#harmonics — Public Fediverse posts
Live and recent posts from across the Fediverse tagged #harmonics, aggregated by home.social.
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Sucrose by UnplugRed 🎛️
Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping💻 macOS/Win/Linux (VST3/AU/CLAP)
🎁 FREE (KVR Dev Challenge 2026)
🔗 Link in bio!#freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction
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Sucrose by UnplugRed 🎛️
Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping💻 macOS/Win/Linux (VST3/AU/CLAP)
🎁 FREE (KVR Dev Challenge 2026)
🔗 Link in bio!#freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction
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究極・チューナー・プロ
最も高精度で万能なチューナー！さあ、試してみませんか？ 🎵🎶
Apple App Storeから今すぐ入手：
https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801またはGoogle Playストアから：
無料版 > https://play.google.com/store/apps/details?id=com.quintessenceaudio.ultimatetunerpro有料版 > https://play.google.com/store/apps/details?id=qap.quintessenceaudio.ultimatetunerpro
今すぐ「買い切り完全版」を手に入れよう！！ 🚀🌟
#Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #android
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Ultimate Tuner Pro,
the most Precise & Universal Tuner!Also available for Android Tablets and iPads (iPadOS)
Ready for a spin? 🎵🎶
Get it now from the Apple App Store:
https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801Or the Google Play Store:
Free > https://play.google.com/store/apps/details?id=com.quintessenceaudio.ultimatetunerpro
Retail > https://play.google.com/store/apps/details?id=qap.quintessenceaudio.ultimatetunerpro
Get your Forever copy Now!! 🚀🌟
#Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #Tablet #Android
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Ultimate Tuner Pro,
the most Precise & Universal Tuner!Ready for a spin? 🎵🎶
Get it now from the Apple App Store:
https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801Or the Google Play Store:
Free > https://play.google.com/store/apps/details?id=com.quintessenceaudio.ultimatetunerpro
Retail > https://play.google.com/store/apps/details?id=qap.quintessenceaudio.ultimatetunerpro
Get your Forever copy Now!! 🚀🌟
#Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #Android
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https://www.gaia.com/video/biogeometry-subtle-energy-healing #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.
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Prepare your iPhones > it's Official!
The iOS version of Ultimate Tuner Pro has been Released!! 🤩
Get your Forever copy now! 🎵🎶
https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801
#iOS #iPadOS #iPhone #Apple #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp
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Pitch transitions along the time axis in recording data of an Uguisu's improvisational song.
(FFT 96kHz 8192bins 11.71875Hz/bin)[0:00:225]
(3199Hz 273/160 fluctuation)
3281Hz 7/4
[0:00:325]
2590Hz 69/50
(2625Hz 7/5)
[0:00:425]
2777Hz 40/27 Maximum peak
(2813Hz 3/2 is the target?)
(5391Hz 2nd harmonic of 23/16)
(5556Hz, which corresponds to the 2nd harmonic of 40/27, is the trough of the peak)
[0:00:525]
1969Hz 21/20
(2027Hz 13/12)
[0:00:63]
2344Hz 5/4 Clear peak
(4688 between 4652 and 4723, 5/4 harmonic)
[0:00:78]
(2438Hz 13/10 Fluctuation)
2496Hz 4/3
(2812Hz Low peak also in 3/2. Resonance?)
(5637Hz Harmonic peak. Strong in 3/2)
[0:00:95]
1887Hz 161/160 Clear peak
(2508Hz Low peak also in 4/3. Reverberation?)
[0:01:06]
(1887Hz 161/160 Low peak. Reverberation?)
(2256.1Hz 77/64 Candidate 2)
2273Hz 40/33?
(2355Hz Pitch aiming for 5/4, Peak 2)
[0:01:08]
2320Hz 161/130
This is also probably a pitch aiming for 5/4
(4676Hz 2nd harmonic of 2338Hz)
(6973Hz 3rd harmonic of 2324Hz)
(11672Hz 5th harmonic of 2334Hz)
[0:01:225]
2402,2414,2426Hz Ratio unspecified, Unstable Peak
(2531Hz 27/20 Slightly lower peak 2)
(2473Hz Around 21/16 Low peak 3)
(4805Hz 2nd harmonic of 2402Hz)
(5496Hz 2nd harmonic of 2748Hz)
[0:01:375]
1852Hz 80/81 Fluctuation of the tonic
(1863Hz 160/161 Fluctuation of the tonic)
[0:01:54]
2344Hz 5/4 Clear peak
(4641,4711 2nd Harmonic of 5/4, 4688 is sandwiched between peaks and becomes a valley)
[0:01:72]
2613,2566 Unstable peak
(2578Hz 11/8, Pitch 1 in the valley)
(2587Hz 69/50, Pitch 2 in the valley)
[0:01:875]
1863Hz 160/161 Fluctuation of the tonic
(Around 2602Hz 69/50 Low peak 2)
[0:02:075]
Around 3000Hz 8/5 Many peaks
(3579Hz 21/11 Peak 2 around here)
[0:02:375]
2227Hz 19/16
(Also a peak around 2168Hz 23/20)
[0:02:575]
Many peaks between 3000-3457
(Roughly speaking, a 7/4 fluctuation?)
[0:02:745]
2555Hz 15/11 Clear peak
[0:03:225]
2918Hz 14/9
[0:03:475]
2250Hz Around 6/5 Plateau-shaped peak
(2227Hz 19/16)
(2256Hz 77/64)
[0:03:626]
2348,2344 Around 5/4 Plateau-shaped peak
(2362Hz 63/50)
[0:03:875]
2576,2543 Around 15/11 Plateau-shaped peak
(2431Hz 27/20)
[0:04:025]
1934Hz 33/32
[0:04:32]
3586Hz 21/11(or 44/23)
3000Hz 8/5
5168Hz 69/25 Highest
[0:04:34]
2918Hz 14/9 2nd peak
3000Hz 8/5 1st peak
[0:04:375]
5191Hz Around 69/25
(5156Hz 11/4)
[0:04:575]
4500Hz 12/5 Maximum peak
3000Hz 8/5 3rd peak
2227Hz Around 19/16 Plateau-shaped 2nd peak
[0:04:7]
2531,2484 4/3 Second peak
5047 Almost 2nd harmonic of 4/3, Maximum peak
[0:04:95]
1535Hz 9/11 Low peak
2930Hz 25/16 2nd peak
4875Hz 2nd harmonic of 13/10
6013Hz almost the 2nd harmonic of 25/16, maximum peak
[0:05]
2578Hz 11/8 clear peak
5168Hz almost the 2nd harmonic of 11/8, maximum peak
[0:05:21]
1863Hz 160/161 clear peak
[0:05:45]
3012Hz around 8/5 2nd peak
4488Hz around 12/5 3rd peak
5906Hz almost the 2nd harmonic of 8/5? Largest Peak
[0:05:75]
(2272.96...Hz 40/33)
2297Hz 1st Peak
(3068.509...Hz 18/11)
3094Hz 5th Peak
4280Hz 2nd peak in the same range
4547Hz 2nd harmonic of 40/33, 2nd peak in the same range
5766Hz 2nd peak in the same range
[0:06:12]
3293Hz Almost 7/4 Clear Peak
[0:06:275]
2555Hz 15/11 Largest Peak
(2461.2Hz 21/16 A plateau-like peak is also present around this area)
5098Hz Almost 2nd harmonic of 15/11, 3rd peak
5754Hz unspecified, 2nd peak
[0:06:4]
2707,2695 23/16 clear peak
5449 Almost 2nd harmonic, similar dB level
[0:06:575]
(1933.8Hz, 33/32, candidate)
1945Hz, 2nd peak
(1968.96Hz, 21/20, candidate)
(2695.6Hz 23/16, Candidate)
2719Hz 4th peak
3891Hz 5th peak
5777Hz 2nd peak in the same range
6141Hz 36/11 Largest peak
[0:07]
2848Hz Unspecified, Largest peak
2953Hz 63/40, Peak in the trough of the peak
3070Hz 18/11 2nd peak
5930Hz Almost the 2nd harmonic of 63/40
[0:07:3]
2168Hz 23/20 1st Peak
2953Hz 63/40 Low peak
3117Hz Unspecified, Low peak
4324,4441,4477: Almost 2nd harmonic of 23/20
5602-6023 Plateau-shaped peak Undeterminable
[0:07:62]
3188Hz 17/10 1st Peak
(3223Hz 55/32 Candidate 2)
5988Hz Near the 2nd harmonic, 2nd peak
9715Hz Near the 3rd harmonic, 5th peak
[0:07:9]
2156Hz 23/20 Clear peak
5812Hz Near the 2nd harmonic of 14/9
[ [0:08:175]
3352Hz 161/90 3354.5...Hz
3281Hz 7/4 is the target
5297-5988 Peak in a plateau shape, impossible to pinpoint
9645Hz Low peak near the 3rd harmonic
[0:08:4]
2262Hz 77/64 Largest peak
(2250Hz Is 6/5 the target?)
4465,4535 In the valley 12/5, 77/32 3rd peak
[0:08:7]
3188Hz 17/10 Largest peak
3281, 3293 7/4 Second peak
[0:09]
2156Hz 23/20 Clear peak
4324Hz Almost 2nd harmonic, Third peak
5742Hz 49/16 2nd peak
[0:09:275]
2379,2391-2566 Plateau-like peak around 4/3
5145-5168 Largest peak around 11/4
[0:09:6]
2484,2543,2578 Around 11/8 Maximum peak
2836Hz Close to 3/2 2nd peak
5719Hz Near the 2nd harmonic of 3/2 Distributed in a plateau-like pattern
[0:09:875]
1875Hz 1/1
1887Hz 161/160 2nd peak
5625Hz 3rd harmonic of 1/1 Maximum peak -
43-tone 23-limit Natural Just Intonation
derived on the Improvisation
of an Uguisu, Japanese Bush WarblerKey in Bb=468.8Hz (A₁=54.9375Hz)
(Bb) 1/1 Tonic
(A#+￬₂₃) 161/160(23/20×7/8) Uguisu's Comma
(A#₁₁) 33/32(11/8×3/4) Undecimal Neutral 2nd
(B+￬) 21/20(7/4×3/5) Septimal Chromatic Semitone
(Cb₁₇) 17/16 Septendecimal Minor 2nd
(B#₁₃) 13/12(13/8×2/3) Tridecimal Semitone
(B#¹¹) 12/11 Undecimal 3/4-Tone
(C-) 10/9 Minor Whole Tone
(C) 9/8 Major Whole Tone
(C+₂₃) 23/20 Uguisu's Whole Tone
(Db₁₉) 19/16 Base-19 Nearly TET Minor 3rd
(C#+) 6/5(8/5×3/4) Just Minor 3rd
(D￬₁₁) 77/64(11/8×7/8) Undecimal Neutral 3rd
(D-) 5/4 Just Major 3rd
(D++￬) 63/50(21/20×6/5) Septimal-Quintal Major 3rd
(Eb₁₃) 13/10 Tridecimal Neutral 4th
(Eb￬) 21/16(21/20×5/4) Septimal Narrow 4th
(Eb) 4/3(9/8×32/27) Perfect 4th
(Fb-¹¹) 15/11(12/11×5/4) Undecimal Augmented 4th
(Fb₁₁) 11/8 Undecimal Neutral 4th
(Eb#--₂₃) 69/50(23/20×6/5) Uguisu's Tritone
(E+￬) 7/5(21/20×4/3) Septimal Tritone
(E-) 45/32(9/8×5/4) Diatonic Tritone
(E₂₃) 23/16(23/20×5/4) Base-23 Tritone
(F-) 40/27(10/9×4/3) Grave 5th
(F) 3/2(9/8×4/3) Perfect 5th
(E#+₂₃) 23/15(23/20×4/3) Base-23 Super 5th
(Gb￬) 14/9(10/9×7/5) Septimal Minor 6th
(F#+￬) 63/40(21/20×3/2) Septimal Semidiminished 5th
(F#--￪) 100/63 Septimal-Quintal Minor 6th
(Gb+) 8/5(6/5×4/3) Just Minor 6th
(F##₁₃) 13/8 Tridecimal Neutral 6th
(Gb#¹¹) 18/11(12/11×3/2) Undecimal 6th
(G) 27/16(9/8×3/2) Pythagorean Major 6th
(G-₁₁) 55/32(11/8×5/4) Undecimal Neutral 6th
(G+₂₃) 69/40(23/20×3/2) Base-23 Neutral 6th
(Ab￬) 7/4 Septimal Harmonic 7th
(G#₁₁) 11/6(11/8×4/3) Undecimal Neutral 7th
(G#+￬￬) 147/80(21/20×7/4) Septimal Neutral 7th
(A-) 15/8(9/8×5/3) Just Major 7th
(G##¹¹￬) 21/11(12/11×7/4) Neutral Major 7th
(G##₂₃) 23/12(23/20×5/3) Base-23 Large Major 7th
(Bb￬) 63/32(9/8×7/4) Septimal Large Major 7th -
ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi -
ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi -
Here's me showing off some audio work, from my 20 years in #JavaScript #development:
https://www.marquisdegeek.com/slytherin/
This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion -
Here's me showing off some audio work, from my 20 years in #JavaScript #development:
https://www.marquisdegeek.com/slytherin/
This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion -
2/3 The first new #linuxaudio vendor is UB DSP.
And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.
Check it out at https://ubdsp.com/!
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2/3 The first new #linuxaudio vendor is UB DSP.
And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.
Check it out at https://ubdsp.com/!
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Fa temps que no jugo amb harmònics. M'ha fet voler tornar-hi a fer una ullada a #clam
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Fa temps que no jugo amb harmònics. M'ha fet voler tornar-hi a fer una ullada a #clam
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been reading about #harmonics. what a lovely #rabbithole to fall down.
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been reading about #harmonics. what a lovely #rabbithole to fall down.
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Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues
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#flashback with this #soundtrack of the #performance “Microcosmos” I #composed in #copenhagen
A Fabulous #show for #young #audiences created by Giacomo Ravicchio - #production : Meridiano #theater 🇩🇰
A #journey of #visual #magic for #children to #discover the #sizes of #things , large, small, #scale of #universe versus the one of an #ant
For this #music I #explored many #timbres of the #bassclarinet its #sounds #harmonics #percussions merged with #minimal #electro -
@emsquared I fell into a #SoftwareDevelopment #FugueState and stayed up way to late and then tossed and turned thinking about #harmonics and how to scale frequencies to pitches so I can make more #BonkWave #ElectronicMusic. It was worth it, but I feel really 'special' this morning.
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@emsquared I fell into a #SoftwareDevelopment #FugueState and stayed up way to late and then tossed and turned thinking about #harmonics and how to scale frequencies to pitches so I can make more #BonkWave #ElectronicMusic. It was worth it, but I feel really 'special' this morning.
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Ok, I understand the mechanics of piano #music now.
Nutshell:
• Piano’s can be tuned to any key, it happens to be C we chose most likely because it is perceptively the happiest.
• #Math wise, an octive up is a frequency doubling, which is a human brain meets physics thing.
• The first, the second, the major third, the perfect forth etc are just 1,2,3 etc names for the keys in the octave. The major minor stuff is how they relate to ratios.
• An “octave” is deceptive as in modern maths we'd call it a #septive. There are 7 keys A-G with the 8th being the next sequence.
• Equal temperament is maths straight lining the octave like drawing even spaces on elastic before pulling it, the method is x root of 2, so for an octave it’s 7th root of 2. It is easier to do the math equivalent 2^(1/7).
• Piano’s are tuned to 12 keys, #dodective, the 12th root of 2, because these smaller slices allow the other notes A-G to find their octaves.
• No octave is true in equal temperament of 12 but are close enough for the human ear. It's also why we have a major and minor third. Tuning for C means that the C octave lines up with the front big white keys.
• Ancient maths didn't have base 10 and the decimal so they used ratios. The major third (E starting at C) ratio at 5/4 is exactly 1.25 in decimal and the minor third (E flat) at 6/5 is exactly 1.2. For comparison the true octave note for E in equal temperament is 1.22, E flat, but on 12, E is 1.26, much closer to 5/4.
• It's about us so the ancient method of ratios is more akin to what we like, which is why C leans to the major third for E in the piano design.
• The reason why music is hard is due to #harmonics, where the tones can clash keys. -
Ok, I understand the mechanics of piano #music now.
Nutshell:
• Piano’s can be tuned to any key, it happens to be C we chose most likely because it is perceptively the happiest.
• #Math wise, an octive up is a frequency doubling, which is a human brain meets physics thing.
• The first, the second, the major third, the perfect forth etc are just 1,2,3 etc names for the keys in the octave. The major minor stuff is how they relate to ratios.
• An “octave” is deceptive as in modern maths we'd call it a #septive. There are 7 keys A-G with the 8th being the next sequence.
• Equal temperament is maths straight lining the octave like drawing even spaces on elastic before pulling it, the method is x root of 2, so for an octave it’s 7th root of 2. It is easier to do the math equivalent 2^(1/7).
• Piano’s are tuned to 12 keys, #dodective, the 12th root of 2, because these smaller slices allow the other notes A-G to find their octaves.
• No octave is true in equal temperament of 12 but are close enough for the human ear. It's also why we have a major and minor third. Tuning for C means that the C octave lines up with the front big white keys.
• Ancient maths didn't have base 10 and the decimal so they used ratios. The major third (E starting at C) ratio at 5/4 is exactly 1.25 in decimal and the minor third (E flat) at 6/5 is exactly 1.2. For comparison the true octave note for E in equal temperament is 1.22, E flat, but on 12, E is 1.26, much closer to 5/4.
• It's about us so the ancient method of ratios is more akin to what we like, which is why C leans to the major third for E in the piano design.
• The reason why music is hard is due to #harmonics, where the tones can clash keys. -
but my actual goal is not playing #midi but #harmonics - algorithms that utilize the circle-of-fifths
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New recording! 3-minute pop song with a car metaphor :-)
This is one I wrote a long time ago, and did the singing for earlier in the year. It was nearly ready a few weeks ago and then I got busy. Beetling away on it last night to finish the recording and make the artwork, with the little incentive-boost of getting a version out on #BandcampFriday :-)
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Natt tankningar/Night Musing
#improvisedmusic
#violin
#harmonics
#darkfolk
https://www.youtube.com/watch?v=ghdLDHHkwuQ -
Dear Friends of other #Branes,
en.wikipedia.org/wiki/Brane_cosmology
As we may know, #reality :ablobcatgoogly: is in the grand disorder of things, #beyond the Heiros Gamos. Game on. Similar in Elchemy to the Catholic Big Banger #theory.
en.wikipedia.org/wiki/Non-standard_cosmology
As a devotee of the #Infinite #Membrane Elders, I hope to be #abducting #aliens, betraying my #Galaxy (not the #chocolate) and finding the #Sauce of All Wysedom at its #source. Fat chance? #Impossible? Certainly!
As an #essential #speck, #mote, #wave :ablobcatwave: and #zero-point, we all are in #resonance and #harmonics. 📯 In the end, the word was COD and that's no phish... :dopefish: -
`During the second century AD, Claudius #Ptolemy described a 5-limit diatonic scale in his influential text on music theory #Harmonics, which he called "intense diatonic". Given ratios of string lengths 120, 112+1/2, 100, 90, 80, 75, 66+2/3, and 60, Ptolemy quantified the tuning of what would later be called the #Phrygian scale (equivalent to the major scale beginning and ending on the third note) – 16:15, 9:8, 10:9, 9:8, 16:15, 9:8, and 10:9. `
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`During the second century AD, Claudius #Ptolemy described a 5-limit diatonic scale in his influential text on music theory #Harmonics, which he called "intense diatonic". Given ratios of string lengths 120, 112+1/2, 100, 90, 80, 75, 66+2/3, and 60, Ptolemy quantified the tuning of what would later be called the #Phrygian scale (equivalent to the major scale beginning and ending on the third note) – 16:15, 9:8, 10:9, 9:8, 16:15, 9:8, and 10:9. `
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Ellen Fullman plays her Long String Instrument (15 min.)
https://www.youtube.com/watch?v=HJHmsTk303Q
#music #drone #ExperimentalMusic #ambient #harmonics #EllenFullman -
Ellen Fullman plays her Long String Instrument (15 min.)
https://www.youtube.com/watch?v=HJHmsTk303Q
#music #drone #ExperimentalMusic #ambient #harmonics #EllenFullman -
The Perils of Return Path Gaps https://hackaday.com/2024/03/15/the-perils-of-return-path-gaps/ #electromagneticcompatibility #commonmode #returnpath #MiscHacks #harmonics #H-field #design #clock #emc #RF
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The Perils of Return Path Gaps - The radio frequency world is full of mysteries, some of which seem to take a lifet... - https://hackaday.com/2024/03/15/the-perils-of-return-path-gaps/ #electromagneticcompatibility #commonmode #returnpath #mischacks #harmonics #h-field #design #clock #emc #rf
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The Perils of Return Path Gaps - The radio frequency world is full of mysteries, some of which seem to take a lifet... - https://hackaday.com/2024/03/15/the-perils-of-return-path-gaps/ #electromagneticcompatibility #commonmode #returnpath #mischacks #harmonics #h-field #design #clock #emc #rf
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The 11th #Harmonic: Terrifying Truths Revealed At Last
https://www.youtube.com/watch?v=oOWphDnxzU8
#Music #MusicalScales #Tonality #Intonation #Microtones #Microtonality #Harmonics #HarmonicSeries #DNA #Evil #Mannfishh
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The 11th #Harmonic: Terrifying Truths Revealed At Last
https://www.youtube.com/watch?v=oOWphDnxzU8
#Music #MusicalScales #Tonality #Intonation #Microtones #Microtonality #Harmonics #HarmonicSeries #DNA #Evil #Mannfishh
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Does anyone know of a table on how to produce different harmonics on the viola or violin? I was given this to accompany a choir and I’m wondering whether some are even possible?
#dtv #viola #violist #harmonics -
Does anyone know of a table on how to produce different harmonics on the viola or violin? I was given this to accompany a choir and I’m wondering whether some are even possible?
#dtv #viola #violist #harmonics -
Een instrumentbouwer/musicus bouwt een eigen versie van de Dan Bau, een uniek instrument uit Vietnam https://onion.tube/watch?v=UV1TVi81Na4 #acoustics #harmonics #overtones #boventoon
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#SNW subspace rhapsody #harmonics is a pretty funny idea :awesome: 🎶
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#SNW subspace rhapsody #harmonics is a pretty funny idea :awesome: 🎶
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@Alice @jadonn
That was probably meant as a joke, but a good #SoundDesigner can make an entire track from nothing but one short #VocalSample, and you'd never know it.The human voice has lots of great #textures and #harmonics that easily lend themselves to #SoundDesign techniques like #GranularSynthesis and #resampling. Add in a healthy dose of the usual effects (like #reverb, #delay, #chorus, #distortion, #repitch, etc.), and the possibilities are nearly limitless.
Sorry for the info dump; Sound design is one of my lifelong passions, and I can't help chiming in when someone brings up audio #sampling. I hope you at least found it somewhat interesting. 😅
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@Alice @jadonn
That was probably meant as a joke, but a good #SoundDesigner can make an entire track from nothing but one short #VocalSample, and you'd never know it.The human voice has lots of great #textures and #harmonics that easily lend themselves to #SoundDesign techniques like #GranularSynthesis and #resampling. Add in a healthy dose of the usual effects (like #reverb, #delay, #chorus, #distortion, #repitch, etc.), and the possibilities are nearly limitless.
Sorry for the info dump; Sound design is one of my lifelong passions, and I can't help chiming in when someone brings up audio #sampling. I hope you at least found it somewhat interesting. 😅
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#Langlands - The Biggest Project in Modern #Mathematics
https://www.youtube.com/watch?v=_bJeKUosqoY&ab_channel=QuantaMagazine
#LanglandsProgramme #LanglandsProject #NumberTheory #Arithmetic #Math #Maths #Mathematics #Harmonics #HarmonicTheory #Numbers #Ramanujan #Fermat #Wiles #Weil #Frey #Proof #MathematicalProof
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#Langlands - The Biggest Project in Modern #Mathematics
https://www.youtube.com/watch?v=_bJeKUosqoY&ab_channel=QuantaMagazine
#LanglandsProgramme #LanglandsProject #NumberTheory #Arithmetic #Math #Maths #Mathematics #Harmonics #HarmonicTheory #Numbers #Ramanujan #Fermat #Wiles #Weil #Frey #Proof #MathematicalProof
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#NowPlaying: Pat #Metheny Group, "Follow Me", from the 1997 LP Imaginary Day. #Guitar #Harmonics #Music
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Table Service a Visual poem (c) 2022. #vispo #glitch #geometrics #collage #Art #hybrid #ArtistsOfMastodon #workinprogress #visualpoetry #harmonics #colour #color #PoetsOfMastodon #poet #poetics
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For my own Personal Growth, I try to listen to a variety of Ted Talks, at least one a day, maybe more, on a rainy day?
𝐓𝐨𝐝𝐚𝐲'𝐬 𝐓𝐞𝐝 𝐓𝐚𝐥𝐤 #TTT
𝐇𝐨𝐰 𝐭𝐨 𝐭𝐫𝐚𝐧𝐬𝐥𝐚𝐭𝐞 𝐭𝐡𝐞 𝐟𝐞𝐞𝐥𝐢𝐧𝐠 𝐢𝐧𝐭𝐨 𝐬𝐨𝐮𝐧𝐝
How can a song - written by a perfect stranger - feel as if it were written about you? Claudio explains her #art, #purpose & #technique Wait For It!
https://www.youtube.com/watch?v=q5yxIzs5Wug #Lecture #Presentation #NowPlaying #TEDx #TEDxPerth #Sound #Harmonics #Music #Songwriting #Feelings #Emotions #Linguistics
16:10 min