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  1. Sucrose by UnplugRed 🎛️
    Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping

    💻 macOS/Win/Linux (VST3/AU/CLAP)
    🎁 FREE (KVR Dev Challenge 2026)
    🔗 Link in bio!

    #freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction

  2. Sucrose by UnplugRed 🎛️
    Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping

    💻 macOS/Win/Linux (VST3/AU/CLAP)
    🎁 FREE (KVR Dev Challenge 2026)
    🔗 Link in bio!

    #freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction

  3. Sucrose by UnplugRed 🎛️
    Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping

    💻 macOS/Win/Linux (VST3/AU/CLAP)
    🎁 FREE (KVR Dev Challenge 2026)
    🔗 Link in bio!

    #freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction

  4. Sucrose by UnplugRed 🎛️
    Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping

    💻 macOS/Win/Linux (VST3/AU/CLAP)
    🎁 FREE (KVR Dev Challenge 2026)
    🔗 Link in bio!

    #freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction

  5. Sucrose by UnplugRed 🎛️
    Harmonics plugin: Hilbert-based alg., subs + 2nd/3rd harm., clean output, tone shaping

    💻 macOS/Win/Linux (VST3/AU/CLAP)
    🎁 FREE (KVR Dev Challenge 2026)
    🔗 Link in bio!

    #freeplugin #unplugred #harmonics #opensource #toneshape #cleanmix #musicproduction

  6. 究極・チューナー・プロ
    最も高精度で万能なチューナー!

    さあ、試してみませんか? 🎵🎶

    Apple App Storeから今すぐ入手:
    apps.apple.com/us/app/ultimate

    またはGoogle Playストアから:
    無料版 > play.google.com/store/apps/det

    有料版 > play.google.com/store/apps/det

    今すぐ「買い切り完全版」を手に入れよう!! 🚀🌟

    #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #android

  7. 究極・チューナー・プロ
    最も高精度で万能なチューナー!

    さあ、試してみませんか? 🎵🎶

    Apple App Storeから今すぐ入手:
    apps.apple.com/us/app/ultimate

    またはGoogle Playストアから:
    無料版 > play.google.com/store/apps/det

    有料版 > play.google.com/store/apps/det

    今すぐ「買い切り完全版」を手に入れよう!! 🚀🌟

    #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #android

  8. 究極・チューナー・プロ
    最も高精度で万能なチューナー!

    さあ、試してみませんか? 🎵🎶

    Apple App Storeから今すぐ入手:
    apps.apple.com/us/app/ultimate

    またはGoogle Playストアから:
    無料版 > play.google.com/store/apps/det

    有料版 > play.google.com/store/apps/det

    今すぐ「買い切り完全版」を手に入れよう!! 🚀🌟

    #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #android

  9. 究極・チューナー・プロ
    最も高精度で万能なチューナー!

    さあ、試してみませんか? 🎵🎶

    Apple App Storeから今すぐ入手:
    apps.apple.com/us/app/ultimate

    またはGoogle Playストアから:
    無料版 > play.google.com/store/apps/det

    有料版 > play.google.com/store/apps/det

    今すぐ「買い切り完全版」を手に入れよう!! 🚀🌟

    #Ultimate #Tuner #Precision #FFT #Harmonics #Spectrum #Strobe #Metronome #TunerApp #iOS #iPadOS #iPhone #Apple #android

  10. gaia.com/video/biogeometry-sub #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

  11. gaia.com/video/biogeometry-sub #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

  12. gaia.com/video/biogeometry-sub #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

  13. gaia.com/video/biogeometry-sub #biogeometry #energyHealing #resonance #harmonics Subtle energy flows through all aspects of life — past, present, and future. Dr. Ibrahim Karim explores how we can detect, correct, and harmonize these energies using BioGeometry principles.

  14. Pitch transitions along the time axis in recording data of an Uguisu's improvisational song.
    (FFT 96kHz 8192bins 11.71875Hz/bin)

    [0:00:225]
    (3199Hz 273/160 fluctuation)
    3281Hz 7/4
    [0:00:325]
    2590Hz 69/50
    (2625Hz 7/5)
    [0:00:425]
    2777Hz 40/27 Maximum peak
    (2813Hz 3/2 is the target?)
    (5391Hz 2nd harmonic of 23/16)
    (5556Hz, which corresponds to the 2nd harmonic of 40/27, is the trough of the peak)
    [0:00:525]
    1969Hz 21/20
    (2027Hz 13/12)
    [0:00:63]
    2344Hz 5/4 Clear peak
    (4688 between 4652 and 4723, 5/4 harmonic)
    [0:00:78]
    (2438Hz 13/10 Fluctuation)
    2496Hz 4/3
    (2812Hz Low peak also in 3/2. Resonance?)
    (5637Hz Harmonic peak. Strong in 3/2)
    [0:00:95]
    1887Hz 161/160 Clear peak
    (2508Hz Low peak also in 4/3. Reverberation?)
    [0:01:06]
    (1887Hz 161/160 Low peak. Reverberation?)
    (2256.1Hz 77/64 Candidate 2)
    2273Hz 40/33?
    (2355Hz Pitch aiming for 5/4, Peak 2)
    [0:01:08]
    2320Hz 161/130
    This is also probably a pitch aiming for 5/4
    (4676Hz 2nd harmonic of 2338Hz)
    (6973Hz 3rd harmonic of 2324Hz)
    (11672Hz 5th harmonic of 2334Hz)
    [0:01:225]
    2402,2414,2426Hz Ratio unspecified, Unstable Peak
    (2531Hz 27/20 Slightly lower peak 2)
    (2473Hz Around 21/16 Low peak 3)
    (4805Hz 2nd harmonic of 2402Hz)
    (5496Hz 2nd harmonic of 2748Hz)
    [0:01:375]
    1852Hz 80/81 Fluctuation of the tonic
    (1863Hz 160/161 Fluctuation of the tonic)
    [0:01:54]
    2344Hz 5/4 Clear peak
    (4641,4711 2nd Harmonic of 5/4, 4688 is sandwiched between peaks and becomes a valley)
    [0:01:72]
    2613,2566 Unstable peak
    (2578Hz 11/8, Pitch 1 in the valley)
    (2587Hz 69/50, Pitch 2 in the valley)
    [0:01:875]
    1863Hz 160/161 Fluctuation of the tonic
    (Around 2602Hz 69/50 Low peak 2)
    [0:02:075]
    Around 3000Hz 8/5 Many peaks
    (3579Hz 21/11 Peak 2 around here)
    [0:02:375]
    2227Hz 19/16
    (Also a peak around 2168Hz 23/20)
    [0:02:575]
    Many peaks between 3000-3457
    (Roughly speaking, a 7/4 fluctuation?)
    [0:02:745]
    2555Hz 15/11 Clear peak
    [0:03:225]
    2918Hz 14/9
    [0:03:475]
    2250Hz Around 6/5 Plateau-shaped peak
    (2227Hz 19/16)
    (2256Hz 77/64)
    [0:03:626]
    2348,2344 Around 5/4 Plateau-shaped peak
    (2362Hz 63/50)
    [0:03:875]
    2576,2543 Around 15/11 Plateau-shaped peak
    (2431Hz 27/20)
    [0:04:025]
    1934Hz 33/32
    [0:04:32]
    3586Hz 21/11(or 44/23)
    3000Hz 8/5
    5168Hz 69/25 Highest
    [0:04:34]
    2918Hz 14/9 2nd peak
    3000Hz 8/5 1st peak
    [0:04:375]
    5191Hz Around 69/25
    (5156Hz 11/4)
    [0:04:575]
    4500Hz 12/5 Maximum peak
    3000Hz 8/5 3rd peak
    2227Hz Around 19/16 Plateau-shaped 2nd peak
    [0:04:7]
    2531,2484 4/3 Second peak
    5047 Almost 2nd harmonic of 4/3, Maximum peak
    [0:04:95]
    1535Hz 9/11 Low peak
    2930Hz 25/16 2nd peak
    4875Hz 2nd harmonic of 13/10
    6013Hz almost the 2nd harmonic of 25/16, maximum peak
    [0:05]
    2578Hz 11/8 clear peak
    5168Hz almost the 2nd harmonic of 11/8, maximum peak
    [0:05:21]
    1863Hz 160/161 clear peak
    [0:05:45]
    3012Hz around 8/5 2nd peak
    4488Hz around 12/5 3rd peak
    5906Hz almost the 2nd harmonic of 8/5? Largest Peak
    [0:05:75]
    (2272.96...Hz 40/33)
    2297Hz 1st Peak
    (3068.509...Hz 18/11)
    3094Hz 5th Peak
    4280Hz 2nd peak in the same range
    4547Hz 2nd harmonic of 40/33, 2nd peak in the same range
    5766Hz 2nd peak in the same range
    [0:06:12]
    3293Hz Almost 7/4 Clear Peak
    [0:06:275]
    2555Hz 15/11 Largest Peak
    (2461.2Hz 21/16 A plateau-like peak is also present around this area)
    5098Hz Almost 2nd harmonic of 15/11, 3rd peak
    5754Hz unspecified, 2nd peak
    [0:06:4]
    2707,2695 23/16 clear peak
    5449 Almost 2nd harmonic, similar dB level
    [0:06:575]
    (1933.8Hz, 33/32, candidate)
    1945Hz, 2nd peak
    (1968.96Hz, 21/20, candidate)
    (2695.6Hz 23/16, Candidate)
    2719Hz 4th peak
    3891Hz 5th peak
    5777Hz 2nd peak in the same range
    6141Hz 36/11 Largest peak
    [0:07]
    2848Hz Unspecified, Largest peak
    2953Hz 63/40, Peak in the trough of the peak
    3070Hz 18/11 2nd peak
    5930Hz Almost the 2nd harmonic of 63/40
    [0:07:3]
    2168Hz 23/20 1st Peak
    2953Hz 63/40 Low peak
    3117Hz Unspecified, Low peak
    4324,4441,4477: Almost 2nd harmonic of 23/20
    5602-6023 Plateau-shaped peak Undeterminable
    [0:07:62]
    3188Hz 17/10 1st Peak
    (3223Hz 55/32 Candidate 2)
    5988Hz Near the 2nd harmonic, 2nd peak
    9715Hz Near the 3rd harmonic, 5th peak
    [0:07:9]
    2156Hz 23/20 Clear peak
    5812Hz Near the 2nd harmonic of 14/9
    [ [0:08:175]
    3352Hz 161/90 3354.5...Hz
    3281Hz 7/4 is the target
    5297-5988 Peak in a plateau shape, impossible to pinpoint
    9645Hz Low peak near the 3rd harmonic
    [0:08:4]
    2262Hz 77/64 Largest peak
    (2250Hz Is 6/5 the target?)
    4465,4535 In the valley 12/5, 77/32 3rd peak
    [0:08:7]
    3188Hz 17/10 Largest peak
    3281, 3293 7/4 Second peak
    [0:09]
    2156Hz 23/20 Clear peak
    4324Hz Almost 2nd harmonic, Third peak
    5742Hz 49/16 2nd peak
    [0:09:275]
    2379,2391-2566 Plateau-like peak around 4/3
    5145-5168 Largest peak around 11/4
    [0:09:6]
    2484,2543,2578 Around 11/8 Maximum peak
    2836Hz Close to 3/2 2nd peak
    5719Hz Near the 2nd harmonic of 3/2 Distributed in a plateau-like pattern
    [0:09:875]
    1875Hz 1/1
    1887Hz 161/160 2nd peak
    5625Hz 3rd harmonic of 1/1 Maximum peak

    #Microtonal #Birds #Harmonics #Ratio #Nature

  15. Pitch transitions along the time axis in recording data of an Uguisu's improvisational song.
    (FFT 96kHz 8192bins 11.71875Hz/bin)

    [0:00:225]
    (3199Hz 273/160 fluctuation)
    3281Hz 7/4
    [0:00:325]
    2590Hz 69/50
    (2625Hz 7/5)
    [0:00:425]
    2777Hz 40/27 Maximum peak
    (2813Hz 3/2 is the target?)
    (5391Hz 2nd harmonic of 23/16)
    (5556Hz, which corresponds to the 2nd harmonic of 40/27, is the trough of the peak)
    [0:00:525]
    1969Hz 21/20
    (2027Hz 13/12)
    [0:00:63]
    2344Hz 5/4 Clear peak
    (4688 between 4652 and 4723, 5/4 harmonic)
    [0:00:78]
    (2438Hz 13/10 Fluctuation)
    2496Hz 4/3
    (2812Hz Low peak also in 3/2. Resonance?)
    (5637Hz Harmonic peak. Strong in 3/2)
    [0:00:95]
    1887Hz 161/160 Clear peak
    (2508Hz Low peak also in 4/3. Reverberation?)
    [0:01:06]
    (1887Hz 161/160 Low peak. Reverberation?)
    (2256.1Hz 77/64 Candidate 2)
    2273Hz 40/33?
    (2355Hz Pitch aiming for 5/4, Peak 2)
    [0:01:08]
    2320Hz 161/130
    This is also probably a pitch aiming for 5/4
    (4676Hz 2nd harmonic of 2338Hz)
    (6973Hz 3rd harmonic of 2324Hz)
    (11672Hz 5th harmonic of 2334Hz)
    [0:01:225]
    2402,2414,2426Hz Ratio unspecified, Unstable Peak
    (2531Hz 27/20 Slightly lower peak 2)
    (2473Hz Around 21/16 Low peak 3)
    (4805Hz 2nd harmonic of 2402Hz)
    (5496Hz 2nd harmonic of 2748Hz)
    [0:01:375]
    1852Hz 80/81 Fluctuation of the tonic
    (1863Hz 160/161 Fluctuation of the tonic)
    [0:01:54]
    2344Hz 5/4 Clear peak
    (4641,4711 2nd Harmonic of 5/4, 4688 is sandwiched between peaks and becomes a valley)
    [0:01:72]
    2613,2566 Unstable peak
    (2578Hz 11/8, Pitch 1 in the valley)
    (2587Hz 69/50, Pitch 2 in the valley)
    [0:01:875]
    1863Hz 160/161 Fluctuation of the tonic
    (Around 2602Hz 69/50 Low peak 2)
    [0:02:075]
    Around 3000Hz 8/5 Many peaks
    (3579Hz 21/11 Peak 2 around here)
    [0:02:375]
    2227Hz 19/16
    (Also a peak around 2168Hz 23/20)
    [0:02:575]
    Many peaks between 3000-3457
    (Roughly speaking, a 7/4 fluctuation?)
    [0:02:745]
    2555Hz 15/11 Clear peak
    [0:03:225]
    2918Hz 14/9
    [0:03:475]
    2250Hz Around 6/5 Plateau-shaped peak
    (2227Hz 19/16)
    (2256Hz 77/64)
    [0:03:626]
    2348,2344 Around 5/4 Plateau-shaped peak
    (2362Hz 63/50)
    [0:03:875]
    2576,2543 Around 15/11 Plateau-shaped peak
    (2431Hz 27/20)
    [0:04:025]
    1934Hz 33/32
    [0:04:32]
    3586Hz 21/11(or 44/23)
    3000Hz 8/5
    5168Hz 69/25 Highest
    [0:04:34]
    2918Hz 14/9 2nd peak
    3000Hz 8/5 1st peak
    [0:04:375]
    5191Hz Around 69/25
    (5156Hz 11/4)
    [0:04:575]
    4500Hz 12/5 Maximum peak
    3000Hz 8/5 3rd peak
    2227Hz Around 19/16 Plateau-shaped 2nd peak
    [0:04:7]
    2531,2484 4/3 Second peak
    5047 Almost 2nd harmonic of 4/3, Maximum peak
    [0:04:95]
    1535Hz 9/11 Low peak
    2930Hz 25/16 2nd peak
    4875Hz 2nd harmonic of 13/10
    6013Hz almost the 2nd harmonic of 25/16, maximum peak
    [0:05]
    2578Hz 11/8 clear peak
    5168Hz almost the 2nd harmonic of 11/8, maximum peak
    [0:05:21]
    1863Hz 160/161 clear peak
    [0:05:45]
    3012Hz around 8/5 2nd peak
    4488Hz around 12/5 3rd peak
    5906Hz almost the 2nd harmonic of 8/5? Largest Peak
    [0:05:75]
    (2272.96...Hz 40/33)
    2297Hz 1st Peak
    (3068.509...Hz 18/11)
    3094Hz 5th Peak
    4280Hz 2nd peak in the same range
    4547Hz 2nd harmonic of 40/33, 2nd peak in the same range
    5766Hz 2nd peak in the same range
    [0:06:12]
    3293Hz Almost 7/4 Clear Peak
    [0:06:275]
    2555Hz 15/11 Largest Peak
    (2461.2Hz 21/16 A plateau-like peak is also present around this area)
    5098Hz Almost 2nd harmonic of 15/11, 3rd peak
    5754Hz unspecified, 2nd peak
    [0:06:4]
    2707,2695 23/16 clear peak
    5449 Almost 2nd harmonic, similar dB level
    [0:06:575]
    (1933.8Hz, 33/32, candidate)
    1945Hz, 2nd peak
    (1968.96Hz, 21/20, candidate)
    (2695.6Hz 23/16, Candidate)
    2719Hz 4th peak
    3891Hz 5th peak
    5777Hz 2nd peak in the same range
    6141Hz 36/11 Largest peak
    [0:07]
    2848Hz Unspecified, Largest peak
    2953Hz 63/40, Peak in the trough of the peak
    3070Hz 18/11 2nd peak
    5930Hz Almost the 2nd harmonic of 63/40
    [0:07:3]
    2168Hz 23/20 1st Peak
    2953Hz 63/40 Low peak
    3117Hz Unspecified, Low peak
    4324,4441,4477: Almost 2nd harmonic of 23/20
    5602-6023 Plateau-shaped peak Undeterminable
    [0:07:62]
    3188Hz 17/10 1st Peak
    (3223Hz 55/32 Candidate 2)
    5988Hz Near the 2nd harmonic, 2nd peak
    9715Hz Near the 3rd harmonic, 5th peak
    [0:07:9]
    2156Hz 23/20 Clear peak
    5812Hz Near the 2nd harmonic of 14/9
    [ [0:08:175]
    3352Hz 161/90 3354.5...Hz
    3281Hz 7/4 is the target
    5297-5988 Peak in a plateau shape, impossible to pinpoint
    9645Hz Low peak near the 3rd harmonic
    [0:08:4]
    2262Hz 77/64 Largest peak
    (2250Hz Is 6/5 the target?)
    4465,4535 In the valley 12/5, 77/32 3rd peak
    [0:08:7]
    3188Hz 17/10 Largest peak
    3281, 3293 7/4 Second peak
    [0:09]
    2156Hz 23/20 Clear peak
    4324Hz Almost 2nd harmonic, Third peak
    5742Hz 49/16 2nd peak
    [0:09:275]
    2379,2391-2566 Plateau-like peak around 4/3
    5145-5168 Largest peak around 11/4
    [0:09:6]
    2484,2543,2578 Around 11/8 Maximum peak
    2836Hz Close to 3/2 2nd peak
    5719Hz Near the 2nd harmonic of 3/2 Distributed in a plateau-like pattern
    [0:09:875]
    1875Hz 1/1
    1887Hz 161/160 2nd peak
    5625Hz 3rd harmonic of 1/1 Maximum peak

    #Microtonal #Birds #Harmonics #Ratio #Nature

  16. 43-tone 23-limit Natural Just Intonation
    derived on the Improvisation
    of an Uguisu, Japanese Bush Warbler

    Key in Bb=468.8Hz (A₁=54.9375Hz)
    (Bb) 1/1 Tonic
    (A#+↓₂₃) 161/160(23/20×7/8) Uguisu's Comma
    (A#₁₁) 33/32(11/8×3/4) Undecimal Neutral 2nd
    (B+↓) 21/20(7/4×3/5) Septimal Chromatic Semitone
    (Cb₁₇) 17/16 Septendecimal Minor 2nd
    (B#₁₃) 13/12(13/8×2/3) Tridecimal Semitone
    (B#¹¹) 12/11 Undecimal 3/4-Tone
    (C-) 10/9 Minor Whole Tone
    (C) 9/8 Major Whole Tone
    (C+₂₃) 23/20 Uguisu's Whole Tone
    (Db₁₉) 19/16 Base-19 Nearly TET Minor 3rd
    (C#+) 6/5(8/5×3/4) Just Minor 3rd
    (D↓₁₁) 77/64(11/8×7/8) Undecimal Neutral 3rd
    (D-) 5/4 Just Major 3rd
    (D++↓) 63/50(21/20×6/5) Septimal-Quintal Major 3rd
    (Eb₁₃) 13/10 Tridecimal Neutral 4th
    (Eb↓) 21/16(21/20×5/4) Septimal Narrow 4th
    (Eb) 4/3(9/8×32/27) Perfect 4th
    (Fb-¹¹) 15/11(12/11×5/4) Undecimal Augmented 4th
    (Fb₁₁) 11/8 Undecimal Neutral 4th
    (Eb#--₂₃) 69/50(23/20×6/5) Uguisu's Tritone
    (E+↓) 7/5(21/20×4/3) Septimal Tritone
    (E-) 45/32(9/8×5/4) Diatonic Tritone
    (E₂₃) 23/16(23/20×5/4) Base-23 Tritone
    (F-) 40/27(10/9×4/3) Grave 5th
    (F) 3/2(9/8×4/3) Perfect 5th
    (E#+₂₃) 23/15(23/20×4/3) Base-23 Super 5th
    (Gb↓) 14/9(10/9×7/5) Septimal Minor 6th
    (F#+↓) 63/40(21/20×3/2) Septimal Semidiminished 5th
    (F#--↑) 100/63 Septimal-Quintal Minor 6th
    (Gb+) 8/5(6/5×4/3) Just Minor 6th
    (F##₁₃) 13/8 Tridecimal Neutral 6th
    (Gb#¹¹) 18/11(12/11×3/2) Undecimal 6th
    (G) 27/16(9/8×3/2) Pythagorean Major 6th
    (G-₁₁) 55/32(11/8×5/4) Undecimal Neutral 6th
    (G+₂₃) 69/40(23/20×3/2) Base-23 Neutral 6th
    (Ab↓) 7/4 Septimal Harmonic 7th
    (G#₁₁) 11/6(11/8×4/3) Undecimal Neutral 7th
    (G#+↓↓) 147/80(21/20×7/4) Septimal Neutral 7th
    (A-) 15/8(9/8×5/3) Just Major 7th
    (G##¹¹↓) 21/11(12/11×7/4) Neutral Major 7th
    (G##₂₃) 23/12(23/20×5/3) Base-23 Large Major 7th
    (Bb↓) 63/32(9/8×7/4) Septimal Large Major 7th

    #Microtonal #Birds #Harmonics #JustIntonation

  17. 43-tone 23-limit Natural Just Intonation
    derived on the Improvisation
    of an Uguisu, Japanese Bush Warbler

    Key in Bb=468.8Hz (A₁=54.9375Hz)
    (Bb) 1/1 Tonic
    (A#+↓₂₃) 161/160(23/20×7/8) Uguisu's Comma
    (A#₁₁) 33/32(11/8×3/4) Undecimal Neutral 2nd
    (B+↓) 21/20(7/4×3/5) Septimal Chromatic Semitone
    (Cb₁₇) 17/16 Septendecimal Minor 2nd
    (B#₁₃) 13/12(13/8×2/3) Tridecimal Semitone
    (B#¹¹) 12/11 Undecimal 3/4-Tone
    (C-) 10/9 Minor Whole Tone
    (C) 9/8 Major Whole Tone
    (C+₂₃) 23/20 Uguisu's Whole Tone
    (Db₁₉) 19/16 Base-19 Nearly TET Minor 3rd
    (C#+) 6/5(8/5×3/4) Just Minor 3rd
    (D↓₁₁) 77/64(11/8×7/8) Undecimal Neutral 3rd
    (D-) 5/4 Just Major 3rd
    (D++↓) 63/50(21/20×6/5) Septimal-Quintal Major 3rd
    (Eb₁₃) 13/10 Tridecimal Neutral 4th
    (Eb↓) 21/16(21/20×5/4) Septimal Narrow 4th
    (Eb) 4/3(9/8×32/27) Perfect 4th
    (Fb-¹¹) 15/11(12/11×5/4) Undecimal Augmented 4th
    (Fb₁₁) 11/8 Undecimal Neutral 4th
    (Eb#--₂₃) 69/50(23/20×6/5) Uguisu's Tritone
    (E+↓) 7/5(21/20×4/3) Septimal Tritone
    (E-) 45/32(9/8×5/4) Diatonic Tritone
    (E₂₃) 23/16(23/20×5/4) Base-23 Tritone
    (F-) 40/27(10/9×4/3) Grave 5th
    (F) 3/2(9/8×4/3) Perfect 5th
    (E#+₂₃) 23/15(23/20×4/3) Base-23 Super 5th
    (Gb↓) 14/9(10/9×7/5) Septimal Minor 6th
    (F#+↓) 63/40(21/20×3/2) Septimal Semidiminished 5th
    (F#--↑) 100/63 Septimal-Quintal Minor 6th
    (Gb+) 8/5(6/5×4/3) Just Minor 6th
    (F##₁₃) 13/8 Tridecimal Neutral 6th
    (Gb#¹¹) 18/11(12/11×3/2) Undecimal 6th
    (G) 27/16(9/8×3/2) Pythagorean Major 6th
    (G-₁₁) 55/32(11/8×5/4) Undecimal Neutral 6th
    (G+₂₃) 69/40(23/20×3/2) Base-23 Neutral 6th
    (Ab↓) 7/4 Septimal Harmonic 7th
    (G#₁₁) 11/6(11/8×4/3) Undecimal Neutral 7th
    (G#+↓↓) 147/80(21/20×7/4) Septimal Neutral 7th
    (A-) 15/8(9/8×5/3) Just Major 7th
    (G##¹¹↓) 21/11(12/11×7/4) Neutral Major 7th
    (G##₂₃) 23/12(23/20×5/3) Base-23 Large Major 7th
    (Bb↓) 63/32(9/8×7/4) Septimal Large Major 7th

    #Microtonal #Birds #Harmonics #JustIntonation

  18. ICYMI, Here's me showing off some audio work, from my 20 years in #JavaScript #development: sgxengine.com/slytherin This is a simple #softsynth that
    also demonstrates #harmonics. Works with MIDI and #LeapMotion #webaudio #webmidi

  19. 2/3 The first new vendor is UB DSP.

    And, their currently only is called Grit Blender—a fun toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

    Check it out at ubdsp.com/!

  20. 2/3 The first new #linuxaudio vendor is UB DSP.

    And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

    Check it out at ubdsp.com/!

  21. 2/3 The first new #linuxaudio vendor is UB DSP.

    And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

    Check it out at ubdsp.com/!

  22. 2/3 The first new #linuxaudio vendor is UB DSP.

    And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

    Check it out at ubdsp.com/!

  23. 2/3 The first new #linuxaudio vendor is UB DSP.

    And, their currently only #plugin is called Grit Blender—a fun #harmonics toolbox that makes it super easy to add warmth and, well, grit to your audio signals.

    Check it out at ubdsp.com/!

  24. Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

    doi.org/10.5281/zenodo.1574974

  25. Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

    doi.org/10.5281/zenodo.1574974

  26. Given mass-frequency identity, matter is an #energy pattern whose #harmonics give it #resonance (i.e. mass), therefore matter and particles and atoms etc get defined in terms of mass resonance which conveniently resolves massless photon (and other) issues

    doi.org/10.5281/zenodo.1574974