#dungeonsynth — Public Fediverse posts

Various tracks by me (all from Feb 2023 or earlier) that are under 130 BPM https://www.youtube.com/playlist?list=PLK2Q_cT0uiFP6nDY8NSBlZ9ztiuh3erjx

#House #DungeonSynth #ItaloDisco

Various tracks by me (all from Feb 2023 or earlier) that are under 130 BPM https://www.youtube.com/playlist?list=PLK2Q_cT0uiFP6nDY8NSBlZ9ztiuh3erjx

#House #DungeonSynth #ItaloDisco

Various tracks by me (all from Feb 2023 or earlier) that are under 130 BPM https://www.youtube.com/playlist?list=PLK2Q_cT0uiFP6nDY8NSBlZ9ztiuh3erjx

#House #DungeonSynth #ItaloDisco

Free download codes:

spaceseer - Feral Moon

"Dark Forest Doom Synth Concept Album from spaceseer"

https://getmusic.fm/l/DXXHJc

#bandcampcodes #ambient #darkambient #electronica #psychedelicrock #metal #berlinschool #progressiverock #dungeonsynth #doommetal #experimentalelectronic #postmetal #progrock #conceptalbum #fantasysynth #sludgemetal #forestsynth #fantasyambient #kosmichemusik #music

Free download codes:

spaceseer - Feral Moon

"Dark Forest Doom Synth Concept Album from spaceseer"

https://getmusic.fm/l/DXXHJc

#bandcampcodes #ambient #darkambient #electronica #psychedelicrock #metal #berlinschool #progressiverock #dungeonsynth #doommetal #experimentalelectronic #postmetal #progrock #conceptalbum #fantasysynth #sludgemetal #forestsynth #fantasyambient #kosmichemusik #music

Free download codes:

spaceseer - Feral Moon

"Dark Forest Doom Synth Concept Album from spaceseer"

https://getmusic.fm/l/DXXHJc

#bandcampcodes #ambient #darkambient #electronica #psychedelicrock #metal #berlinschool #progressiverock #dungeonsynth #doommetal #experimentalelectronic #postmetal #progrock #conceptalbum #fantasysynth #sludgemetal #forestsynth #fantasyambient #kosmichemusik #music

Free download codes:

spaceseer - Feral Moon

"Dark Forest Doom Synth Concept Album from spaceseer"

https://getmusic.fm/l/DXXHJc

#bandcampcodes #ambient #darkambient #electronica #psychedelicrock #metal #berlinschool #progressiverock #dungeonsynth #doommetal #experimentalelectronic #postmetal #progrock #conceptalbum #fantasysynth #sludgemetal #forestsynth #fantasyambient #kosmichemusik #music

Bataille: Stardome

En me voyant chroniquer Stardome, le nouvel album de Bataille, certains esprits chagrins y verront une forme de copinage. Mais ce sont des esprits chagrins.

#bataille #dungeonSynth #France #Maxwell

https://wp.me/ppneF-bOH

MARCHEUR DE NUIT (Canadà) presenta nou EP: "Nuits noires,étoiles mortes // Les cris des guerriers" #MarcheurDeNuit #RawBlackMetal #DungeonSynth #Maig2026 #Canadà #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

MARCHEUR DE NUIT (Canadà) presenta nou EP: "Nuits noires,étoiles mortes // Les cris des guerriers" #MarcheurDeNuit #RawBlackMetal #DungeonSynth #Maig2026 #Canadà #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

https://www.europesays.com/uk/975655/ Escaping Aghartha – Lurkers of Languid Waters Review #15 #2026 #Ambient #BlackMetal #DoomMetal #Drone #DungeonSynth #Entertainment #EscapingAghartha #HypnoticDirgeRecords #JohnCage #LurkersOfLanguidWaters #May26 #music #noise #Review #Reviews #UK #UnitedKingdom

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Every artist needs their muse. For Avery Dart, that would be the eel, the main subject of Lurkers of Languid Waters, a record from his experimental ambient/black metal project, Escaping Aghartha. Dart uses his music to bring awareness to various environmental issues, such as the plight of frogs, birds, owls, the ocean, and pollution. The problem facing the eel, in particular the freshwater anguillid eels of Japan, Europe, and America, stems from overfishing. Dart seeks to raise awareness and money for the cause of protecting them. A portion of the record’s profits go towards Nature’s Anguillid Eel Specialist Group, a group that studies the population of these mysterious fish. Escaping Aghartha hopes you can spare some room in your heart for a moray.

A little-known fact about eels is their ability to shapeshift throughout the various cycles of their life, and Lurkers of Languid Waters similarly shifts genre across its 74-minute runtime. There’s progressive black metal, doom, drone, noise, industrial, ambient, dungeon synth, and more. The album is as slippery as its subject, though lacking in its bite. Opener “Eel Black Market” serves as a microcosm for the whole. The shifting guitar tones struggle to grasp for purpose from the start, and a repellent combination of “dirty” vocals and grating riffs starts things off on the wrong fin. Across 16 minutes, the song’s hooks fail to catch hold—a good outcome for the fish, but bad for the music. Escaping Aghartha utilizes synths that sound like a video game soundtrack, droning riffs, chanting, and bubble noises that make you feel trapped in a fish tank. Sure, the initial shock of the strangeness on display may grab one’s attention, but the intolerable nature of the music won’t hold it for long.

The choices that Avery Dart makes give the impression that he purposely set out to make the listener uncomfortable. To start, there are the vocals, mostly from Dart, that range from tolerable to unlistenable. By the end of “Eel Black Market,” his snarls are incomprehensible and grating. On the blackened doom of “The Phantoms that Haunt and Linger,” they are weak and muffled, contributing to a lethargic malaise. On “Eaten to Obliteration,” they are raw and hoarse. A few experimental choices bring to mind John Cage, such as bell chimes (“Eaten to Obliteration”) and a nightmarish buzzing segment that sounds like a mosquito in your ear (“Altered Currents”). These sections feel added without musical purpose, just random noise. This mammoth record will put you in the shoes of the eel in their final journey, when they travel thousands of miles to the Sargasso Sea on nothing but their stored fat reserves, spurt out millions of eggs, and then sink to their deaths from exhaustion.

Remarkably, Lurkers of the Languid Waters undergoes a transformation once it crosses the hour mark. Hooks catch hold and stick. Buzzy guitars make way for hooky synths and blackened trems. Though “Transformations” is pretty good, it’s “Journey to the Sargasso Sea” where things really take a turn for the best. The album suddenly sounds musical and purposeful rather than meandering and dense. The synths and trems team up to conjure an uplifting, triumphant mood, serving as the soundtrack for the eel’s final journey. At 12 minutes, it’s a tad long, but its progressive structure keeps it engaging. This goes to show that a little bit of hooks can go a long way. If only Escaping Aghartha had applied this approach to the rest of the album.

I’ll give Dart this: I’ve learned a lot about eels and their plight thanks to my time with his record. The purpose of Lurkers of the Languid Waters is to spark interest, conversation, and perhaps even action to protect these misunderstood fish. Yet the mere existence of this album can only go so far if it’s a chore to listen to. I spent time with it because I took on the duty of reviewing it, but others likely won’t be so willing. I’d be more tempted to plunk down some money on a CD, which does feature some terrific artwork, if the music were just a little more tolerable. I’d love to help defend a cause like this, but my ears are important too.

Rating: 1.5/5.0
DR: 10 | Format Reviewed: 320 kbps mp3
Label: Hypnotic Dirge Records
Websites: Bandcamp | Facebook
Releases Worldwide: May 22nd, 2026

Goblin Wave | Spectral Spectrum / Runaway Devils / The Eternal Returns / Jurand Herbu Jagnię

🗓️ Start: 9 lipca 2026 18:00
⏳ End: 9 lipca 2026 21:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Groza i szaleństwo dają o sobie ponownie znać, sącząc się powoli wprost z odmętów goblińskich koszmarów…

Kazamaty ukryte na Mokotowie, znane mieszkańcom stolicy jako podziemia Ady Puławskiej, otworzą niebawem swe wrota. Wszyscy się zastanawiają… Cóż one wtedy takiego ujawnią? Plotki zasłyszane w lokalnych karczmach nie pozostawiają żadnych złudzeń. Nadciąga upiorna ceremonia, która zasieje strach i niepokój u wszystkich tych, którzy postanowią przekonać się o tym na własnej skórze.

Obwoźny sabat pod wezwaniem Grime Stone Records, złożony z czarnoksiężnika “Spectral Spectrum” jak i wiedźm “Runaway Devils”, zatrzyma swoją karawanę 9 lipca w Warszawie. Właśnie wtedy, przy pomocy rycerzy “The Eternal Returns” oraz “Jurand Herbu Jagnię”, rzucone zostaną klątwy, od których włos staje dęba.

– Wydarzenie przygotowane we współpracy z Raw Wave
https://www.instagram.com/raw_wave__/

– Spectral Spectrum (Spooky Raw Black Metal – Massachusetts, USA)
https://spectralspectrum.bandcamp.com/
https://www.youtube.com/watch?v=ZNHB-fDoiBA

– Runaway Devils (Black Raw’n’roll – Łódź, PL)
https://runawaydevils.bandcamp.com
https://www.instagram.com/runaway_devils/
https://www.youtube.com/watch?v=8CDaGlagkVQ

– The Eternal Returns (Keller Synth – Warszawa, PL)
https://eternal-returns.bandcamp.com
https://www.facebook.com/the.eternal.returns
https://www.youtube.com/watch?v=CBSvSzt8Q_E

– Jurand Herbu Jagnię (Dungeon Synth / Ambient – Poznań, PL)
https://jurandherbujagnie.bandcamp.com/
https://www.facebook.com/profile.php?id=61562290783703
https://www.youtube.com/watch?v=6oDtZ_bmblo&t=1s

Miejsce: Ada Puławska (ul. Puławska 37)
Data: 9.07
Bramki: 18:00
Start: 18:30

Autor plakatu: Jimmy Jolt

https://adapulawska.org/wydarzenie/goblin-wave-spectral-spectrum-runaway-devils-the-eternal-returns-jurand-herbu-jagnie/

Goblin Wave | Spectral Spectrum / Runaway Devils / The Eternal Returns / Jurand Herbu Jagnię

🗓️ Start: 9 lipca 2026 18:00
⏳ End: 9 lipca 2026 21:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Groza i szaleństwo dają o sobie ponownie znać, sącząc się powoli wprost z odmętów goblińskich koszmarów…

Kazamaty ukryte na Mokotowie, znane mieszkańcom stolicy jako podziemia Ady Puławskiej, otworzą niebawem swe wrota. Wszyscy się zastanawiają… Cóż one wtedy takiego ujawnią? Plotki zasłyszane w lokalnych karczmach nie pozostawiają żadnych złudzeń. Nadciąga upiorna ceremonia, która zasieje strach i niepokój u wszystkich tych, którzy postanowią przekonać się o tym na własnej skórze.

Obwoźny sabat pod wezwaniem Grime Stone Records, złożony z czarnoksiężnika “Spectral Spectrum” jak i wiedźm “Runaway Devils”, zatrzyma swoją karawanę 9 lipca w Warszawie. Właśnie wtedy, przy pomocy rycerzy “The Eternal Returns” oraz “Jurand Herbu Jagnię”, rzucone zostaną klątwy, od których włos staje dęba.

– Wydarzenie przygotowane we współpracy z Raw Wave
https://www.instagram.com/raw_wave__/

– Spectral Spectrum (Spooky Raw Black Metal – Massachusetts, USA)
https://spectralspectrum.bandcamp.com/
https://www.youtube.com/watch?v=ZNHB-fDoiBA

– Runaway Devils (Black Raw’n’roll – Łódź, PL)
https://runawaydevils.bandcamp.com
https://www.instagram.com/runaway_devils/
https://www.youtube.com/watch?v=8CDaGlagkVQ

– The Eternal Returns (Keller Synth – Warszawa, PL)
https://eternal-returns.bandcamp.com
https://www.facebook.com/the.eternal.returns
https://www.youtube.com/watch?v=CBSvSzt8Q_E

– Jurand Herbu Jagnię (Dungeon Synth / Ambient – Poznań, PL)
https://jurandherbujagnie.bandcamp.com/
https://www.facebook.com/profile.php?id=61562290783703
https://www.youtube.com/watch?v=6oDtZ_bmblo&t=1s

Miejsce: Ada Puławska (ul. Puławska 37)
Data: 9.07
Bramki: 18:00
Start: 18:30

Autor plakatu: Jimmy Jolt

https://adapulawska.org/wydarzenie/goblin-wave-spectral-spectrum-runaway-devils-the-eternal-returns-jurand-herbu-jagnie/

Goblin Wave | Spectral Spectrum / Runaway Devils / The Eternal Returns / Jurand Herbu Jagnię

🗓️ Start: 9 lipca 2026 18:00
⏳ End: 9 lipca 2026 21:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Groza i szaleństwo dają o sobie ponownie znać, sącząc się powoli wprost z odmętów goblińskich koszmarów…

Kazamaty ukryte na Mokotowie, znane mieszkańcom stolicy jako podziemia Ady Puławskiej, otworzą niebawem swe wrota. Wszyscy się zastanawiają… Cóż one wtedy takiego ujawnią? Plotki zasłyszane w lokalnych karczmach nie pozostawiają żadnych złudzeń. Nadciąga upiorna ceremonia, która zasieje strach i niepokój u wszystkich tych, którzy postanowią przekonać się o tym na własnej skórze.

Obwoźny sabat pod wezwaniem Grime Stone Records, złożony z czarnoksiężnika “Spectral Spectrum” jak i wiedźm “Runaway Devils”, zatrzyma swoją karawanę 9 lipca w Warszawie. Właśnie wtedy, przy pomocy rycerzy “The Eternal Returns” oraz “Jurand Herbu Jagnię”, rzucone zostaną klątwy, od których włos staje dęba.

– Wydarzenie przygotowane we współpracy z Raw Wave
https://www.instagram.com/raw_wave__/

– Spectral Spectrum (Spooky Raw Black Metal – Massachusetts, USA)
https://spectralspectrum.bandcamp.com/
https://www.youtube.com/watch?v=ZNHB-fDoiBA

– Runaway Devils (Black Raw’n’roll – Łódź, PL)
https://runawaydevils.bandcamp.com
https://www.instagram.com/runaway_devils/
https://www.youtube.com/watch?v=8CDaGlagkVQ

– The Eternal Returns (Keller Synth – Warszawa, PL)
https://eternal-returns.bandcamp.com
https://www.facebook.com/the.eternal.returns
https://www.youtube.com/watch?v=CBSvSzt8Q_E

– Jurand Herbu Jagnię (Dungeon Synth / Ambient – Poznań, PL)
https://jurandherbujagnie.bandcamp.com/
https://www.facebook.com/profile.php?id=61562290783703
https://www.youtube.com/watch?v=6oDtZ_bmblo&t=1s

Miejsce: Ada Puławska (ul. Puławska 37)
Data: 9.07
Bramki: 18:00
Start: 18:30

Autor plakatu: Jimmy Jolt

https://adapulawska.org/wydarzenie/goblin-wave-spectral-spectrum-runaway-devils-the-eternal-returns-jurand-herbu-jagnie/

Goblin Wave | Spectral Spectrum / Runaway Devils / The Eternal Returns / Jurand Herbu Jagnię

🗓️ Start: 9 lipca 2026 18:00
⏳ End: 9 lipca 2026 21:00
📍 Location: ADA Puławska, Puławska 37, 02-508, Warszawa, Poland

Groza i szaleństwo dają o sobie ponownie znać, sącząc się powoli wprost z odmętów goblińskich koszmarów…

Kazamaty ukryte na Mokotowie, znane mieszkańcom stolicy jako podziemia Ady Puławskiej, otworzą niebawem swe wrota. Wszyscy się zastanawiają… Cóż one wtedy takiego ujawnią? Plotki zasłyszane w lokalnych karczmach nie pozostawiają żadnych złudzeń. Nadciąga upiorna ceremonia, która zasieje strach i niepokój u wszystkich tych, którzy postanowią przekonać się o tym na własnej skórze.

Obwoźny sabat pod wezwaniem Grime Stone Records, złożony z czarnoksiężnika “Spectral Spectrum” jak i wiedźm “Runaway Devils”, zatrzyma swoją karawanę 9 lipca w Warszawie. Właśnie wtedy, przy pomocy rycerzy “The Eternal Returns” oraz “Jurand Herbu Jagnię”, rzucone zostaną klątwy, od których włos staje dęba.

– Wydarzenie przygotowane we współpracy z Raw Wave
https://www.instagram.com/raw_wave__/

– Spectral Spectrum (Spooky Raw Black Metal – Massachusetts, USA)
https://spectralspectrum.bandcamp.com/
https://www.youtube.com/watch?v=ZNHB-fDoiBA

– Runaway Devils (Black Raw’n’roll – Łódź, PL)
https://runawaydevils.bandcamp.com
https://www.instagram.com/runaway_devils/
https://www.youtube.com/watch?v=8CDaGlagkVQ

– The Eternal Returns (Keller Synth – Warszawa, PL)
https://eternal-returns.bandcamp.com
https://www.facebook.com/the.eternal.returns
https://www.youtube.com/watch?v=CBSvSzt8Q_E

– Jurand Herbu Jagnię (Dungeon Synth / Ambient – Poznań, PL)
https://jurandherbujagnie.bandcamp.com/
https://www.facebook.com/profile.php?id=61562290783703
https://www.youtube.com/watch?v=6oDtZ_bmblo&t=1s

Miejsce: Ada Puławska (ul. Puławska 37)
Data: 9.07
Bramki: 18:00
Start: 18:30

Autor plakatu: Jimmy Jolt

https://adapulawska.org/wydarzenie/goblin-wave-spectral-spectrum-runaway-devils-the-eternal-returns-jurand-herbu-jagnie/

OCCULT MOUNTAIN (Estats Units) presenta nova demo: "Wrath of the Wolf Spirit" #OccultMountain #RawBlackMetal #DungeonSynth #Maig2026 #EstatsUnits #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

OCCULT MOUNTAIN (Estats Units) presenta nova demo: "Wrath of the Wolf Spirit" #OccultMountain #RawBlackMetal #DungeonSynth #Maig2026 #EstatsUnits #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

AUTISM FOREST (Argentina) presenta nou àlbum: "The Lion's Keep" #AutismForest #BlackMetal #DungeonSynth #Maig2026 #Argentina #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

AUTISM FOREST (Argentina) presenta nou àlbum: "The Lion's Keep" #AutismForest #BlackMetal #DungeonSynth #Maig2026 #Argentina #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

LUNARES TENEBRIS (Brasil) presenta nova demo: "The Last Fight for Eternal Glory" #LunaresTenebris #BlackMetal #DungeonSynth #Maig2026 #Brasil #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

LUNARES TENEBRIS (Brasil) presenta nova demo: "The Last Fight for Eternal Glory" #LunaresTenebris #BlackMetal #DungeonSynth #Maig2026 #Brasil #NovaDemo #Metall #Metal #MúsicaMetal #MetalMusic

EXTISPEX (Estats Units) presenta nou àlbum: "A Field of Black Roses and Empty Shadows" #Extispex #BlackMetal #DungeonSynth #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

EXTISPEX (Estats Units) presenta nou àlbum: "A Field of Black Roses and Empty Shadows" #Extispex #BlackMetal #DungeonSynth #Maig2026 #EstatsUnits #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

So here's a fun thing I did… A friend I've known for decades has a podcast about gaming conventions, so he and his cohost interviewed me about @jococruise.bsky.social, gaming, music, and plenty of inscrutable digressions into our shared history.

https://shows.acast.com/all-year-i-dream-about-gaming-conventions/episodes/episode-205-cruise-con-redux-with-a-joco-twist

#Gaming #Conventions #JoCoCruise #DungeonSynth #IndieMusic #Pathfinder

So here's a fun thing I did… A friend I've known for decades has a podcast about gaming conventions, so he and his cohost interviewed me about @jococruise.bsky.social, gaming, music, and plenty of inscrutable digressions into our shared history.

https://shows.acast.com/all-year-i-dream-about-gaming-conventions/episodes/episode-205-cruise-con-redux-with-a-joco-twist

#Gaming #Conventions #JoCoCruise #DungeonSynth #IndieMusic #Pathfinder

So here's a fun thing I did… A friend I've known for decades has a podcast about gaming conventions, so he and his cohost interviewed me about @jococruise.bsky.social, gaming, music, and plenty of inscrutable digressions into our shared history.

https://shows.acast.com/all-year-i-dream-about-gaming-conventions/episodes/episode-205-cruise-con-redux-with-a-joco-twist

#Gaming #Conventions #JoCoCruise #DungeonSynth #IndieMusic #Pathfinder

So here's a fun thing I did… A friend I've known for decades has a podcast about gaming conventions, so he and his cohost interviewed me about @jococruise.bsky.social, gaming, music, and plenty of inscrutable digressions into our shared history.

https://shows.acast.com/all-year-i-dream-about-gaming-conventions/episodes/episode-205-cruise-con-redux-with-a-joco-twist

#Gaming #Conventions #JoCoCruise #DungeonSynth #IndieMusic #Pathfinder

So here's a fun thing I did… A friend I've known for decades has a podcast about gaming conventions, so he and his cohost interviewed me about @jococruise.bsky.social, gaming, music, and plenty of inscrutable digressions into our shared history.

https://shows.acast.com/all-year-i-dream-about-gaming-conventions/episodes/episode-205-cruise-con-redux-with-a-joco-twist

#Gaming #Conventions #JoCoCruise #DungeonSynth #IndieMusic #Pathfinder

Free download codes:

Arcis - Numen

"Cinematic ambient."

https://getmusic.fm/l/NbNorX

#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music

Free download codes:

Arcis - Numen

"Cinematic ambient."

https://getmusic.fm/l/NbNorX

#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music

Free download codes:

Arcis - Numen

"Cinematic ambient."

https://getmusic.fm/l/NbNorX

#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music

Free download codes:

Arcis - Numen

"Cinematic ambient."

https://getmusic.fm/l/NbNorX

#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music

MORGRAV (Canadà) presenta nou EP: "Gazing Beyond the Withered Orchids Into the Mysterious Eye of Naüroon (Cemetery Rehearsal MMXXVI)" #Morgrav #RawBlackMetal #DungeonSynth #Maig2026 #Canadà #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

MORGRAV (Canadà) presenta nou EP: "Gazing Beyond the Withered Orchids Into the Mysterious Eye of Naüroon (Cemetery Rehearsal MMXXVI)" #Morgrav #RawBlackMetal #DungeonSynth #Maig2026 #Canadà #NouEp #Metall #Metal #MúsicaMetal #MetalMusic

Die neue Left/Folk-Compilation verteidigt Migranten und Protestierende gegen die US-Behörde ICE: #folk #nokings #dungeonsynth #ice #leftfolk #neofolk #darkfolk #ritual : http://www.popmonitor.de/left-folk-ix-days-ov-fire/

Just bought this killer violet vinyl of one of my favorite LPs of 2024 (and my all time favorite dungeon synth record), Warlock Corpse's 'Bloody Tears of the Desert'. Only 200 of these made- if you like dungeon synth at ALL..

Hear it here at Bandcamp if you haven't, it's SICK:
https://warlockcorpse.bandcamp.com/album/bloody-tears-of-the-desert

Link to buy the limited violet (and black) vinyl: https://www.outofseasonlabel.com/products/warlock-corpse-bloody-tears-of-the-desert-vinyl-lp-w-insert-2-color-options-lim-300-%D1%82%D1%80%D1%83%D0%BF-%D0%BA%D0%BE%D0%BB%D0%B4%D1%83%D0%BD%D0%B0

#DungeonSynth #WarlockCorpse #2024Albums #2024Records #vinyl #records #VinylRecords #Kazakhstan

Just bought this killer violet vinyl of one of my favorite LPs of 2024 (and my all time favorite dungeon synth record), Warlock Corpse's 'Bloody Tears of the Desert'. Only 200 of these made- if you like dungeon synth at ALL..

Hear it here at Bandcamp if you haven't, it's SICK:
https://warlockcorpse.bandcamp.com/album/bloody-tears-of-the-desert

Link to buy the limited violet (and black) vinyl: https://www.outofseasonlabel.com/products/warlock-corpse-bloody-tears-of-the-desert-vinyl-lp-w-insert-2-color-options-lim-300-%D1%82%D1%80%D1%83%D0%BF-%D0%BA%D0%BE%D0%BB%D0%B4%D1%83%D0%BD%D0%B0

#DungeonSynth #WarlockCorpse #2024Albums #2024Records #vinyl #records #VinylRecords #Kazakhstan

Just bought this killer violet vinyl of one of my favorite LPs of 2024 (and my all time favorite dungeon synth record), Warlock Corpse's 'Bloody Tears of the Desert'. Only 200 of these made- if you like dungeon synth at ALL..

Hear it here at Bandcamp if you haven't, it's SICK:
https://warlockcorpse.bandcamp.com/album/bloody-tears-of-the-desert

Link to buy the limited violet (and black) vinyl: https://www.outofseasonlabel.com/products/warlock-corpse-bloody-tears-of-the-desert-vinyl-lp-w-insert-2-color-options-lim-300-%D1%82%D1%80%D1%83%D0%BF-%D0%BA%D0%BE%D0%BB%D0%B4%D1%83%D0%BD%D0%B0

#DungeonSynth #WarlockCorpse #2024Albums #2024Records #vinyl #records #VinylRecords #Kazakhstan

Just bought this killer violet vinyl of one of my favorite LPs of 2024 (and my all time favorite dungeon synth record), Warlock Corpse's 'Bloody Tears of the Desert'. Only 200 of these made- if you like dungeon synth at ALL..

Hear it here at Bandcamp if you haven't, it's SICK:
https://warlockcorpse.bandcamp.com/album/bloody-tears-of-the-desert

Link to buy the limited violet (and black) vinyl: https://www.outofseasonlabel.com/products/warlock-corpse-bloody-tears-of-the-desert-vinyl-lp-w-insert-2-color-options-lim-300-%D1%82%D1%80%D1%83%D0%BF-%D0%BA%D0%BE%D0%BB%D0%B4%D1%83%D0%BD%D0%B0

#DungeonSynth #WarlockCorpse #2024Albums #2024Records #vinyl #records #VinylRecords #Kazakhstan

Just bought this killer violet vinyl of one of my favorite LPs of 2024 (and my all time favorite dungeon synth record), Warlock Corpse's 'Bloody Tears of the Desert'. Only 200 of these made- if you like dungeon synth at ALL..

Hear it here at Bandcamp if you haven't, it's SICK:
https://warlockcorpse.bandcamp.com/album/bloody-tears-of-the-desert

Link to buy the limited violet (and black) vinyl: https://www.outofseasonlabel.com/products/warlock-corpse-bloody-tears-of-the-desert-vinyl-lp-w-insert-2-color-options-lim-300-%D1%82%D1%80%D1%83%D0%BF-%D0%BA%D0%BE%D0%BB%D0%B4%D1%83%D0%BD%D0%B0

#DungeonSynth #WarlockCorpse #2024Albums #2024Records #vinyl #records #VinylRecords #Kazakhstan

ASHRAITH (Xile) presenta nou àlbum: "The Evil" #Ashraith #BlackMetal #DungeonSynth #Maig2026 #Xile #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

ASHRAITH (Xile) presenta nou àlbum: "The Evil" #Ashraith #BlackMetal #DungeonSynth #Maig2026 #Xile #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic

ERYTHRITE THRONE (Canadà) presenta nou Split: "Blood Tower / Erythrite Throne" #ErythriteThrone #BlackMetal #DoomMetal #DungeonSynth #Maig2026 #Canadà #NouSplit #Metall #Metal #MúsicaMetal #MetalMusic

ERYTHRITE THRONE (Canadà) presenta nou Split: "Blood Tower / Erythrite Throne" #ErythriteThrone #BlackMetal #DoomMetal #DungeonSynth #Maig2026 #Canadà #NouSplit #Metall #Metal #MúsicaMetal #MetalMusic

PROPALITET (Bòsnia i Herzegovina) presenta nou àlbum: "Feathers Fall Slowly From The Sky As Angels Commit Suicide" #Propalitet #BlackMetal #DungeonSynth #Maig2026 #BòsniaIHerzegovina #NouÀlbum #Metall #Metal #MúsicaMetal #MetalMusic