#harmonics — Public Fediverse posts on home.social

https://www.gaia.com/video/biogeometry-subtle-energy-healing #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

#biogeometry #energyhealing #resonance #harmonics

369ONE She @[email protected] · 2026-06-10 · 12:36 UTC

https://www.gaia.com/video/biogeometry-subtle-energy-healing #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

#biogeometry #energyhealing #resonance #harmonics

369ONE She @[email protected] · 2026-06-10 · 12:36 UTC

https://www.gaia.com/video/biogeometry-subtle-energy-healing #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

#biogeometry #energyhealing #resonance #harmonics

369ONE She @[email protected] · 2026-06-10 · 12:36 UTC

https://www.gaia.com/video/biogeometry-subtle-energy-healing #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

#harmonics #resonance #energyhealing #biogeometry

Quintessence·Audio @[email protected] · 2026-06-03 · 18:44 UTC

Prepare your iPhones > it's Official!

The iOS version of Ultimate Tuner Pro has been Released!! 🤩

Get your Forever copy now! 🎵🎶

https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801

#iOS #iPadOS #iPhone #Apple #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp

#ios #ipados #iphone #apple #ultimate #tuner

Quintessence·Audio @[email protected] · 2026-06-03 · 18:44 UTC

Prepare your iPhones > it's Official!

The iOS version of Ultimate Tuner Pro has been Released!! 🤩

Get your Forever copy now! 🎵🎶

https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801

#iOS #iPadOS #iPhone #Apple #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp

#ios #ipados #iphone #apple #ultimate #tuner

Quintessence·Audio @[email protected] · 2026-06-03 · 18:44 UTC

Prepare your iPhones > it's Official!

The iOS version of Ultimate Tuner Pro has been Released!! 🤩

Get your Forever copy now! 🎵🎶

https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801

#iOS #iPadOS #iPhone #Apple #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp

#tunerapp #metronome #strobe #spectrum #harmonics #fft

Quintessence·Audio @[email protected] · 2026-06-03 · 18:44 UTC

Prepare your iPhones > it's Official!

The iOS version of Ultimate Tuner Pro has been Released!! 🤩

Get your Forever copy now! 🎵🎶

https://apps.apple.com/us/app/ultimate-tuner-pro/id6755526801

#iOS #iPadOS #iPhone #Apple #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp

#ios #ipados #iphone #apple #ultimate #tuner

根津耕昌 / Kousuke NEZU @[email protected] · 2026-05-25 · 13:03 UTC

Pitch transitions along the time axis in recording data of an Uguisu's improvisational song.
(FFT 96kHz 8192bins 11.71875Hz/bin)

[0:00:225]
(3199Hz 273/160 fluctuation)
3281Hz 7/4
[0:00:325]
2590Hz 69/50
(2625Hz 7/5)
[0:00:425]
2777Hz 40/27 Maximum peak
(2813Hz 3/2 is the target?)
(5391Hz 2nd harmonic of 23/16)
(5556Hz, which corresponds to the 2nd harmonic of 40/27, is the trough of the peak)
[0:00:525]
1969Hz 21/20
(2027Hz 13/12)
[0:00:63]
2344Hz 5/4 Clear peak
(4688 between 4652 and 4723, 5/4 harmonic)
[0:00:78]
(2438Hz 13/10 Fluctuation)
2496Hz 4/3
(2812Hz Low peak also in 3/2. Resonance?)
(5637Hz Harmonic peak. Strong in 3/2)
[0:00:95]
1887Hz　161/160　Clear peak
(2508Hz Low peak also in 4/3. Reverberation?)
[0:01:06]
(1887Hz 161/160 Low peak. Reverberation?)
(2256.1Hz 77/64 Candidate 2)
2273Hz 40/33?
(2355Hz Pitch aiming for 5/4, Peak 2)
[0:01:08]
2320Hz　161/130
This is also probably a pitch aiming for 5/4
(4676Hz 2nd harmonic of 2338Hz)
(6973Hz 3rd harmonic of 2324Hz)
(11672Hz 5th harmonic of 2334Hz)
[0:01:225]
2402,2414,2426Hz Ratio unspecified, Unstable Peak
(2531Hz 27/20 Slightly lower peak 2)
(2473Hz Around 21/16 Low peak 3)
(4805Hz 2nd harmonic of 2402Hz)
(5496Hz 2nd harmonic of 2748Hz)
[0:01:375]
1852Hz 80/81 Fluctuation of the tonic
(1863Hz 160/161 Fluctuation of the tonic)
[0:01:54]
2344Hz 5/4 Clear peak
(4641,4711 2nd Harmonic of 5/4, 4688 is sandwiched between peaks and becomes a valley)
[0:01:72]
2613,2566 Unstable peak
(2578Hz 11/8, Pitch 1 in the valley)
(2587Hz 69/50, Pitch 2 in the valley)
[0:01:875]
1863Hz 160/161 Fluctuation of the tonic
(Around 2602Hz 69/50 Low peak 2)
[0:02:075]
Around 3000Hz 8/5 Many peaks
(3579Hz 21/11 Peak 2 around here)
[0:02:375]
2227Hz 19/16
(Also a peak around 2168Hz 23/20)
[0:02:575]
Many peaks between 3000-3457
(Roughly speaking, a 7/4 fluctuation?)
[0:02:745]
2555Hz 15/11 Clear peak
[0:03:225]
2918Hz 14/9
[0:03:475]
2250Hz Around 6/5 Plateau-shaped peak
(2227Hz 19/16)
(2256Hz 77/64)
[0:03:626]
2348,2344 Around 5/4 Plateau-shaped peak
(2362Hz 63/50)
[0:03:875]
2576,2543 Around 15/11 Plateau-shaped peak
(2431Hz 27/20)
[0:04:025]
1934Hz 33/32
[0:04:32]
3586Hz 21/11(or 44/23)
3000Hz 8/5
5168Hz 69/25 Highest
[0:04:34]
2918Hz 14/9 2nd peak
3000Hz 8/5 1st peak
[0:04:375]
5191Hz Around 69/25
(5156Hz 11/4)
[0:04:575]
4500Hz 12/5 Maximum peak
3000Hz 8/5 3rd peak
2227Hz Around 19/16 Plateau-shaped 2nd peak
[0:04:7]
2531,2484 4/3 Second peak
5047 Almost 2nd harmonic of 4/3, Maximum peak
[0:04:95]
1535Hz 9/11 Low peak
2930Hz 25/16 2nd peak
4875Hz 2nd harmonic of 13/10
6013Hz almost the 2nd harmonic of 25/16, maximum peak
[0:05]
2578Hz 11/8 clear peak
5168Hz almost the 2nd harmonic of 11/8, maximum peak
[0:05:21]
1863Hz 160/161 clear peak
[0:05:45]
3012Hz around 8/5 2nd peak
4488Hz around 12/5 3rd peak
5906Hz almost the 2nd harmonic of 8/5? Largest Peak
[0:05:75]
(2272.96...Hz 40/33)
2297Hz 1st Peak
(3068.509...Hz 18/11)
3094Hz 5th Peak
4280Hz 2nd peak in the same range
4547Hz 2nd harmonic of 40/33, 2nd peak in the same range
5766Hz 2nd peak in the same range
[0:06:12]
3293Hz Almost 7/4 Clear Peak
[0:06:275]
2555Hz 15/11 Largest Peak
(2461.2Hz 21/16 A plateau-like peak is also present around this area)
5098Hz Almost 2nd harmonic of 15/11, 3rd peak
5754Hz unspecified, 2nd peak
[0:06:4]
2707,2695 23/16 clear peak
5449 Almost 2nd harmonic, similar dB level
[0:06:575]
(1933.8Hz, 33/32, candidate)
1945Hz, 2nd peak
(1968.96Hz, 21/20, candidate)
(2695.6Hz 23/16, Candidate)
2719Hz 4th peak
3891Hz 5th peak
5777Hz 2nd peak in the same range
6141Hz 36/11 Largest peak
[0:07]
2848Hz Unspecified, Largest peak
2953Hz 63/40, Peak in the trough of the peak
3070Hz 18/11 2nd peak
5930Hz Almost the 2nd harmonic of 63/40
[0:07:3]
2168Hz 23/20 1st Peak
2953Hz 63/40 Low peak
3117Hz Unspecified, Low peak
4324,4441,4477: Almost 2nd harmonic of 23/20
5602-6023 Plateau-shaped peak Undeterminable
[0:07:62]
3188Hz 17/10 1st Peak
(3223Hz 55/32 Candidate 2)
5988Hz Near the 2nd harmonic, 2nd peak
9715Hz Near the 3rd harmonic, 5th peak
[0:07:9]
2156Hz 23/20 Clear peak
5812Hz Near the 2nd harmonic of 14/9
[ [0:08:175]
3352Hz 161/90 3354.5...Hz
3281Hz 7/4 is the target
5297-5988 Peak in a plateau shape, impossible to pinpoint
9645Hz Low peak near the 3rd harmonic
[0:08:4]
2262Hz 77/64 Largest peak
(2250Hz Is 6/5 the target?)
4465,4535 In the valley 12/5, 77/32 3rd peak
[0:08:7]
3188Hz 17/10 Largest peak
3281, 3293 7/4 Second peak
[0:09]
2156Hz 23/20 Clear peak
4324Hz Almost 2nd harmonic, Third peak
5742Hz 49/16 2nd peak
[0:09:275]
2379,2391-2566 Plateau-like peak around 4/3
5145-5168 Largest peak around 11/4
[0:09:6]
2484,2543,2578 Around 11/8 Maximum peak
2836Hz Close to 3/2 2nd peak
5719Hz Near the 2nd harmonic of 3/2 Distributed in a plateau-like pattern
[0:09:875]
1875Hz 1/1
1887Hz 161/160 2nd peak
5625Hz 3rd harmonic of 1/1 Maximum peak

#Microtonal #Birds #Harmonics #Ratio #Nature

#birds #harmonics #ratio #nature #microtonal

根津耕昌 / Kousuke NEZU @[email protected] · 2026-05-25 · 13:03 UTC

Pitch transitions along the time axis in recording data of an Uguisu's improvisational song.
(FFT 96kHz 8192bins 11.71875Hz/bin)

[0:00:225]
(3199Hz 273/160 fluctuation)
3281Hz 7/4
[0:00:325]
2590Hz 69/50
(2625Hz 7/5)
[0:00:425]
2777Hz 40/27 Maximum peak
(2813Hz 3/2 is the target?)
(5391Hz 2nd harmonic of 23/16)
(5556Hz, which corresponds to the 2nd harmonic of 40/27, is the trough of the peak)
[0:00:525]
1969Hz 21/20
(2027Hz 13/12)
[0:00:63]
2344Hz 5/4 Clear peak
(4688 between 4652 and 4723, 5/4 harmonic)
[0:00:78]
(2438Hz 13/10 Fluctuation)
2496Hz 4/3
(2812Hz Low peak also in 3/2. Resonance?)
(5637Hz Harmonic peak. Strong in 3/2)
[0:00:95]
1887Hz　161/160　Clear peak
(2508Hz Low peak also in 4/3. Reverberation?)
[0:01:06]
(1887Hz 161/160 Low peak. Reverberation?)
(2256.1Hz 77/64 Candidate 2)
2273Hz 40/33?
(2355Hz Pitch aiming for 5/4, Peak 2)
[0:01:08]
2320Hz　161/130
This is also probably a pitch aiming for 5/4
(4676Hz 2nd harmonic of 2338Hz)
(6973Hz 3rd harmonic of 2324Hz)
(11672Hz 5th harmonic of 2334Hz)
[0:01:225]
2402,2414,2426Hz Ratio unspecified, Unstable Peak
(2531Hz 27/20 Slightly lower peak 2)
(2473Hz Around 21/16 Low peak 3)
(4805Hz 2nd harmonic of 2402Hz)
(5496Hz 2nd harmonic of 2748Hz)
[0:01:375]
1852Hz 80/81 Fluctuation of the tonic
(1863Hz 160/161 Fluctuation of the tonic)
[0:01:54]
2344Hz 5/4 Clear peak
(4641,4711 2nd Harmonic of 5/4, 4688 is sandwiched between peaks and becomes a valley)
[0:01:72]
2613,2566 Unstable peak
(2578Hz 11/8, Pitch 1 in the valley)
(2587Hz 69/50, Pitch 2 in the valley)
[0:01:875]
1863Hz 160/161 Fluctuation of the tonic
(Around 2602Hz 69/50 Low peak 2)
[0:02:075]
Around 3000Hz 8/5 Many peaks
(3579Hz 21/11 Peak 2 around here)
[0:02:375]
2227Hz 19/16
(Also a peak around 2168Hz 23/20)
[0:02:575]
Many peaks between 3000-3457
(Roughly speaking, a 7/4 fluctuation?)
[0:02:745]
2555Hz 15/11 Clear peak
[0:03:225]
2918Hz 14/9
[0:03:475]
2250Hz Around 6/5 Plateau-shaped peak
(2227Hz 19/16)
(2256Hz 77/64)
[0:03:626]
2348,2344 Around 5/4 Plateau-shaped peak
(2362Hz 63/50)
[0:03:875]
2576,2543 Around 15/11 Plateau-shaped peak
(2431Hz 27/20)
[0:04:025]
1934Hz 33/32
[0:04:32]
3586Hz 21/11(or 44/23)
3000Hz 8/5
5168Hz 69/25 Highest
[0:04:34]
2918Hz 14/9 2nd peak
3000Hz 8/5 1st peak
[0:04:375]
5191Hz Around 69/25
(5156Hz 11/4)
[0:04:575]
4500Hz 12/5 Maximum peak
3000Hz 8/5 3rd peak
2227Hz Around 19/16 Plateau-shaped 2nd peak
[0:04:7]
2531,2484 4/3 Second peak
5047 Almost 2nd harmonic of 4/3, Maximum peak
[0:04:95]
1535Hz 9/11 Low peak
2930Hz 25/16 2nd peak
4875Hz 2nd harmonic of 13/10
6013Hz almost the 2nd harmonic of 25/16, maximum peak
[0:05]
2578Hz 11/8 clear peak
5168Hz almost the 2nd harmonic of 11/8, maximum peak
[0:05:21]
1863Hz 160/161 clear peak
[0:05:45]
3012Hz around 8/5 2nd peak
4488Hz around 12/5 3rd peak
5906Hz almost the 2nd harmonic of 8/5? Largest Peak
[0:05:75]
(2272.96...Hz 40/33)
2297Hz 1st Peak
(3068.509...Hz 18/11)
3094Hz 5th Peak
4280Hz 2nd peak in the same range
4547Hz 2nd harmonic of 40/33, 2nd peak in the same range
5766Hz 2nd peak in the same range
[0:06:12]
3293Hz Almost 7/4 Clear Peak
[0:06:275]
2555Hz 15/11 Largest Peak
(2461.2Hz 21/16 A plateau-like peak is also present around this area)
5098Hz Almost 2nd harmonic of 15/11, 3rd peak
5754Hz unspecified, 2nd peak
[0:06:4]
2707,2695 23/16 clear peak
5449 Almost 2nd harmonic, similar dB level
[0:06:575]
(1933.8Hz, 33/32, candidate)
1945Hz, 2nd peak
(1968.96Hz, 21/20, candidate)
(2695.6Hz 23/16, Candidate)
2719Hz 4th peak
3891Hz 5th peak
5777Hz 2nd peak in the same range
6141Hz 36/11 Largest peak
[0:07]
2848Hz Unspecified, Largest peak
2953Hz 63/40, Peak in the trough of the peak
3070Hz 18/11 2nd peak
5930Hz Almost the 2nd harmonic of 63/40
[0:07:3]
2168Hz 23/20 1st Peak
2953Hz 63/40 Low peak
3117Hz Unspecified, Low peak
4324,4441,4477: Almost 2nd harmonic of 23/20
5602-6023 Plateau-shaped peak Undeterminable
[0:07:62]
3188Hz 17/10 1st Peak
(3223Hz 55/32 Candidate 2)
5988Hz Near the 2nd harmonic, 2nd peak
9715Hz Near the 3rd harmonic, 5th peak
[0:07:9]
2156Hz 23/20 Clear peak
5812Hz Near the 2nd harmonic of 14/9
[ [0:08:175]
3352Hz 161/90 3354.5...Hz
3281Hz 7/4 is the target
5297-5988 Peak in a plateau shape, impossible to pinpoint
9645Hz Low peak near the 3rd harmonic
[0:08:4]
2262Hz 77/64 Largest peak
(2250Hz Is 6/5 the target?)
4465,4535 In the valley 12/5, 77/32 3rd peak
[0:08:7]
3188Hz 17/10 Largest peak
3281, 3293 7/4 Second peak
[0:09]
2156Hz 23/20 Clear peak
4324Hz Almost 2nd harmonic, Third peak
5742Hz 49/16 2nd peak
[0:09:275]
2379,2391-2566 Plateau-like peak around 4/3
5145-5168 Largest peak around 11/4
[0:09:6]
2484,2543,2578 Around 11/8 Maximum peak
2836Hz Close to 3/2 2nd peak
5719Hz Near the 2nd harmonic of 3/2 Distributed in a plateau-like pattern
[0:09:875]
1875Hz 1/1
1887Hz 161/160 2nd peak
5625Hz 3rd harmonic of 1/1 Maximum peak

#Microtonal #Birds #Harmonics #Ratio #Nature

#birds #harmonics #ratio #nature #microtonal

根津耕昌 / Kousuke NEZU @[email protected] · 2026-05-25 · 08:55 UTC

43-tone 23-limit Natural Just Intonation
derived on the Improvisation
of an Uguisu, Japanese Bush Warbler

Key in Bb=468.8Hz (A₁=54.9375Hz)
(Bb)　1/1　Tonic
(A#+￬₂₃)　161/160(23/20×7/8)　Uguisu's Comma
(A#₁₁)　33/32(11/8×3/4)　Undecimal Neutral 2nd
(B+￬)　21/20(7/4×3/5)　Septimal Chromatic Semitone
(Cb₁₇)　17/16　Septendecimal Minor 2nd
(B#₁₃)　13/12(13/8×2/3)　Tridecimal Semitone
(B#¹¹)　12/11　Undecimal 3/4-Tone
(C-)　10/9　Minor Whole Tone
(C)　9/8　Major Whole Tone
(C+₂₃)　23/20　Uguisu's Whole Tone
(Db₁₉)　19/16　Base-19 Nearly TET Minor 3rd
(C#+)　6/5(8/5×3/4)　Just Minor 3rd
(D￬₁₁)　77/64(11/8×7/8)　Undecimal Neutral 3rd
(D-)　5/4　Just Major 3rd
(D++￬)　63/50(21/20×6/5)　Septimal-Quintal Major 3rd
(Eb₁₃)　13/10　Tridecimal Neutral 4th
(Eb￬)　21/16(21/20×5/4)　Septimal Narrow 4th
(Eb)　4/3(9/8×32/27)　Perfect 4th
(Fb-¹¹)　15/11(12/11×5/4)　Undecimal Augmented 4th
(Fb₁₁)　11/8　Undecimal Neutral 4th
(Eb#--₂₃)　69/50(23/20×6/5)　Uguisu's Tritone
(E+￬)　7/5(21/20×4/3)　Septimal Tritone
(E-)　45/32(9/8×5/4)　Diatonic Tritone
(E₂₃)　23/16(23/20×5/4)　Base-23 Tritone
(F-)　40/27(10/9×4/3)　Grave 5th
(F)　3/2(9/8×4/3)　Perfect 5th
(E#+₂₃)　23/15(23/20×4/3)　Base-23 Super 5th
(Gb￬)　14/9(10/9×7/5)　Septimal Minor 6th
(F#+￬)　63/40(21/20×3/2)　Septimal Semidiminished 5th
(F#--￪)　100/63　Septimal-Quintal Minor 6th
(Gb+)　8/5(6/5×4/3)　Just Minor 6th
(F##₁₃)　13/8　Tridecimal Neutral 6th
(Gb#¹¹)　18/11(12/11×3/2)　Undecimal 6th
(G)　27/16(9/8×3/2)　Pythagorean Major 6th
(G-₁₁)　55/32(11/8×5/4)　Undecimal Neutral 6th
(G+₂₃)　69/40(23/20×3/2)　Base-23 Neutral 6th
(Ab￬)　7/4　Septimal Harmonic 7th
(G#₁₁)　11/6(11/8×4/3)　Undecimal Neutral 7th
(G#+￬￬)　147/80(21/20×7/4)　Septimal Neutral 7th
(A-)　15/8(9/8×5/3)　Just Major 7th
(G##¹¹￬)　21/11(12/11×7/4)　Neutral Major 7th
(G##₂₃)　23/12(23/20×5/3)　Base-23 Large Major 7th
(Bb￬)　63/32(9/8×7/4)　Septimal Large Major 7th

#Microtonal #Birds #Harmonics #JustIntonation

#birds #harmonics #justintonation #microtonal

根津耕昌 / Kousuke NEZU @[email protected] · 2026-05-25 · 08:55 UTC

43-tone 23-limit Natural Just Intonation
derived on the Improvisation
of an Uguisu, Japanese Bush Warbler

Key in Bb=468.8Hz (A₁=54.9375Hz)
(Bb)　1/1　Tonic
(A#+￬₂₃)　161/160(23/20×7/8)　Uguisu's Comma
(A#₁₁)　33/32(11/8×3/4)　Undecimal Neutral 2nd
(B+￬)　21/20(7/4×3/5)　Septimal Chromatic Semitone
(Cb₁₇)　17/16　Septendecimal Minor 2nd
(B#₁₃)　13/12(13/8×2/3)　Tridecimal Semitone
(B#¹¹)　12/11　Undecimal 3/4-Tone
(C-)　10/9　Minor Whole Tone
(C)　9/8　Major Whole Tone
(C+₂₃)　23/20　Uguisu's Whole Tone
(Db₁₉)　19/16　Base-19 Nearly TET Minor 3rd
(C#+)　6/5(8/5×3/4)　Just Minor 3rd
(D￬₁₁)　77/64(11/8×7/8)　Undecimal Neutral 3rd
(D-)　5/4　Just Major 3rd
(D++￬)　63/50(21/20×6/5)　Septimal-Quintal Major 3rd
(Eb₁₃)　13/10　Tridecimal Neutral 4th
(Eb￬)　21/16(21/20×5/4)　Septimal Narrow 4th
(Eb)　4/3(9/8×32/27)　Perfect 4th
(Fb-¹¹)　15/11(12/11×5/4)　Undecimal Augmented 4th
(Fb₁₁)　11/8　Undecimal Neutral 4th
(Eb#--₂₃)　69/50(23/20×6/5)　Uguisu's Tritone
(E+￬)　7/5(21/20×4/3)　Septimal Tritone
(E-)　45/32(9/8×5/4)　Diatonic Tritone
(E₂₃)　23/16(23/20×5/4)　Base-23 Tritone
(F-)　40/27(10/9×4/3)　Grave 5th
(F)　3/2(9/8×4/3)　Perfect 5th
(E#+₂₃)　23/15(23/20×4/3)　Base-23 Super 5th
(Gb￬)　14/9(10/9×7/5)　Septimal Minor 6th
(F#+￬)　63/40(21/20×3/2)　Septimal Semidiminished 5th
(F#--￪)　100/63　Septimal-Quintal Minor 6th
(Gb+)　8/5(6/5×4/3)　Just Minor 6th
(F##₁₃)　13/8　Tridecimal Neutral 6th
(Gb#¹¹)　18/11(12/11×3/2)　Undecimal 6th
(G)　27/16(9/8×3/2)　Pythagorean Major 6th
(G-₁₁)　55/32(11/8×5/4)　Undecimal Neutral 6th
(G+₂₃)　69/40(23/20×3/2)　Base-23 Neutral 6th
(Ab￬)　7/4　Septimal Harmonic 7th
(G#₁₁)　11/6(11/8×4/3)　Undecimal Neutral 7th
(G#+￬￬)　147/80(21/20×7/4)　Septimal Neutral 7th
(A-)　15/8(9/8×5/3)　Just Major 7th
(G##¹¹￬)　21/11(12/11×7/4)　Neutral Major 7th
(G##₂₃)　23/12(23/20×5/3)　Base-23 Large Major 7th
(Bb￬)　63/32(9/8×7/4)　Septimal Large Major 7th

#Microtonal #Birds #Harmonics #JustIntonation

#birds #harmonics #justintonation #microtonal

Marquis de Geek @[email protected] · 2026-04-25 · 12:28 UTC

ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-25 · 12:28 UTC

ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-25 · 12:28 UTC

ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-25 · 12:28 UTC

ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

#webmidi #webaudio #leapmotion #harmonics #softsynth #development

Marquis de Geek @[email protected] · 2026-04-25 · 12:28 UTC

ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: https://sgxengine.com/slytherin This is a simple #softsynth that
also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-24 · 15:28 UTC

Here's me showing off some audio work, from my 20 years in #JavaScript #development:

https://www.marquisdegeek.com/slytherin/

This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion

#webaudio #webmidi

#development #softsynth #harmonics #leapmotion #webaudio #webmidi

Marquis de Geek @[email protected] · 2026-04-24 · 15:28 UTC

Here's me showing off some audio work, from my 20 years in #JavaScript #development:

https://www.marquisdegeek.com/slytherin/

This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion

#webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-24 · 15:28 UTC

Here's me showing off some audio work, from my 20 years in #JavaScript #development:

https://www.marquisdegeek.com/slytherin/

This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion

#webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Marquis de Geek @[email protected] · 2026-04-24 · 15:28 UTC

Here's me showing off some audio work, from my 20 years in #JavaScript #development:

https://www.marquisdegeek.com/slytherin/

This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion

#webaudio #webmidi

#webmidi #webaudio #leapmotion #harmonics #softsynth #development

Marquis de Geek @[email protected] · 2026-04-24 · 15:28 UTC

Here's me showing off some audio work, from my 20 years in #JavaScript #development:

https://www.marquisdegeek.com/slytherin/

This is a simple #softsynth that also demonstrates #harmonics. Works with MIDI
and #LeapMotion

#webaudio #webmidi

#javascript #development #softsynth #harmonics #leapmotion #webaudio

Amadeus Paulussen @amadeus · 2026-04-01 · 16:11 UTC

2/3 The first new #linuxaudio vendor is UB DSP.

And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

Check it out at https://ubdsp.com/!

#linuxaudio #plugin #harmonics

Amadeus Paulussen @[email protected] · 2026-04-01 · 16:11 UTC

2/3 The first new #linuxaudio vendor is UB DSP.

And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

Check it out at https://ubdsp.com/!

#linuxaudio #plugin #harmonics

Amadeus Paulussen @[email protected] · 2026-04-01 · 16:11 UTC

2/3 The first new #linuxaudio vendor is UB DSP.

And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

Check it out at https://ubdsp.com/!

#linuxaudio #plugin #harmonics

Amadeus Paulussen @[email protected] · 2026-04-01 · 16:11 UTC

2/3 The first new #linuxaudio vendor is UB DSP.

And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

Check it out at https://ubdsp.com/!

#harmonics #plugin #linuxaudio

Amadeus Paulussen @[email protected] · 2026-04-01 · 16:11 UTC

2/3 The first new #linuxaudio vendor is UB DSP.

And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

Check it out at https://ubdsp.com/!

#linuxaudio #plugin #harmonics

David Voki @[email protected] · 2026-03-31 · 15:08 UTC

Fa temps que no jugo amb harmònics. M'ha fet voler tornar-hi a fer una ullada a #clam

@sebastianlague

https://www.youtube.com/watch?v=rRnOtKlg4jA

#music #programming #harmonics #synthesis

#clam #music #programming #harmonics #synthesis

David Voki @[email protected] · 2026-03-31 · 15:08 UTC

Fa temps que no jugo amb harmònics. M'ha fet voler tornar-hi a fer una ullada a #clam

@sebastianlague

https://www.youtube.com/watch?v=rRnOtKlg4jA

#music #programming #harmonics #synthesis

#music #programming #harmonics #synthesis #clam

David Voki @[email protected] · 2026-03-31 · 15:08 UTC

Fa temps que no jugo amb harmònics. M'ha fet voler tornar-hi a fer una ullada a #clam

@sebastianlague

https://www.youtube.com/watch?v=rRnOtKlg4jA

#music #programming #harmonics #synthesis

#music #programming #harmonics #synthesis #clam

John @[email protected] · 2026-02-27 · 20:17 UTC

#harmonics is dope.

#harmonics

John @[email protected] · 2026-02-27 · 20:17 UTC

#harmonics is dope.

#harmonics

John @[email protected] · 2026-02-27 · 20:17 UTC

#harmonics is dope.

#harmonics

John @[email protected] · 2026-02-27 · 20:17 UTC

#harmonics is dope.

#harmonics

just call me jack. 🐒 @[email protected] · 2026-02-12 · 23:09 UTC

been reading about #harmonics. what a lovely #rabbithole to fall down.

#harmonics #rabbithole

just call me jack. 🐒 @[email protected] · 2026-02-12 · 23:09 UTC

been reading about #harmonics. what a lovely #rabbithole to fall down.

#harmonics #rabbithole

just call me jack. 🐒 @[email protected] · 2026-02-12 · 23:09 UTC

been reading about #harmonics. what a lovely #rabbithole to fall down.

#harmonics #rabbithole

just call me jack. 🐒 @[email protected] · 2026-02-12 · 23:09 UTC

been reading about #harmonics. what a lovely #rabbithole to fall down.

#rabbithole #harmonics

just call me jack. 🐒 @[email protected] · 2026-02-12 · 23:09 UTC

been reading about #harmonics. what a lovely #rabbithole to fall down.

#harmonics #rabbithole

Rowan Brad Quni-Gudzinas @[email protected] · 2025-07-13 · 07:27 UTC

Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

https://doi.org/10.5281/zenodo.15749742

#energy #harmonics #resonance

Rowan Brad Quni-Gudzinas @[email protected] · 2025-07-13 · 07:27 UTC

Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

https://doi.org/10.5281/zenodo.15749742

#energy #harmonics #resonance

Rowan Brad Quni-Gudzinas @[email protected] · 2025-07-13 · 07:27 UTC

Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

https://doi.org/10.5281/zenodo.15749742

#resonance #harmonics #energy