home.social

#audiences — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #audiences, aggregated by home.social.

  1. "Content that attacks #Jews (directly or indirectly) performs well. High-performing #content attracts more #creators. More creators produce more of the same content. #Audiences become conditioned to expect and reward it. #Politicians and #media respond to the shift in public sentiment.

    The loop tightens.

    At no point does it require central coordination. It runs on decentralized decisions, each individually rational, collectively corrosive. And like any system driven by incentives, it scales.

    To state the obvious, #antisemitism is not new. What is new is the structure surrounding it. In previous eras, antisemitism spread through institutions like churches, governments, and political movements. Today, it spreads through #markets: attention markets, #media markets, #political markets.

    That shift matters because markets don’t ask whether something is true or just. They ask whether it works. And right now, in too many cases, attacking Jews works."

    futureofjewish.com/p/the-money

  2. Sarah Knafo fait plonger les audiences du 20h de TF1: la candidate de Reconquête pour les municipales à Paris a surtout été interrogé sur.. la présidentielle de 2027, Tandis que Gilles Bouleau s'est refusé à la présenter comme une élue d'extrême-droite, le JT à perdu un million de téléspectateurs perdus en 5 minutes, selon Quotidien. Zéro sur toute la ligne...

    #Politique #Reconquete #Defaite #Zemmour #Audiences #JT #TF1 #Television #Municipales #ExtremeDroite #Presidentielle #Medias #Compol

  3. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  4. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  5. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  6. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  7. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  8. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  9. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  10. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  11. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  12. #iQIYI, a major #Chinese #online #entertainment #platform, has #partnered with Japan’s #KADOKAWA Corporation for the #global #distribution of the #animated series ‘The Fated Magical Princess’. This marks KADOKAWA’s first simultaneous release of a premium Chinese #animation produced by a Chinese #streaming platform, underscoring efforts to bring Chinese #cultural content to #international #audiences. cnbusinessforum.com/iqiyi-and-

  13. Salamé vit tout sauf un moment de grâce au 20h de France 2. La recrue de Delphine Ernotte, les audiences sont à leur plus bas comme jeudi malgré l'affaire Sarkozy, Léa a perdu 240.000 téléspectateurs et 1,3 point de part d'audience comparé à mercredi soir, selon Médiamétrie. Et ce n'est pas sa bourde face à Guaino le soir-même qui va faire remonter les audiences...

    #Politique #JT #20H #France2 #Medias #Compol #Sarkozy #Audiences #ServicePublic #Television

  14. Impact on Communication 💬 News about #socialmedia changes how we #connect, #share, and #consume #information in both personal and professional contexts.

    Business and Marketing Relevance 📊 #Marketers and brands rely on social media news to adapt #strategies, reach #audiences, and leverage new #tools.

    Community and Culture 🌐 Social media news shapes #digitalculture and influences how #communities form, interact, and respond to global events and trends.

    👉 SocialMediaNews.EU
    👉 @media #news

  15. → OpenAI explores advertising as it steps up revenue drive
    ft.com/content/9350d075-1658-4

    “Advertising has been a highly successful route for big tech companies such as Google and Meta to monetise their huge online #audiences.”

    “[Ad] models come with drawbacks, including the fact they are sensitive to swings in the broader #economic cycle, and that they tend to shift a company’s focus from pleasing their users to their #advertisers.”

    I can't wait.

    #OpenAI #Advertising #tech #monetise #users

  16. The #scientificsystem has all the necessary #conceptual and #argumentative tools to interact
    with multiple #audiences (...). However, the public cannot be thought of either as an object or as an abstraction, but need to be considered in its intrinsic multiplicity. This should enable not to regain the “old trust”, purely based on #authority but a
    renewed one, made of constructive and critical participation, understanding and recognition

    #argumentation #trustinscience
    papers.ssrn.com/sol3/papers.cf

  17. The #scientificsystem has all the necessary #conceptual and #argumentative tools to interact
    with multiple #audiences (...). However, the public cannot be thought of either as an object or as an abstraction, but need to be considered in its intrinsic multiplicity. This should enable not to regain the “old trust”, purely based on #authority but a
    renewed one, made of constructive and critical participation, understanding and recognition

    #argumentation #trustinscience
    papers.ssrn.com/sol3/papers.cf

  18. The #scientificsystem has all the necessary #conceptual and #argumentative tools to interact
    with multiple #audiences (...). However, the public cannot be thought of either as an object or as an abstraction, but need to be considered in its intrinsic multiplicity. This should enable not to regain the “old trust”, purely based on #authority but a
    renewed one, made of constructive and critical participation, understanding and recognition

    #argumentation #trustinscience
    papers.ssrn.com/sol3/papers.cf

  19. The #scientificsystem has all the necessary #conceptual and #argumentative tools to interact
    with multiple #audiences (...). However, the public cannot be thought of either as an object or as an abstraction, but need to be considered in its intrinsic multiplicity. This should enable not to regain the “old trust”, purely based on #authority but a
    renewed one, made of constructive and critical participation, understanding and recognition

    #argumentation #trustinscience
    papers.ssrn.com/sol3/papers.cf

  20. The #scientificsystem has all the necessary #conceptual and #argumentative tools to interact
    with multiple #audiences (...). However, the public cannot be thought of either as an object or as an abstraction, but need to be considered in its intrinsic multiplicity. This should enable not to regain the “old trust”, purely based on #authority but a
    renewed one, made of constructive and critical participation, understanding and recognition

    #argumentation #trustinscience
    papers.ssrn.com/sol3/papers.cf