. I doubt I'll be able to go, but one can dream. If I did, it would probably be in the spring or summer.

    My only question is, what do I wear at such an event? I have no interest in modern casual clothing i.e. jeans, t-shirts, sneakers, etc. I was thinking of getting this suit for casual outings. It might work here as well, since these performances are usually during the day.

    ebay.com/itm/284346733105

    Please let me know what you think, and what you would recommend.

    Out of curiosity, I asked Perplexity and this is what it said, given my preferences. I'mshortening its response for brevity, so some sentences are incomplete. It's assuming I'm going this month, which wouldn't be the case. Is it completely wrong or does this make sense?

    "Lounge suit (dark grey or navy, single-breasted, with waistcoat paired with a white shirt, tie, and polished Oxfords.
    A fitted lounge suit in wool tweed or serge, perhaps with a high-stand collar shirt and cravat instead of a floppy modern tie, plus a pocket watch chain and boutonnière. Add a soft trilby or Homburg rather than a topper, and kid gloves if the weather turns crisp. Dark overcoat or Chesterfield for January chill."

    If, for some reason, the suit in the link wouldn't work out, or I couldn't find the recommendations, I asked about things from Tito Schipa's time (1888to 1965). It focused on 1910's through 1930's. However, there are many pictures of him online, so please feel free to use them. Not only is he my favourite singer, but he was also short (I am maybe five foot two) so this might work out better for ne than choosing someone tall.

    "Lounge suits—typically single-breasted sacks or semi-fitted jackets in wool serge, grey flannel, or subtle herringbone, paired with high-waisted trousers breaking cleanly over Oxfords. Opt for a dark grey, navy, or charcoal three-piece (jacket, waistcoat, trousers) from the 1920s style, with a starched or soft-front shirt, four-in-hand tie or cravat, and a soft felt Homburg or homburg hat. A fitted interwar lounge jacket with a waistcoat seam. Layer with a Chesterfield overcoat or inverness cape for January's bite, plus a pocket watch fob and silk handkerchief."

    #ChamberMusic #clothing #concert #fashion #NewJersey #suit

  4. Tyme’s and Killjoy’s Top Ten(ish) of 2025 By Steel Druhm

    Tyme

    I’ve spent much of my 2025 thinking about privilege. Not in the sense that the media has conditioned me, or us, to think about it, but in a way that I’ve employed to shift some of the mundane aspects of life onto their respective heads. For instance, it’s a privilege to look in my closet and have to decide what to wear each day. It’s a privilege to look in my kitchen pantry to figure out what I’ll eat for breakfast or, better yet, which coffee cup I’ll drink from. I could go on, but there’s a word limit to these intros. Suffice to say, I really tried to dwell on my blessings rather than my challenges this year.

    And despite the blessings of my professional life, which bestowed upon me the incredible privilege of being really fucking busy for the last “whatever” number of months, I’ve been equally, yet much less facetiously, blessed in my personal endeavors as well. For, in addition to having a bountiful roof over my head, a vehicle to get me back and forth to my extremely privileged job, a dog I can honestly say I will have NO idea how to say goodbye to if I don’t go first, and a wife that, despite the ups and downs of a normal, healthy marriage, continues to love me, I have the distinct privilege of contributing my trve opinions on all things musically heavy, or adjacently heavy, here on the best heavy metal blog in the world! And now comes the part where I give thanks.

    Thank you, first and foremost, to everyone who reads this blog every day. Without you, none of this would be worth doing. At least for me, who read, lurked, and commented for years before working up the courage to actually apply for this subservient existence. Thank you to this newest crop of freshly demoted n00bs and to my list mate Killjoy and the rest of the Freezer Freaks Crew—Alekhines Gun, Owlswald, and Clarkkent1—who, through perseverance and a buttload of patience, managed to survive nearly two years on ice to land in the crosshairs of the commentariat’s adverse, and always wrong, opinions.2,3 Thanks as well, to ALL the senior staff who are way nicer than they’d have you believe,4 except Grier, who’s even nicer than everyone else. And finally, the editors, the man himself, Dr. AMG, for seeing enough in me to bring me over, and Steel, who runs the tightest, most compassionate ship I’ve ever had the privilege of sailing on. Thanks, boss!

    Now! To the LIST!!!

    #ish. Antinoë // The Fold – When I snagged this late-year gem back in November, I had no idea it would have me shuffling my list. With a little more time, I’m sure it would have moved up the ladder, but as it stands, Antinoë grabbed my (ish) spot easily. With little to no instrumentation beyond her piano, Teresa Marraco crafted something so beautiful in its basic-ness that I was entranced. Her delicate melodies evoke vibes that are as much Darkher or Tori Amos5 as they are Emperor or Dimmu Borgir, and I am definitely here for it.

    #10. King Witch // III – In a year when Messa released a new album as well, the fact that King Witch is sitting on my year-end proper list and not Sara Bianchin and company speaks volumes about the job Laura Donnelly, Jamie Gilchrist, and Rory Lee did on III. Whether crooning over wispy acoustics or belting out doomily powerful tones over rock-heavy riffs, Donnelly is the star of the show, and her performance had me swooning. From the minute I first heard “Suffer in Life” with its swing-heavy riffs and killer vocals, I was happy to take King Witch’s III for a spin over and over, and it’s been part of my regular rotation since summer.

    #9. Imperishable // Revelation in Purity – As the year wore on, I became increasingly sure that I may have underrated Imperishable’s Revelation in Purity. In fact, I found myself returning to it several times, forgoing subsequent spins of albums I’d rated higher. With their Nile and Olkoth pedigree, Imperishable’s expert blend of blackened death metal hit an overtly swirling sweet spot for me. The songwriting on Revelation in Purity, while not groundbreaking, is expertly executed, rendering its quality undeniable. And when you toss in those very Alice in Chains-like grunge passages, akin to a cherry on top, it was easy for me to put Revelation in Purity on my year-end list.

    #8. Mutagenic Host // The Diseased MachineMutagenic Host’s The Diseased Machine was the first album I successfully coveted and secured from the sump pit alllll the way back in January of this year. As a freshly demoted staff member at the time, I was overly excited at the opportunity to take it on, and the album surely didn’t disappoint. Mutagenic Host does death metal the way I like it: low-brow, Neanderthalic, and brutally chuggy. It’s a tenuous thing to run across something you deem so good so early in the year, but The Diseased Machine has definitely stood the test of Tyme and proved worth every point of the quarter-pounder I placed on it.

    #7. Igorrr // Amen – My fancy with Igorrr has always been somewhat of a passing one. I was nowhere near the listener who would’ve been part of the band’s early target audience (Mousissure, Nostril). Still, I found more common ground with 2017’s Savage Sinusoid and even more with 2020’s Spirituality and Distortion. But when those first electronic beats of Amen’s opening track, “Daemoni,” poured out of my speakers for the first time, I was completely plugged in to Igorrr’s chaotically beautiful brand of metal madness. Amen’s surprisingly accessible break-cored, trip-hopped blackened death ‘baroque’ it’s big boot off in my ass, and I’ve been relishing and wallowing in its avant-garde pain ever since.

    #6. Cave Sermon // Fragile WingsCave Sermon’s Divine Laughter was something I’d definitely missed out on in 2024. When Thus Spoke covered Cave Sermon’s rapid follow-up, Fragile Wings, in April, however, I vowed I wouldn’t sleep on Charlie Park’s solo black metal project this time around. And I’m certainly glad I didn’t. Words like ‘wistful,’ ‘exuberant,’ and ‘playful’ were tossed about in Thus’s excellent write-up and really homed in on what made listening to Fragile Wings such a connective experience for me. Imbued as Fragile Wings is with upbeat sadness, Cave Sermon proved that I can get on board with post metal, and to be honest, any metal that sounds this good is worth the time spent. And seriously, what is that cover?!6

    #5. Crippling Alcoholism // Camgirl – Inspired by a subreddit I’m glad I never stumbled across, Crippling Alcoholism’s provocative moniker steels those who’d approach the band’s output with a certain sense of visceral anticipation before hearing even one note. My love for the disturbingly creepy With Love from a Padded Room led me to the pink, candy-wrapped murderpop of Camgirl with nary a moment’s hesitation. I gladly signed on to plumb the depths of weirdness I knew would exist, but could not have anticipated the absolute fathomless darkness lurking within Camgirl’s saccharine sweetness, especially as revealed with subsequent spins. A disturbing diatribe on hopelessness, disappointment, loneliness, and sex in the digital age, Camgirl wraps its message in a deceivingly poppy form of electronica that, when all is said and done, will have you wondering what the fuck just happened. I love it.

    #4. Dax Riggs // 7 Songs for SpidersDax Riggs may be one of the more underrated artists of the last thirty years, and while I know I’m not the only one who rejoiced in the recent resurgence and subsequent touring schedule of one of the ’90s best sludge acts, Acid Bath, I also realized a new album will probably never materialize, at least not under that moniker. Instead, the universe graced us with 7 Songs for Spiders, Dax’s first solo effort in nearly 15 years. Filled with simplistically haunting melodies sung in Riggs’s inimitable style, 7 Songs for Spiders strummed every one of my fuzzed-out, laid-back heart strings and has remained consistently satisfying since its January release.

    #3. Maud the Moth // The Distaff – I stumbled across Maud the Moth in 2023 while exploring the ever-expanding milieu of performers associated with my favorite artist Darkher. Searching Amaya López-Carromoero’s back catalog, I dove into 2015’s The Inner Wastelands and 2020’s Orphnē, emerging a fan of Maud the Moth’s quirky neo-classical piano-led operatics. When The Distaff popped up in the sump, I was glad to see Dolphin Whisperer snag it, knowing his words would do the album eloquent justice. Soaring in scope and execution, Maud the Moth proffers her most complex yet beautiful release to date. Filled with classically executed vocal acrobatics and massive amounts of intricate instrumentation, The Distaff is less a thing just to be listened to, as it is a thing to be wholly experienced. As immersive a piece of music as I’ve heard all year.

    #2. Structure // Heritage – M-A-S-S-I-V-E is the word that best describes Structure’s Heritage, which is to say it’s big, sad, and “heavy as fook!7 Every time I threw this beast on, and the album opener began crawling forth, it conjured the same cinematic image in my mind’s eye. A lone, bloodied warrior, fists clenched, head bowed, wind-swept and rain-soaked hair hanging down, muscles taut and twitching in furious sadness, standing in a field full of his fallen brethren as a lightning-laced deluge washed the blood of dead soldiers into the hungry ground. Then, slowly, he casts his gaze skyward, anguished tears streaming, contemplating his sole survivor existence, and screaming at the thunder-filled heavens “Will I deserve to live on?” Every time, that’s what I see when I listen to “Will I Deserve It,” and every time I break out in goose bumps with a lumpy throat and welling eyes. Heritage came as close to being my number one as to make the two offerings at the top of my 2025 list nearly interchangeable.

    #1. Dormant Ordeal // Tooth and Nail – I know I underrated Dormant Ordeal’s fourth album, Tooth and Nail, for, despite giving it the 4.0 treatment, the sheer excellence of this record has only improved over time. April was THE month for me this year, yielding my two favorite metal releases and leaving Poland’s metal map deeply staked with a big, black-and-gold Dormant Ordeal flag. In true, warrior-like fashion, Maciej Nieścioruk and Maciej Proficz soldiered on without sole founding member Radek Kowal, which opened the door for Chase Westmoreland to waltz in and give my favorite drum performance of the year. From the brutally effective “Halo of Bones” to the excellent, Dylan Thomas-inspired “Against the Dying of the Light,” there wasn’t an album I returned to more this year than Tooth and Nail, its visceral riffs and razor-sharp edges leaving long-lasting scars. But in a good way, you know? It’s with profound pleasure that I dutifully crown Dormant Ordeal’s Tooth and Nail my album of the year.

    Honorable Mentions

    • Cryptopsy // An Insatiable Violence – This thing is an ass kicker. Full of satisfying death metal brutality and, like it or not, my favorite since the classic None So Vile.
    • Pissgrave // Malignant Worthlessness – Thirty-one minutes of absolutely insane death metal that will melt your ears into maggot-infested pus. Soooooo good.
    • Messa // The Spin – It’s Messa, fool! ‘Nuff said. There was no way I was getting out of 2025’s Listurnalia without mentioning the new album from one of my favorite doom bands.
    • Depravity // Bestial Possession – This thing blew my socks off and, had I gotten more time to spend with it, might have threatened to rattle the cage of my list order for sure. Death metal done right.
    • Diabolizer // Murderous Revelations – I had been in a death metal drought when I picked up Murderous Revelations; its traditional, no-frills approach hitting me hard. This one came so close to listing for me, I could smell its charred, crispy, burnt ends.
    • Lipoma // No Cure for the Sick – Gurgly gore vocals over a circus parade of melodic death metal riffs. What’s not to like? I had tons of fun with this thing.
    • Puteraeon // Mountains of MadnessPuteraeon was a band that had never been on my radar. Mountains of Madness’s mature aesthetic, great storyline, and engagingly crafted melodicism took me entirely by surprise.

    Song o’ the Year:

    ‘Twas a mother-fookin’ toss up between my top 2 albums. I flipped a coin, so close was the race. (Heads) Structure // (Tails) Dormant Ordeal.

    WINNER(?):

    Structure – “Will I Deserve It” – Satisfyingly goose-bumpy!8

    Killjoy

    The fact that I’m writing this list feels nothing short of surreal. When I became a regular reader of this blog in 2019, I had a strong interest in metal but a knowledge of only a handful of its subgenres. I did not expect to make it this far when I auditioned, but somehow I became a member of the Freezer Crew. Although we were initially forced to huddle together for warmth to survive the n00b trials, as time went on, I developed a deep respect for all of my Crewmates. Their camaraderie and encouragement were great motivation for me to keep writing this year, even when it was tough. We were even allowed to organize a special edition Rodeö! I’m so proud to associate with them.

    On a more somber note, I was sad to see many of the longtime writers who helped me fall in love with this site slip into the abyss we sometimes call “non-suspicious sabbatical.” While I will miss reading their eloquent words, their legacy and contributions will always influence and inspire me.

    And now for some thank yous. I’m grateful to AMG Himself for creating the site and allowing me to run rampant with my questionable opinions. A gorilla-sized thanks to Steel Druhm for keeping day-to-day operations running and being the kindest, cruelest taskmaster I could hope for. Thank you to my list mate, Tyme, for making my musical tastes seem better by association. Finally, I’d like to publicly thank my wife for being so supportive of my new hobby.

    I’m excited for what awaits in 2026 (which hopefully includes more power metal than I managed to review in 2025)!

    #ish. Kauan // WayhomeKauan has demonstrated time and again that their ability to compose evocative soundscapes is unmatched in the post-rock sphere. Wayhome draws a little bit from different eras in Kauan’s fruitful career to form a richer, warmer experience. Each individual instrument—acoustic and electric guitars, strings, voice—is a crucial brush stroke in a breathtaking panorama. This is some of the most enchanting music I’ve ever heard.

    #10. Anfauglir // Akallabêth – When I first grabbed Akallabêth for review, I was blissfully unaware of the 72-minute runtime (but probably should have had an inkling). After spending some time with it, I became blissfully aware of how awesome it is. Based on the chapter of Tolkien’s The Silmarillion chronicling the 3,000-year rise and fall of the island of Númenor, Akallabêth is as epic in sound as it is in scope. Mrs. Killjoy was more interested in the concept than the music, but it still made for some fun conversations. While the long runtime makes it a bit harder to revisit than the other entries on this list, this is my idea of a great symphonic black metal album.

    #9. In Mourning // The Immortal – Progressive death metal comes in all shapes and sizes, and I tend to be drawn to the more emotive flavors. When Disillusion released Ayam a few years ago, it took me a while to understand the hype. In a similar manner, it took longer than it probably should have for me to appreciate The Immortal. I don’t know why this was, but in both cases I’m glad I stuck with them. In Mourning’s signature combination of earnest melodies and energetic riffs is now embedded in my mind and heart.

    #8. Asira // As Ink in Water – Due to journalistic circumstances that I won’t discuss with fans, I was fortunate enough to obtain this promo earlier than I normally would have. Good thing, too, because As Ink in Water turned out to be a grower for me. The vocals proved much less popular in the comments than I anticipated, but they are the biggest reason why this record resonates with me. The buttery-smooth guitar and bass lines are another big factor. The fact that As Ink in Water was released during the tail end of 2025 might mean it appears on fewer top ten lists, but it should not be missed.

    #7. Judicator // Concord – I don’t have a long history with Judicator. I am part of the seemingly small minority that prefers the post-Cordisco era, although I admit that I need to spend more time with their earlier work. Concord sees Judicator returning to their heavy/power metal roots after an experimental foray into progressive territory (which I also loved!). Other than brief saxophone and fiddle segments, there aren’t any fancy frills this time, only lots of guitar hooks and infectious choruses. And, in this case, that’s more than enough to make me happy.

    #6. Valhalore // Beyond the Stars – I don’t normally see the point in quibbling about scores, however, I feel that Beyond the Stars was soundly underrated. It’s a distillation of everything I love about peak Eluveitie and Æther Realm. The folk instrumentation blends perfectly with the fast-paced melodic death metal elements. The interludes cleverly foreshadow and ease the listener into the subsequent songs. I also love the tender vocal performance by Anna Murphy towards the end. Beyond the Stars is a fun and emotional journey from start to finish.

    #5. Gloombound // Dreaming Delusion – I’m always down to sample funeral doom, but it takes a very special kind to keep me coming back. Gloombound expertly walks the difficult balance between atmospheric and stimulating music. The overall sound is that of a soul trying to escape imprisonment, whether physical, emotional, or mental. Dreaming Delusion makes me feel different emotions every time I listen, but chief among them is a crushing awe.

    #4. Phantom Spell // Heather & Hearth – I love uplifting, feel-good metal (this should not come as a surprise by now). So, it was almost inevitable that I would love the nostalgic keyboards and guitar solos of Heather & Hearth. But, for some reason, it took AMG’s landmark blog post about the evils of Spotify for me to really pay attention to Phantom Spell. I’m grateful I did, because I might have missed out on one of the most addictive pieces of progressive rock I’ve ever heard.

    #3. Halocraft // The Sky Will RememberHalocraft quickly became one of my favorite bands since I discovered them early this year. Their purposeful yet dreamy brand of post-rock is practically custom-made for me. This year, they expanded their creative limits by writing two very different records. I’m partial to The Sky Will Remember, but don’t miss out on its companion, To Leave a Single Wolf Alive, for a gloomier vibe. Their prior albums are really good too, and I listen to them just as often.

    #2. An Abstract Illusion // The Sleeping City – “If not 4.5, then why 4.5 shaped?”, one of you rabble-rousers quipped about my review of The Sleeping City. The truth is, the more time I spend with it, the more I wonder if maybe I did underrate it. I’ve somehow grown to love The Sleeping City even more in the months since I awarded it a 4.0. Sure, the production leaves much to be desired, but there aren’t any other notable qualities that I would consider faults. It won’t appeal to the exact same audience as the legendary Woe, but I have plenty of room in my heart for both (and likely whatever An Abstract Illusion devises next). It was such an honor to write about this wondrous record.

    #1. Black Narcissus // There Lingers One Who’s Long Forgotten – When I plucked There Lingers One Who’s Long Forgotten from the promo pit, I was a little skeptical about music made with only bass and drums. It turns out, though, that this minimalist approach—along with excellent songwriting, of course—was the key to unlocking a new realm of possibility within the post-rock genre. The bass blooms unfettered in this distraction-free biome, and the drum tone is crisp and refreshing. The two instruments intertwine to engender a spirit of companionship and exploration. There Lingers One Who’s Long Forgotten will always have a special place in my heart, and I am grateful to Black Narcissus for sharing this gift.

    Honorable Mentions:

    • Crimson Shadows // Whispers of War – As a parent of two children under age five, I am not often in the mood to be overstimulated by the media I consume. However, Whispers of War is so fun that I have to make an exception. The addition of melodic death metal feels like such a natural progression to the signature DragonForce style that conquered my naive teenage heart circa Guitar Hero III.
    • Wyatt E. // Zamāru Ultu Qereb Ziqquratu Part 1 – My very first score safety violation! After spending more time with it, I can understand how some might see this as incomplete or underdeveloped, though I’m willing to give Wyatt E. the benefit of the doubt while I wait for Part 2.
    • Bergfried // Romantik III – I’m a sucker for a good rock opera. Romantik III is undeniably rough around the edges, but not in a way that rubs off any of its charm. To the contrary, in my opinion.
    • Moron Police // Pachinko – Talk about a late-year list disruptor! Pachinko is a wild and addictive whirlwind of prog/pop rock that I know for a fact I’ll still be spinning next year.
    • Braia // Vertentes de lá e cá – Vibrant folk rock with a huge array of instruments and musical influences. This didn’t get nearly as much attention as it deserves.
    • Aganoor // Doomerism – Okay, maaaaybe I overrated this by half a point. But it’s still really solid psychedelic stoner doom with catchy riffs and lush instrumental breaks.
    • Ancient Bards // Artifex – Am I only including this one for sentimental reasons? Probably. But it does contain some of my favorite songs of the year (“My Prima Nox,” “Soulbound Symphony,” “My Blood and Blade”) that I still revisit regularly.

    Song o’ the Year:

    Judicator – “Concord”

    

    #2025 #Aganoor #AnAbstractIllusion #AncientBards #Anfauglir #Antino #Antinoë #Asira #Bergfried #BlackNarcissus #BlogPosts #Braia #CaveSermon #CrimsonShadows #CripplingAlcoholism #Cryptopsy #DaxRiggs #Depravity #Diabolizer #DormantOrdeal #Gloombound #Halocraft #Igorrr #Imperishable #InMourning #Judicator #Kauan #KingWitch #Lipoma #Lists #Listurnalia #MaudTheMoth #Messa #MoronPolice #MutagenicHost #PhantomSpell #Pissgrave #Puteraeon #Structure #TymeSAndKilljoySTop10IshOf2025 #Valhalore #WyattE
  5. Crab Rangoon Breakfast Sandwich

    First attempt at trying to make a unique breakfast sandwich. Homemade Kaiser roll toasted is scallion butter, crab rangoon cream cheese, Asian lacquered bacon, crispy wontons, and two eggs. Side of crab rangoon dipping sauce. Super happy with it! by gametimeee
    #dining #cooking #diet #food #Breakfast #breakfast
    diningandcooking.com/2639591/c

  6. Wirkt 🌱 #Aktivismus? 😎 🙏 😀

    Was wäre wenn wir ⛔ nicht aktiv werden für unsere 👯 Kinder und 👯 Enkel?

    Wenn wir nur 🚫 passiv am ⏱️ #Zeitgeschehen teilhaben?

    Würden wir damit unsere 👯 Kinder und 👯 Enkel im 🌊 🏊‍♀️ Stich lassen?

    Obwohl wir wissen 🔥 was auf sie zukommt?

    Wer sein 🚼 Kind liebt, als 👨‍🎨 Vater oder 👪 Mutter, der sollte sich schon diese ❓ Fragen stellen.

    #CRISPR_rEvolution #actnow #Weedmob #ClimateCrisis #Bushfires #Environment #heatwaves #floods #tippingpoints #deseases #war

  7. #Shrinkflation #Food #Snacks #Crisps #Chips #CostOfLiving #Money #Shopping #Consumer #Cash #Cost #Reduction My newly opened “Grab Bag” of Monster Munch. By the look of it someone’s been grabbing them before me…

  8. #Shrinkflation #Food #Snacks #Crisps #Chips #CostOfLiving #Money #Shopping #Consumer #Cash #Cost #Reduction My newly opened “Grab Bag” of Monster Munch. By the look of it someone’s been grabbing them before me…

  9. #Shrinkflation #Food #Snacks #Crisps #Chips #CostOfLiving #Money #Shopping #Consumer #Cash #Cost #Reduction My newly opened “Grab Bag” of Monster Munch. By the look of it someone’s been grabbing them before me…

  10. #Shrinkflation #Food #Snacks #Crisps #Chips #CostOfLiving #Money #Shopping #Consumer #Cash #Cost #Reduction My newly opened “Grab Bag” of Monster Munch. By the look of it someone’s been grabbing them before me…

  11. Genetic Engineering: From Plato to CRISPR

    The scientific community’s reaction was immediate and condemnatory: He was sentenced to three years in prison and fined…
    #NewsBeep #News #Science #AU #Australia #Genes #Plato
    newsbeep.com/au/645984/

  12. Genetic Engineering: From Plato to CRISPR

    The scientific community’s reaction was immediate and condemnatory: He was sentenced to three years in prison and fined…
    #NewsBeep #News #Science #AU #Australia #Genes #Plato
    newsbeep.com/au/645984/

  13. 10 Interesting Things I Found on the Internet 179

    Let me carry your voice: famous actors read testimonies of Palestinians enduring Israeli torture

    The “Let Me Carry Your Voice” is a series of testimonies of the torture endured by Palestinians across the occupied Palestinian territory as a result of Israel’s genocide, decades-long occupation, and apartheid. In this edition, Annie Lennox, Javier Bardem, Guy Pearce and Laura Morante read the real stories of Palestinians.

    Injustice is not abstract. It is engraved in people’s skin, bones, minds. It tears through everyday life, exposing the depths of human cruelty.

    Justice is not abstract either. It begins with each of us. It demands courage, sacrifice, discomfort, change. It requires us to speak up, to demand accountability. To ensure that no story is pushed into the darkness. They want to silence Palestine. We will not let them.

    https://youtu.be/XuDA-l2cQ6k?si=UG9lb6lMdo98PvKC

    Green Summer Ride in Nagano, Japan

    https://youtu.be/vFH2lGROUI8?si=S2kuHWABOqmIh3QO

    Thaithong’s fairy lantern, a type of plant native to southeast Asia. Photo Chatree Lertsintanakorn

    Jim Carey’s speech to university graduates about choosing a great path through life

    https://youtu.be/RrOGQD4Z9A4?si=O2k0qrMd0n1OgBtp

    Crispy Chinese Eggplant by Nagi

    This is the end-game for sticky hot fried finger food people…the END GAME!

    https://youtu.be/Hq3fRxXi8JY?si=UlG_CDMzF-PUmFk6

    Jamie MacDougall Art and Music

    This drawing really captures a beautiful and joyful moment between two species!

    A pencil drawing of a woman and a baby gorilla by Jamie MacDougall Art and Music

    20 Japanese Words for Rain by Miya Ando

    Turning picture and prose into a poignant meditation on nature’s impermanence.

    Via MIT Press Reader

    “Sanbaine (A Sudden Evening Storm That Occurs So Quickly, One Has No Time To Make Even Three Bundles Of Rice)” by Miya Ando

    In Western culture, there has always been a tendency to seek stability and permanence. Plato envisioned eternal truths in his theory of forms; Newton described a physical world governed by immutable laws; America’s Founding Fathers drafted a Constitution designed to endure the ages. Beneath all of this lies a discomfort with the notion that nothing lasts forever.

    Miya 美夜 Ando has spent the past two decades confronting that impermanence in her artistic practice. Guided by the Japanese aphorism mono no aware — a recognition of reality’s fundamental transience — the Japanese and American visual artist often focuses on fleeting natural phenomena, such as clouds, lunar phases, and shooting stars.

    This article is adapted from Miya Ando’s “Water of the Sky: A Dictionary of 2,000 Japanese Rain Words.”

    This focus animates her latest work, “Water of the Sky.” The book is a stunning bilingual compendium of 2,000 Japanese words for rain along with their English interpretations, all of which capture “the breadth and diversity of rain’s many expressions,” Ando writes: “When it falls, how it falls, and how its observer might be transformed physically or emotionally by its presence.” Accompanying the text are 100 of her indigo drawings — rendered in pencil and micronized pure silver — each offering a visual display of rain’s varied forms.

    Below, you’ll find five drawings and 20 words from Ando’s visual dictionary. The text ranges from “prosaic to esoteric, extending from the meteorological to the mystical and from the minute to the vast,” she writes. “My visual interpretations of these terms are not so much illustrations as evocations, attempts to embody or imagine that particular rain’s precise and essential quality.”

    — The Editors

    Taikan Jiu: Mercy-from-drought rain

    Kabashira Tateba, Ame: See a swarm of mosquitoes, signal of rain

    Uki: Praying for rain

    Onibi: Will-o’-the-wisp seen on rainy nights

    Tokidoki Niwaka Ame: Sometimes light snow and rain showers

    Tokidoki Niwaka Yuki: Sometimes snow or sometimes light snow or rain

    Giu: False rain

    Ama ga Nukeru: The skies open up, it rains like cats and dogs

    Shinotsukuame: Intense rain that falls heavily, is very fine and strong like the Bamboo Grove at Shinotake

    Uryū Ensa: Describes the appearance of a fisherman working in the rain

    Hitome: One rain

    Sau: Rain that falls on the river shoal

    Amadoi: Sliding red beans to resemble the sound of rain

    Nakidashisōna Soramoyō: The sky appears as though it is about to start crying

    Kōu: Rain that comes exactly when you were waiting for it

    Amagaeru Fukō: A boy who was punished and turned into a frog that cries before it rains for his misdeeds against his father

    Sanbaine: A sudden evening storm that occurs so quickly, one has no time to make even three bundles of rice

    Zubunure: Soaked by rain all the way through one’s clothing

    Amaguri Higaki: In years of rain, chestnuts produce well; in years of sunshine, persimmons produce well

    Kitsune no Yomeiri: The day that foxes have their wedding ceremony

    “Shinotsukuame (Intense Rain That Falls Heavily, Is Very Fine And Strong Like The Bamboo Grove At Shinotake)” by Miya Ando “Sau (Rain That Falls On The River Shoal)” by Miya Ando“Kitsune no Yomeiri (The Day That Foxes Have Their Wedding Ceremony)” by Miya Ando“Uryū Ensa (Describes the Appearance of a Fisherman Working in the Rain)” by Miya Ando“Uki (Praying For Rain)” by Miya Ando

    Autistic communication bingo

    I can relate to a fair few of these and a lot of the people who I associate with have these traits also. Found via BlueSky

    Seagrass comes alive in the ebb and flow of the ocean

    A mystical dance of amazement

    https://www.reddit.com/r/NatureIsFuckingLit/comments/1offrgj/the_seagrass_comes_alive_with_the_ebb_and_flow_of/?utm_source=share&utm_medium=web3x&utm_name=web3xcss&utm_term=1&utm_content=share_button

    My perfect dream home

    This gilded Middle Eastern salon adorned with intricate frescoes to romantic floral patterns and warm colours is my perfect dream home.


    Djuma Soundsystem – Les Djinns (Trentemøller Remix)

    I don’t know Djuma Soundsystem I am so glad that now I do. The combination of dark electro and middle eastern influence is a match made in heaven. Trentemøller has an amazing and extensive back catalogue of dark electro and techno to explore and enjoy as well.

    https://youtu.be/SHfqI7PntCc?si=m3KUg0uKmOD0VZQR

    The enchanting Ottoman maps of ancient cities by Matrakçı Nasuh

    The Bosnian-born polymath Matrakçı Nasuh earned his nickname from an unlikely source, inventing a military lawn game involving cudgels called “matrak”. But this 16th-century scholar’s legacy lays mainly in his exquisite miniature paintings documenting the Ottoman Empire’s landscapes and cities.

    His most significant work, Fetihname-i Karabuğdan, chronicles Suleiman the Magnificent’s 1532–1555 Safavid campaign. The manuscript traces the Ottoman army’s route from Istanbul through Baghdad and Tabriz, then back through Halab and Eskisehir. Each city appears rendered with meticulous and charming detail.

    Matrakçı’s precision and artful execution became so influential that it spawned a new genre of art! the “Matrakçı style.” via Public Domain Review

    Did you enjoy this collection? let me know what you think of it below. Thank you for reading my dear friends!

    Content Catnip

    Follow me on Mastodon Watch my videos Donate to my Ko Fi #animals #art #autism #creativity #gorilla #History #inspiration #interiorDesign #JapaneseCulture #linguistics #Music #nature #Philosophy #plant #primate #RainerMariaRilke #recipe #storytelling #vegan
  14. “I’m gonna make him a beer he can’t refuse.” tonight‘s second beer is Capiche? An Italian Pilsner made by the Paperback Brewing of Los Angeles, California. 5.5% ABV crisp with a fairly strong, hoppy aftertaste. #beer #pilsner #Capiche #TheGodfather #cvvhrn

  15. most #guys will #piss, wet their hands in the sink, and then run through their #hair to freshen up. i skip that middle step and just piss right on my hands for an extra crispy #hairdoo

    its called #efficiency

  16. The Ultimate Lifeform! 🔴⚡️

    Just finished this new Shadow the Hedgehog illustration! I really leaned into my vector process for those crisp lines and red lightning effects. I'm loving how this Anime Style turned out for him.

    Let me know what you think!

    Digital Art / Fan Art

    Custom slots available via Link in Bio 📩

    #ShadowTheHedgehog #Sonic #DigitalArt #AnimeStyle #FanArt #VectorArt #MastoArt #Art #Illustration #AnimeArt