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#minimal — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #minimal, aggregated by home.social.

  1. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  2. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  3. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  4. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  5. CF Signals: AMAS & Frithjof-Martin Grabner – CHAOS [AMAS Studio]

    What happens when the mathematical rigor of Johann Sebastian Bach is stripped of its classical façade and exposed to digital decay, dub echoes, and the hypnotic repetition of contemporary minimalism? With SRDNG x LPZG, the duo AMAS, alongside double bassist Frithjof-Martin Grabner, answers that question not through academic reverence, but through radical transformation. The result is neither adaptation nor tribute: it is a sonic mutation where baroque structures slowly dissolve before re-emerging as something entirely different.

    The project was shaped between two radically contrasting geographies. On one side, the rough and almost mineral isolation of Sardinia; on the other, the historical precision of Leipzig. Over the course of three years, AMAS digitally dissected rhythmic and tonal fragments from fourteen selected Bach compositions, merging them with field recordings and electronic frameworks moving through dub-techno, ambient, and experimental minimalism. Classical music stops functioning here as an untouchable monument and begins breathing instead as organic matter, eroded by machinery, memory, and landscape.

    Once the project returns to Leipzig and incorporates the work of Frithjof-Martin Grabner, the album reaches an even stranger depth. The double bass does not function as ornament or nostalgic gesture; it acts like a physical shadow stretching across the entire release, constantly tightening the dialogue between tradition and electronic abstraction. The result is a sonic architecture where the human and the machinic no longer oppose each other, but gradually merge within the same perceptual current.

    To put it plainly: this is a genuine work of contemporary electronic avant-garde. Not because it seeks empty sophistication, but because it accomplishes something far more difficult — creating a new language without erasing the traces of what gave birth to it. Bach never disappears; he elegantly disintegrates into dub, ambient, and minimal textures, as though entire centuries of musical history had become suspended inside a single frequency.

    https://soundcloud.com/clubfuriess/cfs-amas-fm-grabner-amas006

    Within that journey, “CHAOS” stands at the conceptual and emotional center of the album. The track operates as a structural backbone, unfolding a sonic progression that truly embodies what its title suggests. Yet chaos here is not explosive destruction; it is the constant reorganization of layers, tensions, and temporalities. Latent fragments drift through ethereal and deeply nostalgic coordinates while the front of the track advances with a dub serenity that seems to contain collapse without ever fully allowing it to happen.

    Confusion becomes texture; disorder transforms into rhythmic respiration. Delicate electronic layers slowly slide over one another, generating a suspended sensation of drift where each sound feels as though it arrives from multiple timelines simultaneously. Minimal and deep elements stop functioning as genres and instead become states of perception. And somewhere inside that sonic fog, Bach continues to appear — no longer as a historical figure, but as a digital specter floating between echoes, emptiness, and repetition.

    Label: AMAS Studio
    Artist: AMAS & Frithjof-Martin Grabner
    Title: SRDGN X LPZG
    Format: Album
    Catalogue: AMAS006
    Release Format: Vinyl LP, Digital
    Distribution: DIG DIS!, AMAS/ Decks
    Domain: amas-studio.bandcamp.com

    Release Date: June 5, 2026
    Support & Buy: Bandcamp

    Pre Order Links Vinyl: Deejay | Juno | Decks

    Tracklisting
    1. ANKUNFT
    2. WEITE
    3. VERIRRUNG
    4. NACHT
    5. RAUSCH
    6. ABSTRAKTION
    7. STIMMEN
    8. CHAOS
    9. WEGE
    10. LICHT
    11. KLARHEIT
    12. DUESTERNIS
    13. VERNUNFT
    14. ABSCHIED

    AMAS / AMAS Studio

    Website | Instagram | Bandcamp | Linktree

    Frithjof-Martin Grabner

    Website | Apple Music | Discogs

    Club Furies

    Website | SoundCloud | Instagram | Threads | TikTok | Facebook | Bandcamp | Linktree

    #AMAS #AMASStudio #Ambient #Atmospheric #CFPremiere #Classic #Classical #clubFuries #ClubFuriesPremiere #Drone #Dub #Electrónica #Electronic #Electronica #FrithjofMartinGrabner #Germany #Leipzig #Minimal #Premiere #premiereCF #PremiereClubFuries #Stuttgart #techno
  6. Really enjoying The Field’s new album, which is pretty unexpected given he basically just mined one vein for years and years. But here he has taken his very loopy Kompakt ambient techno kind of stuff and made it more rhythmically interesting while maintaining the very hypnotic blissed out feel. (A positive way of saying it’s very repetitive!)

    Like this track is in 7/8 and almost a hip-hop feel to the beat, very flowing and natural. I love it!

    thefield.bandcamp.com/track/an

    The non-4/4 reminds me of Ukkonen, about the only other artist I have encountered who combines this with, well, nice sounding dance music elements.

    #ElectronicMusic #IDM #Minimal #Ambient

  7. Really enjoying The Field’s new album, which is pretty unexpected given he basically just mined one vein for years and years. But here he has taken his very loopy Kompakt ambient techno kind of stuff and made it more rhythmically interesting while maintaining the very hypnotic blissed out feel. (A positive way of saying it’s very repetitive!)

    Like this track is in 7/8 and almost a hip-hop feel to the beat, very flowing and natural. I love it!

    thefield.bandcamp.com/track/an

    The non-4/4 reminds me of Ukkonen, about the only other artist I have encountered who combines this with, well, nice sounding dance music elements.

    #ElectronicMusic #IDM #Minimal #Ambient

  8. Really enjoying The Field’s new album, which is pretty unexpected given he basically just mined one vein for years and years. But here he has taken his very loopy Kompakt ambient techno kind of stuff and made it more rhythmically interesting while maintaining the very hypnotic blissed out feel. (A positive way of saying it’s very repetitive!)

    Like this track is in 7/8 and almost a hip-hop feel to the beat, very flowing and natural. I love it!

    thefield.bandcamp.com/track/an

    The non-4/4 reminds me of Ukkonen, about the only other artist I have encountered who combines this with, well, nice sounding dance music elements.

    #ElectronicMusic #IDM #Minimal #Ambient

  9. Really enjoying The Field’s new album, which is pretty unexpected given he basically just mined one vein for years and years. But here he has taken his very loopy Kompakt ambient techno kind of stuff and made it more rhythmically interesting while maintaining the very hypnotic blissed out feel. (A positive way of saying it’s very repetitive!)

    Like this track is in 7/8 and almost a hip-hop feel to the beat, very flowing and natural. I love it!

    thefield.bandcamp.com/track/an

    The non-4/4 reminds me of Ukkonen, about the only other artist I have encountered who combines this with, well, nice sounding dance music elements.

    #ElectronicMusic #IDM #Minimal #Ambient

  10. Really enjoying The Field’s new album, which is pretty unexpected given he basically just mined one vein for years and years. But here he has taken his very loopy Kompakt ambient techno kind of stuff and made it more rhythmically interesting while maintaining the very hypnotic blissed out feel. (A positive way of saying it’s very repetitive!)

    Like this track is in 7/8 and almost a hip-hop feel to the beat, very flowing and natural. I love it!

    thefield.bandcamp.com/track/an

    The non-4/4 reminds me of Ukkonen, about the only other artist I have encountered who combines this with, well, nice sounding dance music elements.

    #ElectronicMusic #IDM #Minimal #Ambient

  11. Wenn die Flugzeuge laut sind, darf ich auch laut sein – Eskalation!

    Kai Schumacher – RAUSCH
    Neue Meister – 0301297NM,
    Edel:Kultur – 0301297NM
    LP
    2019

    youtu.be/vovgTkFJQS0

    #Vinylvrühstück #Vinyl #Music #Classical #Contemporary #Minimal #NowPlaying

  12. Wenn die Flugzeuge laut sind, darf ich auch laut sein – Eskalation!

    Kai Schumacher – RAUSCH
    Neue Meister – 0301297NM,
    Edel:Kultur – 0301297NM
    LP
    2019

    youtu.be/vovgTkFJQS0

    #Vinylvrühstück #Vinyl #Music #Classical #Contemporary #Minimal #NowPlaying

  13. Wenn die Flugzeuge laut sind, darf ich auch laut sein – Eskalation!

    Kai Schumacher – RAUSCH
    Neue Meister – 0301297NM,
    Edel:Kultur – 0301297NM
    LP
    2019

    youtu.be/vovgTkFJQS0

    #Vinylvrühstück #Vinyl #Music #Classical #Contemporary #Minimal #NowPlaying

  14. Wenn die Flugzeuge laut sind, darf ich auch laut sein – Eskalation!

    Kai Schumacher – RAUSCH
    Neue Meister – 0301297NM,
    Edel:Kultur – 0301297NM
    LP
    2019

    youtu.be/vovgTkFJQS0

    #Vinylvrühstück #Vinyl #Music #Classical #Contemporary #Minimal #NowPlaying

  15. Wenn die Flugzeuge laut sind, darf ich auch laut sein – Eskalation!

    Kai Schumacher – RAUSCH
    Neue Meister – 0301297NM,
    Edel:Kultur – 0301297NM
    LP
    2019

    youtu.be/vovgTkFJQS0

    #Vinylvrühstück #Vinyl #Music #Classical #Contemporary #Minimal #NowPlaying

  16. We were on our way from That Wanaka Tree to Lake Pukaki. The day wasn’t the most scenic one but for sure the soft light rewarded us this day with beautiful, atmospheric panorama in Lindis Pass. Enjoy!

    #oceania #newzealand #lindispass #pass #southlandnz #nz #kiwi #southisland #roadtrip #travelphotography #minimalism #minimal #hills #photography #fotografia #travel
    1/2

  17. We were on our way from That Wanaka Tree to Lake Pukaki. The day wasn’t the most scenic one but for sure the soft light rewarded us this day with beautiful, atmospheric panorama in Lindis Pass. Enjoy!

    #oceania #newzealand #lindispass #pass #southlandnz #nz #kiwi #southisland #roadtrip #travelphotography #minimalism #minimal #hills #photography #fotografia #travel
    1/2

  18. We were on our way from That Wanaka Tree to Lake Pukaki. The day wasn’t the most scenic one but for sure the soft light rewarded us this day with beautiful, atmospheric panorama in Lindis Pass. Enjoy!

    #oceania #newzealand #lindispass #pass #southlandnz #nz #kiwi #southisland #roadtrip #travelphotography #minimalism #minimal #hills #photography #fotografia #travel
    1/2

  19. We were on our way from That Wanaka Tree to Lake Pukaki. The day wasn’t the most scenic one but for sure the soft light rewarded us this day with beautiful, atmospheric panorama in Lindis Pass. Enjoy!

    #oceania #newzealand #lindispass #pass #southlandnz #nz #kiwi #southisland #roadtrip #travelphotography #minimalism #minimal #hills #photography #fotografia #travel
    1/2

  20. We were on our way from That Wanaka Tree to Lake Pukaki. The day wasn’t the most scenic one but for sure the soft light rewarded us this day with beautiful, atmospheric panorama in Lindis Pass. Enjoy!

    #oceania #newzealand #lindispass #pass #southlandnz #nz #kiwi #southisland #roadtrip #travelphotography #minimalism #minimal #hills #photography #fotografia #travel
    1/2

  21. ‘Brown Bread Is the Biggest Health Scam’: Doctor Warns Most ‘Healthy’ Loaves Are Refined Flour in Disguise

    These additives help improve texture, shelf life, and softness, but some research suggests they may negatively affect gut…
    #NewsBeep #News #Nutrition #anshumankaushal #AU #Australia #brownbreadscam #brownbreadvswhitebread #caramel #glycemicindexbread #Health #healthybreadmyth #Instagram #minimal #refinedflourbread #TimesNow
    newsbeep.com/au/684308/

  22. ‘Brown Bread Is the Biggest Health Scam’: Doctor Warns Most ‘Healthy’ Loaves Are Refined Flour in Disguise

    These additives help improve texture, shelf life, and softness, but some research suggests they may negatively affect gut…
    #NewsBeep #News #Nutrition #anshumankaushal #AU #Australia #brownbreadscam #brownbreadvswhitebread #caramel #glycemicindexbread #Health #healthybreadmyth #Instagram #minimal #refinedflourbread #TimesNow
    newsbeep.com/au/684308/

  23. 🔴 LIVE NOW ON VORTEX
    📻 Vortex Sessions 🎧 (Indie pop, synth-pop, alternative rock)
    ──────────────
    🎵 Marcel Dettmann - Faultline

    ▶️ Écouter / Listen : VorteX [Radio]
    lesonduvortex.net

    💬 Join us on Discord:
    discord.gg/d82hJZBeDE

    #VortexWave #MarcelDettmann #Techno #Minimal #2010s