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#pathologist — Public Fediverse posts

Live and recent posts from across the Fediverse tagged #pathologist, aggregated by home.social.

  1. Microscopic control of pancreas tumor size is necessary for acurate staging:

    “Horses out of the barn”: pancreatic ductal adenocarcinoma frequently extends beyond the grossly visible tumour, requiring microscopic rectification for accurate T-staging

    onlinelibrary.wiley.com/share/

  2. Microscopic control of pancreas tumor size is necessary for acurate staging:

    “Horses out of the barn”: pancreatic ductal adenocarcinoma frequently extends beyond the grossly visible tumour, requiring microscopic rectification for accurate T-staging

    onlinelibrary.wiley.com/share/

    #pathology #pathologist #oncology #macroscopy #stage #pancreas

  3. Back from #pathologist & breakfast & shopping.

    Our neighbours met us to say they’ve spotted 2 #snakes since yesterday in our back paddock.

    One they saw was brown & the other was black.

    Oh joy.

    I hate snakes. They scare the crap out of me.

  4. 1st episode of the #ASDP #Webinar Series 2026, focusing on future of pathology in the era of digital transformation and artificial intelligence. As digital #pathology and AI continue to reshape diagnostic practice, this webinar will explore how innovative workflows and closer clinician - #pathologist collaboration can enhance clinical impact patient care.
    Saturday, 17 January 2026
    Time: 9:00 Istanbul
    Pathology 2026 - Futuristic DP/AI workflows and clinicians engagement
    zoom.us/webinar/register/WN_yx

  5. 1st episode of the #ASDP #Webinar Series 2026, focusing on future of pathology in the era of digital transformation and artificial intelligence. As digital #pathology and AI continue to reshape diagnostic practice, this webinar will explore how innovative workflows and closer clinician - #pathologist collaboration can enhance clinical impact patient care.
    Saturday, 17 January 2026
    Time: 9:00 Istanbul
    Pathology 2026 - Futuristic DP/AI workflows and clinicians engagement
    zoom.us/webinar/register/WN_yx

  6. 1st episode of the #ASDP #Webinar Series 2026, focusing on future of pathology in the era of digital transformation and artificial intelligence. As digital #pathology and AI continue to reshape diagnostic practice, this webinar will explore how innovative workflows and closer clinician - #pathologist collaboration can enhance clinical impact patient care.
    Saturday, 17 January 2026
    Time: 9:00 Istanbul
    Pathology 2026 - Futuristic DP/AI workflows and clinicians engagement
    zoom.us/webinar/register/WN_yx

  7. 1st episode of the Series 2026, focusing on future of pathology in the era of digital transformation and artificial intelligence. As digital and AI continue to reshape diagnostic practice, this webinar will explore how innovative workflows and closer clinician - collaboration can enhance clinical impact patient care.
    Saturday, 17 January 2026
    Time: 9:00 Istanbul
    Pathology 2026 - Futuristic DP/AI workflows and clinicians engagement
    zoom.us/webinar/register/WN_yx

  8. Morbific – Bloom of the Abnormal Flesh Review

    By Al Kikuras

    Finnish wizards of gore Morbific have been at this grimy game for half a decade, and to say the wear their ruptured hearts on their sleeves would be much more of an understatement than anything they have churned out of the chum factory on their previous two full-lengths or this, their third. The gloriously titled Bloom of the Abnormal Flesh drips with youthful enthusiasm, but as Ferox so eloquently described their absolute barbarism in his review of their sophomore outing, Squirm Beyond the Mortal Realm, Morbific aren’t here to break any new musical barriers; they’re just cracking skulls. These three Finnish grave robbers aren’t surgeons, they’re pugilists with all the finesse of a Sledge-o-Magic to a watermelon. If you don’t want to get messy, stay away from these three amigos, but if you’re into wearing a plastic schmatta in the front row at Sea World, gear up. Morbific are the Gallagher 2 to the Gallaghers of their progenitors. Take equal parts Autopsy, Carcass, and Mortician, whack them up in a blender, and you have the chunky, vile smoothie that is Bloom of the Abnormal Flesh. Even the logo is a noble homage to Impetigo sans prominently placed penis.

    The aforementioned great gore grandads have been oft imitated generation after generation. First came General Surgery, then 45 different Razorback Records bands, but like copying an album to a cassette, and then copying that cassette to another cassette, the quality tends to decrease a bit with each duplicate. Some of the latest crop are more successful in their savagery, like Miasmatic Necrosis, Pathologist, Pharmacist, and the very close-to-my-heart/sphincter monikered Hemorrhoid. While I will visit these morgues on occasion for a quick whiff of formaldehyde, as an old head, I find myself going back to the actual classics where all the stuff started, and I fear that Morbific, as much as they mean well, pale compared to the much meatier outings of their forefathers.

    Opening dirty ditty “Smut Club (For the Chosen Scum)” sets the seedy bar high, lurching like an unhoused leviathan on meth on the wrong side of the sidewalk in an affluent neighborhood. Vocalist/bassist Jusa Janhonen announces his arrival with a mighty ‘Pillard’ (a new phrase for ‘a cavernous roar that ends with a foul gurgle’ that is expected to be added to the Oxford English Dictionary in the fall of 2025). His equally foul bass breakdown at the minute mark has a satisfying squelch, especially when doubled by Olli Väkeväinen’s buzzsaw guitar tone, and Ollli’s brother, Onni’s refreshingly untriggered drum sound perfectly captures all the Discharge d-beat spirit of old. The literal gurgle under the ensuing keyboard interlude mid song is a shining moment in the proceedings that lends an air of almost innovation to what is otherwise a primarily paint-by-numbers OSDM affair. For example, the straightforward song two, “Panspermic Blight,” would benefit from a little more coloring outside of the chalk outlines.

    It’s when Morbific bring new smells to the noxious bouquet that the listens are more rewarding. While their hearts are in the right place, in the case of this gory mess removed from the chest and planted on the grimy piss-soaked floor of a rest stop bathroom, rather than sticking, much of this rotted meat falls away from the bone. While the fuzz bass sound in the slow section of “Womb of Deathless Deterioration” gives me a rigor mortis hard on and the musical interlude “Stifling Stagnant Reek” is a very gloomy and interesting respite, moments like that make the more workmanlike passages pale by comparison. In the six minutes of the title track where they balance nuance with barbarity to great effect elevate things to a level that I hope Morbific can further harness to a greater focus on outing four.

    Like a B-level horror film, Bloom at its core delivers all the blood and guts, but not always the heart and soul. As a relatively new jockey in this race to the grave, Morbific still have plenty of time to hone their craft to that of a razor sharp serial killer on a decade long spree as opposed to a Floridian meth head that got pissed off he/she/they got kicked out of a Circle K and decided to do the Dance of the Machetes in D Minor. It’s my firm belief that great things are yet to come from this truculent triumvirate, but this time around, the flesh needs a little more time to putrefy.

    Rating: 2.5/5.0
    DR: | Format Reviewed: 320 kb/s mp3
    Label: Me Saco Un Ujo Records
    Websites: morbific.bandcamp.com | facebook.com/morbific
    Releases Worldwide: April 21st, 2025

    #25 #2025 #Apr25 #Autopsy #BloomOfTheAbnormalFlesh #Carcass #DeathMetal #Discharge #FinnishMetal #Hemorrhoid #Impetigo #MeSacoUnUjoRecords #MiasmaticNecrosis #Morbific #Mortician #Pathologist #Pharmacist #Review #Reviews

  9. Morbific – Bloom of the Abnormal Flesh Review

    By Al Kikuras

    Finnish wizards of gore Morbific have been at this grimy game for half a decade, and to say the wear their ruptured hearts on their sleeves would be much more of an understatement than anything they have churned out of the chum factory on their previous two full-lengths or this, their third. The gloriously titled Bloom of the Abnormal Flesh drips with youthful enthusiasm, but as Ferox so eloquently described their absolute barbarism in his review of their sophomore outing, Squirm Beyond the Mortal Realm, Morbific aren’t here to break any new musical barriers; they’re just cracking skulls. These three Finnish grave robbers aren’t surgeons, they’re pugilists with all the finesse of a Sledge-o-Magic to a watermelon. If you don’t want to get messy, stay away from these three amigos, but if you’re into wearing a plastic schmatta in the front row at Sea World, gear up. Morbific are the Gallagher 2 to the Gallaghers of their progenitors. Take equal parts Autopsy, Carcass, and Mortician, whack them up in a blender, and you have the chunky, vile smoothie that is Bloom of the Abnormal Flesh. Even the logo is a noble homage to Impetigo sans prominently placed penis.

    The aforementioned great gore grandads have been oft imitated generation after generation. First came General Surgery, then 45 different Razorback Records bands, but like copying an album to a cassette, and then copying that cassette to another cassette, the quality tends to decrease a bit with each duplicate. Some of the latest crop are more successful in their savagery, like Miasmatic Necrosis, Pathologist, Pharmacist, and the very close-to-my-heart/sphincter monikered Hemorrhoid. While I will visit these morgues on occasion for a quick whiff of formaldehyde, as an old head, I find myself going back to the actual classics where all the stuff started, and I fear that Morbific, as much as they mean well, pale compared to the much meatier outings of their forefathers.

    Opening dirty ditty “Smut Club (For the Chosen Scum)” sets the seedy bar high, lurching like an unhoused leviathan on meth on the wrong side of the sidewalk in an affluent neighborhood. Vocalist/bassist Jusa Janhonen announces his arrival with a mighty ‘Pillard’ (a new phrase for ‘a cavernous roar that ends with a foul gurgle’ that is expected to be added to the Oxford English Dictionary in the fall of 2025). His equally foul bass breakdown at the minute mark has a satisfying squelch, especially when doubled by Olli Väkeväinen’s buzzsaw guitar tone, and Ollli’s brother, Onni’s refreshingly untriggered drum sound perfectly captures all the Discharge d-beat spirit of old. The literal gurgle under the ensuing keyboard interlude mid song is a shining moment in the proceedings that lends an air of almost innovation to what is otherwise a primarily paint-by-numbers OSDM affair. For example, the straightforward song two, “Panspermic Blight,” would benefit from a little more coloring outside of the chalk outlines.

    It’s when Morbific bring new smells to the noxious bouquet that the listens are more rewarding. While their hearts are in the right place, in the case of this gory mess removed from the chest and planted on the grimy piss-soaked floor of a rest stop bathroom, rather than sticking, much of this rotted meat falls away from the bone. While the fuzz bass sound in the slow section of “Womb of Deathless Deterioration” gives me a rigor mortis hard on and the musical interlude “Stifling Stagnant Reek” is a very gloomy and interesting respite, moments like that make the more workmanlike passages pale by comparison. In the six minutes of the title track where they balance nuance with barbarity to great effect elevate things to a level that I hope Morbific can further harness to a greater focus on outing four.

    Like a B-level horror film, Bloom at its core delivers all the blood and guts, but not always the heart and soul. As a relatively new jockey in this race to the grave, Morbific still have plenty of time to hone their craft to that of a razor sharp serial killer on a decade long spree as opposed to a Floridian meth head that got pissed off he/she/they got kicked out of a Circle K and decided to do the Dance of the Machetes in D Minor. It’s my firm belief that great things are yet to come from this truculent triumvirate, but this time around, the flesh needs a little more time to putrefy.

    Rating: 2.5/5.0
    DR: | Format Reviewed: 320 kb/s mp3
    Label: Me Saco Un Ujo Records
    Websites: morbific.bandcamp.com | facebook.com/morbific
    Releases Worldwide: April 21st, 2025

    #25 #2025 #Apr25 #Autopsy #BloomOfTheAbnormalFlesh #Carcass #DeathMetal #Discharge #FinnishMetal #Hemorrhoid #Impetigo #MeSacoUnUjoRecords #MiasmaticNecrosis #Morbific #Mortician #Pathologist #Pharmacist #Review #Reviews

  10. Morbific – Bloom of the Abnormal Flesh Review

    By Al Kikuras

    Finnish wizards of gore Morbific have been at this grimy game for half a decade, and to say the wear their ruptured hearts on their sleeves would be much more of an understatement than anything they have churned out of the chum factory on their previous two full-lengths or this, their third. The gloriously titled Bloom of the Abnormal Flesh drips with youthful enthusiasm, but as Ferox so eloquently described their absolute barbarism in his review of their sophomore outing, Squirm Beyond the Mortal Realm, Morbific aren’t here to break any new musical barriers; they’re just cracking skulls. These three Finnish grave robbers aren’t surgeons, they’re pugilists with all the finesse of a Sledge-o-Magic to a watermelon. If you don’t want to get messy, stay away from these three amigos, but if you’re into wearing a plastic schmatta in the front row at Sea World, gear up. Morbific are the Gallagher 2 to the Gallaghers of their progenitors. Take equal parts Autopsy, Carcass, and Mortician, whack them up in a blender, and you have the chunky, vile smoothie that is Bloom of the Abnormal Flesh. Even the logo is a noble homage to Impetigo sans prominently placed penis.

    The aforementioned great gore grandads have been oft imitated generation after generation. First came General Surgery, then 45 different Razorback Records bands, but like copying an album to a cassette, and then copying that cassette to another cassette, the quality tends to decrease a bit with each duplicate. Some of the latest crop are more successful in their savagery, like Miasmatic Necrosis, Pathologist, Pharmacist, and the very close-to-my-heart/sphincter monikered Hemorrhoid. While I will visit these morgues on occasion for a quick whiff of formaldehyde, as an old head, I find myself going back to the actual classics where all the stuff started, and I fear that Morbific, as much as they mean well, pale compared to the much meatier outings of their forefathers.

    Opening dirty ditty “Smut Club (For the Chosen Scum)” sets the seedy bar high, lurching like an unhoused leviathan on meth on the wrong side of the sidewalk in an affluent neighborhood. Vocalist/bassist Jusa Janhonen announces his arrival with a mighty ‘Pillard’ (a new phrase for ‘a cavernous roar that ends with a foul gurgle’ that is expected to be added to the Oxford English Dictionary in the fall of 2025). His equally foul bass breakdown at the minute mark has a satisfying squelch, especially when doubled by Olli Väkeväinen’s buzzsaw guitar tone, and Ollli’s brother, Onni’s refreshingly untriggered drum sound perfectly captures all the Discharge d-beat spirit of old. The literal gurgle under the ensuing keyboard interlude mid song is a shining moment in the proceedings that lends an air of almost innovation to what is otherwise a primarily paint-by-numbers OSDM affair. For example, the straightforward song two, “Panspermic Blight,” would benefit from a little more coloring outside of the chalk outlines.

    It’s when Morbific bring new smells to the noxious bouquet that the listens are more rewarding. While their hearts are in the right place, in the case of this gory mess removed from the chest and planted on the grimy piss-soaked floor of a rest stop bathroom, rather than sticking, much of this rotted meat falls away from the bone. While the fuzz bass sound in the slow section of “Womb of Deathless Deterioration” gives me a rigor mortis hard on and the musical interlude “Stifling Stagnant Reek” is a very gloomy and interesting respite, moments like that make the more workmanlike passages pale by comparison. In the six minutes of the title track where they balance nuance with barbarity to great effect elevate things to a level that I hope Morbific can further harness to a greater focus on outing four.

    Like a B-level horror film, Bloom at its core delivers all the blood and guts, but not always the heart and soul. As a relatively new jockey in this race to the grave, Morbific still have plenty of time to hone their craft to that of a razor sharp serial killer on a decade long spree as opposed to a Floridian meth head that got pissed off he/she/they got kicked out of a Circle K and decided to do the Dance of the Machetes in D Minor. It’s my firm belief that great things are yet to come from this truculent triumvirate, but this time around, the flesh needs a little more time to putrefy.

    Rating: 2.5/5.0
    DR: | Format Reviewed: 320 kb/s mp3
    Label: Me Saco Un Ujo Records
    Websites: morbific.bandcamp.com | facebook.com/morbific
    Releases Worldwide: April 21st, 2025

    #25 #2025 #Apr25 #Autopsy #BloomOfTheAbnormalFlesh #Carcass #DeathMetal #Discharge #FinnishMetal #Hemorrhoid #Impetigo #MeSacoUnUjoRecords #MiasmaticNecrosis #Morbific #Mortician #Pathologist #Pharmacist #Review #Reviews

  11. Morbific – Bloom of the Abnormal Flesh Review

    By Al Kikuras

    Finnish wizards of gore Morbific have been at this grimy game for half a decade, and to say the wear their ruptured hearts on their sleeves would be much more of an understatement than anything they have churned out of the chum factory on their previous two full-lengths or this, their third. The gloriously titled Bloom of the Abnormal Flesh drips with youthful enthusiasm, but as Ferox so eloquently described their absolute barbarism in his review of their sophomore outing, Squirm Beyond the Mortal Realm, Morbific aren’t here to break any new musical barriers; they’re just cracking skulls. These three Finnish grave robbers aren’t surgeons, they’re pugilists with all the finesse of a Sledge-o-Magic to a watermelon. If you don’t want to get messy, stay away from these three amigos, but if you’re into wearing a plastic schmatta in the front row at Sea World, gear up. Morbific are the Gallagher 2 to the Gallaghers of their progenitors. Take equal parts Autopsy, Carcass, and Mortician, whack them up in a blender, and you have the chunky, vile smoothie that is Bloom of the Abnormal Flesh. Even the logo is a noble homage to Impetigo sans prominently placed penis.

    The aforementioned great gore grandads have been oft imitated generation after generation. First came General Surgery, then 45 different Razorback Records bands, but like copying an album to a cassette, and then copying that cassette to another cassette, the quality tends to decrease a bit with each duplicate. Some of the latest crop are more successful in their savagery, like Miasmatic Necrosis, Pathologist, Pharmacist, and the very close-to-my-heart/sphincter monikered Hemorrhoid. While I will visit these morgues on occasion for a quick whiff of formaldehyde, as an old head, I find myself going back to the actual classics where all the stuff started, and I fear that Morbific, as much as they mean well, pale compared to the much meatier outings of their forefathers.

    Opening dirty ditty “Smut Club (For the Chosen Scum)” sets the seedy bar high, lurching like an unhoused leviathan on meth on the wrong side of the sidewalk in an affluent neighborhood. Vocalist/bassist Jusa Janhonen announces his arrival with a mighty ‘Pillard’ (a new phrase for ‘a cavernous roar that ends with a foul gurgle’ that is expected to be added to the Oxford English Dictionary in the fall of 2025). His equally foul bass breakdown at the minute mark has a satisfying squelch, especially when doubled by Olli Väkeväinen’s buzzsaw guitar tone, and Ollli’s brother, Onni’s refreshingly untriggered drum sound perfectly captures all the Discharge d-beat spirit of old. The literal gurgle under the ensuing keyboard interlude mid song is a shining moment in the proceedings that lends an air of almost innovation to what is otherwise a primarily paint-by-numbers OSDM affair. For example, the straightforward song two, “Panspermic Blight,” would benefit from a little more coloring outside of the chalk outlines.

    It’s when Morbific bring new smells to the noxious bouquet that the listens are more rewarding. While their hearts are in the right place, in the case of this gory mess removed from the chest and planted on the grimy piss-soaked floor of a rest stop bathroom, rather than sticking, much of this rotted meat falls away from the bone. While the fuzz bass sound in the slow section of “Womb of Deathless Deterioration” gives me a rigor mortis hard on and the musical interlude “Stifling Stagnant Reek” is a very gloomy and interesting respite, moments like that make the more workmanlike passages pale by comparison. In the six minutes of the title track where they balance nuance with barbarity to great effect elevate things to a level that I hope Morbific can further harness to a greater focus on outing four.

    Like a B-level horror film, Bloom at its core delivers all the blood and guts, but not always the heart and soul. As a relatively new jockey in this race to the grave, Morbific still have plenty of time to hone their craft to that of a razor sharp serial killer on a decade long spree as opposed to a Floridian meth head that got pissed off he/she/they got kicked out of a Circle K and decided to do the Dance of the Machetes in D Minor. It’s my firm belief that great things are yet to come from this truculent triumvirate, but this time around, the flesh needs a little more time to putrefy.

    Rating: 2.5/5.0
    DR: | Format Reviewed: 320 kb/s mp3
    Label: Me Saco Un Ujo Records
    Websites: morbific.bandcamp.com | facebook.com/morbific
    Releases Worldwide: April 21st, 2025

    #25 #2025 #Apr25 #Autopsy #BloomOfTheAbnormalFlesh #Carcass #DeathMetal #Discharge #FinnishMetal #Hemorrhoid #Impetigo #MeSacoUnUjoRecords #MiasmaticNecrosis #Morbific #Mortician #Pathologist #Pharmacist #Review #Reviews

  12. Off to the #Pathologist first thing - well, they don’t open until 9am, but my first engagement of the day.

  13. I want to add variants that we encounter in daily routine practice to the #Histopathology #Atlas. The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl #pathology #pathologist #variant #morphology

  14. I want to add variants that we encounter in daily routine practice to the #Histopathology #Atlas. The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl #pathology #pathologist #variant #morphology

  15. I want to add variants that we encounter in daily routine practice to the #Histopathology #Atlas. The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl #pathology #pathologist #variant #morphology

  16. I want to add variants that we encounter in daily routine practice to the #Histopathology #Atlas. The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl #pathology #pathologist #variant #morphology

  17. I want to add variants that we encounter in daily routine practice to the #Histopathology #Atlas. The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl #pathology #pathologist #variant #morphology

  18. I want to add variants that we encounter in daily routine practice to the . The changes that surprise us at first glance, but as experience increases, we say 'it happens' and move on. For example, in the gallbladder, the Rokitansky-Aschoff Sinus can penetrate through the muscle layer and progress deeper. histopathologyatlas.com/gallbl

  19. I was listening to the great Criminal podcast on the drive into the hospital this morning, specifically the latest episode:

    thisiscriminal.com/episode-233

    They interviewed a forensic pathologist who, it turns out, is Iceland's only forensic pathologist for a population of 380,000 people #pathology #pathologist #ForensicPathology #Iceland

  20. I was listening to the great Criminal podcast on the drive into the hospital this morning, specifically the latest episode:

    thisiscriminal.com/episode-233

    They interviewed a forensic pathologist who, it turns out, is Iceland's only forensic pathologist for a population of 380,000 people #pathology #pathologist #ForensicPathology #Iceland

  21. I was listening to the great Criminal podcast on the drive into the hospital this morning, specifically the latest episode:

    thisiscriminal.com/episode-233

    They interviewed a forensic pathologist who, it turns out, is Iceland's only forensic pathologist for a population of 380,000 people #pathology #pathologist #ForensicPathology #Iceland

  22. I was listening to the great Criminal podcast on the drive into the hospital this morning, specifically the latest episode:

    thisiscriminal.com/episode-233

    They interviewed a forensic pathologist who, it turns out, is Iceland's only forensic pathologist for a population of 380,000 people #pathology #pathologist #ForensicPathology #Iceland

  23. I'll be at the #Kensington in #SierraMadre on Saturday, August 19th from 1 to 3 pm with authors #SherriSnelling, a #gerontologist, and #TsgoynaTanzman, a speech language #pathologist. The topic is #caregiving and I look forward to sharing what I learned at #UCSF's #MAC (Memory and Aging Center) while writing #FindingTheRIghtWords (published by #JohnsHopkinsUniversityPress) with #neurologist, #BruceMiller, and what I have learned since its publication. #EndAlz

  24. I'll be at the #Kensington in #SierraMadre on Saturday, August 19th from 1 to 3 pm with authors #SherriSnelling, a #gerontologist, and #TsgoynaTanzman, a speech language #pathologist. The topic is #caregiving and I look forward to sharing what I learned at #UCSF's #MAC (Memory and Aging Center) while writing #FindingTheRIghtWords (published by #JohnsHopkinsUniversityPress) with #neurologist, #BruceMiller, and what I have learned since its publication. #EndAlz

  25. I'll be at the #Kensington in #SierraMadre on Saturday, August 19th from 1 to 3 pm with authors #SherriSnelling, a #gerontologist, and #TsgoynaTanzman, a speech language #pathologist. The topic is #caregiving and I look forward to sharing what I learned at #UCSF's #MAC (Memory and Aging Center) while writing #FindingTheRIghtWords (published by #JohnsHopkinsUniversityPress) with #neurologist, #BruceMiller, and what I have learned since its publication. #EndAlz

  26. I'll be at the #Kensington in #SierraMadre on Saturday, August 19th from 1 to 3 pm with authors #SherriSnelling, a #gerontologist, and #TsgoynaTanzman, a speech language #pathologist. The topic is #caregiving and I look forward to sharing what I learned at #UCSF's #MAC (Memory and Aging Center) while writing #FindingTheRIghtWords (published by #JohnsHopkinsUniversityPress) with #neurologist, #BruceMiller, and what I have learned since its publication. #EndAlz

  27. I'll be at the #Kensington in #SierraMadre on Saturday, August 19th from 1 to 3 pm with authors #SherriSnelling, a #gerontologist, and #TsgoynaTanzman, a speech language #pathologist. The topic is #caregiving and I look forward to sharing what I learned at #UCSF's #MAC (Memory and Aging Center) while writing #FindingTheRIghtWords (published by #JohnsHopkinsUniversityPress) with #neurologist, #BruceMiller, and what I have learned since its publication. #EndAlz

  28. @Chromino Hello! I joined here late last year. Three things?

    1. I don't cut up dead people (anymore) as a #pathologist

    2. I read eclectically and #AmWriting light-hearted retro SF novels and #MicroFiction (nothing in between, length-wise)

    3. My artistic sense is lousy, but I have a lot of fun playing around with #Daz3D

  29. What’s with every #pathologist on #vera? Why do they write them as really mean and combative characters? #britbox

  30. #February 1, 1865
    #OTD Henry Luke Bolley, American #Botanist & #Plant #Pathologist, is born.

    Fun Fact: Henry helped start #Purdue #Football & played quarterback. He also started the #Botany dept. & the football program at #NDSU.

    Dubbed the "Savior of the #Flax Crop," Henry fought #Plant diseases & created disease-resistant #Plants.

    In his 1956 #Eulogy, Harlow Walster said,

    "Henry was a fearless trailblazer who cut deep & lasting blazes in the #Forest of #Ignorance about plant diseases."