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Bilan #editathonAN en partenariat @Wikimedia_Fr @lessanspages #PlaineCommune #AD93 :
- 19 contributeurs
- 13 articles créés sur #Wikipédia (dont 10 ♀️), près de 80 articles enrichis
- 18 éléments créés sur #Wikidata, 38 éléments améliorés, 400 éditions en tout
- 26 médias téléchargés pour l'événement sur #Commons utilisés sur Wikipédia ou WikidataVoir la liste sur : https://fr.wikipedia.org/wiki/Projet:Editathon_des_Archives_nationales_de_France_16_septembre_2023#R%C3%A9sultats_de_l'%C3%A9ditathon
#JEP2023 #GLAMarchives #culturelibre #archives #SeineSaintDenis #merci 🙏 !
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What pre-1985 science fiction are you reading? + Update No. XXVII
What pre-1985 science fiction are you reading or planning to read next month? Here’s the October installment of this column.
- A selection of read volumes from my shelves
If I’m feeling a bit unmotivated to write about science fiction, I always end up on Fanac or another online repository of fanzines/newspapers and dive into all the old historical fannish debates. I especially enjoy their reports on various conventions and the community (from accepting to reactionary) that emerges. For example, the details I uncovered about a lost Philip José Farmer speech titled “SF and the Kinsey Report at the 11th World Science Fiction Convention (Philcon 2) in Philadelphia (September 1953) and Pat M. Kuras and Rob Schmieder’s article “When It Changed: Lesbians, Gay Men, and Science Fiction Fandom” (1980) on the first Worldcon panel with an openly LGBTQ topic: “The Closed Open Mind: Homophobia in Science Fiction Fantasy Stories” moderated by Jerry Jacks, one of the “early openly gay fans.” I recently edited an article for academic publication on the role of conventions in forming feminist and political activism. Conventions sound like fascinating places, at least from my historically-minded vantage point and lens.
However, as visitors to the site probably know, I’ve never attended a science fiction specific con (I’ve attended Gencon twice as its in my current hometown and tons of academic conferences earlier in my career). For fear of revealing too much of my psychological profile (muahaha), I enjoy the self-created illusion of being an outsider. The scholar who writes from the shadows. I often tell myself “I’m a historian, not a fan.” Of course, both can be true… I know cons cover a vast variety of topics beyond contemporary science fiction (which does not interest me in the slightest, alas). There are frequently panels on all the topics, authors, and themes I enjoy. And of course, all the friendships with fans with similar interests… As meeting authors? Not my thing, sorry. Well-meaning readers of my website often attempt to invite me to participate on panels on historical topics. Thank you! Maybe at one point I will. I really should.
I’d love to know why you, lovely readers, enjoy attending cons.
Also, before we get to the photograph above and the curated birthdays, let me know what pre-1985 SF you’re currently reading or planning to read!
The Photograph (with links to reviews and brief thoughts)
- I suspect I’ve featured Langdon Jones’ wonderful collection The Eye of the Lens (1972) before. It’s an example of the exuberant (and successful) elements of the New Wave movement. “The Hall of the Machines” (1968) represents what I enjoy most lates 60s SF.
- Algis Budrys’ Rogue Moon (1960). A good one! I wish I managed to write a full-length review.
- Joanna Russ’ We Who Are About To…. (1976). Remains my favorite Russ novel.
- John Christopher’s A Wrinkle in the Skin (variant title: The Ragged Edge) (1965). I preferred this post-apocalyptic nightmare to The Death of Grass (1956). The scene with the tanker stranded in the dried-out English Channel, top notch…
What am I writing about?
I recently restarted my series on translated SF short fiction—after a lull on my part–with Rachel S. Cordasco over at Speculative Fiction in Translation. We thoroughly enjoyed Izumi Suzuki’s “Terminal Boredom” (1984). Up next– a story from Germany!
Despite a slow writing month, I did manage to put together my first full-length review of Octavia E. Butler’s Clay’s Ark (1984). My favorite of her novels so far! There’s some solid early 80s SF out there.
What am I reading?
My reading of various forms of American leftist politics continues. Finished Mathew Hild’s Greenbackers, Knight of Labor, and Populist: Farmer-Labor Insurgency in the Late-Nineteenth-Century South (2007). There’s a larger incubatory SF-related writing project looming that will connect to late 19th century attempts to challenge Southern Democrats. Simultaneously, as I teach college-level American History courses I felt that that portion of my classes needed some work. Stay tuned!
Most of my reading has been related to the scholarship related to my unnamed writing project. However, I finally finished my Kim Stanley Robinson novel and should (I know, I promised the same thing a while back) have a review up soon(ish). A vampiric cloud of despair–generated by American politics, the challenges of my job, etc.–continues to consume my energy.
A Curated List of SF Birthdays from the Last Two Weeks [names link to The Internet Speculative Fiction Database for bibliographical info]
November 15th: William Hope Hodgson (1877-1918). I recently acquired a copy of The House on the Borderland (1908).
November 15th: J. G. Ballard (1930-2009). A favorite of mine.
November 16th: Candas Jane Dorsey (1952-). There’s a copy of Machine Sex and Other Stories (1988) judging me from the shelves.
- Diane and Leo Dillon’s cover for the 1971 1st edition
November 18th: Suzette Haden Elgin (1936-2015). I’ve reviewed At the Seventh Level (1972) and Furthest (1971).
November 18th: Margaret Atwood (1939-).
November 18th: Frederick Turner (1943).
November 18th: Alan Dean Foster (1946-).
November 18th: Graham Charnock (1946-). One of the British voices of the New Wave movement. I’ve only read “The Chinese Boxes” (1970).
- Mark Salwowski’s cover for the 1989 edition
November 18th: Michael Swanwick (1950-). I read my first Swanwick novel last year–In the Drift (1985).
November 19th: Wolfgang Jeschke (1936-2015). A Czech-born German SF author whom I really should read… I own his translated novel The Last Day of Creation (1981, trans. 1982).
November 20th: Molly Gloss (1944-). The Dazzle of the Day (1997) is supposed to be a really great take on the generation ship premise (outside of my date range, alas).
November 21st: Artist Vincent Di Fate (1945-).
- Ken Laidlaw’s cover for the 1977 edition
November 22nd: William Kotzwinkle (1938-). Doctor Rat (1976) still unsettles me.
November 23rd: Wilson Tucker (1914-2006). Huge fan of The Long Loud Silence (1952, rev. 1969) — one of the better nuclear-war themed 50s novels. I must get to more of his work in 2026…
November 24th: Editor T. O’Conor Sloane, Ph.D. (1851-1940). The editor of Amazing between 1929-1938.
November 24th: Spider Robinson (1948-).
November 25th: Amelia Reynolds Long (1904-1978). An earlier female SF pioneer, I’ve only read Long’s “Omega” (1932). Unfortunately, my dislike of 30s SF informs my comments — regardless, she’s a historically important figure.
November 25th: Poul Anderson (1926-2001). One of the authors of the first years of my website. I’ve covered eleven novels and twenty-six of his short stories. Most recently I featured “The Troublemakers” (1953) in my generation ship review series.
November 26th: Leonard Tushnet (1908-1973)
November 26th: Artist Victoria Poyser (1949-).
November 27th: L. Sprague de Camp (1907-2000).
November 27th: C. C. MacApp (1917-1971)
- Uncredited cover for the 1965 edition
November 27th: Dave Wallis (1917-1990). I thoroughly enjoyed his sole SF novel Only Lovers Left Alive (1964).
November 27th: Artist Josh Kirby (1928-2001). Perhaps best known for his Discworld covers, Kirby was a prolific contributor of art for a vast variety of authors.
November 28th: Richard R. Smith (1930-). A prolific contributor to the magazines in the 1950s, I’ve yet to read his work.
November 28th: Artist Walter Velez (1939-2018).
- MacGowan’s interior art for Gregory Benford’s “Nobody Lives Around There” in Vertex: The Magazine of Science Fiction (February 1974)
November 28th: Editor and author Donald J. Pfeil (1937-1989). Best known for editing Vertex (1973-1975).
November 29th: C. S. Lewis (1898-1963).
November 29th: Madeleine L’Engle (1918-2007). If you haven’t read about the L’Engle great cover mystery, you should!
November 29th: Kevin O’Donnell, Jr. (1950-2012).
November 29th: Artist Doug Beekman (1952-).
For book reviews consult the INDEX
For cover art posts consult the INDEX
For TV and film reviews consult the INDEX
#1950s #1960s #1970s #algisBudrys #avantGarde #bookReview #bookReviews2 #books #fiction #joannaRuss #johnChristopher #langdonJones #paperbacks #reading #sciFi #scienceFiction #writing
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Arrived in Ottawa for #WCEH2025! #WordPress Contributor Day tomorrow, then #WCEH! I'll be speaking on software supply chain security in a decentralized federated ecosystem. Looking forward to @scripting.com @ma.tt @evan.cosocial.ca.ap.brid.gy Jill Binder & others! canada.wordcamp.org/2025/about/s...
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Designing for Resilience: The 7 Types of Rest in Library Work
We sent the book off to the publisher last week, and I am just delighted with the result. It is always so much fun to work on projects like the book because what you envision and propose changes over time as you start to build it. The good news is now that that is done, I have time to get back to writing here, and I have some catching up to do!
As someone who has been writing a blog for almost 20 years (!!! I will circle back to that in another post soon), I am still surprised by which topics and posts resonate with people. I shouldn’t be, but I am.
For the last 2 years or so, I had included the 7 types of rest in many of my presentations, and when I finally sat down to write about it, it took off. So much so that I was asked to create a whole presentation on it, which I delivered to the South Central Regional Library Council back in February!
We spent time walking through the seven types of rest – physical, mental, sensory, emotional, social, creative, and values-based – and how each one shows up in library work. This framework helped name forms of exhaustion they hadn’t had language for before. I heard from so many people after the presentation about how this helped them name something they knew was wrong, but couldn’t quite identify.
Librarians and library staff are getting enough sleep, trying to take breaks, and even prioritizing self-care where they can. But they’re still exhausted. Like so much of my work on well-being, getting enough rest (and recovery) isn’t just about personal habits; it’s also about the world we live in, including work.
Rest is not just an individual need. It’s something that has to be supported structurally.
We talked about what that looks like in practice. How scheduling affects mental and physical rest. How culture contributes to (or reduces) overload. How physical spaces can either support focus and recovery or make both harder. How expectations around availability, responsiveness, and even “niceness” create additional, often invisible demands on staff.
A healthy workplace is created through policies, practices, and culture that support people as whole humans – physically, mentally, emotionally, and socially. Not through one-off initiatives or wellness programs. We can’t keep asking people to be more resilient when the system doesn’t support them. We need to design workplaces where people have the conditions they need to rest and recover.
References and Recommended Reading
Abramson, A. (2025, May 6). Seven types of rest to help restore your body’s energy. American Psychological Association. https://www.apa.org/topics/mental-health/seven-rest-types
Allaya Cooks-Campbell. (2021, August 11). 7 Types of Rest (Because You Need More Rest in Your Life. BetterUp. https://www.betterup.com/blog/types-of-rest
Gupta, S. (2025, September 6). The 7 Types of Rest You Need—And How to Get Enough of Each. Verywell Mind. https://www.verywellmind.com/types-of-rest-11794029
Headlee, C. A. (2020). Do nothing: How to break away from overworking, overdoing, and underliving (First edition). Harmony Books. WorldCat.
Here are the 7 types of rest that can help you to feel fully renewed. (2025, January 15). Calm Blog. https://blog.calm.com/blog/7-types-of-rest
Hersey, T. (2024). Rest is resistance: Free yourself from grind culture and reclaim your life. Aster.
Hersey, T., Champagne, P., & Vaughan, L. (2023). The Nap Ministry’s rest deck: 50 practices to resist grind culture. 1 game (50 cards, 1 instruction booklet) : color ; in container 16 x 11 x 4 cm. WorldCat.
MD, S. D.-S. (2021, January 6). The 7 types of rest that every person needs. Ideas.Ted.Com. https://ideas.ted.com/the-7-types-of-rest-that-every-person-needs/
Medaris, A. (2025, July 31). Why rest and sleep aren’t the same—And why journalists should know the difference. Association of Health Care Journalists. https://healthjournalism.org/blog/2025/07/why-rest-and-sleep-arent-the-same-and-why-journalists-should-know-the-difference/
Neff, K. (2011). Self-compassion: Stop beating yourself up and leave insecurity behind (1st ed). William Morrow.
Newport, C. (2024). Slow productivity: The lost art of accomplishment without burnout. Penguin Business.
Odell, J. (2019). How to do nothing: Resisting the attention economy. Melville House. WorldCat.
Price, D. (2022). Laziness does not exist: A defense of the exhausted, exploited, and overworked. Atria.
Raphael, R. (2022). The gospel of wellness: Gyms, gurus, goop, and the false promise of self-care (First edition). Henry Holt and Company.
Zomorodi, M. (2017). Bored and brilliant: How spacing out can unlock your most productive and creative self (First edition). St. Martin’s Press. WorldCat.
#7TypesOfRest #presentations #rest #Speaking -
#XSF Announcement
The XSF is considering to participate the #Google Summer of Code 2026!
If you are interested as a contributor or mentoring #XMPP project start reading here:
https://wiki.xmpp.org/web/Google_Summer_of_Code_2026#GSoC #chat #messaging #jabber #standards #opensource #interoperability #rtc #specifications
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Joe Biden to receive top honor at LGBTQ+ leadership conference for his contributions to equality
https://fed.brid.gy/r/https://www.advocate.com/politics/biden-lgbtq-victory-institute-honor
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Joe Biden to receive top honor at LGBTQ+ leadership conference for his contributions to equality
https://web.brid.gy/r/https://www.advocate.com/politics/biden-lgbtq-victory-institute-honor
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Since, but of course, the top comment on my (aggressively down-moderated, possibly by HN itself) Hacker News thread Utterly Missed The Plot (I'm shocked, shocked...):
The point of this post is that the contributors to this subreddit are one person. And has been for going on ten years.
The moderator team is one person. And has been or going on ten years.
Much of the readership is ... one person, who refers back to older posts to link elsewhere. (Though I'll admit that according to Reddit's stats, surprisingly more than that.)
That the subreddit had already been largely on hiatus for the past three years, because of preexisting frustrations with Reddit's leadership and direction. The subject of much of the front page of the subreddit.
Archive snapshot from this past February (there's been no change to content since then): https://web.archive.org/web/20220224161047/https://old.reddit.com/r/dredmorbius/
That the moderator and contributor had long voiced concerns over precisely the issue of Reddit seizing control of subreddits, and a lack of any ongoing right over a subreddit, no matter how personal and how long it had been:
Quoting from "No, this subreddit is not fully dead yet, but ...":
<quote>
Years before "profile pages" became a thing, several people started what were effectively personal subreddits. /r/TalesByToxlab[1] is a classic instance, and also an exemplar of the conflicts arising. This is not my sub, and I'm not nominating it, to be ABSOLUTELY clear.
TBT was a personal space where one person shared their personal stories, some from real life, some fictional.
And I say "was", because /u/toxlab[2] died three years ago. A fact which large sites need to deal with.
(A ways back I'd computed that a site at the scale of Google+, with a nominal 3 billion profiles, saw on the order of 10k newly dead accounts every day. Reddit operates at about 1/10 that scale. Do the math.)
Should TBT be recycled back into the pool? It was never a "community site". What any modmail or logs, which might reveal personal messages and communications? I get these myself from time to time via several subs.
Reddit's stance has long been that subreddits are community, not personal, resources. For large and leading subs, this may well be appropriate. For small efforts, it almost certainly is not.
That concern is a chief one I've had with Reddit since beginning a few experiments of my own. I wrote on various aspects of Reddit which raise flags[3] five years ago. And this weighs heavily (though other factors contribute) in my decision to move my principle posting activity elsewhere[4], specifically to a blog whose features, content, and presentation are far more under my control.
I don't want my subs to become zombies or be allocated to others. When they're done, they should die, and be buried, their electrons recycled. And I suspect I'm not the only one.
https://old.reddit.com/r/dredmorbius/comments/dt527o/no_this_subreddit_is_not_fully_dead_yet_but/
Links:
https://web.archive.org/web/20230612102634/https://old.reddit.com/r/TalesByToxlab
https://web.archive.org/web/20230612102634/https://old.reddit.com/u/toxlab
This is no longer about arguably large and "community" subreddits which might arguably have some thin line of reasoning to legitimise Reddit's corporate claim to them, but small group and individual efforts, with private data and communications potentially being handed over to third parties. Issues I'd raised years ago, now proving to have been quite prescient concerns. One-person subreddits.
And in this case, that one person happens to be me.
#Reddit #RedditStrike #RedditBlackout #RedditBoycott #RedditMigration #RedditAPI
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Excellent talk from Hanif Esmail on asymptomatic TB. Around half of M tuberculosis culture positive patients have no symptoms & probably contributes to transmission. Who should we offer treatment to? #TBSky #IDSky #ESCMIDGlobal2026 (1/2)
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Gursky’s Spectral Tarsier Tarsius spectrumgurskyae
Gursky’s Spectral Tarsier Tarsius spectrumgurskyae
IUCN Red List Status: Vulnerable
Location: Indonesia (Sulawesi)
Found across the northern peninsula of Sulawesi in Indonesia, including from the northern tip to the Isthmus of Gorontalo, in primary forest, mangroves, and disturbed habitats with dense cover.
The Gursky’s spectral tarsier Tarsius spectrumgurskyae, also known locally as Wusing, is a recently recognised species of tarsier from northern Sulawesi. Listed as Vulnerable by the IUCN, they have lost more than 30% of their habitat in the past two decades. #Deforestation for #palmoil and #timber, agricultural encroachment, illegal logging, and the #pettrade all threaten their fragile populations. Their survival depends on wild spaces thick with shrubby undergrowth—the very places being rapidly erased. If you love unique #primates like the spectral #tarsier, use your voice and wallet to protect their forest home. #BoycottPalmOil #Boycott4Wildlife
Known locally as ‘Wusing’, Gursky’s Spectral #Tarsiers have enormous moon-like eyes to help them see in dark forests 🌛👀😽 #Palmoil and the #pet trade are serious threats. Help them survive when you #Boycottpalmoil 🌴🚜❌ #Boycott4Wildlife @palmoildetect https://palmoildetectives.com/2026/02/22/gurskys-spectral-tarsier-tarsius-spectrumgurskyae/
Share to BlueSky Share to TwitterFound in tree hollows of #Sulawesi #Indonesia, tiny #primates 🐵🧐 Gursky’s Spectral #Tarsiers are #carnivores with their food, #insects 🪲🦗 being poisoned by #palmoil and #pesticides ☠️ Fight for them! #Boycottpalmoil #Boycott4Wildlife @palmoildetect https://palmoildetectives.com/2026/02/22/gurskys-spectral-tarsier-tarsius-spectrumgurskyae/
Share to BlueSky Share to TwitterAppearance & Behaviour
Gursky’s spectral tarsiers also known locally as ‘Wusing’ are hauntingly beautiful tiny #primates with enormous, forward-facing eyes that shine like twin moons in the night. These tiny nocturnal primates have a soft, greyish pelage and elongated fingers adapted for gripping tree branches. They are famed for their extreme leaping ability, known as vertical clinging and leaping (VCL), allowing them to spring through the forest canopy with precision and grace.
Highly social and vocal, they live in monogamous or polygamous groups of 2–11 individuals. At dawn, their eerie territorial duets echo through the forest just before they return to their sleeping sites in dense foliage or tree cavities. They are shy, elusive, and deeply dependent on forest structure to hide, hunt, and sleep.
Threats
Habitat Loss from Illegal Logging
The primary threat to Gursky’s spectral tarsier is the ongoing destruction of Sulawesi’s forests due to illegal logging. These small nocturnal primates depend on dense understorey vegetation and tree cavities for shelter and foraging. When forests are cleared, their sleeping sites vanish and prey becomes scarce, forcing them into smaller, fragmented patches of habitat. Even moderate disturbance causes a sharp drop in population density—from over 150 individuals/km² to as few as 45 in degraded areas (Merker, 2003).
Agricultural Expansion and Palm Oil Plantations
Much of the Gursky’s Spectral Tarsier’s lowland habitat has already been converted to palm oil and timber agriculture, and expansion continues. Between 1990 and 2000, 15.26% of Sulawesi’s forests were cleared for crops, with at least 10% more lost since then (Salim, pers. comm. in IUCN, 2020). Palm oil plantations are one of the main drivers of this forest conversion. Although the species can survive in agroforestry and disturbed areas, their numbers drastically decline when natural vegetation is replaced with monocultures.
Pesticide Exposure from Nearby Farms
Chemical pesticides used in adjacent agricultural zones contaminate the tarsiers’ insect prey, leading to bioaccumulation and poisoning. Tarsiers consume a diet entirely composed of live animal prey, mostly insects, which makes them highly vulnerable to pesticide residues. Ingestion of contaminated insects can lead to neurological damage, reproductive failure, or death, further weakening populations in edge habitats near farmlands.
Predation by Domestic Animals
Domestic dogs and cats introduced into forested areas pose a significant predation risk to tarsiers. These animals often accompany humans into disturbed or agricultural areas, where they hunt or scavenge. Tarsiers are small-bodied, slow on the ground, and often descend to low levels of the forest, making them easy targets. Predation by pets fragments already-vulnerable populations and disrupts group dynamics.
Illegal Capture for the Pet Trade
Although not widespread, the illegal pet trade is an emerging threat. Gursky’s spectral tarsiers are occasionally taken from the wild to be sold in local markets or online. These sensitive, nocturnal animals suffer tremendously in captivity, often dying due to stress, malnutrition, or improper care. Removing them from the wild also breaks apart family groups and contributes to long-term population decline.
Geographic Range
Gursky’s spectral tarsier is endemic to Indonesia, restricted to northern Sulawesi, from the northern tip of the peninsula to the Isthmus of Gorontalo. Their habitat includes lowland primary forests, secondary growth, mangroves, and areas with some human disturbance, such as agroforestry and selectively logged landscapes. However, their density drops dramatically as habitat degradation increases.
Diet
Their diet is 100% carnivorous, consisting entirely of live animal prey. They primarily consume insects such as moths and crickets but also hunt small vertebrates like frogs and lizards. Their night-time hunting is punctuated by bursts of movement and quiet observation as they stalk their prey through the understorey.
Mating and Reproduction
Although detailed reproductive data are scarce for this species, Gursky’s spectral tarsiers likely follow similar breeding patterns to other tarsiers. They are known to breed throughout the year, producing one offspring at a time after a gestation period of about six months. The young are born furred and open-eyed, clinging to their parent as they learn to navigate the trees.
FAQs
How many Gursky’s spectral tarsiers are left in the wild?
Precise population numbers of these tarsiers are not known, but density estimates suggest that in pristine habitats, up to 156 individuals per km² may exist (Gursky, 1997). However, in heavily degraded areas, this number can plummet to as low as 45 individuals per km² (Merker, 2003). Their fragmented range and habitat loss make accurate counts difficult, but population declines are expected to continue if deforestation is not halted.
What is their lifespan in the wild?
While specific data for Tarsius spectrumgurskyae is not available, other tarsier species can live between 8–12 years in the wild. In captivity, where threats like predation are removed, their lifespan may be slightly longer. However, these animals do not thrive in captivity and should never be kept as pets.
What challenges do they face in conservation?
One major challenge is habitat degradation due to logging, agriculture, and the spread of palm oil plantations. Though they can tolerate some disturbance, their population density drops significantly with increasing habitat destruction. Additionally, their small size and elusive nature make them difficult to monitor, and they are sometimes misidentified as other tarsier species, complicating conservation strategies.
Do Gursky’s spectral tarsiers make good pets?
No. These sensitive and social primates should never be kept as pets. Capturing them from the wild is cruel and contributes directly to population collapse. It destroys their family groups, causes immense suffering, and feeds into illegal wildlife trade networks. If you care about their survival, never buy a wild animal and advocate against exotic pet ownership.
Take Action!
The future of the Gursky’s spectral tarsier hangs by a thread. Forests are falling at an alarming rate, replaced with monocultures and poisoned with pesticides. Speak up. Refuse to fund deforestation-driven industries. Boycott palm oil. Protect what’s left of Sulawesi’s dwindling forests and support indigenous-led conservation efforts. Never buy wildlife as pets. #BoycottPalmOil #Boycott4Wildlife #Vegan #BoycottMeat
Support Gursky’s Tarsiers by going vegan and boycotting palm oil in the supermarket, it’s the #Boycott4Wildlife
Support the conservation of this species
This animal has no protections in place. Read about other forgotten species here. Create art to support this forgotten animal or raise awareness about them by sharing this post and using the #Boycottpalmoil #Boycott4Wildlife hashtags on social media. Also you can boycott palm oil in the supermarket.
Further Information
Shekelle, M., Groves, C. P., Maryanto, I., & Mittermeier, R. A. (2017). Two new tarsier species (Tarsiidae, Primates) and the biogeography of Sulawesi, Indonesia. Primate Conservation, 31, 37–56. https://researchportalplus.anu.edu.au/en/publications/two-new-tarsier-species-tarsiidae-primates-and-the-biogeography-o
Shekelle, M. 2020. Tarsius spectrumgurskyae. The IUCN Red List of Threatened Species 2020: e.T162336422A162336580. https://dx.doi.org/10.2305/IUCN.UK.2020-3.RLTS.T162336422A162336580.en. Accessed on 06 April 2025.
Wikipedia. (n.d.). Gursky’s spectral tarsier. Retrieved April 6, 2025, from https://en.wikipedia.org/wiki/Gursky%27s_spectral_tarsier
How can I help the #Boycott4Wildlife?
Take Action in Five Ways
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Join 3,179 other subscribers2. Contribute stories: Academics, conservationists, scientists, indigenous rights advocates and animal rights advocates working to expose the corruption of the palm oil industry or to save animals can contribute stories to the website.
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Read more3. Supermarket sleuthing: Next time you’re in the supermarket, take photos of products containing palm oil. Share these to social media along with the hashtags to call out the greenwashing and ecocide of the brands who use palm oil. You can also take photos of palm oil free products and congratulate brands when they go palm oil free.
https://twitter.com/CuriousApe4/status/1526136783557529600?s=20
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https://twitter.com/mugabe139/status/1678027567977078784?s=20
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Pledge your supportLearn about other animals endangered by palm oil and other agriculture
Global South America S.E. Asia India Africa West Papua & PNGGursky’s Spectral Tarsier Tarsius spectrumgurskyae
Keep readingSunda Flying Lemur Galeopterus variegatus
Keep readingWestern Parotia Parotia sefilata
Keep readingCapped Langur Trachypithecus pileatus
Keep readingMountain Tapir Tapirus pinchaque
Keep reading Keep readingLearn about “sustainable” palm oil greenwashing
Read more about RSPO greenwashing
Lying Fake labels Indigenous Land-grabbing Human rights abuses Deforestation Human health hazardsA 2019 World Health Organisation (WHO) report into the palm oil industry and RSPO finds extensive greenwashing of palm oil deforestation and the murder of endangered animals (i.e. biodiversity loss)
Read more #animals #Boycott4wildlife #BoycottMeat #BoycottPalmOil #BoycottPesticides #carnivores #deforestation #ForgottenAnimals #GurskySSpectralTarsierTarsiusSpectrumgurskyae #hunting #illegalPetTrade #Indonesia #insects #nocturnal #PalmOil #palmOilDeforestation #palmoil #pesticide #pesticides #pet #petTrade #pettrade #poaching #Primate #primates #primatology #Sulawesi #tarsier #tarsiers #timber #vegan #vulnerable #VulnerableSpecies -
Sunda Flying Lemur Galeopterus variegatus
Sunda Flying Lemur Galeopterus variegatus
Locations: Thailand, Cambodia, Vietnam, Laos, Myanmar, Peninsular Malaysia, Singapore, Brunei, Indonesia (Java, Sumatra, Kalimantan, Bali), and Borneo
The Sunda flying lemur, also known as the Malayan flying lemur or Malayan #colugo, silently glides through the tropical forests of Southeast Asia, relying on ancient forests to survive. Despite their name, they are not true lemurs, nor do they fly—they are gliders, and among the most skilful in the world. This species is experiencing population declines in several parts of their range. They are threatened by #deforestation from #timber, #palmoil plantations, and #hunting by local communities. Forest loss, particularly in #Java, #Vietnam, and #Thailand, is fragmenting their populations and endangering their survival. Use your wallet as a weapon every time you shop and protect these sensitive creatures #BoycottPalmOil #Boycott4Wildlife
The elegant #Sunda flying #lemur AKA #Colugo can glide 100m through trees 🪽🕊️ in #Sumatra #Kalimantan and #Borneo. Totally reliant on trees, #palmoil is a major threat to them 😿 Fight back and🌴🩸🔥☠️🧐🚫 #Boycottpalmoil #Boycott4Wildlife @palmoildetect https://palmoildetectives.com/2026/02/08/sunda-flying-lemur-galeopterus-variegatus/
Share to BlueSky Share to TwitterHauntingly beautiful gliding #mammal, the Malayan #Colugo/ Sunda Flying #Lemur uses a cape-like skin membrane to slide 100’s of metres through the #rainforests of SE #Asia. Fight for them and #Boycottpalmoil 🌴🙊🤮🚜🔥❌ #Boycott4Wildlife @palmoildetect https://palmoildetectives.com/2026/02/08/sunda-flying-lemur-galeopterus-variegatus/
Share to BlueSky Share to TwitterAppearance & Behaviour
Sunda flying lemurs are hauntingly beautiful gliding mammals, with their large, forward-facing eyes adapted for night vision and a delicate, kite-shaped membrane of skin called a patagium stretching from their neck to their fingertips, tail, and toes. This structure allows them to glide over 100 metres through the forest canopy, losing as little as 10 metres in elevation. On the ground, they are nearly helpless, but in the trees, they move with astonishing agility. These quiet, nocturnal mammals spend their days curled up in tree hollows or nestled in the dense fronds of coconut trees, becoming active at dusk when they begin foraging.
Threats
Palm oil deforestation
The widespread clearing of tropical rainforest to establish palm oil plantations is one of the greatest threats to the Sunda flying lemur. These gliders rely heavily on continuous tree canopy for movement, foraging, and breeding. When forests are fragmented or entirely removed for palm oil, flying lemurs become stranded, exposed to predators, and unable to access food or shelter. This process has caused severe habitat degradation across Peninsular Malaysia, Sumatra, and Borneo.
Human persecution and hunting
In Java and some other regions, Sunda flying lemurs are hunted by local communities, including the Baduy Tribe, who increase hunting activity every four years as part of cultural practices. Though the species yields little meat, they are still killed for consumption or perceived nuisance. Hunting disrupts already fragile populations, particularly in areas where habitat loss has already reduced numbers and isolated groups.
Logging and forest fragmentation for timber
Commercial and illegal logging contribute to the rapid degradation of forests across Southeast Asia. Even selective logging can cause fragmentation, which limits the flying lemur’s ability to glide and forces them to descend to the ground—where they are highly vulnerable to predators and human threats. Logging roads also increase human access to remote forests, further accelerating hunting and forest conversion.
Competition with invasive species
In degraded habitats and plantations, Sunda flying lemurs face increased competition for food and nesting sites from invasive and generalist species such as the Plantain Squirrel (Callosciurus notatus). These squirrels are more adaptable and can dominate food sources, leaving less for the more specialised colugo. Competition like this puts additional stress on the already fragile populations of flying lemurs, especially in fragmented or edge habitats.
Urban expansion and infrastructure development
Rapid urbanisation across Southeast Asia has resulted in the encroachment of cities and towns into previously forested areas. Roads, buildings, hydroelectric dams and agricultural expansion sever vital canopy corridors and isolate populations, making gliding impossible in many urban landscapes. As a result, Sunda flying lemurs are forced to navigate unsuitable environments, increasing their risk of vehicle collisions, electrocution from power lines, and conflict with humans.
Weak protections and lack of enforcement
Although the Sunda flying lemur is legally protected in several countries, enforcement is often weak or inconsistent. In areas like Sarawak and Java, data on current populations is outdated or incomplete, making it difficult to assess trends or plan effective conservation strategies. Without strong protections and ongoing monitoring, habitat loss and hunting will continue to drive the species toward future vulnerability or extinction.
Geographic Range
Sunda flying lemurs are found across Southeast Asia, including Thailand, Cambodia, Vietnam, Laos, southern Myanmar, Peninsular Malaysia, Singapore, Brunei, and Indonesia (Java, Bali, Sumatra, Kalimantan, and Borneo). They are patchily distributed, with population declines noted in Java and possibly Sarawak. They occur in both primary and secondary forests, and are sometimes seen in plantations and gardens—but dense forest canopy is critical for their survival. Populations in disturbed habitats are less viable due to limited gliding space and reduced food availability.
Diet
The Sunda flying lemur feeds primarily on young leaves, buds, shoots, flowers, and fruits of a wide variety of forest trees. In Bako National Park, Sarawak, they have been observed feeding on over 12 tree species, with Buchanania arborescens making up over 50% of their diet. They also consume tree sap and have even been seen licking bark for water and minerals. Interestingly, they have been recorded feeding on ants (Paratrechina longicornis) in rare cases, highlighting their adaptability in changing environments.
Mating and Reproduction
After a gestation period of about 60 days, females give birth to a single young, which clings to the mother’s belly and is cradled within the folds of the patagium. The mother’s gliding membrane acts like a living pouch, offering warmth and protection as she climbs and glides through the treetops. Not much else is known about their mating systems or breeding intervals, but juveniles stay with their mothers until they are old enough to glide on their own.
FAQs
How many Sunda flying lemurs are left in the wild?
Exact population numbers are unknown, but the species is believed to be in slow decline. Localised extinctions are suspected in parts of Java and mainland Southeast Asia due to hunting and habitat fragmentation. While still widespread, their dependence on intact forests makes them vulnerable to ongoing deforestation (Boeadi & Steinmetz, 2008).
How long do Sunda flying lemurs live?
In the wild, their lifespan is estimated to be around 10–15 years, though this can vary depending on threats and environmental conditions. Data from wild populations are limited due to their elusive, nocturnal habits (Wikipedia, n.d.).
Why are they threatened by palm oil?
Palm oil plantations destroy the lowland tropical forests that flying lemurs depend on. Unlike other adaptable mammals, colugos require dense canopy cover for safe gliding, resting, and breeding. When forests are cleared, these gliders lose their ability to navigate safely, exposing them to predators and starvation. The conversion of rainforest into monoculture plantations has led to significant declines in habitat quality across their range (Lim et al., 2013; Nasir & Abdullah, 2009).
Do Sunda flying lemurs make good pets?
Absolutely not. Sunda flying lemurs are wild animals with specialised needs. They are not domesticated, and keeping them as pets leads to extreme stress, injury, or death. Capturing these animals for trade disrupts family groups and contributes to their extinction. If you care about flying lemurs, advocate against the exotic pet trade and never support it.
What conservation efforts are underway?
National laws protect the Sunda flying lemur in many range countries, and studies have been conducted in places like Bako National Park and Singapore. However, much stronger protection is needed, particularly in habitat protection and indigenous-led conservation. Conservationists recommend protecting forest patches, especially those with >95% canopy cover, to ensure their survival (Lim et al., 2013).
Take Action!
Protect the Sunda flying lemur by choosing only products that are 100% palm oil-free. Avoiding palm oil directly combats deforestation and preserves vital canopy corridors these animals depend on. Support indigenous-led agroecology and forest protection movements. Never support the exotic pet trade or keep wild animals in captivity. Every purchase you make has the power to either destroy or safeguard their rainforest homes. #BoycottPalmOil #Boycott4Wildlife
Support Sunda Flying Lemurs by going vegan and boycotting palm oil in the supermarket, it’s the #Boycott4Wildlife
Support the conservation of this species
This animal has no protections in place. Read about other forgotten species here. Create art to support this forgotten animal or raise awareness about them by sharing this post and using the #Boycottpalmoil #Boycott4Wildlife hashtags on social media. Also you can boycott palm oil in the supermarket.
Further Information
Boeadi & Steinmetz, R. 2008. Galeopterus variegatus. The IUCN Red List of Threatened Species 2008: e.T41502A10479343. https://dx.doi.org/10.2305/IUCN.UK.2008.RLTS.T41502A10479343.en. Accessed on 06 April 2025.
Lim, N. T-L., Giam, X., Byrnes, G., & Clements, G. R. (2013). Occurrence of the Sunda colugo (Galeopterus variegatus) in the tropical forests of Singapore: A Bayesian approach. Mammalian Biology, 78(1), 63–67. https://doi.org/10.1016/j.mambio.2012.06.008
Nasir, D., & Abdullah, M. T. (2009). Foraging ecology of the Sunda colugo (Galeopterus variegatus) in Bako National Park, Sarawak, Malaysia. Malayan Nature Journal, 61(4), 285–294. https://www.researchgate.net/publication/290610443_Foraging_ecology_of_the_sunda_colugo_galeopterus_variegatus_in_bako_national_park_sarawak_malaysia
Wikipedia. (n.d.). Sunda flying lemur. Retrieved April 6, 2025, from https://en.wikipedia.org/wiki/Sunda_flying_lemur
How can I help the #Boycott4Wildlife?
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Read moreMel Lumby: Dedicated Devotee to Borneo’s Living Beings
Read moreAnthropologist and Author Dr Sophie Chao
Read moreHealth Physician Dr Evan Allen
Read moreThe World’s Most Loved Cup: A Social, Ethical & Environmental History of Coffee by Aviary Doert
Read moreHow do we stop the world’s ecosystems from going into a death spiral? A #SteadyState Economy
Read more3. Supermarket sleuthing: Next time you’re in the supermarket, take photos of products containing palm oil. Share these to social media along with the hashtags to call out the greenwashing and ecocide of the brands who use palm oil. You can also take photos of palm oil free products and congratulate brands when they go palm oil free.
https://twitter.com/CuriousApe4/status/1526136783557529600?s=20
https://twitter.com/PhillDixon1/status/1749010345555788144?s=20
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Pledge your supportLearn about other animals endangered by palm oil and other agriculture
Global South America S.E. Asia India Africa West Papua & PNGSunda Flying Lemur Galeopterus variegatus
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Keep reading Keep reading Keep readingLearn about “sustainable” palm oil greenwashing
Read more about RSPO greenwashing
Lying Fake labels Indigenous Land-grabbing Human rights abuses Deforestation Human health hazardsA 2019 World Health Organisation (WHO) report into the palm oil industry and RSPO finds extensive greenwashing of palm oil deforestation and the murder of endangered animals (i.e. biodiversity loss)
Read more #animals #Asia #Borneo #Boycott4wildlife #BoycottMeat #BoycottPalmOil #Brunei #Cambodia #colugo #dams #deforestation #ForgottenAnimals #glidingMammal #humanWildlifeConflict #hunting #hydroelectric #Indonesia #Java #Kalimantan #Laos #lemur #Malaysia #Mammal #Myanmar #nocturnal #PalmOil #palmOilDeforestation #palmoil #poaching #rainforests #Sumatra #Sunda #SundaFlyingLemurGaleopterusVariegatus #Thailand #timber #Vietnam #VulnerableSpecies -
Looking forward to discussing the contributions in this #MixedMethods panel.
To me the QuantQual distinction is a distraction and often hindering people from combining multiple data types with multiple analysis methods.
Very glad to support researchers chipping away at this!
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The #VADundee's upcoming exhibition
"Garden Futures: Designing with Nature"
explores how our outdoor spaces can shape a greener, more imaginative future.Since gardens mean something different to everyone, the museum invites people to share images showing what a garden means to them. Contributions can be anything: a potted plant, the local park, a vegetable one has grown,...
https://www.vam.ac.uk/dundee/articles/global-garden -
The second issue of the Weizenbaum Journal of the Digital Society's 2024 volume features contributions that explore the transformation of the public sphere in the context of digitalization from an interdisciplinary perspective.
Contributors: P Yan, R Schroeder, @damiantrilling, P Leerssen, S Mertens, D de Coninck, L d'Haenens.
Read the Editorial: https://doi.org/10.34669/wi.wjds/4.2.1
#wjds #openaccess #research #socialscience #digitalization @FOKUSpublic @freieuniversitaet @tuberlin @WZB_Berlin
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Stuck in the Filter: May 2024’s Angry Misses
By Kenstrosity
I thought the onset of summer would mean a total solar beatdown. Instead, it’s brought the rain. Absolutely chucking down rain. But, if you thought that bad weather leads to mercy from me, you’re dead wrong. In fact, I pushed my minions even harder to dredge up as many waterlogged nuggets of notable ore from our perpetually overtaxed filtration system.
And so, as my “staff,” who are definitely paid (don’t look into it) dry off in the industrial-grade wind tunnel, allow me to introduce May’s Filter entries for a public I truly don’t care about at all (don’t look into it). BEHOLD!
Iceberg’s Divisive Defenstrations
Cobra The Impaler // Karma Collision [May 24th, 2024 – Listenable Records]
Belgium’s Cobra The Impaler bill themselves as carrying the torch of classic-era Mastodon, a band hitting so many spectrums of metal comparing one’s music to theirs is a much safer bet than not. Led by primary songwriter and ex-Aborted guitarist Tace DC, the band sit somewhere in the murky grey between progressive and technical modern metal. The aforementioned Mastodon worship is strong here—especially in opener “Magnetic Hex”—although the crystal clean production by Jens Borgren really prevents the use of the term “sludge.” Elsewhere there are prog-metal moments of Virus/Vector-era Haken (“Karma Collision,” “The Fountain”) and some of the relentless, drums-in-front compositions of Gojira (“Karma Collision,” “The Assassins of the Vision”). Vocalist Manuel Remmerie’s also has his work cut out for him, delivering plenty of admirable cleans in both high and low registers alongside full-throated screams and somewhat less effective pitched growls. The instrumental performances here are top-notch, professional in the verse/chorus sections, and continuously—sometimes outstandingly—creative in the free-form bridges. There is some tightening to be done with the accessibility of the choruses—they fall flat against the superior instrumental sections— but there are moments of brilliance and a ton of potential in this five-piece.
Capstan // The Mosaic [May 24th, 2024 – Fearless Records]
Anyone who’s plugged into the post-hardcore scene should know that Florida’s Capstan transcend the—rightfully deserved—vitriol thrown at the style. I don’t think any Fearless band has ever been reviewed here, but Capstan’s latest opus The Mosaic deserves a shoutout to whomever hasn’t run screaming from these halls. Led by vocalist Anthony DeMario—sure to be a divisive figure with his unapologetic pop punk cleans—the band has continuously augmented their Warped-core sound with the mathy guitar noodlings of Chon or Polyphia, and an impressive triple vocalist attack for thick, elaborate harmonies. This album, clocking in at over an hour, doesn’t pull any punches, showcasing trip-hop, breakdown-laced numbers (“Bete Noire”), full throated anthems about self-loathing and heartbreak (“Misery Scene”) and even lighter, crooning ballads (“What Can I Say”). Synergy and professionalism are where the band shine; everything has is slickly produced and the performances—especially those vocals—are whip-smart. Plenty of editing could have been done, but you can tell how much fun the band is having. Anyone with a passing interest or nostalgia for 2000’s post-hardcore should check this out. Plus their drummer plays with traditional grip, and watching a jazz guy slam out breakdowns is pretty rad in my book.
GardensTale’s Dose of Decay
Strychnos // Armageddon Patronage [May 17th, 2024 – Dark Descent Records]
I don’t always check out albums that set the comment section and/or Discord abuzz, but when I do, it rarely results in anything less than interesting. Case in point, the bottomless evil of Strychnos, a Danish outfit that struggled to get off the ground in the early 00’s, eked out a single EP in the 10’s, and suddenly started shitting out heaving platters of malicious black/death since the pandemic. Armageddon Patronage is the second full-length off their new production line, and it brings every horseman along for its deadly ride. War is embodied by the lethal double feature that starts the charge, with swelling riffs battering the unjust to fertilizer. The unflinching and unfeeling brutality of Famine seethes from “Choking Salvation,” and out the beaks of “Pale Black Birds” pours Pestilence with slavering enthusiasm. Frontman Martin Leth Anderson, who also handles bass for Undergang, employs a bellowing growl that encapsulates hopelessness and suffering, and the excellent, malevolent riffs usher an effective aura of utter destruction. Death, however, comes not at the end, but during the doom-laden centerpiece, the despondent “Endless Void Dimension” with its atmospheric Gregorian chanting. I have no qualms becoming a patron to this spiteful chunk of armageddon.
Dear Hollow’s Shtanky Shwamp of Shrieks
Saidan // Visual Kill: The Blossoming of Psychotic Depravity [May 24th, 2024 – Self-Released]
Saidan do things a little differently. The Nashville duo’s themes rooted in Japanese folklore and the formidable and mysterious yokai in particular, combined with a relentlessly riffy and punk-driven tour-de-force of black metal proportions are always food for thought in the act’s brief and formidable history. Seamlessly transitioning between punk chord progressions and bouncy drums to blastbeats and kvlt tremolo to groovy riffs and rhythms, anchored by Splatterpvnk’s ripping vocals, it never shies away from punishment. However, interwoven with this assault is a distinctly melodic undercurrent that brightens the progressions and gives purpose and a sense of fun – a hyper-melodic black metal act would be jealous. You won’t be able to shake the grooves of “Desecration of a Lustful Illusion,” the symphonic black intensity of “Genocidal Bloodfiend” and “Veins of the Wicked” hit you like a cyclone, and the classic thrash solos and anime-theme-song vibe of “Sick Abducted Purity,” “Visual Kill,” and “Switchblade Paradise” are guaranteed to get your head banging – plus, the interlude “seraphic lullaby” and instrumental closer “suffer” ain’t half bad. Visual Kill is like if Powerglove wrote a black metal album that you could actually take seriously, backed up with the technicality, songwriting chops, and sheer unbridled energy to make it work.
Parfaxitas // Weaver of the Black Moon [May 31st, 2024 – Terratur Possessions]
The minds behind Parfaxitas should need little introduction, although the moniker will likely not ring any bells. Representing three separate scenes and their respective contributions to black metal lore, two American stringsmen from acts Merihem, Suffering Hour, and Manetherean, Icelandic drummer B.E. from Almyrkvi, Sinmara, Slidhr, and Wormlust, and Norwegian vocalist K.R. From Whoredom Rife collide. Weaver of the Black Moon combines the blueprint of second-wave Norwegian black with the obsidian dissonance of Icelandic, and the experimental edge of American acts, making it a tour-de-force of both vicious sound and tortured atmosphere. Dissonance rains down like acid, a backdrop, and shroud of otherworldly sounds that shimmer and crunch in ways that recall both the winding passages of Suffering Hour and the psychedelic rawness of Wormlust simultaneously. Hammered by vicious blastbeats and guided by tortured barks, the guitar and meandering fluid bass guide listeners from untouchable intensity (“Thou Shalt Worship No Other”) to haunting and hypnotic atmosphere (“Ravens of Dispersion”) – stealing the show. Parfaxitas features a whole lot of firepower, culminating in epic closer “Fields of Nightmares,” a crescendo of punishing and otherworldly proportions.
Aseitas // Eden Trough [May 30th, 2024 – Total Dissonance Worship]
After Aseitas’ formidable 2020 album False Peace, which narrowly missed my AOTY’s, the Portland trio is back with another album – which could easily be classified as an EP in its tidy thirty-minute runtime. Eden Trough condenses the lofty and decadent ambition of its predecessor for an album devoted to complete takedown in winding riffs, punishing death metal, and ravaging vocals. From the thick and punishing signature shifts of “Libertine Captor” and “Alabaster Bones,” complete with shifting riffs and a liminal sense of melody, to the more droning and haunting “Break the Neck of Every Beautiful Thing,” to the epic and cosmic psychedelia of ten-minute centerpiece “Tiamat,” Aseitas’ shows its tantalizing and gradual progression to an echelon of indispensable in the world of dissonant death. Offering influences of convulsive mathcore, mammoth post-metal, and unhinged yet intensely calculated technicality, Eden Trough is a must-listen for the long-time fan, as well as proffering a snapshot to the curious of what makes Aseitas so special to begin with.
Dolphin Whisperer’s Progalicious Ponderings
Azure // Fym [May 23rd, 2024 – Self Release]
Are you way into high fantasy and exuberant, progressive albums that reflect that sentiment? If so, look no further than Azure’s third opus, Fym, which over its runtime recounts the tales of a mystical fox’s journey in a frightening and whimsical world. Normally I wouldn’t think twice about an album with such a storybook concept.1 But between Chris Sampson’s vocal navigations that ring as hyper-tenor and dolphin-like (“The Lavender Fox”)2 as they do sullen and heart-wrenching (“Kingdom of Ice and Light,” “Moonrise”), and Galen Stapley’s mystical fretboard wizardry that marries funk chords, soundtrack melodies, and dance-able shred, Azure packs too much sunshine in their prog for me to ignore. And at almost eighty minutes, they pack a lot of it too. However, each run through Fym’s pages finds a new rumbling bass bounce to propel a hop, a new vocal run to twirl my tongue (with notes that I couldn’t possibly hit), or a synthfully sinful refrain to stain my brain matter with happy juice—”The Azdinist // Den of Dawns” or “Agentic State” unite these ideas best—it’s truly a hard album to put down. Combining just about every era of Genesis with the acrobatics of Dream Theater, the play and ambition of the earliest of Pain of Salvation theatrics, and healthy dose of modern bastardizations (check the autotune/pitchshifting on “Doppelgänger”), Azure has made a mighty statement with Fym that I’m still digesting. And with as many inventive synth patches, harmonic vocal layers, and cinematic builds as this rainbow dose of prog pushes, it’ll be quite some time before I’ve made up my mind about it all. So I’ll continue in pieces. Or all at once. Whatever time allows because Fym is just that much fun.
PreHistoric Animals // Finding Love in Strange Places [May 16th, 2024 – Dutch Music Works]
And here we are with, what’s that, another prog concept album? This one’s a little less terrestrial though, featuring healthy infusions of a futuristic space drama and heavy-hitting synthwave doots and bounces. Over the course of their past couple works, PreHistoric Animals has found an ease in comfortable exploration with their King’s X-like tendency to grip with a barbed verse melody or chorus explosion, layered tastefully with harmonic vocal accompaniment and groove-heavy riffs. But, despite that comparison, it’s clear from the opening synth pulse of “The City of My Dreams” and “Living in a World of Bliss” that an electronic and hooky identity that’s caught between Toto and Yes imbues the edges of refrains that stick like honey to vocalist Stefan Altzar’s easy-on-the-ears narrative. Finding Love in Strange Places can get bogged down a touch in its word-driven nature, though, especially on the various interludes and certain longer tracks like “Unbreakable” and “Nothing Has Changed but Everything Is Different.” None of that fluff ever truly interrupts Finding Love’s heartbeat rhythms, which hold a steady if highly syncopated simplicity and form a hi-hat charming vessel that keeps the head nodding in progressive pomp. Oh, and it helps that guitarists Altzar and Daniel Magdic (ex-Pain of Salvation) have studied the slow-burn solo nature of greats like David Gilmour (Pink Floyd) and Brian May (Queen), with tasteful legato and searing ascensions aiding in earned crescendo at Finding Love’s best moments (“Living in a World of Bliss,” “The Secret of Goodness”). Having reliably churned out confident and catchy works every other years since 2018, PreHistoric Animals fly relatively low in the flock of modern prog, but these space-bound Swedes have earned a likely lifelong aquatic fan at this stage of their growing career. Give Love a chance!
Matrass // Cathedrals [May 17th, 2024 – La Tangente Label]
And, last but not least from my assortment, Matrass hails from France to bring you Cathedrals, which is… yes, you guessed it, another prog concept album! If you’re worried about another album of the synthtastic and 80s prog-themed variety, though, don’t fret about what Matrass brings to the table. Playing closer to post than progressive waters, Cathedrals flitters about dreamy, lounge jazz guitar passages before crushing down with Cult of Luna riffs and Tesseract-inspired, low-end atmospherics. But most important to the groove and cinematic lilt that defines Cathedrals is the methods by which vocalist Clémentine Browne navigates jangling verses with gentle croons and accented, rhythmic spoken word before frying down with screeching and hissing fervor against heavy chord crushes. That talent for establishing and reinforcing mood lands idiosyncratic in the realm of post acts, so her exact methods may not fit the bill for all fans of the rise-and-fall aesthetic the genre offers. And though Matrass remains largely iterative of this mood through its hour-long run, it’s that successful idea of atmosphere that allows peak tracks “Shreds,” “Adrift” (which features Browne on saxophone instead), and “Cathedrals” to conjure such powerful and drifting thoughts in my head. And when you’re in its valleys? Matrass still maintains a textural backdrop that spells high potential for this young act.
Saunders’ Sulfuric Stash
Desolus // System Shock [March 10th, 2024 – Hells Headbangers]
Who’s up for some explosive, throwback thrashy goodness? Although hailing from the States, Desolus take plenty of inspiration from classic German trash titans Kreator, Destruction and Sodom. Throw in classic Dark Angel vibes, a heavy, modern edge and crunchy production job, and the band’s debut System Shock ticks all the boxes for a thrashing great time. This shit is seriously jacked with unhinged, old-school aggression, spitfire riffs and stampeding percussion propelling the album’s ten speed-driven assaults. An utterly deranged, ’80s underground-inspired vocal performance adds further steel-plated authenticity to a retro-minded sound that manages to sound fresh and inspired. Aside from rare moments of slower melodic nuance on the otherwise blistering “Sea of Fire,” and the aptly titled “Interlude” providing a handy breather, Desolus crank speed and intensity to the max, rarely breaking from their relentless stride. The opening one-two salvo of “System Shock” and bonkers lunacy of “From Man to Machine” set a savage tone and gritty platform from which Desolus launch assault after assault of high-octane thrash mania. “Cures of the Technomancer” is an absolute riff beast with groove and speed for days, while “The Invasion Begins” deftly puts you in a false sense of bouncy melodic security before jamming the afterburners into a typically ferocious attack. Exuberant, nasty stuff.
Terminal Nation // Echoes of the Devil’s Den [May 3rd, 2024 – 20 Buck Spin]
The second album from Pittsburgh bruisers Terminal Nation hits with sledgehammer force, obliterating any semblance of subtlety in favor of an extra beefy, in-your-face hybrid of death metal and hardcore. Echoes of the Devil’s Den features a searing, politically charged and seriously pissed-off bite. High-profile guest vocal slots seamlessly blend into the vicious attack, including strong turns from Integrity‘s Dwid Hellion (“Release the Serpents”), Killswitch Engage‘s Jesse Leach (“Merchants of Bloodshed”) and Nails frontman Todd Jones. Jones features on “Written by the Victor,” a vicious tune that harnesses thick, neck-wrecking grooves and punishing, doom-laden death grooves. The album’s hardcore influence and political slant may turn off certain listeners, but those who don’t mind some hardcore in their death stew should find plenty to like here. The gritty, muscular exterior features nods to Bolt Thrower and All Shall Perish, while the weighty, mid-paced crush, chunky riffs and breakdowns are balanced by tasteful melodic counterpoints and livelier bursts of speed (“Dying Alive”). Not all works; the provocative, anti-police song “No Reform (New Age Slave Patrol)” musically has its moments; however, the heavy-handed lyrical approach sticks out like a sore thumb. Nevertheless, Echoes of the Devil’s Den swings and slugs you more often than it misses.
Steel Druhm’s Sewer Tarts
The Troops of Doom // A Mass to the Grotesque [May 31, 2024 – Alma Mater Records]
For their sophomore outing, Brazilian death-thrashers The Troops of Doom took their vintage Sepultura-esque sound and juiced it up considerably from what we heard on 2022s Antichrist Reborn. A Mass to the Grotesque still sounds a bunch like classic Sepultura but it’s much more refined, developed and expanded in scope. Yet it’s still a frenzied, thrashing assault full of lyrics about evil, demons, and all things anti-Christian. It sounds like something that should have dropped in as the 80s thrash wave started mutating into proto-death, and that is a beloved era of music for yours Steely. Songs like “Chapels of the Unholy” and “Dawn of Mephisto” sit right on the bleeding edge of thrash and early death, with Slayer-tastic riffs colliding with early examples of death grooves. What makes this so entertaining is how the band reaches outside of the Sepultura homage bubble to drag in new elements to expand their sound. Some songs feel slightly progressive (“Denied Divinity”) while elsewhere they shoehorn epic doom into the massive “Psalm 7:8 – God of Bizarre.” The straight-up riffbeasts are my favorites though, with “The Imposter King” being a big, fat, sweaty highlight. While these cats are always going to get compared to classic Sepultura, they made real efforts here to stake out their own identity. This is a wild, testosterone-fueled ride featuring the maximum allowable Satan, and I support that.
#20BuckSpin #2024 #AMassToTheGrotesque #Aborted #AllShallPerish #AlmaMaterRecords #Almyrkvi #AmericanMetal #ArmageddonPatronage #Aseitas #Azure #BelgianMetal #BlackMetal #BlackenedDeathMetal #BoltThrower #Capstan #Cathedrals #CHON #CobraTheImpaler #CultOfLuna #DanishMetal #DarkAngel #DarkDescentRecords #DeathMetal #Desolus #Destruction #DissonantDeathMetal #DreamTheater #DutchMusicWorks #EchoesOfTheDevilSDen #EdenTrough #FearlessRecords #FindingLoveInStrangePlaces #FrenchMetal #Fym #Genesis #GermanMetal #Gojira #Haken #Hardcore #HellsHeadbangers #Integrity #InternationalMetal #KarmaCollision #KillswitchEngage #KingsX #Kreator #LaTangenteLabel #ListenableRecords #Manetherean #Mastodon #Matrass #May24 #MelodicBlackMetal #Merihem #Nails #PainOfSalvation #Parfaxitas #PinkFloyd #Polyphia #PostHardcore #Powerglove #PreHistoricAnimals #ProgressiveMetal #Punk #Queen #Review #Reviews #Saidan #SelfReleased #Sinmara #Slidhr #Sodom #Strychnos #SufferingHour #SwedishMetal #SystemShock #TechnicalDeathMetal #TechnicalMetal #TerminalNation #TerraturPossessions #TesseracT #TheMosaic #TheTroopsOfDoom #TotalDissonanceWorship #UKMetal #Undergang #USMetal #VisualKillTheBlossomingOfPsychoticDepravity #WeaverOfTheBlackMoon #WhoredomeRife #Wormlust #Yes
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Stuck in the Filter: May 2024’s Angry Misses
By Kenstrosity
I thought the onset of summer would mean a total solar beatdown. Instead, it’s brought the rain. Absolutely chucking down rain. But, if you thought that bad weather leads to mercy from me, you’re dead wrong. In fact, I pushed my minions even harder to dredge up as many waterlogged nuggets of notable ore from our perpetually overtaxed filtration system.
And so, as my “staff,” who are definitely paid (don’t look into it) dry off in the industrial-grade wind tunnel, allow me to introduce May’s Filter entries for a public I truly don’t care about at all (don’t look into it). BEHOLD!
Iceberg’s Divisive Defenstrations
Cobra The Impaler // Karma Collision [May 24th, 2024 – Listenable Records]
Belgium’s Cobra The Impaler bill themselves as carrying the torch of classic-era Mastodon, a band hitting so many spectrums of metal comparing one’s music to theirs is a much safer bet than not. Led by primary songwriter and ex-Aborted guitarist Tace DC, the band sit somewhere in the murky grey between progressive and technical modern metal. The aforementioned Mastodon worship is strong here—especially in opener “Magnetic Hex”—although the crystal clean production by Jens Borgren really prevents the use of the term “sludge.” Elsewhere there are prog-metal moments of Virus/Vector-era Haken (“Karma Collision,” “The Fountain”) and some of the relentless, drums-in-front compositions of Gojira (“Karma Collision,” “The Assassins of the Vision”). Vocalist Manuel Remmerie’s also has his work cut out for him, delivering plenty of admirable cleans in both high and low registers alongside full-throated screams and somewhat less effective pitched growls. The instrumental performances here are top-notch, professional in the verse/chorus sections, and continuously—sometimes outstandingly—creative in the free-form bridges. There is some tightening to be done with the accessibility of the choruses—they fall flat against the superior instrumental sections— but there are moments of brilliance and a ton of potential in this five-piece.
Capstan // The Mosaic [May 24th, 2024 – Fearless Records]
Anyone who’s plugged into the post-hardcore scene should know that Florida’s Capstan transcend the—rightfully deserved—vitriol thrown at the style. I don’t think any Fearless band has ever been reviewed here, but Capstan’s latest opus The Mosaic deserves a shoutout to whomever hasn’t run screaming from these halls. Led by vocalist Anthony DeMario—sure to be a divisive figure with his unapologetic pop punk cleans—the band has continuously augmented their Warped-core sound with the mathy guitar noodlings of Chon or Polyphia, and an impressive triple vocalist attack for thick, elaborate harmonies. This album, clocking in at over an hour, doesn’t pull any punches, showcasing trip-hop, breakdown-laced numbers (“Bete Noire”), full throated anthems about self-loathing and heartbreak (“Misery Scene”) and even lighter, crooning ballads (“What Can I Say”). Synergy and professionalism are where the band shine; everything has is slickly produced and the performances—especially those vocals—are whip-smart. Plenty of editing could have been done, but you can tell how much fun the band is having. Anyone with a passing interest or nostalgia for 2000’s post-hardcore should check this out. Plus their drummer plays with traditional grip, and watching a jazz guy slam out breakdowns is pretty rad in my book.
GardensTale’s Dose of Decay
Strychnos // Armageddon Patronage [May 17th, 2024 – Dark Descent Records]
I don’t always check out albums that set the comment section and/or Discord abuzz, but when I do, it rarely results in anything less than interesting. Case in point, the bottomless evil of Strychnos, a Danish outfit that struggled to get off the ground in the early 00’s, eked out a single EP in the 10’s, and suddenly started shitting out heaving platters of malicious black/death since the pandemic. Armageddon Patronage is the second full-length off their new production line, and it brings every horseman along for its deadly ride. War is embodied by the lethal double feature that starts the charge, with swelling riffs battering the unjust to fertilizer. The unflinching and unfeeling brutality of Famine seethes from “Choking Salvation,” and out the beaks of “Pale Black Birds” pours Pestilence with slavering enthusiasm. Frontman Martin Leth Anderson, who also handles bass for Undergang, employs a bellowing growl that encapsulates hopelessness and suffering, and the excellent, malevolent riffs usher an effective aura of utter destruction. Death, however, comes not at the end, but during the doom-laden centerpiece, the despondent “Endless Void Dimension” with its atmospheric Gregorian chanting. I have no qualms becoming a patron to this spiteful chunk of armageddon.
Dear Hollow’s Shtanky Shwamp of Shrieks
Saidan // Visual Kill: The Blossoming of Psychotic Depravity [May 24th, 2024 – Self-Released]
Saidan do things a little differently. The Nashville duo’s themes rooted in Japanese folklore and the formidable and mysterious yokai in particular, combined with a relentlessly riffy and punk-driven tour-de-force of black metal proportions are always food for thought in the act’s brief and formidable history. Seamlessly transitioning between punk chord progressions and bouncy drums to blastbeats and kvlt tremolo to groovy riffs and rhythms, anchored by Splatterpvnk’s ripping vocals, it never shies away from punishment. However, interwoven with this assault is a distinctly melodic undercurrent that brightens the progressions and gives purpose and a sense of fun – a hyper-melodic black metal act would be jealous. You won’t be able to shake the grooves of “Desecration of a Lustful Illusion,” the symphonic black intensity of “Genocidal Bloodfiend” and “Veins of the Wicked” hit you like a cyclone, and the classic thrash solos and anime-theme-song vibe of “Sick Abducted Purity,” “Visual Kill,” and “Switchblade Paradise” are guaranteed to get your head banging – plus, the interlude “seraphic lullaby” and instrumental closer “suffer” ain’t half bad. Visual Kill is like if Powerglove wrote a black metal album that you could actually take seriously, backed up with the technicality, songwriting chops, and sheer unbridled energy to make it work.
Parfaxitas // Weaver of the Black Moon [May 31st, 2024 – Terratur Possessions]
The minds behind Parfaxitas should need little introduction, although the moniker will likely not ring any bells. Representing three separate scenes and their respective contributions to black metal lore, two American stringsmen from acts Merihem, Suffering Hour, and Manetherean, Icelandic drummer B.E. from Almyrkvi, Sinmara, Slidhr, and Wormlust, and Norwegian vocalist K.R. From Whoredom Rife collide. Weaver of the Black Moon combines the blueprint of second-wave Norwegian black with the obsidian dissonance of Icelandic, and the experimental edge of American acts, making it a tour-de-force of both vicious sound and tortured atmosphere. Dissonance rains down like acid, a backdrop, and shroud of otherworldly sounds that shimmer and crunch in ways that recall both the winding passages of Suffering Hour and the psychedelic rawness of Wormlust simultaneously. Hammered by vicious blastbeats and guided by tortured barks, the guitar and meandering fluid bass guide listeners from untouchable intensity (“Thou Shalt Worship No Other”) to haunting and hypnotic atmosphere (“Ravens of Dispersion”) – stealing the show. Parfaxitas features a whole lot of firepower, culminating in epic closer “Fields of Nightmares,” a crescendo of punishing and otherworldly proportions.
Aseitas // Eden Trough [May 30th, 2024 – Total Dissonance Worship]
After Aseitas’ formidable 2020 album False Peace, which narrowly missed my AOTY’s, the Portland trio is back with another album – which could easily be classified as an EP in its tidy thirty-minute runtime. Eden Trough condenses the lofty and decadent ambition of its predecessor for an album devoted to complete takedown in winding riffs, punishing death metal, and ravaging vocals. From the thick and punishing signature shifts of “Libertine Captor” and “Alabaster Bones,” complete with shifting riffs and a liminal sense of melody, to the more droning and haunting “Break the Neck of Every Beautiful Thing,” to the epic and cosmic psychedelia of ten-minute centerpiece “Tiamat,” Aseitas’ shows its tantalizing and gradual progression to an echelon of indispensable in the world of dissonant death. Offering influences of convulsive mathcore, mammoth post-metal, and unhinged yet intensely calculated technicality, Eden Trough is a must-listen for the long-time fan, as well as proffering a snapshot to the curious of what makes Aseitas so special to begin with.
Dolphin Whisperer’s Progalicious Ponderings
Azure // Fym [May 23rd, 2024 – Self Release]
Are you way into high fantasy and exuberant, progressive albums that reflect that sentiment? If so, look no further than Azure’s third opus, Fym, which over its runtime recounts the tales of a mystical fox’s journey in a frightening and whimsical world. Normally I wouldn’t think twice about an album with such a storybook concept.1 But between Chris Sampson’s vocal navigations that ring as hyper-tenor and dolphin-like (“The Lavender Fox”)2 as they do sullen and heart-wrenching (“Kingdom of Ice and Light,” “Moonrise”), and Galen Stapley’s mystical fretboard wizardry that marries funk chords, soundtrack melodies, and dance-able shred, Azure packs too much sunshine in their prog for me to ignore. And at almost eighty minutes, they pack a lot of it too. However, each run through Fym’s pages finds a new rumbling bass bounce to propel a hop, a new vocal run to twirl my tongue (with notes that I couldn’t possibly hit), or a synthfully sinful refrain to stain my brain matter with happy juice—”The Azdinist // Den of Dawns” or “Agentic State” unite these ideas best—it’s truly a hard album to put down. Combining just about every era of Genesis with the acrobatics of Dream Theater, the play and ambition of the earliest of Pain of Salvation theatrics, and healthy dose of modern bastardizations (check the autotune/pitchshifting on “Doppelgänger”), Azure has made a mighty statement with Fym that I’m still digesting. And with as many inventive synth patches, harmonic vocal layers, and cinematic builds as this rainbow dose of prog pushes, it’ll be quite some time before I’ve made up my mind about it all. So I’ll continue in pieces. Or all at once. Whatever time allows because Fym is just that much fun.
PreHistoric Animals // Finding Love in Strange Places [May 16th, 2024 – Dutch Music Works]
And here we are with, what’s that, another prog concept album? This one’s a little less terrestrial though, featuring healthy infusions of a futuristic space drama and heavy-hitting synthwave doots and bounces. Over the course of their past couple works, PreHistoric Animals has found an ease in comfortable exploration with their King’s X-like tendency to grip with a barbed verse melody or chorus explosion, layered tastefully with harmonic vocal accompaniment and groove-heavy riffs. But, despite that comparison, it’s clear from the opening synth pulse of “The City of My Dreams” and “Living in a World of Bliss” that an electronic and hooky identity that’s caught between Toto and Yes imbues the edges of refrains that stick like honey to vocalist Stefan Altzar’s easy-on-the-ears narrative. Finding Love in Strange Places can get bogged down a touch in its word-driven nature, though, especially on the various interludes and certain longer tracks like “Unbreakable” and “Nothing Has Changed but Everything Is Different.” None of that fluff ever truly interrupts Finding Love’s heartbeat rhythms, which hold a steady if highly syncopated simplicity and form a hi-hat charming vessel that keeps the head nodding in progressive pomp. Oh, and it helps that guitarists Altzar and Daniel Magdic (ex-Pain of Salvation) have studied the slow-burn solo nature of greats like David Gilmour (Pink Floyd) and Brian May (Queen), with tasteful legato and searing ascensions aiding in earned crescendo at Finding Love’s best moments (“Living in a World of Bliss,” “The Secret of Goodness”). Having reliably churned out confident and catchy works every other years since 2018, PreHistoric Animals fly relatively low in the flock of modern prog, but these space-bound Swedes have earned a likely lifelong aquatic fan at this stage of their growing career. Give Love a chance!
Matrass // Cathedrals [May 17th, 2024 – La Tangente Label]
And, last but not least from my assortment, Matrass hails from France to bring you Cathedrals, which is… yes, you guessed it, another prog concept album! If you’re worried about another album of the synthtastic and 80s prog-themed variety, though, don’t fret about what Matrass brings to the table. Playing closer to post than progressive waters, Cathedrals flitters about dreamy, lounge jazz guitar passages before crushing down with Cult of Luna riffs and Tesseract-inspired, low-end atmospherics. But most important to the groove and cinematic lilt that defines Cathedrals is the methods by which vocalist Clémentine Browne navigates jangling verses with gentle croons and accented, rhythmic spoken word before frying down with screeching and hissing fervor against heavy chord crushes. That talent for establishing and reinforcing mood lands idiosyncratic in the realm of post acts, so her exact methods may not fit the bill for all fans of the rise-and-fall aesthetic the genre offers. And though Matrass remains largely iterative of this mood through its hour-long run, it’s that successful idea of atmosphere that allows peak tracks “Shreds,” “Adrift” (which features Browne on saxophone instead), and “Cathedrals” to conjure such powerful and drifting thoughts in my head. And when you’re in its valleys? Matrass still maintains a textural backdrop that spells high potential for this young act.
Saunders’ Sulfuric Stash
Desolus // System Shock [March 10th, 2024 – Hells Headbangers]
Who’s up for some explosive, throwback thrashy goodness? Although hailing from the States, Desolus take plenty of inspiration from classic German trash titans Kreator, Destruction and Sodom. Throw in classic Dark Angel vibes, a heavy, modern edge and crunchy production job, and the band’s debut System Shock ticks all the boxes for a thrashing great time. This shit is seriously jacked with unhinged, old-school aggression, spitfire riffs and stampeding percussion propelling the album’s ten speed-driven assaults. An utterly deranged, ’80s underground-inspired vocal performance adds further steel-plated authenticity to a retro-minded sound that manages to sound fresh and inspired. Aside from rare moments of slower melodic nuance on the otherwise blistering “Sea of Fire,” and the aptly titled “Interlude” providing a handy breather, Desolus crank speed and intensity to the max, rarely breaking from their relentless stride. The opening one-two salvo of “System Shock” and bonkers lunacy of “From Man to Machine” set a savage tone and gritty platform from which Desolus launch assault after assault of high-octane thrash mania. “Cures of the Technomancer” is an absolute riff beast with groove and speed for days, while “The Invasion Begins” deftly puts you in a false sense of bouncy melodic security before jamming the afterburners into a typically ferocious attack. Exuberant, nasty stuff.
Terminal Nation // Echoes of the Devil’s Den [May 3rd, 2024 – 20 Buck Spin]
The second album from Pittsburgh bruisers Terminal Nation hits with sledgehammer force, obliterating any semblance of subtlety in favor of an extra beefy, in-your-face hybrid of death metal and hardcore. Echoes of the Devil’s Den features a searing, politically charged and seriously pissed-off bite. High-profile guest vocal slots seamlessly blend into the vicious attack, including strong turns from Integrity‘s Dwid Hellion (“Release the Serpents”), Killswitch Engage‘s Jesse Leach (“Merchants of Bloodshed”) and Nails frontman Todd Jones. Jones features on “Written by the Victor,” a vicious tune that harnesses thick, neck-wrecking grooves and punishing, doom-laden death grooves. The album’s hardcore influence and political slant may turn off certain listeners, but those who don’t mind some hardcore in their death stew should find plenty to like here. The gritty, muscular exterior features nods to Bolt Thrower and All Shall Perish, while the weighty, mid-paced crush, chunky riffs and breakdowns are balanced by tasteful melodic counterpoints and livelier bursts of speed (“Dying Alive”). Not all works; the provocative, anti-police song “No Reform (New Age Slave Patrol)” musically has its moments; however, the heavy-handed lyrical approach sticks out like a sore thumb. Nevertheless, Echoes of the Devil’s Den swings and slugs you more often than it misses.
Steel Druhm’s Sewer Tarts
The Troops of Doom // A Mass to the Grotesque [May 31, 2024 – Alma Mater Records]
For their sophomore outing, Brazilian death-thrashers The Troops of Doom took their vintage Sepultura-esque sound and juiced it up considerably from what we heard on 2022s Antichrist Reborn. A Mass to the Grotesque still sounds a bunch like classic Sepultura but it’s much more refined, developed and expanded in scope. Yet it’s still a frenzied, thrashing assault full of lyrics about evil, demons, and all things anti-Christian. It sounds like something that should have dropped in as the 80s thrash wave started mutating into proto-death, and that is a beloved era of music for yours Steely. Songs like “Chapels of the Unholy” and “Dawn of Mephisto” sit right on the bleeding edge of thrash and early death, with Slayer-tastic riffs colliding with early examples of death grooves. What makes this so entertaining is how the band reaches outside of the Sepultura homage bubble to drag in new elements to expand their sound. Some songs feel slightly progressive (“Denied Divinity”) while elsewhere they shoehorn epic doom into the massive “Psalm 7:8 – God of Bizarre.” The straight-up riffbeasts are my favorites though, with “The Imposter King” being a big, fat, sweaty highlight. While these cats are always going to get compared to classic Sepultura, they made real efforts here to stake out their own identity. This is a wild, testosterone-fueled ride featuring the maximum allowable Satan, and I support that.
#20BuckSpin #2024 #AMassToTheGrotesque #Aborted #AllShallPerish #AlmaMaterRecords #Almyrkvi #AmericanMetal #ArmageddonPatronage #Aseitas #Azure #BelgianMetal #BlackMetal #BlackenedDeathMetal #BoltThrower #Capstan #Cathedrals #CHON #CobraTheImpaler #CultOfLuna #DanishMetal #DarkAngel #DarkDescentRecords #DeathMetal #Desolus #Destruction #DissonantDeathMetal #DreamTheater #DutchMusicWorks #EchoesOfTheDevilSDen #EdenTrough #FearlessRecords #FindingLoveInStrangePlaces #FrenchMetal #Fym #Genesis #GermanMetal #Gojira #Haken #Hardcore #HellsHeadbangers #Integrity #InternationalMetal #KarmaCollision #KillswitchEngage #KingsX #Kreator #LaTangenteLabel #ListenableRecords #Manetherean #Mastodon #Matrass #May24 #MelodicBlackMetal #Merihem #Nails #PainOfSalvation #Parfaxitas #PinkFloyd #Polyphia #PostHardcore #Powerglove #PreHistoricAnimals #ProgressiveMetal #Punk #Queen #Review #Reviews #Saidan #SelfReleased #Sinmara #Slidhr #Sodom #Strychnos #SufferingHour #SwedishMetal #SystemShock #TechnicalDeathMetal #TechnicalMetal #TerminalNation #TerraturPossessions #TesseracT #TheMosaic #TheTroopsOfDoom #TotalDissonanceWorship #UKMetal #Undergang #USMetal #VisualKillTheBlossomingOfPsychoticDepravity #WeaverOfTheBlackMoon #WhoredomeRife #Wormlust #Yes
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Stuck in the Filter: May 2024’s Angry Misses
By Kenstrosity
I thought the onset of summer would mean a total solar beatdown. Instead, it’s brought the rain. Absolutely chucking down rain. But, if you thought that bad weather leads to mercy from me, you’re dead wrong. In fact, I pushed my minions even harder to dredge up as many waterlogged nuggets of notable ore from our perpetually overtaxed filtration system.
And so, as my “staff,” who are definitely paid (don’t look into it) dry off in the industrial-grade wind tunnel, allow me to introduce May’s Filter entries for a public I truly don’t care about at all (don’t look into it). BEHOLD!
Iceberg’s Divisive Defenstrations
Cobra The Impaler // Karma Collision [May 24th, 2024 – Listenable Records]
Belgium’s Cobra The Impaler bill themselves as carrying the torch of classic-era Mastodon, a band hitting so many spectrums of metal comparing one’s music to theirs is a much safer bet than not. Led by primary songwriter and ex-Aborted guitarist Tace DC, the band sit somewhere in the murky grey between progressive and technical modern metal. The aforementioned Mastodon worship is strong here—especially in opener “Magnetic Hex”—although the crystal clean production by Jens Borgren really prevents the use of the term “sludge.” Elsewhere there are prog-metal moments of Virus/Vector-era Haken (“Karma Collision,” “The Fountain”) and some of the relentless, drums-in-front compositions of Gojira (“Karma Collision,” “The Assassins of the Vision”). Vocalist Manuel Remmerie’s also has his work cut out for him, delivering plenty of admirable cleans in both high and low registers alongside full-throated screams and somewhat less effective pitched growls. The instrumental performances here are top-notch, professional in the verse/chorus sections, and continuously—sometimes outstandingly—creative in the free-form bridges. There is some tightening to be done with the accessibility of the choruses—they fall flat against the superior instrumental sections— but there are moments of brilliance and a ton of potential in this five-piece.
Capstan // The Mosaic [May 24th, 2024 – Fearless Records]
Anyone who’s plugged into the post-hardcore scene should know that Florida’s Capstan transcend the—rightfully deserved—vitriol thrown at the style. I don’t think any Fearless band has ever been reviewed here, but Capstan’s latest opus The Mosaic deserves a shoutout to whomever hasn’t run screaming from these halls. Led by vocalist Anthony DeMario—sure to be a divisive figure with his unapologetic pop punk cleans—the band has continuously augmented their Warped-core sound with the mathy guitar noodlings of Chon or Polyphia, and an impressive triple vocalist attack for thick, elaborate harmonies. This album, clocking in at over an hour, doesn’t pull any punches, showcasing trip-hop, breakdown-laced numbers (“Bete Noire”), full throated anthems about self-loathing and heartbreak (“Misery Scene”) and even lighter, crooning ballads (“What Can I Say”). Synergy and professionalism are where the band shine; everything has is slickly produced and the performances—especially those vocals—are whip-smart. Plenty of editing could have been done, but you can tell how much fun the band is having. Anyone with a passing interest or nostalgia for 2000’s post-hardcore should check this out. Plus their drummer plays with traditional grip, and watching a jazz guy slam out breakdowns is pretty rad in my book.
GardensTale’s Dose of Decay
Strychnos // Armageddon Patronage [May 17th, 2024 – Dark Descent Records]
I don’t always check out albums that set the comment section and/or Discord abuzz, but when I do, it rarely results in anything less than interesting. Case in point, the bottomless evil of Strychnos, a Danish outfit that struggled to get off the ground in the early 00’s, eked out a single EP in the 10’s, and suddenly started shitting out heaving platters of malicious black/death since the pandemic. Armageddon Patronage is the second full-length off their new production line, and it brings every horseman along for its deadly ride. War is embodied by the lethal double feature that starts the charge, with swelling riffs battering the unjust to fertilizer. The unflinching and unfeeling brutality of Famine seethes from “Choking Salvation,” and out the beaks of “Pale Black Birds” pours Pestilence with slavering enthusiasm. Frontman Martin Leth Anderson, who also handles bass for Undergang, employs a bellowing growl that encapsulates hopelessness and suffering, and the excellent, malevolent riffs usher an effective aura of utter destruction. Death, however, comes not at the end, but during the doom-laden centerpiece, the despondent “Endless Void Dimension” with its atmospheric Gregorian chanting. I have no qualms becoming a patron to this spiteful chunk of armageddon.
Dear Hollow’s Shtanky Shwamp of Shrieks
Saidan // Visual Kill: The Blossoming of Psychotic Depravity [May 24th, 2024 – Self-Released]
Saidan do things a little differently. The Nashville duo’s themes rooted in Japanese folklore and the formidable and mysterious yokai in particular, combined with a relentlessly riffy and punk-driven tour-de-force of black metal proportions are always food for thought in the act’s brief and formidable history. Seamlessly transitioning between punk chord progressions and bouncy drums to blastbeats and kvlt tremolo to groovy riffs and rhythms, anchored by Splatterpvnk’s ripping vocals, it never shies away from punishment. However, interwoven with this assault is a distinctly melodic undercurrent that brightens the progressions and gives purpose and a sense of fun – a hyper-melodic black metal act would be jealous. You won’t be able to shake the grooves of “Desecration of a Lustful Illusion,” the symphonic black intensity of “Genocidal Bloodfiend” and “Veins of the Wicked” hit you like a cyclone, and the classic thrash solos and anime-theme-song vibe of “Sick Abducted Purity,” “Visual Kill,” and “Switchblade Paradise” are guaranteed to get your head banging – plus, the interlude “seraphic lullaby” and instrumental closer “suffer” ain’t half bad. Visual Kill is like if Powerglove wrote a black metal album that you could actually take seriously, backed up with the technicality, songwriting chops, and sheer unbridled energy to make it work.
Parfaxitas // Weaver of the Black Moon [May 31st, 2024 – Terratur Possessions]
The minds behind Parfaxitas should need little introduction, although the moniker will likely not ring any bells. Representing three separate scenes and their respective contributions to black metal lore, two American stringsmen from acts Merihem, Suffering Hour, and Manetherean, Icelandic drummer B.E. from Almyrkvi, Sinmara, Slidhr, and Wormlust, and Norwegian vocalist K.R. From Whoredom Rife collide. Weaver of the Black Moon combines the blueprint of second-wave Norwegian black with the obsidian dissonance of Icelandic, and the experimental edge of American acts, making it a tour-de-force of both vicious sound and tortured atmosphere. Dissonance rains down like acid, a backdrop, and shroud of otherworldly sounds that shimmer and crunch in ways that recall both the winding passages of Suffering Hour and the psychedelic rawness of Wormlust simultaneously. Hammered by vicious blastbeats and guided by tortured barks, the guitar and meandering fluid bass guide listeners from untouchable intensity (“Thou Shalt Worship No Other”) to haunting and hypnotic atmosphere (“Ravens of Dispersion”) – stealing the show. Parfaxitas features a whole lot of firepower, culminating in epic closer “Fields of Nightmares,” a crescendo of punishing and otherworldly proportions.
Aseitas // Eden Trough [May 30th, 2024 – Total Dissonance Worship]
After Aseitas’ formidable 2020 album False Peace, which narrowly missed my AOTY’s, the Portland trio is back with another album – which could easily be classified as an EP in its tidy thirty-minute runtime. Eden Trough condenses the lofty and decadent ambition of its predecessor for an album devoted to complete takedown in winding riffs, punishing death metal, and ravaging vocals. From the thick and punishing signature shifts of “Libertine Captor” and “Alabaster Bones,” complete with shifting riffs and a liminal sense of melody, to the more droning and haunting “Break the Neck of Every Beautiful Thing,” to the epic and cosmic psychedelia of ten-minute centerpiece “Tiamat,” Aseitas’ shows its tantalizing and gradual progression to an echelon of indispensable in the world of dissonant death. Offering influences of convulsive mathcore, mammoth post-metal, and unhinged yet intensely calculated technicality, Eden Trough is a must-listen for the long-time fan, as well as proffering a snapshot to the curious of what makes Aseitas so special to begin with.
Dolphin Whisperer’s Progalicious Ponderings
Azure // Fym [May 23rd, 2024 – Self Release]
Are you way into high fantasy and exuberant, progressive albums that reflect that sentiment? If so, look no further than Azure’s third opus, Fym, which over its runtime recounts the tales of a mystical fox’s journey in a frightening and whimsical world. Normally I wouldn’t think twice about an album with such a storybook concept.1 But between Chris Sampson’s vocal navigations that ring as hyper-tenor and dolphin-like (“The Lavender Fox”)2 as they do sullen and heart-wrenching (“Kingdom of Ice and Light,” “Moonrise”), and Galen Stapley’s mystical fretboard wizardry that marries funk chords, soundtrack melodies, and dance-able shred, Azure packs too much sunshine in their prog for me to ignore. And at almost eighty minutes, they pack a lot of it too. However, each run through Fym’s pages finds a new rumbling bass bounce to propel a hop, a new vocal run to twirl my tongue (with notes that I couldn’t possibly hit), or a synthfully sinful refrain to stain my brain matter with happy juice—”The Azdinist // Den of Dawns” or “Agentic State” unite these ideas best—it’s truly a hard album to put down. Combining just about every era of Genesis with the acrobatics of Dream Theater, the play and ambition of the earliest of Pain of Salvation theatrics, and healthy dose of modern bastardizations (check the autotune/pitchshifting on “Doppelgänger”), Azure has made a mighty statement with Fym that I’m still digesting. And with as many inventive synth patches, harmonic vocal layers, and cinematic builds as this rainbow dose of prog pushes, it’ll be quite some time before I’ve made up my mind about it all. So I’ll continue in pieces. Or all at once. Whatever time allows because Fym is just that much fun.
PreHistoric Animals // Finding Love in Strange Places [May 16th, 2024 – Dutch Music Works]
And here we are with, what’s that, another prog concept album? This one’s a little less terrestrial though, featuring healthy infusions of a futuristic space drama and heavy-hitting synthwave doots and bounces. Over the course of their past couple works, PreHistoric Animals has found an ease in comfortable exploration with their King’s X-like tendency to grip with a barbed verse melody or chorus explosion, layered tastefully with harmonic vocal accompaniment and groove-heavy riffs. But, despite that comparison, it’s clear from the opening synth pulse of “The City of My Dreams” and “Living in a World of Bliss” that an electronic and hooky identity that’s caught between Toto and Yes imbues the edges of refrains that stick like honey to vocalist Stefan Altzar’s easy-on-the-ears narrative. Finding Love in Strange Places can get bogged down a touch in its word-driven nature, though, especially on the various interludes and certain longer tracks like “Unbreakable” and “Nothing Has Changed but Everything Is Different.” None of that fluff ever truly interrupts Finding Love’s heartbeat rhythms, which hold a steady if highly syncopated simplicity and form a hi-hat charming vessel that keeps the head nodding in progressive pomp. Oh, and it helps that guitarists Altzar and Daniel Magdic (ex-Pain of Salvation) have studied the slow-burn solo nature of greats like David Gilmour (Pink Floyd) and Brian May (Queen), with tasteful legato and searing ascensions aiding in earned crescendo at Finding Love’s best moments (“Living in a World of Bliss,” “The Secret of Goodness”). Having reliably churned out confident and catchy works every other years since 2018, PreHistoric Animals fly relatively low in the flock of modern prog, but these space-bound Swedes have earned a likely lifelong aquatic fan at this stage of their growing career. Give Love a chance!
Matrass // Cathedrals [May 17th, 2024 – La Tangente Label]
And, last but not least from my assortment, Matrass hails from France to bring you Cathedrals, which is… yes, you guessed it, another prog concept album! If you’re worried about another album of the synthtastic and 80s prog-themed variety, though, don’t fret about what Matrass brings to the table. Playing closer to post than progressive waters, Cathedrals flitters about dreamy, lounge jazz guitar passages before crushing down with Cult of Luna riffs and Tesseract-inspired, low-end atmospherics. But most important to the groove and cinematic lilt that defines Cathedrals is the methods by which vocalist Clémentine Browne navigates jangling verses with gentle croons and accented, rhythmic spoken word before frying down with screeching and hissing fervor against heavy chord crushes. That talent for establishing and reinforcing mood lands idiosyncratic in the realm of post acts, so her exact methods may not fit the bill for all fans of the rise-and-fall aesthetic the genre offers. And though Matrass remains largely iterative of this mood through its hour-long run, it’s that successful idea of atmosphere that allows peak tracks “Shreds,” “Adrift” (which features Browne on saxophone instead), and “Cathedrals” to conjure such powerful and drifting thoughts in my head. And when you’re in its valleys? Matrass still maintains a textural backdrop that spells high potential for this young act.
Saunders’ Sulfuric Stash
Desolus // System Shock [March 10th, 2024 – Hells Headbangers]
Who’s up for some explosive, throwback thrashy goodness? Although hailing from the States, Desolus take plenty of inspiration from classic German trash titans Kreator, Destruction and Sodom. Throw in classic Dark Angel vibes, a heavy, modern edge and crunchy production job, and the band’s debut System Shock ticks all the boxes for a thrashing great time. This shit is seriously jacked with unhinged, old-school aggression, spitfire riffs and stampeding percussion propelling the album’s ten speed-driven assaults. An utterly deranged, ’80s underground-inspired vocal performance adds further steel-plated authenticity to a retro-minded sound that manages to sound fresh and inspired. Aside from rare moments of slower melodic nuance on the otherwise blistering “Sea of Fire,” and the aptly titled “Interlude” providing a handy breather, Desolus crank speed and intensity to the max, rarely breaking from their relentless stride. The opening one-two salvo of “System Shock” and bonkers lunacy of “From Man to Machine” set a savage tone and gritty platform from which Desolus launch assault after assault of high-octane thrash mania. “Cures of the Technomancer” is an absolute riff beast with groove and speed for days, while “The Invasion Begins” deftly puts you in a false sense of bouncy melodic security before jamming the afterburners into a typically ferocious attack. Exuberant, nasty stuff.
Terminal Nation // Echoes of the Devil’s Den [May 3rd, 2024 – 20 Buck Spin]
The second album from Pittsburgh bruisers Terminal Nation hits with sledgehammer force, obliterating any semblance of subtlety in favor of an extra beefy, in-your-face hybrid of death metal and hardcore. Echoes of the Devil’s Den features a searing, politically charged and seriously pissed-off bite. High-profile guest vocal slots seamlessly blend into the vicious attack, including strong turns from Integrity‘s Dwid Hellion (“Release the Serpents”), Killswitch Engage‘s Jesse Leach (“Merchants of Bloodshed”) and Nails frontman Todd Jones. Jones features on “Written by the Victor,” a vicious tune that harnesses thick, neck-wrecking grooves and punishing, doom-laden death grooves. The album’s hardcore influence and political slant may turn off certain listeners, but those who don’t mind some hardcore in their death stew should find plenty to like here. The gritty, muscular exterior features nods to Bolt Thrower and All Shall Perish, while the weighty, mid-paced crush, chunky riffs and breakdowns are balanced by tasteful melodic counterpoints and livelier bursts of speed (“Dying Alive”). Not all works; the provocative, anti-police song “No Reform (New Age Slave Patrol)” musically has its moments; however, the heavy-handed lyrical approach sticks out like a sore thumb. Nevertheless, Echoes of the Devil’s Den swings and slugs you more often than it misses.
Steel Druhm’s Sewer Tarts
The Troops of Doom // A Mass to the Grotesque [May 31, 2024 – Alma Mater Records]
For their sophomore outing, Brazilian death-thrashers The Troops of Doom took their vintage Sepultura-esque sound and juiced it up considerably from what we heard on 2022s Antichrist Reborn. A Mass to the Grotesque still sounds a bunch like classic Sepultura but it’s much more refined, developed and expanded in scope. Yet it’s still a frenzied, thrashing assault full of lyrics about evil, demons, and all things anti-Christian. It sounds like something that should have dropped in as the 80s thrash wave started mutating into proto-death, and that is a beloved era of music for yours Steely. Songs like “Chapels of the Unholy” and “Dawn of Mephisto” sit right on the bleeding edge of thrash and early death, with Slayer-tastic riffs colliding with early examples of death grooves. What makes this so entertaining is how the band reaches outside of the Sepultura homage bubble to drag in new elements to expand their sound. Some songs feel slightly progressive (“Denied Divinity”) while elsewhere they shoehorn epic doom into the massive “Psalm 7:8 – God of Bizarre.” The straight-up riffbeasts are my favorites though, with “The Imposter King” being a big, fat, sweaty highlight. While these cats are always going to get compared to classic Sepultura, they made real efforts here to stake out their own identity. This is a wild, testosterone-fueled ride featuring the maximum allowable Satan, and I support that.
#20BuckSpin #2024 #AMassToTheGrotesque #Aborted #AllShallPerish #AlmaMaterRecords #Almyrkvi #AmericanMetal #ArmageddonPatronage #Aseitas #Azure #BelgianMetal #BlackMetal #BlackenedDeathMetal #BoltThrower #Capstan #Cathedrals #CHON #CobraTheImpaler #CultOfLuna #DanishMetal #DarkAngel #DarkDescentRecords #DeathMetal #Desolus #Destruction #DissonantDeathMetal #DreamTheater #DutchMusicWorks #EchoesOfTheDevilSDen #EdenTrough #FearlessRecords #FindingLoveInStrangePlaces #FrenchMetal #Fym #Genesis #GermanMetal #Gojira #Haken #Hardcore #HellsHeadbangers #Integrity #InternationalMetal #KarmaCollision #KillswitchEngage #KingsX #Kreator #LaTangenteLabel #ListenableRecords #Manetherean #Mastodon #Matrass #May24 #MelodicBlackMetal #Merihem #Nails #PainOfSalvation #Parfaxitas #PinkFloyd #Polyphia #PostHardcore #Powerglove #PreHistoricAnimals #ProgressiveMetal #Punk #Queen #Review #Reviews #Saidan #SelfReleased #Sinmara #Slidhr #Sodom #Strychnos #SufferingHour #SwedishMetal #SystemShock #TechnicalDeathMetal #TechnicalMetal #TerminalNation #TerraturPossessions #TesseracT #TheMosaic #TheTroopsOfDoom #TotalDissonanceWorship #UKMetal #Undergang #USMetal #VisualKillTheBlossomingOfPsychoticDepravity #WeaverOfTheBlackMoon #WhoredomeRife #Wormlust #Yes
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**Derivation of paths** (path derivation) is a method by which derived keys are created from one master key (for example, in cryptography or blockchain technologies). In simple words, it is like a tree, where each branch grows from the main trunk, and the process of growing itself is a derivation.
**How it works:**
**root (primary key)**:
You have one master secret key (eg seed phrase or master key).**Formula for branching**:
A mathematical formula or algorithm (such as HMAC or hashing) is used to generate new keys based on the master key.**The structure is tree-like**:
Each new key can "branch" into even more keys. The result is a hierarchy where each key can be unique, but they are all related to a primary key.**Control and security**:
The master key allows you to restore all derived keys.
If someone only gets access to the derived key, they won't be able to get to the master.**A simple example in life:**
Imagine you have a phone number (master key) and you use it to register on several sites. Each site gets its own unique number (derived key) that is linked to your primary number but not disclosed.**Where it is used:**
**Cryptocurrencies**:
Wallets like Bitcoin or Ethereum use "hierarchical deterministic derivation" (HD wallets). This allows multiple transaction addresses to be created from a single master key.**Passwords**:
Password managers can generate unique passwords for each site based on a single master.**Security**:
Path derivation is often used to generate unique encryption keys in secure systems.**The main idea:**
Instead of storing many separate keys or passwords, you have one master secret and everything else is generated automatically when needed. It's convenient, safe and effective!Using crypto wallets from different vendors, sites, and apps requires attention to detail to ensure the security of your assets and privacy. Here's what to consider:
**1. Choosing the type of wallet**
**Hardware wallets**: The most secure option for storing large sums, for example, Ledger, Trezor.
**Software wallets**: Installed on a PC or smartphone (eg Exodus, Trust Wallet).
**Online wallets (web wallets)**: Used through a web browser, but are more vulnerable to attack.
**Paper wallets**: The private key is printed or written down on paper.
**Browser wallets**: For example, MetaMask, which work as plugins.
👉 *Choose a wallet depending on your needs: frequency of use, amount of assets and level of security.***2. Reputation of the manufacturer**
Check reviews and ratings.
Use only open-source wallets to ensure transparency.
Avoid unknown or new apps without a proven track record.**3. Security**
**Saving the seed phrase**: Write it down on paper and never save it electronically (notes, photos, etc.).
**Password**: Use a strong password to access the wallet.
**Two-factor authentication (2FA)**: Enable if available.
**Renewal**: Update your app or wallet firmware regularly to fix vulnerabilities.
**Encryption**: Make sure your wallet encrypts data.**4. Compatibility**
Make sure the wallet supports the blockchains and cryptocurrencies you want (for example, not all wallets support NFT or DeFi).
Check out the integration with popular decentralized platforms (eg Uniswap, OpenSea).**5. Backup**
Back up the seed phrase and private keys.
Keep copies in a safe place (such as a safe).
Never entrust your keys to a third party, even if it's a support service.**6. Confidentiality**
**VPN**: Use a VPN to access your wallet, especially on public networks.
**Anonymity**: Choose wallets that do not collect personal data.
**Beware of phishing**: Always check the website or app address.**7. Costs and commissions**
Check transaction fees.
Some wallets automatically set high fees to speed up transactions - check this manually.**8. Technical support**
Research whether the wallet has a reliable support service.
Avoid apps that don't have a clear way of communicating to solve problems.**9. Verification of counterfeits**
Download applications only from official sites or stores (Google Play, App Store).
Check that the hardware wallet is properly packaged and has no signs of opening.**10. Work on decentralized platforms**
Always use keys only in trusted decentralized applications.
Avoid connecting your wallet to sites with a dubious reputation.**Recommendation in practice**
Keep the main part of funds in a hardware wallet.
Use software or browser wallets for daily transactions.
Keep your security knowledge up to date as fraud techniques evolve.The security of cryptocurrency assets depends only on you, so be careful and careful!
**The importance of testing software on your own PC or device and third-party services**
Testing software, sites and extensions before use is a critical step for security **security**, **stability** and **convenience of work**. It helps to avoid risks that could lead to the loss of data, finances or confidential information.**1. Data security**
**Detection of malicious software**: Some software or extensions may contain viruses, trojans or backdoors that open access to your system to attackers.
**Avoiding phishing**: Third-party services can copy famous brands to steal your passwords, keys, or other sensitive information.
**Recommendations:**
Use antivirus programs and utilities to analyze malicious code.
Download programs only from official sources.**2. Compatibility**
Some software may conflict with pre-installed programs or your operating system.
Improper operation can lead to crashes, "blue screen" or freezes.
**Recommendations:**
Test new software in a secure environment (for example, in a virtual machine or an isolated session).
Check the software system requirements before installing.**3. Functionality check**
Not all programs or extensions work as promised by the manufacturer.
Incorrect work can lead to loss of important data or failure to perform necessary tasks.
**Recommendations:**
Test key features in test mode.
Read user reviews to learn about possible problems.**4. Confidentiality**
Some apps may collect your data without your knowledge.
This is especially dangerous for crypto wallets, where even a minimal vulnerability can lead to asset theft.
**Recommendations:**
Analyze what permissions the software requires (for example, access to the camera, microphone or contacts).
Use network activity monitoring to detect suspicious connections.**5. Reliability of third-party services (sites, API)**
Accessing an untrusted service can end up with your credentials being stolen or your system infected.
Sites with a dubious reputation often become a source of attacks, such as mining scripts or resource theft.
**Recommendations:**
Use it **VPN** to protect your IP address from being tracked.
Transfer confidential data only through services with HTTPS.**6. Saving resources and time**
Inappropriate software or plugins can use too many system resources, which slows down your device.
This also applies to third-party services that may create "extra" requests or cause disruptions in your network.
**Recommendations:**
Measure resource consumption during testing (CPU, RAM, Internet).
Avoid installing a lot of untested software.**7. Ease of recovery in case of failure**
New software may corrupt your settings or important data.
Third-party services may change the format of your files or their structure.
**Recommendations:**
Make backup copies before installing or using new software.
Create system restore checkpoints.**Practical tips for testing**
**Testing environment:
** Use a separate device, virtual machine or sandbox to test new software.**Monitoring:
**
Analyze application network activity through tools such as Wireshark or GlassWire.
Install a program that monitors changes in the registry or system files.
**Browser extensions:**
Install extensions only from official stores (Chrome Web Store, Mozilla Add-ons).
Check the extension regularly for updates and changes to the privacy policy.
**Regular checks:
** Use utilities such as Malwarebytes, Norton or Kaspersky to check the system for vulnerabilities.Testing all software and services allows you to avoid most problems and ensures maximum efficiency of your equipment.
This is a really important point: not all tools, even those considered "core" (Core tools, nodes or built-in wallets), have the functionality you can expect by default. Here is what should be understood and taken into account:
**1. Limitation of the Core toolkit**
**Not all features are available out of the box**: For example, Bitcoin Core allows full synchronization with the network, but does not have a convenient interface for integration with other services.
**Specific needs**: Core nodes can be focused on narrow tasks (for example, block verification only), without additional features such as multi-signature support or DeFi.
**Example**:
An Ethereum Geth node may not support functionality that modern dApps require (for example, optimized requests to the blockchain via RPC).**2. Wallets with built-in functionality, but with limitations**
**Limited access to assets**: For example, some wallets only support standard tokens (ERC-20, BEP-20) but cannot work with NFT or L2 solutions.
**Incomplete integration**: Wallets built into nodes may not have a user-friendly GUI or backup capabilities.
**Example**:
The Bitcoin Core wallet supports only basic transactions and does not provide convenient means for managing complex functions such as multi-signatures or managing multiple addresses.**3. Lack of automation and convenience**
**Manual setting**: Core tools often require manual configuration (eg configuration file, startup options).
**Basic UX/UI**: GUIs are usually not a priority for developers of Core solutions, which makes them difficult to use for average users.**4. Lack of integration with other tools**
Most Core solutions do not have built-in tools for integration with dApps, analytics services or APIs for third-party applications.
Some wallets or nodes do not support modern standards (such as SegWit or Taproot for Bitcoin).**5. High requirements for resources**
**Data size**: A full node can require hundreds of gigabytes of disk space (like Bitcoin Core or Ethereum).
**System resources**: Node operation may be too heavy for devices with limited power.**How to choose the optimal tool?**
**Functional research:**
Study the documentation and the tool's capabilities before using it.
Understand what features you really need (like L2, token or DeFi support).
**Expansion of possibilities:**
Use additional tools on top of Core solutions (e.g. Lightning Network for Bitcoin, Infura for Ethereum).
Integrate third-party wallets or services to expand functionality.
**Automation:**
Add scripts or automation to simplify routine tasks.
**Compatibility check:**
Make sure the tool supports your tasks (tokens, addresses, standards).
Update your nodes or wallets regularly to get new features and bug fixes.**Recommendations for users**
If you only need basic features, use proven wallets with easy access (eg Exodus, Trust Wallet).
For professional blockchain work, choose Core nodes, but be prepared for a more complex setup.
For a hybrid approach (partial control and API integration), use services like Alchemy or Infura.
Core tools provide fundamental capabilities, but require additional work to meet modern user needs.Here is a link to support the project for donors and philanthropists:
🌍** Support the project:**
Kolibri Studio Donate Page
📥** Contact for philanthropists:**
Telegram of the editorial team
Matrix: Future-Tech Community
Your contributions help develop the project, support its initiatives and create new solutions for the community. Thank you for your support! 🌟**List of literature and resources for independent study**
**Books:**
"Blockchain Basics: A Non-Technical Introduction in 25 Steps" by Daniel Dressler
"Mastering Bitcoin" - Andreas M. Antonopoulos
"Mastering Ethereum" - Andreas M. Antonopoulos, Gavin Wood
"The Internet of Money" - Andreas M. Antonopoulos
**Scientific articles and materials:**
Nakamoto S. (2008).*Bitcoin: A Peer-to-Peer Electronic Cash System*.
Wood G. (2014). *Ethereum: A Secure Decentralised Generalised Transaction Ledger*.
Vitalik Buterin (2021). *Ethereum Whitepaper*.
**Online resources:**
Bitcoin.org — The official Bitcoin resource
Ethereum.org — Ethereum documentation
CoinMarketCap — Analytics of cryptocurrencies
Binance Academy — Educational materials
**Forums and communities:**
Bitcointalk — Forum about cryptocurrencies
Reddit (r/cryptocurrency) — Discussions about the crypto world
Ethereum StackExchange — Answers to technical questions
**Tools and services:**
Etherscan — Ethereum Blockchain Scanner
Blockchain.com Explorer — Scanner for Bitcoin and other blockchains
MyCrypto — Wallet for Ethereum
Fat — Infrastructure for working with blockchains**Hashtags for promotion in social networks**
#Blockchain #Cryptocurrency #Bitcoin #Ethereum #Decentralisation #CryptoEducation #BigData #Web3 #OpenSource #CryptoMining #FutureTech #FinTech #CryptoSecurity #SmartContracts #DigitalTransformation
This list will help you navigate the topic of blockchains, cryptocurrencies and decentralized technologies.https://kolibristudiopro.blogspot.com/2025/01/derivation-of-paths-path-derivation-is.html
Donate Page List Wallet Address
https://kolibristudiopro.blogspot.com/p/donate-page-list-wallet-address.htmlIllustration: Біткоїн Ренесанс: Як Layer 2 Біткоїна Можуть Відродити Біткоїн - Bitcoin News
https://news.bitcoin.com/uk/bitkoin-renesans-yak-layer-2-bitkoyina-mozhut-vidroditi-bitkoin/ -
Oh, how cool!
"we introduce the Claims Network approach, which collects information about REIL [Research (R), Education (E), societal impact (I), and academic leadership (L) ] contributions by inviting researchers to post about them on the distributed Mastodon social media environment."https://link.springer.com/chapter/10.1007/978-3-032-05409-8_11
"The Claims Network: Collecting Research, Education, Impact, and Leadership Claims on the Decentralized Web"
by @hvdsomp
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It will be a #fundraising powerhouse! That is one of the points of it. The end of #homelessness. #Nft auctions. #SOL / #ETH. #Artist contributors for network credit. #Buyers help build the #fund to #end #homelessness in some #defined #location. And then nationally. Momentum matters ‼️ 🗽🗽🗽🏄🏻♀️🌊🌊😻😻😻
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24 Debian LTS Advisories fixing 250 CVEs for various packages were released by Debian LTS contributors in March 2026. These include notable security updates for ansible, asterisk, gimp, gst-plugins-base1.0, gst-plugins-ugly1.0, imagemagick, libpng1.6, linux kernel, roundcube, strongswan and more.
In addtion to the LTS contributions, the team also prepared updates for recent releases - Debian 12(#bookworm), Debian 13(#trixie) and Debian unstable.
Read the full report at https://www.freexian.com/blog/debian-lts-report-2026-03/?utm_source=mastodon&utm_medium=social
This work is funded by Freexian's Debian LTS offering. Become a sponsor of Debian LTS (https://www.freexian.com/lts/debian/?utm_source=mastodon&utm_medium=social) and enjoy the benefits (https://www.freexian.com/lts/debian/details/#benefits)
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A big THANK YOU to @rsbivand for his incredible contributions to the R community, especially with #rgrass and bridging R with @grassgis. Your work has helped so many geospatial analysts.
And thanks to @scoobastep for taking over the maintenance of the rgrass package!
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If you use #deltalake for #python, you can now sponsor one of it's main contributors Ion!
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33 Debian LTS Advisories fixing 216 CVEs for various packages were released by Debian LTS contributors in January 2026. These include notable security updates for python 3.9, django 2.2.28, php 7.4, apache2, ceph, Linux 6.1 kernel and more.
A study into the security status report of p7zip, which is unmaintained upstream, was also done last month in addition to updates contributed for recent releases of Debian 12, Debian 13 and to Debian unstable.
Read the full report at https://www.freexian.com/blog/debian-lts-report-2026-01/?utm_source=mastodon&utm_medium=social
This work is funded through Freexian’s Debian LTS offering. Consider sponsoring Debian LTS (https://www.freexian.com/lts/debian/?utm_source=mastodon&utm_medium=social) to support this effort and benefit from it: https://www.freexian.com/lts/debian/details#benefits
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27 Debian LTS Advisories about security updates were released by Debian LTS contributors in August 2025. These included critical security updates for gnutls28, mdebtls, apache2 and openjdk-17 in addition to other security updates. LTS team also contributed to updates for various packages in Debian stable.
Get the full details in our August report: https://www.freexian.com/blog/debian-lts-report-2025-08/?utm_source=mastodon&utm_medium=social
This work is funded by Freexian's Debian LTS offering. Your organization too can sponsor the Debian LTS (https://www.freexian.com/lts/debian/?utm_source=mastodon&utm_medium=social) and join the esteemed list of sponsors in the monthly report.
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Thrilled to see the release of the special issue of #ACME on "#Monumentality, #Memoryscapes, and the Politics of #Place" that I guest edited with Ian Baird, Emilia Palonen, and CindyAnn Rose-Redwood. Thanks to all the contributors, peer reviewers, & editors! https://acme-journal.org/index.php/acme/issue/view/131
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#AaronCraigGleason has been a conservative writer and contributor to The Federalist, The Imaginative Conservative, and The Daily Wire. #GeldHim #OffWithHisNuts goppredators.wordpress.com/2025/07/05/1...
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#AaronCraigGleason has been a conservative writer and contributor to The Federalist, The Imaginative Conservative, and The Daily Wire. #GeldHim #OffWithHisNuts goppredators.wordpress.com/2025/07/05/1...
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Wild Water Buffalo Bubalus arnee
Wild Water Buffalo Bubalus arnee
IUCN Red List Status: Endangered
Location: India, Nepal, Bhutan, Thailand, Cambodia, Myanmar.
Wild Water Buffaloes survive mainly in Kaziranga and Manas National Parks (Assam), Udanti Wildlife Sanctuary (Chhattisgarh), Koshi Tappu Wildlife Reserve (Nepal), with reintroduction potential identified in Kanha National Park (Madhya Pradesh).Massive, muscular, and critically under threat, the Wild Water Buffalo Bubalus arnee is the endangered ancestor of all domestic buffalo breeds. Once roaming vast swathes of South and Southeast Asia, fewer than 4,000 individual buffaloes remain today, scattered across shrinking habitats in India, Nepal, Cambodia, and a handful of neighbouring nations. Their decline is driven by interbreeding with domestic buffalo species, habitat destruction from farming and palm oil plantations, hunting, and disease transmission from livestock. This ancient grazer of flooded grasslands and braided rivers is vanishing before our eyes. Speak out for them and support indigenous-led efforts to restore their ecosystems. #BoycottPalmOil #Boycott4Wildlife
Wild Water #Buffalo 🐂 of #Nepal 🇳🇵 #India 🇮🇳 and other parts of Asia are #endangered due to #deforestation #hunting there are only 3,400 of them left! Support these animals with your weekly shop #Boycottpalmoil 🌴🪔🧐⛔️ #Boycott4Wildlife @palmoildetect https://palmoildetectives.com/2021/02/05/wild-water-buffalo-bubalus-arnee/
Share to BlueSky Share to TwitterWild Buffaloes like most other large herbivores, require large spaces with adequate food and water supply to survive which is negatively impacted by fragmentation and degradation of forest and grassland areas.
IUCN Red ListAppearance and Behaviour
Towering and formidable, Wild Water Buffaloes are among the largest bovines on Earth. Mature bulls can weigh up to 1,200 kg, with sweeping, crescent-shaped horns that curve outward and back, often spanning more than two metres. Their coats are slate-grey to black, and their muscular frames are well adapted for traversing muddy, floodplain environments.
They are deeply dependent on water and spend much of their time wallowing in rivers, oxbow lakes, or self-made mud holes to cool down and protect themselves from insects. These highly social animals form matriarchal herds of 10 to 20 individuals, with bachelor groups and solitary bulls more common in less disturbed areas. Their movements follow seasonal changes in water availability, and they show remarkable loyalty to traditional trails, using the same routes for generations.
Diet
Wild Water Buffaloes are primarily grazers and feed on tall grasses such as Cynodon dactylon, Themeda quadrivalvis, and Coix species. They are also known to consume sedges like Cyperus corymbosus, herbs, bark, and crop plants including rice, jute, and sugarcane, which brings them into conflict with nearby human communities. They have also shown an ability to tolerate brackish water, giving them access to areas other species cannot utilise.
Reproduction and Mating
Wild Water Buffaloes are seasonal breeders, with most mating occurring in October and November. Gestation lasts 10 to 11 months, and females usually give birth to one calf per year. Sexual maturity is reached around 18 months for males and three years for females. Their reproductive system is polygynous, with dominant bulls mating with multiple females. In the wild, they can live up to 25 years, although most do not reach this age due to threats from humans and habitat disruption.
Geographic Range
Wild Water Buffaloes were once distributed widely across South and Southeast Asia, but today, they persist in only about 5% of their historical range. Approximately 90% of the global population is now confined to India, with two genetically distinct and geographically isolated populations—one in the northeast (Assam) and another in central India (Chhattisgarh). The central Indian population is extremely fragile, with just a handful of individuals, and is in urgent need of conservation action to prevent its extinction (Bora et al., 2024).
In Nepal, the species is now restricted to the Koshi Tappu Wildlife Reserve, with a population of around 400 individuals. This reserve provides a mosaic of seasonally flooded grasslands and wetlands, offering suitable but limited habitat. Camera-trap studies confirm that Wild Water Buffaloes are increasingly clustered in the reserve’s southwestern zone, preferring low-lying grasslands with limited human interference (Bhattarai et al., 2023). The species is now extinct in Laos, Viet Nam, and Bangladesh, and its presence in Cambodia, Myanmar, and Thailand is uncertain or highly fragmented.
Wild Water Buffalo via RoundGlass SustainThreats
Loss of Range and Isolation
A staggering 95% contraction in their historical distribution has left Wild Water Buffaloes clinging to survival in fragmented pockets. The central Indian population, in particular, is critically isolated and no longer viable without direct human intervention. Habitat modelling shows that suitable grassland habitats still exist, such as in Kanha National Park, but these remain unoccupied due to historical extirpation and lack of reintroduction efforts (Bora et al., 2024).
Hybridisation with Domestic Buffalo
Hybridisation remains a top threat to genetic purity. In Koshi Tappu, the proximity of domestic buffalo to wild herds—though minimal—still raises concerns about genetic introgression. Reproductive behaviour studies show that wild males may attempt to mate with nearby domestic females, undermining long-term conservation unless such risks are actively mitigated (Bhattarai et al., 2023).
Human Encroachment and Agricultural Expansion
Human encroachment and agricultural expansion continue to erode the grasslands needed by Bubalus arnee. In central India, overgrazing by livestock, road development, and conversion of alluvial plains to farmland have nearly eliminated their habitat. Even in protected areas like Koshi Tappu, disturbances such as flooding, roadkill, and poaching have impacted population stability and reproductive output (Bhattarai et al., 2023).
Low Reproductive Success and Skewed Sex Ratios
Research in Nepal has shown that although the population of Bubalus arnee has grown modestly in recent years, it is limited by low recruitment. Male-biased mortality—particularly from poaching and environmental threats—has disrupted natural sex ratios and herd structures, reducing breeding success and calf survival rates (Bhattarai et al., 2023). This creates an urgent need for better protection during calving seasons and enhanced anti-poaching patrols.
Historical and Cultural Significance of Wild Water Buffaloes
Wild Water Buffaloes have played a central role in the development of civilisations across Asia for over 6,000 years. In the Indus Valley Civilisation, they were traded with Mesopotamia, and a scribe’s seal from that time depicts the sacrifice of a buffalo. In India, the Hindu god of death, Yama, is depicted riding a water buffalo, and in some Shaktism festivals, a male buffalo is still ritually sacrificed.
In Chinese culture, the water buffalo is associated with a peaceful, contemplative lifestyle, symbolising hard work and serenity. In Vietnam and Thailand, buffalo feature prominently in folklore and agricultural festivals, including water buffalo fighting events that date back centuries. In the Philippines, the carabao—a swamp-type domestic buffalo—has become a national symbol, reflecting its role in farming and cultural heritage. The Minangkabau of West Sumatra even derive their name and architectural style from a legendary buffalo battle used to resist imperial rule.
Take Action!
The Wild Water Buffalo is more than a relic of the past—it is a living icon of Asia’s ancient riverine ecosystems. Protecting this species means defending wetlands, grasslands, and the cultures that have coexisted with these powerful animals for millennia.
Reject palm oil, demand indigenous-led agroecology, and help stop the extinction of one of the world’s last true wild bovines.
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FAQs
How many Wild Water Buffaloes remain?
Estimates suggest fewer than 4,000 individuals survive globally, with around 90% located in India. Nepal’s population in Koshi Tappu Wildlife Reserve was recently estimated at around 405 animals (Subedi et al., 2023).
What’s the difference between Wild and Domestic Water Buffaloes?
Wild Water Buffaloes are larger, have broader heads, and possess distinct, sweeping horns. They are genetically distinct and more suited to wild floodplain habitats. Most domestic buffalo breeds descend from them, but hybridisation is rapidly blurring the line.
Why is species hybridisation a serious threat to Wild Water Buffaloes?
Hybridisation permanently alters the wild gene pool. It dilutes adaptive traits and may lead to the loss of behaviours or features essential for survival in the wild. Once the species is hybridised, it cannot be restored to its original form.
Do Wild Water Buffaloes make good pets?
Absolutely not. Keeping them as pets contributes directly to their extinction. These are powerful, wild animals who suffer greatly in captivity, and their removal from the wild disrupts natural herds and genetics.
How does palm oil deforestation affect Wild Water Buffaloes?
Floodplain and riverine habitats are increasingly cleared for palm oil plantations, especially in Southeast Asia. This destroys critical wallowing sites and pushes buffaloes into contact with domestic animals and humans, leading to conflict, disease, and death
You can support this beautiful animal
There are no known conservation activities for this animal. Share out this post to social media and join the #BoycottPalmOil #Boycott4Wildlife on social media to raise awareness
Further Information
Bora, J. K., Vardhan, V., Vijh, R. K., Deshmukh, A. V., Srinivas, Y., Mungi, N. A., Goswami, S., Jhala, H., Chauhan, J. S., et al. (2024). Evaluating the potential for reintroducing the endangered Wild Water Buffalo (Bubalus arnee) in Kanha National Park, central India. Restoration Ecology, 32(1), e14079. https://doi.org/10.1111/rec.14079
Bhattarai, R. K., Joshi, R., Gautam, J., Kandel, B., & Singh, B. (2023). Reproductive behavior of Bubalus arnee (Kerr, 1792) (Mammalia: Artiodactyla: Bovidae) in Koshi Tappu Wildlife Reserve and Chitwan National Park, Nepal. International Journal of Zoology, 2023, Article ID 6305614. https://doi.org/10.1155/2023/6305614
Heinen, J. T., & Kandel, R. (2006). Threats to a small population: A census and conservation recommendations for Wild Buffalo Bubalus arnee in Nepal. Oryx, 40(3), 324–330. https://doi.org/10.1017/S0030605306000755
Kaul, R., Williams, A.C., rithe, k., Steinmetz, R. & Mishra, R. 2019. Bubalus arnee. The IUCN Red List of Threatened Species 2019: e.T3129A46364616. https://dx.doi.org/10.2305/IUCN.UK.2019-1.RLTS.T3129A46364616.en. Downloaded on 05 February 2021.
Subedi, A., Joshi, R., Ghimire, S., Bhatta, S., & Pokhrel, K. (2023). Exploring habitat suitability for Bubalus arnee and its interplay with domestic cattle within Koshi Tappu Wildlife Reserve. Journal of Animal Diversity, 5(3), 55–71. https://doi.org/10.61186/JAD.2023.5.3.6
Wikipedia contributors. (n.d.). Water buffalo. Wikipedia. Retrieved 17 May 2025, from https://en.wikipedia.org/wiki/Water_buffalo
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What a nice article to remember Friedrich “Fritz” Leisch, one of the unsung heroes of #RStats: https://journal.r-project.org/articles/RJ-2024-001/. Didn't know anything about his work until #user2024. Much more impressed about all of his contributions to the language and the tools surrounding it.