#urne — Public Fediverse posts

Urne funéraire en céramique

Cette urne a été créée sur commande personnalisée pour la petite chienne Loulou.
Elle est de la taille a contenir directement l'urne originale en carton du cabinet vétérinaire.

#ceramique #ceramics #poterie #pottery #ceramiquefuneraire #funeralceramics #urne #urn

Urne funéraire en céramique

Cette urne a été créée sur commande personnalisée pour la petite chienne Loulou.
Elle est de la taille a contenir directement l'urne originale en carton du cabinet vétérinaire.

#ceramique #ceramics #poterie #pottery #ceramiquefuneraire #funeralceramics #urne #urn

#Android #FOSS #Vote
#MajorityJudgement
#JugementMajoritaire
#Urn #Urne

https://f-droid.org/packages/com.illiouchine.jm/

Das Licht, das mehrmals kam

In dem Augenblick, als sie mit 85 in den Armen ihrer Tochter starb, verabschiedete ein Sonnenstrahl auf ihrem Gesicht sie aus dem Leben. Sekunden, bevor ihr Sarg nach ihrer letzten Messe aus der Friedhofskirche getragen wurde, tauchte die Sonne ihre Ruhestätte in strahlendes Sonnenlicht. Tage später wurde ihre Asche in einer Urne beigesetzt. In genau diesem Augenblick kam die Sonne hinter Wolken hervor und begleitete sie mit ihren Strahlen auf ihrem letzten Weg. Die Sonne begleitete sie sogar bis ins Erdloch hinein.

Und diese Frau hatte in ihrem Leben einen Leitspruch, der zu ihrem sonnigen Abschied (bitte diese Worte nicht missverstehen!) passte: Und wenn du denkst, es geht nicht mehr, kommt von irgendwo ein Lichtlein her.

#tod #abschied #sonnenstrahl #sarg #asche #urne

Münchner Bestattungstrends im Wandel: Wie sich Abschiede verändern

Stellen Sie sich vor, Sie steigen am Scheidplatz in die Linie 144. Ein Elektrobus mit exakt 31 Sitzplätz…
#Muenchen #Munchen #Munich #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #München #"Friedhof" #Abschied #ARM #Asche #Bayern #Bestatter #Bestattung #eroeffnet #Geld #Germany #Glockenbach #HeinoJahn #Kultur #reich #Shops #Tod #Top-Meldungen #Urne
https://www.europesays.com/de/919053/

Lo spezzatino delle urne
#pareridistorti #radiobasemn #referendum #amministrative #urne

Lo spezzatino delle urne
#pareridistorti #radiobasemn #referendum #amministrative #urne

So lange sind Wahllokale in Nürnberg geöffnet

Kommunalwahl in Nürnberg So lange haben die Wahllokale am Sonntag geöffnet Aktualisiert am 18.03.2026 – 11:30 UhrLesedauer: 2…
#Nuernberg #Nuremberg #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Nürnberg #100633310 #Bayern #CSU #Germany #Kommunalwahl #MarcusKönig #NasserAhmed #Öffnungszeit #SPD #Stichwahl #Stimmzettel #Urne #Wahlkabine #Wahlkampf #Wahllokal
https://www.europesays.com/de/877952/

So viel Geld gibt es bei der Kommunalwahl

Einsatz an der Urne So viel Geld bekommen Wahlhelfer in München 05.03.2026 – 20:55 UhrLesedauer: 2 Min. Auszählung…
#Muenchen #Munchen #Munich #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #München #100633310 #101075934 #Auszählung #Bayern #Germany #Kommunalwahl #Schwerstarbeit #Urne #Wahlergebnis #Wahlhelferstelle #Wahlliste #Wahllokal
https://www.europesays.com/de/845951/

It had somehow passed me by, but there's a new #URNE record people: Setting Fire To The Sky. Providing a suitably dark soundtrack to my morning.

#NewMusic

New album will be very high of your year end list and for a good reason:

#Urne: Setting Fire to the Sky

https://album.link/t/492616893

Recensie: Urne – Setting Fire To The Sky ★★★★½
https://writteninmusic.com/albumrecensie/urne-setting-fire-to-the-sky/

#Music #Metal #Urne #Spinefarm/Pias

New post: Album Review: Urne – Setting Fire To The Sky https://moshville.co.uk/reviews/album-review/2026/01/album-review-urne-setting-fire-to-the-sky/ #Urne

The evolution of a band is a fickle thing. Change too much, and you alienate those who started the journey with you; change too little and bore listeners over time, leaving only ardent fans of the sound. URNE, a London three-piece with close ties to Gojira and Mastodon, has already shown a surprising amount of reformation by their third release, Setting Fire to the Sky. The band’s debut, SERPENT & SPIRIT, was a hard-edged mix of post-hardcore, sweeping grooves, and raw vocals, with a little bit of sludge thrown into their clean-singing. Their sophomore album refined the sound and felt like a logical evolution, even with a few missteps (especially on the production side). Setting Fire to the Sky fixes some of these issues and sees the band streamline their songs, but not all change is good. Instead of crawling into a chrysalis and emerging as a flying beauty, they slither out as something more akin to a leech, spilling out of their cocoon and siphoning other bands’ sounds to a fault.

URNE serves up nearly fifty minutes of Mastodon-infused metalcore on Setting Fire to the Sky. Yes, you read that correctly. Nothing on their third album feels reminiscent of the classic-rock-infused, post-hardcore sludge on their debut, or the post-metal epics on A Feast on Sorrow. Instead, their latest is stuffed with songs that, while expertly played and produced, feel soulless. Joe Nally sounds like a different singer at this point. While his clean singing is infinitely more competent, it sounds too similar to Mastodon’s Troy Sanders. Nally’s basswork fares better, and he manhandles the frets along Angus Neyra’s thrashy riffs and James Cook’s punchy drumming. The trio sounds great, and their work has been honed like a razor, likely due to their time alongside massive acts like Gojira and Mastodon, but they lack the creative bend of either. Setting Fire to the Sky feels meant to cast a wide net, playing arenas and the radio, but leaving much of the spirit (heh) that was present on SPIRIT & SERPENT to wither.

Expectations hurt URNE on Setting Fire to the Sky. After A Feast on Sorrow, I saw a band poised for their best work yet. URNE’s latest shows a tighter band playing well, and the production is much better than their last outing, but nearly every other facet feels weaker. Songs quickly grow formulaic and repetitive, with “Be Not Dismayed,” “The Spirit, Alive,” and “Setting Fire to the Sky” starting with a chuggy opening riff (usually the best part) and slowly morphing into a generic metalcore song. Each features the typical swing back and forth between core-style screaming and harmonized clean choruses that feel hamfisted, with generically uplifting lyrics like “Be not dismayed and carry this torch forward.” The album lacks the flourishes of URNE’s past two releases, and rarely do songs deviate from their repetitive structures.

Setting Fire to the Sky isn’t all disappointing. As previously mentioned, the production is great, and James Cook’s snare sounds wonderful throughout. While formulaic, the album is full of riffs that will at least get you headbanging, even if they are without pathos. “The Ancient Horizon” is an album highlight, featuring a massive lead and a sound worthy of its title while avoiding the pitfalls of the metalcore hole URNE has crawled into. Album closer “Nocturnal Forms” falls on the good side of Mastodon worship, with a chorus that feels like something off Emperor of Sand. A few features appear on the album, like the aforementioned “Harken the Waves” with Troy Sanders. A song that feels somewhat comical given Joe Nally’s clear worship of Sander’s iconic style, making for a feature that feels obligatory but not complementary. The second, “Breathe” with Jo Quail, goes nowhere. An overly sappy tune with bland cleans and cringe lyrics like “I saw the world, before the world saw me.” Neither feature feels necessary, and with the latter, you have a track that could be cut altogether.

I had high expectations, but Setting Fire to the Sky failed to meet them at every turn. The band’s sound changed in a way that many metal fans are familiar with. More generic music, more radio-friendly songs, more clean singing, all the things that make longtime metal fans cringe and flip on a group. While I foresee this album ending up all over year-end lists on the normie sites, this record is a shadow of the band’s clear inspirations and shows a group that should return to what made them stand out in the first place. At least the album artwork is gorgeous.

Rating: Mixed
DR: N/A | Format Reviewed: Stream :(
Label: Spinefarm
Websites: urneofficial.com | instagram.com/urneband
Releases Worldwide: January 30th, 2026

The evolution of a band is a fickle thing. Change too much, and you alienate those who started the journey with you; change too little and bore listeners over time, leaving only ardent fans of the sound. URNE, a London three-piece with close ties to Gojira and Mastodon, has already shown a surprising amount of reformation by their third release, Setting Fire to the Sky. The band’s debut, SERPENT & SPIRIT, was a hard-edged mix of post-hardcore, sweeping grooves, and raw vocals, with a little bit of sludge thrown into their clean-singing. Their sophomore album refined the sound and felt like a logical evolution, even with a few missteps (especially on the production side). Setting Fire to the Sky fixes some of these issues and sees the band streamline their songs, but not all change is good. Instead of crawling into a chrysalis and emerging as a flying beauty, they slither out as something more akin to a leech, spilling out of their cocoon and siphoning other bands’ sounds to a fault.

URNE serves up nearly fifty minutes of Mastodon-infused metalcore on Setting Fire to the Sky. Yes, you read that correctly. Nothing on their third album feels reminiscent of the classic-rock-infused, post-hardcore sludge on their debut, or the post-metal epics on A Feast on Sorrow. Instead, their latest is stuffed with songs that, while expertly played and produced, feel soulless. Joe Nally sounds like a different singer at this point. While his clean singing is infinitely more competent, it sounds too similar to Mastodon’s Troy Sanders. Nally’s basswork fares better, and he manhandles the frets along Angus Neyra’s thrashy riffs and James Cook’s punchy drumming. The trio sounds great, and their work has been honed like a razor, likely due to their time alongside massive acts like Gojira and Mastodon, but they lack the creative bend of either. Setting Fire to the Sky feels meant to cast a wide net, playing arenas and the radio, but leaving much of the spirit (heh) that was present on SPIRIT & SERPENT to wither.

Expectations hurt URNE on Setting Fire to the Sky. After A Feast on Sorrow, I saw a band poised for their best work yet. URNE’s latest shows a tighter band playing well, and the production is much better than their last outing, but nearly every other facet feels weaker. Songs quickly grow formulaic and repetitive, with “Be Not Dismayed,” “The Spirit, Alive,” and “Setting Fire to the Sky” starting with a chuggy opening riff (usually the best part) and slowly morphing into a generic metalcore song. Each features the typical swing back and forth between core-style screaming and harmonized clean choruses that feel hamfisted, with generically uplifting lyrics like “Be not dismayed and carry this torch forward.” The album lacks the flourishes of URNE’s past two releases, and rarely do songs deviate from their repetitive structures.

Setting Fire to the Sky isn’t all disappointing. As previously mentioned, the production is great, and James Cook’s snare sounds wonderful throughout. While formulaic, the album is full of riffs that will at least get you headbanging, even if they are without pathos. “The Ancient Horizon” is an album highlight, featuring a massive lead and a sound worthy of its title while avoiding the pitfalls of the metalcore hole URNE has crawled into. Album closer “Nocturnal Forms” falls on the good side of Mastodon worship, with a chorus that feels like something off Emperor of Sand. A few features appear on the album, like the aforementioned “Harken the Waves” with Troy Sanders. A song that feels somewhat comical given Joe Nally’s clear worship of Sander’s iconic style, making for a feature that feels obligatory but not complementary. The second, “Breathe” with Jo Quail, goes nowhere. An overly sappy tune with bland cleans and cringe lyrics like “I saw the world, before the world saw me.” Neither feature feels necessary, and with the latter, you have a track that could be cut altogether.

I had high expectations, but Setting Fire to the Sky failed to meet them at every turn. The band’s sound changed in a way that many metal fans are familiar with. More generic music, more radio-friendly songs, more clean singing, all the things that make longtime metal fans cringe and flip on a group. While I foresee this album ending up all over year-end lists on the normie sites, this record is a shadow of the band’s clear inspirations and shows a group that should return to what made them stand out in the first place. At least the album artwork is gorgeous.

Rating: Mixed
DR: N/A | Format Reviewed: Stream :(
Label: Spinefarm
Websites: urneofficial.com | instagram.com/urneband
Releases Worldwide: January 30th, 2026

The evolution of a band is a fickle thing. Change too much, and you alienate those who started the journey with you; change too little and bore listeners over time, leaving only ardent fans of the sound. URNE, a London three-piece with close ties to Gojira and Mastodon, has already shown a surprising amount of reformation by their third release, Setting Fire to the Sky. The band’s debut, SERPENT & SPIRIT, was a hard-edged mix of post-hardcore, sweeping grooves, and raw vocals, with a little bit of sludge thrown into their clean-singing. Their sophomore album refined the sound and felt like a logical evolution, even with a few missteps (especially on the production side). Setting Fire to the Sky fixes some of these issues and sees the band streamline their songs, but not all change is good. Instead of crawling into a chrysalis and emerging as a flying beauty, they slither out as something more akin to a leech, spilling out of their cocoon and siphoning other bands’ sounds to a fault.

URNE serves up nearly fifty minutes of Mastodon-infused metalcore on Setting Fire to the Sky. Yes, you read that correctly. Nothing on their third album feels reminiscent of the classic-rock-infused, post-hardcore sludge on their debut, or the post-metal epics on A Feast on Sorrow. Instead, their latest is stuffed with songs that, while expertly played and produced, feel soulless. Joe Nally sounds like a different singer at this point. While his clean singing is infinitely more competent, it sounds too similar to Mastodon’s Troy Sanders. Nally’s basswork fares better, and he manhandles the frets along Angus Neyra’s thrashy riffs and James Cook’s punchy drumming. The trio sounds great, and their work has been honed like a razor, likely due to their time alongside massive acts like Gojira and Mastodon, but they lack the creative bend of either. Setting Fire to the Sky feels meant to cast a wide net, playing arenas and the radio, but leaving much of the spirit (heh) that was present on SPIRIT & SERPENT to wither.

Expectations hurt URNE on Setting Fire to the Sky. After A Feast on Sorrow, I saw a band poised for their best work yet. URNE’s latest shows a tighter band playing well, and the production is much better than their last outing, but nearly every other facet feels weaker. Songs quickly grow formulaic and repetitive, with “Be Not Dismayed,” “The Spirit, Alive,” and “Setting Fire to the Sky” starting with a chuggy opening riff (usually the best part) and slowly morphing into a generic metalcore song. Each features the typical swing back and forth between core-style screaming and harmonized clean choruses that feel hamfisted, with generically uplifting lyrics like “Be not dismayed and carry this torch forward.” The album lacks the flourishes of URNE’s past two releases, and rarely do songs deviate from their repetitive structures.

Setting Fire to the Sky isn’t all disappointing. As previously mentioned, the production is great, and James Cook’s snare sounds wonderful throughout. While formulaic, the album is full of riffs that will at least get you headbanging, even if they are without pathos. “The Ancient Horizon” is an album highlight, featuring a massive lead and a sound worthy of its title while avoiding the pitfalls of the metalcore hole URNE has crawled into. Album closer “Nocturnal Forms” falls on the good side of Mastodon worship, with a chorus that feels like something off Emperor of Sand. A few features appear on the album, like the aforementioned “Harken the Waves” with Troy Sanders. A song that feels somewhat comical given Joe Nally’s clear worship of Sander’s iconic style, making for a feature that feels obligatory but not complementary. The second, “Breathe” with Jo Quail, goes nowhere. An overly sappy tune with bland cleans and cringe lyrics like “I saw the world, before the world saw me.” Neither feature feels necessary, and with the latter, you have a track that could be cut altogether.

I had high expectations, but Setting Fire to the Sky failed to meet them at every turn. The band’s sound changed in a way that many metal fans are familiar with. More generic music, more radio-friendly songs, more clean singing, all the things that make longtime metal fans cringe and flip on a group. While I foresee this album ending up all over year-end lists on the normie sites, this record is a shadow of the band’s clear inspirations and shows a group that should return to what made them stand out in the first place. At least the album artwork is gorgeous.

Rating: Mixed
DR: N/A | Format Reviewed: Stream :(
Label: Spinefarm
Websites: urneofficial.com | instagram.com/urneband
Releases Worldwide: January 30th, 2026

The evolution of a band is a fickle thing. Change too much, and you alienate those who started the journey with you; change too little and bore listeners over time, leaving only ardent fans of the sound. URNE, a London three-piece with close ties to Gojira and Mastodon, has already shown a surprising amount of reformation by their third release, Setting Fire to the Sky. The band’s debut, SERPENT & SPIRIT, was a hard-edged mix of post-hardcore, sweeping grooves, and raw vocals, with a little bit of sludge thrown into their clean-singing. Their sophomore album refined the sound and felt like a logical evolution, even with a few missteps (especially on the production side). Setting Fire to the Sky fixes some of these issues and sees the band streamline their songs, but not all change is good. Instead of crawling into a chrysalis and emerging as a flying beauty, they slither out as something more akin to a leech, spilling out of their cocoon and siphoning other bands’ sounds to a fault.

URNE serves up nearly fifty minutes of Mastodon-infused metalcore on Setting Fire to the Sky. Yes, you read that correctly. Nothing on their third album feels reminiscent of the classic-rock-infused, post-hardcore sludge on their debut, or the post-metal epics on A Feast on Sorrow. Instead, their latest is stuffed with songs that, while expertly played and produced, feel soulless. Joe Nally sounds like a different singer at this point. While his clean singing is infinitely more competent, it sounds too similar to Mastodon’s Troy Sanders. Nally’s basswork fares better, and he manhandles the frets along Angus Neyra’s thrashy riffs and James Cook’s punchy drumming. The trio sounds great, and their work has been honed like a razor, likely due to their time alongside massive acts like Gojira and Mastodon, but they lack the creative bend of either. Setting Fire to the Sky feels meant to cast a wide net, playing arenas and the radio, but leaving much of the spirit (heh) that was present on SPIRIT & SERPENT to wither.

Expectations hurt URNE on Setting Fire to the Sky. After A Feast on Sorrow, I saw a band poised for their best work yet. URNE’s latest shows a tighter band playing well, and the production is much better than their last outing, but nearly every other facet feels weaker. Songs quickly grow formulaic and repetitive, with “Be Not Dismayed,” “The Spirit, Alive,” and “Setting Fire to the Sky” starting with a chuggy opening riff (usually the best part) and slowly morphing into a generic metalcore song. Each features the typical swing back and forth between core-style screaming and harmonized clean choruses that feel hamfisted, with generically uplifting lyrics like “Be not dismayed and carry this torch forward.” The album lacks the flourishes of URNE’s past two releases, and rarely do songs deviate from their repetitive structures.

Setting Fire to the Sky isn’t all disappointing. As previously mentioned, the production is great, and James Cook’s snare sounds wonderful throughout. While formulaic, the album is full of riffs that will at least get you headbanging, even if they are without pathos. “The Ancient Horizon” is an album highlight, featuring a massive lead and a sound worthy of its title while avoiding the pitfalls of the metalcore hole URNE has crawled into. Album closer “Nocturnal Forms” falls on the good side of Mastodon worship, with a chorus that feels like something off Emperor of Sand. A few features appear on the album, like the aforementioned “Harken the Waves” with Troy Sanders. A song that feels somewhat comical given Joe Nally’s clear worship of Sander’s iconic style, making for a feature that feels obligatory but not complementary. The second, “Breathe” with Jo Quail, goes nowhere. An overly sappy tune with bland cleans and cringe lyrics like “I saw the world, before the world saw me.” Neither feature feels necessary, and with the latter, you have a track that could be cut altogether.

I had high expectations, but Setting Fire to the Sky failed to meet them at every turn. The band’s sound changed in a way that many metal fans are familiar with. More generic music, more radio-friendly songs, more clean singing, all the things that make longtime metal fans cringe and flip on a group. While I foresee this album ending up all over year-end lists on the normie sites, this record is a shadow of the band’s clear inspirations and shows a group that should return to what made them stand out in the first place. At least the album artwork is gorgeous.

Rating: Mixed
DR: N/A | Format Reviewed: Stream :(
Label: Spinefarm
Websites: urneofficial.com | instagram.com/urneband
Releases Worldwide: January 30th, 2026

https://www.europesays.com/uk/635872/ Orange Goblin / An Emotional Farewell Brings Tears To Electric Bristol #Bristol #Britain #England #GigReviews #GrandMagus #GreatBritain #OrangeGoblin #UK #UnitedKingdom #urne

https://www.europesays.com/uk/635872/ Orange Goblin / An Emotional Farewell Brings Tears To Electric Bristol #Bristol #Britain #England #GigReviews #GrandMagus #GreatBritain #OrangeGoblin #UK #UnitedKingdom #urne

Orange Goblin / An Emotional Farewell Brings Tears To Electric Bristol

The final tour by London legends Orange Goblin rolls into Electric Bristol for the last time. An evening…
#Bristol #UnitedKingdom #UK #GB #England #Headlines #News #Europe #EU #Britain #gigreviews #grandmagus #GreatBritain #orangegoblin #urne
https://www.europesays.com/uk/635872/

https://www.europesays.com/ro/48442/ Peste două milioane de români sunt chemați la urne pe 7 decembrie. Unde vor vota oamenii #AlegeriLocale #BreakingNews #BreakingNews #CeleMaiPopulareSubiecte #FeaturedNews #FeaturedNews #Headlines #LatestNews #LatestNews #News #primarie #RO #Română #Romania #Romanian #Știri #Titluri #TopStories #TopStories #urne

Rheinland-Pfalz erlaubt Urnen in Rhein und Mosel

In Rheinland-Pfalz wird es bald die bundesweit ersten Flussbestatt…
#Wuppertal #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #Bestattung #Bestattungsgesetz #Bestattungsgesetzes #Erlaubt #Flussbestattung #Germany #Gesetz #Grandjean #JoachimJohannDanielZimmermann #Land #Mosel #Nordrhein-Westfalen #Pfalz #Rhein #Rheinland #Urne #Urnenbeisetzung #Wasser #zusammengesetzt
https://www.europesays.com/de/540691/

Das Licht, das mehrmals kam

In dem Augenblick, als sie mit 85 in den Armen ihrer Tochter starb, verabschiedete ein Sonnenstrahl auf ihrem Gesicht sie aus dem Leben. Sekunden, bevor ihr Sarg nach ihrer letzten Messe aus der Friedhofskirche getragen wurde, tauchte die Sonne ihre Ruhestätte in strahlendes Sonnenlicht. Tage später wurde ihre Asche in einer Urne beigesetzt. In genau diesem Augenblick kam die Sonne hinter Wolken hervor und begleitete sie mit ihren Strahlen auf ihrem letzten Weg. Die Sonne begleitete sie sogar bis ins Erdloch hinein.

Und diese Frau hatte in ihrem Leben einen Leitspruch, der zu ihrem sonnigen Abschied (bitte diese Worte nicht missverstehen!) passte: Und wenn du denkst, es geht nicht mehr, kommt von irgendwo ein Lichtlein her.

#hoffnung #mutter #tochter #leben #tod #sarg #ruhestätte #sonnenlicht #urne #leitspruch

Wohnst du in #München ? Dann geh am Sonntag an die #Urne und sag nein zu #Olympia !
#nolympia in München oder anderswo.

Bestattungen: Hamburgs Umweltbehörde will kein liberaleres Gesetz

Stand: 03.10.2025 20:53 Uhr In Rheinland-Pfalz ist vor kurzem ein neues Bestattungsgesetz in Kraft getreten. Es ermöglicht etwa, die…
#Hamburg #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #"Friedhof" #Asche #Bestattung #Bestattungsgesetz #Germany #hamburg #Seebestattung #Urne
https://www.europesays.com/de/470761/

Explore 26 New albums just announced – 9/22/2025:

#NewAlbums #NewMusic #UpcomingReleases #Aerosmith #DreamTheater #Soen #Urne

Link: https://metalinsider.net/new-music/explore-26-new-albums-just-announced-9-22-2025

Explore 26 New albums just announced – 9/22/2025:

#NewAlbums #NewMusic #UpcomingReleases #Aerosmith #DreamTheater #Soen #Urne

Link: https://metalinsider.net/new-music/explore-26-new-albums-just-announced-9-22-2025

Wahlbeteiligung liegt derzeit bei 21 Prozent

Kommunalwahl in Aachen Wahlbeteiligung an der Urne liegt derzeit bei 21 Prozent Aktualisiert am 14.09.2025 – 17:44 UhrLesedauer:…
#Aachen #Deutschland #Deutsch #DE #Schlagzeilen #Headlines #Nachrichten #News #Europe #Europa #EU #100137924 #100601380 #Germany #Kommunalwahl #KommunalwahlinAachen #Nordrhein-Westfalen #Städteregion #Urne #Wahlbeteiligung #Wahlzettel
https://www.europesays.com/de/422501/

Jetzt haben wir auch unsere #Pressemitteilung zum Tag der offenen Tür herausgegeben. Wir freuen uns auf unsere Gäste am 6. September. https://www.rhein-taunus-krematorium.de/veranstaltung-tag-der-offenen-tuer/
#Krematorium #Veranstaltung #Besichtigung #Feuerbestattung #rip #Friedhof #Bestatter #Dachsenhausen #Koblenz #Urne #TagderoffenenTür

Jetzt haben wir auch unsere #Pressemitteilung zum Tag der offenen Tür herausgegeben. Wir freuen uns auf unsere Gäste am 6. September. https://www.rhein-taunus-krematorium.de/veranstaltung-tag-der-offenen-tuer/
#Krematorium #Veranstaltung #Besichtigung #Feuerbestattung #rip #Friedhof #Bestatter #Dachsenhausen #Koblenz #Urne #TagderoffenenTür

H-BlockX
07.11.2025 Berlin / Columbiahalle

Unantastbar, Ampex, 33RPM und Kremer
05.03.2026 Berlin / Festsaal Kreuzberg

Urne
17.02.2026 Berlin / Cassiopeia

#Berlin #Cassiopeia #Columbiahalle #FestsaalKreuzberg #HBlockX #Unantastbar #Urne #SteelFeed

#voto #votare #referendum #andare #scheda #schede #ritirare #urna #urne #partecipare #partecipazione #quorum #tiè #pareridiparte #radiobasemn

#voto #votare #referendum #andare #scheda #schede #ritirare #urna #urne #partecipare #partecipazione #quorum #tiè #pareridiparte #radiobasemn

Festival Review: Takedown Festival 2025 (Day 1) – Portsmouth Guildhall (4th April 2025)

Takedown Festival had to be cancelled last year and so I was very pleased to get the green light to attend this yea

https://www.moshville.co.uk/reviews/gig-review/2025/04/festival-review-takedown-festival-2025-day-1-portsmouth-guildhall-4th-april-2025/

#GigReviews #BadTouch #Empyre #FerociousDog #KrisBarrasBand #ScarletRebels #SkarlettRiot #SOS #Sunk #TakedownFestival #TheRavenAge #Thuum #Urne

Festival Review: Takedown Festival 2025 (Day 1) – Portsmouth Guildhall (4th April 2025)

Takedown Festival had to be cancelled last year and so I was very pleased to get the green light to attend this yea

https://www.moshville.co.uk/reviews/gig-review/2025/04/festival-review-takedown-festival-2025-day-1-portsmouth-guildhall-4th-april-2025/

#GigReviews #BadTouch #Empyre #FerociousDog #KrisBarrasBand #ScarletRebels #SkarlettRiot #SOS #Sunk #TakedownFestival #TheRavenAge #Thuum #Urne

Festival Review: Takedown Festival 2025 (Day 1) – Portsmouth Guildhall (4th April 2025)

Takedown Festival had to be cancelled last year and so I was very pleased to get the green light to attend this yea

https://www.moshville.co.uk/reviews/gig-review/2025/04/festival-review-takedown-festival-2025-day-1-portsmouth-guildhall-4th-april-2025/

#GigReviews #BadTouch #Empyre #FerociousDog #KrisBarrasBand #ScarletRebels #SkarlettRiot #SOS #Sunk #TakedownFestival #TheRavenAge #Thuum #Urne

URNE (Regne Unit) presenta nou single: "I / Throes Of Grief" #Urne #Stoner #SludgeMetal #Metalcore #Febrer2025 #RegneUnit #NouSingle #Metall #Metal #MúsicaMetal #MetalMusic

OK, einen hab ich noch zum Geburtstag von Ikea Deutschland ;-)

Und nicht verpassen: Tot, aber lustig nächste Woche LIVE am 23.10.2024 in Bielefeld und am 24.10.2024 in Köln. Tickets gibt‘s hier: https://www.eventim.de/artist/michael-holtschulte/

#ikea #totaberlustig #sense #kallax #regal #urne #tod #Kolumbarium

Nachtrag zum Tag des Kaffees gestern, an dem ich mich mit Bier vertan habe 🙈

Danke, dass Ihr mich mit Tot, aber lustig unterstützt:
☕️ Förderer werden werden: https://steadyhq.com/totaberlustig
☕️ Etwas in die Windelkasse schmeißen: https://paypal.me/holtschulte

#totaberlustig #cartoon #kaffee #urne #name #togo