#darkfolk — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #darkfolk, aggregated by home.social.
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Arcis - Numen
"Cinematic ambient."
#ambient #electronic #darkambient #cinematic #dungeonsynth #darkfolk #music
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HEATHE – Vir076: Control Your Souls Desire For Freedom
#Experimental #Rock #blackenedhardcore #darkfolk #doom #drone #posthardcore #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir076-control-your-souls-desire-for-freedom -
Naturale – Vir031: Live 2018
#Drone #Experimental #Live #Noise #Recitation #Rock #blackenedhardcore #darkfolk #doom #drone #Copenhagen
CC BY-NC-SA (#CreativeCommons Attribution Non Commercial Share Alike) #ccmusic
https://virkelighedsfjern.bandcamp.com/album/vir031-live-2018 -
Tristis / Dystyches / Hannah Louve Benedum
OGH, Monday, May 25 at 04:00 PM GMT+2
25.05.2026
see you soon shows presents a black metal pentecost matinee:
@tristisband black metal/hardcore (nrw)
@dystyches_official black metal (hamburg)
@hannahlouvebenedum dark folk/singer-songwriter (berlin)
to celebrate the release of their recent split ep, @tristisband and @dystyches_official will roll out on a small weekender supported by none other than our friend @hannahlouvebenedum! don't miss their final stop at OGH. early show as it’s a public holiday :>
doors at 4, noise at 5. no pre-sale/notaflof!
at your favorite venue close to s sonnenallee (dm for address or ask a punk!)
see you soon 👉👈https://berlin.askapunk.de/event/tristis-dystyches-hannah-louve-benedum
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Blizzard - Baldur's fall
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Matt Elliott / Tavare / Boris Kaplunovich @ Genezarethkirche
Genezarethkirche, Thursday, April 16 at 07:00 PM GMT+2
More than twenty years after the release of Drinking Songs, Matt Elliott returns to the most defining work of his career. Originally released in 2004, the album marked a decisive shift from his electronic roots towards a deeply personal form of chamber folk, combining fragile songwriting with Eastern European cabaret influences and a stark, introspective atmosphere.
In this special solo performance, Elliott revisits songs from Drinking Songs in their most direct and intimate form. Alongside this seminal material, he will also perform selected songs from other albums, as well as previously unreleased pieces, offering a broader insight into his evolving body of work. Stripped of additional instrumentation, the music is presented with raw emotional clarity, allowing the weight of the lyrics, voice and melodies to fully unfold.
special guests: Tavare
Tavare formed in Berlin in 2020, creating minimal slowcore-inspired songs with fragile harmonies and restrained emotion. Blending ’90s melancholy with modern pop structures, the trio released Ghosts (2024) and the album Too Small To Be So High (2025), and perform regularly across Europe.
Boris Kaplunovich is a Berlin based singer songwriter. Blending intimate storytelling with subtly political undertones, the music moves between quiet introspection and simmering intensity.
https://berlin.askapunk.de/event/matt-elliott-tavare-boris-kaplunovich-genezarethkirche
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Various Artists - Audio Mirage Studios - Indie Dog Days of Xmas Vol. 3
"You can't keep a good dog down! Here is our third edition of XMAS ALTERNATIVE"
#alternative #rock #punk #powerpop #christmas #darkfolk #music
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Dark Sinfonia - Incantations
"Dark Folk Music For The Darkest Of Folk!"
#horror #gothic #postpunk #avantgarde #darkfolk #spookfolk #macabre #folklore #darkfairytales #music
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Narehell - Equinox
" With Equinox, Narehell delivers an intense four-track release that captures the essence of transition, ritual, and timeless myth. Marking the arrival of the spring equinox, the project merges dark folk, ritual ambient, and cinematic sound design into a cohesive listening experience" -
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Dark Sinfonia - March Of The Fairies
"Dark Folk Music For The Darkest Of Folk!"
#horror #gothic #postpunk #avantgarde #darkfolk #spookfolk #macabre #folklore #darkfairytales #music
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The first Legendary Pink Dots song I ever heard. Must have been back in 1998.
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Congratulations on surviving the past week, between #FridayThe13th, & #IdesOfMarch !
Some cleansing/power music from Portugal
> Urze de Lume - Besta Soberana
> URZE DE LUME embody a homage to the past. Inspired by Iberian traditions...
"Founded in 2009, the band has recently become the Portuguese flagship for a new wave of like-minded projects currently spreading across Europe [embracing] ancient ways & spirituality
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I recently heard L'ira dell'Agnello for the first time on online radio and decided to share it! Cool songs!
https://liradellagnello.bandcamp.com/album/a-tale-of-darkness
#neofolkfriday #darkfolk #neofolk #np -
Oooh….Innmeldingspakken til Europabevegelsens Premium Platinum medlemskap inneholder LP boksen og nå smått sjeldne #Neofolk samleren «Looking for Europe»! #Europabevegelsen #Evropa #Europa #NorskTut #Allheimen #Darkfolk
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Blizzard - Baldur's fall
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Greg Gobel - Hard Drive Fossil Tapes
"If country and punk had a baby while making you feel without ever using words."
#alternative #indiefolk #darkfolk #ambientinstrumental #punktry #music
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BATPLANET PRES: Ruusuriimu (FI), Outosisar (FI), Träet-Mund-Spilli (SE) og VÌZ(HU) på #Revolver #Oslo i morgen kveld. En gotisk aften ispedd #Noise #Industrial #Folk #DarkFolk #Synth #Goth #Allheimen #NorskTur #HvaSkjer #Konsert #LiveMusikk https://www.broadcast.events/events/batplanet-pres-ruusuriimu-fi-outosisar-fi-tret-mund-spilli-se-og-vzhu/TRFpFClTDV
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Nytt Land – Aba Khan Review By Spicie ForrestI’d like to share my favorite fact about Nytt Land, the Siberian dark folk project from husband and wife, Anatoly and Natalia Pakhalenko.1 During my research for this review, I came across an old interview with Anatoly. He was discussing instrumental diversity on their then-upcoming release, ODAL. Of all the instruments Anatoly plays, the talharpa, an ancient Nordic bowed lyre, is his favorite. Do you know why it’s his favorite? BECAUSE HIS WIFE MADE IT FOR HIM. MADE IT. WITH HER OWN TWO HANDS.2 I can’t even imagine the incalculable value of such a gift. And I’m only half kidding when I say that fact alone makes Aba Khan—and anything else they release—worth a spin.
Nytt Land often releases albums strictly preserving the ancient traditions of their homeland, like 2025’s Songs of the Shaman, but Aba Khan follows a different path. Picking up the threads first woven on 2021’s Ritual and continued on 2023’s Torem, Aba Khan captures the energy of the shamanic rites of Nytt Land’s native Siberia. Nytt Land doesn’t perform any one specific rite on Aba Khan, but rather, Nytt Land channels their significance, their substance. As such, this isn’t a direct transcription or translation, but a respectful, contemporary interpretation that places listeners in the midst of ancestral proceedings. Produced with immersion in mind, the soundstage is dynamic and beautifully utilized. You can almost smell the clean air and feel the warmth of the bonfire as practitioners’ shifting vocals and well-placed instruments surround you, each given plenty of room to breathe and shine. To get the full effect, headphones are highly recommended here.
Production and mixing would mean little here, were it not for Nytt Land’s excellent performances. Natalia is the centerpiece, providing striking lead vocals and bringing to life the chanting, throat singing chorus of this ceremony (“Aba Khan,” “Taiga”). She and fellow drummer Aleksandr Rosliakov provide the raw, thunderous backbone for the album, stoking ritual fervor and reverence alike (“The Oath,” “Tygir Tayii (Heavenly Sacrifice)”).3 All other instruments are handled by Anatoly. Flutes, both bone and wood, alternate between heraldic (“Totem,” “Mansi”) and musical (“Taiga,” “Mansi”) duties, while strings—like the talharpa—guide Aba Khan through its eight movements. A high base quality means standout moments are few here, but the instrumental bridge of “Taiga,” which features mouth harp, flute, and talharpa all playing different melodies on top of a deep stringed foundation, is noteworthy, as is the absolutely massive, constant thrum of “Prayer.” It’s like listening to a god breathe.
According to the promo sheet, Aba Khan comprises a collection of shamanic vignettes, but it nevertheless possesses a loose narrative flow from one track to the next. This is largely driven by Natalia’s singing. Aba Khan is written entirely in indigenous Serbian languages and Old Norse, but Natalia defies the language barrier through measured swaying (“Taiga,” “Totem”), raw vulnerability (“The Oath,” “Prayer”) and ritualistic staccatos (“Tygir Tayii (Heavenly Sacrifice)”) to sketch the shape and purpose of each movement. I’m normally pretty unforgiving on intros, but “Aba Khan” serves more as an invocation or invitation before the ceremony begins in earnest with “Taiga.” Aside from mid-album snag “Uitag,” which dwells overlong in ambient repetition, Nytt Land moves with purpose through each movement. Aba Khan closes in a whirlwind, shifting from the tension of ceremonial action (“The Oath”) to that of anticipation (“Prayer”), before releasing it in spiraling celebration and catharsis (“Tygir Tayii”).
I don’t think anyone would argue the value of preservation efforts, but I might argue that Aba Khan does something even more important. Whether at a museum or on recordings like Songs of the Shaman, a clinical detachment separates us from feeling the gravity of these traditions as an insider would. Aba Khan annihilates that barrier. Using every tool at their disposal, Nytt Land communicates the emotions, atmosphere, and spirit of Siberia’s shamanic traditions through music, a universal language. This isn’t meant to be known in the mind. It’s meant to be felt in the heart. On Aba Khan, Nytt Land invites you to walk in their millennia-old shoes to a time and place where spirits rule, shamans protect the people, and old gods whisper.4
Rating: 3.5/5.0
#2026 #35 #AbaKhan #DarkFolk #Feb26 #Folk #NotMetal #NyttLand #ProphecyProductions #Review #Reviews #SiberianMusic
DR: 8 | Format Reviewed: 320 kbps mp3
Label: Prophecy Productions
Websites: Bandcamp | Facebook | Instagram
Releases Worldwide: February 20th, 2026 -
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Dark Sinfonia - The Black Orchard
"Dark Folk Music For The Darkest Of Folk"
#alternative #horror #gothic #postpunk #avantgarde #freakfolk #darkfolk #spookfolk #macabre #music
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Various Artists - Audio Mirage Studios - Indie Dog Days of Xmas Vol. 3
"You can't keep a good dog down! Here is our third edition of XMAS ALTERNATIVE"
#alternative #rock #punk #powerpop #christmas #darkfolk #music
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Cosmic Folklore by Crooked Mouth
This album combines the Lithuanian, English, Belarusian, and French languages in an attempt to broaden the perspective on this newly emerging worldview.
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Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Various Artists - Audio Mirage Studios - Indie Dog Days of Xmas Vol. 3
"You can't keep a good dog down! Here is our third edition of XMAS ALTERNATIVE"
#alternative #rock #punk #powerpop #christmas #darkfolk #music
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Blizzard - Lady of the lake
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By Mystikus Hugebeard
Ah, the Viking Age. One of the most mythologized eras in history, and a bottomless well of inspiration for cool things like video games, shows, books, tattoos, and bad things like obsession over ancestral purity, shockingly racist ideologies, and lutefisk. But the best thing of all, and most importantly, music! Which leads us to Danheim (Literally “Danish Home”). Danheim is the solo Nordic folk project by Reidar Schæfer Olsen, and Heimferd is his first full album in four years, which might as well be an eternity. Danheim is usually very prolific, with eight albums released between 2017 and 2021, with about a gazillion singles released during and after those 4 years. Furthermore, Danheim is one of the more well-known Nordic folk artists; he has numerous collaborations with, to name a few, Gealdýr, Sigurboði, Heldom, and has, like Wardruna, been featured on the History Channel’s Vikings. In other words, Danheim is something of a titan of the genre—is Heimferd worth the wait?
Danheim’s music, and by extension Heimferd, is a sonic extension of the version of the Vikings that has embedded itself within people’s imagination and contemporary media: an intoxicating image of a powerful and mysterious people, plunged into a captivating world of violence and mysticism.1 Most might immediately connect Danheim’s sound to Wardruna (not unjustifiably), but that paints a rather flat picture. The music is cinematic in a way that calls to mind a less avant-garde Heilung, it vibrates with a slightly electronic, tribal weight that, at this point, belongs more to Danheim than any of his peers (but one might still compare it to Vígundr or Heldom), and it’s atmospheric and densely layered like, well, Wardruna. But I believe it’s the simple immediacy of Danheim’s that has made him the Nordic folk titan that he is. It’s just so easy to fall under the spell of electronically augmented droning chants set to the rhythm of deep, beating drums, heard in some form or another in nearly every song on Heimferd.
…and yet, there sadly wafts an air of shallowness across Heimferd. There is an unfulfilled relationship between Heimferd’s sound and its songwriting. Heimferd’s stellar production and the variety of instruments create a captivating soundscape, but so rarely do songs breathe or evolve in a way that gives the songs life. This is felt all throughout Heimferd. “Heljar Skuggar” and “Rúnmyrkr” each utilize engaging, distorted chants in the vein of Heilung, but feel stagnant, without peaks or valleys. Songs are often lacking in stakes or tension, the worst of which is heard in the lifeless “Valvejen” as it flits loosely between tagelharpa melodies and excessive downtime. For songs meant to sound almost hypnotic in their droning, much comes off as forgettable, like “Kominn Dagr” as it switches from monotone chanting into a toothless tagelharpa melody, neither section given ample time to grow or make an impact. Clearly, Danheim places a lot of emphasis on atmosphere, and Heimferd is indeed viking-y at a distance—but up close, there is little to sink your teeth into.
This is not always the case, however, with a handful of songs towering above the rest. The vocal-heavy closer, “Yggdrasil II” (a sequel to “Yggdrasil” from 2018’s Fridr), has a quiet majesty to its rhythmic and beautiful chorus. “Vindfari” is an unassuming song that really sneaks up on you, as the drums march behind a simple chanting melody with a peculiar, percussive vocal delivery to some words that adds unique character to the song. Heimferd’s best song is “Haukadalur,” though. This song moves and breathes like a living thing, as distant haggard exhalations augment a powerful beat which heralds a coarse, dancing tagelharpa. These songs have such richness to their melodies, making the most of Danheim’s accessible and engaging style. It feels as if this has been my experience with every Danheim album: two or three genuinely stellar tracks that speak of an artist capable of amazing things, surrounded by songs that sound great but leave little impression.
Danheim has ever been frustrating for me, and Heimferd reaffirms that feeling. His infectious soundscape sufficiently conjures a Viking-age atmosphere and energy, but with base songwriting that so rarely transforms the music into something lasting or impactful. It’s strange, because my first listen of Heimferd was the most positive one, and I think it’s because Danheim’s style of Nordic folk can be cathartic in a way not many other artists within the genre are. But on each subsequent spin, when I listen closer, probing, pleading for depth, I’m left wanting. Heimferd is the distilled essence of the modern perception of Vikings, but with little drama or tension. It’s fun, but ephemeral.
Rating: Mixed
DR: 7 | Format Reviewed: 320 kbps
Label: Season of Mist
Websites: official | bandcamp
Releases Worldwide: October 31st, 2025#25 #2025 #Danheim #DarkFolk #Gealdýr #Heilung #Heimferd #Heldom #Neofolk #NordicFolk #Oct25 #Review #Reviews #SeasonOfMist #Sigurbodi #Vigundr #VikingMusic #Wardruna
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music AlltIme - For Lonely Gentlemen & Ladies in the Bar
"Rock classics in dark country versions – an acoustic, moody, and deep vibe."
#southerngothic #darkfolk #darkcountry #gothiccountry #music
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By Twelve
It’s been a minute since I’ve got a chance to review some folk music around here. It’s not super common that we get these promos, but when a sample of dark folk, spiritually, resembles our heavy metal world, we occasionally find some sent our way. Today’s sample is Niht, the sixth full-length release from Dutch Sowulo (“sun” in proto-Germanic), which takes a philosophical approach to the histories of northern Europe. It’s got everything you could ask for in dark folk on paper: lyrics written in a language no one (to the best of my knowledge) speaks anymore, a small army of instruments that I can’t picture by name alone, and an inscrutable cover with a vague runic shape on it. Sowulo are, on paper, set up for success with Niht already; how does the music itself fare?
Like most works of dark folk in a similar vein—Urferd, Forndom, Wardruna, as examples—Niht draws strength from its reaches at authenticity. Sole band member Faber Horbach (Myrkvur) sings, plays nyckelharpa, carnyx, bouzouki, and acoustic percussion, with guest musicians contribution violins, harps, horns, and more to the work. The stringed instruments create an orchestral-Nordic-folk atmosphere for Sowulo to thrive in, and Niht has a lot of great moments in this vein, from the dramatic “Full Mōna,” featuring hypnotic throat singing at rising intensity, to the eerie, expansive “Swefnian.” Horbach’s gruff, throaty singing, complemented by guest singing from Micky Huijsmans (End of the Dream), brings the Anglo-Saxon lyrics to life; their duet in the stirring chorus of “Nihtēagan” is one of the best moments on Niht, owing largely to their emotional delivery (though the strings work does a lot of heavy lifting too).
Of course, there’s no metal here, and very little in the way of electric influence. Distortion is a distant dream; instead, the music and production are clean and airy, for the most part. “Mōnaþblōd” is a notable exception, with elements of electronica meshing against Sowulo’s natural folk leanings. But generally, you can hear every instrument and enjoy a comparatively quiet listen with atmospheric influence. “Miċele Steorran” is a fantastic example, a peaceful track that uses gently strings to create dream-like soundscapes that complement Horbach and Huijsmans’s singing. It’s not “purely” dark folk or neofolk, but the influences are strong enough that its power comes largely from orchestral highs and emotional vocal melodies, rather than any kind of heaviness.
Despite these terrific qualities, Niht still feels held back, as if it’s a restrained version of Horbach’s original intention—at least to my ears. Niht has on it a lot of tracks that contain a lot of repetition, which makes it feel artificially long. “Carnyx,” for example, is a nearly four-minute exploration of the eponymous wind instrument that doesn’t do much of anything except add ambience, all but halting Niht halfway through. Both the intro and closer share this approach. On the other side of the coin, “Seolfren Sicol” is dominated by its chorus, to the point that it’s the only thing I ever remember about the song. This is, perhaps, the drawback of writing your songs in a dead language—the two verses in the song resemble each other so closely that the song feels like it’s been copied and pasted in several places. With thirteen tracks, it feels as if Sowulo brought too many ideas to Niht—as if there is simultaneously too much album and too little.
Niht does a good job of building an authentic-feeling, atmospheric Nordic folk experience. It is, at varying times, complex, mesmerizing, and passionate. It does have its moments that don’t quite land as they should, but the whole is enjoyable and moving. I hadn’t heard of Sowulo before Niht, but it’s the kind of album that makes me want to hear more. If you need a break from our usual fare, you could do a lot worse than Niht.
Rating: 3.0/5.0
DR: 7 | Format Reviewed: 320 kb/s mp3
Label: Season of Mist
Websites: sowulo.bandcamp.com | sowulo.nl | facebook.com/Sowulo
Releases Worldwide: August 29th, 2025#2025 #30 #Aug25 #DarkFolk #DutchMetal #EndOfTheDream #Forndom #Myrkvur #Neofolk #Niht #Review #Reviews #SeasonOfMist #Sowulo #Urferd #Wardruna
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Panopticon – Laurentian Blue Review
By Mystikus Hugebeard
With the mammoth1 Panopticon ranking and the electrifying Månegarm review behind us, we can now look towards the album that the ranking was made in anticipation of: Laurentian Blue. What we weren’t quite expecting was that Laurentian Blue would be an unusual album to follow the ranking. After ten albums of post-black metal, this is the first standalone Panopticon work of purely dark, folksy Americana.2 It goes without saying that Americana has ever been a key component to the Panopticon soundscape, so do not mistake “unusual” for “unwelcome.” After all, Laurentian Blue is unquestionably a Panopticon album, for it embodies the same soul of Panopticon’s music that Thus Spoke eloquently illuminated in her introduction to the ranking: “an immense sense of drama, emotional intensity, and an unpretentious, honest heart.”
Not only is Laurentian Blue a dark folk/americana album, it is unapologetic about it. Laurentian Blue is confidently written and deliberate in its minimalism. The instrumentation is kept strictly to the bare necessities: Lunn picks and strums away at his guitar as he sings with the warmth of a crackling fire, with sparse, harmonizing violins as accompaniment. The consecutive exceptions come in the twang of “An Argument with God” (which is also the only song with any percussion) and the bluegrass “Irony and Causality,” which serve as welcome jolts to the pacing, but the bulk of Laurentian Blue is the sort of somber Americana in “Ever North” and “This Mortal Coil’s Rusted.” It reminds one of the Appalachia iteration of Osi and the Jupiter, with a stronger country lilt heard most clearly in “Down Along the Border.” While the guitarwork in Laurentian Blue is enjoyable, whether it takes the form of wistful melodies (“The Poetry in Roadkill”) or steely strumming (“Ever North,”) the focus cannot help but rest on Lunn’s voice and lyrical work.
As always, Lunn is a commanding songwriter fluent in the emotions he wants a song to convey. Nary a note or a word wasted, cutting straight to the heart of what he wants to express. Laurentian Blue is resolute in its deeply depressive lyricism, which becomes inescapable due to the music’s minimalist nature.3 Lines like “And if I needed you to watch me slip away // I’ll find you on the other side some day” (“Down Along the Border”) and “the lie that I forced myself to believe // that I never wasted a breath…” (“Ever North”) carry a catharsis that engulfs you, further strengthened by the preternaturally well-timed violins. Sparse though they may be, they’re beautifully implemented, often swelling at just the right moment like in the chorus of “The Poetry of Roadkill.” With focus this unhindered, lyrics that fail to connect are a greater danger to a song’s impact. The Hemingway-esque bluntness of “And morality ain’t dogmatic // but instead practical // and an individual // type of thing” is compelling, but it lacks the poetry present in the rest of the album, and the accompanying music doesn’t sustain the six-minute runtime.
Through the poetic lyrical work and musical minimalism, Laurentian Blue is emotionally consistent, yet therein lies what also makes it a more challenging album. Lunn’s voice is kept adamantly deadpan throughout, indifferently asking you to engage with Laurentian Blue according to its own terms rather than manipulating your emotions. This can create a disconnect; as the violins swell and the notes ascend when Lunn sings the first “Look for me // ever north,” (“Ever North”), I selfishly feel unfulfilled when the notes dispassionately descend in the second. Other times, his singing style makes for some compelling friction. “Irony and Causality” is easily the most energetic song, and is a fascinating backdrop for the deadpan delivery of “Nothing matters when you die // you can only hope time flies // and someone will visit your grave.” Maintaining such a somber tone across the album is a deliberate choice, one that works through Lunn’s songwriting finesse. But it’s a sadness that’s more aptly felt when you’re already predisposed to such feelings.
Laurentian Blue will not be for everyone. It’s a singular emotional work that doesn’t guide your feelings, but rather presents its own emotions with understated grace and indifference. But it’s only natural that the appeal of a work this personal will ultimately come down to personal preference. Regardless of one’s taste for Americana and dark folk, Laurentian Blue is nevertheless a well-written collection of songs by a well-proven songwriter with a strong connection and understanding of the genre. You might need to be in the right mood for Laurentian Blue, but if that mood should find you, then Laurentian Blue will be a knowing, empathetic embrace.
Rating: Very Good
DR: 12 | Format Reviewed: 320 kbps
Label: Bindrune Recordings
Websites: facebook | bandcamp
Releases Worldwide: August 15th, 2025#2025 #35 #AmericanMetal #Americana #Aug25 #BindruneRecordings #Country #DarkFolk #LaurentianBlue #Panopticon #Review #Reviews
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Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Free download codes:
Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Free download codes:
Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Free download codes:
Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Free download codes:
Silas J. Dirge - Swan Songs
"Swan Songs expresses the human need to find meaning in the shadows and the dirt of the everyday."
#bandcampcodes #acoustic #americana #altcountry #neofolk #roots #western #outlaw #darkfolk #countryfolk #gothiccountry #southerngothic #gothicamericana #deathcountry #postfolk #darkcountry #music
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Here is the next song I am releasing, the newest of all of them.
Today's Song:
Skärholmen
2024https://katthernandez.bandcamp.com/track/sk-rholmen
#singersongwriter
#psychfolk
#artrock
#darkfolk
#pianorock
#outsidermusic
#skarholmen
#stockholm
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Pour les fans de #MattElliott, son premier album "solo" (aka, il jour sous son vrai nom), est gratifié d'une version live pas piquée des hannetons :
https://mattelliott.bandcamp.com/album/drinking-songs-live-20-years-on
Bon, je préfère toujours sa face #TheThirdEyeFoundation , mais je dois admettre que ce live est assez exceptionnel, et je vais peut-être me fendre d'un achat.
#Music #DarkFolk #Bristol #FromBristolToNancy #Nancy #IciDAilleurs
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Darkher ~ Wars
https://youtu.be/YfPmGiLBPjE
or
https://piped.video/watch?v=YfPmGiLBPjE (trackers free)Full album : https://darkher-uk.bandcamp.com/album/realms
#darkher #Wars #Realms #music #musique #musik #musica #alternative #doommetal #darkfolk #folk #UnitedKingdom #uk
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Hello folky folk. Not sure if it's of interest but I host a weekly folk music show on internet radio. Wednesdays, 7pm (UK) and available to listen again. It's called Gathering the Mushrooms,and it features everything from #acidfolkadelia, #darkfolk #tradfolk #nu folk.
www.harrogatecommunityradio.onlineI'm always looking for musical inspiration. 🍄🌛 But due to technical issues, I'm kind of stuck with Spotify.